Mini Reviews: "Wish," "American Fiction," and "Lisa Frankenstein"
Finally caught up to watching some movies from 2023, and others:
Bambi: I don't why they're making a horror movie version. This WAS a horror movie! Just the scene of that poor little bird getting freaked out and bolting from its hiding place only to...that was worse than the part with Bambi's mom because you actually saw the body.
The Adventures of Huck Finn: The version with Elijah Wood and Courtney B. Vance. It probably hasn't aged well, but after reading Percival Everett's James, I had to give it a watch.
Capote: Forget that stupid Ryan Murphy show, Philip Seymour Hoffman's Oscar-winning performance of Capote before he hit it big with In Cold Blood is a much better use of your time. I still don't like Capote as a person, but since this takes place back when he still had a modicum of decency, you can empathize with him slightly more.
Nightmare Alley: Part gothic horror and part noir movie, Bradley Cooper plays a carnival worker who fronts as a psychic. Probably the most despicable character he's ever played.
The Munsters: Rob Zombie, what the hell did you do to our beloved Herman and Lily Munster? This was hot garbage and nothing at all like the TV show we all knew and loved.
Morbius: Couldn't even get through five minutes. Nobody asked for this. Nobody.
American Fiction: I wish this had gotten more Oscars instead of just best adapted screenplay. A biting commentary of white guilt and pandering in the publishing industry. Now they HAVE to make a movie version of Yellowface!
Wish: I don't get why people though this was terrible. While it's certainly not Disney's best, it's far from its worst. It was cute, even if it was corny, and I liked the easter eggs. You can't just endlessly bitch about all the sequels and remakes, then turn your nose up at anything original because it doesn't meet your standards.
Shirley: Regina King rocks as Shirley Chisholm. Even though the movie has gotten mixed reviews, it's still worth watching, not just to tell the story of Chisolm's 1972 presidential campaign, but also for a takeaway that people have lately forgotten: if you don't vote, all your outrage is basically just yelling at a brick wall.
Lisa Frankenstein: Everyone that loved Heathers and Jennifer's Body will eat this up. It wasn't exactly my cup of tea, but it was entertaining -- and I love the '80s setting. I just wish Robin Williams were alive to see the quirky horror comedy movie his daughter made.
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so weird being an eldest sibling who can't relate to most of the "eldest sibling memes". not the being a surrogate parent against your will to your younger siblings and being expected to set the bar for success in everything you did, i did have to deal with that, but all the jokes about how you were the only one resembling an actual normal human being in your family and your younger siblings were like imps sent from hell to torment you. because out of me and my brother i was the devil sibling. he didn't like to bring his friends over to our house because they were scared of his creepy sister who would stare out at them from the windows with her horrible dead shark's eyes and read books and watch shows on tv with photos of real life decomposing corpses and diseased rotting flesh in them that would give them nightmares.
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JFC that Munsters movie trailer looks awful. Not because it looks cheap and cheesy, but because that doesn’t look or sound anything like Herman or Lily or Grandpa.
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when you think of all the different versions of percabeth we’ve been lucky enough to see over the years it really hits hard how francesca by hozier they are.
“I could find you, darling, in any life”
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tbh its not entirely fair to paint all blatant rep as poor in comparison to queercoding (altho i do love some good queercoding). i think the reason so much blatant rep is Like That, while queercoded stuff feels so much more meaningful and real, is because the blatant rep we often experience is made to Market To The Queers. while it may have queer creatives working on it, the reason its created is to make money off of queers. its trendy. so just write a fairly surface level fluffy movie about white queer teens and get some cash! its blatant, which means it will be treated as a groundbreaking queer media especially by liberals.
while queercoded media on the other hand (intentional or not) cant or wont just slap two conventionally attractive teens on screen and make them kiss and get those rainbow dollars. its an expression of queer silencing, the quiet thats left when you arent allowed to say what you desperately want to. when you cant spoon-feed your audience queerness you have to. yknow. actually think about what it means and how to express that artistically. you have to show and not tell.
thats all to say, there is blatant queer rep that is good. but you probably aren't gonna find it on amazon prime. that kind of rep is being made by queer artists making indie films. i promise you its not either "blatant queerness that feels shallow" or "deep queerness thats not allowed to be blatant". theres a secret third option and its "capitalism will never liberate you and you need to actually support indie queer artists and actively reject queer capitalism to experience the breadth and width of what queer art is capable of being and doing."
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