me: Grammeowster Chef you have to stop. You smoke too tough. Your swag too different. Your bitch is too bad. they’ll kill you
Grammeowster Chef:
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it mattered because when my brother asked me what if this is the happiest you'll ever be? the best you'll ever get? the thing i felt was fear, not peace. everybody thought you were so perfect for me. even i thought you were "helping me grow". i had to challenge every internal clock. make myself more thoughtful, more kind, more beautiful.
i told my therapist it was good because i like the changes i made and there's something so strong about saying i did that. the problem is that i can like the difference all i want, but i changed for you. something akin to getting your name tattooed, all my progress is stamped with fuck you.
it was the happiest i'd ever been and also the best i'd ever gotten. i would still get in the car and think what the fuck just happened.
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if theres one thing about joey richter is he's gonna put on a funny lil accent, stand on top of a staircase, and do an anti government monologue at curt mega who's playing a character that works for the us government (also silicon)
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an artist is a director of audience reaction, not its dictator. if you know your craft well, you can make most of your cues hit, but in the end, interpretation of art is up to the viewer. you cannot guarantee that everyone viewing your work will react as you are trying to make them react. a good artist knows that this is what allows works to breathe. by definition, you cannot have art where the viewer brings nothing to the table. you do have to respect both the generative and interpretive ends of the process if you want your art to mean anything.
this is why you have to let go of the urge to plainly state in-text exactly how you think the work should be interpreted. that desire for control conveys disrespect for audience. if you have developed your storytelling skills well enough, the audience will understand what you are trying to communicate without needing you to intercede as authorial voice. sure, some won't get it, but it's better to be misinterpreted sometimes than to talk down to your audience. you won't even gain any control that way; people will still develop their opinions no matter what you do. just find a way to communicate your ideas and hope that it comes across well to your audience at some point
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So I said this in the tags of my last post, but then I went wacky and doodled up some pages of this other AU idea that stemmed from the idea of that comic I did
In this AU, Miles goes to Diego Armando’s office a few weeks after the Fawles trial. There is no cocky, arrogant, or smug air about him like there was during the trial and instead he seems really shaken and nervous. Diego’s like “hey what’s wrong?” And Miles is quiet but then says that he needs help. He tells Diego that he can’t get the image of Fawles’s suicide out of his head and that he has no one he can talk to about this. Diego asks about Miles’s mentor, but Miles says that there’s absolutely no way he could ever go to his mentor for help with emotional stuff because it would show “weakness” and he also isn’t comfortable with von Karma. To make a long story short (because I’ve thought so much about this), Miles ends up pleading with Diego to protect him from von Karma just in case he goes after him for switching sides to be a defense attorney. He knows that von Karma will see him as weak and a traitor for switching teams after a single case, but Miles can’t be someone he’s not. Diego points out that Miles seems to be trying to be who von Karma wanted him to be. So he asks Miles what he wants to be, and Miles responds by saying he wants to be his dad (just like in my 1985 animatic 😭).
So Miles decides to renounce prosecution. He rips off his cravat and throws it in the garbage in Diego’s office and declares that he’ll become a defense attorney. He also asks Diego is he could be his mentor to help him in both being better at defense law and also just being better with interacting with people.
He joins the Grossberg Law Offices and works alongside Mia and Diego to gather evidence on Dahlia Hawthorne, as he now too believes that she has done terrible things.
After Diego is poisoned, Miles freaks out because people just keep dying or getting hurt around him and it scares him. (Oh…baby boy just wait until Mia dies too-)
He takes the case to defend Phoenix, gets TERRIFIED when Phoenix eats the poison necklace, and then at the end, Phoenix was like “oh wow! You’re a defense attorney now?? Lmao when did that happen??” Bc he had been too busy simping over Dahlia. But Miles tells him that he should still pursue law so that they could work together and also so that Phoenix’s law classes and studying wouldn’t have gone to waste. So Phoenix becomes a lawyer and works with Miles and Mia at the Fey & Co Law Offices until she dies and then it becomes Edgeworth & Co Law Offices because he had been a lawyer for longer.
I like the idea that in this AU, Phoenix and Miles obviously have huge crushes on each other, but these idiots still refuse to acknowledge or admit it <3
Also :((( when Diego wakes up, he still goes on his whole antagonist arc as Godot, and Miles refuses to tell Phoenix the truth about who he is. See, I also like the idea that in this AU, Nick and Miles are still as cagey with their past and truths as they are in normal AA
As you can see, I am perfectly normal !! I think about ace attorney a very normal amount!! 🤭
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