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#milkweed press
peonybookblog · 29 days
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Guess what's out today! It's You Are Here: Poetry in the Natural World, which is a collection of 50 poems edited by Ada Limón that reflect on our relationship with the natural world. It looks really cool!
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allthatdivides · 1 year
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pressed flowers in the so much (for) stardust CD case | mine, 2023
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milkweedman · 9 months
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Sorry about all the terfs and drama. Just wanted to say I think you’re cool and I hope your millweed experiments turn out nice.
hey thanks ! the milkweed experiments are currently captivating, which i think is all i can really ask for in an experiment
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woodsfae · 7 months
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For usamericans who may not know how to support decolonization and indigenous people in their every-day lives, may I suggest checking this list of native-owned businesses, curated and maintained by indigenous folks. There's food, candles, cbd pre-rolls, clothes, jewelry, hats, baby things, handicrafts, art, and hundreds of other useful and wonderful things. I check this list before I buy non-native owned as often as I can.
Also check out the native-owned (pulitzer-prize winner Louise Erdrich started it!) bookstore and press Milkweed Editions (dot org) for an amazing selection of books by indigenous authors. I recommend Braiding Sweetgrass by Robin Wall Kimmerer (a collection of essays that will change your thinking if your mind is open at all) that's great for sitting down to read for bite-sized chunks. For book recommendations, check out this infographic!
Do you own property and want to support landback but still need a place to live? Odds are good that there's established precedence in your area to transfer its jurisduction to a local tribe and pay your land taxes and etc to them instead of the settler government!
Here is a list of charities and fundraisers for indigenous support.
Other ways to educate yourself and learn what indigenous people are working on nationally and locally is to follow indigenous people online! Many Native peoples on various social medias tag with #indigenous, #native, and by looking at those you will find many other tags and people to follow.
If you have extra cash, consider paying indigenous people's bail, donating to some of the causes linked above, or look for local initiatives to support in your own community!
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Whatever it was I lost, whatever I wept for Was a wild, gentle thing, the small dark eyes Loving me in secret.
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adore-laur · 5 months
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DADRRY: PART THREE
— part one | part two
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October - Flashback
Leaves from the oak and cottonwood trees are changing color at last. Their shades of varietal greens bleed into marigold and maroon ones to commence autumn in California. The weather is more than adequate when it nears the end of the year, with days never below seventy degrees. Brisk winds blow by the ocean and migrating clusters of monarch butterflies flood orange milkweed with their stained-glass wings, looking similar to the plants they flutter around.
Driving alongside the premature sunset, you press on the brakes and pull into the crowded parking lot of the restaurant. Harry has been setting up and bartending for a wedding's cocktail hour, which he seldom does under his title as head chef. He mentioned before he left that he wanted to talk to you about something important after his shift, so he reserved a table in the dining area where both of you could eat dinner and discuss. Luckily, he doesn't have to work his way into the early morning since someone will replace him once the reception officially starts.
It's Harry's last shift before he's home for an extended period. He managed to save all of his annual vacation days and is free from work for the last month of your pregnancy, as well as the twelve weeks of paternity leave he's allowed once the baby is born. That means four months to adjust to a new reality.
It's difficult to imagine how much convincing it took and the scheduling difficulties he had to come across to get everything sorted out. You're worried the restaurant will crumble without his supervision, but you shouldn't judge his expertise on the matter. He knows what he's doing.
You stroll through the front doors while smoothing the chiffon fabric of your dress that flows over your bump. You have been frequently wearing Harry's shirts ever since your stomach has gotten too large to wear your own, but you wanted to look nice for yourself tonight. It has been grueling trying to accept your changing body, which is why you strive to do little things to take care of your mental state. And even though you've been more concerned about your physical state lately, if something as simple as putting on a pretty dress will boost your confidence, you'll take advantage of the opportunity.
Carefully weaving through the decorated tables, you peer at the bar area built against the farthest wall. Harry's familiar back profile is turned to you as he washes cocktail glasses. His defined muscles shift under the tight, black button-up he wears, and his sleeves are rolled up to his elbows, showing the tattoos on his forearms. He's also sporting fitted slacks with matching attached suspenders. He's been growing out his hair within the last couple of months, the curls now flourishing past his ears. He always keeps them pushed back with a bandana or headband so they don't fall in his face while he works.
You don't want to be a nuisance and steal a seat from any guests, so you stand off to the side and wait for him to finish his cleaning duties. His bulky rings clink against champagne glasses as he dries them and puts them under the counter. You can hear him faintly whistling along to the music coming from the nearby banquet hall.
Once Harry finishes wiping clean his station, you watch him sneakily take out his phone and start typing something. You assume he's texting you to let you know he's done. He then washes his hands while another bartender walks behind the counter to clock in—they must be the one replacing him. You're not too knowledgeable about who all tends the bar since Harry is usually in the back running the kitchen, but it's intriguing to see him in a different environment nonetheless.
He gives the employee a friendly squeeze on their shoulder before clocking out and heading in your direction. He nearly brushes past you while taking his phone out again, completely oblivious of your presence, and you laugh before stopping him with a hand on his chest. It makes him stumble back with a confused pout, but he soon smiles in surprise when he recognizes you.
"How'd you get in?" he asks breathlessly, kissing your cheek.
"I told the security guards at the gate that my husband works here, and I'm picking him up. If they said no, I was going to tell them my water broke."
He smirks proudly. "Clever. How are you feeling? Baby's good?" He holds your upper arms, and his eyes scan your body as if you've changed drastically since you saw him only six hours ago.
"All good. Just a sore back like usual." You toy with one of his suspender straps. "What about you? It's your last shift for a while."
Exhaling happily, Harry clasps your hand in his and says, "I feel fantastic. Let's go eat, yeah? I'm starving."
He guides you through an open doorway leading to the restaurant's dining area, where the reserved table is. In the back of the room, you spot a candlelit booth with plates, silverware, and two glasses filled with ice water. The water doesn't go unnoticed by you, considering he set a goal for himself to stop drinking alcohol along with you.
A vase of beautiful red roses on the windowsill catches your eye as you sit down. Harry slides into the seat across from you. Only a few other booths are occupied—otherwise, the room is serenely quiet, with the occasional clink of metal and sprinkle of light chatter.
"You look angelic, by the way," Harry says before taking a delicate sip of his water.
"Thank you," you whisper, nudging his foot with yours under the table. "I like your suspenders. They remind me of when you used to be a rookie assistant chef that I'd come to visit. You would wear them under your chef coat with a fancy little neckerchief. I thought you looked so adorable."
"Now I'm old and weathered," he says wryly.
"Well, you're turning thirty soon. Plus, you'll be a dad in a month. Isn't that when someone officially becomes a DILF?" You're not sure why you casually mentioned the acronym over a romantic dinner, but it's too late to retreat now.
Harry's eyes gleam, and he fails miserably at hiding a smile under his scrunched nose. "Pardon? What are you trying to insinuate, darling?"
"Nothing! Never mind,” you backtrack, embarrassed that you ever spoke. "I was only trying to bring up a nice memory—reminiscing, if you will. Forget I said anything."
"I'm definitely not forgetting that. The ugly neckerchief, however..." He laughs at himself. "God, that feels like forever ago. Time flies."
"I thought it was kind of attractive," you mumble around the rim of your glass.
He raises his eyebrows as a warning not to start something you don't want to finish, then clears his throat and sets his forearms on the table. "Speaking of work, that's what I wanted to talk to you about tonight. I want you to keep an open mind, okay?"
Your lips downturn in curiosity. Just as you're about to reply, a waiter arrives at the table with a tray of steaming dishes and places them in the center. You had texted Harry what you wanted from the menu after he left this morning, and since he's the boss, everything is free, cooked to perfection, and served promptly.
"Thank you," Harry says politely before focusing back on you. The waiter leaves, and you begin picking at your food to distract yourself from your increasing heart rate.
"Um, did you say work? Did you get a promotion? Is that even a possibility for a head chef?"
You physically see the color drain from his face. "So," he says nervously, ignoring your questions, "the baby's coming soon, yes? Obviously."
"Right..." you reply with a suspicious tone.
Shifting in his seat, he runs a hand through his tousled hair. "Listen, the restaurant during fall and winter isn't as busy as the summertime. You know that. And because of that, I want to be home with you and the baby as much as possible. I will with paternity leave, but once I go back to work my hours will pick up again, and it'll be—"
"Harry, just tell me," you interrupt gently. He has a bad habit of running circles around topics.
He blows out a short breath. "I'm demoting myself. It's in the works that I'll be the sous chef when I return, so that means fewer hours and more time at home."
You're glad you haven't taken a sip of water yet because you almost choke at the admission that left his mouth. Demotion? He has never mentioned that word to you before.
"Can I ask why in the world you would do that?" you ask sharply. You don't mean to sound snippy, but pregnancy hormones, on top of Harry's revelation, cause a pit of unwarranted annoyance to simmer in your gut.
"Love, let me explain." He reaches forward to grasp your hand across the table and squeeze it. "This is my choice. It's final, all right? I'm not going to be working ten hours a day, six days a week while you're at home with our baby. That's ridiculous."
"Harry, what about—"
"Stop while you're ahead because you're going to overthink it," he replies calmly. "If you're worried about money, don't be. It's only a slight decrease in my wage. Everything will be fine."
Your annoyance wins as you slide your free hand down your face. "You realize that we'll need more money when the baby comes. It's common sense. Why would you think cutting your hours and pay is smart?"
Harry scoffs like what you're saying is absolute insanity. He leans in closer so the impending argument doesn't disrupt anyone's dinner, his voice hushed yet stern when he retaliates, "Would you rather me come home every day absolutely knackered and then spend a maximum of four hours with our child before I have to get up to do it all over again? Hmm?"
You shake your head in irritation and stubbornly remove your hand from his. "It's called adapting. It may be tough at first, but it becomes second nature. We just have to wait until the baby gets here to figure out a schedule that works."
Harry falls back against the booth and throws his hands up in frustration. They slap against his thighs before he says, "Do you realize how stupid you sound right now? You're talking about money and scheduling like we're fuckin'—"
"I'm leaving." When you stand, Harry's mouth instantly clamps shut. You don't care that you barely ate your food—you can't listen to him anymore. You're awfully close to lashing out.
Heading the way you came from, you hear Harry's footsteps behind you. Once you're in the parking lot, you groan when you remember that he has to ride home with you since you dropped him off earlier. While you struggle to unlock the car, you see Harry in your peripheral, striding to halt you from going any further.
"I didn't mean it. I'm sorry." His shoulders sulk, and he looks genuinely distraught. "Can we just talk this through when we get home, please?"
Your eyes dance over his defeated expression. You don't have the choice to say no since you live together, plus you promised years ago never to go to bed angry. So, you nod your head, and he gives you a timorous smile before withdrawing to the passenger seat.
As you drive, you give Harry the harrowing silent treatment. He deserves it, especially since he's looking out the window and pouting like a child with his arms crossed. The only sound in the confined space is the air conditioner running and cars zooming past on the highway. Your stomach grumbles, and you feel terrible about leaving two plates of food at the restaurant untouched.
After several minutes of dreadful silence, Harry finally breaks the tension when you park in the garage. He grabs a white envelope tucked in the console and asks, "What's this?"
Oh. You forgot about that.
"Nothing," you mutter, unbuckling your seatbelt.
Harry rolls his eyes and flings it onto the dashboard, then reaches over to take the key out of the ignition to unlock the front door. Seconds pass before you hear a slam and an echo from him shutting the door harder than necessary. It causes you to swallow down more vexation. There have been tiny arguments more often since you got pregnant, and you blame your hormones every time for getting irritated so easily. Harry usually isn't the reason for those heightened emotions, but there are situations when he can be so stubborn that you just want to shake him out of it.
Eventually, you get out of the car with the envelope in hand and head down to the beach for some time alone. It'll be nice to sit by the water and cool down, figuratively and literally. You have an inclination that if you try to hash it out with Harry right now, it will only result in more regretful words.
You reach the private stretch of sand, holding your bump protectively as you decline the wooden steps. It's chilly by the oceanside this time of year, so you grab a towel that was left on the railing from previous evenings and drape it over your shoulders in case you get cold. The October sun has fully set, with orange and pink streaks expanding across the skyline.
You sit down and reflect on the unfortunate escalation of your conversation with Harry. You love him and could never feel an ounce of hatred toward him. He has never given you a reason to doubt anything, but to put his career on the back burner without mentioning it to you is hurtful. You almost feel guilty knowing he made the choice because of you and the baby. You sometimes shy away from being the main priority because you don't want to feel like a burden. In retrospect, it's incredibly thoughtful that he wants to work less to spend quality time with the baby when they arrive. On the other hand, you can't help but worry that you won't be financially secure because of it.
"Hungry?"
Your head shifts to find Harry walking toward you with a spoon and a strange-looking fruit in his hand. It's impossible not to smile when you note the outfit he changed into—banana yellow trousers and an argyle knit sweater. All of his rings are off except for his wedding band.
He's the love of your life and has nothing but pure intentions, so how could you not trust his decision?
"What is that?" you ask, pointing to the half-cut fruit as Harry plops down next to you.
"A papaya," he replies with a shrug. "A blog said at thirty-two weeks, a baby is as big as one of these bad boys. So, naturally, I bought one."
You have to turn your face so he doesn't see your smile. You're not giving him the benefit of seeing you crack from his endearing ways just yet. "You're an unusual man, Harry Styles. Do you plan on buying more fruit for the last four weeks?"
"I already put pineapple on the grocery list," he says unconcernedly as he scoops out a chunk of the fleshy fruit. "Anyway, I didn't come out here to discuss fruit." His tongue sticks out as he takes a bite, the spoon leaving his mouth with a pop before he points it at you. "Still mad at me?"
You internally sigh, knowing it's useless to continue acting like he's in the wrong. "I can't stay mad at you. And I don't know why I got so worked up. I was just being overdramatic."
Harry hums in thought as he swallows another bite. "Expressing how you feel isn't overdramatic. Don't apologize for having those feelings, especially toward me. Yell at me if I'm being a dick, kiss me if I'm being a dreamboat—it’s simple, baby." He finishes his little speech by shoving another spoonful of papaya into his mouth, chewing introspectively while staring at the waves.
"Was it Socrates who said that?"
He plucks your bottom lip with the spoon and murmurs, "You're feisty today."
"Back to the topic," you say before he can proceed. He knows it riles you up when he calls you that. "Money shouldn't have been what my mind first went to. It's still a concern but ultimately, making time for our family is the most important thing. I apologize for freaking out."
"You're forgiven." He scoots closer and holds a spoonful to your mouth. You accept the sweet flavor as he adds, "And I'm so sorry for calling you stupid. Please know that is the furthest thing from the truth."
"We all say things we don't mean sometimes. It takes basic empathy to understand that part of life," you reply. There's no use in acting like you haven't done the same thing in the past.
Harry slings an arm around your shoulders, bringing you in for a warm side hug. "What you said is true, by the way. We have time to figure things out and adapt. Let's enjoy the last month we have to ourselves.”
You nod in agreement and say, "I also want to thank you for being so thoughtful and putting our family first. I trust you with this new chapter in our lives. I don't doubt you at all."
"Don't worry about it," he says with a kiss to your temple. "I'm proud of you for dealing with every mental and physical change these past eight months. And I will always be here for you through the good and bad moments. In sickness and in health, remember?"
You smile fondly and take the white envelope out from under your leg. "Are you in the mood for a good moment with me?" Harry looks confused, but he nods anyway. "When you saw this in the car, it's not nothing like I said it was. It's from when I went to my prenatal appointment a few days ago. I know we decided to find out the gender a month before, so I have the results. I haven't looked at them yet."
Harry's eyes widen, and his mouth parts as he sets the papaya down. "I am not prepared for this. Wait, hold on. Let me breathe for a second." His head tilts up toward the sky as he takes dramatic, calming breaths.
You laugh and set the envelope on his thigh. "Do the honors, Styles. Let's see if your prediction is right."
He picks it up and carefully opens the seal. Unfolding the paper filled with medical information, he quickly skims the tiny lettering to look for the answer he's been waiting for.
"Holy shit," he says, his voice cracking as his hand covers his mouth.
"I'm guessing you're right?" you ask, your eyes watering.
"Girl. We're having a girl. Jesus, I'm gonna cry." He wipes away his tears. "Why am I crying? I was confident it was a girl."
"Because it makes it more real," you say, leaning over to kiss his damp, rosy cheeks. "Now we know for sure."
"Come here, honey. Let me take a look at her."
You sit on your knees between his spread legs. Harry sets the envelope down and lifts your dress, revealing your bump that puts quite some distance between you and him. His hands splay across the taut skin as he leans down to kiss right above your belly button. He gazes up at you under his wet lashes and smiles against your stomach, his dimples carved deep with happiness.
"I love you," he whispers with a sniffle. "I love both of you so much. With my entire soul."
Within the simple moment, everything falls into place.
——
July - Present Day
Everything is falling apart.
Well, not really, but you sure feel that way as you bend over the toilet at seven in the morning and empty your queasy stomach once again.
It's the first Sunday in July, marking ten weeks of your second pregnancy. When you woke up with a wave of morning sickness a couple of hours ago, you noticed something peculiar. As you were rubbing circles on your abdomen to ease the nausea, it appeared that your stomach had seemingly popped overnight. The curve was more prominent and firm, a small bump you must have mistaken for bloating. The bump is pretty much nonexistent in a loose shirt or hoodie, but anything tight will hug it and be a constant reminder of baby number two growing in there.
Dizzily standing, you move toward the sink to brush your teeth for the umpteenth time, then gurgle some spearmint mouthwash to diminish the rancid taste in your mouth. Pots and pans can be heard clanging downstairs as you wipe your lips, and the occasional giggle from your daughter mixes with Harry's theatrical voice, which he puts on whenever she watches him cook.
The smell of sizzling bacon doesn't help the swirling feeling in your stomach as you head downstairs to the kitchen. Their lighthearted commotion grows louder, and you stop to stand in the doorway to soak in your favorite part of Sunday mornings. Harry is in front of the countertop, and your daughter stands on her tiptoes on a step stool next to him, the two of them watching pancakes turn golden brown on the griddle.
He's in full dad mode with tired eyes and an outfit that screams: I have a toddler and pregnant wife at home. In other words, a black button-up with pink flamingos and grey pleated trousers. They don't match whatsoever, but you know he doesn't care.
He voyages around the kitchen, pouring orange juice, dropping chocolate chips into the batter, and ensuring your daughter's little hands don't touch anything hot. Your hand subconsciously holds your bump as you think about how you'll get to see him interact with a newborn again — cradling them, teaching them to walk, pretending to eat their hands and feet. He still does that with your daughter, but it breaks your heart knowing she'll grow out of it one day.
"Good morning," Harry acknowledges with his back turned, halting your daydreaming. How does he always sense your presence?
When you don't say anything, he turns to glance at you while setting a heart-shaped pancake on a plate. Your smile grows wider as you curl your pointer finger to beckon him closer. He gives you a confused look before unplugging the griddle and instructing your daughter not to touch anything on the counter. She'll be too distracted by the cartoon playing on the television to even notice that the both of you will be gone for a moment.
Sauntering toward you, Harry sticks his thumb in his mouth to lick the excess batter off. "What's up, baby?"
"I have a surprise to show you," you whisper, accepting his kisses.
"Yeah? S'it my half-birthday or something?" he asks, his voice still gravelly and slurred from sleep.
"No, this isn't about you," you tease with a pinch to his side. "Come with me."
You grab his hand and lead him to the bathroom just down the hall. Turning the lights on, you stand in front of the mirror and say, "I'm ten weeks today. I woke up with a little morning sickness, but look!" You lift your shirt and turn to the side to get a better angle of your stomach. "It was just pudge before, but it's an actual bump now."
Harry stands behind you and rubs his hands over the swell. "No fuckin' way. You… this happened overnight. I was spooning you this morning! How did I not notice?"
"I don't know. I didn't notice either, and it's my own body." You shake your head disbelievingly and place your hands over his. "I read that women's second pregnancy will have them showing earlier. I guess that's why I popped so soon. Last time, I didn't show until fourteen weeks or something like that."
He hums lowly, pulling you further back against his chest. "I've missed seeing you like this. It makes you glow more than usual." His mouth is by your ear when he quietly murmurs, "Makes me hard."
"You're so naughty in the mornings," you say, removing yourself from his grasp and pulling down your shirt. "C'mon, let's eat breakfast."
Harry whines in protest, gently grabbing your face and turning it toward him so he can nip your jawbone and then lock your lips together. After your stolen moment alone, the both of you head back to the kitchen to enjoy another blissful Sunday morning.
——
Takeout pizza is on the menu tonight. The trunk of the Volvo is open, with blankets and pillows strewn about to create a fort-like space for the three of you to sit in. Harry had driven the vehicle down to the beach so you could watch the sunset and feel the breeze from the ocean.
You get comfortable in the trunk and set paper plates and napkins down. Harry and your daughter are in the beach grass picking the wildflowers that blossom there. Her hand grips bunched stems while her other holds her dad's as they wander. Her precious fruit-patterned dress flows in the wind.
Moments later, they come strolling toward the car with soft smiles. Your daughter clambers into the trunk with your help and hands you a makeshift bouquet of yellow and purple wildflowers.
"Thank you, sweetheart," you say with a kiss to her windswept hair.
Harry places his hands on either side of your thighs and leans in for some of your affection. You peck his lips; they're pink from the strawberry Kool-Aid he made earlier. Before he retreats, he glimpses at your baby bump. He exhales and looks at you with a crooked smile, his thumb stroking the underside of your baby bump.
"Kumquat," he says with a click of his tongue.
You laugh, albeit not understanding. "Come again?"
"A baby at ten weeks is the size of a kumquat," he explains like it's a well-known fact.
"Interesting," you say. "Well, the kumquat is hungry, so get up here and cut the pizza."
Your daughter is oblivious to the conversation as Harry scoots next to you and begins rolling the pizza cutter. His forearm flexes, and the veins bulge when he does it. "Small bites, little lady," he tells her as he puts a slice on her plate.
Reaching behind you, you grab a bottle of sparkly pink nail polish you brought out. "She told me when you were picking up the pizza that she wants you to paint her nails."
Harry nods and pats his lap. She excitedly sits between his legs and waits patiently. After taking the bottle of polish from you, he shakes it when his ringtone suddenly goes off. He juts his lips out as he reaches into his pocket to check the number.
"Hello?" he answers, balancing his phone between his ear and shoulder. He opens the cap and begins painting her nails.
You observe his facial expressions. He has a serious look and frequently nods as he listens to whoever's on the other end of the line. You pluck a green pepper off the pizza and hold it up to him. He opens his mouth and takes it, scrunching his nose as a thank you.
"I'm good for tomorrow? Are you sure?" he asks through his chewing. You hear an unfamiliar muffled voice before he says, "Awesome, thank you. Call me if anything changes. Okay, bye." He sets down the nail polish and hangs up before resuming painting her pinky finger.
"Who was that?" you ask while tucking a wildflower stem behind his ear.
"My boss," he says, licking his thumb and wiping a smudge he made. I don't have to go in tomorrow since there are barely any reservations."
"No sparkles," your daughter blurts before you can reply. Harry freezes and eyes you perplexedly.
"What?" you ask. She points to one painted nail and purses her lips. You gently take her hand and observe it closely — no sparkles are showing up. The polish must have gone bad. "I'm sorry, baby. It must be icky polish. We can take it off and get another one."
It's almost scary how quickly the waterworks start. You exhale as you take the plate from her so she doesn't throw a fit and make a mess everywhere. She's crying and staring at Harry like he's the cause of no sparkles. Well, maybe he didn't shake the bottle enough, but you keep your mouth shut so you don't make matters worse.
Harry grabs her waist and props her in front of him. "We're not gonna start this. Mumma said we can get some more, all right? Behave, or I'm not painting your nails."
You could have predicted what happens next from experience. Her harmless fists hit his chest in frustration as she sobs. Undried polish smears all over his shirt. Harry has always been good at controlling these minor mishaps, so he inhales deeply before lifting her writhing body.
"Early bedtime it is, then," he mutters while walking toward the house.
You begin cleaning up the short-lived dinner. It isn't anything new you've had to deal with, but it exhausts you, especially when she has a tantrum during family time. You take the pizza box out of the trunk, then close it and decide to clean everything else tomorrow. You drive the car to the garage and lock up everything before stepping inside.
After putting the pizza in the fridge, you slowly go to your daughter's bedroom, listening for any crying or screaming. A sigh of relief leaves you when only subsiding whimpers indicate she's done for the night.
Your heart softens at the sight you walk in on. Harry sits against her headboard, his feet hanging past the edge of her tiny bed as he cradles his baby girl. He soothingly rocks her side to side, his eyes closed as he rubs circles on her back. Her heavy eyes are barely open, her tear-stained cheeks smushed against Harry's chest. She's in her pajamas now.
You kneel next to her bed, and she extends her arm, reaching for you. Harry jolts awake, sharply inhaling and blinking open his eyes. His grip loosens when he notices that she wants you. You stand and take her in your arms, her legs hugging your waist. You then sit by Harry's thighs and quietly laugh when you see the residue of nail polish staining his shirt.
Harry lazily grins and clasps his hands behind his head. "It's not funny. I bought this shirt because of her, and this is what I got in return. She's a proper menace."
You squeeze his ankle in good nature before replying, "I wonder where she gets it from."
He gasps in faux offense and grabs your daughter's hand, shaking it playfully. "Mumma's being mean, don't you think?"
She sleepily shakes her head. You raise your eyebrows smugly before smattering her cheeks with kisses until she smiles and tiredly whines into your neck.
Harry yawns before catching your gaze and jerking his head toward your stomach. "Should we tell her?" he mouths.
Your heart rate quickens. You're not too worried that she'll get upset, considering she has asked on a few occasions — as best she could with her limited vocabulary — if she could have a sibling. You think it's time to tell her the news now that you're showing.
As you nod eagerly, Harry swings his legs over the mattress and crouches between your knees. You shift your daughter so she's settled sideways on your lap, then nod again to let him initiate the conversation.
"We have something to tell you, sweetheart," he says, a fond gentleness in his tone reserved only for her. Her head turns away from the safety of your neck. "You know how you've been asking about a baby brother or sister?" She nods languidly, prompting him to ask, "And do you see her belly?"
You situate her next to you so you can lift the stretchy material of your tank top. Harry says, "There's a baby in her belly." He guides her hand to your bump. "Your brother or sister is growing in there."
Her expression is unreadable at first, but then she gazes at you with curious eyes. "Baby," she utters drowsily. She's about one second away from slipping into a deep sleep.
"I don't think she'll remember in the morning," Harry says with a laugh.
You smile dotingly and stand before tucking her into bed. You kiss her forehead and watch her doze off as Harry tells her goodnight, whispering his boundless love for her and sealing his truthful words with a feather-light kiss to both of her cheeks.
Shutting off her bedside lamp, you leave the room with Harry hot on your heels. You're in the process of pulling your tank top down on the way to your bedroom, but before you can reach the door, Harry grabs your hips, stopping you in the dark hallway.
"You can't look this good and go straight to bed," he says lowly, his breath warm and intimate.
"Mom needs her sleep before work tomorrow," you reply with a smirk, keeping to yourself that you wouldn't mind staying up a bit longer if he continues praising you like this.
"Please, baby," he murmurs, his hands drifting dangerously lower. "Just a quick one, yeah? I'll let you do whatever you want to me."
Don't give in, you think to yourself. Make him work for it. 
"Anything?" you ask sensually as his fingers begin to brush along your inner thighs, causing your knees to weaken temporarily.
Harry licks his lips, his tongue poking your neck with the faintest touch. "Don't act like I wouldn't let you ruin me, darling."
You clench your thighs around his hand, and he hoarsely groans against your skin. "But I'm so tired, Harry. It won't last very long if I want to do what I want with you."
"Like I give a shit." He cups your core with his palm, his impatient fingers stroking over the fabric of your silk pajama shorts. "You could give me the sloppiest blowjob ever, and I'd still worship the ground you walk on."
You bite your bottom lip, suppressing the urge to moan. "Will you run me a bath afterward?"
"We can just fuck in the bath instead if that's what you fancy."
You ponder for a brief second. "It would be an easy cleanup. We'd have to do it in the downstairs bathroom, though, and you'd have to be quiet. Think you can handle that?"
"Dunno. Do you plan on making me scream?"
"I could put those suspenders you wore today in your mouth to shut you up."
He exhales a sexy sound, one that reveals you caught him off guard. "You'd like that, wouldn't you?"
You hum and grab his hand, raising it to your mouth to nip at the calloused pad of his thumb before walking down the stairs to the bathroom just around the corner. The porcelain tub awaits, and you turn the knob and plug the drain, water gushing out. The bay window it sits in front of exhibits the endless ocean and horizon view. The sky is fading into starlit blues and purples.
Once the water is high enough and sufficiently warm, you shut the faucet off and begin removing your clothes. Harry enters the bathroom a few moments later and quietly closes the door behind him, flicking the lock. He unbuttons his shirt painstakingly slowly while facing the mirror, his eyebrows furrowed in concentration.
While he undresses, you step into the tub and watch him. He's taking his trousers off now, his exposed back muscles flexing along with his biceps as he shimmies the garment down his legs. His body is truly something from an empyrean vision. Every indent and definition on his skin magnetizes your eyes.
He's entirely stripped when you break away from your reverie, his legs gracefully stepping over the tub's ledge to settle behind you. A muted moan escapes him when his cock rubs against your lower back.
"Already making noise? I haven't even started yet," you tease, leaning into him.
"Can you blame me? I've got my wife" — his fingers glide against your pulsing entrance — "dripping for me already. Absolutely soaked."
"Then do something about it."
Harry palms your clit, and you instinctively bend your knees. "I thought you wanted to be in control tonight."
"Will you be good? You have a reputation for getting antsy and taking over."
His hands travel upwards and squeeze your sensitive breasts. "Yeah? Does that bother you?"
"You know I like it when you're submissive. Especially when you whine for me and try to touch me when you know you can't."
"Go on, then. Take care of your husband."
You turn around and straddle his thigh, your name inked permanently above his kneecap visible through the water. "I'm going to take care of myself first."
"Ride it. You're the only one who's allowed to." His hands try to latch onto your waist, but you slap them away.
"Touch yourself while I ride you."
Harry's tongue pokes the inside of his cheek as he exhales heavily. He grips his cock, squeezing and twisting to relieve himself from the throbbing ache. You begin grinding on his leg to relieve your pressure and stifle your moans in his neck, your core slick with arousal as his thigh muscle flexes with each motion. He starts pumping, one arm resting on the edge of the tub. Your hands place themselves on the side of his neck, and your thumbs apply light pressure there, causing him to release a choked moan.
You shush him. "You have to be quiet. What do you need? Tell me what you want, and I'll give it to you since you're being so good."
"You," he whispers with a pained look etched on his face. "Need you around my cock. Need you pressed against me. Please, please, please."
His voice dies with each plead, and you cradle his limp head as he fully submits to you. Whenever he begs, you entirely unravel. Your dominant wall crumbles with his whines, and his deep voice always goes a pitch higher to show his desperation for you. His pink lips form solicitous praises and carnal noises of desire. You want to kiss them until they become swollen and numb.
"I know," you say, kissing the scrunch between his furrowed eyebrows. "Fill me up. I'm ready."
Shakily lifting on his thigh, you get Harry to sit up more in the tub so he can line his cock up with your entrance. When you slowly sink, he stretches your walls and hits you deep, a breathy moan leaving your mouth. Your fingers scratch his soft stomach, and your body leans into him as you begin to ride him. Your hand reaches down to squeeze one of his balls, making him let out a guttural moan before you stop him by covering his mouth. His muffled whimpers encourage you to go faster, your stomach pressing into his abdomen with each thrust.
"D-don't want to," Harry stutters through ragged breaths. "Let me come on your stomach. Please. You're so beautiful like this."
Who are you to say no to such a filthy request?
"Are you close?" The question lingers, and Harry seems to be spaced out from pleasure because he doesn't answer. You can feel him throb inside you as he jerks his hips up at a different angle. His glistening chest is heaving, his eyes pinched shut.
"Harry." You cradle his cheeks to bring him back to earth. "Are you there?"
He hears you this time, nodding fervently until, little by little, he slips himself out of you to stand up in the water. You get up with him and sit on the edge of the tub so he towers over you, and he holds his cock and looks up at the ceiling as he comes on your stomach and chest. You hold his free hand to balance him, his legs trembling and his lips pulled inward to stop any moans from escaping.
His warm release drips down on you, and once he finishes, he falls to his knees in the water, some of it splashing over the tub and onto the floor. His hands grip your ankles to put them over his shoulders, leaving kisses up your legs. You spread them more so he can finish you off. You could quickly come in two seconds if he puts his mouth on you.
"Fingers or mouth?" he asks, hair falling over his eyes.
"Mouth. Can I come on you, too?"
He whines against your inner thigh. "Yeah?"
You whimper and nod. Harry immediately latches his mouth to suck on your clit. There's already pressure building in your lower stomach. He moves down to lick inside of you, his nose nudging your clit as his large, veined hands splay almost protectively on your bump.
"Feels so good," you say, placing your hands on the tub's edge to steady yourself. "I feel it. Please don't stop."
He licks a long stripe, not holding back by fucking his tongue inside so deep that it makes you ache. Your legs tighten around him as you clench multiple times until you can sense your burning climax approaching.
"Harry. Please, I need—" You can't finish your sentence because Harry stands up abruptly and hooks his hand under your knees to lift you, carefully stepping out of the tub and sitting you on the rug. It's messy, and it's uncoordinated. However, he's never one to give you a stagnant sex life.
He's cradling you as your body shakes, then lays down on his back so you can fulfill your request. You straddle his torso, your clenching core settling on his abdomen that's deliciously slick in the low lighting of the bathroom. His thumb presses onto your clit, a move that always allows your orgasm to boil over.
Your neck tilts back, and you orgasm. Harry's hands are everywhere — kneading your ass, rubbing up and down your thighs, groping your breasts. You're grinding on his stomach as you ride out the last of your release, your hands on his sternum. His skin is sticky with your arousal, and you eventually collapse on your back next to him in exhaustion.
"C'mere, love," Harry rasps, his arm extended. You're too far away."
You breathe tiredly, your hands resting on your bump. "I can't. My legs feel like jelly."
Harry snorts and sits up with a groan. He quickly unplugs the drain and crawls over to hover above you, leaving a wet kiss on your stomach. His hand blindly finds a towel around and begins wiping you down.
"This is the lamest aftercare ever," you say, laughing. The dry towel doesn't feel nice on your sweaty skin, and Harry's movements are lazy from the physical exertion.
"That's enough outta you," he slurs through his exhaustion, gently wiping your stomach.
"Should I take off work tomorrow?" you wonder aloud. "I want to sleep in."
"Yes," he whispers, grabbing your hands to sit you up. His eyes take in every bit of you. "Look at you. You're gonna be the death of me."
Every nerve of yours seems to tingle at his words. "Hey, remember when I was pregnant last time, and you nearly broke my back during sex?"
Harry cackles way too loud, and you hush him as his hands slap over his mouth. "I was so scared when that happened. But I could only take you from behind because you were ready to pop, so it's not entirely my fault."
"Excuse me? How is that not your fault?" You yank the towel from him and begin cleaning him. "I'm surprised you didn't make my water break with how hard you were going."
"Jesus, you've got a dirty mind. Save it for later, would ya?"
A comfortable silence ensues while you both get up, wrap towels around your bodies, and then head to the bedroom. You pick out one of Harry's shirts and a pair of underwear to wear as he slides into some black boxers. While you ruffle your slightly damp hair, he sneakily picks you up and lightly tosses you on the bed, making you squeal in surprise.
"Gonna take off work tomorrow?" he asks, kissing down your throat.
"Yeah. I'll lie and say my morning sickness is bad."
His kisses move to your cheeks. "And what if it actually is?"
"Then my husband will wait on me hand and foot," you say with a grin. "Feed me soup in bed. Massage me. Kiss me better."
Harry tucks your hair behind your ear. "You know I'd do that anyway, right? Just say the word, and I'll do anything for you."
You stare at his kind eyes and inviting lips. His shadow of a dimple even when he's not smiling. His perfect nose that resembles your daughter's. His cheeks that were meant to be pinched fondly. His bunny teeth that made you fall in love from day one. The love of your lifetime with a soul that shelters a heart overflowing with endless love.
"I love you."
A whispered reciprocation is spoken, and it's all you need in this world.
——
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possibilistfanfiction · 9 months
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Solid
[nowhere near done in any way that will eventually go into smth longer lol but a little florist/tattooist au softness in celebration of three (3)! movies :) ]
//
'will you tell me about it?' ava asks, then runs a finger, feather light, along your arm. 'your garden?'
you hum, roll over a little so you can see her better in the moonlight. the willamette is calm out the window, even during the storm, glinting with the lights of the city, the bridge, the hush of february snow. it's warm, underneath your covers in maybe the first real home you've ever had — or, at least, the first you've made for yourself.
it's heavy, the insurmountable grief that sits, even among the flowers, ava's gentle fingers, her forever broken spine: parents who didn't love you, even though they should have; parents who couldn't love you, even though they wanted to. but here it is, the quiet, the hum of a different kind of wanting. and so you tell her: the doubled-flowering chrysanthemum; the lotus and the plum blossom and tallow. field maple and wood anemone; the silver y moth and rose chafer. a water deer above your elbow, a hawk's wing along the jut of your wrist. to fill in gaps, just as you do now, hands in soil: yarrow, goldenrod, milkweed.
ava listens with wide, attentive eyes and the softest smile, encouraging you when your voice gets caught in your chest when you tell her about the asters in switzerland, or the way your brother used to press tender ferns between pages of his favorite mystery novels for you to find when you read them after him, and your grandmother's jasmine, steeped carefully into tea she swore could cure any ailment. you finish, let ava still at the space left blank on the underside of your wrist — two tethered marrowbones and countless others floating; the blue of your veins a lie — red, if you were to investigate under your skin — or a breath, anyway. and she waits, lungs easy, the wind howling outside and the bed warm, ava's palm solid against the ink.
'don't laugh—'
'—me? i would never—'
'i want a honeybee, to finish everything.'
there's fond mirth in her smile, but none of it cruel. 'i love that.'
it sounds a lot like something else, sounds a lot like i love you, and it sits at the tip of your tongue but you are not yet brave. instead: 'one day, will you do it for me?'
she lifts your wrist and kisses there, a promise of many, many things: years stretching before you; trips to the gorge; the break of the waves on the coast in the spring. 'i would be really honored.'
it's overwhelming, to be seen, so you tuck yourself into the crook of her neck and she brings her arms around you, allows you this cave where nothing can touch you — your thin ribcages strong and whole, jaws that never clench in fear, the warm salt of tears a footnote, a blessing.
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thenewgothictwice · 28 days
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Image credit: Malak Mattar, “When peace dies, embrace it. It will live again” (acrylic on canvas, 2021).
"Habibi Yamma," by Fady Joudah. Fady Joudah’s sixth and newest poetry collection […] was composed during the early months of the genocide in Gaza. It’s available to purchase from Milkweed Editions.
"In the video, the breathless mother is face to face with her son in his dark blue press gear. With all telecommunications severed for fourteen days, he’d been gathering reports on the besieged hospital. They who bomb hospitals and inherit the earth, who fear defeat by social media posts, were done murdering this one. [Editor’s note: This hospital’s cause of death could not be independently verified.] The Palestinian mother says to her son, Habibi Yamma. She holds his hands, turning them over, she’s an anatomist turned fortune teller, circling his waist, running her fingers around his hips—and he lets her. As if she is the tailor of his soul. As if she had seen his death in a recurring nightmare for two weeks, and in it, his hands were crushed, his love handles blown. She’s refusing to accept his wholesome appearance is real. The massacre is over, and it is the hour of the crow. The bulldozers are done with the earth: corpulent, corpuscular, corpsy, corpacetic. The killers fertilizing our memory with our ghosts and laughing: that their memory is immune to our ghosts. Her son has a full head of grey hair. She is wearing a headscarf. She kisses him, and he lets her. He turns one cheek then the other. A Jesus in him. A Jochebed in her. A Hagar. And Fatima is in her, that’s her name. Fatima or Zaynab. Bespectacled, he removes his glasses, gestures at taking off his vest as proof that he’s hiding neither scratch nor wound. “Why did you come, Mother? You didn’t have to come.” He says it tenderly, emitting a calm, a decoy of the horror inside them. She says, “My heart wouldn’t let me, Yamma.” In a second, I am filled with panic over the wickedness that may hunt down one of them to spite the other. The video’s gone viral. In a second, my tears bring my mother’s prayers to my knees. Her visions of safety and ruin, their history in her gasping heart. All her life, all of mine. In Rafah, in 1956, she’s seven, standing at her front door and shouting the names of abducted young men spared their execution—as they reappear on foot, one by one, into the neighbourhood, their mothers unable to ululate their joy next to less fortunate mothers. And me, some two decades later, a third grader, swallowed by his mother’s exhausting grief towering over the precipice, a portent for the rest of my days: No, Yamma, the school bus did not crash. Yes, the field trip was a blast. Habibti Yamma, I lived. Habibi Yaba, I’m alive. I drank from the only well in the only garden of the only heart I have. The well had been fed for years by tears of every type. And all around me are half-strangers. Half-stranger, will you let me give you back your sight? Or do you still think your heart is all yours—that it isn’t like my mother’s country?"
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kitchen-light · 1 year
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There's a spot over Lake Superior where migrating butterflies veer sharply. No one understood why they made such a quick turn at the specific place until a geologist finally made the connection: a mountain rose out of the water in that exact location thousands of years ago. These butterflies and their offspring can still remember a mass they've never seen, sound waves breaking just so, and fly out of the way. How did they pass on this knowledge of the invisible? Does this message transmit through the song they sing to themselves on their first wild nights, spinning inside a chrysalis? Or in the music kissed down their backs as they crack themselves open to the morning sun? Does milkweed whisper instructions to them as it scatters in the meadow?
Aimee Nezhukumatathil, from “World of Wonders | In Praise of Fireflies, Whale Sharks and Other Astonishments”, Souvenir Press, 2021
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soulmissed · 4 months
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@miidnighters: first things first. a sweatshirt and something hot to drink. (from isaac)
memes, accepting
the rain showers damaged the stem of a milkweed. little august had witnessed it, his nose pressed to window, worried for his plant pal. and he’d bolted outdoors – in t-shirt and blue jeans.
it wasn’t his brightest moment. he likes to imagine it was courageous.
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he’s shivering like a wet kitten, injured milkweed tucked against him. isaac takes the plant and hands him a sweatshirt. (cotton soft. apple-themed.) tugging on the sweatshirt, the boy’s face scrunches into a sneeze. and a second, louder sneeze.
“ ‘m o-okay, isaac. ”
are you, kid?
“ help the plant. ”
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uwmspeccoll · 1 year
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Native American/First Nations Woman Writer of the Week
SUSAN POWER
March may have come to an end, but there is still time to celebrate! The next Indigenous writer I would like to give the spotlight to is Susan Power (1961-), a Native American novelist who is an enrolled member of the Standing Rock Sioux Tribe of the Dakotas. She was born in Chicago, Illinois and raised by her mother, Susan Kelly Power (Gathering of Stormclouds Woman, in Dakota) who is also an enrolled member, and her father Carleton Gilmore Power, who was a publishing sales representative. Her parents raised her to be politically and socially aware, and with their help became active in the Civil Rights movement. She was named Miss Indian Chicago when she was seventeen and after that went on to get an A.B. degree in Psychology at Harvard/Radcliffe, and later received her Juris Doctorate from Harvard Law School. She worked her way up from a housekeeping job to being the editor of the University of Chicago Law Review, which was the catalyst for motivating her to pursue creative writing. Her mother used to recite stories about their native lineage, and her father read her stories at night; she states that her inspiration come from her mother’s native influence as well as Louise Erdrich, Toni Morrison, and Shakespeare. By the age of twelve she had memorized the entirety of Romeo and Juliet.
Power ultimately decided to end her law career and pursue creative writing fully while she was recovering from an appendectomy. The catalyst for this choice was a Dakota Sioux woman standing in her hospital room wearing a sky blue beaded dress; this vision spirit would later become a main character of her first novel The Grass Dancer, which was published by Putnam in 1994. This novel went on to win the PEN/Hemingway Award for First Novel in 1995. Her short fiction has also been published in Atlantic Monthly, Paris Review, Voice Literary Supplement, Ploughshares, Story, and The Best American Short Stories 1993.
Power focuses heavily on themes of ancestry, dream images, and intricate storytelling to fully engage her readers. She uses the strengths of these themes to relate her personal experience as a Native American woman while leaving room for the reader to interpret and respond to her writing in their own way without limiting the possibilities. 
UWM Special Collection preserves Power’s Sacred Wilderness (Michigan State University Press, 2014) and Roofwalker (Milkweed Editions, 2002).
View more posts on Native American/First Nations Women Writers.
- Elizabeth V., Special Collections Undergraduate Writing Intern
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peonybookblog · 2 years
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poetry collection covers in pink
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aquilathefighter · 1 year
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Fluffbruary 6: Butterfly
Find all my @fluffbruary ficlets on AO3 here!
Fandom: The Sandman (2022)
Relationship: Dream of the Endless/Hob Gadling
Dream and Hob are lounging in Fiddler’s Green, enjoying a picnic. Wine from the 18th century, the finest cheeses and meats, and a blackberry pie that Hob’s mother made as a treat all lay between the pair. Hob pours another glass of wine for each of them and sighs.
“Fiddler’s Green is so beautiful; you’ll have to give him my highest compliments.”
Dream quirks his lips. “I will let him know.”
“But you know what would make this place even more special? A butterfly garden,” Hob waves his hands excitedly, wine threatening to escape the glass. “Just picture it: all sorts of exotic plants from all over and some that don’t even exist! Filled with butterflies real and imaginary alike,” Hob grins. “Besides,” he nudges Dream’s shoulder, “it’d be romantic.”
Dream gives him a tired, but still besotted glance.
“Anything for you, my beloved.” Dream stands, walking a little ways away before drawing up his hands. He works quickly but with unmatched precision. Within minutes (or so it feels in the Dreaming, time passes differently), a butterfly garden stands just meters beside their picnic blanket.
Hob sucks in a breath, taken aback by the riot of color in front of him. He takes in the pinks and blues of the hyacinths, the almost-neon orange milkweed, and the purple of plants he’s certain don’t exist anywhere but here. Butterflies flock to the patch of flowers, their colors just as shocking as the plants they now feed on. Hob notices a blue morpho, its cerulean wings shining in the bright sun of Fiddler’s Green. Coming up underneath it flies a Goliath birdwing, dwarfing the morpho with its yellow-green and black patterns. Then, he notices a butterfly that encapsulates every color of the rainbow and probably colors that don’t exist.
Hob shoots to his feet, running over to meet Dream at the edge of the flower patch. He wraps his boyfriend in his arms reaching up to kiss him eagerly.
“It’s beautiful. You’re beautiful.” Hob leans in to meet Dream’s lips again, open mouthed and wanting. Dream accepts his invitation almost immediately, dragging his tongue over Hob’s lips until Hob whines and flicks his tongue out to meet Dream’s. Failing to resist Hob’s demands, Dream acquiesces, delving deeper into Hob’s mouth and entangling their tongues together. Hob’s hands rove over Dream’s body, clinging like a drowning man to a life preserver. He presses closer yet, like he’ll die if the two of them aren’t fused into one. Dream squeezes Hob tighter, continuing to kiss him deeply and slowly. Eventually, Hob pulls back, panting although there is no need to breathe in the Dreaming. He presses their foreheads together.
“How lucky am I that the King of Dreams listens to my silly whims? Seriously, I can’t quite believe this is real yet.” He flushes even deeper, if it were possible. Hob removes one of his hands from its place on Dream’s waist to push his hair back. He glances away, suddenly apprehensive.
“I love you. I know it’s crazy—we’ve barely even begun to date after six cent—” Hob’s babbling is cut off by Dream kissing him tenderly.
“As I love you. Please do not worry, Hob. I warned you when we began that I fall in love hard and fast. I have been waiting to tell you… Matthew said I should wait as to ‘not come on too strong,’ was his phrasing.”
“Well, I’m glad I’m just as bad as you,” Hob winks. “Now back to showing you just how much I do love you.” His hand returns to its place on Dream’s waist as he moves to meet his lips.
The pie goes uneaten.
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therainbowfishy · 1 year
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Small Press Roundup!
As I was making my silly little 2022 book gift guide, I thought I’d round up some (teeny tiny, small, and medium) indie presses to go support this season and beyond. Small press books make especially great gifts since your book-loving friends and family are less likely to already have read them.
Enchanted Lion Books - Beautiful, unique, and translated picture books for kids and adults with more experimental sensibilities. I recommend the Chirri & Chirra books and Sato the Rabbit, A Sea of Tea.
Candlewick Press - If you’re a fan of Jon Klassen and the hat books (or Mac Barnett or Carson Ellis--the group behind the Picture Book Manifesto), you’ve already heard of this publisher, but they do make outstanding children’s books.
Small Beer Press - Speculative fiction fans, run over to Kelly Link and Gavin J. Grant’s incredible, weird, magic book factory. I recommend In Other Lands by Sarah Rees Brennan for the fantasy fans or anything by Elizabeth Hand.
Two Dollar Radio - Their books are cute in trim size and weird in content--the ideal combination. You can also join their tattoo club and get 10 free books. Their lobby/HQ/bookshop/cafe seems like a dream.
Hub City Press - Poetry, fiction, and nonfiction with a focus on promoting diverse stories and underrepresented voices in the South. Novels are more conventional and historical. Good, bleak poetry and thoughtful, specific nonfiction.
Night Boat Books - A bit more on the esoteric side. Their books would be great for academics and poets and anyone interested in queer studies or works in translation.
Wave Books - A poetry press with gorgeous books and lit crit. I recommend Bluets by Maggie Nelson (her other books are published by Graywolf, keep scrolling).
Dorothy - A tiny feminist publisher of fiction or about fiction founded by author Danielle Dutton (check out Wild Milk by Sabrina Orah Mark or The Complete Stories of Leonora Carrington for some surreal, dreamlike times).
Feminist Press - Books with a focus on gender, sexuality, and marginalized voices. (Margot Atwell, publisher/editor, has a newletter On the Books, for publishing nerds out there who want to hear a fresh perspective on what’s up with this convoluted industry.)
Tin House - Eclectic--both literary and commercial. I recommend Rabbit Cake by Annie Hartnett.
Milkweed Editions - Nature lovers, these books are for you. Milkweed is also Poet Laureate Ada Limón’s publisher. I recommend Bright Dead Things and her newest collection, The Hurting Kind.
Graywolf Press - Want more Maggie Nelson? Or Carmen Maria Machado? Or experimental printing like Telephone by Percival Everett with its 3 versions? It’s all happening in the Minnesota literary world (I’m serious).
Coffee House Press - Also part of the Minnesota book group. Their books are on the experimental and readable side.
Catapult/Counterpoint/Soft Skull - These presses are sisters. You’ve definitely seen these books around--they do hit the bestseller list and are stacked in neat piles at all the best indie bookshops. Danielle Dutton’s (founder of Dorothy, mentioned above) book Margaret the First is published by Catapult.
50 Watts Books - Surreal reprints of older books in stunning colors; the curation of their bookshop is also impeccable and unique.
McSweeney’s - If you have a lowbrow/highbrow sense of humor and enjoy satire, these books are for you. They also publish the creative magazine for creative kids, Illustoria.
Nobrow Press/Flying Eye Books - UK based press for comic and bright color lovers of all ages. I recommend the Hilda series by Luke Pearson and Hicotea by Lorena Alvarez. Katie Harnett’s and Simona Ciraolo’s picture books are also wonderful.
Pioneer Works - This is the book intersection for art, tech, design, music, and science. I recommend Notes on My Dunce Cap by Jesse Ball for (arts) teachers or anyone interested in pedagogy.
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pretensesoup · 10 months
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Queer books, day 21/30
Okay, let's take a detour from romance novels to the world of weird fuckin' poetry.
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I stumbled on this book by accident, because the press that published it (Milkweed Editions) also published a book by my sister-in-law, and when I was ordering it I asked her if there was anything else I should get off the website. You know, for free shipping.
Although I am a poet, I am only tangentially attached to the world of poetry, so I can't say this with any surety, but it does seem to me that transness is something that poetry rarely touches upon. Homosexuality in general, yes--poetry has for sure been super gay since like Gilgamesh (see also Shakespeare, Sappho, Whitman, Wilde, Housman, Auden, I cannot list them all in one parenthetical note). And most poetry is not like Charles's poetry anyway, which uses a Middle English-esque dialect that is Charles's own invention. The play of words and puns she is able to create would certainly make James Joyce ecstatic, but the use of Middle English is an interesting choice that might bear some examination.
Off the top of my head, Middle English started to be a thing at the time of Chaucer--by which I mean that our boy Geoffrey was the first one to write down language the way people were speaking, not that he invented the language or something. So writing in this new/old mode evokes a particular type of creation--not of something de novo necessarily (although the language in feeld is of course new), but of potentially bringing to light themes and ideas that a lot of trans people struggle with, as well as a moment in history when the world is shifting, and being out as a trans person is suddenly a thing people do in a way it wasn't when I was younger.
(To be clear, there have always been trans people. We talk about this in the podcast all the time--see for example this episode's discussion of Brother Marinos and a lot of this episode which talks about Eleno/Elena de Cespedes and the Blind Prophet Tiresias who switched genders and, like, a lot of other episodes. However, trans people didn't organize/discuss their experiences so publicly/as a political class until fairly recently. So the parallel of "everyone was speaking this language but no one wrote it down until now" feels apt.)
Another way this language feels appropriate to this book is the way that it forces an interpretation by the reader--when Charles writes, "i ware / & inn a hiv / u r born", does "hiv" mean "hive"? "HIV"? Can we trust that it will have the same meaning the next time it appears (e.g., "befor the wharing / the hiv")? In a way, this recreates the interpretive act trans people constantly experience when they meet cis people--another thing chronicled by Charles when she writes, "how many/ holes would blede/ befor/ u believ/ imma grl." But here, because the language is Charles's, she always has the reader at an advantage.
Here's a poem that struck me:
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Anyway. Poetry! Who knew. You can definitely buy this one from Milkweed Editions, which is a small press and so always in need of/deserving of love. 10/10, go read it.
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musingsofmonica · 1 year
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May 2023 Diverse Reads
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May 2023 Diverse Read
•”Yellowface” by R. F. Kuang, May 16, William Morrow & Company, Literary Thriller 
•”Let This Radicalize You: Organizing and the Revolution of Reciprocal Care” by
Kelly Hayes & Mariame Kaba, May 16, Haymarket Books, Political and Activism & Social Justice
•”Good Night, Irene” by Luis Alberto Urrea, May 30, Little Brown and Company, Historical 
•”The Covenant of Water” by Abraham Verghese, May 02, Grove Press, Literary Historical 
•”Chain-Gang All Stars” by Nana Kwame Adjei-Brenyah, May 02, Pantheon Books, Literary 
•”Warrior Girl Unearthed” by Angeline Boulley, May 02, Henry Holt & Company, Thriller/Suspense 
•”Ander & Santi Were Here” by Jonny Garza Villa, May 02, Wednesday Books, YA Contemporary Romance
•”Deep as the Sky, Red as the Sea” by Rita Chang-Eppig, May 30, Bloomsbury Publishing, Literary Historical 
•”Whale” by Cheon Myeong-Kwan, Chi-Young Kim (Translator) — Shortlisted for the International Booker Prize, May 02, Archipelago Books, Magical Realism
•”Quietly Hostile: Essays” by Samantha Irby, May 16, Vintage, Memoir in Essays
•”You Are Here” by Karin Lin-Greenberg, May 02, Counterpoint, Contemporary 
•”Did You Hear about Kitty Karr?” by Crystal Smith Paul, May 02, Henry Holt & Company, Historical
•”The Lost Journals of Sacajewea” by Debra Magpie Earling, May 23, Milkweed Editions, Historical 
•”Hula” by Jasmin Iolani Hakes, May 02, Harpervia, Historical — Fairy Tales, Folk Tales, Legends & Mythology
•”Dances” by Nicole Cuffy, May 16, One World, Literary
•”Horse Barbie: A Memoir” by Geena Rocero, May 30, Dial Press, Memoir 
•”Thinning Blood: A Memoir of Family, Myth, and Identity” by Leah Myers, May 16, W. W. Norton & Company, Memoir in Essays
•The Late Americans” by Brandon Taylor, May 23, Riverhead Books, Literary
•Sugar, Spice, and Can't Play Nice” by Annika Sharma, May 02, Sourcebooks Casablanca, Romance
•”The East Indian” by Brinda Charry, May 02, Scribner Book Company, Historical 
Happy Reading! — mo✌️
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