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tanuki-kimono · 5 months

Note

Hello, I have a weird question but maybe you can answer it. When I was a teenager I was gifted a yukata and taught to tie the obi to make it look like a bow. That was cute then, but now that I'm in my mid 30s I wonder if this is still appropriate. Are there other ways to tie the obi of a yukata that are maybe a bit more mature ? I love wearing my yukata, but I'm starting to get self-conscious about maybe being too old for that… (I only wear it for matsuri in Japan so it's not like it's often, but it makes me even more self-conscious because I am very clearly not Japanese so I don't want to look ridiculous.) Thank you !

Hi fellow mid-30's kimono wearer :D It's true some styles can feel a bit weird depending on ages.

Though nothing truly forbids you to keep wearing bunko musubi, if you don't feel confortable with a bow knot or its variations (for ex. this one or this one?), don't despair! there are many (like MANY) other knots which would work with your age and "status" :D

If you wish for something classical, I'd recommend:

Kai no kuchi musubi (clam mouth knot) - a super all purpose knot, worn by women and men alike. It's been around for ages and never went out of style!

Ronin musubi (ronin knot) or katabasami - unisex knots that have been around for a long time too, pretty sturdy and chic.

Karuta musubi (card knot) - easy to tie and quite flat so perfect if you have to ride a car/train or sit on Western chairs.

Taiko musubi (drum knot) or tsunodashi musubi (also called Ginza musubi) - you can fake those ones (usually tied with wider obi) with a hanhaba obi, see examples here and here.

More on the novelty side :

Kamifusen musubi (paper balloon knot) - a more whimsical knot but could still work depending on your style. It asks for preparation but it's very cute :)

Neko mimi musubi (cat ears knot) - there are many variations, with or without hanhaba obi - look at this one for ex

Not-tied obi, a super modern way of wearing obi. Ayaaya has a lot a those, check for example this one and look at her socials for more (especially "frilly" variations)

Any variations of what I call the "waterfall" musubi, where obi ends are elegantly arranged thanks to elastique belts. It's super fashionable atm, see it shown step by step on Billy Matsunaga's channel.

To go further, searching for "hanhaba obi musubi" will gives you a lot of other ideas ;)

Hope it helps, and that you'll have a lot of fun at matsuri!

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koizumicchi · 4 months

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弟には秘密 (Someya Yuujirou) English Translation

弟には秘密 Otouto Ni Wa Himitsu A Secret For My Little Brother

Character: Yuujirou from LIP×LIP HoneyWorks feat. If Lyrics: Kaoru & shito Composer: Kaoru

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T/N: Wishing everyone a happiest new year!!

Keep in mind that Japanese and English aren’t my first language. I never claim my translation (attempts) to be error-free. As always, if you’re going to use or reference my translations, please do not claim it as your own and credit me.

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生意気な態度ばかり僕より偉そうなやつ尊敬するとこもある口も利かない兄弟

Namaiki na taido bakari Boku yori erasō na yatsu Sonkei suru toko mo aru Kuchi mo kikanai kyōdai

Nothing but a cheeky attitude Someone who is prouder than I am But there are parts of him I also respect We are brothers who do not communicate

比べられる時もある慣れっ子だけど疲れる選んだ道は違えどどこか似ている兄弟

Kuraberareru toki mo aru Naree kko dakedo tsukareru Eranda michi wa chigaedo Doko ka niteiru kyōdai

There are times when I am compared to him I’m completely used to it but I’m tired of it Although the path I chose is different We are brothers who are somehow similar

嫌いだと思う頼りない兄貴でごめんたった一人の自慢の弟でいてくれなんて言ったら怒るかい？

Kirai da to omou Tayorinai aniki de gomen Tatta hitori no Jiman no otōto de ite kure nante ittara Okoru kai?

I thought you hate me Forgive me for being an unreliable big brother If I asked you To be my one and only little brother who I am proud of Will you get mad at me?

ウザがると思うから口にはしない、大丈夫。僕より優秀なんだろ？兄貴面しても許せよ強がると思うから心配しない、大丈夫。もし困ったら言ってこい兄貴なんだから

Uzagaru to omou kara Kuchi ni wa shinai, daijōbu. Boku yori yūshū nan daro? Aniki zura shite mo yuruse yo Tsuyogaru to omou kara Shinpai shinai, daijōbu. Moshi komattara itte koi Aniki nanda kara

I do not say anything because I think it would be annoying, but it is okay. Aren’t you better than me? So forgive me if I act like an older brother to you Because you put on a brave front, I do not worry, but it is okay. If you are at a loss, then come to me, Because I am your big brother

負けず嫌い��弟折れるのはいつも僕で他のやつには負けない特別だってわかれよ

Makezugirai na otōto Oreru no wa itsumo boku de Hoka no yatsu ni wa makenai Tokubetsu datte wakare yo

My younger brother who hates to lose It’s always me who yields to him But I will not lose to others Know that it is because he is special to me

嫌いだと思う違う夢を見ているからそれでも変わらず応援しているよ自分勝手なやつって怒るかい？

Kirai da to omou Chigau yume o miteiru kara Sore demo kawarazu Ouen shite iru yo Jibun gatte na yatsu tte Okoru kai?

I thought you hate me Because I have a different dream But even so, I still feel the same I am rooting for you I am someone doing as I please Will that make you angry?

ウザがると思うから口にはしない、信じてる。僕より優秀なんだろ？兄貴面しても許せよ強がると思うから心配しない、信じてる。もし困ったら言ってこい兄貴なんだから頼られたいから

Uzagaru to omou kara Kuchi ni wa shinai, shinjiteru. Boku yori yūshū nan daro? Aniki zura shite mo yuruse yo Tsuyogaru to omou kara Shinpai shinai, shinjiteru. Moshi komattara itte koi Aniki nan dakara Tayoraretai kara

I do not say anything because I think it would be annoying, but I believe in you. Aren’t you better than me? So forgive me if I act like an older brother to you Because you put on a brave front, I do not worry, but I believe in you. If you are at a loss, then come to me Because I am your big brother Because I want you to rely on me

#honeyworks #LIPxLIP #yuujirou #omoiai #otouto ni wa himitsu #lipxlip translation

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daily-hyosatsu · 1 year

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REMIX! Yesterday we did the name 田口, so let's see what we can get by mixing it up: 田貝 is read Tagai, and 溝口 is Mizoguchi or occasionally Mizokuchi or Mizonoguchi.

田 is read ta or den, and it means rice paddy.

貝 is new to this blog! It's read kai or bai, and it means shellfish. It's also a radical that often shows up in money-related characters—for example, 買 buy, 販 sell, 貿 trade, 費 fees, 貧 poverty, or 貯 savings. I was told that that's because shells were once used as money…… but I wonder.

溝 is also a new one. It's read mizo or kō, and it means ditch, gutter, drain, or sewer.

口 is read kuchi, kō, or ku, and it means mouth or aperture.

#learning japanese #kanji #japanese langblr #田 #貝 #溝 #口 #owls

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carsinoska · 1 year

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未完の命とサナトリウム

Album: Mikan no Inochi to Sanatorium Artist: Otsuki-sama Koukyoukyoku

TW: Suicide, self harm, depression, death

If you ask me, I would say this album does not portray suicide as a good thing. However, the content is quite heavy. So please heed the warnings.

Overdose Nightmare

itami ni me wo samasu gozen ni-ji moruhine ga karada wo tokashiteku asaku fukaku namiutsu denshi-on tsunagareta kuda ni mada ikasareteru

kangoku no you na shiroi heya hi ni hi ni mushibamu shiroi kage 'kitto yoku naru yo ganbarou' nante zankoku na kotoba darou

hayaku owarasete naitomea imi no nai sei nante muda da muda da nani mo umidasanai nani mo nozomanai nihirisuto miren nado tou ni nai kurai sora ni ochiteiku dake da

shizuka na byoushitsu de hitorikiri asa to yoru sore dake kurikaesu kareki no you nani ni mo aragaezu yubisaki de inochi sura ayashiteiru

mizukara de sei wo tatsu koto wo hito wa aku da to nonoshiru kedo mirai no nai kono kimochi nado dare ni wakaru ka wakatte tamaru ka

ikudo kaimamiru miraaju negatte mo kanawanai naraba sonna yume wa sutete shimae subete nomihosu no oobaadoozu kore de mou sayonara da shikai yuragi patsuri kireta

me wo aketa shirokute hiroi mukishitsu na kuukan no hate de akogareta tsubasa ga hohoemi tsugeru youkoso, sei to shi no hazama e―

awaku hokoronda yuutopia kore koso ga shiawase to warau warau tsutsumu zetsubou-kan moroku kuzuresaru dishijon 'ikite ite yokatta ne' sono kotoba ni watashi wa, watashi wa,

owaru hazu datta oobaadoozu wazukana kakugo nado kimi wo mae ni imi wa nasanai darou kyomu ni nuritsubusu howaito auto ikite itakunai no ni shikou tokete aragaenai aragaenai

dichotomy

tooi kioku no chichi no kage 'ookiku nattara tabi ni deyou' boku no atama yasashiku nade goukai na emi misete itakke

boku wo dakishime tsubuyaita 'ano hito no you ni naranaide ne' sono kotoba wa noroi to nari jiyuu wo ubai, shizuka ni korosu

tsune ni tadashiku aru you ni tsune ni kanpeki de aru you ni haha no nozomu jibun de iyou sore ga sonzai riyuu nanda

sei de arou to sureba suru hodo fujun na mono ga akarumi ni naru sai ga nai to tsukitsukerare sono tabi kidou shuusei shite risou wo motomete kai michibiku sonna boku ni kachi wa aru no ka?

shourai no yume towarete wa mohan kaitou wo haki tsudzuketa sore de haha ga yorokobu nara boku no yume nado keshite shimaou

haha no risou de aru you ni hitotsu ayamachi mo yurusanai keredo motomerarete ita no wa ko to shite no boku janakatta

hyaku ni narenai boku wa zero da akai shirushi ga rakuin ni naru sonna boku wa mukachi nanoni haha no akireta you na koe ga musuu no yaiba to natte sasaru itami wa mou kanjinai kedo

nee, tou-san kikoeru ka na kurushikute iki ga dekinai dakara ookiku natte wa nai keredo tabi ni deru koto ni shitanda

hidoi shitai ni naru kara to ka sono ato no shori ga taihen da to ka nanto nashi ni kangaeteta keredo sono ato no sekai nante shinda sono ato no sekai nante doudemo ii kyoumi nai

shiro ni narenai boku wa kuro de nozomarete iru mama ni arukezu jiga mo ishi mo nakatta keredo yatto jibun de erabi totta kore koso boku no motometa kai da fumidai wo keri ketsubetsu shiyou

Chiriyuku Hana ni Hanamuke wo

supottoraito abite aratana enmoku wo hajime masho anata to futari tsumugu sutoorii subarashii ni chigainai wa

chou yo hana yo motehayasu koe hanataba wo katate ni sasayaku chinpu na kotoba nante iranai kyoumi nante nai no

butai no maku ga oritara watashi wa minna no mono janai anata no tame dake ni hora yodoushi utai odorimashou

amai toiki ni tokete kuchi-utsushi de ai wo tsutaete yo donna shousan yori mo hoshii mono ga nanika wakaru desho? tsukuri agetekita kono sonzai wo anata-iro ni someagete yo

zattou no naka minareta senaka mi machigaeru hazu nai anata tonari ni shiranai kage yamete yo. soko wa watashi no basho

kidzukeba itsukara ka mou ikiteru riyuu ga anata datta motomete moraenai nara kokoro no sukima dou umeru no?

naifu wo te ni tsukitate nagareru chi de sei wo kanjiteru anata no ki wo hiku tame motto fukaku eguri toranakucha

soshitara anata ga hora watashi wo daki naite ayamaru no watashi ga saikou datte watashi igai hoka ni inai'tte sono kotoba wo shinjiru mama ni kyou mo akaku akaku somete

anata-iro ni some-tsukushite?

#moon symphony #otsuki sama koukyoukyoku #mikan no inochi to sanatorium #suicide tw --#self harm tw --#depression tw --#death tw --

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starli · 1 year

Photo

After over a year, I’ve decided to randomly wear kimono at home again. Kimono: free antique from a friend getting rid of stuff Juban: an awesome polka dot pattern with a cool color I got for free Obi: used from Merukari Obi-musubi: Kai no kuchi. Usually a men’s musubi, but you can do it with hanhaba obi, too #着物　#着物コーディネート #着物女子 #お家で着物 #和服　#レトロ着物　#kimono #kimonostyle #wafuku #retrofashion (at Kakamigahara, Gifu) https://www.instagram.com/p/CnQ_RugvvJZ/?igshid=NGJjMDIxMWI=

#着物 #着物コーディネート #着物女子 #お家で着物 #和服 #レトロ着物 #kimono #kimonostyle #wafuku #retrofashion

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mia-japanese-korean · 3 years

Photo

Fine Weather in Early-summer, Torii Kotondo, May 1936, Minneapolis Institute of Art: Japanese and Korean Art

head and shoulders of a woman, looking over her PR shoulder; blue, purple, grey and white kimono; purple and white obi with fish pattern Kotondo often portrayed women who appear to be slightly behind the times, whose simple dress and hairstyles and unaffected gestures seem charmingly feminine. Among his works, this frontispiece (kuchi-e) from the May 1936 issue of the magazine Ukiyo-e Kai (Ukiyo-e World) well represents this feminine élan. Dressed in a simple striped kimono in subdued colors, the woman looks over her shoulder toward the viewer, her gaze impassive and peaceful. A glimpse of her red undergarment, accenting her bare neck, conveys a subtle and decorous eroticism. Size: 7 1/8 × 4 3/4 in. (18.1 × 12.07 cm) (image) Medium: Woodblock printed book page; ink and color on paper

https://collections.artsmia.org/art/62433/

#artsmia #minneapolisinstituteofart #museumarchive #toriikotondo

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confinedmadness · 3 years

Video

youtube

泡沫の夜 | nqrse

Japanese Lyrics & English Translation

Ephemeral Night

今は取り繕っていたいよ　日が昇るまでは目をそらさなきゃいけないの　不安感　ゴシップ　懲りないね月並みの言葉でいいの　この虚無を埋めて溢れ出る前に　だからいまは夢で今夜　笑っていたいね霞む景色　巡る思い出と夜の静寂に沈みこんで

I want to keep up appearances until the sun rises I have to turn away, unease, gossip, obstinate, aren’t I? Trite words are fine, fill up this emptiness Before it overflows; That’s why now... I want to laugh in my dreams tonight Blurry scenery, sink in the cover of memories and the stillness of the night

昨夜を思い漏らすため息　夢現に歩いたベイビーシューレース結び直した０時　頬を濡らすモン Born Again 胸を焦がして待つ　駆け引き　運命のお世話になっちゃいないし偶然出会った君で平気　そんなもんよ Born Again

A sigh revealing thoughts of last night, I walked between dream and reality baby I fixed my shoe laces at 12 o’clock; what wets my cheeks, born again I yearn and wait, a bargain, not indebted to fate I’m okay with you who I met by chance; that’s just how it is, born again

垂れ流したBeats　不安定な空叱るような夜風　煙草の灰が上がった日明日が待ってる　気づけば遠くなったDream 自分に言い聞かせる　今日のためのハッタリ

The emitted beats, the unstable sky The reprimanding night wind, the day the cigarette ashes rose Tomorrow is waiting, a dream lost by the time I noticed I admonish myself, putting on appearances for today

片手にロマン翳して埋める茫漠口だけの I Roll Up　徒然なメリーゴーランドこの道化も夜に溶かそう Friday Nightは部屋をただ見守る常夜灯

Hold up an impossible dream in one hand; fill the vastness Easy to say “I roll up”, a tedious merry-go-round Let’s dissolve this jester into the evening Friday night the lights watching over the room burns all night

香りも形もない　右ばっか倣って　It’s Gonna Be Alright 思い耽る方々　夜は泡沫さ　もういいかい？ You Should Already Know That.

No smell nor shape, just mimicking, It’s gonna be alright People lost in thought, the night is ephemeral, is it enough? You should already know that.

あの子たちの夜　わたしの夜　ムジナの夜同じような奇跡を焼き増していくの狭いまぶたの裏に壮大なドラマこのありきたりな街で誰も彼もが

Those kids’ night, my night, a badger’s night It reprints the same miracle There is a grand drama in the narrow space beneath my eyelids In this ordinary town, every single person

Lyrics Latin Alphabet Transliteration

Utakata no Yoru

Ima wa toritsukurotteitai yo hi ga noboru made wa Me wo sorasanakya ikenai no fuankan goshippu korinai ne Tsukinami no kotoba de ii no kono kyomu wo umete Afurederu mae ni dakara ima wa Yume de konya waratteitai ne Kasumu keshiki meguru omoide to yoru no shijima ni shizumikonde

Yuube wo omoi morasu tameiki Yumeutsutsu ni aruita beibii Shuu reesu musubi naoshita rei ji Hoo wo nurasu mon Born Again Mune wo kogashite matsu Kakehiki Unmei no osewa ni nacchainaishi Guuzen deatta kimi de heiki Sonna mon yo Born Again

Tarenagashita beats Fuantei na sora shikaru you na yokaze Tabako no hai ga agatta hi Asu ga matteru Kizukeba tookunatta dream Jibun ni iikikaseru kyou no tame no hattari

Katate ni roman kazashite umeru boubaku Kuchi dake no I roll up tozen na meriigoorando Kono douke mo yoru ni tokasou Friday night wa heya wo tada mimamoru jouyatou

Kaori mo katachi mo nai Migi bakka naratte It’s gonna be alright Omoi fukeru katagata Yoru wa utakata sa mou ii kai? You should already know that.

Ano kotachi no yoru Watashi no yoru Mujina no yoru Onajiyouna kiseki wo yakimashiteiku no Semai mabuta no ura ni soudai na dorama Kono arikitari na machi de daremo karemo ga

❤ ・・・・・ ❤ ・・・・・ ❤ ・・・・・ ❤

See whole post to read author notes about this translation and transliteration.

Translation Notes:

I am not a professional translator. Translation may contain mistakes so do not use this translation as reference for anything other than personal curiosity.

I do not pretend to know the lyricist’s intentions, so this translation is my personal, subjective, biased interpretation.

The lyrics are quite poetic and has room for multilayered meanings in structure, word-choice, and even how the lyrics were written in the official video, if you so choose to delve deeper and read more into it.

Transliteration Notes:

If the lyrics were written in katakana, even if the word is English, I transliterated the katakana as it would normally be read, regardless of how it was pronounced when sung.

If the lyrics were written in English, I kept it that way.

#posts #translation #nqrse #song #japanese #lyrics #泡沫の夜 #英訳

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citrussdance · 3 years

Audio

[REQUEST] [SONG TRANSLATION] Paralyzed Ash by Sennzai

a very overdue request for a friend.

KANJI

乾いた喉を毒の蜜で潤しまた死神が手招く傲慢な焦燥感ほらまた求めてる限界なんてとうに超えているのに

壊れていく僕をどうか見つけないで朽ち果てるその時まで声が聞こえた自暴自棄のノイズの中君を見た

痛みさえ構うことなく走り出して絶望と屈辱の果て辿り着いた叫べ忘れかけた思いをその手で掴みとれ

蟲が這うような耳鳴りが止まない傍観者たちは皆牙を隠し研ぐ叫喚の反転感染性のVirus 思考放棄の指が僕を磔に仕立てるの

泥にまみれ駆け抜ける獣のように息絶えた荒野を独り旅した走れ焼けた弾丸のように静寂を切り裂いて

歪んだその解を

時間さえ忘れがむしゃらに歩いた遥か先まで続く足跡が背を押すまだまだゴールじゃないねえそうでしょ

涙すら拭うことなく走り出して絶望と希望は縫い混じり火を灯す叫べ忘れなかった想いをこの手でまた君にありのまま届けたい

ROMAJI

kawaita nodo wo doku no mitsu de uruoshi mata shinigami ga te-maneku gouman na shousoukan hora mata motometeru genkai nante tou ni koeteiru no ni

kowareteyuku boku wo douka mitsukenaide kuchi-hateru sono toki made koe ga kikoeta jibou-jiki no NOISE no naka kimi wo mita

itami sae kamau koto naku hashiridashite zetsubou to kutsujoku no hate tadori-tsuita sakebe wasure-kaketa omoi wo sono te de tsukami-tore

mushi ga hau you na miminari ga yamanai boukansha-tachi wa mina kiba wo kakushi-togu kyoukan no hanten kansensei no VIRUS shikou-houki no yubi ga boku wo haritsuke shitateru no

doro ni mamire kakenukeru kemono no you ni iki-taeta kouya wo hitori tabi shita hashire yaketa dangan no you ni seijaku wo kiri-saite

hizuanda sono kai wo

jikan sae wasure gamushara ni aruita haruka saki made tsudzuku ashioto ga se wo osu madamada GOAL janai nee sou desho

namida sura nuguu koto naku hashiri-dashite zetsubou to kibou wa nui-majiri hi wo tomosu sakebe wasurenakatta omoi wo kono te de mata kimi ni ari no mama todoketai

ENGLISH

i soothe my parched throat with sweet poison once again, death beckons me close arrogantly impatient- see, you want more already even though we’ve long since surpassed any limits

i’m falling apart; please, don’t find me until i crumble away completely i heard a voice surrounded by the noise of lonely despair, i saw you

without even sparing a thought for the pain, i ran and reached the depths of hopelessness and shame scream out claim forgotten memories with your own two hands

the insect-like buzzing in my ears won’t stop all the spectators sharpen their fangs in secret an inverse scream, a contagious virus masterless fingers nail me to a cross

like a wild animal rushing about, covered in mud, i traveled across a lifeless wasteland run pierce through the silence like a glowing hot bullet

your twisted logic

losing track of the time, i recklessly walked driven forward by the footprints leading me into the distance i haven’t reached my goal yet, isn’t that right?

without even wiping away my tears, i run hope and despair stitch together and light a fire scream out those memories you couldn’t forget with these hands, just as they are, i want to reach you, once again

#sennzai #paralyzed ash #todestrieb #translation #japanese translation #english translation #jpop #jrock #translation request

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kimononagoya · 3 years

Text

I'm getting the hang of kai-no-kuchi musubi

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yukino-miyu · 3 years

Text

Joy for Struggle Romaji & Kanji Lyrics (Hypmic 2nd DRB DH VS BB)

Feel free to repost (credit isn’t necessary just don’t claim my work as your own)

*I’m a beginner at Japanese so there may be a few mistakes (also spacing for it may be off)*

Romaji

Yo! 3 kyoudai choushi wado nai?

Genjitsu wa tafu da moshi nado nai

Tatakarete, kerarete, takeritatsu,

Sore ga nakyana, amaecha dame ni naru

Ataman naka namahankada na mada

Mise kake dake jitsu naki adabana

Sono mesama sa nakya na kako ni nai mono

Kizuki agete koi aonisai domo

Shashari den na chinke na sagishi

Kuchi kuruma nyanora nee shinde nasai

Hora dai demo fuiteru yake no hara

Kina kusai ze hai han sakero wana

Hitsuyou toshite nai sore dake no hanashi

Hagashitemi na sono bake no kawa

Oretachi no kizuna rekishi dosoku genkin

Kuzu wa shikato shite doryoku zenshin

Iradatte masu ne budou tou fusoku desu

Mazu hokyuu chanto asameshi kuu

Kuchi no kiki kata kara nanikara benkyou

shinaoshite nasai akademizumu

Jiro wa Jiro de taran chinou

Tsutsushimi nasai kudaran shigo

Tashizan hikizan kara hajimeru ka

Shougakusei no hou ga mada mashi desuka

Ussai sengou nanka katei na

Teka namae nandattakee na?

Kinchou kimi kai? Nandatte ii ga

Temee nado hanage ika

Sore de ore ni jugyou? shoushi senban

Yari naoshite koi youchien kara

Kore wa chiwawa tai shiberia tora

Oretachi naraba ichigeki da kora

JOY (JOY) BATTLE (BATTLE)

Agatte kou saa minna takai toko made

JOY (JOY) Netsu samenai ze

Tanoshime mou zessen no SHOW hona iko ka

GO Osaka GO Osaka GO

Gocha gocha nukasan to agero te

Ikuzo GO Bukuro GO Bukuro GO

Hara no soko kara koe agetoke

Man jishite toujou ore ga shuyaku

Omaera migi kara bokenasukasu

Atsukurushii dakede omoro nai wa

Tabun sainou mo motto moto nai yan

Ichiro, chi no tsunagari dake ga

Kizuna ya nai kono ba de tashikamena

Tenpo mo ma mo nori motan nai

Yarimaoshi gomame kai sono torio manzai

Saki ni itteku utsuwa ga chigee

Ore wa kotoba de utsu katari te

Herahera shiyagatte

Chindon ya ga tenka

Toreru wake ga nee

Kike chinkonka da

Uwatsuita kotoba sasara nee

Ore wa sainou yori doryoku tatakaeru

Sore wo shoumei shi ni kita ze ima kono ba de

Omaetachi goto kija todoka nee

Zenpei ga na ita nihonjuu waratta

Zetsumyou na torio ya hon waka pappa

Zenrei wa nashi ya maido yade WUS UP

Goraku no ousama honba da yappa

Bochibochi denka na en kaseide

Kokoro ni hitou shitenka BABY

Osaka no sorawa 1000% seiten

Orera ga saikyou no entateimento

Shin gi tai ikipittari

Touzen sugite ishiki shinai

3 6 0 migi hidari

Tanoshinde nanbo kimi shidai

Jama suru baka wa doite choudai

kono chi wa mizu yori mo koize kyoudai

Buchi agetekuze mou choide jougai

Agatte kou norinori de SHOW TIME

JOY (JOY) BATTLE (BATTLE)

Agatte kou saa minna takai toko made

JOY (JOY) Netsu samenai ze

Tanoshime mou zessen no SHOW hona iko ka

GO Osaka GO Osaka GO

Gocha gocha nukasan to agero te

Ikuzo GO Bukuro GO Bukuro GO

Hara no soko kara koe agetoke HOO~

'Sensei uchi no Jiro gakkou de donai desu~?'

'Shukudai yatte kou hen no desu yo~,

kurasumeito kara mo hinshuku dai desu wa~'

'Sore yattara naishinsho ni hibikun chai masu?'

'Rakudai sasen no ga raku dai,

naishin shou omoute masu~'

'Ja Saburo no hou wa donai desu?'

'An mon onii chan no inu desu wa,

ima kinchou shite doggu (dog) doggu (dog)

iuterun chaun kana~'

'Inu dake ni na, tte... mou ee wa!'

Waraenen dayo haritaosuzo

Jitsuryoku mo sensu mo nai kasu domo

Teizoku na geinin to dame na sen kou

Oyuugi kai reberu ja katemasen yo

Yu no naka de he ga uita you na koe da

Nurukute nanka taikutsu na opera

Bucchake teki jane nda keshi kaken na

Teki na kenka ja muteki da Danger

Maa ii sa Ichiro temee wa kono saki

Dou ikinuku no ka ima ichido

Kangaeru ore ni wa ore no shinjitsu to

Kotae sore wo shinjiru doko made mo

Koukai wa nai dare darou to

Tachifusagaru yatsu kudaku dakeda kyou mo

Attouteki na sada korede jisshou

Gaki domo matomete issou

Hisshou ore ni wa ore no seigi

Tsuranuku dake sore wo teiji

Oyaji no you ni jibun katte ni wa ikiran nee

Kyoudai no tame hibi kantetsu

Buttsubusu enryo nashi de sentou taisei

Buster Bros!!! Menkyokaiden

Kendo naize danketsu no Power

Kore ga ore kara no besuto ansaa

JOY (JOY) BATTLE (BATTLE)

Agatte kou saa minna takai toko made

JOY (JOY) Netsu samenai ze

Tanoshime mou zessen no SHOW hona iko ka

GO Osaka GO Osaka GO

Gocha gocha nukasan to agero te

Ikuzo GO Bukuro GO Bukuro GO

Hara no soko kara koe agetoke HOO~

Agatte kou saa minna takai toko made

JOY (JOY) JOY (JOY) JOY (JOY) JOY (JOY)

Tanoshime mou zessen no SHOW EVERY BODY SAY

JOY (JOY) JOY (JOY) JOY (JOY) JOY (JOY)

Kanji

よ！3兄弟　調子はどない？　

現実はタフだ　もし（ｉｆ）などない

叩かれて、蹴られて、猛り立つ、

それがなきゃな、甘えちゃだめになる

頭ん中生半可だなまだ　

見せかけだけ実(じつ)なき徒花

その目覚まさなきゃな　過去にないもの

築きあげてこい　青二才ども

しゃしゃりでんな　チンケな詐欺師

口車にゃのらねー　死んでなさい

ホラ貝でも吹いてる　焼け野原

きな臭いぜ　背反(はいはん)　避けろ罠

必要としてない　それだけの話　

剥がしてみな　その化けの皮

俺たちの絆　歴史　土足厳禁　

クズはシカトして　努力前進

苛立ってますねブドウ糖不足です　

まず補給ちゃんと朝飯食う

口の利き方から何から勉強　

しなおしてきなさいアカデミズム

二郎は二郎で足らん知能　

慎みなさい　くだらん私語

足し算引き算からはじめるか　

小学生の方がまだましですか

うっさい先コウ　なんか堅ぇーな

てか名前　な��だったけーな？

緊張気味かい？　なんだっていーが　

テメェなど　鼻毛以下

それで俺に授業？　笑止千万　

やりなおしてこい　幼稚園から

これはチワワ対シべリアトラ　

俺たちならば一撃だコラ

JOY (JOY) BATTLE (BATTLE)

上がってこうさぁ皆高いとこまで

JOY (JOY) 熱冷めないぜ　

楽しもう　舌戦のSHOW ほないこか

GO オオサカ GO オオサカ GO

ごちゃごちゃぬかさんと上げろ手

いくぞ GO ブクロ GO ブクロ GO

腹の底から声あげとけ

満持して登場　俺が主役　

お前ら右から　ボケナスカス　

あつくるしーだけでおもろないわ

多分才能ももっともとないやん

一郎、血の繋がりだけが　

絆やないこの場で確かめな

テンポも　間も　ノリもたんない

やりまおし五万回　そのトリオ漫才

先に言ってく器がちげー　

俺は言霊で討つ語り手

ヘラヘラしやがって　

チンドン屋が天下　

とれるわけがねー

聞け鎮魂歌だ

浮ついた言葉　刺さらねえ　

俺は才能より努力　戦える

それを証明しにきたぜ　今この場で　

お前たちごとしゃ届かねえ

全米が泣いた　日本中笑った　

絶妙なトリオや　ほんわかぱっぱ

前例はナシや　まいどやで WUS UP

娯楽の王様　本塲だやっぱ

ぼちぼちでんがな円稼いで　

心に火灯してんか BABY

オオサカの空は1000％晴天　

俺らが最強のエンタテイメント

心　技　体　いきぴったり　

当然すぎて意識しない

３　６　０　みぎひだり　

楽しんでなんぼ　きみ次第

邪魔するバカはどいて頂戴　

この血は水よりも濃いぜ兄弟

ぶち上げてくぜもうちょいで場外

上がってこうノリノリで SHOW TIME

JOY (JOY) BATTLE (BATTLE)

上がってこうさぁ皆高いとこまで

JOY (JOY) 熱冷めないぜ　

楽しもう　舌戦のSHOW ほないこか

GO オオサカ GO オオサカ GO

ごちゃごちゃぬかさんと上げろ手

いくぞ GO ブクロ GO ブクロ GO

腹の底から声あげとけ HOO～

「先生うちの二郎学校でどないです～？」

「宿題やってこうへんのですよ～、

クラスメイトからもひんしゅく大(宿題)ですわ～」

「それやったら内申書に響くんちゃいます？」

「落第させんのが楽したい(落第)、

内心しょう(内申書)思うてます～」

「じゃあ三郎の方はどないです？」

「あんあもんおにいちゃんの犬ですわ、

今緊張してドッグ (dog) ドッグ (dog)

いうてるんちゃうんかな～」

「犬だけにな、って･･･もうええわ！」

笑えねんだよ張り倒すぞ　

実力もセンスもないカスども

低俗な芸人とダメな先コウ　

お遊戯会レベルじゃ勝てませんよ

湯の中で屁が浮いたような声だ　

ぬるくてなんか退屈なオペラ

ぶっちゃけ敵じゃねんだ　けしかけんな

的な喧嘩じゃ　無敵だ Danger

まぁいいさ一郎　てめーはこの先　

どう生き抜くのか今一度

考えろ　俺には俺の真実と　

答え　それを信じるどこまでも

後悔はない　誰だろうと　

立ちふさがるやつ砕くだけだ今日も

圧倒的な差だこれで実証　

ガキどもまとめて一掃

必勝　俺には　俺の正義　

貫くだけ　それを提示

親父のように自分勝手には生きらんねー　

兄弟のため日々貫徹

ぶっつぶす　遠慮なしで　戦闘態勢　

Buster Bros!!! 免許皆伝

限度ないぜ団結のPower　

これが俺からのベストアンサー

JOY (JOY) BATTLE (BATTLE)

上がってこうさぁ皆高いとこまで

JOY (JOY) 熱冷めないぜ　

楽しもう　舌戦のSHOW ほないこか

GO オオサカ GO オオサカ GO

ごちゃごちゃぬかさんと上げろ手

いくぞ GO ブクロ GO ブクロ GO

腹の底から声あげとけ HOO～

上がってこう　さぁ皆高いとこまで

JOY (JOY) JOY (JOY) JOY (JOY) JOY (JOY)

楽しもう　舌戦のSHOW EVERY BODY SAY

JOY (JOY) JOY (JOY) JOY (JOY) JOY (JOY)

#hypnosis mic #hypnosismic #hypmic #hypnosis mic 2nd drb #hypnosis microphone #buster bros #doitsutare honpo #hypmic 2nd drb

14 notes · View notes

tanuki-kimono · 5 years

Photo

Quiet and refined ayame (iris) yukata by HP France

Obi is tied using the ever popular unisex musubi called kai no kuchi (clam’s mouth), a knot easy to tie and super comfy to wear:

youtube

#japan #fashion #kimono #yukata #ayame #iris #kitsuke #musubi #how to #kai no kuchi #clam's mouth #video #浴衣 #着物 #帯

265 notes · View notes

utaites-esp · 3 years

Text

敗北の未来地図 / Haiboku no Mirai Chizu - Colon [Kan/Rom/Esp]

Haiboku no Mirai Chizu - Colon 1st Album アスター (Aster)

Vocal: ころん

Words: ころん

Music: るぅと×松

Arranged: 松

❀❀❀❀

motometeta chizu wo sagashitatte

soko ni aru no wa nigai kotoba dake

dareka ni mukeru GIFT nante

shirazu shirazu kouhaku no numa ni ochiteiku

求めてた地図を探したって

そこにあるのは苦い言葉だけ

誰かに向けるギフトなんて

知らず知らず空白の沼に落ちていく

Cuando busqué el mapa que que necesitaba,

sólo me encontré con palabras amargas.

Un regalo que era para alguien.

Sin darme cuenta, caí en un pantano en blanco.

nanimo dekinai kanjou to rifujin na ken wo ga

itsuwari ni nai dareka no kokoro ni sakebu

何もできない感情と理不尽な嫌悪が

偽りのない誰かの心に叫ぶ

Sentimientos incapaces de hacer algo y disgustos irracionales

gritan en el corazón de alguien.

itsuka donna ni tsurakutemo

mata waraeru toki ga kuru nara

kitto yarinaoseru sa

tatoe donna ni kurakutemo

ano kagayaku sora torikaeseru nara

sono hi made awai yume wo miyou

いつかどんなに辛くても

また笑える時が来るなら

きっとやり直せるさ

たとえどんなに暗くても

あの輝く空取り返せるなら

その日まであわい夢を見よう

No importa si algún día todo se vuelve doloroso,

porque llegará el momento en que pueda volver a reír.

Seguramente podré empezar de nuevo.

No importa si es que todo se vuelve oscuro,

si puedo recuperar aquel cielo brillante,

tengamos grandes sueños hasta que llegue ese día.

tooi mirai no tabi e

hora hitori janai mirai chizu

mirai no saki e

hikari terasu saki wo hashire

遠い未来の旅へ

ほら1人じゃない未来地図

未来の先へ

光照らす先を走れ

Vamos a un viaje en el lejano futuro.

Mira, no estás solo, tienes el mapa del futuro.

Más allá del futuro.

Corre incluso por delante de la luz.

rakugaki no moji wo narabetatte

umu no wa rikoteki de tsumetai kotobakari

落書きの文字を並べたって

生むのは利己的で冷たい言葉狩り

Las palabras egoístas y frías son las que

producen marcas como si fueran un par de graffitis.

sasarete iru ressei to kuchi hateta hane mo

oshitsubu sarezu hane nokeraretara

tsuyoku nareru

刺されている劣勢と朽ち果てた羽も

押しつぶされずはね除けられたら

強くなれる

Las alas han sido apuñaladas y se están pudriendo,

si puedes deshacerte de ellas sin que te aplasten,

podrás volverte más fuerte.

itsuka donna ni tsurakutemo

boku no soba ni kimi iru nara

mou sukoshi tsuzukete ii kana

tatoe donna ni kurakutemo

mieteta keshiki wa kie wa shinai kai

mirai wo shinjite mae wo mukou

いつかどんなに辛くても

ぼくのそばに君がいるなら

もう少し続けていいかな

たとえどんなに暗くても

見えてた景色は消えはしないから

未来を信じて前を向こう

No importa si algún día todo se vuelve doloroso,

si permaneces tú a mi lado

quizás yo podré seguir un poco más.

No importa si es que todo se vuelve oscuro,

el paisaje que vimos aquel día no desaparecerá.

confía en el futuro y sigue hacia adelante.

atarimae no koto sae mo dekinakute

tada suwaru komu toki mo aru

demo daijoubu kimi to boku ga tsunaida mirai chizu

kitto mezasu saki de

当たり前のことさえもできなくて

ただ座り込む時もある

でも大丈夫君と僕が繋いだ未来地図

きっと目指す先で

A veces ni siquiera puedo hacer las cosas más obvias,

así que simplemente me siento.

Pero está bien, tú y yo estamos unidos por el mapa del futuro,

seguro nos veremos más adelante.

nanimo dekinai kanjou to rifujin na ken wo ga

itsuwari ni nai dareka no kokoro ni sakebu

何もできない感情と理不尽な嫌悪が

偽りのない誰かの心に叫ぶ

Sentimientos incapaces de hacer algo y disgustos irracionales

gritan en el corazón de alguien.

itsuka donna ni tsurakutemo

boku no soba ni kimi iru nara

mou sukoshi tsuzukete ii kana

asu ga donna ni kurakutemo

ano aoi sora ga mae wo aruku kara

sono hi madre akiramenai de

いつかどんなに辛くても

ぼくのそばに君がいるなら

もう少し続けていいかな

明日がどんなに暗くても

あの青い空が前を歩くから

その日まで諦めないで

No importa si algún día todo se vuelve doloroso,

si permaneces tú a mi lado

quizás yo podré seguir un poco más.

No importa si el mañana se vuelve oscuro,

caminarás frente a ese cielo azul,

así que no te des por vencido antes de ese día.

itsuka donna ni tsurakutemo

mata waraeru toki ga kuru nara

kitto yarinaoseru sa

tatoe donna ni kurakutemo

ano kagayaku sora torikaeseru nara

sono hi made awai yume wo miyou

いつかどんなに辛くても

また笑える時が来るなら

きっとやり直せるさ

たとえどんなに暗くても

あの輝く空取り返せるなら

その日まであわい夢を見よう

No importa si algún día todo se vuelve doloroso,

porque llegará el momento en que pueda volver a reír.

Seguramente podré empezar de nuevo.

No importa si es que todo se vuelve oscuro,

si puedo recuperar aquel cielo brillante,

tengamos grandes sueños hasta que llegue ese día.

tooi mirai no tabi e

hora hitori janai mirai chizu

mirai no saki e

hikari terasu saki wo hashire

遠い未来の旅へ

ほら1人じゃない未来地図

未来の先へ

光照らす先を走れ

Vamos a un viaje en el lejano futuro.

Mira, no estás solo, tienes el mapa del futuro.

Más allá del futuro.

Corre incluso por delante de la luz.

kore kara mo

これからも

De ahora en adelante.

❀❀❀❀

Esta canción es de las GOD. ;; v ;; <3

#sutopuri trad #sutopuri #utaite #utaites #strawberry prince #colon #koron #traduccion al español #letra en español #letra de canción #pedido #すとぷり #歌い手 #ころん

3 notes · View notes

chanoyu-to-wa · 3 years

Text

Nampō Roku, Book 6 (49.3): the Shin [眞] Forms of the Kō-kazari [香飾], Part 3.

49 [continued]) Even when the tearoom is a sōan [草菴], if [one] prefers, there are occasions when incense may be appreciated¹: during a kuchi-kiri [gathering], a dawn gathering or a gathering [held at] dusk, a night gathering -- as well as on occasions when things like the moon, or snow [are calling for appreciation]. [At such times] one should [consider] including [incense]².

￮ Sometimes the kōro is tied in its fukuro; or the kōro is [displayed] without a covering; or a hi-tori kōro [火取り香爐] is used. Sometimes [the focus] is on the incense; sometimes it is on the kōro. [Perhaps the host] should consider thinking about following the way [the gatherings] were [organized] in ancient times³.

〇 Kaki-ire [書入]:

When [the host] wishes to put a meibutsu kōro out toward the [guests’] seats, it should be placed (together with the tray [on which it rests]), toward the upper seat⁴. [Then] all of the guests move forward on their knees, one by one, to smell [the incense] respectfully⁵.

￮ Also in the shoin, when [the appreciation of] incense is going to begin, [the kōro] should be [placed] closer to the guests’ seats⁶.

_________________________

◎ This final section of the entry on the shin [眞] form of the kō-kazari, contains a number of important suggestions, regarding ways in which the appreciation of incense might be incorporated into the format of a gathering.

The kaki-ire [書入], meanwhile, explains that the kōro should be conveyed to a point near the shōkyaku’s seat before the guests begin to appreciate the incense.

¹Cha-seki sō-an-kata ni mo, sen, kō wo mochii-taki toki ari [茶席草菴方ニモ、專、香ヲ用タキ時アリ].

Sen [專] means to have a preference for (appreciating incense); to enjoy (appreciating incense).

Mochii-taki [用い炷] means to burn (incense) -- equivalent to appreciate (incense).

²Kuchi-kiri, akatsuki-kai, yū-sari-kai, yō-kai, mata ha tsuki・yuki no toki nado naru beshi [口切、曉會、夕サリ會、夜會、又ハ月・雪ノ時ナドナルベシ].

Kuchi-kiri [口切] is the gathering held when a new jar of tea is opened. Incense is appropriate on this occasion, because the jar is cut open at the beginning of the chakai, and the tea is ground between that time and the naka-dachi. Including incense means that the host will have more time to grind more matcha, meaning that there will be more tea for the guests to enjoy.

Akatsuki-kai, yū-sari-kai [曉會、夕さり會]: as has been mentioned before, according to the idea of san-tan san-ro [三炭三爐] a cold kama is put into the ro at dawn, and dusk. Because the kama is cold at these two times of the day, it will naturally take much longer to come to a boil, so appreciating incense will give the guests something to do while passing the extra time*.

Yo-kai [夜會], the night gathering. At night, people feel comfortable passing the time together. Since there is no need to rush, including incense would be a pleasant way to prolong the experience†.

Tsuki・yuki no toki [月・雪の時] refer to gatherings during which the moon, or snow, are singled out for appreciation. Once again, including incense will invite a feeling of relaxation, encouraging the guests to linger, and enjoy the beauties of nature longer. ___________ *In Book Two there is an example of such a dawn gathering. The reader should refer to the post entitled Nampō Roku, Book 2 (8): (1586) Eleventh Month, Twelfth Day, Dawn.

The URL for that post is:

http://chanoyu-to-wa.tumblr.com/post/179730569820/namp%C5%8D-roku-book-2-8-1586-eleventh-month

†An example of a the appreciation of incense during a gathering hosted on a snowy night is also found in Book Two, in the post entitled Nampō Roku, Book 2 (9): (1586) Eleventh Month, Seventeenth Day, Night.

The URL for that post is:

http://chanoyu-to-wa.tumblr.com/post/179872253964/namp%C5%8D-roku-book-2-9-1586-eleventh-month

³Arui ha fukuro-iri no kōro, hadaka-kōro, hi-tori kōro, arui ha kō ni yori, arui ha kōro ni yori, ryōken kojitsu wo kangae-beshi [或ハ袋入ノ香爐、ハダカ香爐、火トリ香爐、或ハ香ニヨリ、香爐ニヨリ、料簡故實ヲ考ベシ].

Fukuro-iri no kōro [袋入の香爐] means that the kōro is tied in its shifuku. This involves the special procedure for removing the shifuku and preparing the kōro that was described previously.

Hadaka-kōro [裸香爐] means that the kōro is not tied in its shifuku when it is displayed in the room. Here the procedure for readying the censer is much simpler.

Hi-tori-kōro [火取り香爐] refers to a vessel* in which burning tadon are brought out from the katte (rather than kindling them in the ro or furo). When this device is used, the appreciation of incense does not have to be associated with the sumi-temae -- it may come before the beginning of the chakai proper, or it may follow the service of usucha at the end of the goza.

Kō ni yori [香により] refers to a gathering the focus of which is the appreciation of a special variety of kyara [伽羅], such as one that is designated meikō [名香].

Kōro ni yori [香爐により] means that the focus of the gathering is on appreciating a meibutsu kōro.

Kojitsu wo kangae-beshi [故實を考べし]: this means an occasion when the host attempts to structure the gathering in imitation of the way Jōō did things in the earliest days of the cha-kai [茶會]†. __________ *In the present day, an akoda-kōro [アコダ香爐] is generally used as the hi-tori-kōro [火取り香爐].

However, originally, the akoda-kōro was used to perfume a room (this is called sora-daki [空炷] -- perfuming the room without making the source of the fragrance obvious), or to burn scent into ones robes (which were draped over a bamboo frame that was set up over the akoda-kōro). Generally speaking, the person created his or her own special blend of neri-kō [練り香] (while also adhering to the dictates of the seasons -- which determined the basic seasonal incense formula), and the same incense was used for both purposes.

According to Tanaka Senshō, it is unclear precisely what kind of object was used as the hi-tori-kōro in Jōō's period.

†It might be more appropriate to term Jōō's earliest gatherings, Kō-cha-kai [香茶會], since, at that time, the appreciation of incense was just as important as the taking of tea.

⁴Meibutsu kōro ha za ni ide-taru toki, bon-nagara kami-za ni oite [名物香爐ハ座ニ出タルトキ、盆ナガラ上座ニ置テ].

Za ni ide-taru [座に出でたる] means (the host) wishes to put (a meibutsu kōro) out toward the [guests’] seats.

Bon-nagara [盆ながら] means together with the tray, or both the tray (and the kōro).

Kami-za ni oite [上座に置いて] means place it toward the upper seat*.

This is referring to the case where a meibutsu-kōro is being used for the appreciation of incense.

Rather than its being placed out on the adjoining mat, with the shōkyaku coming forward and taking it back to his seat with him (and then passing it along the line of guests, and so forth), here the guests move forward toward the kōro on their knees, one by one, to smell the incense. For that reason, the kōro should be conveyed to a place in the room closer to the shōkyaku’s seat, so they do not have to move more than half the length of a mat on their knees, if possible. __________ *In other words, the seat that is occupied by the shōkyaku -- so he has to move the shortest distance on his knees of them all.

⁵Kyaku-shū izari-yorite hitori-hitori uyamai kiku-beshi [客衆居サリヨリテ獨〻ウヤマイキクベシ].

Kyaku-shū [客衆] means the group of guests; all of the guests.

Izari-yorite [居ざりよりて = 躄よりて]: izari [躄] means to move about on ones knees (the way people are taught to do in the tearoom); yorite [よりて] means in this way, in such a manner.

Hitori-hitori [獨々] means person by person; one-by-one.

In other words, all of the guests approach the meibutsu-kōro on their knees, one by one.

Uyamai kiku-beshi [敬い聞くべし] means to smell (the incense) in a respectful manner.

While the censer naturally has to be picked up and held near the nose, each guest should do this with especial care. And, as usual, the kōro should never be turned around*. Rather, it should be picked up and smelled as it is. __________ *As with the chawan, Rikyū taught that it is wrong for the guest to presume to change the orientation. Rather, the object -- whether it is a chawan or a kōro -- should be picked up and held with the same side facing toward the guest that the host chose, and afterward the object should be set down again without altering its orientation.

While this procedure should always be followed, even in the case of an ordinary chawan or kōro, it is especially important for the guest to observe this rule when handling a meibutsu utensil.

In the case of a kōro, the front is determined by the orientation of the three feet: the space between the front foot and the one on the left is greater than the spacing between the others. This wider space is to accommodate the palm and fingers of the left hand. Rotating the censer will make it uncomfortable for the guest to hold the kōro. (Modern Japanese-made censers do not always follow this rule, perhaps because the modern incense schools -- which all seem to be affiliated with one of the major tea schools -- teach that the kōro should be rotated prior to smelling, just as the tea schools teach that the chawan should be turned before drinking. Unfortunately, at least in so far as Rikyū is concerned, both are wrong.)

⁶Shoin ni te mo kō hajimaru toki, kyaku-za wo chikazuku-beshi to iu-iu [書院ニテモ香始ルトキ、客座ヲ近ツクベシト云〻].

Kō hajimaru toki [香始る時] means when [the appreciation of] incense is going to begin -- that is, when the kōro is ready, and the guests are going to begin to smell the incense.

Kyaku-za wo chikazuku-beshi [客座を近づくべし] means that the kōro should be moved closer to the guests’ seats (so they do not have to move so far while carrying the censer*).

This point is not (directly) related to the meibutsu-kōro. Rather, this dictum applies generally, when incense is being appreciated in the shoin. __________ *There is always a danger that, if jiggled about, the piece of incense (or the incense along with the gin-yō [銀葉] on which it rests) could fall to one side, ruining the opportunity to appreciate it (the sides of the hai-gata do not get hot enough -- since the heat is focused on the center of the cone on top of which the gin-yō rests).

In the shoin, the room is usually large enough that the guests would have to stand up and walk in order to reach the censer -- if it was simply placed on the mat that adjoins the utensil mat. To make this unnecessary, the kōro should be conveyed toward them, so that their trip can be made on their knees.

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yourultraarchive · 4 years

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Common Japanese Surname Kanji

In conjunction with my “Creating a Japanese name for your character” post, I decided to make a list of the common kanji found in traditional Japanese surnames (as well as a couple of characters that have those kanji in their names!). If you’re looking for a kanji to fill out your character’s family name (if you only have one kanji and need another one, for example) or if you’re looking for some help or inspiration, hopefully this post will help!

井 (i) - well. Common names include Fukui and Inoue. Characters include Inui Ryō (Hound Dog).

上 (kami, gami, ue) - above/top/upper. Common names include Ueda, Tanoue, Makami, Mogami, and Kamigawa. Characters include Kaminari Denki.

岡 (oka) - hill/ridge. Common names include Matsuoka, Yoshioka, and Okamoto.

川 (kawa, gawa) - river. Common names include Ishikawa, Sakigawa, and Kawakami. Characters include Tamakawa Sansa (the cat quirk police officer) and Tsuchikawa Ryūko (Pixie-Bob).

木 (ki, gi) - tree. Common names include Suzuki, Mitsugi, and Kimura. Characters include Shigaraki Tomura, Yagi Toshinori, and Sasaki Mirai (Sir Nighteye), among others.

口 (kuchi, guchi) - mouth/entrance. Common names include Kawaguchi, Yamaguchi, Edakuchi, and Kuchiro. Characters include Kōda Kōji (using an alternate reading) and Iguchi Shūichi (Spinner).

崎 (saki, zaki) - cape/peninsula. Common names include Hamasaki, Kawasaki, Miyazaki, and Sakimoto. Characters include Shiozaki Ibara and Chisaki Kai (Overhaul), among others.

沢 or 澤 (sawa, zawa) - swamp/marsh/mountain stream. Common names include Kurosawa, Serizawa, and Sawase. Characters include Aizawa Shōta (Eraserhead), among others.

下 (shita, jita) - under/below. Common names include Matsushita and Okajita.

島 (shima, jima) - island. Common names include Mizushima, Nakajima, and Shimanose. Characters include Maijima Higar (Power Loader) and Kirishima Eijirō, among others.

田 (ta, da) - rice field. Common names include Yamada, Fujita, and Tamura. Characters include Kōda Kōji, Mineta Minoru, Īda Tenya, Yamada Hizashi (Present Mic), Shishida Jūrōta, Shōda Nirengeki, Hakamata Tsunagu (Best Jeanist), Awata Kaoruko (Bubble Girl), and Tobita Danjūrō (Gentle Criminal), among others.

藤 (tou, dou, fuji) - wisteria. Common names include Saitou, Itou, Kudou, and Fujimoto. Characters include Satō Rikidō and Kendō Itsuka, among others.

中 (naka) - inside/middle/within. Common names include Tanaka and Nakamura. Characters include Irinaka Jōi (Mimic) and Nakagame Tatami (Turtle Neck), among others.

橋 (hashi, bashi) - bridge. Common names include Takahashi and Hashimoto. Characters include Yotsubashi Chikara (Destro) and Yotsubashi Rikiya (Re-Destro).

原 (hara, bara, wara) - field. Common names include Nakahara, Fujiwara, and Harazumi. Characters include Kaibara Sen, Bubaigawara Jin (Twice), and Kamihara Shinya (Edgeshot), among others.

辺 (be) - border. Common names include Watanabe and Sasabe.

丸 (maru) - round/circle. Common names include Ichimaru, Kazemaru, and Marukame.

村 (mura) - village. Common names include Okumura, Himura, and Murakami. Characters include Shimura Tenko (Shigaraki Tomura), Shimura Nana, and the rest of the Shimura family.

本 (moto, hon) - base/origin. Common names include Miyamoto, Sakamoto, and Honda. Characters include Nemoto Shin (one of the Eight Bullets of the Shie Hassaikai).

森 (mori) - forest. Common names include Fujimori, Sugimori, and Morishita. Characters include Komori Kinoko.

林 (yashi, hayashi) - forest/woods. Common names include Kobayashi.

山 (yama) - mountain. Common names include Akiyama, Koyama, and Yamamoto. Characters include Aoyama Yūga, Ishiyama Ken (Cementoss), Kayama Nemuri (Midnight), Yamada Hizashi (Present Mic), Takeyama Yū (Mt. Lady), and Usagiyama Rumi (Mirko), among others.

A reminder just in case anyone needs it: Japanese surnames typically describe a place or the origin of the family it belongs to, for instance if a family came from a “forest origin”, their name might be Morimoto. Or someone from a “snowy village” would be Yukimura. MHA names are not quite so literal or realistic (like Usagiyama “rabbit mountain”), and are meant to be a little more fun.

Keep in mind that this is not a complete or comprehensive list, and that these are NOT all the readings for the kanji. Some of these kanji have different nanori that were not included in this list.

Also a quick note in case anyone was wondering:

When to use KAMI vs. GAMI, SAWA vs. ZAWA, etc.?

Sometimes when you put two kanji next to each other in a name, the second kanji has a different pronunciation/reading. Why? The short answer is, it’s easier to pronounce that way. So some short rules:

Putting two or more kanji together is like a compound word in English, and when you “link” those kanji together, sometimes the latter kanji sounds different (NEVER the first kanji though).

Most kana have a “voiced” (dakuten) version and some have a “half-voiced” (handakuten) version, but it’s mostly the “voiced” version that occurs in pronunciation/spelling when “linking” two kanji.

“ka” ⟶ “ga”, “ki” ⟶ “gi”, etc.

“sa” ⟶ “za” (note: “shi” ⟶ “ji”)

“ta” ⟶ “da” (note: “chi” ⟶ “ji/dji” and “tsu” ⟶ “zu/dzu”)

“ha” ⟶ “ba” or “pa” (though “pa” isn’t used for linking, it’s the “half-voiced” sound)

In the list of kanji above, the 2nd “spelling” for the kanji is the “voiced” pronunciation, for your ease!

Not every linked kanji will change its sound. It’s probably subjective to whoever came up with the family name to begin with, but basically the sounds will be voiced if the person who has the name thinks it flows better as a voiced sound.

Remember that while you might not hear a huge difference in “Ota” and “Oda” or something, there are different nuances in Japanese language that native speakers will pick up that you will not. You might not understand why some names “link” the sounds and others don’t, but to native speakers it makes sense.

In the case of MHA names though? I’d say don’t worry about it too much. Go with the flow of whatever sounds best--or whatever puns the best. (Like Mina Ashido’s surname! Typically it’s pronounced Ashito, but Ashido sounds a lot more like “acid” than Ashito does, right? :D)

Want to read more on the subject of name kanji, know about their history/culture, and look at some examples? Here’s a couple links to a few other sites that list more kanji and readings than what was included on this list too, as well as more info on the spellings and kanji “linking”: [ 1 2 3 4 5 6 ]

#names #tips #archivist #japanese

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harudokuro-traducciones · 4 years

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White Sparks (Español)

Intérprete: Procellarum Minaduki Rui (CV. Aoi Shouta), Fuduki Kai (CV. Hatano Wataru), Haduki You (CV. Kakihara Tetsuya), Nagatsuki Yoru (CV. Kondou Takashi), Kannazuki Iku (CV. Ono Kenshou), Shimotsuki Shun (CV. Kimura Ryouhei)

Single: TSUKIUTA. THE ANIMATION 2 MAIN THEME “White Sparks”

Fecha de lanzamiento: 26 junio 2020

White Sparks Chispas blancas

Starring! Breakin’ Through The Lonesome ¡Protagonizando! Y rompiendo a través de lo solitario

Shining! Happiness To Love You ¡Brillando! La felicidad para amarte

Starring! Climbin’ Over Wild Side ¡Protagonizando! Y escalando sobre el lado salvaje

Darling… Cariño...

(Bad Thing) シュリンクされた日々の中で (Bad Thing) Shurinku sareta hibi no naka de (Es algo malo) En los días que se vuelven pequeños

(No Feeling) 冷めた記憶上書きしてく (No Feeling) Sameta kioku uwagaki shiteku (No sentir) Las memorias frías se van sobreescribiendo,

(Justice) 磨り減る　顔仮面(マスク)で隠し (Justice) Suriheru kao masuku de kakushi (La justicia) Oculto con una máscara que se está desgastando

その時まで息潜めた Sono toki made iki hisometa Tomé un respiro hasta ese momento

(Boys, Get Up! Stand Up!) その時は今 (Boys, Get Up! Stand Up!) Sono toki wa ima (Chicos, ¡levántense! ¡Pónganse de pie!) Ese momento es ahora

(Thanks For Waiting) イカリをあげ (Thanks For Waiting) Ikari o age (Gracias por esperar) Leven anclas

(Guys, Make Way For Me) 加速しながら (Guys, Make Way For Me) Kasoku shinagara (Chicos, abran camino para mí) Mientras acelero

進め月の嵐を Susume tsuki no arashi o Y avanza la tormenta lunar

叫べ! Blowing White Sparks! Sakebe! Blowing White Sparks! ¡Grita! ¡Soplando chispas blancas!

白く煌めいた　祈り　誇り　口に含ませ Shiroku kirameita inori hokori kuchi ni fukumase Pon en tu boca una plegaria y un orgullo de un blanco brillante

Blowing White Sparks! ¡Soplando chispas blancas!

濡れた唇に　触れる　交わす　溢れる劣情を Nureta kuchibiru ni fureru kawasu afureru retsujou o La lujuria que se desborda al tocar nuestros los labias mojados

いつまでも　感じたいから Itsumade mo kanjitai kara Quiero sentirla por siempre

愛をFor You　高鳴る鼓動 Ai o For you takanaru kodou El amor para ti en los latidos de mi corazón

遥かな　このウタ永遠に響き渡れ Harukana kono uta towa ni hibikiwatare Resonarán a lo lejos y por siempre en esta canción

Starring! Breakin’ Through The Lonesome ¡Protagonizando! Y rompiendo a través de lo solitario

Shining! Happiness To Love You ¡Brillando! La felicidad para amarte

Starring! Climbin’ Over Wild Side ¡Protagonizando! Y escalando sobre el lado salvaje

Darling… Cariño...

(Just Thing) 真実だけを響き合わせ (Just Thing) Shinjitsu dake o hibikiawase (Sólo algo) Sólo la verdad resuena

(Good Feeling) 奏でた魔法もう怖くない (Good Feeling) Kanadeta mahou mou kowakunai (Es un buen sentimiento) Y la magia que toqué ya no da miedo

(True Love) 強いられてた仮面(マスク)は外し (True Love) Shiirareta masuku wa hazushi (Como el amor verdadero) Remueve la máscara forzada

僕に素顔見せてくれよ Boku ni sugao misetekure yo Y muéstrame tu verdadero rostro

(Girls, Get Up! Stand Up!) 迎えにゆくよ (Girls, Get Up! Stand Up!) Mukae ni yuku yo (Chicas, ¡levántense! ¡Pónganse de pie!) Voy a que nos encontremos

(Keep My Love Alive) 風見極め (Keep My Love Alive) Kaze mikiwame (Mantengan vivo mi amor) Viendo a través del viento

(Rift In The Clouds, Now) 雲の切れ間に (Rift In The Clouds, Now) Kumo no kirema ni (Hay una grieta en las nubes, ahora) Entre las nubes

ひそむ月の光を Hisomu tsuki no hikari o Acecha la luz de la luna

つかめ! Blowing White Sparks! Tsukame! Blowing White Sparks! ¡Tómalo! ¡Soplando chispas blancas!

クラクラするような　威信　気品　胸に刻んで Kurakura suru youna ishin kihin mune ni kizande Talla en tu corazón la dignidad y la elegancia que se sienten embriagantes

Blowing White Sparks! ¡Soplando chispas blancas!

引き寄せた瞳　覗く　満ちる　零れる情動を Hikiyoseta hitomi nozoku michiru koboreru joudou o La emoción que se derrama al atraer tus ojos estando lleno de miradas

解き放て　受け止のるから Tokihanate uketomenoru kara Te dejaré ir y lo tomaré

愛をFor Me　望んだままに Ai o For Me nozonda mama ni El amor para mí, justo como lo deseo,

些細な　心の機微も掬い上げて Sasaina kokoro no kibi mo sukui agete También recoge las sutilezas del corazón que son triviales

そっと　声を　聞かせていま Sotto koe o kikasete ima Suavemente déjame escuchar tu voz

何を願うの？ Nani o negau no? ¿Qué es lo que deseas?

襟元　隙間から　チラついた Erimoto sukima kara chiratsuita Desde el espacio alrededor del cuello cayó ligeramente

たぎるような熱情 Tagiru youna netsujou Una desbordante pasión

叫べ! Blowing White Sparks! Sakebe! Blowing White Sparks! ¡Grita! ¡Soplando chispas blancas!

白く煌めいた　祈り　誇り　口に含ませ Shiroku kirameita inoriri hokori kuchi ni fukumase Pon en tu boca una plegaria y un orgullo de un blanco brillante

Blowing White Sparks! ¡Soplando chispas blancas!

濡れた唇に　触れる　交わす　溢れる劣情を Nureta kuchibiru ni fureru kawasu afureru retsujou o La lujuria que se desborda al tocar nuestros los labias mojados

いつまでも　感じたいから Itsumademo kanjitai kara Quiero sentirla por siempre

愛をFor You　高鳴る鼓動 Ai o For You takanaru kodou El amor para ti en los latidos de mi corazón

遥かな　このウタ永遠に響き渡れ Harukana kono uta towa ni hibikiwatare Resonarán a lo lejos y por siempre en esta canción

Starring! Breakin’ Through The Lonesome ¡Protagonizando! Y rompiendo a través de lo solitario

Shining! Happiness To Love You ¡Brillando! La felicidad para amarte

Starring! Climbin’ Over Wild Side ¡Protagonizando! Y escalando sobre el lado salvaje

Darling… Cariño...

Apoya comprando el original

#tsukiuta #procellarum

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snowe-zolynn-rogers · 5 years

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Pairings: Blackmist (Watasaeki Kurogiri)/Ragdoll (Shiretoko Tomoko), Dabi (Todoroki Touya)/Mr. Compress (Sako Atsuhiro), Toga Himiko/Eri, Twice (Bubaigawara Jin)/Spinner (Iguchi Shuichi), Overhaul (Chisaki Kai)/Chronostasis (Kurono Hari)/Shigaraki Tomura (Shimura Tenko)

Word Count: 762 Words

Summary: The Forest Training Arc begins and Himiko makes her move.

Warnings: Blackmail/Extortion/Threats, Implied Child Abuse, Implied Child Neglect, Past Abandonment, Muscular is a Creep, Quirk Inhibitors, Partial Muteness (from past injury), Death Threats Mention, let me know if I should add anything else.

Note: Based on this AU. Link here to this chapter on ao3. Kurogiri is a pro hero and UA teacher. Ahmya means ‘black rain and Ayeka means ‘someone who thinks quickly, rationally, or logically’. Shinokanri means ‘possessive particle control’, since her family is mainly telekinetic quirks. Yukimura is Todoroki Rei’s maiden name, it means ‘snow village’. Tamijiki is Magne’s chosen name, it means ‘honest beautiful’.

The Leage Of Misfit Heroes: Chapter 2- Forest Training Camp Arc

Two weeks after the USJ attack, they'd watched the UA Sports Festival and Yukimura had stared every time a certain other half red half white boy was on-screen, almost enthralled to see his matches. It would have been cute if he hadn't later gotten the explanation of that boy being his twin brother, which explained the similar burn marks on Touya's arms and the UA boy's left eye. Both had been given by their mother and Touya had run away after it, but his twin had stayed.

A week later, he and Shimura stood on a water tower in Hosu, watching the three Nomus destroy everything they could as per orders by All For One. This, of course, brought three new members to the League of Villains. Suji Ken aka Muscular, Gin Kuchi aka Moonfish, and Koku Dokuna aka Mustard.

He was wary of them, of course. He'd grown attached to the children he saved and Moonfish seemed to scare some of them, however, since he was a death row escapee, All For One insisted he stay. Mustard mostly kept to himself, given he was eleven and Kurogiri didn't quite trust him a lot with his Quirk, however he could control it to near perfection. Muscular, however, was a different story.

Muscular was forty so he had nine years bested over Blackmist and his Quirk was highly trained in both offense and defense. He was intimidating to the fifteen year olds, yet Mustard and him seemed to be friendly at the least. It worried him given he looked over his arrest records and found several counts of murder of teenagers. But, again, All For One insisted he stay given his Quirk was strong.

Thus now, he prepared the teenagers in their villain costumes, get ready for their new mission, even if he hated it, hated doing this. His wife was there, he couldn't believe All For One would put her in danger like this when he promised he wouldn't if Blackmist did what the man said. But, albeit unwillingly, he warped the Vanguard to the Beast's Forest and he left them to their fight, save for Shimura, who stayed home with the tail-end of a pretty bad cold that he was sure would turn into pneumonia soon if he didn't get medical help for him. He would stay here to care for him until it was time to warp the others back, whether or not they had the students from the list.

Finally! Himiko had that stupid inhibitor off again! Almost as immediately as the others had went to their positions, she shed her gear and she moved from her position, wandering to find someone, anyone to listen to her. If she told them they weren't doing this willingly, that they were being threatened, maybe they'd spare them. She came to find a green haired girl and a brunette girl.

"Kero, who are you?" The greenette asked her.

"My name is Toga Himiko. I'm Shifter from the League of Villains." The two girls clung to each other.

'Dammit, Himiko, wrong way to say that!' She reprimanded herself.

"I don't want to hurt you or anyone. Look, I even took my gear off. You can even hold it if you don't trust me." She held out her gear, armored padding for her joints and her mask that would hide her identity. But now she'd put it all in the open just to give her and her friends a chance. "You can bind my hands even so I can't touch anything but I need you to listen to me and trust me, please?" She offered. The shorter one with green hair slowly took the gear from her hands and the one in the light pink top used the velcro belt from one of them to bind her hands together. Fine, that was fine as long as they listened.

"Now talk. What do you want?" The brunette asked coldly.

"The League of Villains isn't really villains. We're being forced to do this. There's a man, he tells us what to do. He's blackmailing us into staying."

"Even Sensei Watoto?" The brunette asked.

"Especially Sensei Watoto. The man said he'd kill his wife and kids if he doesn't listen." She explained.

"Why do you stay, kero?" The greenette asked.

"He'd kill my friends that have become my family." She felt tears spring up. No, she could cry later, not now. Not in front of these girls. That would look pitiful and it wouldn't have the effect she needed. She needed them to trust her, not pity.

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