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youryurigoddess · 7 months

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A. Z. Fell & Co. bookshop and its statues, part 2

Welcome to the second part of my insane deep dive into Aziraphale’s world of slightly outdated decor, golden-colored trinkets, and their ostentatiously Greek (especially for a representative of an originally Judeo-Christian mythology) symbolism. As a short recap, the last installment covered six pieces in the northern and central sections of the bookshop plus a plot-important medal previously displayed on one of them, but currently left with the other bibelots on the bookseller’s desk. We’ll start right there, where we previously left off.

While a lot of the bookshop action plays out in the circle between the formerly discussed statues, its office part is especially close to Aziraphale himself. As the titular Guardian of the Eastern Gate, the angel consciously spends most of his time in this small space in the Eastern part of the bookshop, confined to his desk or reading stand. This means that the decorations of this area have more personal significance and are most probably used as daily reminders for him to keep his thoughts and priorities on track as much as provide pleasant distraction from the weary eyes.

The two windowsill figures of the Art Deco dancers from S1 were replaced by a somewhat similar set of twin statues by Ernest Rancoulet called Retour des Bois (Return from the Woods). Depicting a young woman accompanied by a putto, Aphrodite and Eros, frolicking in a dance through the woods and meadows. This bucolic fantasy with Aphrodite makes some sense when we consider how Aziraphale’s personal love story started (and will presumably end) in a garden, but let’s deep deeper into its protagonists. Or protagonist, actually, because what else can be told about Love itself?

Eros as the god of Desire is usually presented in art as a handsome young man, though in some appearances he is a boy full of mischief, ever in the company of his mother. It is usually under the guidance of Aphrodite when he employs his signature bow and arrows to make mortals and immortals alike to fall in love. His role in myths is mostly complementary, as a catalyst for other mythological figures and their stories, with the notable exception being the myth of Eros and Psyche, the story of how he met and fell in love with his wife.

In short, they are the original star-crossed lovers from entirely separate worlds who meet and fall in love by divine happenstance, only to be separated by Psyche’s family. Convinced by her sisters that her husband is, in fact, a vile winged serpent, Psyche breaks his one rule and the attempt to kill the monster leads her to falling in passionate love with him. Eros flees and Psyche wanders the Earth searching for him and succumbing to a series of impossible tasks reminding of those from the Scarborough Fair ballad or the more modern fairytale about Cinderella. She ultimately fails, but is saved by the healed Eros, granted immortality and the status of his equal, after which they can properly marry with a huge wedding banquet, a real feast of the gods.

In the Christian Middle Ages, the union of Eros and Psyche started to symbolize the temptation and fall of the human soul, driven by the sexual curiosity and lust from the Love’s domain, mirroring the original sin and the expulsion from Eden.

Oh, and their Latin names? Cupid and Anima. C+A.

We’ll get back to them in a minute.

According to unnecessary but extensive research, the two mid-century table lamps standing over the desk were most probably produced in France after another unspecified 19th century sculptor like the example above, although this particular putti design can be also found in the so called Hollywood regency style of the same time period. The putto is holding onto a cornucopia, a classical antiquity symbol of plenty, which then continues to the bulb section.

The cornucopia is an easily recognizable symbol of abundance, fertility and, to lesser extant, peace and good fortune. Since the horn is phallic-shaped, but hollow at the same time, it combines intimate imagery of both male and female character at the same time, which further ties into notions of fertility. In its role as a fertility symbol, the cornucopia is also usually associated with Demeter, whose small statue is also standing on the bookshop’s counter. Which seems like a recurring theme.

I saw multiple theories about Aziraphale’s centerpiece, but somehow the truth proved to be much less significant than previously thought. This roman soldier, possibly a centurion, driving his two horses in a highly decorated chariot is made from a marble powder resin composite and takes the most visible place in the Eastern part of the bookshop even though it’s seemingly one of the newest additions to Aziraphale’s collection — its author, Lorenzo Toni, was born in 1938 and became a sculpture master by the 1970s.

At first glance, the parallel to the Marly Horses seems obvious and we could leave it basically at what was written recently on Crowley and Aziraphale’s dynamics. But here is where instead of commenting on the antique sculpture that seems to be the inspiration behind this piece or the many intricacies of Roman chariot racing I’ll do something completely unhinged — i.e., play my Greek philosophy card.

In the dialogue "Phaedrus ”, Plato presents the allegory of the chariot to explain the tripartite nature of the human soul or — you guessed it — psyche. The charioteer is the man’s Reason, the rational part that loves truth and knowledge, which should rule over the other parts of the soul through the use of logic. One of the horses, the white one, is man’s Spirit, a motivated part which seeks glory, honor, recognition and victory. The second horse, the black one, represents man’s Appetite — an ever so hungry part which desires food, drink, material wealth and physical intimacy.

And the fun part? This triad is established to analyze the madness of love. In a classical Greek context, that is not between a man and a woman, but erastes and eromenos:

The charioteer is filled with warmth and desire as he gazes into the eyes of the one he loves. The good horse is controlled by its sense of shame, but the bad horse, overcome with desire, does everything it can to go up to the boy and suggest to it the pleasures of sex. The bad horse eventually wears out its charioteer and partner, and drags them towards the boy; yet when the charioteer looks into the boy's face, his memory is carried back to the sight of the forms of beauty and self-control he had with the gods, and pulls back violently on the reins. As this occurs over and over, the bad horse eventually becomes obedient and finally dies of fright when seeing the boy's face, allowing the lover's soul to follow the boy in reverence and awe. The lover now pursues the boy. As he gets closer to his quarry, and the love is reciprocated, the opportunity for sexual contact again presents itself. If the lover and beloved surpass this desire they have won the "true Olympic Contests"; it is the perfect combination of human self-control and divine madness, and after death, their souls return to heaven.

And such a perfect combination of the motifs already introduced to us by the two Eros statues and the Head of the Victorious Athlete.

Aziraphale might be a titular Companion to Owls (or, to be precise, the companion to one particular Nite Owl), but he had also made sure to have at least one owl keeping him company. And of course, the owl of Athena (who was interestingly both a bird and a snake goddess) is an absolutely conclusion here as the universal symbol of wisdom and knowledge in the Western culture, but it can’t be that easy, right?

In the Bible, you'll find that owls often symbolize something unclean and forbidden, as well as desolation, loneliness, and destruction. This symbolic significance is pointed out in Leviticus 11:16-17 and Deuteronomy 14:11-17 where owls are mentioned among the birds not to be eaten. Owls were considered unclean most likely because they are predatory creatures who eat raw flesh with the blood still in it, and that was an even bigger food safety concern for the biblical nomads than to us today.

Owls are also among the wild predators that have long dwelled in the desert lands and abandoned ruins of Egypt and the Holy Land. Both Isaiah and Zephaniah speak of owls nesting in ruined wastelands to paint symbolic images of barrenness, emptiness, and utter desolation. In Psalm 102:3–6, the owl symbolizes the loneliness of the psalmist’s tortured heart:

For my days vanish like smoke; my bones burn like glowing embers. My heart is blighted and withered like grass; I forget to eat my food. In my distress I groan aloud and am reduced to skin and bones. I am like a desert owl, like an owl among the ruins. I lie awake; I have become like a bird alone on a roof. All day long my enemies taunt me; those who rail against me use my name as a curse. For I eat ashes as my food and mingle my drink with tears because of your great wrath, for you have taken me up and thrown me aside. My days are like the evening shadow; I wither away like grass. But you, Lord, sit enthroned forever; your renown endures through all generations.

It’s a devastating, but still beautiful piece that deals with the feeling of utter rejection, the ultimate bad breakup of the relationship between a human and their God. And this… simply didn’t happen between God and Aziraphale, not even during his Job job. The angel had always considered Her love and ineffability as a given, even when the whole Heavenly Host was against him during the Non-Apocalypse. His allegiance stayed with God, not necessarily Her angels. Which brings us yet again to the motion of Crowley as the owl.

The angel and the demon are the companions to each other's loneliness, but Aziraphale’s needs seem significantly bigger than their Arrangement that he even considered a wooden substitute protectively hovering over him 24/7. He seems to be the one who is the loneliest and most rejected.

Oh, and if you think that putting a small bronze statue of a putto with a bronze putto-shaped candleholder right behind it (visible on the filing cabinet in the bottom right corner) is already a stretch, let me show you what’s on the other side of that wall.

Just like before the bookshop fire, the famous sink in the small backroom is adorned with a perfectly kitschy white plaster sculpture of The Two Cherubs, a small part of a larger painting by Raphael (the painter, not the Archangel) titled Sistine Madonna. In the painting the Madonna, holding Christ Child and flanked by Saint Sixtus and Saint Barbara, stands on clouds before dozens of obscured putti, while two distinctive winged putti rest on their elbows beneath her. with bombastic side eyes and clearly unspoken, but very controversial thoughts about the whole scene and their role in it.

With an attitude like that, there’s no wonder that the putti have inspired some legends. According to one, the original cherubs were children of one of his models they would come in to watch. Struck by their posture, he added them to the painting exactly as he saw them. Another story says that Raphael was inspired by two street urchins looking wistfully into the window of a baker's shop.

The Germans implicitly tied this painting into a legend of their own, "Raphael's Dream." Arising in the last decades of the 18th century, the legend — which made its way into a number of stories and even a play — presents Raphael as receiving a heavenly vision that enabled him to present his divine Madonna. It is claimed the painting has stirred many viewers, and that at the sight of the canvas some were transfixed to a state of religious ecstasy akin to Stendhal Syndrome (including one of Freud's patients).

Their big, seemingly cherubic companion doesn’t seem to have a specific provenance, but what’s left of his limbs might suggest that it could be an infant Jesus as well as another putto. But honestly who knows at this point.

On the other side of the same room, right at the door leading to the big backroom, there are two lamps with Auguste Moreau’s Young Lovers, a bronze sculpture depicting a courting couple on the verge of a physical embrace, holding garlands of roses and hiding under some old vines. Which aligns perfectly with the beloved romcom trope of a rain shelter leading to sudden love realizations, as well as Crowley choosing this part of the bookshop to have a word with his angel in private and then offering his advice on anything related to human love. No wonder that the angel looked at him like that.

This statue carries with it more than one allegorical interpretation, intentional or not. Arguably the most obvious one is the myth of Eros and Psyche, one we already covered in this post. But similarly to his earlier sculpture, Eros also serves here as an allegory for nature and the return to the natural state itself. Like Adam in Eden, he's unclothed and symbolically crowned as a ruler of his domain. Psyche, enamored with his confidence, is about to take her own leap of faith as her fabric restraints fall away. One could say that she's tempted to follow him into nature, deep into the garden of love.

And with that exact thought I will leave you today, dear reader. Through this analysis we learnt many things, among them two significant facts about Aziraphale: firstly, he’s an utter and incorrigible romantic, and secondly, a hoarder. Forget Crowley’s souvenirs — the amount of this angel’s statues is something else. And it isn’t even his hyperfixation!

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adarkrainbow · 1 month

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Is it just me, or Americans and Europeans depict the standard, stereotypical fairy tale setting differently?

In my opinion, Americans depict the fairy tale setting as closer to the middle ages. The Fairy Tale Setting is often just a more colorful standard, almost Tokien-like, Fantasy Setting.

Meanwhile, in actual European adaptations of said tales, the stereotypical fairy tale setting is closer to the 18th, 19th century, with the architecture being the only thing vaguely medieval

Yes, I actually do believe as such. Mind you, I cannot speak for all of Europe - mainly France and a handful of other countries I am vaguely aware of adaptations (like England or Germany).

And I believe it is due to two specific things.

A) The very "American" view of fantasy. I mean, we have been repeating and endlessly talking about it for decades now - but for Americans everytime there is something fantasy or magical it is either "standard European medieval setting" either "modern-day America". And when I say "standard European medieval setting", it is this sort of idea and phantasm American built of a vaguely European setting which mixes various countries of Western Europe (Americans only have taken recent interest in other parts of Europe, such as Northern or Eastern, due to the success of things like "Midsommar" and folk-horror and whatnot), and various eras of the Middle-Ages (the Middle-Ages were divided into three specific period quite different from each other), with a good handful of things that were not from the Middle-Ages (like the witch-hunts, for example, they were Renaissance, not medieval).

Of course it is due to a mix of general ignorance about Europe (or any part of the world that is not the USA), and of not actually caring about the original setting since their point is either to parody/reinvent the fairytales in lighter/darker ways, or prove that theses stories are "timeless" and can invent outside of any specific context (which does greatly benefit Americans since like that they can snatch anything they like). Mind you it isn't something universal - take the Disney movies for example. They might not be quite exact, but at least they made a neat effort to evoke different cultures and different eras of Europe. It is very obvious that Disney's Snow-White, Cinderella and Sleeping Beauty take place in various points of Europe's history and in different countries (Snow-White's visual influence by German furniture and statues versus the nods to French culture in Cinderella ; Sleeping Beauty's medieval illumination visual versus the more modern royal outfits of Cinderella, etc...). But it is an effort that got completely lost through time (and I think it can be shown in how, when Disney made "Enchanted", their fairytale setting was turned into a random fantasy setting outside of time and space - it did reflect quite well how people saw the fairytale world at the time).

And you know what is even worse? This "random medieval setting" you speak of is NOT even Tolkien's! Tolkien setting was not medieval in the slightest, and doesn't look like your usual "medieval setting". Just look at the visuals of the Lord of the Rings movie, compare it with some "random fairytale setting" and you see the huge gap. If anything, Tolkien's world is more of a "Dark Ages" (you know, this unknown gap between Antiquity and Middle-Ages) feeling than anything, due to mixing Ancient Scandinavia with Ancient Greece and Dark Ages Arthurian Britain.

But... when you think about it, that the Americans would create such an unclear and artificial setting for their fairytales make sense, since this is literaly what "their" fairytales were compiled as. I'll explain: when you ask an American to list you fairytales, when you see the fairytales used in the American media, it is a Frankenstein-creature. You've got the brothers Grimm and Charles Perrault and Andersen and Joseph Jacobs and nursery rhymes and some Asbjornsen and Moe fairytales... Their exposition to fairytale was by compilations of stories literary and folkloric, from different centuries and different countries, mixed together as one. As such... it makes sense for them a fairytale world would look like a pile of mashed-potatoes in terms of history-geography. Because they have to build a world that mix all of these stuff as one... (Plus something-something about the Americans being fascinated by the Middle-Ages because they did not have one?)

B) The Europeans are very "conscious" about fairytales. I will almost say "self-conscious".

Europeans are bound to always test and try various time-eras, fashions and context for fairytales due to a set of three reasons.

1) We have centuries of "traditional medieval imagery" that the Americans lack. Since our fairytales were published between the 17th and 19th centuries - some even by the 20th - Europe already underwent the whole "Random medieval setting" phase through popular imagery and children book and whatnot. America just begun it from the 19th/20th century - we have been at it for two, three more centuries. So today we are moving forward (and in general, while there are many aspects Europe is "late" compared to the USA, in many other ways Europe is "in advanced" compared to the USA, just because of how "young" this country's history is).

2) We are aware of the context of our own fairytales. Due to the language barrier, for example, we know every time a story comes from somewhere else. We have folktales compilations classified by countries and regions. And everytime we bring up a specif set of fairytales, we bring up the life, job and time-era of the fairytale tellers (Perrault, Grimm, Andersen, which are our "national treasures" - unlike Americans for which they're just "yeah little foreign guys we see in the distance"). As such when the French talk about Cinderella or Puss in Boots, the very images of Renaissance are brought up, the same way a German will immediately think of the Napoleonian wars and the post-Napoleon era when thinking of the Grimms - even though the fairytales are supposed to be in the "pseudo-medieval" setting.

3) Europe has been flooded and dominated by the American media when it comes to fairytales. As such we are very aware and accustomed to the "pseudo-medieval" setting popularized by America, and when Europeans try to do their own thing, they usually try to set themselves apart from it, due to knowing how cliche and Americanized this already is. Something very similar happened with French fantasy literature for example - French fantasy books are always trying to stand away from the "cliche American fantasy book" precisely because we are flooded with them and they form the bulk of our fantasy literature, so as such we are very aware of the flaws and stereotypes and expectations coming with the genre... It also doesn't help that most of the castles and "old-fashioned" architecture around Europe is not medieval per se (or that the medieval architecture is for example very impractical when it comes to filming movies), and we have much more Renaissance buildings and the like. In France for example most castles are Renaissance-era. "Real" medieval castles (as in medieval castles not "remade" by Renaissance or modern designers) are much rarer, or not as well preserved as the Renaissance ones.

Anyway this post got way bigger than I intended, but if you ask me some of my thoughts, here they are - mind you they are just my thoughts and I can't speak for every European. I am just one little eye and one little mind in a big big world... But that's the things I am led to believe.

#fairytale adaptation #ask #fairy tales #fairytales #american fairytales #disney fairytales #fairytale cinema #fairytale adaptations

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broken-synchronicity · 4 months

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The world of Twst is so european centered(ik there’s kind of an exception with malleus) I think I’d actually be doomed if I were transported into your au. Just a lot of aggressive gesturing and praying universal signs are universal

True! While Scarabia and Savanaclaw are non-European, they're both closer regions to Europe (being Africa and the middle east/india) than the far eastern of the one known far eastern based country (the Mulan based country, aka China).

(That also technically means Malleus is canonically a kind of mixed race! Being born of a western dragon fae and eastern dragon fae! He'd be probably something along the lines of French-Chinese in our world, if we're going by Sleeping Beauty originally being a French fairytale.

Omg Malleus is Marinette Dupain-Cheng from Miraculous Ladybug)

But yeah, I, too, would be pretty out of my depth if I got dropped into my own AU. 🤣 Kal is, in a way, myself, so while I could maybe catch a very small bit of context here and there, I only know singular words and simple phrases. Barely enough to hold any kind of extended conversation.

#twst #twisted wonderland #twst language barrier au #nonnies getting curious!#i tell you the moment i realized malleus is the equivalent of Marinette i nearly screamed with laughter

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east-side-militia · 2 months

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Millennium headcanons: Their parents and life growing up

Since yes I do have thoughts on that tw for multiple counts of unhealthy to abusive parenting, patricide and matricide, fratricide and talk of nazism (without endorsement)

The major: Inspired by his Coyote backstory but not so similiar. Was raised by his mother, who was part of the early national socialist political scene, before it rose to power. Unfortunately, she died when he was around 12 years old. Max was taken under the wing of one of his mom's "friends" from the political circle, but wasn't particularly close to him. His closeness to the "higher-ups" of the nazis would fortunately grant him some privileges later on in life.

The doctor: Was raised as the only child of a middle class family. His parents were people driven purely by logic and void of emotion, which led to them verbally and occassionally physically abusing him under the guise of "motivating him". This greatly impacted Av's mental state, and his own parenting style later on. He would eventually be unable to take it and would sign up to fight in the first world war, still as a teenager, just to get away from them.

The captain: Grew up in a small village, circa the middle ages. I imagine his childhood was more or less normal and happy. He was the oldest of many siblings, and to this day sees some of them in Schrodinger. When he was of age, he left home to pursue finding a job. He still misses his family, and hopes they lived an easier life than him.

Rip Van Winkle: Was the youngest of three sisters (inspired by a fairytale trope). I headcanon her family is descended or related to a knight bloodline, and was quite wealthy. Not aristocratic but definitely upper-class. Because she took after her father way more than her sisters, she was daddy's girl, but her relationship with her mother was more difficult, especially as puberty settled in. She also had a turbulent relationship with her sisters, because they sided more with her mother and viewed her as the "rebellious, delusional airhead" of the family. Her ultimate "rebellion" would be when her father helped her secure a job as an SS officer.

Zorin Blitz: Was abducted as a baby by a witch. The witch would call herself Zorin's mother, and would raise her as her apprentice, along with several other girls in a middle of nowhere rural area. Her environment growing up would be extremely "kill or be killed" and she would watch her "sisters", those who weren't strong enough to keep up, die one by one. She realized that eventually, it would only be one of them who would survive, and she would have to make sure it would be her. So she started strenghtening herself, deceiving, lying to the others, pitting them against each other, and killing them off herself until she stood alone. She killed her "mother", freeing herself from her control, and went to pursue something better.

Schrodinger: Was created in a test tube, as the ultimate weapon against Alucard (haha get it. hellsing ultimate). In his younger years, he was isolated from the rest of Millennium, even kept as a secret to most, and raised primarily by Dok. When he was eventually let around the other members of Mill was coincidentally around the time his "unruly" phase kicked in, which sent Dok spiralling and essentially flip-flop between blaming himself and blaming everyone else for "corrupting" him, when all it essentially was was a normal phase for a child. Schro never had friends his age, only adults, so he would have a hard time communicating to other teenagers, I imagine.

Tubalcain Alhambra: If there's one thing I'm clueless about it's the state of Brazil circa the first half of the 20th century. But I like to think he was born into some-semi influential family (perhaps one who owned establishments like hotels, casinos, etc.), and grew up a socialite. Maybe he's not even brazilian by origin, his name sounds more middle eastern than anything to me, maybe he just happens to reside there. He probably has the skills resources to control the government and the media at least to some level. Probably to the level that they don't care about his family housing literal nazi refugees on their property. Yes that is my headcanon. Tubalcain was Millennium's landlord and you won't convince me otherwise.

The Valentine Brothers: They aren't biological brothers, but their parents were both single with a kid and got together, so they're step-siblings (valentinecest still sucks stfu). Both of their parents were absolutely terrible, terrible enough for the brothers to set their house on fire when Luke was 18 and Jan was 15, to make the authorities think they died along with their parents, and go pursue a life of crime instead.

#hellsing #hellsing ultimate #hellsing headcanons #hellsing major #herr major #hellsing doctor #herr doktor #hellsing captain #the captain #hellsing rip van winkle #rip van winkle #zorin blitz #hellsing schrodinger #schrodinger #jan valentine #luke valentine #tubalcain alhambra

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peppermintfreak · 5 months

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Listen. Let me cook. Basta could have Middle Eastern ancestry due to prominent numbers of muslim settlers in southern territory of Italy from the 8th to 13th century. Inkworld is more or less our world but stuck in some weird timeframe of the late Middle Ages/ entering early Renaissance mix up (possibly inspired by the illustrations in the silver book, which is a fairytale) which is when Arabs began making their presence known in Sicily and later elsewhere. Basta's parents could have assimilated or otherwise.

Fair hair and eyes are seemingly the standard in Inkworld (e.g: cosimo, the Piper, Brianna, Capricorn etcBattista's remark about their heroes, and Mo being such a big name despite his outlandishly 'dark as moleskin' hair) Being multiracial or at least different ethnicity is uncommon but not unheard of in Inkworld. Basta's the only one from Inkworld, along with the Prince, to have been tan/or dark-skinned and dark-haired enough to warrant a mention (even though that single tibit of a sentence confirming that was more of an emphasis on Basta's state in the cage). Huge shout-out to that one line in Inkheart where Basta gets so close to Meggie's face she sees her own reflection in his eyes that incited all of this.

#alternatively basta is serbian because serbs are as old as etchings on stone and his name is nothing more than a regular surname(is serbia)#inkheart #inkspell #basta #headcanon #mine #for reasons that last part i moved in the tags was a joke #his name is a last name as well as a first name in the balkans albeit rare #which tells me nothing but it's fun to think about #also im not versed in history at all this is just about what i can remember if anyone should correct me please do #thanks

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thegraphitepencils · 2 months

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i dont know much about Judaism, and i'd love to hear anything you have to say ^^

Hii sorry this is late, we have been packing to move tomorrow !! so we got busy lol

It’s hard to distill everything I love about Judaism into one post, but I’m gonna do my best to give the broad strokes.

Judaism isn’t just a religion, or just a culture. It’s both and it’s beyond. It’s a rich history, a touchstone for a people that have been dispersed and oppressed all over the world and still manage to stay resilient and connected. Jewish community varies so heavily all around the world, European Jews and African Jews and Middle Eastern Jews and Asian Jews etc, so many gorgeous unique traditions. Yet they have the same core, a thread of the same history. You feel like you’re cousins with someone on the other side of the planet who doesn’t share your native language. You connect through sharing food and joy and sorrow and holy days and ancient prayers and the ancestors who first said them. If your nuclear family is shit, then you still have a family in every other Jew around the world.

And converts are part of that family too! It’s said that all Jewish souls, including future ones, were present at Mount Sinai to receive the Torah, and that includes converts. Converts are to be treated as if they were always Jewish as soon as they convert, and you can feel a familiarity in them as soon as they begin their study. It’s very hard to convert, there is so much to learn and it can take years, and converts are revered for that dedication.

Judaism is a culture focused on education, critical thinking, charity, respect, peace, community, kinship. Even in the most stringent orthodox communities, communities with strict gender roles, I know I’ll be safe as a queer trans person even if they don’t fully understand my identity. They may possibly disagree with me (but they may not! there are many queer & ally Orthodox Jews!) but they’ll definitely keep me safe, which is something I can’t honestly say about wider leftist spaces.

It’s a genuine miracle that Judaism has lasted thousands of years after countless genocides and forced fleeing. So many cultures with similar stories to ours have been completely wiped out. But through a mix of tradition and adaptability in equal parts, a dedication to observe our tradition no matter the circumstances, this culture has prevailed and always will. Everyone who tried to kill us for good has failed and always will. There’s something so invigorating and empowering about that, as horrible as all the tragedy has been and continues to be.

Speed round of some Judaism fun facts!

- The Hebrew calendar is based on the lunar cycle, instead of solar like secular time. Currently it’s the year 5784, and the 6th day of Nisan. (Or maybe 7th by now?? Our days also begin at sundown!)

- Our most significant holidays, the High Holy Days, happen in the September-October range

- Virtually any commandment is permitted to be broken if following it could endanger someone’s health. Preservation of human life is beyond all other law. This is known as pikuach nefesh, “to save a soul.”

- The phrase “chosen people” gets misunderstood by gentiles a lot. We like to say we were “chosen to do the dishes.” We get the hard work of following a bunch of commandments gentiles don’t have to, in order to be so dedicated to doing good that we inspire the whole world to do good in their own way. It’s important to note that there is no concept of eternal damnation in Judaism, and there is no consequence for not being Jewish! We don’t proselytize, we don’t see our religion as “the correct one.”

And some recommendations for you!

Spinning Silver by Naomi Novik (co-founder of ao3!) is a Jewish fantasy novel, mixing multiple classic fairytales with dangerous fae creatures in a Slavic inspired setting. It’s gritty and dark yet so full of warmth and love, with some of the best female characters I’ve encountered in any media. It has so many little bits of Jewish culture sprinkled throughout that makes me giddy to see. And it also has THE best representation of the shape of antisemitism, how it operates and feels to experience. I cannot sing its praises enough.

Karov by Batya Levine is an album we’ve been listening to a lot this past week. Batya is a queer Ashkenazi musician inspired by historic Jewish music, and their stuff is absolutely beautiful. I’m a big fan of these lyrics from them: “we are good, we are flawed, we are the breath of an imperfect G-d.”

Thank you sm for sending an ask, I hope you enjoyed my ramblings!! -Riley

#jumblr

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naha-division · 6 months

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Round 1 - Fashion Show

Theme: “Fairy Tale Beginning”

Contestant: Kyō Sakuma

Division: Naha

"Fairy tale, huh? that's an interesting concept to start the event. Ok I'll give it a go! I'm pretty sure you're familiar with "One Thousand and One Nights", right? I really dig with Middle Eastern aesthetic or you rather want to call it "Arabian Night" fairytale cuz I like how silky the garments were, especially so many accessories and it's easy to wear! I found something interesting where Aladdin and Ali baba were involved in the story other than in the movies. This is the first time I’ve been to the pageant. My friends told me I should join the pageant, even my teammates thought the same thing because of how good looking I am. Well, I have no trouble to go if Ryuunosuke will come but he said he wasn’t interested in dressing up “fancy-schmancy” on stage, saying it’s not his thing. Good thing Naoki is there with me as my consultant since he’s way more experienced when it comes to fashion. Hmm...I don't know what I am supposed to be, how about....a handsome spoiled Sultan, maybe?"

#hypmic #hypmic oc #hypnosis mic #hypnosis mic oc #oc division #naha division #wild shīnu #kyō sakuma #Mr Hypmic 2023 #round 1

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thepringlesofblood · 1 year

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Dimension 20′s Neverafter FPE (Fairytales Per Episode)

im going out of my fuckin gourd on this neverafter shit, and i have decided to make a list of what and how many fairytales/nursery rhymes are introduced in each episode. will update as time goes on but i make no promises as to how frequently. theories are not included in totals. allusions/references are.

disclaimer: i am coming at this from a primarily american, english-speaking, culturally christian background, though I have studied a lot of ancient mediterranean myth and religion, a little bit of norse myth and religion, and a little bit of arthurian legend.

please let me know if there’s a reference to something I missed or if you know shit I don’t. i’ve decided that for our purposes, whether a reference/allusion is intentional or not doesn’t factor into our final count - unintentional/ambiguously intentional allusions/references count too, not just obvious ones.

(especially about mythical middle eastern spiders. I only know anansi & arachne, and have a passing familiarity with jorogumo & ye xian, and none of those are middle eastern or fit the situation.)

update: the show is finished! I won’t be taking my various theories off, i think it adds flavor. just remember as you’re going down that I was updating this weekly-ish. I’m going to do another post in the future that is Just The Numbers, but for now, enjoy my rambling! [updatier update: here’s the Just The Numbers post]

Ep. 1

The PCs (and their backstories)

Mother Goose (+1)

Hubbard (old mother Hubbard who lived in a cupboard) (+1)

Jack

jumped over the Candlestick (+1)

(implied) and the Beanstalk (bc of the giants everywhere) (+1)

theory: Sprat? (the rhyme goes “Jack sprat could eat no fat his wife could eat no lean/and so between them both, you see they licked the platter clean.” not directly mentioned but that was my first thought upon the whole turning to bones thing that like all the fat was removed from his body or smthin)

Ylfa (Little Red Riding Hood) (+1)

there are 2 wolves inside you. you are 12.

the big bad wolf is mentioned in the context of 2 stories, the 3 little pigs and little red riding hood, so (+1) for the pigs

Pib (Puss in Boots) (+1)

Pinocchio (+1)

Cinderella (stepmother’s official art says “Cinderella...” at the bottom) (+1)

theory: “The second fairy you have met in your life” so also a character in smthin else probably since cindy’s stepmom isnt usually magical

update: maybe the whole cannibalism thing made her magical? who’s to say

updatier update (post ep 7): so it turns out that the evil fairy =/= the stepmother, but is the evil fairy from sleeping beauty. i was right about the stepmother being in multiple different stories but boy howdy do i wish I wasn’t.

Rosamund (sleeping beauty/briar rose) (+1)

Gerard (the princess and the frog) (+1)

Snow queen (mentioned by Elody) (+1)

the rest of the episode

the little red hen (+1)

i fuckin love this one.

the story’s basic but good - she’s makin some bread and at every step asks for help from the other barnyard creatures and they’re all like hmm nahhhhh and then when it comes time to eat the bread they’re all like yes please lemme help w that and she’s like uh no, where was this energy when i was making the damn thing? and eats it ‘without any help at all’

so brennan doing her as like ‘u gotta help or you don’t eat’ is fantastic. 10/10

Ol king Cole (+1)

The little old lady who lived in a shoe (+1)

(alluded to) Alice n Wonderland (rabbit and teapot) (+1)

theory: “the chandling caravan” sounds like it should be something, but I don’t know what it is, and google has not been helpful. same w boffit, lord bandlebridge, and cressida lumley.

total tale count: 16

Ep. 2

The nutcracker (+1) (herr drosselmeyer is the weird uncle who gives clara the nutcracker. also in every ballet his drip is consistently immaculate)

Snow White (+1) (mirror mirror…..leaned up against the wall)

(alluded to) Beauty n the beast (furniture coming alive) (+1)

theory: Eidelgrin means something, but I don’t know what it is.

total tale count: 3

Ep. 3

.........nothing new to report

Ep 4

the fairy with the turquoise hair (aka the blue fairy) is actually not exclusive to Pinocchio - she has her own book n everything. (+1)

(alluded to) the little mermaid (+1)

“a dancing princess who either cannot or will not speak near a beach.”

the little mermaid trades her voice for legs and in the OG grimm story it feels like stepping on swords whenever she walks so she kind of “dances” (rip)

there’s. So many rabbit and fox tricksters. And other clever cats. I don’t think any were directly mentioned (except that Pinocchio has some in his many adventures, which isn’t a new tale) so I’m gonna say (+1) for rabbit and (+1) for fox.

Update: a reply to this post mentioned a character named Reynard the Fox from medieval French literature that might be the reason that the Fox speaks with a French accent. I found more support for this theory below!

“Isengrim”

this is the name of the daggers Pib gets. Rabbit mentions that it’s a name that Fox called the Wolf.

In fact, there’s a tale called Ysengrimus from 1152 CE where Reynard the Fox tricks the titular character, a wolf! So, there’s one Fox story confirmed. No additional points since Fox already had 1 point, this is more confirming the specific story he was inspired by.

theory: also, if we know the accents Mean Something, then Rabbit having a British accent might point to Peter Rabbit.

update: i have noticed several posts calling Rabbit’s accent Australian. it can be hard for me to tell the difference and idk if the general European bent of these tales means that brennan’s British just sounds kind of Australian or if it Means Something. I’m sure there’s Australian trickster rabbits too i just don’t know them

no fuckin clue where the ring came from tho :/

the golden goose (another Jack/Mother Goose tale not specifically mentioned before) (+1)

plus the beanstalk thing is talked about more (not new info though)

total tale count: 5

Ep. 5

hey diddle diddle (+1) (the dish ran away with the spoon + the cow jumping over the moon are from this same rhyme)

also anyone catch brennan mentioning fiddle music as tim was healing pib? ik it was king cole related music, but also...hey diddle diddle, the cat and the fiddle.

itsy bitsy spider (+1)

(alluded to) little miss muffet (+1) (tuffeton)

(alluded to) goldilocks (+1) (”just enough” oats)

1001 nights (+1) (scheherazade is the author of these tales, as well as a myth in her own right. I have not read 1001 nights. please tell me things if you know them)

“spider queen” (+1) idk what it is but its fuckin something

identifying information: guardian of a cave/maze. supposedly has a throne. 1001 nights-adjacent.

theories:

“the spider and the wind” tale 909 of 1001, spider isn’t in this one that much actually

not all folktales in the neverafter are in mother goose’ book, so it stands to reason that not all folktales in the Endless Nights are in 1001 nights.

however, all the folktales in the neverafter are European in origin (mostly medieval), so it would make sense that the folktales in the endless nights would be middle eastern or adjacent

ye xian - chinese folktale where there’s a spider queen

“that’s east asia not arabia” fair but consider: in the older translations, aladdin is a chinese peasant. the world of 1001 nights is already bigger than arabia, and stories travel much more easily than the goods being traded across asia and the mediterranean on the silk road at the time the stories were written.

jorogumo - japanese yokai. a spider that turns into a woman. again, extremely far away from arabia, but girl i am looking.

cave of thawr - islamic oral tradition of muhammed hiding in a cave and a spider protects him. there’s a similar jewish tale w david hiding in a cave.

unlikely, but if there’s beautiful tapestries and the mother of all spiders i have to mention my girl Arachne (greek myth)

all time famous mythical spider anansi (west africa) still doesn’t really fit the bill, and is farther away from arabia than arachne (greece, which had colonies in the middle east (along the mediterranean shore but still. water = trade = exchange of goods = exchange of ideas/stories)) but still possible

yes i got a degree in ancient mediterranean studies and am using it to ruthlessly analyze a comedy show instead of sleeping, what about it?

sinbad (+1) “Sinbad the Sailor” (the roc is part of this as far as i can tell)

magical palace w the tapestries of starlight (+1) there’s a fuckload of magic palaces in 1001 nights. idk which one this refers to but it’s Something. am currently combing the stories more closely to specify at least one.

theories

the bartender with the icy wound is definitely someone. my gut says someone from the snow queen - people get icy mirrors in their eyes n shit in there and oftentimes straight up don’t get better

the peddler of wares in the corner has to be someone

the name of the tavern being “the cock and toad” has to mean something. i did some googling. there’s lots of fairytales w toads and lots of fairytales w cocks (lol) but none I could find where it’s just the two of them together. it’s weird, w a lot of fairytales/fables/nursery rhymes its like rolling 2d8 on a table of 8 animals and then just making the title out of the two animals you get. statistically its likely that there’s a story out there called that but I can’t find it.

the fucking spidersilk ring. i will solve this riddle one day.

they say the name “Aesop” as in “Aesop’s fables” (like the tortoise and the hare) but no tales mentioned yet. worth looking into if you’re the curious sort tho. Pib is going to fuck this guy up, his stories are very animal-centric and definitely have some trickster cats.

total tale count: 8

Ep. 6

No new tales - expands on ones already mentioned.

It’s just Muffet and whoever Scheherazade’s spider is

at least we find out that the “spider queen” referred to the monstrous form of muffet and Scheherazade’s spider combined, and not some new wholly separate myth.

Scheherazade’s spider seemed a little...riddly? for lack of a better term? like the whole “something that does not breathe” thing was weird, and if it’s supposed to be a guardian or guide of some sort, riddles make sense.

honorable mention: In the adventuring party episode, brennan tells the fable of the scorpion and the frog.

total tale count: 0

Ep 7

many theories with little knowledge.

In the adventuring party, brennan straight up says that the sword of truth is a general archetype, not from any specific tale. didn’t know that was an option! so no points for the sword of truth, dope as it is.

p.s. anyone else get flashbacks to fhsy with the whole truth mirror thing? it’s a good concept I’m glad brennan’s bringing it back

I am assuming each artifact found in the spider’s lair either comes from a separate tale, or is an archetype. I’m only counting it if I can pin down a specific tale that it is from.

the gillesuit/haystack cloak (+1)

update: As of Ep. 9, we now know that this is called “the cloak of rushes” and grants advantage on stealth checks. it is almost certainly from the English fairy tale “Cap-o’-Rushes” which, confusingly, features not just a cap but a whole outfit made of rushes!

my first thought was little boy blue, which does come from the tales of mother goose. this makes more sense tho lol

the golden bridle (+1)

some cursory googling indicates that this is from the celtic tale of Guleesh. one night, upon hearing the Fair Folk partying in some ruins (had to look up what a “rath” was lol) and saying “My horse, my bridle, my saddle!”, he repeats what they’re saying and is suddenly on a horse with a golden bridle. the story isn’t about the bridle itself, but the horses feature prominently, and can fly and stuff. When Guleesh kind of breaks the magic, the horse turns into a wooden beam, so maybe putting the bridle on a wooden beam summons a horse?

update: in ep 13 & 14 (& the adventuring parties) they mention that a. it does not summon a steed - you need to already have a steed there, and b. it would only work on a beast, not a monstrosity.

so.......maybe it’s not the one from the tale of Guleesh. I remain optimistic.

the golden chair (+1)

an obscure one, to be sure. from a grimm fairytale with a weirdly christian bent, where a tailor convinces st peter to let him into heaven but then sits in a big golden chair which as it turns out is the chair god sits in, and fucks up by throwing the footstool at some lady on earth washing veils (?) and gets kicked out again.

it is very possible that this was not an intentional allusion, but rather meant to evoke a fairytale-like atmosphere. either way, mission accomplished!

honorable mention: mayor harold hopps, while not a fairytale character himself, looks exactly like and was apparently inspired by the guy on the Pringles can, who is 100% a modern-day folkloric character.

theories:

the black velvet cloak with stars on it

idk where this is from. the only story I could find w a cursory google that had star clothing was Allerleirauh aka Thousandfurs, about a princess whose dad who wants to marry her (gross) so she asks for a bunch of impossible stuff to be made before the wedding can happen to try and stop it, including a dress made of stars (and one made of every kind of fur in the world hence the title). but it’s not a cloak so no points.

i s2g i have heard of something called ‘the cloak of stars’ before but I can’t fucking find it. pls lmk if you can think of something

update: ep 9 - they ALMOST told us what it was fuck, they mentioned wearing it to escape from the stepmother but we have no name. also the ‘cap-o’-rushes’ tale is extremely similar to thousandfurs minus the incest, so I don’t think it’s from that.

the stick skeletons w/ flesh on them were minions of the evil fairy from sleeping beauty - not a new tale

total tale count: 3

Ep 8

correction: brennan mentioned in the adventuring party for this one that aesop himself may also be fictional, and that many fables contain him telling the fable as part of it, so we’ll officially count him as his own fable like we did with Scheherazade (+1)

the lion and the mouse (+1)

the boy who cried wolf (+1)

they did finally mention the scorpion and the frog (+1)

alphonse is there but “the mule” isn’t actually referenced as being part of any of aesop’s fables in the show (like, there’s plenty of mules in aesop’s fables but no specific one was referenced in the show)

total tale count: 4

Ep 9

BABA YAGA BABA YAGA BABA YAGA BABAYAGABABAYAGA!!!!!! (+1)

i love her so much. i truly understood emily’s excitement this episode.

(alluded to) the princess and the pea (+1)

first time around I didn’t hear siobhan ask if anyone sees any stacks of mattresses without peas under them to sleep on lol

(alluded to) this little piggy went to market (+1)

idk if that’s the name of the rhyme or not, or if it has a name

it’s not in the captions but emily axford saying ‘well there has to be a market, right? cause this little piggy went to market’ is iconic

some sources say this rhyme is from Mother Goose lol

total tale count: 3

Ep 10

(alluded to) peter and the wolf (+1)

the baron’s named peter and there’s a wolf. that cant be a coincidence, the 3 little pigs don’t have set names

mostly retreading 3 little pigs territory. awesome battle set!

theories:

the soup could be an allusion to something but i think its just playing into this season’s theme of consumption and the end of the 3 little pigs

the council of kings might be from something

total tale count: 1

Ep 11

we get 5 kings from 5 tales on the Council of Kings (which seems diegetic and not a reference to anything), 3 of which we already knew, 2 which are new.

the little mermaid (the mer-king)

the snow queen (the tsar of snowhold)

the nutcracker (the mouse king)

the emperor’s new clothes (the naked emperor) (+1)

rumpelstiltskin (FINALLY) (the king of apogee) (+1)

Koschei the deathless (+1)

i had no fucking clue who this guy was until emily axford recognized him, thank you emily

at first I was scared the sealskin would be a selkie thing. it may still be, but that doesn’t appear to be the case in this specific situation

(alluded to) the binding of Fenrir, the wolf at the end of the world (+1)

there’s a norse myth where tyr (a god) puts his hand in fenrir’s mouth to show good faith. the gods want to put this magical leash/collar on fenrir, and since he’s not an idiot he says that he’ll consent to it only if tyr puts a hand in his mouth while they do it, to show that what they’re doing will not hurt or bind him in any way. the gods agree, but oops they lied, the chains are very much to bind him, and tyr loses his hand but the wolf is still bound.

but ylfa and mother goose are telling the truth! happy ending (for once lol) ^v^

I didn’t catch this one at first - thank you to the many posts about it in the #neverafter tag!

honorable mention

sheldon from ‘garfield and friends’

theories

the tavern-keeper (Natalia) doesn’t stand out to me as anyone specific so far, though her daughter is the second “snow-touched” person we’ve met (the bartender at the cock and toad had an icy wound over one eye) so im thinkin snow queen

there’s dwarves in other stories than snow white I’m sure, but these ones specifically say “snow white” on their intro card.

also, their names, Mürrisch, Schläfrig, & Arzt, mean grumpy, sleepy, and doctor in German. Grumpy, Sleepy, and Doc are all disney snow white dwarf names. nice.

another infuriating mention of the cloak of stars without any indication of what it does. I’m going to spontaneously combust.

one thing i do appreciate is the amount of taverns they run into. this is the third and i am very pro

total tale count: 4

Ep. 12

so many princesses!!!!! most of them already counted but still!!!

Rapunzel!!!!! (+1)

The North Wind (+1)

my classics major ass immediately assumed they were talking about Boreas, the Greek god of the northern wind lol

from what I can tell, this is from "East of the Sun and West of the Moon"

i’m sure The North Wind is from other things too, everybody loves personifying the wind

honorable mentions

Beast!!!!! i already counted the tale early on as a reference but it’s here fr now!!!!

Finally meeting the little mermaid!!! Also counted early on but this is her first appearance!

“the beast beyond no name” that Mira mentions in combination w the taut string that Pinocchio feels that means part of his story is happening soon whether he likes it or not makes me think it’s Terrible Dogfish time. But. I also think that it could be the literal Kraken.

there’s so many monsters in folklore that are just “really big scary fish thing that lives at the bottom of the ocean yet somehow also wrecks ships on the surface” i just don’t know which one brennan’s going for. my money’s on either Pinocchio’s Dogfish or The Kraken

Candlewick! jesus fucking christ! every time a bit of Pinocchio lore shows up, it’s already horrifying just from the whole story of Pinocchio being horrifying, but then Brennan leans into it in just the right way for it to be so much worse!

in the adventuring party, they mention several other tales, including the tortoise and the hare and the little matchgirl. they also (rightfully) dunk on Hans Christian Andersen for writing ludicrously depressing children’s stories.

total tale count: 2

Ep. 13

no new tales, dogfish, mer-king, & sea witch are from existing tales, but

CLOAK OF STARS LORE CONFIRMED

WE NOW KNOW THE CLOAK OF STARS IS CAPABLE OF CASTING 5TH LEVEL MAGIC MISSILE

THIS DOES NOTHING TO NARROW THINGS DOWN! BUT IT’S SOMETHING!!!!

also MANY tantalizing mentions of the golden bridle with 0 hints as to its capabilities.

total tale count: 0

Ep. 14

the sea witch is named Alba Mac Lír

several allusions here!

thank you @twoeelsforsupper for this observation!

“there is a legend called "the children of Lír" where a witch/stepmother turns King Lír's children into swans but does not take their voices, which ends up getting her found out. like the threads about voices and witches and stepmothers and transformations???”

“Alba” can mean several things

it’s the Scottish Gaelic name for Scotland (this is probably what was being referenced)

in Latin, it’s the feminine nominative singular of the adjective albus, meaning “white”

in Spanish and Italian, it means “sunrise”

In Scottish Gaelic, “Mac” means “son of” so we have “Scotland, son of Lír”

good for her

also, if she’s one of the children of Lír, does that mean she’s one of the ones that got turned into swans?? much to consider.

so, plus one for the legend of the children of Lír! (+1)

FINALLY (finally) we get full cloak of stars lore.

its a fucking dnd 5e item. all this time and it’s legit just a reskin of Robe of Stars

it can take them to the lines between and shoot magic missile

i don’t know why i’m mad

total: 1

Ep. 15

yikes

no new tales, unless you count Clara The Horse Princess (she is not from anything as far as I can tell but I love her. also like Clara is the name of the nutcracker main character but we already counted the nutcracker so it wouldn’t be anything either)

total: 0

Ep. 16

thumbelina! (+1)

tom thumb! (+1)

I thought they were from the same thing but it turns out they have different origins, though there was a 2002 movie that had them be in the same movie.

tom thumb - English folklore, there was a 1621 book called The History of Tom Thumb

thumbelina - hans christian anderson tale from 1835, in the second volume of his Fairy Tales Told For Children series.

turns out he was actually inspired by Tom Thumb a bit, so it’s not convergent evolution or anything.

ngl - I mostly know the story of thumbelina from hearing julia from drawfee rant about how shitty of a movie it is in various streams/videos lol

all the jack stuff is stuff we’ve seen before - golden goose, giantslayer, nimble

UPDATE: in ep 17 adventuring party, brennan talks a bit about the multiplicity of jacks, and clarifies that there are TWO separate giantslayer myths.

Jack the Giant Killer - a Welsh fairytale about a warrior named Jack who fights a bunch of giants with a huge club and wins

Jack and the Beanstalk - an English fairytale about a young boy who accidentally grows a beanstalk to the Giant World and only “kills” the giant at the end by cutting the beanstalk down, leaving the giant to fall to his (their?) death.

So, while we’ve already counted Jack and the Beanstalk, this episode does introduce a new variation on Jack - Jack the Giant Killer. (+1)

henry hubbard is BACK!!!!! yes!!!!!

and tomás!!! and A L P H O N S E

I am v psyched for what comes next.

honorable mentions:

these aren’t explicitly Liliputians, but they do talk about gulliver in the adventuring party. I don’t think they talk about him in the actual show though.

total: 3

Ep. 17

holy shit. so many right off the bat, with brennan and siobhan going through a list of c-list folktales!

Fear Not (+1)

another grimm fairytale - not their finest work i see why this guy would be c-list lol

the brave little tailor (+1)

aka “the guy who kills a bunch of flies with his belt”

this is a for-real grimm fairytale about a guy who kills 7 flies at once, is very proud of it, makes a belt that says “Seven at One Blow” on it, and then goes out into the world and has his shit wrecked from various people misinterpreting what “Seven at One Blow” means

it’s hilarious

another jack tale!! Jack and Jill! (+1)

three blind mice (+1)

honorable mentions:

Henry talks about reuniting a clockwork man with a man in an eyepatch

this is all consistent with the Herr Drosselmeyer lore from all the way back in the first episodes of the show! We already counted him, so no new points, but still very cool!

also cool how brennan combined shoeberg w giant-slaying bc i mean how did they get all those ludicrously big shoes?

the golden goose shows Timothy all the versions of his story where they are one and the same. I’m not counting this as her showing him a new, separate fairytale, since it just overlaps two tales that we already have counted. also, I cried, that was a really intense part of the episode.

in the adventuring party they talk a lot about Narnia and “The Lion, The Witch, and The Wardrobe.”

ik those aren’t exactly ye olde english fairytales, since they came out in 1950, but if Aslan wandered into the neverafter I’d count him for sure

we learn what the harp does!

the harp’s power is consistent with the jack and the beanstalk myth, but it also reminded me of several other myths about lulling beasts to sleep

e.g. Hermes of Greek mythology fame (and supposedly the inventor of the lyre) also killed the giant Argus after lulling half of his eyes to sleep with the lyre and boring the other half to sleep with various tales of his exploits. (Argus’ big thing was having a bunch of eyes all over his body)

lulling a beast to sleep is a common theme across cultures, makes sense that it’s the kind of archetype useful for the gang.

it’s very possible that some aspect of how baba yaga’s cottage was described alludes to some other Slavic folklore that I didn’t pick up on

total: 4

Ep 18

“The Wishing Star” (+1)

fuck disney for making it impossible to find real fairytales about wishing stars on google

there are many tales/nursery rhymes about wishing on stars. “star light, star bright” is the first that comes to mind, but I’m sure there’s others. we’ll count this as a multi-tale figure and give it +1

honorable mentions

so. The Trials of Baba Yaga could refer to several things.

The Tale about Baba-Yaga is a 18th c. folk story where Baba Yaga has one normal human son (???) who marries a normal human woman, who then has to prove herself by doing seemingly normal chores (milk the cows, shear the sheep) that she then finds out from her husband are secretly meant to kill her (the cows are bears, the sheep are wolves).

(aka a fucked up slavic version of the tale of eros and psyche.)

(not that eros and psyche isn’t fucked up, just in a different way)

There is a 2017 book called “Winston and Baum and the Trials of the Baba Yaga” I do not think this is what was being referenced, and as it is modern and not a folk story, I’m not counting it.

other stuff I can find about Baba Yaga also includes stepdaughters having to do chores with secret meanings - it’s a part of her Thing

I’m including this under the general Baba Yaga mythos, not as its own thing, but still cool stuff to know about.

Prince Johnathan of Apogee (that’s how the subtitles spell it)

so. wayyyy back in episode 11 we find out that the kingdom of apogee is where Rumplestiltskin happened.

I think that’s all the Apogee info we have, and with a name as vague as Johnathan I don’t think we can call it a reference to anything.

We got Mother Goose’s OG rhyme!!!

not a new story but very cool!!!

there’s more but I think they stopped at a good place

fun fact: I found an extra verse that isn’t in the one linked above

“Then old Mother Goose/that instant came in/and turned her son Jack/into famed Harlequin/She then with her wand/touched the lady so fine/and turned her at once/into sweet Columbine”

and then they go on with the rest of the book like that bit never happened

other fun mother goose shit

i thought that littlefinger and “chaos is a ladder” were fairytale quotes but they’re from game of thrones it turns out. ._.

total: 1

Ep 19

no new tales (it’s the finale pt 1) but several honorable mentions

“As you wish”

cinderella girl you are KILLING ME

for those not in the know, this is an allusion to The Princess Bride

in the context of the book & movie, it means “I love you”

could be unintentional but i highly doubt it.

the book is too recent to count as fairytale for our purposes (1973) but it is very much in that genre. god damn.

la bête saying “be our guest” alludes to the disney beauty and the beast movie obvs

“Something wicked this way comes”

quote from Macbeth, by Shakespeare

I don’t think Shakespeare counts as fairytales. idk the vibes are just off. ik it’s an Old Story but it isn’t a fairytale.

total: 0

Ep 20

this is it gang!

The Fairies

so in the 1880s, Andrew Lang wrote a series of fairytale books named after fairies of various colors. I’m counting each fairy who has a book named after them as a new tale.

EXCEPT: the Blue Fairy

ok look i fucked up yall. The Fairy With Turquoise Hair is re-named “The Blue Fairy” in a lot of adaptations, so when I previously counted her separately from Pinocchio bc she had her own book, I was referring to “The Blue Fairy Book”

so we’re not counting it here bc that would be counting it twice. apologies to the actual Blue Fairy.

The Red Fairy Book (+1)

The Green Fairy Book (+1)

The Orange Fairy Book (+1)

The Yellow Fairy Book (+1)

this is by no means all of Lang’s color fairy books. he’s got crimson, violet, grey, pink, you name it.

honorable mentions

Calvin & Hobbes is modern day folklore

I looked up to see if there’s any actual Aesop fables with a shark in em, closest I could find was a dolphin. Rip.

Beaky’s stint in the TAA lines up with Pinocchio’s story, so not a new tale. thank you for your service beaky o7

total: 4

total series tale count: 62

alas, the only mystery remaining is Scheherazade’s spider. someday I may come back to this post with new information about her, but today is not that day. If you know any middle eastern myths/fairytales/folklore/nursery rhymes that prominently feature a spider that guards a maze or guides people through caves, please feel free to reply/reblog with your knowledge.

this show has been a fun and wild ride. Here’s a shortened version of this post with just the numbers

thank you for coming on this journey with me - see you in the stories!

#d20 spoilers #d20 #dimension 20 #dimension 20 spoilers #neverafter spoilers #neverafter #original post #ongoing #dnd #folktales #folklore #myth #stories #fairytale

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alexandraadavies1996 · 1 year

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Jesus is Lord and He is going to return soon. Repent and believe the gospel, or perish in hell. God loves you and your sins can be forgiven, but the hour is late and the kingdom of Heaven is at hand. Time is of the essence, please heed this warning and be saved. God bless. ❤️

“Look unto me, and be ye saved, all the ends of the earth: for I am God, and there is none else. I have sworn by myself, the word is gone out of my mouth in righteousness, and shall not return, That unto me every knee shall bow, every tongue shall swear.” Isaiah 45:22-23

Imagine believing in a god that is so insecure that it would make you burn in hell for not believing in it

In my opinion the jesus myth is an ancient middle eastern fairytale with a weird cult following. Normally I wouldn't even bother posting anything in retort, but I am so tired of holier than thou christians having the audacity to send messages like this

Please do not preach your religious dogma at me.

Peace ✌

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licuadora-nasir · 7 months

Text

Sad girls drink strawberry milkshakes

Pairing: Mortumstep

Warnings: None

Summary: Sometimes what a girl needs is to drink a strawberry milkshake at 2:00 a.m. while she listens to Lana del Rey after she confessed to catfishing her boyfriend with a hijacked comatose body from a hospital.

Notes: Work inspired by the Sidestep Question of the Day in the Fallen Hero Patreon server proposed by Jazz: Your step is at a 24/7 open diner at 2:38 in the morning (think something like Dennys) and the only customer. THANK YOU. It was life-changing for Celia.

Also, thanks @KanraChrome for proofreading this on such short notice cause I'm an inpatient little shit that got inspired and wrote this on a whim.

Read it in AO3

Lana del Rey knew what she was doing when she wrote Ultraviolence and whoever invented strawberry milkshakes at Denny’s knew what they were doing too. The one who probably doesn’t know what she’ll be doing is the tacky waiter if she stares at you for five more seconds.

What’s her deal? Has she never seen in her shitty workplace a 6’2 foot tall Middle Eastern woman with a big, facial scar drink a milkshake alone at 2:38 in the morning? She should use a proper foundation that matches her skin tone and then maybe have the audacity to look at you—ugly hag.

You’ve been here a couple of minutes already, staring at the strawberry milkshake, mostly untouched because it looks too pretty to be finished. Perhaps if you were as beautiful as this strawberry milkshake you would be with Mortum right now, in his lab, as if nothing had changed between you. Maybe he wouldn’t have asked you for a week in order to think about it. Would have called you already because he loves you and misses you. Treat you with the same care he treated Corina or the way you’re treating your milkshake. Wouldn’t have looked at you with the fascination you would look at an experiment.

No, that’s not true. You could never be as lovely as this milkshake.

He is not talking to you because you have deceived him. You have lied to him for months, pretending to be someone you were not. Maybe your feelings and actions were genuine but you were not thoroughly honest with either, catfishing him with the younger, better human version of you. You slept with him in a body that was not yours and that was wrong, you can see it now. You have hurt him, and this is on you. Time to assume the consequences of your actions and face them for once in your life.

You snuggle in your hoodie, getting cozy in your seat against the window of the diner. The Other Woman is playing on your MP3, and you take a long angry sip of your milkshake, ruining its immaculate aspect.

Nine years ago, you wouldn’t be sitting here alone. Anathema would have kept you company across the table with a milkshake of her own, having deep late-night conversations or just rambling about what she did that day. Were Ortega at her side, the attention digger would try to make everything about himself but you wouldn’t mind, satisfied to listen and to be between friends. Christ on a stick, you would have even dragged Ashfall if the day had been as depressing as today.

‘Come on Ash, join us, pretty please? Won’t you do this for your favorite buddy?’ He was always fussy about his sleep schedule but could never say no to your puppy eyes.

Would you be capable of making those puppy eyes to him again? To smile without a care for Ortega? To sit down, laugh and enjoy the company of people who are no longer your dear friends while the countless eyes of the people murdered with your own hands sneak accusatory glances at you from the corner of the room?

You are not that girl anymore. Your hopes and dreams were shattered like the glass of the window you flew through the day of the Heartbreak incident. Your heart is as filthy as the sewer waters, your smile crooked and wicked, like a witch’s that got out from a children’s fairytale.

Your face twists into a grimace, so you pick up your milkshake and continue drinking. The road you’ve decided to walk is a solitary one, behind you a bloody path of corpses and ruined lives. At first, you were convinced that they deserved the rampage of murder and chaos that was coming for them but every time you wash your hands, the blood is still there and you’re not that certain anymore.

Their hands are gripping your ankles, sinking their nails in your scarred skin, heads raised at you, one single question hissed: “Was it necessary?”

You don’t know. And you would be lying if you said you didn’t feel slightly remorseful about your actions, but they are pushing up daisies, so it’s not like apologies or regrets will bring them back. Your fallout with Mortum is the actual relevant matter.

A solitary tear rolls down your cheek in mockery and you quickly wipe it, as if it never slipped in the first place. He’s the only person you have left. You have been on your own for too long and now that you know what it’s like to be loved and treasured, you don’t want him to take that from you. Being alone is frightening and you hate that feeling almost as much as you hate yourself. You never get to keep nice things for yourself before life takes them away from you.

“Excuse me.” You were so caught up in your thoughts that you didn’t notice the waiter at your table, with a new strawberry milkshake.

“I didn’t order this.” You take off your earphones, annoyed you had to pause the music.

“This one is on the house,” she replies quickly, leaving no room for debate and putting the drink in front of you. “Do you mind if I keep you company?”

You scan her mind for threats, finding none. She thinks you’re lonely, and judging by your scars, that something horrible must have happened to you. She’s not wrong on that one; plenty of horrible things have happened to you. A broken heart being perhaps the only story you can share; not that you're going to. She also thinks that such beautiful eyes shouldn’t be filled with tears and that gorgeous women shouldn’t be so sad.

“Okay.” You mutter, flustered and embarrassed, because you wish you hadn’t heard those last thoughts. In normal circumstances, you would have given her the brush-off but she means well and you crave human connection, even if it’s superficial and with a stranger who won’t remember your name tomorrow.

The lady goes back to the bar to prepare a milkshake for herself, oreo-flavored based on the color, which matches her lively attitude. Makes sense, sad girls like you drink strawberry milkshakes.

#fallen hero #fhr #fallen hero retribution #celia bui #sidestep #fh sidestep #my writing

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teecupangel · 1 year

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I vote for AC x COD. Because of the Bleeding Effect, Desmond can speak his ancestor's fluentency of different languages. In Modern welfare one, what if Desmond's ancient arabic is noticed by Hadir and Farah and possibly by Captain Price because he spoke arabic in one scene.

The Leverage AU or Call of Duty Crossover sorta-poll for anyone interested

Leverage is still leading by 1 vote! Other than that...

So, according to Call of Duty wiki, Urzikstan is a fictional country based on many Middle-Eastern countries affected by terrorist groups and activities however the map that shows where Urzikstan is meant to be is in northern Syria.

I propose we make Urzikstan next to Syria or maybe even part of real-life Syria that was divided into two: Syria and Urzikstan in AC/COD universe.

Why is this important?

Because this would put Urzikstan in Levant. The image used is approximately 350 km from Masyaf as well (I checked because I was considering just smacking Masyaf as part of Urzikstan hahahaha).

Now, since Urzikstan is now part of Levant, if Desmond was to meet Hadir and Farah and speak his antiquated Arabic, they would notice it. And they would notice that Desmond’s Arabic is of Levantine origin. Maybe they’d even hear stories about the Assassins of old, of their white robes with hood shadowing their faces.

But Farah would be “Naaahh” because Desmond is such a chill dude.

Hadir would be suspicious because he has heard rumors that the Assassins still exist.

Farah used to believe in them as well, especially when she was still a child. But seeing how no one has saved their country from men like Barkov has made her believe that the Assassins are just fairytales told by the people to have hope.

Captain Price, on the other hand, has seen too much shit already that he wouldn’t put it past the realm of possibility that the Assassins and Templars exist but he’s not truly in the know. Only rumors and such. He wouldn’t hear Desmond’s Arabic and think “Oh, he’s an Assassin”. It’s a curious thing, yes, but the logical explanation would be that Desmond learned Arabic by reading really old books and maybe watching period dramas or something. (This, of course, is chalked by Gaz as another reason why Desmond is a posh kid with access to all those expensive weird shit rich people have)

#correct me if i'm wrong #my source of geographic information is just google #farah has a chip on her shoulder #hadir will definitely be one of those dudes who looovveesss rumors and gossips #and scary stories to tell in the dark #ramirez! add the proper tags!#assassin's creed #desmond miles #call of duty mwii #call of duty modern warfare #call of duty #farah karim #hadir karim #captain price #john price #captain john price #ask and answer #teecup writes/has a plot

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adarkrainbow · 1 year

Text

The Yaga journal: Witches and demons of Eastern Europe

The next article I’ll translate from the issue (I won’t translate all of them since some are not very relevant for this blog) is “Baba Yaga, witches, and the ambiguous demons of oriental Europe” by Stamatis Zochios.

The article opens by praising the 1863′s “Reasoned dictionary of the living russian language”. by scholar, lexicograph and folklorist Vladimir Dahl, which is one of the first “systematic essays” that collects the linguistic treasures of Russia. By collecting more than thirty thousand proverbs and sayings, insisting on the popular and oral language, the Dictionary notably talked about various terms of Russian folklore; domovoi, rusalka, leshii... And when it reaches Baba Yaga, the Dictionary calls her : сказочное страшилищ (skazochnoe strashilishh) , that is to say “monster of fairytales”.But the article wonders about this denomination... Indeed, for many people (such as Bogatyrev) Baba Yaga, like other characters of Russian fairytales (Kochtcheï or Zmey Gorynych) do not exist in popular demonology, and is thus exclusively a character of fairy tales, in which she fulfills very specific functions (aggressor, donator if we take back Propp’s system). But the author of this article wonder if Baba Yaga can’t actually be found in “other folkloric genres” - maybe she is present in legends, in popular beliefs, in superstitions and incantations.

Baba Yaga, as depicted in the roleplaying game “Vampire: The Masquerade”

For example, in a 19th century book by Piotr Efimenko called “Material for ethnography of the Russian population of the Arkhangelsk province”, there is an incantation recorded about a man who wante to seduce/make a woman fall in love with him. During this incantation the man invokes the “demons that served Herod”, Sava, Koldun and Asaul and then - the incantation continues by talking about “three times nine girls” under an oak tree”, to which Baba Yaga brings light. The ritual is about burning wood with the light brought by Baba Yaga, so that the girl may “burn with love” in return. Efimenko also mentions another “old spell for love” that goes like this: “In the middle of the field there are 77 pans of red copper, and on each of them there are 77 Egi-Babas. Each 77 Egi-Babas have 77 daughters with each 77 staffs and 77 brooms. Me, servant of God (insert the man’s name here) beg the daughters of the Egi-Babas. I salute you, daughters of Egi-Babas, and make the servant of God (insert name of the girl here) fall inlove, and bring her to the servant of God (insert name of the man here).” The fact Baba Yaga appears in magical incantations proves that she doesn’t exist merely in fairytales, but was also part of the folk-religion alongside the leshii, rusalka, kikimora and domovoi. However two details have to be insisted upon.

One: the variation of the name Baba Yaga, as the plural “Egi-Babas”. The name Baba Yaga appears in numerous different languages. In Russian and Ukrainian we find Баба-Язя, Язя, Язі-баба, Гадра ; in Polish jędza, babojędza ; in Czech jezinka, Ježibaba meaning “witch, woman of the forest”, in Serbian баба jега ; in Slovanian jaga baba, ježi baba ... Baba is not a problem in itself. Baba, comes from the old Slavic баба and is a diminutive of бабушка (babyshka), “grand-mother” - which means all at the same time a “peasant woman”, “a midwife”, a (school mistress? the article is a bit unclear here), a “stone statue of a pagan deity”, and in general a woman, young or old. Of course, while the alternate meanings cannot be ignored, the main meaning for Baba Yaga’s name is “old woman”. Then comes “Yaga” and its variations, “Egi”, “Jedzi”, “Jedza”, which is more problematic. In Fasmer’s etymology dictionary, he thinks it comes from the proto-Slagic (j)ega, meaning “wrath” or “horror”. Most dictionaries take back this etymology, and consider it a mix of the term baba, старуха (staruha), “old woman”, and of яга, злая (zlaia), “evil, pain, torment, problem”. So it would mean злая женщина (zlaja zhenshhina), “the woman of evil”, “the tormenting woman”. However this interpretation of Yaga as “pain” is deemed restrictive by the author of this article.

Aleksandr Afanassiev, in his “Poetic concepts of the Slavs on nature”, proposed a different etymology coming from the anskrit “ahi”, meaning “snake”. Thus, Baba Yaga would be originally a snake-woman similar to the lamia and drangua of the Neo-hellenistic fairytales and Albanian beliefs. Slavic folklore seems to push towards this direction since sometimes Baba Yaga is the mother of three demon-like daughters (who sometimes can be princesses, with one marrying the hero), and of a son-snake that will be killed by the hero. Slovakian fairytales tale back the link with snakes, as they call the sons of Jezi-Baba “demon snakes”. On top of that, an incantation from the 18th century to banish snakes talks about Yaga Zmeia Bura (Yaga the brown snake): “I will send Yaga the brown snake after you. Yaga the brown snake will cover your wound with wool.” According to Polivka, “jaza” is a countryside term to talk about a mythical snake that humans never see, and that turns every seven years into a winged seven-headed serpent. With all that being said, it becomes clear (at least to the author of this article) that one of the versions of Yaga is the drakaina, the female dragon with human characteristics. These entities are usually depicted with the head and torso of women, but the lower body of a snake. They are a big feature of the mythologies of the Eurasian lands - in France the most famous example is Mélusine, the half-snake half-woman queen, whose story was recorded between the end of the 14th century and the beginning of the 15th by Jean d’Arras (in his prose novel La Noble Histoire de Lusignan) and by Couldrette (in the poetic work Roman de Mélusine). For some scholars, these hybrid womans are derived from the Mother Goddess figure, and by their physical duality manifest their double nature of benevolence-malevolence, aggressor-donator.

If we come back to the incantation of Efimenko, we notice that the 77 daughters of Baba Yaga each have a “metly”, a “broom”. This object isn’t just the broom Baba Yaga uses alongside her mortar and pestle to travel around - it is also the main attribute of the witches, and the witch with her broom is a motif prevalent in numerous textes of Western Europe between the 15th and 16th centuries. Already in medieval literature examples of this topic could be found: in the French works “Perceforest” and “Champion des dames”, the old witches are described flyng on staffs or brooms, turning into birds, to either eat little children or go to witches’ sabbaths. Baba Yaga travels similarly: Afanassiev noted that she goes to gathering of witches while riding a mortar, with a pestle in one hand and a broom in the other. Federowsky noted that Baba Yaga was supposed to be either the “aunt” or the “mistress” of all witches. Baba Yaga herself in often called an old witch, numerous dictionaries explaining her name as meaning старуха-колдунья (staruha-koldun’ja), which literaly means old witch. Even more precisely, she is an old witch who kidnaps children in order to devour their flesh and drink their blood. We find back in other countries of Europe this myth of the “bogeywoman cannibal-witch”, especially dangerous towards newborns and mothers, as the “strix” or “strige”. According to Polivka, in his 1922 article about the supernatural in Slovakian fairytales, the ježibaba is the same being as the striga/strige. And he also ties these two beings to the bosorka, a creature found in Slovakia, in eastern Moravia, and in Wallachia, and which means originally a witch or a sorceress, but that in folklore took a role similar to the striga or ježibaba.

Vinogradova, in a study of the figure of the bosorka, described this Carpathian-Ukrainian witch as a being that attacked people in different ways. For example she stole the milk from the cows - a recurring theme of witches tales in Western Europe (mentionned by Luther in his texts as to one of the reasons witches had to be put to death), but that also corresponds to a tale of the Baba Yaga where she is depicted as sucking the milk out of the breast of a young woman (an AT 519 tale, “The Strong Woman as Bride”). In conclusion, the striga-bosorka is clearly related to the Slovakian version of Baba Yaga, the Ježibaba. The Ježibaba, a figure of Western Slavic folklore, also appears as numerous local variations. She is Jenzibaba, Jendzibaba, Endzibaba, Jazibaba, and in Poland she is either “jedza-baba” (the very wicked woman) or “jedzona, jedza-baba, jagababa” (witch). However this Slovakian witch isn’t always evil: in three fairytales, Ježibaba is a helper bringing gifts, appearing as a trio of sisters (with a clear nod to the three fatae, the three moirae or the three fairies of traditional fairytales) who help the hero escape an ogre who hunts him. They help him by gifting him with food, and then lending him their magical dogs. And in other farytale, the three sisters help a lazy girl spin threads.

In this last case, Ježibaba is tied to the action of spinning. It isn’t a surprise as Baba Yaga herself is often depicted spinning wool or owning a loom ; and several times she asks the young girls who arrive at her home to spin for her (AT 480, The Spinning-Woman by the Spring) - AND in some variations, her isba doesn’t stand on chicken legs, but rather on a spindle. This relationship between the female supernatural figure (fairy or witch) and the action of spinning is very typical of European folkore. In several Eastern Slavic traditions, the figure of Paraskeva-Piatnitsa (or Pyatnitsa-Prascovia, who is often related to Baba Yaga), is an important saint, personification of Friday and protectress of crops - and she punishes women who dare spin on the fifth day of the week. Sometimes it is a strong punishment: she will deform the fingers of the woman who dares spin the friday, which relates her to the naroua (or naroue, narova, narove) a nocturnal fairy of Isère and Savoie in France, who manifests during the Twelve Days of Christmas and enters home to punish those that work at midnight or during holidays - especially spinners and lacemakers. In a Savoie folktales she is said to beat up lacemakers until almost killing them, hits them on the fingers with her wand, beats them up with a beef’s leg or a beef’s nerves, and attacks children with both a cow’s leg in one hand and a beef’s leg in another. These bans are also found in the Greek version of Piatnitsa: Agia Paraskevi, Saint Paraskevi, who punishes the spinners that work on Thursday’s nights, during Friday, or during the feast-day of the Saint (26 of July). But her punishment is to force them to eat the flesh of a corpse. Finally, we find the link between spinning and the demonic woman/witch/fairy through the Romanian cousin of Baba Yaga - Baba Cloanta, who says that she is ugly because she spinned too much during her life. And it all ties back to the “Perceforest” tale mentionned above - in the text, the witches, described as old matrons disheveled and bearded, not only fly around on staffs and little wooden chairs, but also by riding on spindles and reels/spools.

Another typical example of “demonic woman” often compared and related to Baba Yaga is the character known as “Perchta” in her Alpine-Germanic form, Baba Pehtra in Slovenia, or Pechtrababajaga according to a Russian neologism. The name Perchta, Berchta, Percht, Bercht comes from the old high German “beraht”, of the Old German “behrt” and of the root “berhto-”, which is tied to the French “brillant” and the English “brilliant”. So Berchta, or Perchta, would mean “the brilliant one”, “the bringer of light”. Why such a positive name for a malevolent character?

In 1468, the Thesaurus pauperum, written by John XXI, compares two fairies with a cult in medieval France, “Satia” and “dame Abonde”, with another mythological woman: Perchta. The Thesaurus pauperum describes “another type of superstition and idolatry” which consists in leaving at night recipients with food and drinks, destined to ladies that are supposed to visit the house - dame Abonde or Satia, that is also known as “dame Percht” or “Perchtum”, who comes with her whole “troop”. In exchange of finding these open recipients, the ladies will thenfill them regularly, bringing with them riches and abundance. “Many believed that it is during the holy nights, between the birth of Jesus and the night of the Epiphany, that these ladies, led by Perchta, visit homes”, and thus during these nights, people leave on the table bread, chesse, milk, meat, eggs, wine and water, alongside spoons, plates, cups, knives, so that when lady Perchta and her group visit the house, they find everything prepared for them, and bless the house in return with prosperity. So the text cannot be more explict: peasants prepared meals at night for the visit of lady Perchta, it is the custom of the “mensas ornare”, to prepare the table in honor of a lady visiting houses at night. If she finds offerings - cuttlery, drinks, food, especially sugary food - she rewards the house with riches. Else, she punishes the inhabitants of the home.

But Perchta doesn’t just punish for this missing meal. Several stories also describe Perchta looking everywhere in the house she visits, checking every corner to spot any “irregularity”. The most serious of those sins is tied to spinning: the woman of the house is forced to stop her work before midnight, or to not work on a holiday - especially an important holiday of the Twelve Days, such as Christmas or the Epiphany. If the woman is spotted working ; or if Perchta doesn’t found the house cleaned up and tidied up ; or if the flax is not spinned, the goddess (Perchta) will punish the woman. This is why she was called “Spinnstubenfrau”, “the woman of the spinning room”. It is also a nickname of a German spirit known as Berchta - as Spinnstubenfrau, she takes the shape of an old witch who appears in people’s houses during the winter months. She is the guardian spirit of barns and of the spinning-room, who always check work is properly and correctly done. And her punishment was quite brutal: she split open the belly of her victim, and replaces the entrails with garbage. Thomas Hill in his article “Perchta the Belly Slitther” sees in this punishment the remnants of old chamanic-initiation rite ; which would tie to it an analysis done by Andrey Toporkov concerning the “cooking of the child” by Baba Yaga in the storyes of the type AT 327 C or F. In these tales a boy (it might be Ivashka, Zhikharko, Filyushka...) arrives at Baba Yag’s isba, and the witch asks her daughter to cook the boy. The boy makes sure he can’t be pushed in the oven by taking a wrong body posture, and convinces the girl to show him how he should enter the oven. Baba Yaga shows him to do so, enters the oven, and the boy finds the door behind her, trapping Baba Yaga in the fire. According to Toporkov, we can find behind this story an old ritual according to which a baby was placed three times in an oven to give it strength. (The article reminds that Vladimir Propp did highlight the function of Baba Yaga as an “initiation rite” in fairytales - and how Propp considered that Baba Yaga is a caricature of the leader of the rite of passage in primitive societies). And finally, in a tale of Yakutia, the Ega-Baba is described as a chaman, invoked to resurrect a killed person. The author of the article concludes that the first link between Yaga and Perchta is that they are witches/goddesses that can be protectress, but have a demonic/punishment-aspect that can be balanced by a benevolent/initiation-aspect. But it doesn’t stop here.

The Twelve Days are celebrations in honor of Perchta, practiced in Germany, Austria and Switzerland. Still today, “Percht” is a term used to call masked person who haunt at night the villages of High-Styria or the land of Salzbourg: they visit houses while wearing masks, clothed in tatters and holding brooms. During these celebrations, young people either dress up as beautiful girls in traditional costumes (the schöne Perchten), either as ugly old woman (die schiache Perchten). These last ones are inspired by the numerous depictions of Perchta as an old woman, or sometimes a human-animal hybrid, with revolting trait - most prominent of them being the feet of a goose. This could explain in Serbia the existence of a Baba Jaga/Baba Jega with a chicken feet, or even the chicken feet carrying the isba of Baba Yaga. This deformation also recalls a figure of the French region of Franche-Comté, Tante Arie (Aunt Arie), another supernatural woman of the Twelve Days tied to spinning. The second most prominent trait of the “old Perchta” is an iron nose - already in the 14th century, Martin of Amberg wrote about “Percht mit der eisnen nasen”, “Percht with an iron nose”. Yaga also sometimes hag an iron nose, and this is why she was associated with other figures of Carpathian or Western Ukraine folklores - such as Zalizna baba or Zaliznonosa baba, the “old woman of iron”, who lives in a palace standing on duck legs ; there is also Vasorru Baba, the iron-nosed woman of Hungaria. Or Huld - another Spinsstubenfrau, often related to Perchta, but who has more sinister connotations. Huld has an enormous nose according to Luther, and Grimm notes that sometimes she appears as a witch with one very long tooth. This last characteristic if also recurring in Eastern Europe’s mythologies: in Serbia Gvozdenzuba (Iron Teeth) is said to burn the bad spinners ; and Baba Yaga is sometimes described with one or several long teeth, often in iron. But it is another aspect of the myths of Huld, also known as Holda or Frau Holle, that led the scholar Potebnja to relate her to Perchta and Baba Yaga.

According to German folk-belief, Huld (or often Perchta) shakes her pillowcases filled with feathers, which causes the snow or the frost ; and thunder rumbles when she moves her linen spool. It is also said that the Milky Way was spinned with her spinning wheel - and thus she controls the weather. In a very similar function, the Baba Jaudocha of Western Ukraine (also called Baba Dochia, Odochia, Eudochia, Dochita, Baba Odotia, a name coming from the Greek Eudokia) is often associated with Baba Yaga, and she also creates snow by moving either her twelve pillows, or her fur coat. According to Afanassiev, the Bielorussians believed that behind the thunderclouds, you could find Baba Yaga with her broom, her mortar, her magic carpet, her flying horses or her seven-league boots. For the Slovakians, Yaga could create bad or beautiful weather. In Russia, she is sometimes called ярою, бурою, дикою , “jaroju, buroju, dikoju”, a name connected to thunderstorms. Sometimes Yaga and her daughters appear as flying snakes - and the полет змея, the “polet smeja”, the “flight of the snake” was believed to cause storms, thunder and earthquakes. In a popular folk-song, Yaga is called the witch of winter: “Sun, you saw the old Yaga, Baba Yaga, the winter witch, this ferocious woman, she escaped spring, she fled away from the just, she brought cold in a bag, she shook cold on earth, she tripped and rolled down the hill.” Finally, for Potebnia, the duality and ambiguity of Baba Yaga, who steals away and yet gives, can be related to the duality of the cloud, who fertilizes the land in summer, and brings rain in winter. Baba Yaga is a solar goddess as much as a chthonian goddess - she conjointly protects births, and yet is a psychopomp causing death.

It seems, through these examples, that Baba Yaga is a goddess - or to be precise, a spirit of nature. Sometimes she is a leshachikha, the wife of the “leshii”, the spirit of the forest, and she herself is a spirit of the woods, living alone in an isolated isba deep in the thick forests. She is thus often paralleled with Muma Padurii, the Mother of the Forest of Romanian folklore, who lives in a hut above rooster’s legs, surrounded by a fence covered in skulls, and who steals children away (in tales of the type AT 327 A, Hansel and Gretel). This aspect of Baba Yaga as a spirit of the forest, and more generally as a “genius loci” (spirit of the place) also makes her similar to another very important figure of Slavic folklore: Полудница (Poludnica), the “woman of noon”. She is an old woman with long thick hair, wearing rags, and who lives in reeds and nettles ; or she can rather be a very beautiful maiden dressed in white, who punishes those that work at noon. She especially appears in rye fields, and protects the harvest. In other tales, she rather sucks away the life-force of the fields - which would relate her to some stories where Baba Yaga runs through rye fields (either with a scarf of her head, or with her hair flowing behind her). Poludnica can also look like Baya Yaga: Roger Caillois, in his article “Spectres de midi dans la démonologie slave” (Noon wraiths in the Slavic demonology), mentionned that Poludnica was a liminal deity of fields, to which one chanted полудница во ржи, покажи рубежи, куда хошь побѣжи !, “Poludnicaa in the rye - show the limits - and go where you want.” This liminal aspects reminds of an aspect of Baba Yaga as a genius loci, tied to a specific place that she defends. It is an aspect found as Baba Yaga, Baba Gorbata, Polydnitsa and Pozhinalka: Baba Yaga is either a benevolent spirit that protects the place and the harvest ; either she is a malevolent sprit that absorbs the life-force of the harvest and destroys it. This is why she must be chased away, and thus it explains a Slovanian song that people sing during the holiday of Jurij (the feast day of Saint George), the 23rd of April, an agrarian holiday for the resurrection of nature: Zelenga Jurja (Green George), we guide, butter and eggs we ask, the Baba Yaga we banish, the Spring we spread!”. This chant was tied with a ritual sacrifice: the mannequin of an old woman had to be burned. As such, Baba Yaga and her avatars, was a spirt that had to be hunted down or banned - which is a custom found all over Europe, but especially in Slavic Europe. At the end of the harvest, several magical formulas were used to push away or cut into pieces the “old woman” ; and we can think back of Frazer’s work on the figure of the “Hag” (which in the English languages means as much an old woman as a malevolent spirit), who is herself a dual figure. In a village of Styria, the Mother of wheat, is said to be dressed in white and to be born from the last wheat bundle. She can be seen at midnight in wheat fields, that she crosses to fertilize ; but if she is angry against a farmer, she will dry up all of his wheat. But then the old woman must be sacrificed - just like in the feast of Jurij.

The author concludes that the “folkloric” aspect of Baba Yaga stays relatively unknown in the Western world and the non-russophone lands. The most detailed and complete work the author could find about it is Andreas Johns’ book “Baba Yaga: The Ambiguous Mother and Witch of the Russian Folktale”. The author of the article tried to prove that, as Johns said, the Baba Yaga is fundamentaly ambiguous - at the same time a kidnaping witch, a psychopomp, a cannibal, a protectress of birth, a guardian of places, a spirit of nature and harvests... And that she is part of an entire web and system of demon-feminine figures that create a mythology ensemble with common characteristic - very present in Eastern Europe, but still existing on the continent as a whole.

#the yaga journal #baba yaga #slavic folklore #eastern europe folklore #european folklore #perchta #fairies #fairy folklore #demonology #demons #witches

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