Aimee Nezhukumatathil, from "Baked Goods", Lucky Fish (published in 2011)
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Letters from Two Gardens by Ross Gay & Aimee Nezhukumatathil
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hi uhm, i was listening to cinnamon girl by lana del rey and there was this lyric "if you hold without hurting me, you'll be the first who ever did" and it would be amazing if you did a webweave based on that <3333
on love and healing
i decided to take this into a more positive direction, i hope that's okay !! have a good day <33
@ruhlare / Call Me By Your Name (2017) dir. Luca Guadagnino / Aimee Nezhukumatathil Baked Goods (via @girlfictions) / Cassandra Clare City of Glass / Lana Del Rey Cinnamon Girl / E.T. the Extra-Terrestrial (1982) dir. Steven Spielberg / @typewriter-worries
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hiii can you do web weaving about finding your true purpose in this world?
The world is so vast and beautiful and I am exactly where I'm supposed to be.
I'm terribly sorry this took so long! ;^^
No Accidents, Nikita Gill | Baked Goods, Aimee Nezhukumatathil | Errand Upon Which We Came, Stephanie Strickland | Ulysses, Alfred Lord Tennyson | Bluebonnet Scene, Robert Julian Onderdonk | In Way of Music Water Answers, Adam Wolfond | The House Was Quiet and The World Was Calm, Wallace Stevens | Cento Between the Ending and the End, Cameron Awkward-Rich | Cat Stop, Farah | The Invention of the Interstate System, Mira Rosenthal | Watching you talk on the phone, I consider the empty space around atoms–, Rhiannon McGavin | Presumably Dead Arm, Sidney Gish | Oakland in Rain, Aria Aber
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There's a spot over Lake Superior where migrating butterflies veer sharply. No one understood why they made such a quick turn at the specific place until a geologist finally made the connection: a mountain rose out of the water in that exact location thousands of years ago. These butterflies and their offspring can still remember a mass they've never seen, sound waves breaking just so, and fly out of the way. How did they pass on this knowledge of the invisible? Does this message transmit through the song they sing to themselves on their first wild nights, spinning inside a chrysalis? Or in the music kissed down their backs as they crack themselves open to the morning sun? Does milkweed whisper instructions to them as it scatters in the meadow?
Aimee Nezhukumatathil, from “World of Wonders | In Praise of Fireflies, Whale Sharks and Other Astonishments”, Souvenir Press, 2021
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Lower East Side • New York City • 1940's :: Flashback Frames
* * * *
I love this sentence for a bunch of reasons, including that a lot of people think being broken is unusual, a violation of the terms of agreement, and the end of the story rather than something that quite often happens in the middle. What often happens after that with skin, bones, hearts, and other things is repair...... And sometimes post-traumatic growth.
Roshi Joan Halifax, 2022: "The experience of breakdown can give one a very deep and optimistic view of the potential of others to grow from trauma, instead of being diminished. This is called post-traumatic growth and refers to the benefit from psychological changes that can be experienced as a result of the struggle with challenging life circumstances. It can foster greater resilience. We have to remember that people who have survived trauma can come back transformed by the experience and see that suffering has made them more resilient rather than more fragile, with the ability to thrive in the present rather than being overwhelmed by the past. Beyond the ending of the old way of being, there is hope for the emergence of the new, and to imagine a future in which the wounds are still there, but in a form that makes one wiser and humbler and helps one to thrive."
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"One of the pleasures of getting older is learning that though we are not all broken the same, we're all broken."
~ Ross Gay
(From a marvelous interview with Aimee Nezhukumatathil in Poets & Writers last year.)
[Rebecca Solnit]
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Can I request a web weaving about being a little in love with your best friend and forehead kisses and making meals together but platonic? 💛
aimee nezkhukumatathil lucky fish: "baked goods" (via @godsopenwound) \\ @uisc3 \\ rhiannon mcgavin (via @honey-sipping-muse) \\ ramon haindl for zalando's we will hug again campaign \\ @anarchapella \\ garrison keillor supper
kofi
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—World of Wonders by Aimee Nezhukumatathil
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Ross Gay in “Seeds to Share: A Q&A With Ross Gay,” published in the November/December 2022 issue of Poets & Writers Magazine
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Letters from Two Gardens by Ross Gay & Aimee Nezhukumatathil
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I Could Be a Whale Shark
By Aimee Nezhukumatathil
I am worried about tentacles.
How you can still get stung
even if the jelly arm disconnects
from the bell. My husband
swims without me—farther
out to sea than I would like,
buoyed by salt and rind of kelp.
I am worried if I step too far
into the China Sea, my baby
will slow the beautiful kick
she has just begun since we landed.
The quickening, they call it,
but all I am is slow, a moon jelly
floating like a bag in the sea.
Or a whale shark. Yes—I could be
a whale shark, newly spotted
with moles from the pregnancy—
my wide mouth always open
to eat and eat with a look that says
Surprise! Did I eat that much?
When I sleep, I am a flutefish,
just lying there, swaying back
and forth among the kelpy mess
of sheets. You can see the wet
of my dark eye awake, awake.
My husband is a pale blur
near the horizon, full of adobo
and not waiting thirty minutes
before swimming. He is free
and waves at me as he backstrokes
past. This is how he prepares
for fatherhood. Such tenderness
still lingers in the air: the Roman
poet Virgil gave his pet fly
the most lavish funeral, complete
with meat feast and barrels
of oaky wine. You can never know
where or why you hear
a humming on this soft earth.
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I put my hand over my heart when no one
is looking. I want to shield my heart
from that familiar ache, save it, and I do—
with my little sorry and broken bones.
Aimee Nezhukumatathil, “FOOSH” from Lucky Fish
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fireflies are more easily deceived. They lose their light rhythm for a few minutes after a single car's headlights pass. Sometimes it takes hours for them to recalibrate their blinking pattern. What gets lost in the radio silence? What connections are translated incorrectly or missed entirely? Porch lights, trucks, buildings, and the harsh glow of streetlamps all complicate matters and discourage fireflies from sending out their love-light signals - meaning fewer firefly larvae are born the next year.
Aimee Nezhukumatathil, from “World of Wonders | In Praise of Fireflies, Whale Sharks and Other Astonishments”, Souvenir Press, 2021
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Currently Reading: World of Wonders: In Praise of Fireflies, Whale Sharks, and Other Astonishments by Aimee Nezhukumatathil (Milkweed, 2020)
Status: in progress (about halfway through the book; third time picking this up and getting farther than before)
Thoughts: This essay collection is really proving to me that I'm really, really, really bad with nature. I'm not one of those people who grew up immersed in nature--my parents didn't really take my family on hikes, camping, never really took us to the mountains, to forests, to beaches, to national parks. It was probably only a handful of times. What I learned from nature really came from school, like learning about poison oak and poison ivy--even though to this day, I still don't know the difference and would not recognize it if I came across it. I didn't do "nature" things until I was older, when my sisters were allowed to drive us out to do more things outside; when I was in college where I'd do more activities with them.
So, it's been really hard to finish this book. It's not boring, per se. It's doing straightforward essaying, using nature to talk about or connect back to memories to do with identity and race. I'm just having a difficult time conjuring the images in my head. I don't recognize them, I don't know their names. It's hard.
Strangely, my parents and grandparents were garden folks and so those were the things I recognized the most that their hands built: thai chili peppers, cilantro, green onion, squash, peaches.
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To everything, there is a season of parrots. Instead of feathers, we
searched the sky for meteors on our last night. Salamanders use
the stars to find their way home. Who knew they could see that far,
fix the tiny beads of their eyes on distant arrangements of lights so
as to return to wet and wild nests? Our heads tilt up and up and we
are careful to never look at each other. You were born on a day of
peaches splitting from so much rain and the slick smell of fresh tar
and asphalt pushed over a cracked parking lot. You were strong
enough—even as a baby—to clutch a fistful of thistle and the sun
himself was proud to light up your teeth when they first swelled
and pushed up from your gums. And this is how I will always
remember you when we are covered up again: by the pale mica
flecks on your shoulders. Some thrown there from your own smile.
Some from my own teeth. There are not enough jam jars to can this
summer sky at night. I want to spread those little meteors on a
hunk of still-warm bread this winter. Any trace left on the knife will
make a kitchen sink like that evening air
the cool night before
star showers: so sticky so
warm so full of light
End-of-Summer Haibun by Aimee Nezhukumatathil
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I want our summers
to always be like this – a kitchen wrecked with love, a table overflowing with baked goods warming the already warm air. After all the pots
are stacked, the goodies cooled, and all the counters wiped clean – let us never be rescued from this mess.
Aimee Nezhukumatathil, from “Baked Goods”, Lucky Fish (pub. in 2011)
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