listen im ace and im pro kink at pride and whatever, but the way some of yall are wording your posts in response to the backlash against it is uh. really taking me back to the ace shitcourse era.
yall know theres nothing wrong with being a "virgin", right? that its not inherently shameful to have not had sex, to never have sex, even if youre not ace, even if you do want to have sex someday, like, its fine that you haven't had sex?
maybe if your problem is that theyre trying to police your behavior and shame you for expressing your sexuality, you can say that? instead of resorting to "haha stupid virgin gets no bitches" like my god. do you not hear how fucking regressive that attitude is? i know, i know, youre "joking".
get a better joke
1K notes
·
View notes
north no.2
936 notes
·
View notes
Fakir's theme (Beethoven's Coriolan Overture) always struck me as funny because it stands apart from the other character's themes. Mytho has the delicate Dance of the Sugar Plum Fairy, Rue the somber Gymnopedie No 1, Duck the cheerful Nutcracker Oveture etc... while Fakir's theme is well... LOUD.
It characterizes his most aggressive moments, mainly playing in scenes where he antagonizes Mytho and Duck.
This always sat a little weird with me as it is a very surface-level character theme for such a complex character. In contrast, Rue's theme tells us something about her motivations under the Kraehe persona. Fakir's on the other hand tells us that he's mean and aggressive... something any viewer who's gotten to a scene where the song plays already knows.
On one of my rewatches, though, I noticed that he has another song that functions as a sort of secondary theme: an excerpt from Scheherazade.
This song plays most notably throughout most of episode 12, while he is bonding with Duck. It shows up a few times later in season 2, mainly in scenes concerning Fakir's struggle to write. As such, I view it as a complementary theme to the Coriolan Overture.
Listening to the song, it feels much more in line with Fakir we've come to know him. The song can be a little delicate and a little sad with gentle wind solos that lead into loud, grand orchestral sections. The repetitiveness, tempo, and use of dramatic brass and strings give these louder sections a gallant, almost desperate tone. It's super fitting that this is the song that plays throughout the episode where we get the best sense of Fakir's natural personality when he isn't putting on the cold persona.
I don't really have a deeper analysis here I just think it's really fun that as his character develops he gets an additional theme. If you think about it the music in Tutu functions as a sort of jukebox musical--the world and characters are built around the songs. Once we start to get to know who Fakir really is, the music that represents him changes to reflect him better.
95 notes
·
View notes
i made a propaganda document on why people should ship silver and vil (silvil) and i NEED to share it to tumblr. please. the document is 11 pages long and has genuine legitimate, compelling evidence. i NEED u to hear me out. here is the title page, for reference. it’s very good.
THE DOC!!!! READ IT!!!! I PROMISE IT’S WORTH IT
136 notes
·
View notes
I watched Heathers the musical today and . This happened . [PS don't tag as genderbend for Eridan]
Bonus doodle under the cut,,, But also tw for themes of suicide (nothing super explicit I don't think)
Tabros:(
208 notes
·
View notes
DOES ANYONE WANT TO BETA READ A FIC FOR ME im embarrassed to ask my moots bc I don’t wanna pressure them
The fic is 15.9k words SO FAR 🧍🏽♀️ like we’re no where near done babes 😔
But please let me know if you are willing to help me out 🥲 been out of the writing game for a good year I need some help im a little rusty
9 notes
·
View notes
hi friend, you still have the potential to be sued here in the US, even if you’re not using images. That’s a big part of why authors likes Anna Todd, scrubbed After (with all references to Harry’s name) from the internet when she started charging for it and before any publication would take an interest. (Before anyone comes for me, I’m sure the original has been saved by some third part somewhere. This is the internet after all. But the point remains if she were to be sued, she is able to claim that she did her due diligence by removing any and all content with any reference to Harry Styles from the internet BEFORE she received any payment.) The US is currently starting to crack down on copyright and intellectual property infringement. In large part due to the fact that so many people have received huge payouts over the last ten years. Unfortunately they’re not choosing to go after the ones that have actually gotten rich from the issue. And while the drivers might not care. Their management most certainly will. If you’re choosing to charge for your fiction it might be best to at the very least change names so you might have some form of deniability.
this was an interesting ask, thanks for the heads up again!
I'm not trying to go against your word, but rather wondering about the topic myself because it seems to me it's a huge gray area, so feel free to reach me on my private messages or on anon again if you want. But speaking about Anna Todd, technically she could still be sued even after scrubbing Harry's name from the story because there was still proof on the internet that it was a story about him, if we're talking about defamation it doesn't need to involve the monetization aspect, it's still defamation without it. This would mean that ANY RPF fanfiction is illegal and could be sued (which is not necessarly the case because theres the whole fair use thing).
We're talking about huge payouts, but I'm getting less than fifty dollars a month with Patreon lol would their team really come for me (a poor grad student) on behalf of a billionaire for getting less than fifty dollars a month to help pay school and medical bills? this would need a huge pr work too to make them seem good after doing something so crazy like this.
Talking about defamation, let's say I change names, but this Tumblr would still be up and everything else would easily show that it's about pilot X, this could still be considered illegal because you can tell who it is about. The reason why nobody comes for rpf is because 1) the money people are talking about is just a few bucks most of the time, and 2) it's exactly this real people's FICTION, there's not much to talk about defamation of a worldwide artist when the content you're sharing is for a nich of less than one hundred people, it's not reasonable. I haven't found a past decision about something similar in the US court, if there is, please send it in, but other than that it's a huge speculation thing in my head, which only a judge could clarify.
Patreon and monetizing fanfiction is quite common in fandoms like Chris Evans', for example, and I haven't seen anything legal come from it yet. again because it's unreasonable for those artists to go after their own fans for taking less than a hundred dollars in content that clearly sets a fictional character that just happens to look and have the same name as them because more often than not it's set in an alternative universe.
11 notes
·
View notes
im having a fibrocsystic flare up and cramping and depressed cause therapy days are always bad and i had another revelation that something i thought was just silly that happened to me as a kid was actually abuse and i wanna scream and cry and throw up WHEN DOES IT GET EASIER
8 notes
·
View notes
I try to laugh about it, hiding the tears in my eyes.
(click for better quality.)
103 notes
·
View notes
I do NOT want to see more stuff about the fucking reindeer baby series i hate it i hate it
2 notes
·
View notes
being autistic in the mormon church
being autistic in the mormon church was, for me at least, a weird experience. because i wasn't excluded or mocked very often, just smothered in that strange warm beige obligation. because they could tell, they knew i was different just like i did. so they held my hand, told the other children to be nice to me, to make sure i felt included. and my peers did, cause they didn't have a choice, raised to be polite and kind no matter what just like i was. so i was included and invited places, always as an afterthought or a checked box but invited nonetheless, injected into conversations and games by adults that my peers wouldn't dare contradict. 'well meaning' adults who ask me if im okay or if i want to join the group, talking down in the sweetest tones. every christmas and on every birthday they still track me down to give me a card about how much they miss my 'unique perspective', even though i always tried my hardest to fit in and say the normal things.
"Look at that one. it's different and broken, but you must be kind to it. help it stay in the light of god, because god is the only way to save it. we're good, and righteous, and its so lucky to be in the church because we're the only ones who'll ever tolerate it, because that's what god wants."
and i miss it sometimes. standing on the edge of people who i desperately want to be friends with, flitting around in the back of stores and staring at concert posters indecisively until the date has passed. never finding the right spot in a conversation to talk, never working up the courage to ask if i can come too, i miss the people who had to be nice. who had me on a little list in their mind of what they need to get to heaven.
but im never going back. because even i could feel that it was fake. i felt watched and judged and pitied at all times, by peers who would ask me if i was coming then talk amongst themselves about jokes i didnt get and shared friends i didnt know. and i may be lonely now, but id rather do the work and be awkward and sick with nerves and find people and spaces that i actually want to be in who actually want me to be there, even if it seems impossible now. id rather that than go back to that warm suffocating place, familiar like the worst kind of family.
also telling that all the adults im talking about are either women/afab people or members of the bishopric, people whose 'job' it is to be welcoming and nurturing, though these experiences are mostly from young womens so that would also be it, but even women who arent involved in the yw leadership are raised and taught and obligated to do this and i dont blame any of them but its always made me wildly uncomfortable. never as much as random men who would sit down next to me and just start talking like we knew each other tho so eh
10 notes
·
View notes
shsjsjdks i didn't even think of the kiss as something crowley was consciously thinking about or the "i forgive you" being about the temptation I just immediately went "ah yes another brilliant example of how aziraphale is a blatant allegory for a queer person growing up in a hyper-religious homophobic environment"
glad i gave you something to Think About, nonnie!!!✨ ultimately it's only an interpretation so until neil says otherwise, it's all Speculation Soup!!!🍲🍲
ill be honest and personal rn with a disclaimer, im not queer - im a cisgender female and heterosexual - so i don't feel qualified to comment on this allegory, but from my very limited, outside, unqualified perspective (as a result) id say this very much still stands!!!
id say that the scene very much represents the allegory youve referenced as well as the stuff ive mentioned in my meta... but i do not feel that it is my place to start speaking on behalf of the queer community, they very much have voices of their own that deserve to be heard and id love to read any analysis that explores this more!!!✨💓
11 notes
·
View notes
AUGHGA the people have spoken. good god i hope this makes sense:
cole death symbolism is fairly well established i think? but here is a list of a lot of the different parts of it just for reference. one thing that stood out to me the more i thought abt it was that his becoming a ghost and s10 “death” both have him come CLOSE to dying, but never actually crossing the threshold. i think i made this post a while ago just talking abt that phenomena in relation to cole.
ALSO in relation to cole and death (which i see ppl talk abt but not necessarily as part of the overall death symbolism he has which i think is interesting) is the older-mirror scene in s5. the writers later made this scene foreshadow his ‘disappearance’ in s5 which. was not done particularly well lol, and so it can easily be reinterpreted. if we assume that, on a narrative level, this scene is not explaining his ability to disappear, but is actually foreshadowing his death. well.
it’s kind of unclear how old everyone is supposed to be when they see themselves in the mirror?? because they are legos but like. they are certainly not super old, which (if we are continuing on the assumption that cole dies before everyone else) means that cole very specifically dies young.
lets come back to that in a minute i have to take a quick tangent about cycles. also something i feel is well established, but its important for background info. one thing ninjago does A LOT of is have its main characters repeat things. both things they themselves have done AND ALSO things their parents/ancestors have done. think nya becoming the sea the same way nyad did, lloyd having to fight the overlord in a never ending loop like the fsm, etc.
the whole deal with cycles and generational trauma etc etc when specifically talking abt cole is centered on his mom; he does almost exactly everything his mom did before she died in s13 (adjusted for the situation) and of course has her element. if this extends to his actions, it could certainly also extend to his death. i think this is more evidence to the idea than anything else? like cole dying young is a continuation of the loop unintentionally created for him by his mother.
to actually return to the point i was making, cole is surrounded by death. he almost dies a couple times, but his death is stopped partially or entirely by some other supernatural force. based on this he could be seen absolutely as a psychopomp/grim reaper, but because of both the s5 symbolism and his mom, im really more inclined to say that he is more doomed by the universe to die at some point. now this is really me speculating and tbh just making things up, but i think this does lend credibility to the idea that the universe itself is keeping cole from dying at these points (s5, s10) because there is some point in the future that the universe has literally decided is the time that he is Going To Die.
and like why??? what is so significant about that (theoretical) death that the universe is literally changing the laws of physics to stop this man from dying? what is so important about this point in time that the whole world is bending over backwards to make sure it happens?
going to get emotional now but like! cole being the first to die of everyone is so crazy to me! cole who is the leader and the oldest and the most mature and the one trying so hard to keep everyone together who dies first, and dies young! just like his mom!! in a world where robots come back from the dead every single year and the children of gods live forever there is one guy who has a point that he can never come back from. despite evading death he is surrounded by it; he cant die yet because you cant fight destiny!! your time will come bitch!!
anyway tldr; i think that cole dies young just like his mom because the universe loves him and has big plans for him. or maybe the universe just cares about perpetuating the cycle whos to say.
47 notes
·
View notes
i need to find another pmd project to love on relentlessly to make up for that. i almost feel bad hating on a fan project like that
3 notes
·
View notes