#last two i referenced some of the official art!! which was fun

[tmntismdoodls]

woe, blunt force trauma be upon ye

#teenage mutant ninja turtles #tmnt #tmnt 2003 #tmnt 2k3 #tmnt donatello #tmnt 2003 donatello #2003 donnie #art #my art #traditional art #doodles #i forgor that it’s rlly fun actually to do gestures and i especially forgor how much easier references make things #last two i referenced some of the official art!! which was fun #n e wayz #enough about me #GET BLUNT FORCE TRAUMA’D IDIOT!!!! #pitdwellers

[deancas-stabfest]

STABFEST 2022 WRAPPED

GREETINGS, STABBERS

Last year was the debut of our precious child, DeanCas StabFest (FUNSIZED), and in the very humble opinion of the mods, it was a smashing success! we promised to bring you guys some stats to explore how the fest went down.

NB: The data is skewed more towards the fic, rather than the art. we know this, and we are sorry. we love love LOVE all the artists, and want to explore all that metadata as well, but we also want to protect copyright. The metadata for the fic is accessible manually from AO3 (the mods have been toiling in the spreadsheet mines for weeks), or was provided to us by the participants via the masterpost form. However, getting more metadata on the art would require us to feed the full images into an analysis program, and we just can't trust that data won't be misused.

The art metadata that is present in this Wrapped was attained either by human eyeball, or by using Jasc Paint Shop Pro 7.02, which was released on March 5, 2001 and does not have online capabilities. It has plenty of other capabilities, okay. Do not underestimate the grampa software. There is a HOT WAX filter. Also it was paid for ONCE. none of that subscription crap. suck our dicks adobe

NB2: STABFEST WRAPPED is not about competition (except for competing to make StabFest 2023 even more unhinged than 2022.) We are not ranking the participants; we are lining everyone up to give them a smooch on the forehead. There will be a few individuals mentioned here and there, but every team has oodles and oodles of data that we've been crunching, and everyone was part of making DeanCas StabFest 2022 into this handsome, virile beast.

Missed the Fest, or want to refresh your memory? Check out the MASTERLIST:

Part One

Part Two

You can also check out the StabFest2022 collection on AO3.

Alright, let's go!

Pitcher, Catcher? Author, Artist?

DeanCas StabFest 2022 (Fun-sized!) had 33 teams: 27 in the regular bang and 6 in the reverse bang. 31 authors and 25 artists participated. Three people participated as both author and artist, leading to a total of 53 participants. One person was on multiple teams as an author and four people were on multiple teams as artists.

Author/Artist switch hitters: KaylieMalinza (teams 4, 10, 12, 27, 200, and 600), Maple (teams 28 and 15) and Swirlycloud (teams 16 and 20.)

Mega Author: MBQ (teams 13, 14, and 15)

Mega Artists: Biscuit_tin (teams 100, 21, and 13), Lauryn T. (teams 22 and 27) and Mortea (teams 19, 25, 500, and 700.)

(yes, the two participants who were on the most teams (5 and 4) are the mods, but this was a pinch hitter/oh god the reverse bang is too smol situation okay don't look at us like that this isn't like the scene in chocolat where the antagonist breaks into the candy shop and gorges on everything this was SACRIFICE for the SAKE OF THE FEST. also it was fun and the mods regret nothing.)

What It Says On The Tin

Of the 33 teams, 22 of them showed STAB in the artwork and 7 of them referenced STAB in the fic title. (this was interpreted fairly loosely--if the STAB was imminent or the aftermath was visible in the art, and if the title held any mention of stab, cut, slice, etc. we counted it as a yes.) Of the 26 fic which did not reference STAB in the title, 3 did reference the stabbing implement.

You Must Be This Tall To Ride

Of AO3's four ratings, the majority of the fic were rated Teen and Up, and the next most common rating was Mature. There was only one brave fic rated General Audiences--but that may have more to do with people rating higher than needed out of caution. No one wants a nastygram from a puriteen who thinks Disney is too risque and scary for children. Anyway--the MPAA doesn't give official ratings to fanfic. We go on vibes, and reader beware.

Yeah, I Figured That Much. What Are You?

Of the artwork, 22 of the entries were digital art, 10 were traditional/physical, and 1 piece appeared to be mixed physical and digital (we were guessing on traditional vs digital art and may have gotten it wrong sometimes! sorry.) A 1:2 ratio of traditional to digital was a very pleasant surprise.

The STICKERS had a pretty good spread, too, with notable outliers being only 1 team receiving the Rebar of Shame and a whopping 18 teams receiving the Cannon of Canon Complicity. In total, 50 stickers were awarded. Special shout out to MBQ, who managed to qualify for every sticker across their three entries. The Rebar of Shame would have been so lonely without you.

Weapon of Choice

Speaking of rebar, there was a tasty variety in the stabbing implements used. 8 teams had multiple implements, leading to a total of 41 implements. Far and away the most used implement was a knife--5 instances of the OG demon knife, and an additional 14 knives of various types--cooking, hunting, ka-bar, etc. , for a total of 19. The runner up was the angel blade, clocking in at 5 instances, with arrow and sword coming in behind at 3 and 2 instances, respectively. The most exciting implements, however, are those which were unique, only one instance each.

Of all the implements, we estimate that 34 of them were used for their intended purpose--needle, syringe, and scalpel, for example--with 8 very special implements being employed "off label."

We can beat those numbers this year, team!

Let's make 2023 StabFest off label AF.

According to the Lore

Of the AO3 tags, it should come as no surprise that there were 33 iterations of STAB, and 30 iterations of Castiel/Dean Winchester (tabulated separately from Castiel & Dean Winchester--some fic were tagged with both.) The Sam Winchester character tag also showed up 19 times (not including variants such as "Injured Sam Winchester," pairing tags, or, a mod favorite, "pray for sammy.") Canon made an appearance in 22 tags--including Canon-Typical Violence as well as Canon Elements, Canon Compliant, etc. Angst and Blood showed up in 11 and 12 tags, respectively.

A few more tags were cherry picked for the chart below; including every tag would be very difficult, since the 33 fic were tagged with a staggering total of 372 unique tags.

The mods would like to give a special shout out to the freeform tags. They were delightful in situ and tantalizing out of context. Here are our top ten favorites, in no particular order:

a frankly concerning number of references to Leonard Cohen's Hallelujah (All That Remains, by DoctorProfessorSong)

author was craving s'mores while writing this (Hunger Pains, by Followsthebees)

copious use of frog analogies?? (apologue of the boiling frog, by howldean)

dean is re-hymenated and as smooth as a baby's bottom (Rescue Burrito, by KaylieMalinza)

But Dean Forgives Him Because He's Smitten (Just Like Knitting, by FriendofCarlotta)

cas has a metaphorical c-section in here and that’s all you need to know (Fill Thyself with the Word of God, by themauvesoul)

Sam and Cas come up with a crazy idea and Dean counts to ten in the background. (The Good Old College Try, by silver_penny)

Cas triggers his own trauma by jerking off to the wrong thing (eros and thanatos, by autisticandroids)

oh well it's Cas what would you expect?! (Dusk When I Met You, by MiracleofWinchester)

There is also taco salad somewhere (Happy Kitty, by MBQ)

The mods also, with glimmering eyes and trembling hands, present a gold star to the tag that Understood The Assignment:

Apologies for attempted murder doubling as intricate rituals also (By your hand, by SlopeSlippers)

Thanks, buddy. StabFest feels Seen.

My True Form is Approximately The Size of Your Chrysler Building

As StabFest is FUN-SIZED, it should come as no surprise that most of the fic had fairly low word counts. With a required minimum of 1,500, 5 fic were between 1,500 and 2,500 words, and 8 were between 2,500 and 3,500. With a grand total word count of 183,643 spread across 33 fic, the average word count is 5,464--but since the median was only 4,397, then clearly the three fic with word counts over 15,400 were outliers adn should not have been counted.

The stab-free zone between 10k and 15k requires further study. 🧐

The art sizes had no measurable minimum--the rules just stated one art piece minimum, with no details about dimensions, resolution, etc. Some curious numbers shook out, though.

The width of the pieces ranged from 500 to 2048 pixels, with a median of 1280. The height ranged from 386 to 4716, with a median of 1280. (NB: some artists did multiple pieces for a single team, such as a main art piece and a banner, or multiple main art pieces. E.g., that 4,716 comes from three pieces of 1572 pixel height being combined.) In total, the StabFest art from all 33 teams is 36,433 pixels wide by 41,378 pixels tall. Perhaps some enterprising soul can convert that to football fields.

File size, as reported by Windows Explorer, ranged from 49.1kB to 4670kB with a median of 638.5kB. Bear in mind that some of these pieces would have been resized by tumblr or another hosting service, and of course, multiple pieces for the same team are added together. The total size, based on the files currently available, is 25630.08kB, or 25.63MB.

Certain People, Special People, Can Perceive My True Visage

What's most fun is the little option is Jasc Paint Shop Pro 7.02 to show the number of unique colors. These ranged from a minimum of 11,323 (The art for Forest Fever) to a maximum of 894,465 (the art for Light Me Up With Your Ardent Sword--hi res versions available on AO3), with a median of 95,293. You'd think the sum of the unique colors would be HUGE--and yes, if you add up all the numbers you get a whopping 4,616,209--but of course there's going to be a lot of overlap.

After combining all the StabFest art into a single MEGAZORD, like the Power Rangers, we see that the number of unique colors is much smaller: 2,272,549. That means there are 2,343,660 colors which are shared by at least two entries. Isn't that sweet? It's like the art is holding hands.

Because The Mods Commanded It. Because We Have Work for You.

Well, that wraps up StabFest2022 Wrapped. If you had fun last year and want to see what StabFest Wrapped2023 will look like, please check out the new features (femslash!! new stickers! A DISCORD) and mosey on over to the sign up form. And please take a gander at our promo post tag and see if something catches your fancy for a signal boost.

#stabfest 2022 #deancas stabfest #destiel #castiel #dean winchester #stabfest promo post #fanfic #fanart

[ingo-in-places-he-shouldnt-be]

Happy 2000-- er... 2400 followers! I suppose this is what I get for overestimating how long it would take me to do two full bodies and 14 busts which I wound up cropping anyway lol.

Bonus commentary under the cut!

Link to the version with no commentary (x)

So first off, this was a considerable challenge for me since I don't normally draw in an anime style, and I think that shows. There were a lot of wonky proportions that I ended up having to go back and sort of fix in post. Irida, Rei, and Akari were especially bad-- my own sister told me that Rei looked like "a cross between a Victorian orphan and a frog". I decided to redraw all three of them, but since I drew them on a smaller canvas, I think it messed with the resolution a little when I shrank them down. I'm not sure anyone would notice if they weren't looking for it, but I've been staring at this for so long that I can't unsee it.

Next was the brilliant decision to put Emmet, Elesa, and Drayden on a light background. They initially faded right in, so I went back over some of the outlines to make them more readable; I had also tried putting the whole Unova set on a darker background, but found that it drew too much attention and unbalanced the piece.

On to the good things!

I adore how Melli and Zisu turned out. I don't know what it was, but my art game was on point that day.

I also had a lot of fun trying out different motifs. I knew from the outset that I wanted to play around with the duality of black/white, the duality of past/future, and the idea of making the whole disk resemble a PokéBall. The center design had me stumped for a while; I had initially used screenshots of the Highlands and Gear Station as placeholders during my planning stage, but around halfway through I decided that would be too busy and changed it to a simple railway track design instead. Then I decided I didn't like that either, and at the last minute I went back to a simplified version of my original concept. I think the stylized Coronet mountain range and subway train work nicely.

Other trivia:

During my planning phase, I used everyone's official art as placeholders-- except for Zisu, who for some reason I couldn't find any for. I used a screenshot for her placeholder, and referenced her TCG card for the final drawing.

Emmet being the only character drawn from a head on angle was deliberate. I wanted to subtly highlight his importance while still being able to place a key Pokémon in the center of both groups.

I drew all of my initial sketches on paper, lined and colored in Clip Studio, and compiled/edited everything in GIMP. I am a chaos gremlin and I will not apologize.

The reason I settled on a Station of Awakening as a follower celebration is threefold: The first is that I was hanging out with some good friends, and we wound up playing Melody of Memory. I forget exactly how it came up, but it was definitely a joke at the time as I do recall saying that it would take me forever... which it did, lol. The second reason is that I later realized that my first post on the blog (after the original "Ingo shouldn't be in old timey Hisui" (x) post) was Kingdom Hearts themed (x). The circle of stupidity is complete! And finally, I'm old enough to remember when making one of these for your blorbo was The Big Fandom Thing ™ that everyone did, and I wanted to indulge in a bit of nostalgia.

#my art #I'll keep this version out of the main tags so I'm not spamming #I'll add links to the other version of either post in a sec

[terastalungrad]

Once again, I'm annoyed by people pretending Dr Who has a canon.

This week, I blocked someone on Twitter for claiming Big Finish stories are "Elseworld" stories, unless confirmed by the TV series. It's just the perfect tweet to annoy me.

Elseworlds

Elseworlds was an imprint of DC comics that presented alternate realities, set outside of DC's "canonical" stories.

Actually, I've started in the wrong place.

Canons

Canons are usually a big list of works, defined as significant by some authority.

"Significant" can mean different things:

The Biblical canon are books considered authentic - i.e. the Gospel According to Luke is considered a genuine book of the Bible, as opposed to some made-up nonsense.

The Sherlock Holmes canon are the books and stories written by Arthur Conan Doyle, as opposed to works by any other writers.

The western canon is a list of works of art and philosophy considered to have achieved classic status.

For various nerd properties like DC comics, Marvel comics, Star Wars, Star Trek and Buffy the Vampire Slayer, the "canons" are the works considered to be valid parts of the big picture. The Last Jedi, for example, is considered to have happened from the perspective of any stories set after it. Knights of the Old Republic, on the other hand, is non-canonical, and stories set later are free to ignore it.

Dr Who canon

Dr Who doesn't have a canon.

This sometimes surprises Dr Who fans, especially when they're also fans of comics or Star Things. But unlike those other things, nobody with the authority to declare a Dr Who canon has ever done so.

In fact, the first two showrunners of Dr Who in the 21st century actively stated that there IS no Dr Who canon, and the third said nothing on the subject at all.

The owners of Star Trek, Star Wars, Buffy, Marvel and DC had incentives to determine official canons - mostly financial. "These comics are canonical Buffy!" might sell more comics. "Old Star Wars novels don't count!" makes it easier to market NEW books as the ones that are really worth buying.

With so many nerd properties making declarations about what's in/out of the canon, a lot of people have absorbed the idea that a canon is an intrinsic feature of long-form storytelling.

But it isn't.

Continuity

"Continuity" IS an intrinsic feature of long-form storytelling, and maybe that's what people are thinking of. People often use the word "canonised" when the word they really mean is "references".

For instance, in the 2017 Dr Who episode "The Doctor Falls", the Doctor references the events of the 1987 Dr Who comic, "The World Shapers". People claimed that this canonised the comic - that the comic was now a valid part of Dr Who.

The implication being that, until the Doctor referenced it on TV, it was NOT a valid part of Dr Who.

But that's just not how this show works. The show happily references - and ignores - whatever it likes. The show's been regularly referencing spin-off material since 1964, when the show was a year old, referencing a Dalek comic. The same story contradicted a TV story from earlier that year.

Elseworlds

"Elseworlds" was useful branding for DC comics. The fact that these stories were set outside of normal continuity was a selling point. You knew you were in for fun you wouldn't get in canonical comics. Marvel's equivalent was called "What If". Doctor Who's closest equivalent is the audio series "Doctor Who Unbound" from Big Finish.

The selling point of Big Finish audios is that they're explicitly set within normal Dr Who continuity. They're not required reading or anything - you're free to ignore them, and the show will still make sense - but they're consciously part of the same story. That's how they're written, that's how they're produced, and that's the understanding on which the BBC licenses Dr Who to the company.

So when someone tweets "Big Finish are Elseworld stories", they're exactly, precisely wrong.

But that's because they're not trying to be correct. They're trying to convey a feeling, not a fact.

Authenticity

To this person, Big Finish audios don't feel authentic. The Girl Who Lived feels to them like a real Dr Who story that's part of the tapestry, and The Sword of Orion doesn't.

And the irony here is that if they'd expressed themselves this way, I'd have enjoyed the observation. But "this bit doesn't feel like MY Dr Who" isn't how fans like to express themselves. They prefer to say "that bit doesn't count".

So often, people will say "Dr Who books aren't canon", and what they mean is, they don't want to read Dr Who books, but they also don't want to be considered anything less than full dedicated Dr Who fans. They feel threatened - insulted - by the idea that being a true fan should require them to read novels, so rather than say "they're not for me", they say "they don't even count".

I hate this attitude. Dismissiveness woven into unearned authority. Who are you to say what parts of Dr Who are valid? Even the BBC don't do that. Even the writers and producers don't do that.

And it's especially annoying with Dr Who, because.

It's Not Even True

More than any other nerd media I can think of, Dr Who cheerfully builds on stories from its own spinoff media all the time.

You have to accept that Dr Who's spinoff media established elements of Dr Who on TV ...

(jumping here from the future to say - you can just ignore this massive paragraph, and the one coming up too)

... if the Daleks are made of Dalekanium, if the Tardis was built by an advanced civilisation, if the Doctor met Nelson/Churchill/Picasso, if the Dalek invasion of Earth was thwarted by the Earth's magnetic core, unless the Doctor lies to Davros, if the Daleks are accelerated evolution, if the Doctor can levitate, if the time vortex is blue when travelling backwards in time, if it's red wen travelling forwards, if Rose Tyler visited Justicia, if the Doctor met Arthur Dent, if Sarah Jane's K9 is broken, if the Void exists beyond the Doctor's universe, if the Daleks count in rels, if the Doctor has a brother, if the Face of Boe's final words are true, if the Citadel of the Time Lords exists in an enormous dome, if the Tardis is designed for six pilots, if the Doctor's a complicated space-time event, if Autons are vulnerable to heat and radio waves, if the Tardis archives old console rooms, if the Doctor was taught to swordfight by Richard the Lionheart, if he fought with Errol Flynn, if Kate Stewart has children, if the Master survived the events of Death in Heaven, if the Doctor wears pants with question marks on them, if the Doctor visited frost fairs before his trip with Bill, if Venusian Aikido requires five arms, if the Doctor loves the musical Hamilton, if Graham is from Essex, if there are talking cats on Gallifrey, if the Time Lords intentionally restricted regenerations to 12 per Time Lord, if the Doctor and Yaz witnessed the gunpowder plot, if the Doctor's previous incarnations exist in her mind, and if the Doctor can regenerate back into previous incarnations.

Other stuff introduced in spinoff media before featuring on TV:

The planet Vulcan, the Dalek Emperor, the President of Earth, the Dalek Supreme, the planet Karn, the Dalek lie detector, the glass Dalek, the Time War, UNIT officer Muriel Frost, Kronkburgers, the planet Lucifer, the nickname "the Oncoming Storm", the Kaled God of War, Millingdale ice cream, sabre-tooth gorillas, the Butler Institute, Davros's mechanical hand, UNIT's NYC base, the Space Agency, Henrietta Goodheart of the Silver Cloak, the planet Arcadia, Chelonians, Haemogoths, Professore Arthur Candy, Luna University, Kate Stewart, Paternoster Row, the Paul McGann Doctor's companions, the War Council of Gallifrey, class 1C at Coal Hill School (taught by both Barbara and Clara), Abslom Daak, Hyperspace Body Swap, vampire monkeys, the Velosians, the sonic trowel, the Ninth Dimension, the planet in Smile, Rassilon looking like Don Warrington, the Siege of Atropos, the type 75 Tardis.

The very idea that the absolutely wild selection of stories that led to these things are valid part of Dr Who but no other spinoff media sotires count - it's just such obvious nonsense, even by the standards of Dr Who fans' theories on canonicity.

So why say it at all?

To Ruin People's Fun

I'm not much of a Big Finish guy to be honest. Love the books, ADORE the comics, but I'm a lot pickier when I engage with the audios.

But they have a really passionate fanbase in their own right, and that's just lovely. Big Finish audios outnumber TV stories. It's a bigger piece of the pie.

And what I will say is, Big Finish fans are rarely obnoxious enough to sneer at other Dr Who fans. It's only the TV fans doing that.

Fiction

Fiction is a creative work featuring the imaginary.

People can be so invested in their fandoms that they throw their wright around to insist that some stories are more imaginary than others.

But these are all just stories. Even Star Wars. Even DC. You can just ignore the creators, you know. Enjoy the stories you want - and ignore the ones you dislike.

I've never seen Star Wars 9. I don't see it as a valid part of Star Wars. But it IS canonical. But woo, here I am, deciding on my OWN personal list of significant stuff (a ploss, if you will).

And there's all sorts of Dr Who stuff I consider true even though it's not in ANY media. Like the idea that she's been Jo Martin twice (once before Hartnell, once between Troughton and Pertwee). That's more real to me than the idea that Graham created a support group for old companions.

This week, someone on Twitter claimed Big Finish stories are "Elseworld" stories, unless confirmed by the TV series. So I blocked them, condemning their future tweets to a reality outside my own.

#doctor who #canon

[ladybugboots]

redesign of susato’s dlc outfit because i think it's ugly! some notes below the cut on my many many thoughts below the cut.

[id: first image: a picture of the original outfit, and the pose, sketch and line art for the redesign. the redesign has susato posing, touching the top of her hat with her raised right arm, her other arm at her side. she is taking a step forward, and winking at the camera. second image: the final colored drawing, in the same pose. the first layer of the dark magenta dress ends at the hip in a dark brown ruffle, and the second ends below the knee. the top is like a vest, with a dark brown V border, two buttons below, and ruffles on the shoulders. the white, collared undershirt sports a yellow cravat. the puffy sleeves are bound by a beige, metal armlet with a heart near elbow. the rest of the sleeve is pleated, ending at the forearm. at the waist is a belt, with a metal buckle, and a flower shaped button. she has tall, laced boots, with yellow petal shaped decoration, and is wearing vertically striped stockings. she is wearing cuffed gloves with a heart shape cut out on top of the hand. metal goggles with her family crest rest on her bowler hat, and she has a pink, heart shaped shoulder bag with her rabbit mascot keychain. behind her is a pink circle, an off white ring, and her crest. /end id.]

so i actually referenced the artbook pic but i didn't want to post that on my art blog since it’s from scans and i don’t own it lol l so i just sourced this from the official trailer. in-universe, the outfit is made by iris! so it makes sense it looks familiar to hers, but the decision to keep the same skirt length, as if susato wasn't taller than iris.. one of nuri's comments on overall character design was to keep things more modest for the time period, and well, all of the women wear either pants or long dresses, save for iris, who wears pantaloons under her shorter dress. so it just doesn't make sense! another thing is the buttons, which iris has as well, extending to below the belt. what's the point..? i altered the top layer to curve into under the belt, and extended the rest, a style seen in iris' concept art and a dgs2 side character (since i didnt feel like doing research lol). i got rid of the long sleeve glove things with the hearts because it looked ugly. i wouldn't have minded it if not for the repetition of the hearts, but i decided to take a route similar to iris again, with the puffy sleeves. i really enjoy the cherry blossom resembles a heart motif otherwise, which i think is emphasized enough through out the original design, so i kept everything else. did you know that her dgs1 render has laced boots? but i'm pretty sure that's the only time nuri took the time to draw them out, so in the rest of the official art theyre just smooth. i drew them laced here because they look nice :-) another fun fact! usato, the rabbit mascot, has a tail. you can kind of see it in her dlc model renders! also i examined the model and turned the rabbit around (btw, it's the only in-game model mascot (chunosuke, kumaris and usalock being the others) to sport a tail. one last thing; this pose is the same as in the artbook, but i had to change her proportions because it was really wonky. thanks for taking the time to read this if u made it this far :-D

#take care if you press read more.. it's very long #dai gyakuten saiban #susato mikotoba #fan art #image described

[galacticlamps]

Tagged by @the--highlanders​ ! Thanks!

How many works do you have on AO3?

13

What’s your total AO3 word count?

76,200

(oh what a nice even number - I should try to mess that up as soon as possible, shouldn’t I?)

How many fandoms have you written for and what are they?

Aw man is this intentionally worded to be really hard to answer? I get that it says ‘written’ and not ‘posted’ but then what constitutes a ‘fandom?’ I definitely wrote fics for stuff I was interested in long before I even knew the word ‘fic’ - I did it throughout my childhood, and then in high school, and while I didn’t do it as much in college, it still happened from time to time. So a lot of the books/movies/tv shows/plays/musicals I wrote things for aren’t really fandoms, and frankly, I had to check my old folder just now to even remember some of them existed. I’ll just list the ones that I know for sure had fandoms, since that’s more fun (and embarrassing), right?

Obviously Doctor Who, classic and modern, Torchwood, Sherlock Holmes (ironically more of these seem to be about the books, but yes, I will admit, some for that tv show too), Les Mis, a couple different Marvel comics & movies, Good Omens, hell, I even found a Night Vale fic in there just now.

And I know there are other older things not even in that folder, some of which never made it to a computer at all, so if I had to ballpark a number I’d probably say around 25ish but really, who knows?

What are your top 5 fics by kudos?

Across the Gap

On the Spot

Expectations

Shards of Memories & Fragments of Glass

Itemized

(this was fun, I’d never noticed Ao3 even had a stats page until now lol)

Do you respond to comments, why or why not?

I try to! Sometimes I take a long time to do so but for the most part, I usually get around to it. The rare exception would be if I first saw the comment when I was super busy/distracted and then felt like way too much time passed before I noticed it again, that it might be awkward if I said something at that point.

I do genuinely enjoy hearing what people think, but I’m also weirdly terrified of making anyone feel like they have to reply to my comments. I know that’s probably a little strange, but it’s actually a large part of why I made this Ao3 account in the first place - my original one, from high school, is followed by some long-time friends of mine who aren’t interested in this fandom, some of whom are involved in art & writing professionally. The thought of anyone like that reading something I wrote out of friendliness or even just curiosity and potentially having to pretend they liked it for the same reasons stressed me tf out, so I like having this virtually anonymous one because I can relax knowing that anyone who reads or interacts with something I wrote has probably done so only because they wanted to, rather than feeling obligated, and there’s no pressure on them to be nice to me about it if anything I write or post annoys them - so I really hope nobody who does just know me as an anonymous blog has ever worried about offending me by not replying to something, trust me, I’m perfectly happy with it!

What’s the fic you’ve written with the angstiest ending?

I don’t think I’ve really written any angsty endings? I guess the answer would have to be Reckless just because it involves the characters arguing about sad/weighty things and there isn’t really any solution to those issues - but even then I think I ended it with a kind of acceptance that stops it from really qualifying as angst? I also set it in the the same universe as other fics, so maybe that doesn’t even count as an ending? Am I that bad at ending things on angst? Lol

Do you write crossovers? If so what’s the craziest one you’ve written?

Obviously none of the fics I’ve posted are crossovers but I’m trying to think now if any of my WIP’s are - I’ve definitely poached setting/premise ideas from other media, but in terms of actual crossovers . . . I’ve got a few cross-era or cross-Doctor, a few involving Torchwood, but that’s already the same universe, so the only thing that’d qualify as a true crossover would be some vague pieces of a fic where Jamie, Zoe, and Two end up on the Enterprise, since I think the 60s series of Star Trek and Dr Who feel kind of compatible, don’t they? In fact, aren’t there like officially licensed crossover comics or something? Or did I make that up? Idk, and the ideas are very loose, so it’s not much of a WIP either

Have you ever received hate on a fic?

Nope, never

Do you write smut? If so what kind?

I’ve never written smut, but I’m wondering if it’s possible that could change soon. There’s a longish multi-chapter fic I’ve been working on for a frankly embarrassing amount of time, and the plot does call for a sex scene at one point towards the end, but I can’t seem to make up my mind on how - uh, I guess the word is explicit? - it should get. I know I could easily do a fade to black/implication thing, but it’s kind of a source of contention and anxiety for the characters, so to skip over writing the actual scene and just revisit them afterwards rings of “and they slept together and now everything’s fine!” which feels kinda cheap to me - in this context, anyway - and not the right payoff for a long fic that’s otherwise more of an interpersonal drama/slightly a period piece, if I had to place it in a genre. I feel like my aversion to actually writing the scene might just be prudishness I should get over, or maybe just self-doubt, because I know I’d rather have a well-written, funny, character-development-supporting sex scene than nothing at all, but since I’ve never had any interest in writing a scene like that before, I don’t know if I can do it well, and I also don’t want to ruin a fic I’m otherwise proud of by doing it badly... ugh I have to figure this out

Have you ever had a fic stolen?

I seriously doubt it

Have you ever had a fic translated?

Nope

What’s your all time favorite ship?

I mean, it’s gotta be Two & Jamie. I’ve shipped things before with varying levels of investment, but I’ve never been able to use the term ‘otp’ in a literal sense until I came across them, and now it’s already basically gone out of fashion, go figure!

What’s a WIP that you want to finish but don’t think you ever will?

I’m not sure if I have one? My WIP doc is huge, but I don’t actually intend to get around to finishing everything in it, so I’d like to think that anything I’ve currently singled out to complete can actually get done.

That said, I do have a few AU’s that I don’t really plan to finish, but it might be cool if I could. Two of them are for all the main + some supporting characters of the Second Doctor’s era - one’s a modern day school teachers AU, and the other is a typical fantasy/fairy tale AU. Another is just Two/Jamie, based on Doctor Faustus (specifically the Marlowe play version) but right now there are two different versions of the ending coexisting in my head. I’ve written parts of scenes & some gen. backstory for all of those ideas, but I don’t know if I’ll ever try to finish them, or what form a finished product would even take - a series of one-shots set in the same universe? one long multi-chapter fic with some kind of overarching plot? And the amount of context/worldbuilding a big AU like these would require might not make them very appealing fics for people to read, so maybe it is better if I just keep them to myself, since in my head I already know what’s going on in those worlds lol.

What are your writing strengths?

I honestly don’t know. I haven’t had a creative writing class since middle school, and since then I’ve only ever shown creative writing to others in a fandom context, so it’s been a while since I’ve discussed it or gotten critical feedback. I suppose when I work in other arts or even academic writing contexts, people usually say I’m kind of insightful or at least detail oriented, which might just be another way of saying I overthink things, but I like to imagine I’m decent at finding little points of interest to expand upon.

What are your writing weaknesses?

If you’ve read this far I feel like you must know what I’m about to say: I do not know how to be concise.

Usually when I’m writing a fic, I put down the dialogue first on its own, leaving out the action of the scene and whatever plot/context led there, even if I’ve already figured all of that out. But then when I go to add those things in, they’re always longer than I wanted them to be. I don’t mind writing something long, but I don’t want my fics to be a slog to get through either, and there can be a point at which the stuff I’ve added for context overwhelms the stuff that I wanted the fic to be about in the first place, so it becomes a structural/proportion issue too. I haven’t completely given up on any fics because of this yet, but there’s one I’ve been struggling with for a couple months now - probably because I’m even second-guessing myself on which scenes need to be written out and which can just be referenced like a recap. Hopefully I figure that one out soon.

What are your thoughts on writing dialogue in other languages in a fic?

((this is karma isn’t it? i posted a fic last week with two words of gaelic in it and was worried about that and now this is karma))

In general, I don’t want to do it. I feel like you’ve gotta have a really good grasp of a language to write dialogue & speech patterns for someone who’s a native speaker, and since I’m far from fluent in any language the characters I write for are, I wouldn’t feel confident writing any significant amount of dialogue in, say, Gaelic.

As a sidenote, though, I kinda love it when other people do it, particularly for Jamie. Irish (Gaeilge) and Scottish (Gàidhlig) are both languages I’ve wanted to learn for a long time, because my family’s fresh out of living speakers of either & I think that’s a shame, but I started with Irish and at the moment I’m still very much learning it. As different as they are, it still helps me understand parts of lyrics or texts that I come across in Gàidhlig fairly frequently, so when it comes up in a fic I get to feel like I’m being responsible and practicing, and it’s great when I can actually understand what’s being said.

What was the first fandom you wrote for?

I’m gonna go with Harry Potter even though that’s probably not a perfectly accurate answer - it’s almost certainly the first thing that has a fandom that I ever wrote for, but it was in a notebook when I was a kid and never something that I even typed on a computer, much less posted online or shared with other members of a fandom. But even then, I’m sure it wasn’t the first pre-existing fictional universe I ever set an original story in, because I did that a lot when I was a kid, it’s just hard to remember those clearly or on any kind of timeline.

What’s your favorite fic that you’ve written?

I’m very partial to Across the Gap, so I was pleasantly surprised to see that ranked first on the kudos thing above - but I’ve also got a soft spot for So Merrily We’ll Sing. It’s so self-indulgent it feels silly saying ‘it was so easy to write!’ but I guess having a fic that’s already just 100% headcaonons and fluff tied together by a song you really love does prevent it from being much of a labor (I also managed to refrain from making that one unnecessarily long, so that’s another win there)

tagging @terryfphanatics and anyone else who wants to do it - sorry I’m bad at remembering whose tumblr goes with whose Ao3 account, but I really would be interested to read this if anyone else feels like answering them!

#oh boy that was long #sorry #also sorry if the 13 is really big for some reason #i dont know how it got that way so i dont know how to change it #it doesnt look like that when i edit the post only when i save it #not fic but fic talk

[nyanberri]

I've finally finished the first set! It's the same kids again tho, lol. But next time will be never before seen characters! So I wanted to get everyone drawn in the Omniverse style so I could visualize it all properly and it also made for a good opportunity to tweak designs as needed. They're all heavily referenced from official art so I could get it perfect and it made for great practice too! Of course I added some personal touches to the art style too cuz if I didn't it would have bothered me too much, lol.

Anyway, below the cut are finally proper profiles for all the kids and some additional info as well!

M'kay, so before we get started on the kids' bios, it's important to specify this is an alternate universe. And I don't mean it's an AU of the Prime Dimension. This is quite literally another universe within the omniverse. It's a mostly untouched one that even Paradox, Eon, and Maltruant have never been to and therefore a lot of things are different while a lot of things are still the same tho. It's unofficially called the Feniverse cuz Fen is the main character, but it does have a more official name. I'm just, uh… not aware of what that name is yet, lol!

Anyway, the Ben in this dimension branches off from the development of Prime Ben. Anybody remember the fact that the very first Ben 10K episode said Ben became the way he did in the future cuz he killed Vilgax by ripping him to pieces? Yep! That's what this Ben did too! But obviously he doesn't end up exactly like that Ben 10K. But so this dimension's Ben is therefore officially labelled Slayer Ben since some people refer to him as 'The Vilgax Slayer'. And that experience did definitely screw him up pretty bad, which is why he's so different from both Prime and 10K.

So from left to right:

Name: Fenrick Fih Rook-Tennyson

Age: 13

Height: 5'1

Voice: Todd Haberkorn

Bio: Fen is Ben and Rook's son. He has always been known for being quiet, surprisingly wise for his age, and quite the troublemaker. In actuality, only two of these things are true. Fen is more calm than he seems and as a young child he wasn't much of a talker, giving people the perception that he's quiet. Unfortunately, Fen also has many great ideas that end up badly. However, his ideas always come from the desire to help someone or solve a problem, but he always gets caught when his plans fall apart, making it look like he causes trouble. Some people even accuse him of trouble he didn't start, not helping his reputation. And as the son of Ben 10 of all people, he tends to be held to higher expectations. His wisdom never ceases to amaze people either. Even Ben and Rook get surprised at the wisdom he recites, wondering where exactly he learned it all. Due to that, he tends to put up a fight whenever himself or someone else gets wronged. He especially defends his friends and fellow alien kids in town. Although his only true friends seem to consist of his childhood friend, Millie, and his cousin, Sven.

At the age of 13, Fen discovered his ability to transform into a couple dozen of Ben's aliens. He quickly aspired to become a hero like his parents, much to Ben's disapproval, who worries about his safety. Despite that, Fen wants to form a hero trio with Sven and Millie and become the next generation of heroes in the galaxy.

Developer's Notes:

Fen's almost always been the same since I first created him, with just a few design and character tweaks done to him. He used to have a talent for jewelry making but that was switched out for him being wise for his age. He was also a bit more generic as far as the upbeat and reckless young male protagonist with famous parents archetype goes, but he's been adjusted enough that he now stands out from that archetype. Or, at least I hope, lol. Also, funny thing to note, Fenrick is not a real name! The closest name there is is Fenwick and iirc, that's a last name! I considered changing it to Fenwick or even Fenick but Fenrick is too special to me. His, uh, unfortunate name even has an impact in-universe with him being embarrassed by it and some using it to make fun of him. Also in-universe, I chalk it up to Ben having a dumb moment by misremembering the name Fenwick and Rook not knowing any better to catch Ben's mistake. Also, if you think his hair style is stupid, good. That's the point. He wanted it like that when he was seven and Ben and Rook were like 'sure' and it's been like that ever since.

Name: Millicent

Age: 13

Height: 5'0

Voice: Jennifer Paz

Bio: Millie is Ester's daughter. Her biological father is a human who decided he didn't want to be a father and Antonio soon stepped up to fill the father role when he and Ester got married. She has been friends with Fen and Sven since they were all babies. Millie is the level-headed one of the group and has been noted as being oddly emotionless. Her tone of voice is almost always flat and she usually keeps a straight face when not looking nervous. She never intends to be rude, but she will bluntly say whatever comes to her mind to her peers. At the same time, she can be nervous about making bold decisions and hates being a part of any decision making. She either refuses to do anything, or apologizes profusely for making a decision even when nothing bad happens.

Due to being more human than Kraaho, Millie is perfectly capable of handling the temperatures of Bellwood. However, she is still a bit sensitive to cold temperatures and needs to bundle up more than others during the winter. She sadly cannot handle the heat in the Hot Spot for very long either. Much to Millie's dismay, she was not born with the Kraaho's stretching ability. No one can figure out why, but it's simply something she can't do. As a result, she considers herself a normal human and has resigned herself to the fact that 'normal' is simply all she will ever be. Despite this, she has taken up quite a big secret that contradicts her decision and expresses who she wishes she really was.

Developer's Notes:

Millie only ever had one design change with her outfit and slight adjustment to the way her hair works and she's been the same ever since. Since the beginning she was always calm and stoic and I've always worried that she doesn't have much of a presence or purpose, but now I feel like she plays off Fen and Sven well enough that she stands out thanks to them. I've always flipped back and forth between Fen and/or Millie having a crush on each other, but I've finally settled on them both just seeing each other as near and dear loyal friends. It ultimately works out better that way and doesn't cause conflict with Millie's personal story or Fen's real love interest(and the one other character with feelings for him). Her name also used to be Mina, but since I've now taken that as one of my own names, it felt really awkward to keep her as that. I used to have a habit of naming characters with names I wanted before realizing I could change my name in the future, lol.

Name: Sven Elijah Levin

Age: 12

Height: 4'8

Voice: Wally Wingert

Bio: Sven is Gwendolyn and Kevin's son and Jenny's older brother. Sven is a rather unfortunate boy. He is constantly terrified of everything to the point of running millions of 'bad ends' through his head. He can barely talk most of the time without being a stuttering mess and always thinks he's going to be in trouble for anything and everything he does. Everyone is certain he either has severe anxiety or paranoia, or likely both. Perhaps even more. Who knows. Sven tends to cling to his cousin, Fen, who he looks to for guidance and advice, most of which isn't anything Sven should actually be following. Because he is a grade below Fen and Millie, he's often left alone to deal with problems in his own classes, or really just panic about them. He does, however, have a close relationship with Zed and likes to be the one to take her out on walks in the afternoon. And not many people know it, but he's actually a pretty decent artist.

Even though he is an Osmosian thanks to being Kevin's son, no one knows what ability he may have. It doesn't really matter though, since he wants to stay out of any potential trouble that having powers could bring him. Regardless of that, he has an interest in magic thanks to Gwendolyn's expertise in it. He even sneaks peeks at her spellbook and the strange bag she keeps in her office that he can hear a voice coming from at night.

Developer's Notes:

Now Sven is a character whose personality has always been pretty much the same while his design was never consistent until reaching his current one. He was originally very anime looking and in a gaudy orange outfit that I regret even thinking about, lol. He looks much better in neutral colors. I guess there's not much to say on him though, which makes me worry he's a tad unremarkable, but perhaps it's just since I'm leaving out the things about him that are better left discovering on your own… if I ever get to finishing that fic that is… ahaha.

Name: Saki Boulais

Age: 13

Height: 4'11

Voice: Stephanie Sheh

Bio: Julie and Hervé's daughter, one of the more popular girls in school, and the most deceptive in town. Saki has gone her whole life, since the first time she told a successful lie, tricking people into thinking she's a completely innocent little girl who's never done anything wrong. This allows her to get away with anything she wants, and she especially enjoys getting Fen in trouble when they butt heads with each other. The two have even been enemies since they first met at age three and Saki pulled Fen's tail, he pulled her hair in return, and she managed to get away with claiming he started it. Their feud has even turned into murderous intent, which Saki refuses to hide.

On a lighter note, Saki always has the company of her two best friends, Rachel and Diane, who will gladly join her in her tormenting of others. Saki even greatly admires the most popular girl in school, Fiona, and whoever the mysterious new hero girl, Miracle-M, is.

Developer's Notes:

Yes, Saki was always meant to be That Bitch in the cast. I feel like it's unrealistic to have all next gen kids be friends and get along with each other. It's perfectly believable to have some of them dislike, and in Saki and Fen's case, even hate each other. It makes it more interesting with them being Ben and Julie's kids respectively too. Adds good drama, lol. But anyway, really the only thing that's changed about Saki is her hairstyle and some other slight design tweaks like her necklace, shorts, and shoes. I also just recently changed her colors from purple and blue-ish purple to just blue so that isn't not all three girls here wearing purple. She also looks better in blue and it contrasts nicely with Julie's pink imo. I suppose I do worry about her being disliked since she's so antagonistic and with her being Julie's daughter, I really hope her character doesn't send the wrong message since I genuinely love Julie a lot. It really is just For The Drama Of It All. I think it's really fun to watch her go into full 'Murder Fen' mode too. Very fun to write, lol. Oh right, also Boulais is my headcanon last name for Herve. I just wanted her to have his last name but he doesn’t have one! So I had to pick one for myself.

Name: Jennifer Elizabeth Levin

Age: 10

Height: 4'6

Voice: Brina Palencia

Bio: Jenny is Gwendolyn and Kevin's daughter and Sven's younger sister. She is surprisingly serious and stoic for her age. She gets annoyed by her family's constant 'abnormal' status and wishes everyone could just act normal with no weird events happening. She throws herself into school work as a means to keep herself out of it and tries to keep her personal life at school with friends far away from her life involving family. She seems to have a quick temper, but really she just acts that way to get what she wants since she knows it works and in the hopes that she can use it as an opportunity to vent her frustrations. She hates getting involved in her brother and cousin Fen's antics, but sometimes her no nonsense attitude is needed to resolve a situation. She has a strange obsession with eating bread, finding it the perfect food and almost always exclusively eating something with bread involved. Gwendolyn definitely worries about her diet, but Kevin finds it harmless.

She may not have the spark like her mother, but she doesn't dare confess that her status as an Osmosian became very apparent just recently. As a result, she has a stash of broken objects stuffed under her bed and cracked floorboards that she covers with her rug.

Developer's Notes:

Jenny went through a decent redesign. Character wise I feel like I still don't have some things etched in stone for her as I still haven't gotten to the point in my writing where she does anything of interest. She could honestly probably end up pretty different from her bio here if I'm not careful, lol. The characters write themselves as they say after all! But I definitely prefer the newer Jenny compared to the previous way I envisioned her character, which was designed to fit a character type I actually hate just cuz I felt it worked for her. Thankfully I can avoid it tho with the big overhaul I did after returning to these characters. And I do like Jenny cuz I like writing her dialogue, but it still feels like her character is still that of a person I would not wanna be around, lol.

Name: Bevel Tennyson

Age: 20

Height: 5'9

Voice: Dee Bradley Baker/Yuri Lowenthal

Bio: Bevel is the youngest of the Big Chill offspring born twenty years ago. They were in an accident involving a passing spaceship on their way to Kylmyys that damaged their right wing to the point they could no longer fly. It's suspected the wing has severe nerve damage, making Bevel unable to unfold it as well. Their siblings helped them make it the rest of the way to Kylmyys, but over the years, the dangers of Kylmyys left the siblings with only Bevel and the eldest two, Emboss and Curve, remaining. As they got older, Bevel could never forget their only memory of their parent, who the others didn't remember. A desire to reunite with their parent caused Bevel to make the lone decision to explore the universe in search of their parent.

Bevel is a very cheerful and sweet person, but their secluded upbringing and lack of knowledge about Earth makes them very naive. They will believe anything they are told and have a very black and white moral view due to not understanding nuance. They have strange habits that appear unnatural in their attempt to act human and have an intense craving for Earth candy. They have also taken up being a mercenary to get by after leaving Kylmyys and once they join the Tennyson family, Rook suggests they use the skills they've picked up to become a Plumber, but that's an idea Ben isn't fully onboard with.

Developer's Notes:

Right off the bat I want to shout out that his old human design used to keep the Necrofriggian antennae. I still think it's a cute design even tho it wasn't canon compliant with the antennae. The only things that have changed about him too are just that, his hair style, and his shoes. Plus I stuck bunny ears on his hoodie recently as a shout out to those antennae he used to have. Otherwise he's always been the same. And I guess I haven't explained why he has a human form, but that's also an answer to discover later. I didn't draw his Necrofriggian form tho cuz we should all know what the UAF design looks like(and yes I am screwing with art style difference bullshit cuz OV Big Chill is not real and you cannot convince me otherwise). And I also just realized his pronouns aren't matching up in this section so I should add his official pronouns are he/they, but characters refer to him by he/him and narration uses they/them. He is still a Necrofriggian and therefore doesn't do the whole gender thing after all. Which is why he's fine with anyone viewing him as whatever they want to too. He just goes with it. That's also why he doesn't get what's weird about him calling Ben 'Mother' after he learned the word, lol.

#staff so help me if this disappears from the tags EVER we will have a problem #ben 10 #ben 10 oc #fenrick (oc) #Millie (OC) #Sven (OC) #saki (oc) #jenny (oc) #bevel (oc) #my art #artists on tumblr

[radramblog]

Album Discussion: The Suburbs

Last week I felt like I didn’t have much time to pump an album review out. Was going to be in the lab all day, had work in the night, wanted to cover something quick. Then I finished really early, and had plenty of time in the afternoon to finish things off. This week I am in the same situation as far as scheduling, but someone’s bloody using equipment I need, so I’ve got a bit of extra time now. Time to talk about a >1hr 16 track record!

Also last week, I covered an album that I felt was more interesting from a meta level than it is musically. This week I’m talking about an album that I know nothing of the meta for.

The Suburbs I was reminded of recently. Mostly because I ran into the person who bought me the CD for the first time in like a year. I understand Arcade Fire have A Reputation as far as bands go, but the thing is: I have no idea what it is. I haven’t followed them at all, I don’t know whether they’re considered good or not, I haven’t even seen any of the music videos. I have never deliberately listened to an Arcade Fire song outside of this album.

But I do like this album. So.

Okay the one thing I do know is what the album is about. It’s about growing up in the suburbs of…I think Texas somewhere. I could look this up, but I refuse. The result of this is that the whole thing is intensely nostalgic, full of reminiscence and wistfulness, childhood innocence and what growing up is like. It’s one of those, you know? That does, however, make it fairly easy to like, because I think a lot of people are nostalgic for their childhoods.

(yeah so the only music videos for this one are at the very start and very end. this is going to be a bit of a wall of words.)

This is characterised by the opening track, which is also the album’s title track: The Suburbs. It’s opening with a very folksy acoustic guitar and piano, and longing for that childhood is its modus operandi. It is, however, tinged by the anxieties of that era- growing up in the shadow of the cold war is going to leave an impact on anyone, and that cultural climate is also going to be running through the album. I think the most poignant section of the song lyrically is the start of the third verse- wishing to become a parent, so they can live vicariously through their child, show them their childhood world before the reality and the memory are completely lost. Okay that’s kinda heavy moving on- the track is pretty much built around that piano/acoustic bit, sounding relatively upbeat but coloured by these lonesome strings running through the background. It’s very effective of conveying the feeling- which is something that comes up quite a bit over the course of the album. The Suburbs is one of my favourite tracks on this album, and having it come right at the front makes it a very solid stage-setter.

Track two is Ready to Start, a faster, rockier track with this grimy bassline running through the verses contrasting the relatively bright instrumentation of the chorus. Considering the themes of the song, about working for the man, dude, and trying to escape that sort of life, it’s fairly fitting, though it’s a very different sort of nostalgia than the previous track. The instrumentation gives the whole thing this sense urgency, which is enhanced by some of the lyrics- I mean the track is called Ready to Start, isn’t it. I feel like this song would be great to try and hype yourself up for something you don’t really want to do, and I’m not sure how many songs we have specifically for that feeling.

Our next song is called Modern Man, and it feels like tumbling through a confusing life. God, I’m really getting pensive today. I feel like this is a lot because this album resonates a lot more emotionally for me than musically. I’m someone with a very weird sense of nostalgia, seeing as my childhood is pretty effectively defined into three segments, and I tend to fixate on one of them because it’s The Weird One. I’m nostalgic for high school which is when I was nostalgic for living abroad which is when I was nostalgic for when I still lived in Perth, which I do now, but I don’t know anyone from back then, so there’s a whole sense of longing, and it’s something I’ve always had, and that’s funky. And I’m still young, this isn’t going to change, it’s going to get worse, and eghhhh I’m supposed to be talking about music. I don’t really have much to say about Modern Man, I guess. It’s aight, the previous two were better, but here I am 800 words into an album discussion, and I’ve gone through all of 3 songs on a 16 track album, so maybe expect this to be a slog.

Rococo at least makes an impact real quick, with fuckin psychotic strings right at the start that’s kind of a shock to the system, especially compared to the relatively mild instrumentation the rest of the song provides. I think that’s a fairly appropriate tone for a song about looking at #thecoolkids, bemusement tinged with utter stark bewilderment. I think I’m too young to really get this, I guess. The song’s title regards an art movement that sounds extremely pretentious and fake deep, frankly, but considering the point of the song is that you don’t bloody know what Rococo means, that’s probably also fitting. I kinda wish the strings were more present throughout the song than they were, they add this existential dread to the track that I do think the later sections are missing somewhat.

Speaking of strings, Empty Room is up next, and it’s one of my favourite tracks as well. It opens with the strings but they’re fast and energetic and they’re going to blow right past you. I thought this track was in like the second half of the album, but nope, here it is. This is also where the album’s second vocalist takes the lead for a bit (she only does for like 3 scattered tracks) and she’s genuinely great here. The songs chugs like an old train, in a way that reminds me a lot of other songs; in particular, the bit between the chorus and second verse (and chorus/outro) reminds me a lot of Teach me About Dying by Holy Holy- I can’t unhear “teach me about dying, teach me about dying-dying” over that instrumental. Despite its desolate lyricism, this song’s energy is genuinely excellent, and it carries really well through the whole thing. I can’t think of a lot of songs that start on this sort of tempo and have it run the whole way through- not to keep referencing other songs, but it’s very Go with the Flow by Queens of the Stone Age. And that’s like in the top 3 QotSA songs for me, so.

It’s only just struck me how much track 6, City With no Children, reminds me of There There by Radiohead. Its mostly the percussion, I think. That’s fucking high praise, but it’s also about as far as the comparison goes. The song is pretty okay outside of that, this theme of a town left lifeless by the commercialism and capitalism of the ultra-rich and what that does to people. Maybe that’s just my reading of it, I do have a bias for this sort of thing, but I challenge you to find another one. Looking on Genius is cheating. I do like the riff the track is built around, but it gets old eventually, since it doesn’t develop at all as the track progresses- lost potential, I suppose.

The next song is the first part of the album’s first of two two-parters, Half Light I, because apparently this one is trying to be a long-running drama show now. With that said, this ballad is kinda gorgeous, and yet also kinda extremely boring? Which is a frustrating place to be, frankly. I get the feeling this is an opinion that would get me crucified, but aside from those strings what fuck, the song just isn’t doing anything for me. Maybe it’s because it’s kinda almost the halfway point and I’m just getting tired, maybe it’s just a generational and cultural divide between America/Australia and 90s-00s/00s-10s and I don’t Get It. But I’m afraid to say this one doesn’t land.

Half Light II (No Celebration), for the record, is one I enjoy much more. The instrumentation is a lot more fun, the tone is a lot more pained (and y’all know I love me some angst), as the rose-tinted lenses of the previous half are replaced by the jade of someone growing up through the GFC (and just, in general). Despite being a two-part song, the halves are very different, a deliberate dichotomy representing two facets of that same look backwards. I feel like this isn’t like other two-part songs I’ve heard before, in that you can kinda appreciate the halves separately- or, in my case, one and not the other.

Track 9, and welcome more officially to the Second Half, with Suburban War. It’s very much about reminiscing about old friends, and I think I’m going to wax personal for a bit, because I have very little to say about the song musically. I mentioned earlier that I basically don’t know anyone from back when I was a kid, and that’s kind of a product of what my childhood looked like. It’s hard to have a “childhood friend” that you still keep up with when you spend 5 extremely crucial, defining years somewhere away from where all of them are. When you leave at 7 years old and don’t come back until you’re almost a teenager. People change so quickly at that age, and I’m no exception, and so I just didn’t have the ability to relate to those same people that long afterwards, even if I could find them. I don’t resent the experience of growing up in such a fractured manner, but it means I have a fundamentally different experience to that discussed in this album. At the same time, as I listen to the closing moments of this song, with the line repeated, “All my old friends, they don’t know me now”, I can’t help but notice the similarity. The writer’s friends don’t know them because they’ve grown up, changed fundamentally as people, whereas I don’t know my old friends in a much more literal sense.

Our next song is a bit more fun. Month of May is unequivocally a rock song, as opposed to the..indie? folk? of most of its surrounds. Much like Empty Room, it’s driven by its tempo and instrumentation, but it’s a bit less dour than that one, almost a bit oldie in its rock and roll swagger. The song isn’t so utterly different that it wouldn’t fit on the album, the traces of The Suburbs still roll through the whole thing, the same guitar and percussion tones driven up a couple notches on the ol’ Mohs scale. Quite solid, ultimately, in my opinion.

Track 11 is Wasted Hours. I think it’s a kind of appropriate title, not because it’s a waste of time, but because it just kinda feels like a nothing song as part of the album. Like, it is unquestionably Part Of The Album, sonically and thematically, but I deadass would not notice if it was missing from the record. Sorry if this one is your favourite, but this one isn’t for me.

Deep Blue, on the other hand, is the song that got me into the album. There’s really something about this track, this sense of discomfort with the passage of time, that really wormed its way into me. It’s a shockingly cold song for this acoustic instrumentation that’s usually associated with quite the opposite. The piano feels desperate, the guitars grim, and there’s actual synths hiding in here- the song relates to technology, after all. It’s concern for the future of humanity, of the youth, and for, well, the Suburbs, through the lens of watching that match between chess Grandmaster Kasparov and the A.I. Deep Blue in 1996. Go watch the Down the Rabbit Hole on that if you haven’t already (and have a few hours), by the way, it’s utterly excellent.

I can’t really describe how Deep Blue makes me feel. There’s just something about it. I feel like if I hear this song again in 10 years, it would genuinely bring me to tears- it feels like loss in a way, and not the meme.

We Used to Wait has a fun instrumentation, glittery piano and that funky guitar noodling in the background, but unfortunately the chorus kinda lets it down for me. I just do not care for it, it’s really built on a vocal line that really doesn’t track for me personally. Like, I’m just young enough that a lot of the theme of the track is utterly unrelatable to me- I hail from an era that is post- the change the track is referring to. I’m focussing a lot this time around about how the songs make me feel personally, but I think that’s kind of the appropriate tack for this album in particular- like the idea of nostalgic reminiscence is so inexorably tied to your own personal experiences that there’s no way around those experiences clouding your perception of this album, and with that, how well you end up liking it. I bet this whole thing hits way harder for someone born in the same couple years as this band.

We’re up to the second two-parter, Sprawl I (Flatland), kind of the finale for the whole thing. I mean, in I’s case, it’s certainly that emotionally. The song is so utterly down, it’s lost in the urban sprawl the title and lyrics describe, and with that comes a very quiet track. Moody strings and guitar, that eventually build during the fourth verse (there is no chorus and they’re short). It does eventually resolve on a more positive note, at least, one that’s hopefully relatable to many of us- eventually, we find our emotional home is, and it’s often not where we grew up.

Sprawl II (Mountains Beyond Mountains) is quite the different perspective. It’s got that other lead vocalist (I could look up her name but I won’t), it’s got a pulsing beat, and it has much more energy to work with. There are synths on this track that are absent from almost the entire rest of the album, but their introduction here, right at the end, is extremely cool. They’re cool, they’re clear, and they’re thematically relevant! I just really like the vibe of this track, and the way it trails off is similarly very good. Would recommend.

But of course there is one final track. Kind of. The Suburbs (continued) is basically a dark reprise of the album’s opener, shaded with more regret than that track is, more strings-y and whispered. It’s very short, but it acts as an appropriate closer for the whole thing.

And of course, that’s The Suburbs. In retrospect, I have a bit more mixed thoughts about this than I thought. There’s some really high highs, and some things that are just kind of bleh, but any album of this length is bound to have some misses. While I was browsing Genius to make sure I had the lyrics right for some tracks, I saw this record described as a Masterpiece, but I’m not sure that shoe fits- at least, not for me. The personal nature of this album, and anyone’s theoretical relationship with it, are such that I don’t think it can be given such a broad, universal title. I like the album as a whole quite a bit, but I personally wouldn’t call it a masterpiece.

It also doesn’t inspire me to go after more Arcade Fire. I’m actually perfectly content having them in my mind as this solitary piece, complete in its own way. Oh, they have like four other albums, but to me, Arcade Fire is The Suburbs. I don’t know why I’ve decided this, but it just works for me. So I’m sorry to any massive AF fans, but I did just dedicated 2.7k words to this album, so I’m sure you’re all satisfied.

God, next time I am going to have to cover something shorter, for my own sanity if nothing else.

#ramble #music #arcade fire #the suburbs #indie

[kingfallsamtranscripts2]

King Falls AM Episode Twenty: Referencing Aladdin Don’t Make It Right

King Falls AM Transcript

Episode 20: Referencing Aladdin Don’t Make It Right

Run time: 22:17

First Aired: Feb 15, 2016

Summary: Sammy & Ben get a quick update on the little ones off Route 72 and learn live on-air that not everyone had a great evening on the night of the Valentine’s Day Dance.

(For a list of characters and references from this episode see the end of this post)

[King Falls AM theme plays]

Troy: Hey folks, if you or anyone you know has any information on these hybrid werewolf slash human baby thingamagigs-

Sammy Stevens: Is that a technical term, Troy?

Ben Arnold: Can you please let Troy finish, Sammy, this is important!

Troy: Heh, thanks, little buddy.

Ben: Go on, Troy.

Troy: Well if you see those little beasts or have information on them you just got to let us know. Don’t harbor them, they could have the rabies and or the colic. And please don’t try to adopt while it’s in its human form, cause that ain’t gonna end up well. Just use your common sense and be safe.

Sammy: Thanks for calling in officially with police business and alerting the public to the issue.

Ben: Yeah, nice hearing from you on the job, Troy.

Troy: Whilst I’m still on official police biz, I’d like to make one more little statement if I could, fellas.

Ben: Dude, of course! The floor is yours!

Troy: Well the sheriff is a real foul mood regarding these hybrid wolf babies and what have you just running amok, and he wants to make it completely, perfectly, crystal clear that if anyone should have these animals or any other illegal animals in the city limits of King Falls, they will be apprehended and exterminated on site with extreme force of malice. King Falls is a zero tolerance town for any illegal animals of any kind, up to and including wolf-human hybrids.

Ben: So… uh (clears throat) you’re saying that anyone listening that may have access to a cute and cuddly but illegal animal should do… what?

Troy: Now I’m not talking to no one in particular, I mean this isn’t a warning, it’s just a fact. Sheriff Gunderson is making it a personal project to bring down any and all animals that shouldn’t be in town.

Sammy: But cats are fine, is that right, Troy?

Troy: No doubt about that. Ain’t nobody gonna get any cats while I’m patrolling the streets, friends.

Sammy: There you have it, folks. If you or anyone you know has any information on the werewolf puppies last heard from around Route 72 or any other illegal animals not allowed in the city, please contact the sheriff’s department at once.

Ben: (sounding strained) Thanks for the info, Troy.

Troy: All you listeners, you stay safe out there, alright?

Sammy: Thanks, Troy. We’ll talk to you soon, sir.

Troy: Roger that, Sammy.

[The sound of a phone hanging up]

Ben: (clearing throat) Well… that’s good information there, huh?

Sammy: Are you okay, Ben?

Ben: Yeah! You know, I’m just… I’m not a fan of the idea that Gunderson is sending out gangs of thugs to dispatch animals, man! Aren’t there real issues for law enforcement in this town? Last week, I saw old lady Turner jaywalking in front of the grocery store.

Sammy: So you’d rather Gunderson take down the organized jaywalking underbelly of King Falls?

Ben: No, I actually helped her cross the street, but the point is that this werewolf issue seems like an animal control issue! Let Ralf Harkins take care of this! Why are the police even involved, man?

Sammy: Your guess is as good as mine. Moving forward-

Ben: Yeah! Yeah, uh, moving forward we’ve got about thirty minutes of open calls lined up before acclaimed ebook author Kirk Sycamore- don’t judge this, Sammy- will be joining us to talk about his new book Dead Tom Turkey: The Perils of Uncooked Poultry.

Sammy: I’m sorry, what now?

Ben: I mean… it’s a thing. Undercooked anything can’t be good, right?

Sammy: I would assume, but seemingly that one sentence just covered everything you need to know. Cook it longer.

Ben: Then it might get dry. I don’t know man! Don’t look at me like that! Merv emailed and asked to book this guy. His book topped Beauregard’s King of King Falls, it’s got to be worth something, right?

Sammy: The perils of uncooked poultry.

Ben: In thirty minutes.

Sammy: I don’t know if I can hold this excitement in for thirty minutes, Ben. You must be bursting at the seams! Surely you’ve waited your entire journalistic career to talk about under-broiled birds.

Ben: Uh, if it makes this any better, apparently this is a novel, not an instructional guide.

Sammy: (outraged) That actually makes it worse! This is a fictional piece of work?!

Ben: Merv emailed this to us, Sammy.

Sammy: Listeners, please immediately stop what you’ve got going on and mark this down: I’m going to do my damndest to get you the info on Merv’s book of the month club. I’m on your side and I am fighting for you.

Ben: Merv, if you are listening, I do not need to be cc-ed on the email you are penning. 

Sammy: (laughs) You heard it folks, that’s coming up quickly, but until then we are taking your calls, King Falls. What would you like to talk about this evening, Ben?

Ben: Whatever’s clever. 

Sammy: Talking about whatever’s on your minds before what is sure to be a Pulitzer winning interview. 

Ben: It’ll be good- you’re making fun- but it’ll be good. 

Sammy: How could it not be? You heard our story, King Falls, now let’s hear yours. 

Ben: Give us a call at the station- 424-279-3858, or hit us up at the tweet machine!

Sammy: That’s @ kingfallsam and @ kingfallssammy respectively. Line seven you are on the air with King Falls AM. 

Pete Meyers: You’re saying to yourself: I don’t think Pete Meyers would listen to a show of this terrible quality, as handsome and as smart as he is. He’s probably watching Big Bang Theory or something. 

Sammy: That is exactly what I was thinking, Pete. 

Ben: Word for word, almost. 

Pete: Look, I don’t like talking to the two of you either. 

Ben: Yet you continue to call! And listen! And show up at events!

Pete: Ben if you don’t drop a little bass out of your voice I will roundhouse you right in the gullet the next time I see you. You hear me? I will skullf-(beep) your mom.

Ben: So now you’re threatening me? Do you hear this Sammy?

Sammy: (annoyed) Just hang up. 

Pete: (stammering) Whoa, wait, wait, alright? You know, I’m sorry. I’m a little emotional right now… I would never intentionally try to scuff up my lugs on your face, Ben. I apologize. 

Sammy: I don’t think that-

Ben: What’s the matter? Got a vampire not appreciating the hedge art you’ve been clipping into the bushes?

Pete: Well it’s kind of about him- did you say vampire?

Ben: (triumphantly) Knew it! Man, just fess up and tell everyone that your boss is a vamp!

Pete: Ben Arnold, I just bought domain to your name. And you know what? I’m going to fill up all the pages with babies and donkeys. What’s the world going to think of you? Some weirdo guy, making an internet site about babies and donkeys? Yeah, that’s right-

Ben: (all riled up) Oh yeah? Ooooooh, Pete! Why don’t you come down here, look me in the eyes, when you’re saying this huh? Huh?!

Sammy: Guys. 

Ben: Meanie!

Sammy: Guys! That’s enough. Pete, state your problem or move along. 

Pete: Alright, fine. I messed up big time. Worse than the time I dressed up as Edward Scissorhands for Halloween and ruined Mr. B’s hedges. Apparently I pushed a button or didn’t-really-push-a-button on a fancy thing… that’s beside the point. What I really want to know is- did you guys hear something funny on your station a week or two back?

Ben: Um, um, I’m hearing something stupid right now but I don’t know if that’s-

Pete: Come on, Ben! Be serious. I take you seriously- I almost respect you! Now, I heard a little something like maybe you guys got hijacked or something like that and I just wanted to know… you know, what’s up.

Ben: This again?

Sammy: Wait, Ben, we’ve heard this a few times actually. The shotgun guy said it, we’ve had a number of tweets about it. We don’t know anything about this but apparently another feed cut into ours about a month or so ago. 

Pete: Oh sh-(beep).

Ben: Watch your language, Pete.

Pete: Watch your… face, Ben.

Ben: Wait, what the hell are you and Beauregard up to? 

Pete: None of your damn business. 

Beauregard: (from the background of Pete’s call) Yard boy, what are you doing in this chamber without supervision?

Pete: Uhhhhhhh what? Uh, Mr. B, uh nothing!

Beauregard: Don’t act like an ignoramus around the transmorgrifier. 

[There are metallic clanks and scrapes in the background and the sound of metal pipes moving around. A whirring humming sound begins like a machine turning on which grows steadily louder]

Sammy: What the hell is going on over there? Pete?

Pete: You made me mess up again you butt smackers. 

Beauregard: Don’t just stand there all slack-jawed and drooling. Turn it off this instant. Celestia!

[The whirring cuts off and there is the sound of a call ending]

Ben: What the hell?

Sammy: Well, folks, this is a first for me that I believe an on air failed attempted felony will lead us right into break.

[Cheerful music starts as a commercial begins]

Ernie: Hey there! Ernie Salsado’s leather bound books ain’t your normal bookshop. Maybe you’re asking yourself: Ernie, whatever do you mean? What I mean is that Ernie Salsado’s leather bound books is more than just a hipster reading book nook. We don’t carry none of those cheap-ass paperback books or harlequin novels here, plus you sure as hell ain’t gonna find nothing to read on your I-pad kindle whositswhatsits. For what I understand it’s only first edition leather bound books and (???) up in this joint. Maybe you’re thinking you need to gussy up your place to impress some broad or you have a real need to make people think you got a bigger vocabulary than some Johnny come lately. Either way, Ernie’s got you covered. That’s a book joke! Ernie Salsado’s leather bound books- we got fancy books! F-(beep) you, pay me.

[King Falls AM rock music plays then fades out as the commercial break ends]

Sammy: Ernie Salsado’s leather bound books? There’s two of these stores here? I’ve never even heard of one of them until Rich McGuff! I don’t know what’s more surprising, Ernie’s entrepreneurial rise in the community or him almost making me forget what happened before the break…

Ben: I’m literally afraid to comment one way or another on this. 

Sammy: (amused) He is an intimidating specimen. 

Ben: (carefully and slowly) If he… likes to hear that, then, yes, you are right. If not, please don’t slander that gigantic human!

Sammy: Ha, no slander intended. We’re taking calls and counting down the seconds before we get a riveting interview with the man who some call the Dan Brown of bird related mysteries. 

Ben: Wow, they say that?

Sammy: No, they don’t! (laughs) The phone lines are still lit up, let’s take some calls.

Ben: Good evening, you’re live on King Falls AM. 

Greg Frickard: (smugly) Well look who decided to pick up the phone. 

Ben: (quickly) Um, let’s take another-

Greg: Hey, Sammy! I’ve got a topic of discussion. Let’s talk about how that co-host of yours is just gonna sit there all quiet and not even mention the fiasco he caused earlier this week at Granny Frickards!

Sammy: Greg? Is everything okay?

Greg: Oh, it’s not okay, Sammy. That- pardon my French- moron, that he would even-

[the sound of a call ending]

Ben: Whoops!

Sammy: Ha! 

Ben: Line five you are on with Sammy and Ben!

Sammy: Wow, it looks like you learned a thing or two from Chet, I see. 

Ben: Don’t know what you’re talking about!

Caller: Hello?

Sammy: So what happened at Frickard’s?

Caller: Are you talking to me?

Ben: Nothing happened to… let’s just-

Sammy: Not only are you my broadcast partner, I thought we were friends! 

Ben: Hey! We are friends! I just didn’t think to tell you that I happened to have dinner at Frickard’s earlier in the week.

Caller: Hellooo?

Sammy: Uh huh. This wouldn’t happen to be the same night Emily was on a business meeting with Greg, would it?

Ben: I really don’t recall but it might have been… that’s a good question. 

Sammy: You don’t recall going to your least favorite restaurant in town, which you never eat at, on the night of the King Falls Valentines Day Dance where your main squeeze-

Ben: Watch it.

Sammy: Where the girl you pine for-

Ben: Watch it!

Sammy: Where Emily Potter-

Ben: Thanks.

Sammy: Happened to be roped into a business meeting with Greg Frickard.

Ben: My mortal enemy. 

Sammy: Paid sponsor of King Falls AM. 

Ben: Whatever. 

Sammy: You don’t recall if that’s the night you dined at Granny Frickard’s?

Ben: Ehhhh it’s not really ringing any bells! 

Sammy: Maybe we should call Emily. 

Ben: Don’t do that!

Sammy: Things coming back to you now? 

Ben: Did- ugh… can I fill you in at break and not on the air?

Sammy: You’d better! You know, I’m a little sore that you didn’t tell me to begin with! And this was days ago! 

Ben: I’m sorry, man, it’s just it’s not the best story. Believe me.

Caller: Hello? Can we talk now?

Sammy and Ben: No!

[The sound of a call ending]

Sammy: The turkey guy is not sounding so bad right now.

Ben: Ha, why don’t we try… lucky line one, you’re on King Falls AM. 

Greg: Hey Ben Arrrnold! Why don’t you tell the whole friggin town about you showing your butt and ruining my business meeting with Emily Potter!

Ben: Greg, I really don’t wanna get into this. 

Greg: Ohh, you can’t talk in front of Sammy and the whole town- what’s the matter? Frog got your tongue?

Ben: That's not a saying. 

Greg: You sure didn’t have a problem causing a ruckus at the restaurant! In front of Granny no less!

Ben: Can we take another call, Sammy?

Sammy: Is this true, Ben?

Greg: You can’t deny it, Ben Arnold! I’ve got it on camera from multiple angles! You are a heathen.

Ben: Why do you have me making a scene on camera?

Sammy: Multiple angles?

Greg: I’d like to say it’s just the security cameras… but, if you must know, I hid a few cameras around the Froggery for my big night. 

Sammy: You call a business meeting your big night?

Greg: With Emily Potter I absolutely do! She is the most beautiful creature in King Falls!

Ben: So you admit that it was a date?

Greg: It was a business meeting with a gorgeous woman! Take it as you will!

Ben: You’re so creepy! God!

Greg: Oh, so it’s creepy. Wanting your gramma and your future children to see the moment their future mother and I fell in love? Recorded for prosperity forever. Probably. Classily edited to voice a man and everything. 

Ben: Yeah! It’s creepy!

Greg: (singing) I’ll make love to you! Like you want me to, oh baby hold me tight I will love you all through the night…

Sammy: That is really creepy, Greg.

Greg: You’re just a heathen. You don’t know what love is. What do you know? Tell them what you did, Ben!

Ben: I’m not getting into this on the air, Greg. Let’s just-

Greg: I am a paying sponsor of this show, Ben Arnold! Fess up, right now!

Ben: What are you gonna do, Greg?

Greg: So help me I’m gonna ask Granny- real nice- to pull your sponsorship money!

Sammy: Greg... are you crying?

Greg: (in a high pitched voice) No...

Ben: Hmm, so you’re threatening the show over a personal issue?

Sammy: Greg, we appreciate what you and Granny do for the show and the station-

Greg: I’m glad to see one of you does.

Sammy: But I’m not about to let you threaten taking money away from the station to pressure Ben into talking about something he doesn’t want to. Do what you got to do. 

Greg: Ha! Don’t think that I won’t wake up Granny right now!

Ben: You want to talk about this on air, Frickard?

Greg: Tell the people what you did. Just tell them!

Ben: Ugh, okay. So, I made a reservation for myself at the King Falls best f-(beep)-ing Froggery the same night as your video taped date with Emily. 

Greg: Keep going.

Ben: Jack-In-The-Box-Jesus, this is ridiculous. Sammy, I made a reservation and I made a scene! The end.

Greg: Details, heathen!

Sammy: Details would be nice here, Ben. 

Ben: So, uh, (clears throat) I got there right as Emily was sitting down. 

Greg: At a table right next to ours! He requested it!

Ben: That is also true. 

Sammy: Ah.

Ben: And that’s that! I watched Greg lose his mind. Nature took its course. 

Greg: He ordered every single flambé frog special on the menu.

Ben: Yeah? So?

Greg: Everybody who’s anybody knows that that’s the most romantic frog dish in the world! And you cleaned us out!

Ben: So what? You don’t need romance on a business meeting!

Greg: You ordered twenty of those things just for you!

Ben: And I paid for twenty! What’s your point?

Greg: My point? You didn’t even eat them! You brought in Chipotle!

Ben: Yeah, man! Cause frogs are gross!

Greg: You… you’re gross!

Ben: Oh yeah?

Greg: Yeah. You’re gross! A gross heathen and I… I hate you! I hate you! Ha! I said it. I hate you.

Sammy: Guys…

Ben: I’ll do you one better- I never liked you to begin with. You creep me out. 

Sammy: Ben…

Greg: Well, heh, that’s not what your mom says.

Ben: Don’t you bring my mom into this.

Greg: Your mother things I am a fine, upstanding, entrepreneur, and model citizen!

Ben: She’s an idiot then! Sorry mom.

Greg: Heathen!

Sammy: Guys! (Clears throat) Okay so you disturbed Greg’s meeting with Emily. You ordered food you didn’t eat. I-is that it?

Ben: Basically! He lost it because I was probably in the shot of his candid camera date!

Greg: I lost my temper, but you had it coming! You get Emily whenever you want and I schedule months in advance!

Ben: Yeah, and you did it during the Valentine's Day Dance. Just real messed up, man. You’re a stalker. 

Greg: Who showed up at whose date, Ben?

Ben: I was just having dinner at my favorite sponsor’s restaurant.

Greg: You don’t even like frogs!

Ben: Nobody does!

Greg: Why don’t you tell them how you got escorted off the premises?

Ben: You just did, idiot!

Sammy: If you were just eating, or not eating as the case may be, how did they have the grounds to toss you out of Granny Frickard’s?

Ben: Ugh. I- I may have started throwing tiny hush puppies in Greg’s general direction.

Greg: You, you, you may have? Pah-lease! You were pretending to be Nolan Ryan while you’re lobbing them at my head.

Ben: You had no right to kiss Emily’s hand!

Greg: Well you wouldn’t have even known if you weren’t, you know, stalking us to begin with!

Ben: Yeah? Well, uh, stay away from Emily!

Greg: Well I won’t have a problem doing that since she hates us both.

Sammy: I’m sorry, what’s that, Greg?

Ben: Can we move on… please.

Greg: Emily left in a huff and said she wasn’t a prize to be won. Totally thought she was roleplaying and I called her princess Jasmine… Which she also didn’t appreciate… 

Ben: Nice touch, dumbass. Referencing Aladdin don’t make it right.

Greg: It’s kind of ludicrous when you think about it. I mean, she is a prize to be one. She’s the trophiest of trophy wives to ever be trophy won!

Ben: She’s pretty mad, Sammy.

Sammy: It sounds like she kinda should be…

Ben: She probably hates me now, man. Stupid stunt…

Sammy: I’m sure she doesn’t hate you, Ben.

Greg: Oh yeah, she hates him big time. I mean, she hates us both, but it’s basically a win for me. She was only lukewarm to my intentions but she can’t stand Ben now. She’ll eventually come back around to the Frog Prince if, uh, he’s out of the picture.

Ben: Greg.

Greg: I’ll take your apology on air, Ben. But I would also like it written on a nice piece of cardstock so I can show it to Granny.

Ben: I sincerely hope that you catch a frog-based STD and die.

Greg: And I hope that you find another perfect woman to fall head over heels in love with, Ben, because you just struck out. You stuck out big time.

Ben: You’re an imbecile! Nobody likes eating frogs! It’s 2016, Greg! You’re gross!

Greg: Ha! Shows what you know. Some cultures consider frogs the poultry of the pond.

Ben: Literally no cultures say that!

Greg: Oh yeah? Well ask Kirk Sycamore when he comes on, he’ll show you.

Ben: I’m not asking anybody anything.

Sammy: Greg, I think it’s best if we part ways for the night.

Greg: Fine! No skin off my bubble butt! Later haters!

[The sound of a phone hanging up]

Sammy: I think-

Ben: Can we just go to commercial, Sammy? I just- I can’t right now.

Sammy: D-do you want to? Is that on schedule?

Ben: No! And, no… Ugh, just take a couple more calls before the bird man pops in.

Sammy: Lucky line one you’re live on-

Caller: Hi, Sammy. Hi, Ben…

Sammy: Good evening, Emily. I assume you’ve been listening.

Emily. I’ve been listening.

Sammy: You know what, let me put you on hold so you can talk to Ben off the air.

Emily: No! I’d like to talk to Ben on the air, if you don’t mind, Sammy.

Sammy: You know, I uh… Ben?

Ben: Uh, whatever you want, Emily.

Emily: Okay, you know I don’t hate you, Ben. Far, far from it.

Ben: I’m so sorry Emily. I just, I lost it sitting there, thinking that you were all alone with that creep and-

Emily: You acted like a real ass.

Ben: I know I did!

Emily: I’m not a child, Ben. When I told you that I would love to go to the dance with you, that was the truth. But when I also told you that I was a woman of my word and was going to honor my prior engagements, as stupid and contrived as they were, I meant that too.

Ben: I just-

Emily: You acted like an ass!

Ben: I know, but-

Emily: There’s no explanation that will make this better, Ben! You acted like a jealous boyfriend and I’m not sure if you know this, but you aren’t my boyfriend.

Ben: Can I just say-

Emily: Even if I wanted you to be before, you aren’t. So you have no right to act like this!

Ben: (Pausing) You wanted me to be your boyfriend?

Emily: Before the incident there was no doubt about it.

Ben: After?

Emily: I- I- uh- I can’t let my feelings override the fact that you treated me like a kid, Ben. I am a grown woman! I am a professional woman. I don’t need some white knight to save me from the likes of Greg! And while I appreciate the idea behind it, like I said to you and I said to Greg, I am a person! I have feelings! I’m not a prize to be won! 

Ben: I really messed this up, I’m… I’m sorry. Emily if you’ll just-

Emily: I just- I need some time to evaluate what the next step is. 

Ben: Because you hate me.

Emily: No! Bec- because I lo- I strongly strongly like, probably definitely on the verge of more. I mean, I was scared to death that you were hurt or worse during Lincoln’s revenge! But I was scared even more when I saw you acting like a high school bully during that meeting. 

Ben: You strongly strongly like me?

Emily: I do. But it’s, it’s gonna be a little bit before I can trust you to be okay with that.

Ben: I understand. 

Emily: But I… I wasn’t going to let another minute go by of you think that I hated you. Cause I don’t. But you really need to fix this.

Ben: And I will. I- I promise.

Emily: I hope so. (pause) Ah, goodnight, Sammy. Ben.

Sammy: Goodnight, Emily. We will talk soon.

Emily: I’m sure of it. Ah, I actually wanted to talk to you about being one of the library’s spring break speakers soon. I’ll send you an email.

Sammy: Oh, please do. Anything to get the kids back in the library after, you know, Lincoln’s revenge…

Emily: Thanks, Sammy. Goodnight, guys.

Ben: Hey- hey, Emily?

[The sound of a phone hanging up with a beeping that slowly fades out. The King Falls outro music and credits begin.]

References:

Nolan Ryan: a baseball pitcher.

The Big Bang Theory: A television show.

Edward Scissorhands: a charactor from an old fantasy movie by the same name about a man who had scissors for hands.

Harlequin novels: a trashy romance story.

Characters:

Sammy Stevens, Ben Arnold, Troy, Greg Frickard, Emily Potter, Pete Meyers, Beauregard, Ernie Salsado.

#king falls am #king falls am podcast #podcast #podcast transcript #transcript #king falls am transcript #king falls transcript #king falls podcast

[adhd-wifi]

MDZS and the Legends of Hou Yi

So just for fun, I wanted to talk about how much the tales of Hou Yi, a famous figure in Chinese legends, is referrenced in the story of MDZS. I’m pretty confident that MXTX is quite the fan of this particular story. (Note: There are multiple versions of this tale, and I went with the one that had most ties with MDZS, which, coincidentally, happened to be the version I personally grew up with, with one or two minor differences.)

This post took me 6 hours.

The Legend:

Back when the world was still new, there were ten brilliant suns in the sky, children of the Heavenly Sun Emperor Di Jun. They took turns illuminating the sky, bringing light and warmth to the mortal world below. However, the ten suns were still children, and despite their father’s strict instructions of only allowing one of them into the skies at a time, they all went out together one day to play together. 

The mortal world suffered from their game, the blinding light and unbearable heat killing crops and livestock and causing the people immense suffering. Seeing this suffering, the great immortal archer Hou Yi climbed to the top of a great mountain, armed with exactly ten arrows in his quiver, and spoke one final warning to the suns, asking that they return home peacefully. But when they did not heed his warning, Hou Yi drew his divine bow, letting loose nine arrows made of dragon bone towards the heavens. One by one, nine suns were struck, each of them falling dead to the Earth as blood red crows bearing three legs. With one arrow left in his quiver, however, Hou Yi chose to spare the last sun so the world would not fall into icy darkness. The last sun promised to behave, fearful of the archer who shot down his brothers. The mortal world declared Hou Yi a hero and their saviour.

Di Jun, however, was furious at the deaths of nine of his children, and so he cast Hou Yi and his wife, Chang'E, from the heavens, stripping them of their immortality. 

Seeking a way to return them to the heavens and relieve the feelings of grief felt by his dear wife, Hou Yi sought out the help of Xi Wang Mu, Mother Queen of the West, who was known for having created the Elixir of Immortality. Xi Wang Mu took pity on Hou Yi, and also recognized his heroic deeds in shooting down the suns despite knowing there were consequences, and thus, she gave him her last bottle of Elixir. She warned him, however, that the elixir was too strong for any single mortal, and it must be shared between him and his wife. 

Overjoyed, Hou Yi returned home, hiding the elixir in hopes of surprising his wife with it. He told her that the 15th day of the Eight Lunar Month would be a special day, for he planned to share the elixir with her on that day, and ascend back to the heavens together under the light of the beautiful full moon. 

However, others had heard of the elixir the famous fallen hero had managed to obtain. Greedy with the thought of ascending to immortality themselves, they stalked Hou Yi home and overheard what he told his wife. So they planned an ambush on the promised night, when Hou Yi left to go hunting for a special feast. They attacked Hou Yi under the moonlight, killing him and then raiding their home. They tried to force Chang’E to give them what they wanted, but Chang’E refused to give it up to her husband’s killers. To ensure they never got their hands on it, Chang’E drank the entire elixir. True to Xi Wang Mu’s words, it was too strong for one person, and she was immediately cast into the skies, forced to leave her husband behind without even saying goodbye. She then decided to live on the moon, the closest she could to the Earth, where her husband was, her only companion the Jade Rabbit of the Moon. 

References to the Legend in Mo Dao Zu Shi:

The Wen Sect & the Ten Suns

The Wen Sect represent the Ten Suns, who enjoyed their lives and did what they wanted at the expense of others

Though we don’t meet all of them, there are exactly ten named (sort of) characters bearing the name Wen

Wen Mao

Wen RuoHan

Wen Chao

Wen Xu

Wen ZhuLiu

Wen Qing

Wen Ning

Granny Wen

Uncle Four

Wen Yuan

Note: While not explicitly stated, Granny Wen & Uncle Four were only ever considered part of the sect, so it’s fair to assume that they were in fact surnamed Wen

Out of those ten Wen Sect members, only one was alive by the end of the story, Wen Yuan (Wen Ning was technically dead)

The Wen Sect as a whole is said to be bad at archery, and they were furious upon losing an archery competition where missing a shot disqualifies them (Hou Yi only had ten arrows, at first planning to shoot them all down, and couldn't afford to miss a shot or the world could've been left with more than one sun)

The indoctrination can be seen as a metaphor for the suns playing and exerting their power harmfully over the mortal world

The Wen Sect primarily resorted to burning and fire, the element most associated with the sun

The name of QiShan Wen’s residence is 不夜天城 (bù yè tiān chéng), (overly) literally translated, “No Night Sky Palace”, AKA Nightless City. With the Ten Suns in the sky, night could not fall

Wang LingJiao took the shooting of a sun-like kite as justification for her accusations of the Jiang Sect going against the Wen Sect 

It was specifically the child of the Wen Sect Leader, Wen Chao, that led the attack on Lotus Pier, like how the Ten Suns were the children of the actual Sun Emperor

Also on a narrative note, both the Ten Suns and Wen Chao had larger roles in the overall story compared to their fathers, despite their fathers playing key roles as well

The first Wen Sect member to take Wei WuXian’s side, which ultimately led to Wei WuXian & Jiang Cheng surviving the massacre of Jiang Sect, was Wen Ning, the only notably skilled archer of the Wen Sect

On a similar note, Wei WuXian, who was the considered a hero and major player in the fall of the Wen Sect, was also the winner of the archery competition

This means two skilled archers were heavily responsible for the Wens losing the war in the long run, albeit somewhat indirectly

The Sunshot Campaign is literally named the Sunshot Campaign and was in fact directly and explicitly referencing the legend of a great hero shooting down the sun in canon (meaning the story of Hou Yi exists as a legend or fairytale in MDZS canon, nice!)

Wei WuXian, who is the Hou Yi of MDZS and a hero in the war against the Wens, is represented by a crow in official promos for the animation, and when the suns were shot down, they turned into red crows with three legs (this one could be pure coincidence since crows are also just seen as symbols of death in general and he controls the dead)

The Golden Core, The Yin Tiger Seal, and the Elixir of Immortality

Since golden cores are seen as necessary to cultivate, and cultivation leads to immortality, they are what represent the elixir in MDZS

Wen ZhuLiu, a Wen Sect member, having the ability to destroy golden cores could be seen as referencing how Di Jun took away Hou Yi and Chang’E’s immortality in retaliation for shooting down the suns

Jiang Cheng into going up a mountain to meet BaoShan Sanren to restore his golden core is similar to how Hou Yi sought out Xi Wang Mu to restore their immortality

On a related note, MDZS’s version of Xi Wang Mu is both BaoShan Sanren and Wen Qing combined, BaoShan Sanren playing the role of the immortal figure to give the golden core, and Wen Qing taking on her identity while being the one to actually give it through the experimental surgery

After getting the elixir however, it became more similar to the Yin Tiger Seal instead, being sought after by hostile people who were willing to kill Wei WuXian for it, all for personal reasons (Fuck you Jin Sect)

Wei WuXian hiding the golden core transfer from Jiang Cheng can be seen as similar to how Hou Yi initially hid the elixir from Chang’E, though Hou Yi always planned to tell her about it unlike Wei WuXian

In an alternate version of the tale, Chang’E was suspicious of Hou Yi’s secrecy with the elixir after subconsciously blaming him for their immortality taken away (Hou Yi may or may not have told her about his task, depending on what version of this alternate version you read), thus peeking inside the hidden box while he was away on a hunt. When he returned, she panicked over betraying his trust and drank the whole thing. This alternate version can be seen as similar to how Jiang Cheng wasn’t sure whether to trust Wei WuXian or not after the events of the Sunshot Campaign, and his inability to trust his “former” brother heavily contributed to their separation. I mean if Wei WuXian & Hou Yi had just talked to their loved ones in these versions of their stories they would’ve had a little less problems but what’s an ancient Chinese dramatic tale without miscommunication am I right?

WangXian and Hou Yi & Chang’E

Both Wei WuXian and Lan WangJi share aspects of Hou Yi and Chang’E’s individual sides of their stories in MDZS

Lan WangJi, like Chang’E, wasn’t present during his loved one’s confrontation with the Wen Sect (”the Suns”) 

Lan WangJi is also associated with the moon in some official art and his robes are always white and resemble “mourning robes”. This ties into Chang’E being the goddess of the moon and being known to wear white, some believing she does so in mourning the loss of her husband who remained on Earth

In contrast, Wei WuXian is more associated with the sun narratively, having fought the Wen Sect during a major turning point in his life, then lived as family with the Wen Remnants and always having something red in his otherwise dark outfits (his ribbon). This ties in with Hou Yi’s involvement with the Ten Suns in general

Side note: Lan WangJi wore clothing that was more typical of a non-combatant (long, flowy hanfu-looking robes), like Chang’E, who was a dancer never saw the battlefield. Wei WuXian tended to wear clothes more typical of an active combatant (pre-Yiling Patriarch at least) with narrow sleeves and trousers, similar to the portrayals of traditional archers such as Hou Yi. He no longer wears such attire in Mo XuanYu’s body. (CQL not counted for this point)

 WangXian’s representative animal is the rabbit, specifically the two rabbits Wei WuXian gifted Lan WangJi. Chang’E’s main (sometimes only) companion on the moon is the Jade Rabbit

On a related note, the Lan Sect is the one that keeps the rabbits, and the Lan Sect happens to be the Sect most associated with jade ornaments, even though the other sects have them as well

Like Chang’E, Wei WuXian was unwilling to give his assailants the Yin Tiger Seal, choosing instead to ensure they could never have it, but by destroying the seal (”drinking the elixir”) he ended up being separated from his loved ones in the mortal world, in his case by dying

Also, part of his decision to do this was driven by the grief of losing someone he loved, though in his case it was Jiang YanLi instead of his future husband

In an alternate version of the tale where Hou Yi survived the ambush, or the version where Chang’E betrays his trust, Hou Yi becomes violent and cruel, going from a worshipped hero to a hated tyrant. This alternate version can relate to both Wei WuXian and Lan WangJi. Wei WuXian was a hero of the Sunshot Campaign, but became hated after the war was over (though he did so by sticking to his personal morals). Lan WangJi turned against his sect and the cultivation world despite his reputation as a righteous man because he feared losing the man he loved, then upon losing Wei WuXian he lost himself in his grief, especially notable in his drunken rampage where he branded himself with the Wen branding iron

Also related to the alternate versions in which Hou Yi lived, like Hou Yi, Lan WangJi was left on the mortal surface without his love, who had gone to a non-mortal plane of existence and was unable to even communicate with him

Hou Yi and Chang’E, post-separation, are sometimes associated with the concept of Yin-Yang, representing the “opposites” of Earth and Heaven respectively, connected by love. WangXian is similar, having started as opposing personality types with shared ideals, then their relationship became that of love by the end of the story. (WangXian is also more visually representative of Yin-Yang, with their black and white clothing respectively)

Welp this got so long LMAO. Anyways this was still really fun to do, especially since I personally really like this story, since it was one of the stories I was told growing up (it’s not my favourite exactly, tiny-baby-me got mad at the Jade Emperor a lot, but one of them). Hope this was just as fun to read lol. 

#mdzs #mo dao zu shi #the grandmaster of demonic cultivation #mdzs meta #hou yi #chang'e #chinese legends #chinese things #my metas #my posts #my ramblings #btw i said jade emperor in the last point because growing up i heard the version where the sun emperor was the jade emperor instead #i found out about di jun several years later

[desktopdust]

Scrapped Shooting Star Sonia Ideas

After over five years of work, the Shooting Star Sonia series is officially over.  Initially I had ideas for it to run a bit longer, but after experiencing some burnout while writing Red Joker I felt it would be best to wrap things up in Event Horizon.  Of course, once I get an idea I have a compulsive need to talk about it, so detailed here are my original plans for anyone who might be curious.

Event Horizon itself didn’t change all that much.  Information would still be provided about the MBN cores, though perhaps not quite everything; Sirius would have had the xarium rather than Blitzar, so there’d be no Rogue Xa yet and Solo would take the metal back at the end.  Naturally, the ending is where the biggest change occurred: originally, someone from Planet XM would express interest in continuing to have Sonia and friends test the Meteor Breaker Numbers, and give them one year to prepare before the experiments begin in earnest.  How ominous!  Everyone would realize they need to get stronger, and to facilitate that, Sonia would use the EM Compatibility Tuner to interface with the Rosetta Compiler, becoming the new Administrator of the Black Hole Server.

Next thing I wanted to do was actually a super short side story, the obligatory Boktai crossover.  More specifically Boktai DS/Lunar Knights, since that’s the one that did a crossover with SF1.  Though I never did get into Boktai proper, I always found it neat that Battle Network and Star Force had these ongoing crossovers, and I wanted to keep it going.  It was a very basic idea: Sabata ends up in the SF universe and gets possessed by an FM-ian (I believe I was thinking Vulpecula?), so Django follows and teams up with Sonia to stop him.  No one would be showing off their new powers here, it’d be too soon for that, but there’d probably be hints.

The main event would’ve been Shooting Star Sonia 4: Rosetta Orbit. (A Rosetta orbit occurs when an object is moving fast enough to not be sucked into a black hole, but not fast enough to entirely escape its pull.) A year has passed, and so Planet XM begins dispatching a series of Meteor Breaker Numbers for Sonia to fight.  I thought the major bosses all being on par with previous final bosses would be a cool way to raise the stakes, and I went with two themes when designing them: the seasons of the year, and other Mega Man series.  For instance, the first MBN to appear would have been Vernal Ronin, a skeletal samurai robot meant to evoke Mega Man Legends (it’d look Reaverbot-esque, it’d been observing the heroes from the moon for some time now) and spring (“vernal” means spring, samurai are associated with cherry blossoms which only bloom in spring).  I also wanted each MBN to be accompanied by an XM-ian who had some sort of reference to the Roll of the respective Mega Man series, though I had done less work on that. (Vernal Ronin would have been overseen by Cophin, an excitable engineer.)  The other MBNs were Estival Rampart (summer, ZX), Autumnal Specter (autumn, Zero), and Brumal Transgressor (winter, X), with a recurring boss in the form of an XM-ian named Aeim who fought by operating a separate entity named Solstice_Harbinger.XM (EXE).  Ultimately, the gang heads to Planet XM to find the newest MBN, the Equinox, which has been enhanced with all the data gathered over the course of the story and resembles the Yellow Devil from Classic.

On to transformations, Solo would obviously unveil Rogue Xa at this point, and I liked the idea of Geo working with the Sages of AM and WAZA to merge the Star Forces into a single, absurdly powerful form inspired visually by the unused concept art for an Angel Tribe On.  With Geo and Sonia no longer needing the Ace and Joker Programs, I thought it would make sense to pass them on--have Bud take the Joker Program and Luna take the Ace Program.  Sad to say I never got to the point of designing these forms, but I think it would’ve been fun.  Also, I was contemplating the idea of Zack operating Magnes similar to a Net Navi, probably also developing a way for him to enter a controlled version of his Spade Magnes form; I wanted him to be involved and this seemed like an easy way to do it.  There was also the possibility of Jack wanting to help and becoming a new iteration of Acid Ace, but I didn’t come to a decision on that.  Other than that...I think Shepar was also going to have a way to temporarily take on the form of Chalice Libra?  Everyone else was kind of on their own.

Now then, Sonia...as I said, she’d be drawing power from the Black Hole Server, which is powered by Adha. The last time she used this energy to transform was when she held the OOPArts, and I wanted to tie back into that. So, similarly to then, Sonia would draw on the Black Hole Server using the EM Compatibility Tuner, and then use the power of her Brother Bands to get it under control.  These forms, called Orbits, would change her appearance and abilities to be similar to the Wave Form of the specific Brother she’s calling on at the time, probably with some design elements from Sirius thrown in.  I wanted one for each element and was planning Luna Orbit, Bud Orbit, and Claude Orbit...but was at a loss for an Elec form. Since Gemini didn’t stick around I didn’t think giving her a Pat Orbit would be a good idea, and Couronne doesn’t have a Hunter and thus can’t make a formal Brother Band.  I could’ve ignored that restriction, or found a way to justify her Band with Zack giving her a Magnes-based form, but nothing was ever decided on. However, just like with the OOPArts, this power would have sometimes run wild, causing Sonia to enter a berserk state and forcing one of her allies to hit her with her elemental weakness to shock her out of the form.  For this reason, she would exclusively stick to forms that have elements...until the final boss.  The Equinox would adapt throughout the fight and develop ways to counter all four elements, so with no choice, Sonia would use Geo Orbit to get a form combining Mega Man’s powers with her own, defeating the Equinox and saving the day.  Then, she goes berserk.  Her friends would find a way to calm her down eventually, of course, but this would sort of make Sonia the true final boss and I thought that was kinda neat.

So, with the pinnacle of the MBN Program destroyed, the XM-ians would be kind of freaking out--here’s where we’d get the full story of the origin of the program, and how it was originally meant to protect Planet XM in case a certain angry god ever showed up.  Sonia being Sonia, she’d say that if anything happens, she’ll protect them.  The XM-ians are moved by her kindness, and decide that maybe they should stop building war machines after all.  After that, there were two more small things I wanted to do, either as two short stories (4.5 and 4.55, I think?) or as two Epilogues for RO.  Firstly, that thing Planet XM is so afraid of would show up, and what do you know, it’s Duo.EXE!  When I was planning for Red Joker I remembered how, leading up to SF3’s release, there were a bunch of theories that Meteor G had some connection to Duo, and I wanted to do something with that.  The ultimate story then (and this holds true to an extent for the final product as well) is that Duo’s violence in the name of “justice” only spread pain and fear, which led to the XM-ians developing the MBN cores to fight against him, which only led to more pain and fear through their own actions as well as through the cores ending up in others’ hands.  It’s an ongoing cycle of violence that is only broken when Sonia steps in to convince people to try a peaceful solution.  Capping it off with Sonia the idealist versus Duo the extremist, probably resulting in Sonia helping Duo to grow beyond his programming and be more productive than destructive, seemed like a fitting, fun way to go.  After that, I just wanted to have one last fight between Sonia and Solo--Geo Orbit Harp Note vs Rogue Xa in deep space to finally settle their rivalry!  I didn’t decide a result, but it definitely would’ve involved Solo properly opening up and telling Sonia he respects her and all that.

(Also a very specific joke I wanted to use in RO and couldn’t find a good place to integrate into this post: when the head of the MBN Program is explaining it to Sonia, she’d say they still have MBN-001 through 008 on display, but only have records for MBN-010 and up.  Sonia asks about MBN-009, and her guide scowls and says “We don’t talk about number 9.” You know, referencing the other Mega Man.)

(And, there is one other idea I had, a spin-off to shift to after resolving the history of the MBN cores, but it’s detached enough that I think I can turn it into a standalone story in the future so I want to hold onto it for now.  Probably best I take a break from writing Star Force for the time being, but I really like the character designs I thought up for this one, so one day, I hope to put them to use.)

Once again, I want to thank you all for your interest in Shooting Star Sonia--I hope I was able to entertain you! It was a bit rocky at times, but in the end, I’m glad I embarked on this journey, and I’m eager to get to work on a new one.  Until next time.

#Shooting Star Sonia

[benisasoftboi]

Gushing time.

Rune Factory 4 Special arrived a day early, so my entire day has been consumed in nostalgia. The original Rune Factory 4 was the first video game I ever bought on release day - I remember saving up all my money and making my mum drive me to like three different shops trying to find one that had it. I was already a fan of the franchise - before then, Rune Factory 3 had been my favourite video game, across the board. Aside from a playthrough of the first game last year, I haven’t played a Rune Factory game in a long time, certainly not RF4. But just starting up the game and hearing the music again, it was like it was suddenly seven years ago. Running around Selphia and seeing all the characters again - I love JRPGs, have played a lot of them, and I can think of very few that have characters that have stuck with me this long. And the aesthetics - the best thing about the Rune Factory franchise has always been the aesthetics, the music, the scenic and character design, just the general world. It’s a beautifully whimsical balance of urban and fantasy, and it’s the only JRPG world I think I’ve ever come across that I would genuinely want to live in. Rune Factory may no longer be my favourite game franchise - but I don’t think there has ever been another series that has felt so much like home to me.

Here’s a very long selection of personal highlights from the art book (by which I mean photos of the art followed by my rambling opinions):

Yeah, see, here’s the thing - Rune Factory 1 is not a good game. I could write an entire essay on why it’s bad (I actually started and got pretty damn far before realising no one’s interested in my two thousand word review of a game that came out over a decade ago - the short version is ‘Misty Bloom-fucking-Cave’. Anyone who’s played RF1 knows exactly what I mean). Don’t get me wrong, it has good qualities - excellent boss fights, for one, and also, as with the rest of the franchise, it is aesthetically wonderful. But ultimately, it feels less like playing a video game, and more like playing a proof of concept for a game. Which I guess it kind of was - and I can’t hate it because we wouldn’t have the rest of the series without it.

But it literally ends with a dragon spewing plant breath on a tank to make a turnip grow out of the gun. ‘Profound’, my arse. 

It’s Raguna! The “master sowrdsman!” (that is not a typo on my part that is a direct quote from the ending of Rune Factory 1 this game’s script had so many issues-). And Mist! My favourite of the ‘canon’ love interests!

Best girl! When I was a kid, my favourite love interest in RF1 was Rosetta. As an adult, it is Tabatha. I don’t know what it is about her that I find so likeable (she’s as lacking in personality as any other RF1 character), but... idk, I just like her a lot.

Camus’s big ambition is to leave town like even once. He will never achieve it

Fun fact about Melody is that she’s extremely depressed, a fact that comes up once in an optional side quest and is never addressed again. It’s incredibly dark for an RF game

Fun fact about Lukas is that he sucks (he’s one of those ‘obsessed with talking about how hot all the girls are’ characters, an archetype that thankfully doesn’t show up again in these games). But also, interestingly enough, thanks to one of RF1′s many, many script errors, if you marry Rosetta (the girl Lukas is the most obsessed with), he’s supposed to express disappointment that he lost her to Raguna - but instead, he implies that he’s disappointed to have lost Raguna to her. The translators typoed their way into giving him a sexuality change. Which is honestly kind of amazing.

LOOK AT THIS SLIME THIS IS SUCH A COOL SLIME LITERALLY EVERY OTHER JPRG SLIME GO HOME DRAGON QUEST GET FUCKED (jk I like Dragon Quest a lot and its slimes are cool too). Wish you could see in-game that this is what they’re meant to be like.

I just generally love the monster designs, they’re really charming

Rune Factory 2! The RF game with the most weirdly mundane protagonist name (Kyle. In the main four games of this franchise we’ve got Raguna, Micah, Lest, Frey... and Kyle). The two generations thing was actually very cool, but when they say ‘each chapter captures a different lifestyle’, what they really mean is ‘the first half is a weak Harvest Moon I’m sorry, STORY OF SEASONS game, and the second half is a pretty good Rune Factory game’  

lookit this little fuck

Yue Yue Yue! I love Yue so much, she’s great. She’s kind of like a much chiller version of Anna from Fire Emblem.

It’s really cool that we got to see grown up Cecilia (she was in RF1). I have this silly headcanon that if Kyle doesn’t marry Mana, Nicholas (her friend in 1) comes to visit Cecilia one day in the hazy-post game future, and meets Mana, and they get together. While Yue is my favourite, I do genuinely like Mana a lot, and I just want her to find love, I guess.  

Here’s original Barrett! There’s a reason he was popular enough to make a reappearance (well, aside from the whole grumpy pretty boy thing he’s got going on) - he was a great character in this game. His and Dorothy’s relationship is also definitely the most compelling of the rival romances. Bonus Max, who also has a little shout-out in RF4 (check the diary in what will become Dylas’s bedroom at the start of the game)

Ray is male, but apparently he was originally going to be a female character, as he has an unused portrait in a wedding dress. My friend and I agree that this makes him a Trans Icon

Monster designs remain excellent. Especially the goblins

Skipping over Frontier (and also Oceans later), as I never got to play it growing up due to not having a console, and still haven’t got around to it - might try this summer. Except I do need to point out that these guys should be memes. I don’t know in what way. But they should.  

Rune Factory 3! My first RF game. The transformation thing was very cool, even if it was basically useless outside the main story. My friend and I spent hours mucking about in the WiFi dungeon. I loved the desert settlement and all of the dungeon designs in general, and man, RF3 is just great. I hope it gets a remake one day.

Raven Raven Raven! I LOVE Raven (as do most). Her story with Micah is the first time I can remember getting genuinely invested in a video game romance. I’m so glad she cameos in RF4. I love her. She’s wonderful.

I have an odd fondness for Marian. When I was about twelve, I decided to do a playthrough where I deliberately romanced the least popular bachelorette. After poking around on forums, I determined that character to be Marian, and did a run with her. And... I actually came to really like her. I find her endearing. I get that people find her annoying and don’t like her... unethical medical practices, but doing that run has still made me a pretty protective of her. It’s been a long time since I played RF3, so maybe I’d change my mind if I replayed now, but currently, as far as I’m concerned,  Marian’s a good’un.

I think I also used to low key ship her with Collette lol 

Pia’s official art has always been super weird to me because it’s so not what her character is like in-game. She’s a ditzy airhead. This makes her look so serious

RAINBOW! Another character whose art makes them look way more serious than they actually are. Daria is great and would be a meme if this game was more popular. I think she’s also implied to be a relative of Margaret. 

I’ve always been super confused about what Kuruna’s skirt is meant to be. Is it fur? Is it part of her shirt? Is it even a skirt at all?

Check it out, it’s the guy everyone would ship Micah with if this game was more popular

I want Zaid to make a reappearance and interact with Doug. Pretty sure it’s canon that they’re from the same clan? Think it would be very interesting.

RF3 definitely had the coolest farm. Also, still love the desert settlement.

This is from Oceans, so I have no context, but it’s just so cool that I had to share

Rune Factory 4. Culmination of the series is right - when I was playing it for the first time, I remember being blown away by just how much it is a true love letter to the franchise. I have never come across another game series that so consistently grew and improved from entry to entry. RF4 was a perfect ending.

Not that I’m complaining about getting RF5. Quite the opposite.

But if it had been the end (as we all thought it was until about a year ago), well, like I say. Perfect. 

Well. Aside from soda can nipples. Can’t believe they didn’t fix those. Though in some ways, that would have made me sad too

Dolce has such a cool design, in both human and monster form. I’ve always kind of crack-shipped her with Margaret, for no real reason at all

Vishnal! I love Vishnal. Vishnal is pure as heck. Marrying him this time around.

Doug! My choice from last time around. Another character who looks more serious in his official art than he is in-game (well... most of the time)

And then there’s Dylas, who looks much happier here than he does most of the time. Kind of looks like he and Doug swapped bodies, actually. There’s a fanfic prompt for you.

Their ship name is Dyldo. I love them

Leon is nostalgic for me mostly because my friend and I used to get into a lot of arguments about whether or not he’s the hottest character in the game. She maintains that he is, because muscles. I maintain that muscles aren’t actually that attractive. It is a rift that divides us to this day

(He looks oddly... younger in this art though? Weird)

Sechs Empire is such an unfortunate name. Seriously. How rushed was RF1′s localisation team? All those script errors, and then this (the Sechs were the antagonists in the first game, and were only referenced in passing in the rest until RF4 - so it was a bit of a ‘sins of the father’ situation by then).

Seriously, try saying ‘Sechs Emperor’ out loud and tell me you can take this man seriously 

I??? Love??? Them???

I??? LOVE??? THEM???

Still confused as to why Kiel, Xiao Pai, Arthur and Margaret are on the cover now. Don’t get me wrong, I like them, but... Amber, Dylas, Dolce and Leon made way more sense? Even the Archival Cover makes more sense (Vishnal, Clorica, Forte), as those three are all kind of Lest/Frey’s servants (well, Forte for the whole town, but still). Of those first four, all but Arthur basically lift right out of the game with little-to-no impact on the story

NO HAT TABATHA NO HAT TABATHA

I’ve always really loved this Raven picture

And I am thankful for you <3

#rune factory #rune factory 4 #rune factory 4 special #rf4 #rf4s #rf4srelease #i love these games <3

[paulisweeabootrash]

2020 mini-review pack

Di Gi Charat (1999)

Episodes watched: 7

Platform: VRV (Hidive)

Di Gi Charat (pronounced like “carrot”) is a series of fast-paced 4-ish-minute shorts nominally about Dejiko and Rabi-en-Rose, rivals trying to be Earth’s greatest idol.  Who are, respectively, a catgirl and a bunnygirl.  Oh, and also they’re aliens?  That’s... uh... certainly a premise, I guess.  The actual show consists of self-contained gag-filled episodes with no ongoing story, in almost a sitcom kind of way, throwing the characters into situations without context, but with a stable “baseline” situation (unlike, say, Pop Team Epic, where the characters serve more as stock personalities playing different roles in different sketches).  Dejiko is a snarky schemer.  Rabi-en-Rose is a snarky schemer whose main activity seems to be bothering Dejiko at work.  Puchiko is a small and quiet child and behaves accordingly.  And Gema is... something?  I have no clue, honestly, and neither does the fan wiki.  Other recurring characters fill stock roles such as “manager” and “otaku”.  A lot of the humor centers around poking fun at fandom.  It’s a show by, for, and about otaku from an era before our current internet culture, and since I’m a millennial and not from Japan, that makes it unusually hard to evaluate.

W/A/S: 8/2?/5?

Weeb: Chibis.  Catgirls.  Idols.  Kappas.  Kawaii verbal tics.  Akihabara.  Low-detail background characters who look like blobs or thumbs with faces.  Kanji left on-screen but untranslated.  Particular sorts of highly-exaggerated facial expressions we may have become familiar with through emoji, but which still haven’t made their way into American media generally.  This is ludicrously Japanese.

Ass: This really isn't that kind of show.  Although it is certainly designed for adults, as evidenced by the presence of phrases like “naughty doujinshi”.

Shit: The art is fun.  It has style shifts from comic strip to watercolor painting to mainstream 90s anime, and looks better than some of its contemporaries that were, uh, “real” shows.  The opening takes up about a quarter of the total runtime and gets annoying quickly (but that's because it’s clearly designed for being part of a broadcast block, not binge-watching).  Still, unless I’m missing hidden cleverness on account of not having the background knowledge, there’s not much to it.  It’s just okay.

-----

First Astronomical Velocity (band, active 2011-present)

Platform: Spotify, surprisingly

Okay, this one is a bit different, and I’m jettisoning the whole format for it.  Remember how I said the music-centered episodes of SoniAni were actually pretty good, even though the modeling-centered episodes were so offputting I never finished the show?  Well it turns out that First Astronomical Velocity, Sonico’s band, has released several IRL albums.  Physical copies may be a little hard to come by, but official uploads of a lot of their music can be found on Youtube and Spotify.  Do your musical interests include at least two of: string arrangements that would be at home in a particularly sappy movie soundtrack, 90s-00s alternative rock, synthesizer beep-boops, and that constricted cutesy Japanese women’s vocal style (you know the one I mean)?  Then this is for you.  They’re a pretty good... uh... alt-pop-rock band, I guess is what I’d call them.

-----

Interspecies Reviewers (2020)

Episodes watched: the entire 12-episode season

Platform: I plead the 5th.  But it’s getting a video release soon, so it will finally be legitimately available in English!

I started this year with a plot-light fanservicey animal-people show, and now I’m ending the year with... a plot-light fanservicey animal-people show.  But unlike Nekopara, this show had me cracking up, eagerly clicking “next episode”, and not complaining about the premise.  I’m sure a lot of people do have a problem with this show’s premise -- which centers almost entirely on various forms of sex work -- and I understand and respect that they will want to skip this show.

But for the rest of you: Interspecies Reviewers is a wildly-NSFW comedy about a group of fantasy world adventurers who gain fame and fortune reviewing brothels of different species.  I expected excessive nudity and fantasy tropes, but I didn’t expect to also get serious thoughts.  Like showing, in the golem and Magic Metropolis episodes, some of the unsettling problems that are looming IRL as deepfakes and sex robots are in development -- note especially the contrast between consensually and non-consensually basing automata on real people in those episodes.  Or the discussion in the last episode of how much riskier sex would be in a world without magic (i.e., ours).  This is a much smarter and more interesting show than you’d expect, considering that it has so much sexual content that it got dropped by two of the networks airing it and even its US distributor.

W/A/S: 5/10/4

Weeb: Although heavily influenced by the Western fantasy media canon of European mythology and Tolkien and tabletop RPGs, familiarity with the tropes of fantasy anime will help you “get” this too, as will familiarity with the -sigh- character dynamics and censorship practices of hentai.  Especially because it’s a comedy, there are probably also instances where I have completely missed topical references or wordplay that a Japanese person would get, but I can’t think of any specific instances right now of “there was clearly supposed to be a joke but I missed it”.

Ass: Look, this could not possibly have more sexual content without unambiguously becoming porn.  Genitals are (almost) always carefully hidden by viewing angle or conveniently-placed glowing (something lampshaded in one episode as an actual feature of one of the species they review), but otherwise, expect lots of nudity and almost nonstop crude humor.  Do not watch this with children.  Do not watch this with your parents.  Do not watch this with friends you don’t know well enough to know how they’ll react to something like this.

Shit: This show is better-made than it deserves to be.  It’s pretty dumb at points, but it’s fun enough to make up for it.  The art is consistent and pleasant, and the opening and ending themes are extremely fun, but it’s not a serious standout in any of those departments.  Also, I swear the background music is stock music, but I don’t remember what other show(s) I’ve heard it in before.

Stray thought: Crim is a precious and relatable cinnamon roll and I love them.

-----

OreSuki OVA (2020)

Platform: Crunchyroll

So, I know I didn’t cover the whole season in my initial review, but I still want to mention the hour-ish-long finale of this show, which was released straight to streaming.  Short version of the rest of the season: Joro starts to actually fall for Pansy, but a new challenger, Hose, appears.  He is irritatingly attractive and effortless at maintaining the right persona for the situation, leading Joro to describe him as “the main character”.  Hose is the sociopathic manipulator Joro wishes he could be, and Pansy, who has a bad past with him, clearly wants nothing more than for Joro to stand up to him.  But, since this is OreSuki, it’s not going to be handled simply.  No, instead, strap in for a grand finale of Joro and Hose competing in, and trying to manipulate through rules-lawyering, an absolutely ludicrous competition to win the right to date Pansy.  And, on top of it, we also get to finally see how Sun-chan got to be the way he is and what happened at that pivotal baseball game that set off the whole plot.  What has Joro learned from the experiences of the past season?  You’ll see!  And you’ll facepalm about it!

Really, you must watch this if you watched the regular season.

W/A/S: 6/5(!)/4ish

Weeb: Basically the same as I said before.  Gags referencing other Japanese media, anime and otherwise, and it's better if you’re familiar with the high school romcoms and harem comedies Joro thinks in terms of.

Ass (and slight content note): -sigh- Why does the camera need to be there?  Also, Joro, you just committed a little bit of sexual assault for the sake of this contest.  Stop.

Shit: I want to rate this overall better than I did the regular season because I think it’s an excellent finale overall because, even though it ends in a very “let’s leave everything unresolved” way that’s common in media that rely on absurd relationships to propel the plot, it does so in a way that makes sense in character.  I personally think it would’ve been stronger if it had, well, confirmed its title, and at least some of the other “challengers” had lost interest in Joro, but I guess they probably want a Season 2, since they have so much more source material to work from.  There are... oh god 14 light novels?!  That is too many.

-----

Your Name. (2016)

Platform: DVD

Two high schoolers -- small-town girl Mitsuha, from Itomori, and big-city boy Taki, from Tokyo -- find themselves in each other’s bodies for a day.  They both think at first it must be a very vivid dream, but when it happens again, and they start finding clues like notes they don’t remember writing and comments by friends and relatives about their out-of-character behavior, they realize the body swap is real.  This begins a relationship of mutual understanding that nobody else can really understand -- or would even believe (except Mitsuha’s grandmother, who is... familiar with this phenomenon) -- and the plot then pivots to a tense adventure where they use their connection, some crucial information Taki has, the skills of Mitsuha’s friends, and the intervention of Itomori’s patron deity, to save the town from an impending disaster.

And that’s all I’ll say about that, because I really do think this is something you should go into blind.  My only remaining comments are that (1) the red string of fate is critically important imagery, and is particularly interesting to me here because, if I took a particular scene correctly, Mitsuha made her own red string of fate from sheer necessity, which is a very different twist on that trope, and (2) I am now curious about the history of the body-swapping phenomenon in-universe.

W/A/S: 4?/2/2

Weeb: As mentioned above, symbolism of the Red String of Fate shows up throughout the movie, as do the occasional distinctly Japanese quirk like a wildly out-of-place vending machine or a café with dogs, and but for the most part it’s a cross-cultural story of understanding and dealing with someone else’s life, and of forming a connection other people don’t -- can’t -- truly understand, and to some extent of divides between urban and rural and modern and traditional that I think could play out in any country with just the local symbolism tweaked.  The significance and content of Shinto beliefs and practices depicted, particularly kuchikamizake, are made pretty explicit, so although foreign to the vast majority of the non-Japanese audience, I feel like this movie also has nearly no barrier to entry for people not familiar with the cultural context, so I don’t want to rate it very high on this scale.

Ass: Look.  It involves teenagers switching bodies.  What do you think they do?  Especially Taki?  But it’s played for laughs, not titillation.

Shit: This movie is beautiful and punched me in the feels and was very satisfying.  The closest I have to a complaint about any aspect of it is that the musical breaks that I guess are supposed to mark acts of the movie almost make it feel like binge-watching a short series instead of watching a single self-contained movie.

#weeaboo trash #anime review #mini-reviews #happy new year #di gi charat #first astronomical velocity #super sonico #interspecies reviewers #oresuki #Are You Really the Only One Who Likes Me? #your name

[sagehaleyofficial]

HERE’S WHAT YOU MISSED THIS WEEK (1.8-1.14.20):

NEW MUSIC:

·         Record Store Day went on social media to unveil its 2020 date, which is set for April 18th. Last year, a special edition turntable manufactured by Crosley Radio was available at select record stores.

·         Green Day took to social media to share a GIF announcing their new track “Oh, Yeah” will be released later this month. Additionally, they also confirmed a rumored tracklist that was anonymously sent to a fan earlier this month.

·         Spanish Love Songs announced the release date of their third studio album, Brave Faces Everyone, on February 7th via Pure Noise Records. The band also released a new single “Kick” with an accompanying music video.

·         New Found Glory announced that they are looking to include fans in filming a new music video. Recently, guitarist Chad Gilbert took to Instagram to tease that the band have been working on a new album, which will follow up their 2017 release, Makes Me Sick.

·         Silverstein announced a release date for their next studio album, A Beautiful Place to Drown. They also dropped their latest single off the LP, “Infinite,” featuring Underoath and The Almost musician Aaron Gillespie.

·         In a very recent interview, Senses Fail vocalist Buddy Nielsen revealed what he thinks will be the title of the band’s eighth album, calling it Hell is in Your Head. The frontman also talked about the relationships between this new album and their 2006 record, Still Searching.

·         Evanescence dropped a music video for their cover of Fleetwood Mac’s song “The Chain,” which was featured on the soundtrack for the video game Gears of War 5. Singer Amy Lee also lent her vocals to the game’s launch trailer just prior.

·         The 1975 announced the debut of a new song titled “Me & You Together Song,” set to drop this Thursday. Their fourth studio album, Notes on a Conditional Form, was then pushed back from its original release date on February 21st to sometime in April.

·         Halsey took inspiration from country music in her latest single “You Should Be Sad” off her upcoming album Manic, dropping this Friday. She revealed on Twitter that the track was inspired by some of her favorite female artists of the genre, namely Carrie Underwood.

·         Creeper announced the release date for their upcoming album, Sex, Death and the Infinite Void, along with a brief tour in the UK. The band teased fans on Twitter prior to the announcement by posting a series of periods and short videos.

·         PVRIS dropped a haunting acoustic version of their song “Hallucinations,” originally the title track of the band’s latest EP. Singer Lynn Gunn also shared it on her own Twitter feed, saying “It’s chill.”

·         The upcoming film Birds of Prey is getting its own soundtrack, appropriately titled Birds of Prey: The Album. The soundtrack features Halsey, K. Flay, a collab by Megan Thee Stallion and Normani, and more internationally-acclaimed female artists.

·         Paramore frontwoman Hayley Williams teased what could potentially be a lyric from her upcoming solo project debut, Petals for Armor, releasing January 22nd. Clues of the new project surfaced on Instagram and city streets with a release date for some time this month.

·         A recent video shows Halsey in the studio with Bring Me the Horizon’s Oli Sykes and Jordan Fish. It appears that the video is referencing her new song for the Birds of Prey soundtrack titled “Experiment on Me.”

·         Alexisonfire dropped a new single titled “Season of the Flood,” which marks their third new song in 10 years and premiered on BBC1’s Rock Show. Last year, the band dropped two singles, “Complicit” and “Familiar Drugs.”

·         Point North’s new song, titled “Into the Dark,” just dropped, featuring current tour mate and Sleeping with Sirens‘ singer, Kellin Quinn. The bands are currently on tour with Set It Off and Belmont.

TOUR ANNOUNCEMENTS:

·         Bonnaroo Music & Arts Festival announced the lineup for the festival’s 2020 dates. This year’s headliners include Tool, Lizzo, Tame Impala, Miley Cyrus, Bassnectar, Flume, Oysterhead, Lana Del Rey and Vampire Weekend.

·         The Almost frontman Aaron Gillespie recruited his Underoath bandmate Tim McTague to join him on stage during a show at the Orpheum in Tampa. Gillespie shared photos of the evening, touching on the “unnecessary friction” at The Almost’s formation in 2005.

·         In anticipation of their upcoming release Father of All… next month, Green Day announced that they want to host a wild party at a fan’s house. In a video posted to Instagram, Billie Joe Armstrong talked about wanting to play in one very lucky fan’s backyard in California.

·         Halsey announced the dates for the North American installment of her Manic World Tour. It was also announced that CHVRCHES, Omar Apollo, blackbear and PVRIS will all join her on select dates of this tour.

·         Circa Survive announced that Polyphia and Gouge Away will join them on their Blue Sky Noise 10-year anniversary tour. The band took to social media to announce the supporting cast for the tour.

·         Billie Eilish, Gwen Stefani with Blake Shelton, Aerosmith and Lizzo will all take the stage at this year’s Grammy Awards on January 26th. R&B songstress Alicia Keys will again host the ceremony.

·         Post Malone was announced to headline the “Bootsy on the Water” pop-up event at one of this year’s Super Bowl kick-off parties in Florida. Fans have the opportunity to see the rapper live, but tickets range from a hefty $1,000 to $150,000.

·         The Maine announced their second edition of 8123 Day to celebrate their 13th anniversary as a band. The event will offer fans fun opportunities such as an online scavenger hunt, contests, new merchandise and more.

·         My Chemical Romance’s return show grossed nearly $1,500,000, making history as the highest-grossing show at the venue ever. A Paradigm agent, Matt Galle, spoke with Variety last December about how everything came together.

·         Joe Rogan, Jim Jefferies and Whitney Cummings are joining forces to appear at Stand Up for Australian Fires, the Australia wildfires benefit show taking place on January 26th. Proceeds from the show, co-produced by Kevin Lyman and Joe Sib, will go to Wildlife Warriors.

·         After announcing their first full U.S. headlining run last month, Sleep On It finally announced the opening acts for the “Pride and Disastour.” The band’s upcoming tour, which kicks off at the end of February, will be supported by Bearings, Between You and Me and Neverkept.

·         Sleeping with Sirens revealed a stacked co-headlining run with the Amity Affliction kicking off in April. The tour will begin April 15th in Reno, Nevada, and conclude May 23rd in Milwaukee with support from Stray from the Path and UnityTX.

OTHER NEWS:

·         The Maine drummer Pat Kirch married his longtime partner Shacara Nemetz, with his bandmates, family and friends in attendance at the ceremony. Last September, the couple also announced they were expecting their first child together.

·         One talented drummer took on the challenge of combining 50 My Chemical Romance songs in 10 minutes. The fan in question, Sage Duvall, is a member of Florida-based indie band Raggy Monster and impressively recorded it all in one take without the use of a click track.

·         Bad Religion announced the release of their new book, “DO WHAT YOU WANT: The Story of Bad Religion,” which is set to drop on August 20th by Hachette Books. The autobiography is a deep examination of the band’s four decades in rock music.

·         Music IP investment company Hipgnosis Songs acquired 157 songs from alternative icon Tom DeLonge‘s catalog. “All the Small Things” and more Blink-182 hits were reportedly acquired.

·         Ice Nine Kills joined numerous musicians in fundraising to help put an end to the Australian wildfires plaguing the country. The band is selling a T-shirt featuring a kangaroo dressed as horror icon Freddy Krueger, with all proceeds going towards Australia’s relief efforts.

·         The upcoming film Birds of Prey revealed its second official trailer, which may reveal what happens to Jared Leto‘s Joker character. Recently, lead actress Margot Robbie, who plays Harley Quinn, confirmed that Leto would not be in the film.

·         Featuring a red, black and white color palette, Vans’ latest “I Heart” shoe collection recently hit their online store. The line showcases the phrase “I heart boys, I heart girls” in a continuous pattern.

·         Neil Peart, iconic drummer and lyrical voice of legendary Canadian prog-rock act Rush, has passed away. Rolling Stone reported that Peart had succumbed to aggressive brain cancer at age 67 after a brave three-and-a-half-year-long battle.

·         The Umbrella Academy fans were surprised last week when the comic series appeared as a question on the game show Jeopardy!. The show is currently hosting its “The Greatest of All Time” tournament, which has three record-breaking former contestants playing.

·         Blink-182 joined the relief effort toward stopping the Australian bushfires by releasing a new merch collection. Proceeds from the shirts will go towards Australia Zoo, which is giving medical help and rehabilitating to sick, injured and displaced wildlife in the country.

·         Blink-182 drummer Travis Barker is partnering with Barrett-Jackson to sell a few of his vehicles to the highest bidder. There will be three cars up for sale – a 1941 Cadillac 62 Series convertible, a 1960 Cadillac Coupe Deville and a 1972 Chevrolet K5 Blazer.

___

Check in next Tuesday for more “Posi Talk with Sage Haley,” only at @sagehaleyofficial!

#sage haley #posi talk #green day #evanescence #halsey #the 1975 #creeper #birds of prey #paramore #post malone #bring me the horizon #sleeping with sirens #my chemical romance #blink-182 #neil peart #the umbrella academy #ice nine kills #record store day #spanish love songs #new found glory #silverstein #the almost #underoath #senses fail #pvris #alexisonfire #point north #bonnaroo #circa survive #grammy awards

[blueboxesandtrafficcones]

The Nuptial Necessity - Chapter 1

A 12xRose Human AU

Despite an unglamorous job description, Rose loves the work she does with The Thistle Foundation, a charity founded by her best friend’s great-uncle.  It doesn’t hurt that her boss, her friend’s father, is easy on the eyes.  With a great job, wonderful friends and a loving family, life couldn’t be better – except for having someone to share it with.

All of that is threatened, though, when the great-uncle dies – and sets a strange condition for his nephew to inherit, jeopardizing the Foundation and Rose’s future, sparking a chain of events that might just get her everything she dreamed of and more.

Chapters will be posted on Saturdays and Tuesdays.  Many thanks to my beta, @stupidsatsuma

Rated: Explicit, for eventual smut

@doctorroseprompts

AO3  |  Masterlist

---

Thursday

Strictly speaking, shouting- even of a profane nature- coming from her boss’s office was not particularly unusual or noteworthy.  Malcolm Tucker was a passionate individual, who had no issue with speaking his mind and a talent for doing so creatively.

She was long since immune to his acid tongue, never blinking no matter the volume or count of profanity – it helped that he was wise enough to never turn on her, the woman who ruled his life and calendar.  She’d come a long way since she first started fresh out of uni, an absolutely terrified twenty-two-year-old who had been talked into accepting a temporary job as her best friend’s father’s assistant until she figured out what she wanted.

That had been eight years ago.

“Rose!”

Sighing, she slipped her feet back into her pumps and stood, smoothing her dress before grabbing her tablet and stylus.  Rapping perfunctorily on his office door before pushing it open, she entered to find him standing at the window with his hands on his hips, staring out at the London skyline.  Taking a moment to appreciate the spectacular view herself, she drew closer.

When he didn’t move, seemingly paralyzed, she coughed discreetly, finally sparking him back to life.

Shoulders slumping Malcolm turned to her, a familiar expression of frustration that eased slightly at the sight of her, tired eyes brightening.  “Yes?”

Rose raised an eyebrow, curious now at what had him so rattled he’d forgotten he’d called for her in the time it took her to enter.  “You shouted?”

“Right.”  He ran fingers through his hair, and she idly noted that he’d need a haircut soon.  The salt and pepper curls were growing wild and fearsome, much as the rest of him, and while the look personally suited him, it did not befit the Executive Director of a non-profit.  “Sorry. Erm- can you get my attorney on the phone?”

“Dave or Alex?”  She blinked innocently at him, his answer telling about whatever the problem was, praying it would be Dave.  The recent level of profanity suggested it would not be, though, his answer confirming her fear.

“Alex.”

Shit.  What now?  Alexander McHenry specialized in family law, and had been Malcolm’s lawyer since his divorce from Clara’s mum more than twenty-five years earlier.  Missy, the once Mrs. Tucker, showed up often enough to cause trouble that after all this time, the lawyer was still on speed dial.  “Two minutes.”

“Thanks.”  He moved towards his desk chair as Rose headed for the door, stopping her just before she exited.  “Hang on- tell him it’s not about Missy.  This is an inheritance matter.  Me inheriting, I mean, not Clara’s trust or anything.”

“Okay.”  She waited a beat, before offering, “If you want to give me more detail-”

Malcolm’s lips twitched into what, for him, was a smile.  “No, I don’t think so.  Not yet. I need to talk to him first.”

With a sharp nod she left, pulling the door mostly shut behind her before sinking into her desk chair, taking a moment to stare at a framed picture sat next to her desk phone.  It was from a few Christmases before, and showed her, Clara, and Malcolm smiling and laughing in front of the office holiday tree during the annual holiday party.  It was her favorite non-family picture, due in part to the genuine happiness radiating off of her in it.

Dialing the number from memory, she waited for Alex’s assistant to answer the phone.  “Lisa?  Rose. Yeah, does he have a few minutes? Malcolm has an inheritance question- no, nothing with her this time, thankfully, at least at the moment.  Yeah, I’ll hold.”

-

Eight years earlier

“So, what are you going to do now?” Clara asked, passing the champagne bottle over.  Now officially graduated, it would be their last time lying on the roof of their rented flat and watching the world pass.

“Fuck if I know.”  Rose took a generous swig, staring up at the dark sky.  Small lights twinkled overhead, a few airplanes mixing with the multitude of stars, and she tried to lose herself in the peaceful, black abyss as she had so many times before.  “My dad said I can come work for him, if I don’t find anything better.”

Clara hummed, taking back the bottle and sipping at it.  “I’m going to travel until classes for my masters start up.  You could come with me?”

Rose made a face only the night sky could see.  “Thanks, but no.  I need some time without you.”  She nudged her friend, turning her head to wink, and they both burst into giggles.  “I just can’t believe it’s over.  Uni is supposed to be 'the best years of our lives’.  I don’t really feel that way though; do you?”

“Nope.”  The raven-haired girl shrugged, sighing.  “We had fun though, didn’t we?”

“Absolutely.”

They sat in silence, passing the bottle back and forth, Clara draining the last drops before venturing, “You know, my Dad’s assistant Jo is retiring – he needs someone to take over.  What about you?”

“I don’t know if my future lies in being a PA though; no offense, but that’s not what I went to Cambridge for.”

“No, you went for French and Art History.  Have you changed your mind about that job at the Louvre?”

“No.”

“Then what good is it doing you?  Working for my dad’s gotta be at least a little less embarrassing than working for your own.  C’mon, it’ll be a temp thing, just until you find something better.  Give it a try?  For me?”

Rose groaned, easing herself upright, careful of both the alcohol in her system and the sloped roof they lay on.  “Fine.”

“Yay!”  Clara bolted upright, and they watched with wide eyes as the empty champagne bottle rolled right off the roof onto the pavement below, the shattering loud in the otherwise silent night.  “Oops.  Brilliant, so, first thing Monday, like eight- I know, I know, you and mornings- you’ll be great.”

It took Rose’s soused brain a few seconds longer than usual to understand her friend’s meaning.  “Hang on, did you already agree to this for me?”

“Yep!  Don’t worry, it’ll be fun!  And it’s only temporary, you’ll see.”

-

“Rose?”

She yelped, startled out of the memory, and looked up to find Malcolm standing beside her desk, watching her with a concerned expression.  “Hi!”

“All right?”

Rose nodded, tucking hair behind her ears and giving him a bright smile.  “Just thinking.  What’s up?” Biting her lip, she glanced him over and saw his backpack, a sure sign he was leaving for the day.  “Heading out?”

“Can’t get anything by you,” he joked, winking.  “I’m going to Alex’s office to go over a few things, then dinner with Clara tonight.  Do I have the restaurant address?”

“Graham does,” she said, referencing his personal driver, “and I’ll text you half an hour before just to be safe.”

“You’re welcome to join us,” Malcolm offered, just as he had every day since the dinner had been arranged a week earlier.  “Come hear about her travels.  She wants you to come too, you know.”  His open expression made it clear both Tuckers would welcome her presence, not that she doubted his sincerity.  In fact, his eyes bordered on pleading, which only served to amuse her.

Rose smiled, shaking her head fondly.  “Thanks, but no.  I’m seeing her Saturday for a girl’s night, I’ll hear all about it then.  Tonight, I am going home, ordering takeaway, and vegging.  It’s been such a week with the upcoming gala, I need a break.”  All of which was technically true, but not the real reason; Missy had a tendency to crash these types of dinners, and Rose went out of her way to avoid the woman whenever possible.  She’d heard enough stories from Malcolm and Clara over the years to give a clear picture of the woman behind the sweet and charming mask Rose saw.  Never mind she’d always had a gut instinct about her.  Sparring with Missy tonight?  No thank you.

Her boss narrowed his eyes, but accepted that.  “Fine, suit yourself. The samples should arrive this afternoon, right?  Bring them by on your way home.  Or stop by later tonight for ice cream sundaes; I bought all the favorites.”

Rose laughed.  “You mean I ordered all the ‘favorites’.  You didn’t do shit.”

“The fuck I didn’t!” he protested.  “I gave you a list!  And my credit card.”

“You’re going to be late.  Get lost,” she ordered, pointing towards the lift.  “I have a lot of work to do, and can’t until you’re gone.  Now shoo.”

“Yes ma’am,” Malcolm mocked, saluting as he backed away.  “As you wish. Have a good night.”

Shaking her head, Rose watched him go until he turned the corner and vanished out of sight, his whistling echoing back to her from the lift bank.

“Blimey, these Tuckers tucker me out!”

And, chortling to herself at the lame pun, she picked up the phone to order her lunch, kicking off her heels in favor of flats.

When the boss is away, the mice will play.

-

Malcolm paced Alex’s office, running his hands over his face and through his hair as he tried to think.  Why would he do this?  What was the point?  “Is this even legal?”

“I’m afraid so,” his old friend said sympathetically, calm and unruffled behind his own desk.  His view out the window wasn’t quite as nice as Malcolm’s, but decent nonetheless, Hyde Park in the distance.  “If you don’t meet the requirements within thirty days of today, then you forfeit the estate and it goes to the Government.  Those are the terms of the will.”

“It’s ludicrous,” he argued, settling his hands on his hips and glaring at the lawyer.  “That money should go directly to the foundation!  I don’t even want it!”

It hadn’t been a secret that his uncle was dying; eighty-five and riddled with cancer, it had only been a matter of time. Malcolm and Clara visited him when they could; even Rose had, on occasion, once they’d been forced to move him to a home, a live-in nurse no longer sufficient.  Apparently, she made quite the impression.  As his only heir, and the administrator of the charity Wallace had set up fifty years earlier, The Thistle Foundation, Malcolm had reasonably expected to be the beneficiary of the estate.  What he hadn’t expected were the strings.  What’re you trying to pull, old man?

“What do I do?”

“Talk to her?” Alex suggested unhelpfully.  “What could it hurt?”

Malcolm threw him a nasty look, before resuming his pacing.  “I can’t do that.  Could I- No.  Shit.”  For a moment, just a moment, he tried to picture that conversation.  Every scenario ended with her either laughing, quitting, or slapping him and then quitting.  “Rose- I can’t lose her,” he confessed, a bit more honestly than he intended.  “I mean- she’s a brilliant assistant.  I don’t have the time or patience to train a new one.”

“All your funding comes from the estate, doesn’t it?” Alex asked quietly, and the horrifying implications of that were enough to make Malcolm sink into a chair.

“Yeah.”  If the estate goes to the government, so does all the money.  The Foundation would dry up in six months, maybe less.  Only thirty percent of our funding comes from outside sources, and Vitex and the Tylers are half of that alone.  “I don’t have a choice, do I?”

“You always have a choice,” the other man shrugged, “but practically speaking, no, you don’t.  Not if you don’t want to have to go job hunting, or worse, woo new investors.”

Fuck, fuck, fuck.

“What’s the timing on this?”

“You have thirty days from today to sign on the dotted line, and need to give notice two weeks before that.  So you need to decide if you’re going to… meet the terms, then you have to do that no later than then days from tomorrow, just to be safe.”

Malcolm hung his head in his hands, wondering if he dared broach the subject with Clara first.  Maybe she can tell Rose?  “And how long-”

“Five years.”

“For fuck’s sake, Alex!”

His friend snorted, coming around the desk to pat his shoulder comfortably.  “I didn’t write the will, you know.  Look, take a few days, think it over, then we can talk again.  All right?”

“Yeah.”  Checking his watch, he realized if he didn’t leave then, he would be late for dinner.  “I’ve got plans with my daughter, I’ve got to go. I’ll call you soon.”

Trudging out of the office and down to his waiting car, Malcolm lost himself in his thoughts.

What am I going to do?

#bbatcfic #ficandchips #Doctor Who #doctorroseprompts #Human!12xRose #Human!Twelfth Doctor #Rose Tyler #Human AU #AU #The Nuptial Necessity

[thenightling]

Comic book rambling:   Vertigo closing rumors / The Dreaming / Avengers: War of The Vampires And more (Thoughts and more)

I know there have been rumors about Vertigo Comics being reabsorbed into DC proper before this time I think it’s serious.   Two months ago I noticed Vertigo wasn’t updating their official Facebook page very often anymore and when they did they sometimes got important things wrong like the issue number of this or that title they were promoting and then they wouldn’t fix it.   

I’ve come to notice when a company gets lazy with their social media accounts it is a bad sign.  Marvel’s Superhero Squad Online became very unattentive on their facebook about a year before officially shutting down.   

Also, I’ve tried... I did try to like the new Sandman Universe comics.  Most of them are kind of boring.  Honestly I’ve only managed to truly enjoy one issue of The Dreaming (besides the special last August) and that was issue 7, the one about Daniel-Dream and Ivy.  

 I can be very nitpicky.  I admit this and even that one issue had its flaws. Daniel apparently killing a group of drunken frat boys from a bachelor party because they catcalled Ivy.   I guess that was supposed to be “empowered” .   Hurray casual murder over a few rude words?  Yeah, even the best issue had things that bugged me...

And that was the best issue.   It had a decent plot that actually flowed.  It had characters i could actually care about.   It had a mystery.  It had intrigue.  It had real magick.  

  And then the comic drifted back to the pseudo-AI lead doldrums, that was the murky left overs after six issues that was nothing more than a tired Trump rant with Merv turned into a cliche Trump supporter, and Judge Gallows serving as the Trump-surrogate.  It was as if that one good issue never happened...

This has been a not-so-great year for comics for me.  

Comics I liked this year:   

Last August had issue 0 of Tom Holland’s self-published Fright Night: the Peter Vincent Chronicles.  And I liked it but it never continued after that.

Dynomite’s Elvira: Mistress of the Dark was good for the first four issues.  But once Elvira visited Hell the writing started to get off-putting.   As soon as Elvira (Freakin’ Elvira!) apparently agreeing with Faust that Helen of Troy deserved to be there for “causing” the Trojan War I lost interest.  A woman blaming another woman for men deciding to fight over her rather than respect her wishes...  I don’t require constant political correctness but this really, really didn’t set right for me.   And it felt out of character for Elvira.  Also they kept referencing Goethe’s Faust but very obviously only really know Marlowe’s version and I could have ignored that... but Elvira not caring about the condemning a woman for a war she never wanted... That’s just  ...No.   And i was liking that comic version of Faust too. So few people use the folkloric Faust.

Also The Shape of Elvira has also been decent.  Not as fun oas Elvira: Mistress of The Dark but decent.

Frankenstein Alive Alive - I loved this comic and it reached its conclusion and final compiled form on October 30th.  It holds a special place for me as the last new illustrations from the late Bernie Wrightson and I had liked the story but I do admit the ending feels rushed and not very satisfying.  I suppose that was unavoidable but at least it didn’t end miserably.     

Also Frankenstein Alive Alive used the literary, intelligent and articulate Frankenstein monster, which is the version I prefer, and it was very respectful to Mary Shelley’s novel while serving as a direct sequel to the original novel. 

Marvel’s Avengers: War of the Vampires.  I liked this one.  I liked this one a lot. It was pleasant to see Marvel’s Dracula in action again for something other than a Halloween event.  I liked the revelation that he’s panasexual, it fit, and it was addressed matter-of-factly like a known fact instead of made into a big deal. 

And I liked that Blade is now one of The Avengers.  

  But this has its flaws too.    Problem 1.  She-Hulk now answering to Hulk to be more “empowered” when in reality that just puts her more in the shadow of her cousin and shows her no longer appreciating and valuing her own femininity (which is what truly made her a powerful woman.  She loved herself, all aspects of herself.  She wasn’t ashamed of her womanhood.)  Also now she’s drawn like a bulky DC’s Lobo but wearing green makeup.   Why?  Why steal away all of her femininity?   Why can’t a woman be strong and still value her feminine qualities?   Isn’t it sexist to say a woman can only be strong if she’s mimicking a male character?  Her personality seems changed too.  She’s no longer fun and witty, and casually breaking the fourth wall (which she was doing before Deadpool.) She’s a shadow of herself with a bulkier body. Problem 2.  Captain Marvel doesn’t really belong in the story.  She feels out of place and it’s obvious she’s only there because of her new movie.   She has little to do and the entire story could have worked without her.   You can tell she’s only there because of some corporate mandate.  

Problem 3.  Really bland and generic comic book cover art that barely makes you aware it’s a vampire story.

But honestly, if I was to re-read any of these, it would probably be Avengers: War of the Vampires.   I hadn’t realized how much I missed Marvel’s Dracula.  I hope he comes back soon but no solicitations for the next three months mention him except for some Tomb of Dracula reprints.  So there’s at least that...

Maybe I’m just very cynical now, or maybe after reading Neil Gaiman’s Sandman: Overture I’ve been spoilt and it takes a lot to truly satisfy me now. Ah, well.   

#Frankenstein Alive Alive #Bernie Wrightson #Avengers: War of the Vampires #Marvel Comics #DC Comics #Vertigo Comics #The Dreaming #The Sandman Universe #Dracula