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#just because it's easier to draw out the story (and is more motivating to draw it I guess) to use my ocs for this
aleatus177 · 23 days
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hehehehehhee i got obsessed with Zukka so i drew them (obviously still not finished), i started it in pencil cus i was at school when i got the ✨motivation✨ and then i went digital to make it easier to draw (cus i’m sure the paper was going to break from all the erasing i was going to do)
designing Sokka’s clothes was really fun, i tried to combine some Inuit’s clothing with Water tribe’s and just some extra details for fun and i really like how it turned out, tho with Zuko is another story, it was a pain making his clothing, first trying to find out if which culture was the Fire nation clothing based on, if it was Japanese or Chinese, then second i got frustrated trying to find good references so at the end i just grabbed one clothing i liked, fire nation clothes, and some details from other Zuko drawings, i obviously tried to make it as original as posible, i made lots of designs but with similar ideas in some parts, i ended up really liking it but i feel like i could have done a lot better to make it more fire nation or chinese/japanese (i don’t fucking know)
i like Sokka more cus he still looks like himself and the clothes still look like water tribe, Zuko thankfully still looks like himself because of the scar and his clothes don’t really say fire nation, but if it had nothing to do with the clothing looking like the fashion from their respective place and the characters looking like themselves, i prefer Zuko
BUT ANYWAYS, THEY’RE SO CUTE AHHHHHHHHHH i sometimes surprise myself with how amazing my drawings can look, i just hope i still get enough motivation to finish the drawing, cus its gonna be a lot of details and colors… haha, i love colors thats my fav thing when drawing😄😄 😃😃😀😭😭😭😭😭😭😭
i’m still not sure if i should add a background and lights and stuff, i need to improve drawing those kind of things
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writingdirectory · 1 year
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Notes from a 5-day creative writing course:
Motivation
Make it a habit. That way, each time that familiar voice of self-doubt makes its appearance, it’ll be easier to ignore it, because writing will become something that you do-your thing-and you’ll gain confidence in it.
Visit your novel every single day. It doesn’t necessarily mean that you have to write something every day. You could outline the plot, or write character portraits, or draw a special part of your world. Your subconscious will work on your story even when you don’t. So, each time you visit the story consciously, you’ll find that things have developed in the story.
Manage the time of writing in a way that it is manageable for you. (It can be that one hour between classes or your lunch break or the morning before you go to work or at night before you sleep - Schedule it in a way that suits you and then, be serious about it.
Set a goal. For example, 100 or 500 words a day.
Character Development, Word Choice & Description
At first, characters incarnate ideas. A poor man who wins the lottery, a young boy who travels to a magical land. As we develop the story, they become people - real people with backgrounds and unique choices.
Ways we perceive character: through actions, thoughts (conflict), dialogue, interactions with others.
Bring intentionality to the representation of a character.  Don't give arbitrary information.
How a character reacts is a question of how you want to represent them through all those multiplicities that are dialogue, actions, interactions, etc.
Characters always want something. They are never static. With wants come obstacles and transformation.
Create tension between what a characters thinks, feels and says. For example, set external confidence and internal fear and then change that as the story develops. Characters can also be comfortable or scared depending on the situation.
Explore complexity. How a character talks to their lover is different from how they talk to their friends and family.
Give secondary characters a characteristic beyond their function to make them more prominent.
Make a hierarchy out of characters.
Exercise: Write the portrait of a character, how you would introduce them in the story and a description of them from a character that a) likes them and b) dislikes them.
Word Choice. When it starts sounding like writing, cut it out - Kill your darlings. Example: The car was spotted with rust - shows the car. As opposed to: The car was acned with rust - shows the writing. Sometimes a more refined word works against the object/image.
Description: Don’t just put in details. The details need to be significant for the image you want the reader to see.
Don’t use metaphors and lyricism in the expense of clarity. Be precise. Metaphors and similes should fit the narrative and not distract the reader. For example, saying “He barked like a dog” sounds fine, but if there are no dogs in your world, it is out of place and breaks the narrative. Be specific. Name things. Don’t be vague. Precision grounds your fiction.
Determine if you need static or lively description. Lively description is when you describe things through actions. Like “She passed her fingers through her blond hair”, instead of “Her hair was blond”.
Sense of authenticity. When you describe a place precisely, you gain your reader’s trust. A column is different from a golden column. That kind of attention gives a sense of authority and makes the narrative convincing.
Parts of description: smell, sound, sight, taste, touch, temperature, pressure.
Dialogue & POVs
Dialogue a) informs the character, b) moves the story forward, c) develops relationships between characters.
Dialogue isn’t just about how people talk.
What’s said can suggest what isn’t being said.
Use dialogue interspersed with description and visuals.
Choose the POV that suits your story.
(From David Lodge, ‘The Art of Fiction’.) A fictional story is unlikely to engage our interest unless we know whose story it is. Even with an “omniscient” narrative method, the writer should privilege one or two “points of view”. An objective approach may be a worthy aim in journalism, but not in fiction.
Pros and cons of 1st person POV. Pros: personal and direct, immediacy, intimacy, immediate credibility, easier to build character. Cons: limited, biased, unreliable, writing can become simplistic. When writing in 1st person, keep in mind that characters change, hence their perception changes. That has to be obvious in the narrative.
Pros and cons of 3rd person limited POV. Pros: thoughts can still be on the page, flexibility, wider view of the world, more complex language can be used (usually we think in simple words, so complex writing might sound pretentious and out of place in 1st person POV). Cons: distance (he/she).
GOD MODE. Or, commonly, 3rd person omniscient. You can jump in and out of characters’ minds, but there’s a danger when writing with such freedom. Be aware of structural harmony. Don’t write 10 pages in Sally’s POV and then jump into omniscient.
Use free indirect speech (1st person thoughts in italicized form, eg. No!) to eliminate the distance in 3rd person POVs.
Change POV with reason. Don’t suddenly jump to another POV just because it is interesting. Plan it. Make the change of the POV deliberate and make the reason clear.
Give equal weight to all POVs.  
Setting
The setting of a story is mediated through a character’s experience. It amplifies the theme. It shouldn’t be an arbitrary decision. The setting can make achievements more difficult for characters.
For children, places have magical properties, they are places of significance. The place of someone’s childhood can transform later in the novel, because the character has transformed. There’s a fluidity of meaning attached to places. But keep in mind that, places don’t change. Characters do.
How a character views a place is stated through the language we use.
When writing about a place that exists, have fidelity at the facts.
Editing
Be open to ideas changing.
If it’s not working after 3-4 rewrites, cut it out!
Make sentences active. Things don’t happen to characters. They do things.
Pay attention to rhythm.
Every sentence needs to have a reason to be there.
Usually, we overwrite in dialogue. Use context. Dialogue should be suggestive, rather than explicit.
Edit backwards, because perfectionism kicks in at the beginning.
Isolate. Edit single parts of the story. A chapter, a scene.
Read aloud. It will help find long sentences, pretentious words and unreadable language.
When words become over-familiar, put it down, give it to someone else to read.  
What to look out for: a) Character confusion. Make sure minor characters are introduced properly and find subtle ways to remind your readers who they are. b) Too much exposition. c) Plot holes, inconsistencies - there must rational reasons for coincidences, you must be able to provide logical and credible reasons behind the actions of a character. d) Over-written description.
What to do when editing: cut things out, put new things in, change sentence order and structure, look for repeated words, strengthen verbs (or prune), expand, trim, look for continuity errors, change order of events, introduce a delay in the reveals, rewrite using another POV or tense, determine if each sentence is pulling its weight.
Techniques: a) Prune. Delete text you don’t need. b) Isolate repetitions and delete or substitute with synonyms (look out for pretentious words). c) Cut and paste paragraphs to change order and rearrange. d) write a whole new draft, only looking to the previous one for factual material. e) Use a reader.
Bibliography
Hills Like White Elephants, by Ernest Hemingway (suggestive dialogue)
Concrete Island., by J.J. Ballot (how setting makes goals harder to achieve)
Driving Through Sawmill Towns, by Les Murray (lyricism, setting)
The Art of Fiction, by David Lodge (POV)
The Great Gatsby, by F. Scott Fitzgerald
On Writing, by Stephen King
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mistydeyes · 10 months
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141 boys and your oddly specific hobby
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summary: Most people have hobbies like drawing or bird watching, however, yours are more unique. Regardless of your odd interests, the 141 still loves you, their quirky significant other!
pairing: 141 x gn!Reader
warnings: swearing
a/n: By popular vote, this won so please enjoy :)
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Price - matchbook collecting
When you first met Price, it was when you both dipped your hands into the matchbook jar. The jar sat at the host stand of a dive bar and you both happened to go for it at the same time. Although, you two had different motives. Him, because he forgot his lighter, and you, because you wanted to add something else to your collection. He wouldn’t pass up on a pretty face who he presumed also smoked, so he invited you for a light. You didn’t have the heart to tell him that you were just a collector so you joined him outside.
What started as a quick smoke ended up being two hours of witty conversation. As your pleasantries turned into various topics and ramblings, you were glad you finished the cigar quickly, trying to emulate the mature man’s actions. He vaguely talked about his occupation, a high-ranking military man, and you talked about your non-comparable, boring civilian life. However as the late night hours slowly approached, you wrote your number on his matchbook and thanked him for the cigar and friendly chat.
On your next date, you revealed your odd hobby to Price. “I’ve been collecting them as a child. It’s like collecting snow globes from different destinations but much easier to display and transport,” you said as you both leisurely sipped your drinks. “And to think I thought you were out for a smoke, good thing I left my lighter that day, Love” he replied and gave you a subtle wink. You eventually showed him pictures of your growing collection, recounting where each one was from and showing him some of your favorites.
Soon everywhere he went, Price noticed the unique matchbooks. It started with pocketing a matchbox while he was in Amsterdam and grew slowly. Soon he would start a collection of his own, bringing them home to you with a story of where they each came from. After what seemed like 30 matchbooks in Price's collection, the 141 took notice. “Captain, you some pyromaniac or something,” Soap joked. “Just for my partner, weird collection of there’s” Price responded and no one questioned him further. Although, he still keeps the matchbook that has your number on it in his collection.
Soap - soap making
“You’re never gonna believe me, but I make soap as a side business.” Soap thought it was a joke at first, something to make him laugh when you first met. But when he entered your flat, he was shocked at how honest you were. Your walls were filled with shelves lined with every scent known to man along with hundreds of designed soaps. It smelled like a Lush store when he walked in and he marveled at your creations.
You watched him bask in the glory of the soap for a moment as you laughed heartily. "I told you so," you said as he went about sniffing each one and examining them. You organized them by scent and interrupted him as he approached the floral section. "Having fun there, Johnny?" you asked and he looked up at you as he held one of your rose-scented creations in his hand. "Can't believe this," he said and you smiled as he continued. Eventually, after he had smelt every single bar, you took him into a room where you were working on some new items for your fall collection.
"You have more!" he gasped and went to examine the bars of soap in their molds. "My Autumn collection," you said proudly, "here come smell this one." You led him to a table that housed an orange-hued soap slab with leaves delicately placed throughout the hardened bar. He held the slab in one hand and placed it up to his nose. His eyes lit up as a mix of cinnamon, nutmeg, and pumpkin filled his nostrils. "Smells like a pie," he joked and you showed him various others.
For his return from deployment, you had a surprise. You had spent weeks perfecting this formula and finally were satisfied. As you walked to his flat, you gently tugged on the striped ribbon that tied the parcel together. When he opened the door, he noticed the box in your hands and ushered you in. He excitedly tugged the ribbon off the box and opened it. He gasped when he saw two bars in the colors of the Scottish flag lying on a pile of recycled confetti. "What's this?" he asked and you motioned for him to turn the bars over and smell them. As his calloused hands turned the soft bar over, he noticed the packaging said "The Scotsman." He smiled widely as he placed them both up to his nose, taking in the smells of rain and pine. You swear you could see him tear up when he said, "Reminds me of my own home."
After this, he insisted you mass produce these bars of soap for his friends. You sheepishly did so and when you presented it to the other 141, Gaz loudly remarked, "He's finally done it, Soap is now a bar of soap." 
Gaz - raising butterflies
He had heard about people having pets—even raising chickens but never butterflies. Your house was a sanctuary, filled with small enclosures of cocoons along with various flowers for your butterflies to suck nectar from. When he entered your house, it was like that scene where Alice first sees all the flowers in Wonderland. He felt like a child, seeing all the gorgeous wings floating around the room. He saw a delicately monarch land on a peony and approached it quietly.
"Here hold out your finger like this," you said and showed him how to stand gently and hold out his pointer finger. As he followed your actions, the butterfly gently landed on him. He looked in awe at the insect and you stealthily took a picture of him. The rest of the afternoon, you described to him what flowers butterflies like best and the lengthy process of tending to them before they reached metamorphosis.
Whenever Gaz was on deployment, he would always visit to relax in the butterfly sanctuary. He loved watching as you tended to the flowers and gently fed the butterflies sugar water. Even when he was on a mission, he would be sure to ask about some of his favorite butterflies, even going so far as to name them. "How's my girl, Cressia, doing?" he asked over FaceTime as you walked to find the Great spangled fritillary amongst the zinnias. "Here she is!" you exclaimed and pointed the camera at Cressia, a gorgeous butterfly with golden yellow wings. You could hear someone snicker in the background but Kyle didn't care as he continued to take screenshot after screenshot.
For your first anniversary, Kyle was unfortunately deployed and couldn't celebrate with you. This didn't stop him from showering you with gifts. As you sat in the conservatory, you could hear the doorbell ring. You emerged to find the postman holding two boxes for you, one smaller than the other. You took them inside as you delicately opened up the larger package. Inside, was a note describing the care for 23 painted butterflies along with rows of small cocoons. You smiled as you read the instructions and went to place the new members into their homes. After you got them settled, you opened the small box to reveal a necklace with a small butterfly charm carved from a pearl. A note inside read, "Happy anniversary, now you can carry a butterfly with you anywhere you go."
Ghost - bookbinding
When you first invited Simon over he was quick to notice your many bookshelves all lined with books of the same aesthetic. He knew some of these were Penguin clothbound Classics but was certain they hadn't bound The Hunger Games in their unique cover. As he held The Harry Potter novels and My Year of Rest and Relaxation in his hands, he silently contemplated if he had missed a few years and these were published classics. You came into the library with two glasses and laughed at his bewildered gaze. "You discovered my little hobby, Simon," you joked and offered him a glass. As he sipped on The Paper Plane cocktail, you recounted how you would spend your free time rebinding books that didn't match your aesthetic. "It took me a while but having a matching library like this one is worth it," you said and waved your arm to the rows of books, all with a unifying factor.
As you entered into a long-term relationship, it was clear Simon loved your hobby and indulged in it. Every time he visited, he insisted on bringing you the few books he owned to create Penguin Classic-like covers. From military manuals to a vintage copy of The Art of War, you quickly rebound them and presented him with his new book. He even told you that some of his colleagues had complimented your handiwork. You always blushed in response, citing your eye for design as the cause of all the madness.
Eventually, Simon gifted you with the paperback Penguin Classics. You opened the door to see him carrying a pile of books in his arms. You quickly ushered him to the library where he set them all down on your vintage leather couch. "For the person, that has everything," he said and you went to examine all of the books. He had seemingly bought out the whole collection as you marveled at each of the covers. "Each one of them has an art piece on it," he said and you began to notice the trend. You gave him a gentle kiss on the cheek as you held Wuthering Heights in your hand. He quickly snatched it out of your hands before you could even start to rip off the cover. "Keep these, I know you have a theme going on but it doesn't hurt to have some variety," he said and gave you back the book as you stared up at him.
Now whenever someone comes to visit you, they always notice the black-bound books on display. Although they do stick out, you love recounting the story of how your significant other bought you some of the most prized objects in your collection.
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cupcakeslushie · 2 months
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sorry for nagging you but i wanted to ask if you have some tips on making comics. I’ve trying making many comics but i always lose motivation and can’t seem to get past even the first panel sometimes.
I did make a pretty long post here, with some advice for starting out! But that’s more technical I guess, and it sounds like maybe you’re looking for some motivational advice? So in addition to that post, I’d say…
Don’t look at these panels where you’re stuck as failures. Look at them, instead, as first drafts!! Keep the early planning stages loose, so it doesn’t feel like an arrow to the heart if you have to make changes. Many artists need to see their thoughts collected somewhere before they can refine things and move on to the next stage. Another big thing is learning to be okay with throwing those drafts away when they become more of a roadblock than a step towards that awesome, final version you’ve got knocking around in your head.
I can’t tell you how many times I’ve spent an hour plotting the composition of a panel…or maybe I’ve gotten too focused on the little details of a character’s expression, but the rest of the shot has just….idk died. I’ll copy and paste what I did like, and delete what’s not working or I’ll completely start over, no fuss. Wipe my hands of it and refuse to look at it as a failure. If I drew it once, I can draw it again! Practice isn’t time wasted, it’s time invested into growing! Drawing is drawing!
It’s always good to look back at your work, so you can see your improvement, but only focusing on your unfinished pieces might be doing more harm than good.
And maybe, you don’t have to draw a full 10 page comic from the get go! Try experimenting with shorter form comics! You can tell quite a number of stories in just a few panels! Learning the ins and outs of something new is a lot easier to accomplish when it’s done in smaller increments. That way you can have that feeling of success more often and it’ll motivate you into not giving up!
When I started EW, I was doing parts in like, one or two pages! Because I was still nailing down the comic techniques I wanted to employ. I was gathering brushes and learning how and when to use them! Learning how to create compositions that worked around dialogue bubbles! All the boring parts of comic creating lol. But then, the more comfortable I became with those techniques, the less time they took, and I could really go wild with the creative aspect! Now my updates are much longer!
It’s just a process. But at some point, all the advice and resources in the world can only help so much. You have to be willing to put in the time!
I’d say it’s kinda similar advice they give when you start working out. When you’re first starting, and you try to do more than your body is comfortable with, you’ll be in a lot of pain and won’t want to continue. It’s easy to give up if you’re not seeing results and you feel like you’re wasting your time. But if you start in a reasonable place, and let yourself learn as you go, then you can gain good habits and it’ll get easier!
And only then, when it’s easy, that’s when you challenge yourself! Not when you’re already struggling with just starting! Or it won’t be fun and all of your drive will disappear!
And that’s really what you’re doing this all for, right? For fun!
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silverskye13 · 29 days
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how did you get the confidence to write fanfiction? i always worry that i won't portray the characters properly so any ideas or wants to write fanfics that i have go away or i talk myself out of it :(
Well! First and foremost: Most people don't start writing,,,, anything with confidence. Let alone fanfic, where you know other people are going to be looking at it, with their own ideas of how the characters are supposed to act and feel influencing what they're coming to the story with. My first fanfic I was very insecure, which I feel like was evident, reading through the author's notes now. Apologies whenever something that required a lot of suspension of disbelief happened, a poll so readers could decide the ending so I wouldn't disappoint anybody, only to end in me writing and posting three different endings. Long justifications for why I chose certain things in the author's notes. The fic nowadays reads to me like a very rough apology.
"Hi I'm sorry I tried. Be kind I'm very scared."
But the thing about writing that fic was, it was the writerly equivalent of jumping into the deep end of the pool for the first time. After I bobbed back to the surface and realized a shark hadn't like, taken my legs off while I was down there, jumping in again got easier. And kept getting easier. And now I just write and post things.
There's kind of two schools of thought that I've seen people subscribe to, when it comes to taking the first leap. The one that's really popular around here on Tumblr is: Do it scared. It is simple and straightforward. You are scared. You will be scared. You probably never won't be scared. So do it scared. Write your thing, close your eyes and hit send [either to post it or to share it with one or two friends, or even just hitting the "save" button and not deleting it]. Get scared, do it, close your eyes, finish. When you open your eyes again and nothing terrible has happened, you can breathe a sigh of relief and do it scared again. It's a little nerve-wracking at first, but the idea is giving your mind the association of jumping and not falling. I did it and I didn't fail, therefore it is safe to do it again.
The other school of thought [the one I specifically subscribe to] is: Do it once. What you think or feel about it doesn't matter. What matters is you did it once. Maybe it will be hell, or it'll suck terribly. Maybe you're really excited! And it turns out great! Maybe its a wild ride of ups and downs, and by the end you need a few months to catch your breath and decide if it was worth it. Regardless: you did it once. Now you know, if you want to, you can do it again. Now you can decide if its worth doing again. For me, the euphoria of finishing a project always far outweighs the trouble getting there, so the step forward of "Do it once" is powerful for me. And that can be broken down too. "Write one chapter." "Draw one drawing." "Clean one room in the house." There is no pressure to continue if its really that terrible, but you at least get to decide if one was worth it [and a solid 9 times out of 10, one was worth it enough to do it more.]
Now, all that said, if what you're worried about is writing the characters right and nothing else -- don't worry too much. Most people care less about how true to life the characters are, and care a lot more about consistency in the story. An example from RnS: In canon, Helsknight is a cartoonish villain with one motivation, and that motivation is taking over hermitcraft Doofenschmirtz style. To date, no one has come into my inbox demanding I change him, because he's so OOC he's basically an OC at this point. What people have come into my inbox about though, is "Hey, you established X in this chapter, but he said Y in this chapter. Was there a reason for that?" which is them saying, "Why didn't you keep your character consistent?" If you tell your audience what the expectations are for the story and you stick with them, they will stop caring about OOC moments and characterizations, and will trust you're going somewhere with your writing. Suspension of disbelief, your powerful friend! They put the world on their shoulders and carry and everybody watches and claps.
If you're also worried about consistency, then start out with one shots! There's a lot less room for error, no large, sweeping character arcs to keep track of. And stringing a bunch of one-shots together can give you practice with character consistency and progression without committing to something massive and overarching. If you're truly worried about making the characters exactly like Canon [or the Canon in your head], I recommend making little lists of character traits, or important things you want to keep in mind. At that point you're scared of your own consistency, and you just need a framework to keep yourself consistent enough for yourself, if that makes sense?
Hopefully! This helps! Sorry I'm a little scattered today :'D
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pmdthehumanconnection · 2 months
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Time for me to answer some questions, and gosh there were a lot! There were a ton I wanted to answer, so I'll pick a few to answer here. I may end up doing this for other characters in a future QnA, but right now there were just some questions I didn't want to leave unanswered despite only dedicating one page to this.
Author: Do you have voice casts for any of the characters? Answer: Fullmetal Alchemist was one of my big influences for this, so I imagine much of the English VA when thinking of the characters in this comic. Travis Willingham for Gallade, Gwendolyn Lau for Ribombee, Trina Nishimura for Dewott, and Brittney Karbowski for Lumen, for instance. It's not solely the FMA dub cast I think of, but it is the majority. Author: What do you use to draw all your amazing drawings? Answer: Thanks for the compliment!! I currently use a Huion Kamvas Pro 12, an older tablet model that I picked up at a bargain, and Clip Studio (I know both companies behind those products have gotten caught with image transformer AI which is disappointing; I was using these before all that). I also like to do traditional sketching and then scan those to use a basis for drawings. Sometimes its just easier to do it the latter way for me. Author: I love the unconventional choice of Tepig as the main protagonist, and of course the way you draw them. How come you chose Tepig over every other PMD starter? Answer: Ahhh again thank you for the compliments! Well, originally this comic started as an ask blog with a questionnaire to determine the protagonist and the partner, with Tepig and Riolu winning out (it was a barely known blog and the art was bad). When I decided to redo the story, I realized how much I liked the pairing; Riolu is a popular choice and could represent the expectations of a PMD story, while the less popular Tepig would be a great shakeup and point of difference. Plus, Tepig can be a very cute pokemon!
Author: This may sound like a strange question, but would you consider this work to be more of a love letter to pmd, a criticism, or both? I can see you’re playing around with some of the established tropes of the series and shaking it up a little, so I wonder what the motivation for that is! Answer: This is definitely a work of adoration for the Pokemon Mystery Dungeon games. Really, this is just the kind of story I want to see in the games one day (provided we actually get a new one...) because I honestly think there's a lot of twists, variations, and explorations that could be done with the story formula Spike Chunsoft has established with this spinoff franchise. You won't see this sort of story beat in this comic, but as an example, what if we had a game where it was revealed the pokemon you play as was always a pokemon, and they thought they were human because they had memories of one: their trainer, who instead either became their partner or the main antagonist? There's actually a lot you could do with the formula they established!
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straycalamities · 6 days
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so for some Reasons, the same reasons zombinoslayer is on indefinite hiatus, i have a question on like. Say there is a Truffula Flu-oriented plot, story. Y'know a narrative. Coming up, but the way it's being made is basically prose-based, how would you prefer to see that formatted onto a tumblr askblog/archive thing?
it does deal with two characters and two characters only (so far?)
rp-style is out of the question because of editing reblogs being killed
but...i have a few thoughts, but i'm not sure which one people would like to read and digest the most
for more clarity on what i mean with terms/styles: click under the readmore
when i say "prose-style" i mean it's written like a novel. it's 3rd-person limited and past tense.
The sun was baring down hard on Mikey's back as he trudged down the sidewalk. He drug his feet, pose hunched. Why did he have to run out of eggs on the hottest day of the year?
when i say "script-style" i mean that it's written how you would read the script for a show or a play. this is how i treated zombinoslayer's big scenes. it'd have progressive images for each action/dialogue, wherever i deemed an image needed/important
Mikey: [The sun is bright and harsh. He is walking down the sidewalk. He looks exhausted.] Why did I have to run out of eggs on the hottest day of the year?!
and when i say comic, well, that's obvious. i'd do my best to translate everything as well as i can into something that is heavily image and dialogue based that has comic frames and such.
pros and cons of all these being:
prose pros (lol): it keeps all of the character's inner feelings, struggles, and thoughts and even some motives out and easier to see, which with these scenes and with how these characters are, might be important or even very enlightening for people i also don't have to draw as much because i would only be illustrating significant parts and to make the posts look more appealing/interesting. thus updates would happen more frequently. easier to plug into a translator if english isn't your first language the images would be illustrations i'd actually put effort into since there would be so few of them
prose cons: it'll be a lot more reading overall less left to interpretation, i guess? less pretty pictures? it takes a lot more cerebral energy in some cases to take in prose and turn it around in your mind i just get that for some people, they don't like walls of text. like i, for one, have gotten very bad at reading so i get it
script pros: more pictures to look at then prose-style scenes move by more quickly and smoothly, everything focuses more on actions and interactions so maybe things are easier to digest than prose-style still translator-friendly updates still more frequent than comic-style, but less frequent than prose-style most likely full-color images. may or may not have a bg in every image (just think zombino-slayer style? but i might not render every time either like i did there because that was..phew..that took a lot out of me)
script cons: more images to draw for me the format might be wonky to some none of those inner thoughts/monologues, a lot of depth and inner feelings/struggles/references made in the characters heads are left out. it all focuses on the external with hints to the internal left to expression, body language, and dialogue and the reader's own bias/experience
comic pros: ALL THE PICTURES YOU COULD WANT! everything's images! if you're most comfy with reading comics or manga already, you'd dig this (obviously) the least reading and it's all together in one image (well multiple) very easy to soar through and take everything in since the focus is on images and dialogue Only (maybe narrative notes or thought boxes when really important) easiest to share i'd think? and easiest to get a feel for what's going on in a scene without having to study and/or think too hard about it
comic cons: oh my god all that drawing...updates would be slow as molasses tbqh.. unless i decided to do manga-style aka B&W or limited grayscale/monochrome. even then though again, everything internal would be left to the hints you'd get from the external i could give with imagery, panel-shape, dialogue, and such not translator-friendly (i know there's the google image translator, but i'd be handwriting the text (i just like how it looks best) and it's not always friendly to handwriting)
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as far as specifics for each style, we'd work that out once one is picked
other notes: i do think i'm a pretty strong prose-writer, but i also think i'm a pretty strong comicsmith. so i don't think it's really up to what i'd, personally, be able to pull off best with the skills i own :3 (and i mean script-style is the most simple of the three. and i've already done it. it'd be almost identical to zombinoslayer. and it'd be most similar to Camp Entre's rp-style i think? even though Camp Entre was much more dialogue-based than anything else
i know i haven't uploaded too much of either, especially my writing, but trust...i'm pretty good at it. at least that's what people tell me.
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tcwmatchmakingau · 9 months
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The Beauty In All, Part Two
Editor's note: written by @deejadabbles Pairing: Echo x GN!reader Rating: General Audience (but minors DNI) Summary: Fool me once, shame on you, fool me twice- still shame on you, don't take advantage of my kindness! After so many times of falling for people who mock and manipulate your kind nature, you thought that love, true love, was simply not in the cards for you. Thankfully, Right to Love is here to make sure you and a lucky ARC trooper get your happy ending together. A.N: For some clarity: in my take on this AU, Palps had his "unfortunate accident" pretty late into the og clone wars timeline, so Echo was still rescued from the techno union and was rolling with the bad batch for awhile. And of course, since this is an everyone lives AU too, Tup's chip never activated so that whole thing never went down, Everyone lives, everyone's rescued, happy endings all around! Also....if you guys read this chapter closely, you'll see references to more stories I have planned for this AU *wink wink* Lastly, Daria is @blueink-bluesoul 's wonderful OC, who you will find in other works of this AU! Word Count: 2,742
Warnings: Mentions and discussions of ableism
Part One
With all her appointments taken care of for the day, Maura sat at her desk and got to work with the stack of profiles under her care. With her favorite playlist starting in the background and a shawl wrapped loosely around her shoulders, she started sorting today’s new clients. She used her own little “personality-type” system to highlight and sort each of them, which made it easier to draw up a short list of possible matches for each client, which were then looked into deeper from there.
She had gotten this process down to a nice, practiced rhythm and had just begun drawing up the ‘maybe-matches’ for the first new client, when there was a knock on her door. As usual, she gave a distracted noise to whoever was on the other side, and most people at RTL would know it meant a cheerful, “come in”.
“I come bearing gifts,” came an almost light tone, and Maura didn’t have to look up from her desk unit to know it was Kix.
Still, because it was Kix, she tore herself away from her work and smiled up at him. He was holding two togo cups in his hands, both bearing the logo of the tapcaf down the street that many at the matchmaking service frequented nowadays.
Kix was giving his most charming smile as he handed the cup to her, “One hot cocoa, with extra whipped cream and caramel drizzle. And yes, hot cocoa, because I know that, even if you like it, caf this late in the day makes you stay up all night.”
His smile was very infectious, not that she needed much reason to smile, but it was easy around a man like Kix. “You are the actual sweetest,” she said as she took the cup, waiting till she removed the lid and swiped some of the cream before adding, “even if it is just a bribe.”
Kix didn’t even flinch. He was still smiling as he put a hand over his heart, “But I bring you drinks all the time without ulterior motives.”
Maura leaned back in her chair and narrowed her eyes playfully at the medic, “In the morning, yes, not in the afternoon. Come on, Kix, out with it.”
He at least had the decency to look like he was thinking his answer over, even though she knew he had whatever he wanted to say planned down to a T. Finally he sank into her chair, instantly grabbing the tooka plushy and holding it aloft. “So, I had a lovely chat with one of today’s clients in the waiting room and I was thinking that they would be perfect for…you know who,” he moved the tooka’s head as if it agreed with him. Dang it, he was bringing out all the cute charm today
Honestly, she should have expected this, especially since she knew exactly who he was talking about…and that the thought crossed her mind too. How could it not? You were charming and sweet and obviously cared deeply about people, especially clones. One of her previous clients, Tiio, had sent her a long, detailed letter of recommendation the moment you signed up for RTL. Everyone knew about the whole flower crown event now and, according to Daria, even Fox was fond of you and the way you treated his brothers.
And, as for ‘you know who’, Maura had met the stubborn brother in question a few times now, when Kix invited her along to 79s. Even when she wasn’t working, Maura couldn’t help but to read people, to think about and observe them, and that man may benefit from someone like you.
But, in the end, none of that mattered. Not until Echo came to RTL himself. 
“Kix,” it was undoubtedly a warning, though it had no real teeth since she knew he was a good enough man not to make her resort to that. “You know I can’t do anything until he comes to us. And even then, I can’t set them up on a date just because you got a feeling or a vibe.”
“I know I know,” he set the tooka plush on his lap so he could hold up both hands to her, “Obviously you know more than I do, I just had a short conversation, but,” he shrugged, “I don’t know, I just got this feeling when I talked to them. You’re the expert but, if I can finally drag him in here, will you at least give their compatibility a look over?”
Maura quirked an eyebrow, “You think you’re wearing him down?”
He ran a hand over his neatly designed hair, looking a little smug now, “You know not to underestimate my skills. We’re going out tonight, a bunch of us and a lot are bringing their partners. I bet the morning caf that Echo’s name will pop up in the appointment requests by this time tomorrow.”
All she could do was wave her hands, “I won’t promise anything, but, if he submits his profile, I’ll keep all possible matches in mind.” Oh, he was practically beaming now. “But Kix, don’t expect me to wait for him if you still haven’t convinced him,” her tone was firm, but he knew she was only saying it as a professional reminder.
“I wouldn’t expect any less,” was his pleased reply, “I won’t even say I told you so when he signs up.”
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“No.”
Kix looked quite affronted, “You don’t even know what I was going to say!”
Echo’s eyebrows climbed up his forehead, “You mentioned Right to Love, I know where this conversation is going.”
As if he couldn’t be bothered with his brother’s offended look, Echo simply took another drink of his Bespin brandy as Kix recovered himself. Currently, between everyone who had shown up tonight, Echo, Kix, Tech, and Hunter were the only ones still sitting at the booth and table they’d claimed. Fives always made sure to include Echo when the old 501st gang went out, and in turn, Echo tended to drag clone force 99 along with him. It had taken…a while for the two teams to get used to each other, but they'd managed something of a relationship by now.
Kix leaned back in his chair, “All I said was that there’s been another influx of new clients recently.”
“And,” Echo said in a bored tone, “that was your attempt at shifting the conversation so you can try to convince me to sign up, again.”
“There’s something wrong with that?” Kix shrugged, unbothered by the resistance, “It’s kind of my job to pester my brothers into taking care of themselves.”
“I don’t see how getting set up on a blind date is ‘taking care of myself’.”
“You know it’s more than that.”
“Kix,” Echo’s voice was a rumble now, but made it a little less barbed at the edges when he said, “why are you so set on this?”
The other man couldn’t help but sigh. He cast a look around the table, Tech was engrossed in his datapad while Hunter leaned back with his eyes closed. Hopefully, they would use the loud music as a way to turn a blind ear.
Still, Kix leaned in and lowered his tone when he said, “Vod, I see the way you look at them.” 
Even though he certainly didn’t need to, he nodded his head toward their brothers. To Fives who was dancing with his once shy partner. To Tup who was cheering his girlfriend on at the billiards table. To Rex who, while never having been a client, still found love at the little service devoted to it.
“It’s okay to want what they have, Echo,” Kix said, and he hoped the sincerity in his tone came through.
Echo didn’t look at him, at first he seemed to stare at nothing in particular, but Kix knew his eyes were drifting between the pairs. He saw the way he watched Fives tease a blush out of his cyare, or Tup smile when his girl leaned her head on his shoulder, or Rex and his little matchmaker staring at each other with pure adoration.
Kix took a sip of his own drink before adding, “Look, I’m not saying love’s going to make life perfect or anything, but, I think they could find someone who could really make you happy.” He waited a beat, then nudged his old friend in the shoulder. “Hell, I’m sure they can even find someone who can handle how grumpy you are. And when that happens, I know you can make that person happy too.” This time he didn’t give Echo a chance to reply, instead, scooting his chair back from the table as he took their glasses, “Think about that while I get us another round.”
  Still there, at the table, Echo watched the medic go and released a long breath from the depths of his chest. Yes, Echo had thought about Right to Love many, many times. Every time one of his brothers gushed about their partners, he would feel a small, short tug in his chest. Echo never had been, nor ever would be, the type of man who needed to be in a relationship, but, there was still a longing there. A pining, almost. And he supposed he owed it to himself to finally acknowledge its existence.
“I think it’s a good idea.”
The voice startled Echo out of his thoughts and he turned to find Hunter, still sitting with his head tilted back and eyes shut.
“All you can lose is time, Echo, so why not try it?”
“There’s more to it than that,” he grumbled.
Hunter finally opened his eyes and looked at him. “So? Since when have you backed down from anything? I would have thought the ARC trooper in you would like the risk.”
Echo knew what Hunter was doing, especially since Hunter was observant enough to realize what he meant by ‘more to it’. Still, he had to admit that Hunter's challenge was working.
And, once Echo thought about it with a little more grace, he supposed Kix had a point. If there was anywhere that could help him find someone who was nothing like his previous dalliances, it was probably RTL.
Kix was making his way back to the table now, and got a thankful nod from Hunter when he handed him a fresh drink. Before the medic could even settle back in his chair, Echo knocked him off balance with his next words.
“Alright, you win.” 
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  If Echo wasn’t so hardwired to see things through, he might have walked out the door during the time he waited in the lobby. Filling out the profile questions had made this all feel a little too real all of a sudden and a part of him still couldn’t believe he was actually doing this.
Still, seeing the look on not only Kix’s face, but the way Fives’ lit up when he heard that Echo was coming here, made it all a little easier. Kix at least had the decency not to keep harping on the matter after he ‘won’ so to speak. Fives, on the other hand, couldn't stop going on about how excited he was that Echo was ‘getting out there’ again and would finally find someone they could go on double dates with.
It was half endearing, half annoying as all kriff.
Now, Echo was being led into a cozy little office by a woman who put the casual in business casual. A part of him was glad it was Maura who took him on, at least he knew her, even if they weren’t necessarily friends. Though, he supposed if they were, that would be some kind of conflict of interest.
“So, how does this work?” he asked after settling down in the chair across from her.
“Right now? We talk so I can get to know you better, so I can understand your needs and what you’re looking for better.”
To the point, but not unkind, Echo could respect that. “What do you want to know?”
For a moment she simply looked at him, considering and he felt a little uneasy under the gaze, not that he would let it show. Then, “I want to know why you were so reluctant to come here.” Her eyes softened a little, though she didn’t take them off him, “You don’t strike me as someone who balks at love, or even what we do here. And yet, Kix has spent many a lunch break complaining about how you brushed him off every time he brought it up to you.”
Alright, diving into the deep end. At least she didn’t waste time. Still, he needed a moment to think, to collect himself and she seemed patient, settling back in her chair to relax a little.
“It’s not just Right to Love," he started after a while, "it’s not as if I have some weird prejudice against this place. It’s just, dating in general, I suppose.”
“A bad history with dating?”
Echo scoffed, “Yeah, you could say that.”
She didn’t reply, just continued to look back at him, only now she gave him a small, encouraging smile.
Again, he waited a moment, falling back on some of his strategic tendencies before he even thought about it. Old habits died hard, but, he did want to think his answer over carefully. It’s not as if he kept these things secret and, if he was going to tell someone, it should be the woman responsible for finding him someone who wouldn't repeat the mistakes of lovers past.
Echo shifted in his chair, eyes drifting down to the dark wood of her desk. “In the past, when I’ve tried to date, I either get one extreme or the other.” He lifted his prosthetic hand and waved it over the rest of him, over every cybernetic detail. “A lot of people can’t handle this. They act like they can at first, but I see the way they look at me before eventually forgetting my comm number. Or, they’re at the other end of the spectrum. They see all this and think that they need to ‘fix’ me.” The word was bitter in his mouth, and his eyes snapped up to meet hers again, “I don’t need to be fixed, just like I don't need someone who can't stand the way I look. I don't want either of those. I want someone to look at me and…”
His voice trailed off, which was a little unlike him. Echo was usually so sure in his words and actions.
“To look at you and just see you?” Maura finished for him, and the words struck home.
Echo found himself taking in a breath, then, he almost let out a huff of a laugh, “Yeah. Just me. I’m not saying that these aren’t a part of who I am, they are, but there’s so much more to me than that.” He sighed, "So yeah, that's why I'm a little reluctant on dating."
That small, encouraging smile got wider and warmer as she straightened up in her chair, “Thank you for being so honest with me, Echo. Being hesitant to put yourself in our care is understandable, given all that.” It was only then that her eyes left him, instead focusing on her datapad as she typed away. “I’m not going to belittle the trust you’ve put in me by making flowery promises. I can’t guarantee that whoever I match you with will undoubtedly see you the way you deserve to be seen. I will, however, promise that I won’t give up until we find someone who does.”
Echo chuckled at that, “So, you’ll take on my high-maintenance case?”
Maura smiled at him, “High-maintenance? Oh, dear Echo, don’t flatter yourself. If you were truly that, we probably would have sent you to Daria. I don’t think there’s ever been a challenge that woman didn’t want to tackle." She winked at him, "You’re stuck with me instead.”
“You’re at least honest with me,” Echo shrugged, “And Kix seems to have faith in you, so I’ll trust his judgment.”
“I’m so glad I have glowing recommendations,” she drawled as she finished her notes.
He actually found himself smiling and almost, almost felt like something in his chest lightened. Alright, Echo wasn’t too proud to admit when someone else was right and, somehow, he actually had a good feeling about this.
 .
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nomsfaultau · 1 month
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thank you so much for writing mandatory family reunion. i just reread it for the eighth time. i think im going to dedicate my life to life to reading your other sbi fics until you update again. also; do you have any tips for committing to fics and not leaving them half-finished?
ahhhh that’s so sweet glad you enjoyed! As for writing fics, having it be your special interest really helps. But for more general advice on finishing:
-Don’t stick to just one story. Which seems counter intuitive! But inevitably you’re going to hit a snag in one story. So instead of stopping writing at all, switch projects. Writing involves a whole bunch of thinking, and stuff needs time to percolate in the back of your head. But having a small project to work on in the mean time keeps you engaged in the writing process, gives you practice, makes you feel like you’re making progress, and allows time to work out the other story. I personally have 1-2 main projects, Fault and MFR, and then rotate a couple back burner stories that I work on whenever I get inspiration and fully expect to have very slow progress and possibly never finish. Short stories, one shots, hell even just writing little one off scenes that don’t go anywhere. It’s a way to keep writing fun and thus you’re more likely to continue working on the stuff you’re trying to complete. Don’t feel bad if there’s breaks between working on your main project. Writing involves a lot of thinking and it takes time to do that.
-Devoting time to do that thinking also significantly helps. When you’re falling asleep can be a good time to rotate stories in your head. Could also be if you’re walking from place to place, or brushing your teeth, or other little gaps in the day. Even if you’re not physically writing, it’s still part of the process and can make it easier when you actually sit down to write because you know what scene you’re most excited to work on. Also, talking over your story idea with a friend is a great way to stay motivated if you can get over the mortifying ordeal of being known. You can bounce ideas off them, and other people’s investment in a project can be a great motivator to finish. Like legit a single ao3 comment once stopped me from my plan to abandon a fic. Reminding yourself why you (and other people) like the story makes it easier to want to continue.
-Keeping a rough outline of what you envision for the story can give you a road map to how close to done you are and where to go next. Just like you can hop between projects, I find jumping around the plot time line to write what scene I’m most interested in atm keeps me going instead of writing everything in order. Though, all writers have different degrees of plot planning, so that depends on your style.
-Art! I’m an artist, and while writing definitely fuels what I draw, I find doodling cool scenes I want to write really inspires me to keep going. This sorta falls under the same category of continuing to think about the story and motivating you to finish. -I found keeping a writing journal has improved how I view my writing. Basically, I’ll jot down a bullet point list of scenes worked on that week/month. Writing is a very slow process, so seeing a timeline of actual progression on a story makes it feel like I’m actually getting more out of my head and onto paper. I also jot down what ideas for scenes I came up with since that’s also part of writing, and might include a chill no stakes writing goal for that period, like work on X or Y project, or a particular scene. Sometimes my goal is just ‘write at least one sentence’. I give it lots of leeway, and accept that the muse may just be somewhere else that week. And if the goal isn’t met, no sweat! Life can get busy at times and it’s more important that you aren’t beating yourself up if it’s been awhile since you last touched a project. Forcing yourself to write a scene that isn’t ready won’t result in a good scene or an happy writer. Switch projects, give yourself time to think about it, take care of yourself, etc.
And, legitimately, don’t be afraid to abandon a piece. Maybe you’ll come back to it, maybe you won’t. It can feel disheartening to feel like you can’t seem to finish a project, but unfinished pieces also do a lot for you: they hone your craft, allow you a creative outlet, give you scenes that could potentially be reworked for later pieces, and most importantly were hopefully fun to write! Story crafting is a hobby that should bring you joy, not frustration and shame.
Like, I have stories that will never see the light of day and are just so I can have fun and poke it with a stick occasionally. I’m 100% confident in saying that every author will have tenfold the number of unfinished wips compared to complete works. That’s just part of the creative process: exploring different worlds to find the one you want to write.
Perhaps a fic might never get finished, but in the wise words of Technoblade: “if you enjoy it, it’s not time wasted, no?”
(Now, I think he was talking about murdering people, but the point still stands.)
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snugglesquiggle · 1 month
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Any tips on writing Juzi would be nice to see
(planning a fun scene in SKN)
good timing — i was actually just about to hit submit on a reblog where this was asked in the tags, but this works better as a standalone post.
took so long to respond because i underslept yesterday because i kinda feel that, while there's many areas of writing i'm good at giving advice on, characters are one area where it's all intuition for me right now. but here's a few thoughts
the number one insight that made relationships in general click for me is the understanding that it's all about emotional needs. the core of any relationship isn't whether they like each other, or whether they have chemistry, or whether they do anything else that couples conventionally do. it's answering the question "what do they get out of this relationship?"
could be validation, respect, a sense of security, even just having fun, but i find it clarifies things to be able to frame it as "this character needs something, and that character provides it"
there's a fair amount of room to flesh out J's character to whatever works for you story. in terms of what's established, it's not groundbreaking, but you can understand a lot of what she needs through the lens of middle management. she simultaneously wants to have someone above her and someone beneath her, smugly obedient or smugly superior, but always smug.
this isn't all of her character — her humansona drawing is very suggestive of a repressed drive for expression and individuality — but i think it's the easiest part to relate to Uzi.
because Uzi is a lot easier to get a read on. the text all but announces what motivates her: she wants respects. the edgy teen assertions, acting out in class — she badly wants recognition. (i think deep down, it's partly cope and she needs affection more, which N provides, but this isn't a post about nuzi). she also has a drive to for expressing individuality, but she's far less repressed about it (though of course, being loudly unconventional gets in the way of the whole recognition and respect thing).
and again, this isn't all of her character — her quest for answers about her mother suggests a drive for meaning, purpose even — but this post isn't exhaustive
the thing is, you can see the resonance, but these pieces don't fit together. i think it's easy enough to see the ideal form of the relationship. it's mutual respect, it's Uzi knowing J is proud of her accomplishments and who she is, and J knowing Uzi thinks she's doing a good job or that Uzi will listen to her orders.
but the thing that makes J/Uzi so interesting and spicy is how much it doesn't work. even along their most compatible axis, you can see a much more likely outcome is a rivalry, each wanting spite and outdo (or undo) the other. J would want to slot Uzi in as her underling, which Uzi reject conforming to. and given the things that J takes pride in — efficient, orderly adherence to rules — can you imagine Uzi complimenting that?
a very concise way to put it is an old joke of mine. J/Uzi is a mutual superposition of "i hate her, she's fucking insufferable, but i can fix her" and "she thinks she's so much better than me, but i can make her worse"
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ceterisparibus116 · 1 year
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Hi DD fandom, I don’t usually do this (never have, actually), but I just want to...address this post real quick. I’m NOT trying to put anyone on blast here (and if anyone sees the original post, please be kind), but as a visually impaired person, there’s a lot I want to say.
1. Logic Games
Let’s address the logic games section of the LSAT. I might be misinterpreting, but it sounds to me like OP is saying Matt would struggle with the logic games, such that even with near-perfect scores on the other sections, he’d only net a 160-ish over all.
Now to be fair to OP, the LSAT is definitely not the most accessible thing in the world. And the logic games specifically are solved, generally, by diagramming things. That’s obviously difficult if you’re blind.
However, there are workarounds. “Blind LSAT-takers have historically used tactile mats, raised-line drawing apparatuses or Excel spreadsheets to tackle Logic Games.” Source. Now, I’m not saying those accommodations are easy to get, and maybe Matt wasn’t able to get them. But it’s certainly possible that he was.
Now let’s assume he wasn’t able to get any accommodations.
Even without those accommodations, the LSAT is a skills-based exam. This is key. The LSAT doesn’t test natural ability; it tests your ability to perform specific skills. And there are only a handful of possible types of logic games. You can only see so many “arrange the people sitting in the bus,” “arrange the flowers/trees growing in a garden,” “arrange the order of songs on a playlist,” and “arrange the order of speakers and which room they’ll occupy” prompts before you start to identify the patterns. Some are harder than others, with more variables to consider, but there are not that many variants overall.
Because the LSAT is a skills-based exam, all Matt needs to do, even without accommodations, is figure out a way to organize the information in his head. Now, it’s easier to organize the information in a diagram vs in your head, but all that matters is that the information is organized. It doesn’t matter whether it’s organized on paper or mentally. So saying logic games are “easier” with diagrams than without doesn’t mean that someone who uses diagrams will always score higher than someone who doesn’t; instead, it’s a question of time. It will take Matt more time to learn the harder skill of organizing the information in his head than it would take someone else to learn the easier skill of organizing the information in a diagram. But both skills (organizing mentally vs on paper) are sufficient to get a good score on the LSAT if you just put in the time.
And given that Matt has apparently wanted to be a lawyer since childhood, I have no doubt that he put in the time to master that skill enough to get the score he knew he’d need to go to the school he wanted.
2. Matt’s Personal Statement
This is the slightly more concerning issue. Personal statements are a chance for applicants to show why, aside from LSAT scores and GPAs and letters of recommendation, they would make a good lawyer. They are not the place for a personal sob story, except for two reasons:
a) using the “sob story” to demonstrate how the individual has persevered through hardship; and
b) using the “sob story” to explain certain less-than-outstanding aspects of the application.
In other words, Matt could say: “I’m exceptionally devoted to my studies and motivated by my desire to help others in need, as proven by the fact that even blindness failed to stop me from pursuing law school, despite the fact that law is a vision-intensive profession.”
It’s also possible that Matt could try to artfully say, “My LSAT score wasn’t stellar [if that’s true, which I question, but never mind for now] but that’s only because I’m visually impaired and lacked appropriate accommodations - not because the score actually reflects any deficiency in my reading or logic skills.”
Personally, I find it much more in-character to headcanon that Matt would go the first route rather than the second.
But what is not an option (at least, not a respectable option) is for a person to use their sob story to attempt to manipulate the school into using them as a diversity poster child despite having an inadequate application.
Do some people do that? Maybe, sure. Is that an appropriate thing to do? Absolutely not. Law school, beginning with the application process, is about being a good advocate for other people - it’s not about manipulating the system so you can get a “spot” to which you are not actually entitled. And how do you become entitled to having a “spot”? By having the skills good advocacy requires.*
Ultimately, attempting to shortcut the system to accept a person who is not a good advocate (but who has a great sob story) is depriving future clients of adequate representation.
Not to be dramatic, but Matt would rather die.
*I’m not saying that the application process is the perfect measure of the skills that will make you a good lawyer. But it’s sure better than letting people in based on how compelling their sob story is rather than based on their actual relevant skills.
3. Diversity Poster Boy
Now let’s address the broader concerns with the idea of a diversity poster boy. These concerns relate to society as a whole, not to any particular headcanon or to Matt as a fictional character, so I’m stepping out of the DD world for this part of the discussion.
What happens when we talk about diversity poster kids? What happens when we talk about people using hardship (including disabilities) to get an edge over people with more privilege? What happens when we talk about institutions like law schools accepting candidates not based on their qualifications but based instead on meeting some kind of diversity quota?
The result is that when people do overcome hardship and even oppression to get a spot at the table, everyone else says, “Oh, you’re the diversity hire.” People refuse to consider that maybe you’re there on your own merits, because the first thing they see about you is your diversity, and they assume that the only way you got to where you are is via manipulation.
Think about what it’s like, as a disabled person or any person of a “diverse” background, to live with that day after day. Where every accomplishment is tainted by people whispering, “But you didn’t really earn that, did you? You just flaunted your disability.”
I hope I don’t have to spell out how exhausting that is.
Now if there is hard evidence that people who are otherwise unqualified for a position are being accepted purely to meet some kind of quota...that’s one thing. We should absolutely be talking about that, especially in the legal profession - because it doesn’t do a client any good to have a lawyer who’s “diverse” if that lawyer doesn’t know how to actually help them.
But just throwing these terms around, detached from any statistical analysis, like this is just A Thing That Happens All The Time...we need to stop. It’s not helpful or funny. It’s harmful.
So please, let’s be careful.
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g-kat423 · 3 months
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Fellow Alcina x Reader Authors: Be Wary of Hosting Works on Wattpad
Just when I thought Wattpad couldn’t suck any harder than it already does, I got a message that one of my works was removed. It was removed for a violation of guidelines, but they didn’t tell me which guideline I violated and when I clicked on the link provided, it brought me to a blank page. I don’t think there’s an appeal process. Either someone reported me or it was randomly flagged. For what, I’m not sure because it was probably one of my tamer stories.
You’d think maybe it would be Nightmares and Daydreams which contains graphic violence, Enter the Dragon where the reader fucks Alcina in her dragon form, or Women Are Blind to Male Advances where a maid is raped and Alcina seeks out the rapist to murder them. The story they took down? The Ritual, a kinktober oneshot that doesn’t contain any more explicit sex than my other stories. The only reason I’m even on Wattpad is because of the issue with plagiarism in this fandom since there’s been several instances of fics being stolen from ao3 and posted to Wattpad. I wanted to keep an eye out and already have my works posted in case it happened to me so it would be easier to get any copycats removed, but now I’m down a fic lol. Great start to the month and not exactly motivating towards getting out of my creative funk.
If that harmless work got taken down for containing sex, I wouldn’t be surprised if more started coming down with it. Trying to figure out where exactly they draw the line since they aren’t clear with their policies and my work was marked appropriately. So yeah, be very careful about hosting your works there, always have a backup, and honestly it’s best to just go with ao3 since they’ll host anything that they’re legally able to. Even in the event a work is removed, ao3 will send you a copy of the work that was taken down where other sites, such as Wattpad, just yeet them into the gap between dimensions.
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retellingthehobbit · 10 months
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I just finished chapter 15 of my comic adaptation of The Hobbit! It is the first of our “finale” chapters, and is 20 pages long, so it’s twice as long as the chapters I usually draw, and the art has grown more detailed and elaborate. It is very exciting and I am excited to post it! Tho It did indeed take time
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Chapter 14 will arrive on August 13th, and the double-sized Chapter 15 will arrive on September 13th!
Chapter 16 will tentatively arrive on November 13th, but is such a Big One I don’t think I can promise that 😂
In the meantime I may continue posting out of context drawings on this blog, but I don’t want to ‘spoil’ everything before it comes out! :D
Also this is what I mean when I say that, if I published at a “normal webcomic pace—one page per week—no one would ever ask me if I was on hiatus XD…if I split the 30 pages of these next chapters into a weekly posting schedule, I would post 1 page a week consistently for 6 months. Instead I am posting two large batch updates over the course of 2 months, which would amount to about 4 a week, because I am a very silly stubborn person.*
(*the real reason I like the large batch updates is because I enjoy updates that feel like a completed chunk of story, and when I read webcomics I think it’s easier to leave comments on ones that publish that way. It’s hard to find something to say about every single solitary page of a comic, but it’s easier to find things to say about an entire chapter, and when you know updates arent super frequent it’s easier to motivate yourself to say something. I personally am willing to accept “”less engagement””” overall if people who are invested are more likely to leave nice comments every chapter haha 😂. )
But yeah! Get hype
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oh-shtars · 1 month
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Reach for the Stars! AU QnA:
Thank you so much for those of you who sent in asks!! Y’all are the best. 🥹
I’ve decided to compile the asks I received into one post for easier access. So far, this is Part 1. If y’all want Part 2, keep shooting me more questions! 😉
I had to type in some of the questions myself since Tumblr unfortunately only lets me put on 10 screenshots maximum. (I still put them in word-for-word too btw 😂)
But let’s dive into it, shall we?
(⚠️This is going to be a loooooooong read-)
……
@annymation
Yeaaaah, this section is dedicated to you. Couldn’t thank you enough for the support from the very beginning. Love ya, Anny!!! 💖✨
1.) Who are Asha’s parents? What do they mean to her and how have they influenced her life?
Asha’s parents are still known as the same from the canon movie, Tomás and Sakina.
It really bugged me in the film how they mentioned Asha’s father like TWICE, and never brought it up again. That sounds like a very good thing for character building, but nooooooo. They won’t even address it anymore. It’s just there so that Asha wins sympathy points from Magnifico >:/
Anyways, Tomás:
is a philosopher who had a dream to share his ideas with people around him. But he also had a passion to learning the ways of magic, which is why he worked as Oliver’s (the previous king before Mag) apprentice for 2 years in his reign before he passed away. After the king’s passing, Tomás became Magnifico’s assistant. No longer an apprentice since Mag had banned the usage of it other than him and his wife for “Rosas’ greater good.”
Tomás is passionate and holds true to his beliefs. He has a love and curious wonder for the ‘maybes’ and ‘what ifs’ of the old myth about Wishing Stars. Most of his work is written around them, gathering old info and recordings from old sources that claim the authors have been visited and blessed with the guidance of one. It’s a ‘legendary and once-in-a-lifetime’ chance for a star to ever go down to earth. But because of its rarity, most people don’t really believe the myth is true.
He shared this wonder and love of dreaming to his daughter, Asha. It was her favourite thing to do every now and then each night to sit under the stars, and listen to her father tell her about her favorite bedtime story about these wonderful, celestial and magical beings above them.
When Tomás unfortunately died from their house on fire, that ambition and confidence to become just like her dad someday within Asha, broke. It’s like it had withered away along with him. Ever since the tragedy, Asha closed in on herself and spent her time drawing on her sketchbook and on her own to cope with the loss. Keeping her mind busy by helping her mother carry out chores in the castle as she grew older.
Thus, it’s why she got so estranged with her 7 childhood friends. Asha loved her father and all her memories with him very dearly and it struck hard to have this dream be taken away from her so suddenly.
Tomás’ death is a very sensitive topic for her. Asha’s insecurities to accomplish things for herself stem from the fear of dreaming too big and experience that very same pain again of being disappointed if that dream could never be achieved. But at the same time, it serves as her motivation to help others with their own wishes and help them be happy. Because she, herself, wasn’t able to.
Sakina:
is a little more down-to-earth. She wants Asha to not look up at the sky all the time and actually appreciate what she currently has. She balances out her husband’s influence on their daughter. She’s happy to have Asha be a dreamer like her father, but it’s also important for her to notice just how lucky she is in the moment.
One of Asha’s flaws is that she fails to notice these little precious things since her eyes are always on the prize. She believes that the only way people can ever be truly happy is if their wish is granted. Her strongest trait is love. She cares so much that she barely looks out for herself anymore.
Sakina loves her daughter and is also saddened by her husband’s death. It pains her to see Asha be so distant and be missing that little spark she had as a child. It’s Sakina that constantly encourages her to open up to her old friends more.
Like I said, Sakina is a “in-the-moment” kind of person in contrast to Tomás. She was a seamstress before the tragedy, but ever since then, Sakina barely does this hobby that she used to love doing. She just does it in her free time now, which she barely even has. (She does spend the time making cute clothes for Valentino).
Whenever Asha is concerned on why her mother isn’t pursuing that hobby as much anymore, Sakina reassures her that it’s not so bad. What’s more important right now ‘at the moment’ is do her job as a servant to the king and queen and raise and look after her daughter.
………
2.) Are the 7 teens, or any different interpretation of them, any different in your rewrite? If so, how are they like and what will they serve to the story?
Funny, I actually already answered this same ask like twice now. 😂
I’ll just link the answer I’ve already done here.
……….
3.) How was Asha’s childhood?
It went just as normally as any child would have. Loving parents and a home with a South European exterior and a North African interior design. (I’m pretty sure that’s what it said in Wish’s Art book)
Asha pretty much lived in her family’s home until she’s 10 years old. That’s when tragedy struck, their house burned down, her dad…..you know. And now, Asha and her mother are generously given a place to stay in the castle in exchange for their services. To express their gratitude for the king and queen’s kindness.
Asha was only 8 when Magnifico started his reign as king, so she doesn’t really remember much of what Rosas was like back then. When magic wasn’t forbidden and can be studied by anyone. Back when the easy route didn’t exist and no one gives up their wishes to the king.
But at least she’s now growing up in a time where all wishes are given an equal chance to be granted very easily with no struggle or strife anymore, right?
……
4.) What do you want the moral of your story to be?
Fun fact:
When I was brainstorming how I would go with this rewrite, I went back to Disney’s roots. How did this company’s legacy come to life? Of course, I went back to their first movie: “Snow White and the 7 Dwarves.”
And you know what I found?:
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Walt risked everything to let this movie exist. He risked selling his house and going bankrupt because he believed so much that ‘Snow White’ would be a success.
“Omg, this company. Disney. All these amazing movies. Started because one man took a giant leap of faith and never gave up on his wish.”
And I knew I just HAVE to capture this one action that brought the Disney we all grew to love into life. (No. Not the corporate Disney we have now unfortunately-)
Every character in my AU will experience the fear of “what ifs.” What if this doesn’t work? What if I fail? What if it’ll all be for nothing?
But Walt Disney pushed and strived to reach his dream. Even if the odds weren’t pretty. So I wanted the moral of my story to be THIS. To never stop dreaming big.
And now, at least you know why I named my Wish rewrite: ✨ “Reach for the Stars” ✨
………
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@apricotchocolate
Awwwwww, THX SO MUCH. 💖 It makes me so happy that people love what I’m trying to create. Believe it or not, this is the first time I’ve ever felt this committed to creating something grand. It’s kinda scary :,).
And Sueño’s backstory?
Hmmmm, I don’t want to spoil much.
All I’m going to say is he was unfairly captured from the sky at a very young age of only 12. And ever since then, Magnifico exploits and uses the young star’s Wish Magic to grant, collect and store the wishes of Rosas.
Basically, just think of this deleted scene where Mag attempts to pull down a star from the sky. ⬇️
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Will Sueño ever run out of Wish magic? No, not really.
The most important part of a star is their magical core. It’s like a human heart. A Wishing Star is born every time two mortals share their FIRST and MUTUAL Act of True Love, whether platonically, familial or romantically. The magic of this act of love shoots upwards to the sky, where a Wishing Star’s core is created and an ordinary ball of burning gas gains consciousness.
This core is what holds them together and it’s what produces more Wish Magic that is used up whenever they grant a wish. Without it, they fade away to dust and basically die.
So as long Sueño’s core is still intact, he’s fine. Sure, it still hurts to have Wish Magic extracted from him but, he’s alive. 🤷
I sure hope Mag doesn’t intend in absorbing it for desperate measures in the end, amirite?
……..
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@chillwildwave
I’ll be honest here, I’m no song writer. No experience or not even know what makes a song “perfect” for a scene. As long as the song is a vibe and it makes sense to me, I don’t really pay attention much to the rhythm or beats.
But most likely, I’m going to be keeping some of the canon songs and tweak them a little bit? (Definitely keeping “This Wish” and “At All Costs” but tweaked.)
Or, if the song is too far gone to save it from my story’s context, (like “Welcome to Rosas”), I’ll probably just explain what happens in that scene and pretend there’s a song there.
Or
I could use some pre-existing Disney songs to set up a scene’s vibe but they won’t actually be sung. It’s just to enhance the experience I guess.
……….
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@spectator-zee
1.) I do actually! Omg, I even amazed myself on how I even came up with it. 😂
Magnifico’s end is going to be poetic and I already have a design in mind for him post-story. Also, the final battle? Ohohoho- it’s SOMETHING!!
It’s always the middle part of the story that gets me unfortunately 😤.
……..
2.) My favourite character has to be Sueño. I really love how I got creative with his character and make him really stand out from the other Starboys. Where he’s not exactly the naive “Let’s-grant-everyone’s-wishes!!” kind of guy. It’s the opposite.
I’ve also come to become fond on how he slowly opens up to the human world around him after all the paranoia and anxiety he used to have. Character development~ ✨
But I also liked Magnifico’s complexity too.
He’s tragic but it doesn’t excuse what he’s done. He’s incredibly cruel and he’s aware of it. He’s a hopeless romantic when it comes to Amaya. He’s someone sympathetic who didn’t deserve his village getting destroyed. He’s still a jerk and an arsehole who needs to be stopped. He’s someone whose concerns were unfairly ignored in the past. He’s still completely willing to make innocent people suffer underneath him.
Idk, I guess I just like grey characters.
……….
3.) Lol, Magnifico nor Amaya can’t speak sign language. And they’re used to the star’s passive attitude and being too afraid to stand up to them at all.
But the universal sign of ‘Fck you’ isn’t too hard to figure out once Sueño finally had enough of them and grow a backbone. Mag would be caught off-guard and heavily pissed about it, that’s for sure.
………..
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@ficsinhistory
Thank you so much for this question, because it really made me think about this for a bit!! (Not saying the previous asks didn’t, but this is just a point that I had a vague idea but didn’t put much detail into it yet.)
When Asha accidentally released the star that Magnifico had been keeping this past decade, the star escapes the castle and tries to return back to the sky. Only to crash back down again due to an enchantment on him that prevents him from leaving Rosas at all. He’s stuck on earth basically until they find and break the artefact holding the spell.
Which is undoubtedly back with King Magnifico-
If he wants to go back home to the sky, he’s going to have to go back to the castle and break this enchantment. Asha wants to help him, but out of concern and love for her kingdom, she needs his help to release a few wishes and grant these poor, dull and zest-less people a chance to experience the joy of their wishes granted without being in the king’s debt.
The star did not like the idea. He is out of the Wishing business for the next million years or so. But he literally has no idea how to sneak back in without attracting attention and without confronting the scary meanie of a king as much as possible. Plus, he doesn’t even know what a “normal human” acts like. Without her help, he could risk getting caught by the king’s magic. Again…
And dammit, how could he say no to that desperate, sad look on this girl’s face-
Fiiiiine. A few wishes granted but that’s it.
I guess ‘trusting Asha’ is more of a ‘he had no other choice’ kind of thing? He does inevitably have to interact with her on the way though. And at first, Star expresses his frustration with this situation with little harmless jokes, pranks, and stalling their journey back by interacting with the cute woodland creatures. Much to Asha’s frustration.
He initially thinks Asha is just like everyone else. She wants something from him. That’s it. He’s sort of distant at first, and he flinches and reacts negatively to any attempt of touching him.
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But over the course of the story, Star gets to learn more about who she really is. A loving and empathetic person who just wants what’s best for those around her. She even gave him a new name that meant she doesn’t see him as just merely a star.
Sueño. Someone who’s not just a wishing tool. She really treats him like an actual person. A person with feelings. Slowly, he starts to really trust her and become genuine friends with Asha.
And overtime, become a little smitten of her beauty both inside and out.
I mean, what, who said that-
………
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@tumblingdownthefoxden
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@kstarsarts
I guess for Asha, she will try to understand as best she could and if it’s something serious, she’ll try to really listen and seek further clarification.
Though, if it’s casual talk and nothing important, she’ll do that introvert thing where they just politely nod and pretend that they definitely heard you because it’s too embarrassing to be saying “Huh???” like 5 times.
Sueño? He’s actually pretty extroverted once he’s out of his shell. So he isn’t shy to really ask for more detail on the subject if he needs to. He’s VERY familiar with the feeling of not being understood often because he, himself, can’t speak. So, he makes sure that he does put an effort to understand the person he’s talking to.
Though, he might accidentally go a little off-track with his questions and suddenly, you’re talking about an entirely different topic.
…………
Wow, this sure was interesting. Don’t you think?
As always, details might change in the future but this is really helpful for me to track down my thoughts on where this passion project is going.
I can’t say enough thank yous for all the asks and all the support!! Love y’all!! :DD 💖💖
Edit: Look at that, we have a Part 2 :)). Thanks Saph!!
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karl-raccoon-enjoyer · 4 months
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sigma for the character ask game :D
First Impression- I thought the scene where he saved that one guy who was struggling from having massive gambling debts was so sweet 😭 Plus the whole DOA gave me that feeling feel where when you feel the feeling feel and you’ve felt it, you know there are feelings to be felt (basically the feeling when you start fixating on something). Also, pretty.
Impression Now- I still think they’re the sweetest guy ever. They just want to have a home and I love that. But sometimes I remember he’s still a terrorist who possibly saved that guy for publicity reasons so the casino could be more profitable in the long run?? But that also ties back to how much they love their home???? It’s crazy. Even though I feel like he’s one of the easier bsd characters to understand just because they spell most of their motivations out, there’s still so much he does that’s morally gray and complicated.
Favorite Moment- When he was fighting that one girl from the hunting dogs who I forget her name. That reminder of his sheer determination and strength and love and protectiveness over his home was MAJESTIC. Plus I feel like a lot of people forget they can be scary like that which is frustrating.
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This panel specifically is everything.
Idea for a Story- What if Sigma succeeded in killing Teruko (looked up her name). He would be in such deep shit, even if he did legally control the Sky Casino. Since they’re already a terrorist, they might spiral further and further into greater illegal and violent activities in order to protect his home. We need more of his scary side so badly. And what if Fyodor took refuge in the casino some how and convinced Sigma he’s also their family? Like a damn parasite? Like a damn parasite that’s only corrupting them further? Sigma could be a villain so easily and we forget that sometimes.
Unpopular Opinion- I’ve seen a lot of theories on which author he’s based on. Personally, I think they’re literally just the letter because that aids to the themes of their alienation from the rest of humanity, but, if he is based on an author, I think it’s Homer. Specifically, their ability is The Odyssey. Not only was Odysseus’ main motivation getting back home, but the Ancient Greek concept of xenia is also very prevalent in that story. Xenia is basically a list of expectations between guests and hosts, and we know how Sigma treated their guests. Plus, Odysseus is smart and spends a lot of time telling the stories of his life and Sigma’s incredibly intelligent (also a semi-unpopular opinion, unfortunately) and their ability allows them to know the stories of others. PLUS plus The Iliad and The Odyssey were like just a collection of stories told by various Ancient Greek storytellers rather than one man, which may be why he is named something more broad. There’s more parallels I could draw but this is getting long.
Favorite Relationship- Siglai. Siglai Siglai Siglai. Their ideas of freedom contrast each other so well. Nikolai’s world where they’re free is one where they’re alone and without any ties to others. Sigma’s is one where he has a home and a family. They both want to be understood so badly. They see each other for what they want to be seen as. Sigma just wants to be a normal person and Nikolai sees that as the true him. Nikolai wants to be wild and free and Sigma sees that as the true him. And like, if you think about their relationship while Sigma still owned the casino, Nikolai would definitely be there forcing them to have fun and de-stress (in an annoying way or not). They understand and compliment each other so well, yet their paths are pulling them in other directions. Plus Sigma’s sky symbolism and Nikolai’s bird symbolism… ugh.
Favorite Headcanon- Stealing this from @aroacesigma, but they fully made up all that stuff about being the one legally in charge of the casino in the sense that all the laws there are controlled by him. He just didn’t was to deal with any bureaucratic bs (typed that bsd on accident, brain is INFECTED and INFESTED) so they made up their own bs. I also love xey’re headcanon about him having freckles. Sorry for not having any original ideas here but I had to defer to the CEO of transmasc Sigma eventually for this.
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markipliers-madhouse · 6 months
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Hello? Hello Hello?
...Well, this place has been dead for a little bit, hasn't it?
Mentioned a little bit before on that collab piece I did, but figured I'd be better to do a full post bout it here!
So, this AU...has been laying dormant for quite some time, and there's not really any excuses for that. I've just been a little busy with school and life in general, but mainly...haven't had much motivation to do it in all honesty, and their's two main factors to that unmotivation.
1. I kinda realized I'd be needing to write a lot for this story, and though I love writing in general...the scope of this would be like writing a few novels if I continued on, and I just wouldn't have the time or sanity to do that, but more on that later for a solution...
And 2. ...I kinda fell out of FNaF for a moment. Well- Not entirely, I'll always love this series, but I guess it was mainly...the state of the fandom after one certain game...Security Breach. After that game came out, it kinda broke the fandom in half. One half being those who hate the game and left the franchise entirely, now seeing it as nothing but for kids and not taken seriously, and the other...well, actually kids. Y'know the ones. You know.
So that kinda left me kinda unsure for my AU, since I thought if I put stuff out now...it wouldn't really be that appreciated. From the start it was meant to harken back to the original classics of FNaF, but with the fandom mostly filled with newcomers for just this one game, and the original fans gone and unhopeful for the franchise, I just kinda...left this place dorment till I felt motivated again.
...And then the Ruin DLC happened, which gave me a spark of motivation. Seemed this franchise was starting to to head to a better place, getting some old fans back, so that's nice. Got me thinking more bout this AU again...
And then the movie happened, and now i've been slapped in the face with motivation.
SO- Guess that's my excuse for why things have been so empty, but now...I AM READY TO OFFICIALLY SAY IT IS STARTING BACK UP! And not just that...but starting fresh! ...Which, isn't saying much, since I only wrote two chapters for it...y e a h - But there's a reason I'm starting fresh, not just for improved art or retconing some of the mistakes of what I did give out, but mainly because...
I'm turning the AU into a comic!!
That's right! Gonna be drawing the whole thing start to finish! Figured this would be better to me since it's quicker then writing it all, and get to show and improve more of my art, so works out! (You can already kinda see some of that with the new pfp and header) Maybe might get some help in the future, maybe might dable in some animation, maybe a lot of things, but guess we'll just hafta see where it goes from here!
What does that mean for the previous content though? All...f o u r of it? Well, that stuff is gonna be non-canon from here on out! It'll be easier this way since those stuff have either some continuity errors that'll effect the story in the long wrong, or just simply I've changed my mind on some things and it'll be a bit more different! I'm still leaving them up, however! Just cause I think it'll be fun to see how far I've come, and ey some art pieces there weren't bad! ...Too bad...okay like one or two were d e c e n t
TLDR of it tho is this: AU's getting a reboot, gonna be made into a comic now, previous stuff is non-canon, and this page should be a bit more active now!
But yeah! Big things are coming, and I am excited to start up this AU again! I have so many plans for this story that I'm just hoping you guys will love, wanna do justice to both sides of the story! So keep an eye on this blog, might take a little longer, but hoping to get things officially and finally started soon!
And to prove some of that, before I go...you guys deserve a a bit of a sneak peak of what's to come, so...hope you enjoy these redesigns >:]
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EDIT: THE SERIES HAS OFFICIALLY BEGUN- READ EM HERE- AH-
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