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#knowing people do not know they exist makes me question my life
ecliphttlunar · 20 hours
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Medicine - Chris Sturniolo
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Summary: You were having a difficult day where negative thoughts shook you, but luckily your boyfriend Chris is always there to save you
Warnings: cute, hugs, kisses, negative thoughts, a little angst
Author's notes: This is my work, I do not authorize any plagiarism, copying or “inspiration”. English is not my first language, so I'm sorry if there are any grammatical errors.
。☆✼★━━━━━━━━━━━━★✼☆。
You were sad, so sad, at that moment, your life didn't seem to make sense.
You felt ugly, incapable, inappropriate, God! You were feeling every negative feeling there was, even non-existent ones.
And there weren't enough words that could describe what you were feeling.
You traveled all over the world, collected lyrics, but nothing, nothing could describe this feeling that took over your heart.
And so you asked yourself, how could you talk to someone about this?
Talking to others about your feelings was never really a problem, at least not with your closest friends.
But now? You were a child who was left on a road in the middle of the night.
Lost.
Alone.
In the dark.
At least that's what you thought while cooking dinner at the triplets' house.
You thought that no one could understand what you were feeling, not when you couldn't form words, so why waste other people's time, why be inconvenient by saying that you didn't feel well, when no one could understand you, help you.
When you didn't even understand what you were feeling?
You were so focused on your thoughts that you didn't notice Chris's gaze on you.
Chris knew something was wrong the moment you appeared in the room, your shoulders slumped, your eyes heavy, your smile weak, dejected.
You always had big smiles that brighten any darkness, but now? His smile was wan, a smile that tried to hide his tears.
He didn't know what had happened, if someone hurt you, if they said something that hurt you, if you were in physical pain or not.
But he knew, he was sure, that everything wasn't okay.
Then, he got up from the couch, the place he had been sitting staring at you for the last 10 minutes, and walked towards you.
You were always alert to your surroundings, no matter the situation, you always noticed when something had happened to someone, or when a person approached, so when he approached you, and you didn't notice, as if someone had blindfolded you , he worried.
He was behind you, when he wrapped his arms around you, you were a little startled by the sudden contact, jumping slightly, and looking back.
It was just Chris.
You let out a sigh of relief.
"Don't do that anymore, you scared me" You said softly, when you went back to mixing the food in the pan.
"Everything is fine?" He ignored what you said, needing to know what was happening as quickly as possible.
"Why the question?" You ask back.
You always did this, when you didn't want to answer something, you asked the person a question as an answer.
"You don't look like you're on planet Earth today"
"No? Where do I look like I am? In fact, if I weren't on earth, how would you be hugging me now?"
“No, not like that, you’re here, but at the same time, you’re not here” you raise an eyebrow.
“Your body is here, your mind is not” You go back to mixing dinner, taking a deep breath.
"It's okay, I'm just tired" You weren't lying, you really were tired, but one of the main reasons for those words was because you really wanted to close this subject, you know that tomorrow you would wake up better.
But of course, Chris didn't accept that. He knew there was something more, and he wanted to find out what it was.
He was always like that, he was always there for you, even when you didn't want anyone, you just wanted to be alone.
And that was why you loved him so much.
Because he was your guardian angel, your bulletproof vest when everything got dangerous, he stayed in front of you when you were in the crosshairs.
He was there to heal all your scars.
And you knew he could save you now, when you are in the crosshairs of negativity.
His body leaned over yours a little, taking the spoon out of your hand and throwing it into the sink.
You tried to take the spoon back, making the excuse that the food wasn't ready and you needed to stir it more.
But Chris was watching you, he knew that you had turned off the stove for more than 5 minutes.
He turned his body to face him, and hugged his waist.
"Talk to me, what's going on?" He asked again.
But what he received in response was silence, and his eyes were watery.
"Honey..." He began, a speech already planned in his mind to make you speak, at least the basics, so he would know what happened, but this moving speech was not necessary, because right after he called you, the words ran out of his mouth like a river.
And now, you were a mess.
A beautiful mess in Chris's eyes, even with your tear stained face, messy hair, wrinkled clothes, you looked beautiful.
The gods knew how beautiful you looked.
"I don't know, I woke up like this, I'm just sad, nothing really happened, I just... I feel ugly, inappropriate, annoying, I don't know, I, I don't know, I can't explain it." You tried, you really tried, but you couldn't, gods, you didn't even know who you were at that moment.
You didn't know what were happening.
"Hey, hey, it's okay, pretty girl, it's okay, you don't need to say anything else, I already understand, I got you, I'm here with you." He cupped your face and dried your tears, placing a lingering kiss on your forehead. Trying to calm you down.
Which, even though it took a while, worked.
You let out a shaky breath. And when you look up, back at him, you realize he was thinking of a solution.
"What do you think about us lying down, cuddling on the couch, watching a movie, we don't need to say anything, just cuddle, do you want that?"
You smile lightly and nod, hugging Chris's waist, and hiding your face in his chest.
You stayed like that for a while, when you finally started moving to the couch, you on top of Chris, while you chose a movie.
It had been about 10 minutes into the movie, and you were already feeling better, but there was still something bothering you.
And of course, Chris noticed, so he did what he knew would help, what always helps, he kissed you.
He gently grabbed your chin and kissed your lips, making all that pain you were feeling go away.
Making you feel better than you ever have.
He could do this.
He was your medicine.
You separate, and look at each other, you smile in thanks, and lay your head back on his chest.
For the first time that day, feeling good.
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celticcrossanon · 3 days
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BRF Reading - 24th of April, 2024
This is speculation only
Cards drawn on the 24th of April, 2024
Question: Does King Charles want Prince William to reconcile with Harry, and if so, why?
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Interpretation: King Charles wants the arguments and tension between the brothers to stop because he can't cope with it (this is 'Don't make my last years a misery' territory).
Note: A lot of this reading is nothing new, but rather confirmation of what we already know or suspect.
Card One: The World
The World is a card of endings, of something coming to a successful conclusion. It usually involves looking back over what you have done and noting the successes and failures before you move on.
As an answer to my question, the energy from this card says yes, The King does want Prince William and Harry to reconcile. He wants the hurts/tensions/disagreements between them to be over, done with, finished, and for them to move on into a new relationship where they support each other or at least give the appearance of supporting each other.
As an answer to why, this card tells me that King Charles sees the failed relationship between the two brothers as a sign of failure on his part, and it is something he wants to fix before he 'moves on' to another plane of existence. I think that King Charles has been reviewing his life lately and he wants his last years to be with the illusion or reality of a happy, supportive family around him. I also think that he is quite upset that Prince William will not 'forgive and forget' to give him that illusion/reality.
Card Two: The Eight of Swords in reverse
The Eight of Swords is about being stressed mentally. You are in a situation and you can't see a way out. When it is reversed either the situation is a lot worse than the upright card, or you can finally see a way out of the situation.
I think both of these meanings are true here. When King Charles looks at the situation with his sons, he feels like the Eight of Swords in reverse - trapped, unable to do anything, almost victimised - and the situation is worse than he though it would be. This is giving him a lot of stress as he doesn't want his sons to be fighting.
He thinks he has a found a way out of the situation - his sons forgive and forget, make up, and he has no more stress. This completely ignores the hurt and the invasion of privacy that Harry has inflicted on his brother and his family, but for some reason The King is not taking that into consideration.
The energy of this card reminds me of when victims are told to forgive their abusers because otherwise they are bad people/they are holding onto anger/they are destroying themselves etc, and no one ever holds the abusers to account for what they did to the victim or says that the abusers should be the ones begging for forgiveness.
Card Three: The Five of Wands
This is a card of conflict, rivalry, competition, and arguments. The card shows Jason and Medea facing off against a green dragon that guards the golden fleece. I see Jason as Harry, Medea as Meghan, and the dragon as William, the Prince of Wales. The dragon is just doing its job, guarding a treasure that was given into its care (Prince William protecting his family and, in the wider sense, the monarchy), and Jason and Medea come along and try to kill it to gain its treasure (Harry saying horrible things about Prince William and his family because he is trying to wrest his brother's 'treasure' from him, said 'treasure' being his position as the heir). In the myth, Jason succeeds in killing the dragon with Medea's help, but I don't think that is going to happen here.
The conflict between Harry and Prince William is because Harry wants to be in Prince William's position - to be the heir. Harry is aided and abetted by Meghan in his actions. These actions involve everything he can think of that will 'kill' his brother, so he can take over his brother's role, including attacking his brother's family. This is not news, it is confirmation of something that we have seen for quite some time. This card is confirmation that there is conflict between the brothers, it is initiated by Harry and supported by his wife, it works through the media and PR (wands are PR), and that it will not stop until Harry has gained his 'treasure' - the position of The Prince of Wales, heir to the throne.
It is this situation and the vicious media articles that come from this conflict that is creating stress for King Charles and that he wants to end by having the brothers reconcile. I have to say here that given the gravity of the situation and the hurt that has been inflicted upon Prince William by his brother, I think that asking Prince William to forgive and forget and make up with Harry is a rather stupid idea. I can understand The King's desire to have an end to the conflict but I don't think reconciliation is the answer, or even possible. This competition is all one sided, from Harry, and shows no sign of ending until he is either defeated or he achieves his goal of being The Prince of Wales (and, eventually, King).
Card Four: The Two of Wands in reverse
The Two of Wands is a card about planning, making plans. When it is in the reverse, those plans are not happening. The energy of this card is of plans that The King has, and wants to carry through, that are now impossible to implement because of the rift between his two sons. As for what those plans are - the Two of Wands can be a card of leaving home. The picture on the card shows a red haired man, Jason, who for me symbolises Harry, standing outside the cave of Chiron, which for me represents the BRF. In the upright, Harry has left the BRF - he is outside the family. In the reverse, as we have here, this situation is undone and Harry is returned to his family. For me, this seems to indicate that King Charles has plans to return Harry to the bosom of the BRF and that those plans are impossible to implement while there is antagonism between Harry and Prince William.
Card Five: The Ten of Cups in reverse.
The Ten of Cups is the happy family card, the card of emotional contentment. This can be a real state or, occasionally, it can be an illusion - looking at something through rose coloured glasses.
In the reverse, this state of a happy family, real or illusionary, is not happening. There is no harmony in the family, and instead the family is full of conflict. This is the reality that for whatever reason The King is refusing to face. He is trying to create this illusion/reality of a happy family and he is not facing the fact that the actions of his younger son have irrevocably shattered that happy family image and it can not be brought back.
This card tell me that the reconciliation that the King wants will not happen. The family will not be reunited and the the conflicts and competition of the Five of Wands card will continue.
This card shows a wedding on Mount Olympus, the home of the gods, which represents a royal wedding. The energy from the reversed card is almost as if King Charles does not want to admit that Harry and Meghan's royal wedding was a mistake? He doesn't want to see his son in a broken marriage or admit that his son has a broken marriage? I can't quite make the energy out - maybe sympathy for Harry in his marriage? Or The King thinks that if Harry is separated from Meghan, then everything will go back to being OK between him and Meghan (the Five of Wands tells me this is not the case and that at this point in time Harry will continue his one sided competition with his brother with or without his wife).
If Harry and Meghan do separate, then I feel that King Charles will blame everything on Meghan and say everything is her fault, and that is not what happened.
Underlying Energy: The Hanged Man
The Hanged Man is a card of inaction, of contemplation, of seeing things from a new perspective, which fits in with the energy of The World card of King Charles reviewing his life. It is also the card of sacrifice, of having to make a sacrifice or be a sacrifice, which for me resonates with his wish that his son 'sacrifice' (ignore) his hurt and the effects of his brother's attacks on his family, and make up with his brother who is continually attacking him. Finally, the Hanged Man is the card for Neptune, the planet of illusion and delusion (among other things), which tells me that The King's wish for reconciliation between his sons is an illusion that is not happening.
The Hanged Man is a card of inaction, and that is The King's position here. He can not take action and force his sons to reconcile, instead he should sit back and let them play this out between themselves instead of trying to force them together in the name of brotherly love. The Hanged Man's inaction sometimes brings a new perspective on things. It might be time for King Charles to find a different way of looking at the situation between his sons and how he would like that to be resolved.
Conclusion:
The King does want his sons to reconcile. His sons' fighting is causing him a great deal of stress and anxiety. Having them reconcile would remove that stress. He appears to have been thinking over his life and he seems to feel that the actions of his sons reflect on him and are a failure on his part. Removing the conflict would fix that failure, remove the stress that is caused by Harry's actions, and bring the conclusion that he appears to want - a happy family.
Unfortunately, Harry is attacking Prince William with a set goal in mind - to steal his brother's treasure/become The Prince of Wales - and he is unlikely to stop until this goal is achieved. The competition is all one sided, it stems from Harry and Harry alone, and for this reason it is unlikely to stop until Harry lets go of his need to be better than his brother (which in my opinion will only happen after a lot of reputable therapy, if at all). Until Harry changes, the King's wishes for a reconciliation and a happy family are going to remain a rose coloured illusion.
The King has plans that he wants to implement, plans that appear to involve having Harry returned to his family, and these plans can not be implemented with the situation between the brothers as it is. This is another reason he wants his sons to reconcile - so he can move forward with those plans.
The message from the cards is for King Charles to spend more time thinking about this situation so that he can see it from a different perspective and stop pressuring one son to sacrifice himself, his principles, and his family, for the sake of his rose coloured illusion of a peaceful life surrounded by a happy family.
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ghostlychief · 3 days
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OKIE, HI LOVE, I'm so excited. I would like to request Touch-starved! John. John, who didn't realize how it felt to be loved. John, who didn't know how nice it felt to be wanted for being just him. John, who's never had a hug in his life, stiffing when his partner gave him a hug before realizing how comforting it was. John, who doesn't know how to hug his partner back and is scared he'll hurt them.
Okay i love this idea so much. YOUR MIND CONTINUES TO AMAZE ME. Because John would TOTALLY be like this at first. Love touch-starved!John. For some reason the concept of the song Drops of Jupiter popped into my head when i thought of this John. I hope you enjoy what i threw together, and hope you're doing well <3
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Drops of Jupiter
John-117/Master Chief x reader
no warnings, just fluff!
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John’s life can really only be measured by statistics, measured quantitatively. From the moment he was found on Eridanus II by Dr. Halsey, his life started to have meaning in the way of numbers. How fast was he growing? How much did he weigh? How much could he lift? Those numbers became one of the most important thing in his life. Besides that, he didn’t have much else to count for. His sole purpose was to train and become the best Spartan II the UNSC has ever seen.
That was until he decided to remove the hormonal pellet, lodged in the center of his lower back, resting in between his spine. Who knew how much power rested in something smaller than a quarter?
This pellet repressed his moods, making sure he was only ever objective, the thought of subjectivity a sin. It also dimmed hormones a normal person experiences in their every day life. Such as, the longing touch of a loved one. Or, the hope to feel accepted by one’s peers. These suppressors were supposed to make the ultimate, elite solider. It was supposed to help aid the Spartan’s on the battle field by making them mission oriented. Act first, ask questions later. As long as the mission was complete and a success, not much else mattered.
At first, John felt disoriented. He felt unbalanced by the new coming of emotions and hormones that spiraled around in his body. There was a crash of emotions washing over his entire body that he forgot he felt before, in a distant past life he wasn’t even sure really existed. It felt rickety, yet exciting. Everything seemed brand new to him. The clouds looked different, the grass brighter, the sun felt warm against his skin. He appreciated the stars that blanketed the sky on a moonless night.
For once, he felt like he completed the orbit around what his life was really about. He finally understood. Life wasn’t just about missions and killing the Covenant. No, there was so much more to it and he finally felt like he touched back home after a long, grueling journey, pulled down by the gravity of the new world he found himself in.
Shortly after his pellet was removed, he met you. You were a linguistic technician that worked closely with many of the people John worked with. You were an expert in Sangheili, which became a hot commodity skill to have in the impending months leading up to the human/Covenant war. John had actually crossed paths with you before, only in passing, but you have met, though not officially.
The day you sat across from him in the cafeteria was Johns’s first encounter with you since feeling different, feeling new. You were already half way seated when you asked, “Mind if I sit here?” John looked up at you, brows furrowed and nodded, but at this point you were already sat down at the table.
“I’d like to pick your brain about something if you don’t mind?” Your sweet voice traveled across to John in the noisy cafeteria and he found himself staring at you for a second before he mentally shook his head. “Sure?” He was still perplexed why you were here sitting with him. Usually no one approached the Spartans unless they were instructed to do so.
“Okay, so I’m in the linguistics department, specifically Sangheili, and I wanted to ask you about the encounters you’ve had with the Sangheili, specifically the higher ranked Sangheili.”
John felt himself slightly smiling at your rambling, but he made sure to hide it from you. He cleared his through them said, “Yeah, I remember you. We met in passing a couple years ago.”
Your eyes widened, “Oh! I didn’t think you’d remember.” This time John made sure you noticed his smile, “Spartans have eidetic memory.”
“Ah, that’s right. Well, that’s good for all the questions I have for you then.” You then proceeded to talk to John about the Sangheili culture and how it related to their patterns of speech for the next two hours, time slipping away, fast through your fingers.
After that, John always felt a pull towards you, seemingly stuck in your orbit. If neither of you were on duty, you’d usually end up going on long walks. John told you about his past, like what it was like being in the Spartan program, and other adventures, like his mission on the Halos. You never interrupted him, and typically had follow-up questions, always curious to learn more about him.  
The first time you touched him was when he was explaining how he was taken as a child by Dr. Halsey to be entered into the Spartan program. You rested your hand on his bicep, and your fingers slowly rubbed back and forth in a comforting notion. He at first stiffened, but then soon relaxed under your enchanting touch, longing to feel it again after you left his quarters that night.
He started to see more and more of you, and his feelings slowly and quietly developed into something akin to love, though he was never really sure what that word meant. Not until you. He imagined what love might have been, but could never quantify it since love never dealt in numbers or absolutes. It was abstract, confusing, with no concrete answer to it.
Though all of these new emotions felt confusing at times, John never felt confused by you. You simply loved him, not Master Chief or John-117, just John. Slowly but surely, John felt more comfortable with you, emotionally and also physically. Although Spartans are massive in their stature, people still forget how freakishly strong they actually are. Such as, John can easily flip over a Warthog. So, in dealing with you, he was extra cautious.
The first time you wrapped your arms around his middle in a bone crushing hug, he was worried about hugging back, afraid he would crush you, hurt you. He doesn’t remember ever receiving a hug like that, and he wanted to savor it, and feel it over and over again. Once he realized that he wasn’t going to hurt you, he would always pull you into random hugs through out the day, comforted by your beating heart against his.
John’s life, once measured only in numbers, in quantity, now could be measured by so much more. He was lucky, after all.
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toorumlk · 1 day
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Hi I'm so freaking obsessed with your twitter.
Also what's your favorite Romione moment in the books and why?
ohohoho thank you, friend, i’m quite proud of some of the stuff i’ve posted on there B)
and as for my favourite romione moment in the books, when i read the question i first blanked out for a couple minutes, thinking of a bunch of smaller, sillier scenes. but then i remembered that i do have a favourite and it’s from chapter 11 of DH, when remus visited the trio at grimmauld place and filled them in on he goings on of the war -including the implementation of the muggle-born registry. ron’s response upon hearing this (after his immediate outrage) was
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and it’s not just the hand holding and the “‘you won’t have a choice’ said Ron fiercely” that played out so vividly in my head like this:
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but this scene demonstrates so perfectly the political weight of this pairing (muggleborn/blood traitor) which i think is the immovable narrative foundation of romione. all of their silly moments and idiosyncrasies aside, there is genuine narrative purpose behind this love. ron has always had an astute understanding of the blood supremacist politics of the wizarding world (need i remind that he was ready to curse shitco at the ripe age of 12 for calling hermione the in-universe slur) and just how wrong it is. ron is a pure-blood wizard and by design has so much privilege in this society bc of it, but by virtue of having parents like arthur and molly, he’s grown up knowing the importance of fighting against blood supremacist ideology. always.
so, after hearing about the completely horrifying muggleborn registry ("People won't let this happen," said Ron. "It is happening, Ron," said Lupin.), he immediately turns to his muggleborn best friend and love of his life and says “i’m making you a family member, i’m going to use the protection my family-name has and use it to protect you from the awful injustice of our situation, no you won’t have a choice but to let me help you”
i remember having such a… visceral reaction while reading this scene like holy shit .. these kids, THESE KIDS!!!!! this is the bone-marrow-deep love that makes me feel insane. this dynamic of the blood traitor/muggleborn always there, from CoS all the way to the epilogue. We get to see that romione is the story’s pure blood/muggleborn that finally made it (rip jily and tedromeda :(). we see it in hermione keeping her muggle last name after they get married (oh my god these two actually got married) and we also see it in the hyphenated Granger-Weasley (granger being first!) in their kids’ last names (oh my gof these two had TWO kids). they are a true symbol of change and progress in their world.
also this is one of those moments where i’m so glad that our only window to romiones relationship development is through harry’s narration because it so brilliantly shows the readers this blossoming love story instead of just telling us about it because harry obviously doesn’t have access to the inner thoughts of his two best friends, he can only witness them fall deeper in love. showing the audience acts of love is always more powerful and my god is this an act of showing your love to your beloved.
(and not to go on an unrelated tangent, but this is exactly why i could never ship my girl hermione w any DE or DE-adjacent character. no fucking way. not when the concept of a muggle-born registry exists in this universe, not when the antagonists in this story wish to eradicate people like her from their society. idk about the rest of y’all but im going to keep taking the narrative seriously bc the worldbuilding obviously has real world ties/implications and i like engaging with the canon. tangently to the tangent, i saw someone (a ron basher) on twitter say that ron, OUR RON FROM THE ABOVE EXCERPT, was “one bad day away from becoming a death eater” ohhhh ohhh i ought to beat you with sticks bc HUH? this is the same kid who said he would’ve boarded the train back to kings cross if he got sorted to slytherin, the house notorious for birthing DEs, at the tender age of 11)
anyways, all this to say is that romione is incredibly, realistically, materially romantic and i love them and i love their love <3
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aspecpplarebeautiful · 11 hours
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Hello! If you don't mind, this is half a vent and half an ask both to you and to your followers who have had some experience?
I feel like I want certain aspects of a romantic relationship, the idea of having someone "special" is very appealing. Especially since I find myself falling in the trap of romance tropes, and I really do feel that I want to find that one person who I'd feel safe being physically close with, and not just because I turn my brain off to suffer through it but to actually enjoy it.
I know that I'm rather attracted to men, in theory at least, but whenever there's even remotely a thought in my brain that a polite conversation may turn into something more I get nervous, kinda in a bad way. I feel like I want to put a barrier in and I'm afraid they'll be reading into my behaviour too much. It makes me feel as if I like to play pretend in my head but I'm too much of a coward when real life gets involved.
I've been identifying as ace for years now, and I just turned 24. No experience in the dating department, I've been slowly making my way to accepting being at least arospec as well, possibly just aro, but for some reason it's been so much harder for me. Asexuality just clicked. This I think I may be fighting because the idea of a relationship seems too nice to give up and I've already had a bad experience with an extremely undernegotiated QPR (ended quickly but left a bitter taste nevertheless).
I just wish I could not think about it? But I also feel like the societal expectations of romantic attraction are much more pressing than sexual one. I don't want to lead anyone on, and I don't want to feel this little bit of dread whenever I have a conversation with a guy who I know doesn't have a girlfriend. That's another sign of being aro, right? Being able to be comfortable only when the possibility of the other party wanting you romantically is non-existent.
Sorry for this being so long. Thank you for listening, either way.
Romance definitely has a hard to explain quality to it, and I think that can make it questioning if you're aro especially tricky. It is possible that anxiety you're feeling when a situation could turn romantic is a form of repulsion. It's not uncommon for romance repulsion to feel more like anxiety or nervousness, and for people feel like wanting to go and hide. Alloromantic people can be nervous too sometimes, but it usually comes with a feeling of anticipation and still being drawn to the other person. Or they will usually have either trouble with anxiety in other areas, or issues with romance (romance related trauma for example). Sometimes it can be tricky to know exactly what it is, but if the stuff below doesn't sound like you at all, than repulsion is a likely explanation.
The other thing I would point is that fully alloromantic people often have people in real life they are experience a romantic pull towards, who they really want to be in a romantic relationship with. And if you're not experiencing that, that could also be a strong sign of being aromantic.
Being aromantic, and even romance repulsed, if you are, does not mean you can't have a very important person in your life. I know you mentioned a QPR that didn't go well, and it's up to you if that's something you ever want to try again, but even if you don't. remember that deep bonds can come in all forms of relationships. All types of relationships, including friendships, familial relationships, etc. have the potential to be very special of very deep if you end up connecting to someone in the right way. So whatever path you choose to take, don't feel like this isn't possible.
I'll throw this out followers too if anyone wants to share their own thoughts or advice.
All the best, Anon! Good luck!
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nanakiwii · 2 days
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STARDEW VALLEY HANNIGRAM???
What the actual-?!
Really????
The voices won.
I regret nothing.
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Prison was boring.
Being locked up, as Hannibal expected, was all about routine and schedule. You wake up, eat, shower and shit when they tell you to. Good behavior was the key to bring back some of his old life pleasures: books and music, for example, were some of those achievements he earned.
But, Hannibal sensed he still needed something, or, someone to fill this void he called existence. After three years of isolation and intense silence, Hannibal couldn't help but to dig in every interaction he shared with his beloved.
In the time while they were apart, Will - somehow - managed to get engaged and marry a faceless woman and, as much as it hurt Hannibal, he couldn't deny he was happy to see Will as desperate as himself to try to easy the pain of their distance.
The lack of human contact didn't do great to his temperament and Hannibal knew we was becoming more "sassy" as days passed. He was bored. The bliss of the attention he received by the media was gone for ages. He found every assumption of his "diagnose" wrong and very dumb. "If this is the proof of human brightness, then we're destined to live in darkness" he thought.
It was this boredom that made him poke Alana Bloom until he discovered a way to taunt Will and to end his sickening loneliness.
Stardew Valley.
Apparently, it was farming game he could play with friends and family. And who was Will if not a friend and part of his family? Well, Hannibal guessed he had to find a way to play this exquisite video game with his precious Will.
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~ Inspired by this horrendous comic I drew on the printscreen brush tool a long time ago while I was sleep deprived and very very bored.
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Text:
Will: "What is this game about?"
Hannibal: "I suppose it's a farm game, Will."
Will: "And, why you wanna play with me?"
Hannibal: "Well, Alana commented about it, and I'm curious."
Will: "I don't believe you."
Hannibal: "Come on, Will. I'm locked and bored. Help me out."
Will: "Fine."
Later...
Will *behind a computer screen*: "I still don't know how you manage to have those things."
Hannibal *also behind a computer screen*: "I'm a very behaved prisoner."
Will: "..."
Will: "No, look, let's just play."
[Stardew Valley home screen]
Hannibal: "Soo much hair options."
Will: "Shut up."
Hannibal: "What do I put on 'favorite thing?'"
Hannibal: "Such a hard question!"
Will: "I wrote 'dogs'"
Hannibal: "Yeah, I suppose you did."
Will: "You want me to ask, don't you?"
Hannibal: "Ask what?"
Will: "What did you write?"
Hannibal: "Oh, hoho... You would be surprised."
Will: "If you say 'pork' I'll kill you."
Hannibal: "Then, you better pick a knife."
Will: "Fuck you and your cannibal jokes, Hannibal!"
Hannibal: "Me and my jokes."
[Hannibal's character building screen:
Name: Hannibal M.D
Farm Name: Hospital
Favorite Thing: Will Graham ]
End.
AGAIN: SORRY ABOUT THE MAJOR GRAMMAR AND ENGLISH ERRORS. I WAS HALF ASLEEP HALF ALIVE AND I NEEDED SOME CRACK FIC TO KEEP GOING!
I wanted to post it somewhere because I keep laughing alone about what I made and wanted to share with other people.
The art is shit, but someday I'll make something better (I probably won't. Will I?)
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pr-incey · 13 hours
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For a while—after being exposed to the antiship movement, because goodness knows I didn't care about this when I was younger—I wondered *why* fiction and reality were so different in my head. Why I could happily see things depicted in fiction that would make me sick to my stomach or upset me to tears just from thinking of it happening in real life. I couldn't come up with a reason for this for a while, which caused me distressed and made me worried that I might secretly be a terrible person after all.
But I've done some thinking and I've figured it out. Or, rather, I've returned to the mindset that came so easy to me in the past and probably did to a lot of people before the well was poisoned.
When I see a fictional character, I don't see a person. I don't see a person like *me*, anyway. I see a person within that piece of fiction's universe; a plane of existence that is wholly different from my own. Lines and colour, words on a page, virtual drawings being played sequentially at a speed that simulates movement. Sure, the written passage, 'He had eyes, ears and a mouth' is a representation of what *I* am, and what other people around me are, but it is fundamentally a plane of existence that is *alien* to me.
An alien is something that is decidedly not human. I feel empathy for other humans because I can relate to them. I have no desire to hurt them because I either know what it is like to be hurt in that way, or I can imagine what it would be like. I know the harm it would do to them, which illicits a reaction of disgust and apprehension in me. 'That's terrible,' I think, which simply kills any desire to cause any harm to a real person or do any disgusting actions.
This is why predators are such terrible people. They are fully aware of the harm their actions will cause and then go ahead with them anyway.
But with a fictional character, it's different in these ways:
1. First of all, we have to remember that they AREN'T human and so whatever I feel towards them cannot accurately mirror whatever I feel towards real flesh and blood individuals. They're projections of humanity from OTHER people in whatever medium they choose, but fictional characters are—and I cannot stress this enough—NOT HUMAN. If I pull off the head of a Barbie doll, does that mean I have the desire to behead someone in real life? Does it mean that I MUST have the urge to behead someone in real life, because a barbie doll is a 'representation' of a person? Your answer, I'm hoping, is no. Because Barbie is not human.
2. And because fictional characters are not human, I don't have empathy for them. Not REAL empathy, anyway, the type that stops the desire to cause harm. When I 'violate' a fictional character, it illicits at most only superficial disgust because I know that character will not live with the lasting consequences of my actions. They're a projection, a facsimile.
So that might bring you to another question, 'Even if they're not real, why would you WANT to do that to them, anyway?'
That I can't answer. The human brain is weird. Sometimes, people have dark urges. If a kid tosses their Barbie onto the ground and seems to take pleasure in it falling, can that accurately say they want to push a real person onto the ground? If someone seems to enjoy a violent video game like GTA where they can run people over and shoot them to their heart's content, is that a surefire way to know that they want to do those things to real people? I wouldn't say it is. Would you?
The final thing to remember is that it's not completely black and white. A serial killer might have been 'inspired' by a violent horror story, whereas the actual author of that story is a nice, well-adjusted individual. People with the desire to hurt actual humans might make do with projections, but it does not change the fact that they actually want to HARM people. The fiction didn't make them want to do that. They already did, and probably would have even if they didn't discover said fiction. And horrible people CAN make their own 'projections'.
Generally though I believe it is obvious when someone is just playing with dolls, and when someone is exhibiting an actual desire to hurt somebody.
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cluescorner · 2 months
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Randomized Robins AU - Ages + Worst Trait Exercise:
Steph (25):
Says her worst trait is her murderous rages (she is exaggerating for dramatic/comedic effect, she’s killed 3 people tops and for very good reason)
Thinks her worst trait is her spitefulness (one of the few traits she definitely got from her father + one that prevents her from fixing her relationships and living her best possible life. She’ll refuse to interact with someone she dearly loves after an argument (happens significantly less after Tim’s death) or will say things she knows are hurtful just for the sake of having the last word. This trait will worsen in some ways as the list of people who have wronged her and those she loves grows, but will also ease up as she matures and realizes the harm it’s doing to her relationships with those she loves most.)
Her worst trait really is her spitefulness
Cass (26)
Says her worst trait is her self-righteousness (she believes that her goals are righteous and, as a result, she is righteous. Cass becomes very defensive whenever someone questions the mission and often does not second-guess herself. This is a trait she only develops later in life as she grows closer to Bruce/learns to understand herself more/starts to love herself more. But she knows she isn’t perfect and when somebody she trusts criticizes something she is doing she is willing to listen. She just usually isn’t the one to START the introspection.) 
Thinks her worst trait is her self-righteousness. 
Her worst trait actually is her obsessiveness (she gets it from Bruce and, while not as bad as him, she will easily become preoccupied with her night-life and the mission if someone isn’t there to pull her back. She will do this to the point of self-destruction and it hurts her relationships with the people she loves, especially Steph.)
Tim (24)
Says his worst trait is his spitefulness (he actively rejects the idea of mending his relationships with the older members of the family and this causes him to also lack good relationships with the younger ones)
Thinks his worst trait is his obsessiveness (similar to Cass, if he gets fixated on a task or idea he will neglect everything else in his life in order to dedicate more time to it. Unlike Cass, he will almost never be dragged away from it unless Pierrot snatches control of the body and forces them to take care of themself.)
His worst trait actually is how manipulative he is (the KING of guilt-tripping and using people’s emotions against them. He’ll do whatever he needs to do to get what he wants, he’s not above crocodile tears. And he will do it to whoever he needs (or wants) to with little care for how his actions impact others.)
Pierrot (Insists: “Age doesn’t apply to me! And even if it did, I'd probably be the oldest. Or the youngest! I’d never be a middle child, though.” Mental assessments by the Bats have put him around 21, with a margin of error of 3 years. Pierrot has called this “blatant character assassination by my eternal rival!”)
Says his worst trait is that he is an irredeemable psychopath without any regard for the wellbeing of others (this is a lie and everyone who's important to him understands this). 
Thinks his worst trait is his parasitic nature (he literally would not exist had Tim not suffered the way he did. Plus he is a living reminder of one of the worst things that happened to many of his loved ones. He is a parasite injected into a functional person's body and contributes to his continued suffering. This is also a largely incorrect judgement of himself, caused by his actual worst trait.)
His worst trait actually is his limited sense of self (he doesn’t really know who he is outside of ‘inheritor to the legacy of the Joker (a man he despises yet also views as a father)’ and ‘chip in Tim’s brain that became sentient’. He slowly develops an identity over the course of his life and relationships with other people, but he lacks the foundations of identity that most people have. Pierrot will often almost become a caricature of himself and what others perceive him to be because it's the only person he knows how to be. This causes wild swings in how he behaves and relates to others, sometimes to the detriment of himself and others.)
Dick (17) 
Says his worst trait is his clinginess (he is a very extraverted person who likes to be around others, which mixed with his fear of abandonment after his parents died means that if he goes a few days without seeing/talking to a friend he will get very anxious.)
Thinks his worst trait is his anger issues (he gets ticked off very easily and will explode on people. He’s kind at his core and is usually very nice, but he has a temper that can escalate significantly. Spoiler (and later Twist) help him channel this anger into something positive.)
His worst trait actually is his anger issues.
Barbara (18)
Says her worst trait is her disability (internalized ableism, she thinks of herself as less valuable than the other Bats because she cannot be out there in the capes like they can. She will grow out of this as she matures and as she learns how invaluable her support for the team is.)  
Thinks her worst trait is her disability 
Her worst trait actually is her overly-independent nature (In an attempt to overcompensate for everything she can no longer do, she has resolved to do literally everything that she possibly can without any help from others. This results in many instances where she either takes on too much and winds up not being able to fully realize any of her tasks or where she makes her life and the lives of others significantly harder by refusing help when offered/not asking for it when she needs it.)
Damian (16)
Says his worst trait is his perfectionism (he is overly critical of both himself and others, taking any flaw or problem and amplifying it to an absurd degree. This is due in part to his life with the LoA (where even a brief misstep could lead to death), in part to how others treated him initially as Spoiler (any flaw was fixated on and used as a reason to either mistrust him or portray him as unworthy of the mantle), and in part due to the fact that he is Bruce’s son (the only person with worse perfectionism problems than Damian). Gradually, Damian has improved in this regard but it’s still a massive barrier to both his own happiness and his relationships with others.)
Thinks his worst trait is his perfectionism 
His worst trait actually is his perfectionism
Duke (16)
Says his worst trait is his definitely-real secret evil side (says this as a ‘my dad is a villain so who knows??’ joke)
Thinks his worst trait is his impulsivity in his words (Sometimes he will crack a joke or say a remark without thinking it through, leading to a LOT of hurt feelings and drama. He’ll say something without thinking it through and wind up seeming insensitive. This isn’t done because of malice, rather because Duke is someone who’s quick to act and speak. But while the mantle of Insight and his awakening powers have helped him with his actions, they do not always help with his loose tongue. As such, Duke gains an unfair reputation in the media as an instigator and will accidentally cause family drama through what he says.)
His worst trait actually is his impulsivity in his words
Jason (14)
Says his worst trait is his bad manners (he grew up on the streets and has no idea how rich-people society works, which he’s pretty insecure about considering he’s now the youngest kid of Bruce freaking Wayne). 
Thinks his worst trait is his reactiveness (Jason never got the privilege of planning ahead for various events in his life, so he instead needed to rely on being swift and harsh in how he could react to situations. It’s saved his life on multiple occasions and helps significantly in his role as Spoiler, but it can also lead to extreme overreactions (accidentally causing kidnapping scare after Jason ran away following a fight with Dick) and a struggle to plan things out ahead of time. As he grows more secure in his place in the family and in life, this trait will lessen but never fully dissipate.)
His worst trait actually is his reactiveness
#stephanie brown#cassandra cain#tim drake#dick grayson#barbara gordon#damian wayne#duke thomas#jason todd#batfamily#randomizedrobinsau#I'm debating whether I should tag this with the Joker Junior tag and those related to it for Pierrot#because like...it's not quite that. but it's also very close to that and is the direct result of that.#but Pierrot would fucking HATE to be tagged as that and sees it as an insult to his identity...which he already has problems with#so I don't think I'm gonna#anyways lmao I am totally projecting my younger self onto Barbara. How could I not? She's literally the reason I view my disability#the way that I do and she actively improved my mental health just by existing and saying some of the shit she did when I was in the#stages of accepting my own disability. So yeah I am projecting a lot onto her because I love her and see myself in her.#I'm mostly basing these characterizations on my favorite versions of them (ie Red Robin 2009 Tim and Birds of Prey Barbara).#so I'm taking the traits I like/think fit in this AU and discarding what I think either is bad or doesn't fit or if I just don't like it.#Damian's 'murder gremlin who is a meanie on purpose because he is a meanie' is entirely unappealing to me and also does not fit this AU#I prefer him when he's portrayed as a sympathetic kid (who is still an asshole) and not a demon child. So that's what I'm using.#same with Talia's 'abusive mother who is totally on-board with all of her father's bullshit and will kill someone for no reason' version#I have read enough comics to know what I like/what is most important and what I don't like/what is#BLATANT CHARACTER ASSASSINATION GRANT MORRISON YOU FUCK YOU SET TALIA BACK SO FUCKING FAR#I also decided to outline their WORST traits because I already know what I like about these characters/their best traits.#most people do. But what was a greater challenge was finding what would make their lives and those of others worse.#what would I hate about this person if I knew them IRL? What would I first suggest they get therapy for? What hurts them and why?#I found these questions really interesting in the context of this AU where some people are forced into completely different roles#the says/thinks/is was inspired by trying to answer that question for myself. I say my worst trait is my impulsiveness but when#I asked others in my life they answered 'oh so you said your weird thing where you don't ask for help right?'
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cxpperhead · 4 months
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How often does Copperhead walk around the city? Does he go out and do normal person stuff (get groceries, go to the bank, etc)? If not how does he get around doing them? Is there anything he particularly enjoys doing when he's not at home?
send me questions you have about my character!
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Not as often as he'd like! Being a snake metahuman makes it (un)surprisingly difficult being polite company; Copperhead is VERY distinctive looking and can only walk about without attracting attention at night, bundled up in his heaviest poncho. Getting groceries can be touch and go when you're wearing your hood up as people tend to think you're about to commit a robbery, which doesn't help people feel any less nervous when you're already a good 6'6 tall. It's too awkward, too dangerous to stand out so Copperhead tends to avoid the streets altogether, scaling buildings and traversing over rooftops instead of walking amongst the crowd.
Naturally this makes having a bank account difficult, especially when you're no longer recognizable as the person you once were - not that Copperhead had much to worry about there, he's effectively a non-entity what with having no birth record he knows of. As far as he (and the government is concerned), Copperhead never existed, or at least died at a young age so turning to crime was his only recourse in order to make a living. Doing a few favours here and there for various criminals across the states allowed him to make up some false identities, enabling him to amass funds untouched by authorities. It's not easy but he's made it work, leaving an incredibly difficult trail to follow through various identities and false alias that go nowhere. Sure he might not be able to go to the bank but who needs to when you can get thousands per hit/heist? Why bother going out to get takeout when you can get it delivered and leave precise instructions as to where to pick up their (very) generous tip? While it's occasionally lonely, Copperhead enjoys the relative solitude of his life. There's nothing quite like climbing to the top of the tallest building and looking out across the city, seeing a world of opportunity just waiting for somebody to come along and scoop it up. He watches and listens, ready to pounce on fortune before it slips from his claws.
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Ahhh life is so good today i have done so much :)
Drawn today? Yes
Studied? Yes (for two hours … thats a lot for me ok … no hate)
Found any good drawing references? Yes all ready for when i wanna draw next
Got any good fics to read? Yep started a great one last night and still reading it :)
Written anything for posting? Yes sir all lined up in my drafts just needs editing
Got up before midday? Yes ma’am 8am, bright and early (for once)
Been productive? Sir yes sir … Done a lot today
Left the house today? Uh huh … went to the shops , looked at art supplies, did the grocery shopping and bought lunch
Good weather? 100% my fav … Rainy and cold just how i like it (I can wear my hoodie!)
Eaten real food? Yeppers … i had sausages for breakfast and a donut as a snack
Eaten lunch? Yassss … avocado sushi w soi sauce (i probs spelt that wrong haha)
Had something to drink? Why yes… yes i have (coffee and juice)
Spoken to my lovely Anons? Why yes i have
Heard from friends? Texting and happy (making plans to hang out)
Stressed? No who’s she? (Feeling ready for exams and happy)
Made the tags on this post unhinged? Of course i did
Im so proud of myself rn :))
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mantabanter · 2 years
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I know most people don’t REALLY care about the lack of content from me (I post when I post and yall seem just fine with that) but I thought I would mention why I haven’t made anything in... eons.
I had a realization with my own art, that I found it messy and quick and... stagnant. And not only all that, but it felt so completely narrow minded as well. It felt like, well, there were only so many things I could draw and so many ways to draw them, and I had to get them out quick OR ELSE-
It was for social media. I was only thinking about social media and whether my art was postable. I was no longer making beautiful things that I loved. I was making things that I thought maybe the internet would like, things that I probably Should make rather than things I actually wanted to.
So I took some time and had a long think and thought: well, what DO I actually want to make? And it’s still something I’m a bit stuck on. I don’t think I have the skills or the ability to make the things I do want to make. Which is disappointing, but also kind of exhilirating. I get to learn and try something new. But also. I probably have to be kind of shit at it first too. Which is NOT GREAT for my ego ;w; but. Thats how it goes. There are a thousand things I want to make, art, AUs, fandom stuff, non-fandom stuff, but I’m kind of realizing I don’t have the time and the skills for everything. Which is sad because. As someone who is terrible at prioritizing, I don’t know what to focus on or spend my time doing! And theres still that little voice in my head that wants to make something that people will like, that people will see, that will get me my fake internet points and make me feel like I have meaning in my life.
And well. I just don’t know. I think I have to go in the opposite direction of all my instincts. I want to make something that will NOT be popular, something NOT related to fandom, something that can be BAD and it’s FINE but something I’ll CARE about. I want to find satisfaction within my art, something that will last with me, not something that will disappear from my mind once it is done gaining traction online. You know?
And I’m not entirely sure what ticks those boxes yet. But I want to get back into trying.
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maraeffect · 8 months
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started watching hopecore right before bed and MAN. what a life it is we live on this earth.
#it's a lottery every time someone is born!!! people achieve their dreams every day#others die. others bury loved ones. others get married. others have kids. others separate. still others choose to be alone#and what decides your path is largely up to who conceived you; where and at what time#the rest is blindly writhing around trying to change your circumstances and sometimes there's luck#every single person on this planet has their own inner monologue. their own family. their own dreams#we all just wade through our experiences and maybe leave a cascade of small influences around us#and at and time BOOM! you could just crease to exist!! you could walk outside right now and get struck by lightning#and your story is over#i guess no one is ever ready to think about stuff like that. but it's the truth#and the hardest question you'll ever have to answer is 'how do i spend my time in a way that leaves me truly happy?'#i don't think anyone ever knows the answer to that. not quickly at least#but no matter what you do the sun still rises the next morning and the moon comes out the next night#our rocks in space rotate and revolve like they have done for billions of years. and they'll keep doing it#time stops for no one. we all live and die. and no one but you can decide what will make you happy in the end#this weird little science experiment we are. our little self contained world#we're essentially the universe's terrarium. we're the little tiny creatures that live and reproduce and die inside#and what's it all for anyway? IDK. i think we're meant to do as much of what makes us happy as possible#even if there is no ''point'' to earth being the exact right conditions to create human life; we can make our own meaning#we don't all live or suffer or laugh or cry or fall in love for a reason. there's no telling why it all happens#it just does. so we make our own meanings.#crazy to think we all might have ended up here by accident. or coincidence#makes you think or whatever someone would end this with#chatter#uhhhhhh should i trigger tags this???? IDK what to tag#existential#also ignore my abundance of typos I'm literally laying in bed trying to get sleepy lol
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tutuandscoot · 1 year
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. @sugarplum-failure
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cornflowercanine · 1 year
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starting to understand that whole "erase entire online presence and restart from new" thing everyone's 833n on a8out for forever
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bugjester · 1 year
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perhaps this should be in a journal instead of online but i need 2 get some transgendered thots out of my brain they’ve been rattling around 2 much
vvvvvv v v v vvvvvvvvvvvvvvvvvvvvv
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Y'know, there's this gripe I've had for years that really frustrates me, and it has to do with Love, Simon and people joking about it and calling it too-pg and designed-for-straight-people and all the like. (A similar thing has happened to Heartstopper, but that's another conversation.)
I saw Love, Simon in theaters when it came out my senior year in high school. I saw it three times, once with my friends/parents on opening night, once with my brother over spring break, and once with my grandparents.
On opening night, the air in the room was electric. It was palpable. Half the heads in there were dyed various colors. Queer kids were holding hands. We were all crying and laughing and cheering as a group. My friends grabbed my hands at the part where Simon was outed and didn't let go until his parents were saying that they accepted him. My friend came out to me as non-binary. Another person in our group admitted that she had feelings for girls. It was incredible. I left shaking. This was the first mainstream queer romance movie that had ever been produced by one of the main five studios, and I know that sounds like another "first queer character from Disney" bit but you have to understand that even in 2018 this was groundbreaking. Getting to have a sweet queer rom-com where the main character was told that he got "to breathe now" after coming out meant so much to me and my friends.
But also, from a designed-for-straight-people POV (which, to be frank, it was written by a bisexual author and directed by a gay man, this was not designed for straight audiences), why is it a bad thing that it appealed to the widest possible audience? That it could make my parents and grandparents see things in a new light? My stepdad wasn't at all interested in rom-coms but he saw it with me because it was something I cared about and he hugged me when we came out of the theater. My very Catholic grandparents watched it with me and though my grandpa said he still didn't quite understand the whole 'gay thing,' all he wanted was for me to be happy and to have a happy ending like Simon did. My Nana actually cried when Simon came out and squeeze my hand when his mother told him he could breathe.
And when Martin blackmailed Simon, my mom, badass ally that she is, literally hissed "Dropkick him. Dropkick him in the balls" leading to multiple queer kids in the audience to laugh or smile. Having my parents there- the only parents, by the way, out of my group of queer and questioning friends- made multiple people realize that supportive adults were out there. That parents like those in Love, Simon do exist in real life.
When people complain about Heartstopper not being realistic or Love, Simon being too cutesy, I remember seeing Love, Simon on opening night. I remember my friend coming out and my stepdad hugging me and my mom defending us through this character. I remember the cheers that went through the audience when Bram and Simon kissed and the chatter in the foyer after the movie was over and the way that this movie made me understand that happy endings do exist.
Queer kids need happy endings. Straight people need entry points to becoming allies. Both of these things can come together in beautiful ways. They can find out about more queer culture later, but for now, let them have this. Let them all have a glimpse at a better, happier world. Let them have queer joy.
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