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#oscars 2010
mollyrealized · 2 months
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How Michael Met Neil
original direct link [MP3]
(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)
DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.
MICHAEL SHEEN: So this is what has brought us together.
DAVID: Yes.
MICHAEL: To the new love story for the 21st century.
DAVID: Exactly.
MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”
And I said, “No.”  I mean, this is … what … '88?  '88, '89.  So it was … now I know that it was a period of time that was a big change, transformation going through comic books.  Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.
DAVID: The kids who'd grown up reading comic books were now making comic books
MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.
And so this guy Gary said to me, "Do you read them?" And I said, "No."  And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”
And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story.  And I absolutely loved it.
So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.
And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”
And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy."  Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick.  Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.
Anyway, the interview came out about six months later, maybe.  Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.
It says, From one fan to another, Neil Gaiman.  And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.
DAVID: You'd never met him?
MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …
And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA.  And he said, "I'll take you for a meal."
I said, “All right.”
He said, "Do you want to go somewhere posh, or somewhere interesting?”
I said, "Let's go somewhere interesting."
He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.
I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary. 
And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."
So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.”  You know, “This is eel.  This is [blah].”
And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.
And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"
"Right, okay. We'll ask for the bill in a minute."
And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.
And me and Neil are like, "What on Earth is going on?"
And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*
[* - delivered in a perfect American ‘serious law agent’ accent/impression]
And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"  
We'd finished, so we pay our bill.  And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil.  And we leave. We have no idea what happened.
DAVID: But you're assuming it's the mystery dish.
MICHAEL: Well, we're assuming that we can't be going to – we can't be –  it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.
So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.
Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.
We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.
And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.
DAVID: That’s extraordinary.
MICHAEL: And we didn't find this out for months.  So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"
"No, I haven't heard anything."
And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.
DAVID: And that was your first meeting with Neil Gaiman.
MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"
I said, "What are you talking about?" It's such a Neil Gaiman thing to say.
DAVID: Isn't it?
MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.
DAVID: Was there anything inside it?
MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...
DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.
MICHAEL: That's how it began. Yeah.
DAVID: And then he came to offer you the part in Good Omens.
MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...
DAVID: Were you involved at that point?
MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.
DAVID: Right.
MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.
And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course."  I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.
But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.”  But I just felt like I don't think I can play Crowley.
DAVID: Of course you can [play Crowley?].
MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.
DAVID: Sure, sure.
MICHAEL: I can do this.
DAVID: Yeah.
MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”
But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well.  And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."
And neither of us would bring it up.  And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.
And then all these extraordinary people started to join in. And then, and then off we went.
DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?
MICHAEL: “I emailed Jon Hamm.”
DAVID: Yeah.
MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.
DAVID: Yes.
MICHAEL: And had never been turned into anything.
DAVID: Yeah.
MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”
DAVID: Yes.
MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”
DAVID: Yeah.
MICHAEL: So I feel that responsibility as well.
DAVID: But we have Neil on site.
MICHAEL: Yes. Well, Neil being the showrunner …
DAVID: Yeah. I think it takes the curse off.
MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.
DAVID: Well, we think. Not that the world has seen it yet.
MICHAEL (grimly): No, I know.
DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.
MICHAEL: Oh my God.  Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.
This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”.  I think of it totally as us.
DAVID: Yeah.
MICHAEL: The two of us.
DAVID: Yes.
MICHAEL: Like they, what I do is defined by what you do.
DAVID: Yeah.
MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.
DAVID: Yeah.  Well, I hope the world is as excited to see it as we are to talk about it, frankly.
MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.
And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard.  I mean, you can, it can take you down at any point.
You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.
And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you. 
Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.
DAVID: That's lovely. Michael, thank you so much.
MICHAEL: Thank you.
DAVID: For talking today and for being here.
MICHAEL: Oh, it's a pleasure. Thank you.
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invisibleicewands · 2 years
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Oscars - GMTV - 8th March 2010 #2
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cinemagal · 1 year
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21 FILMS OF THE 21ST CENTURY Mad Max: Fury Road (2015) dir. George Miller
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emilybeemartin · 4 months
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Since I'm revisiting much-maligned 2000s war epics, I gotta say I rewatched Robin Hood 2010 recently and it did not deserve the lambasting it got. I feel like at the time people complained it was too gritty and bloated but like??? Compared to what we get now??? It's downright jolly, and man they used every cent of that big budget for gorgeous sets and costumes. Plus you get a guhREAT Cate Blanchett--she carried the whole movie for me, honestly, she's such a wizard--ultra-classic Mark Strong, whippersnapper Oscar Isaac (supporting role by Oscar Isaac's bare ass, A+, 10/10, a joy to have in class), baby Luke Evans as like Thug Number 6, Matthew Macfadyen so slimy you forget he's Matthew Macfadyen, Russell Crowe... pretty much the same as every Russell Crowe tbh (STAND DOWN Aubreyad fam), a half-dozen other greats that you know and love
AND!!!!!!!
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My boy!!!! THE boy, even! Alan Doyle as Alan-a-Dale!!! Casting saw that chance and they TOOK it! This is the movie that Bully Boy comes from, which I DO listen to weekly and I WILL belt out given the slightest provocation. Am I singing it now? IT'S LIKELY!
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Blue Blood and Rain [1]
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King John X F!Reader • Rating: 18+ pals Masterlist• ao3• want to be tagged? | request info •ko-fi•
Summary: You meet a stranger in the stables.
Series Masterlist
A/N: I have totally made up servant/nobel dynamics because I wanted to and also let's forget about the plot of the film, yes?
Warnings: kissing, reader is in their early 20s, overuse of italics, typos, power dynamics because he's the king, please let me know if I've missed a warning.
Word Count: 2820
________________________________
It wasn’t that going to the royal castle was boring, as much as it was exhausting. And very, very boring, now that you thought about it. 
You were the personal attendant to The Dowager Countess of Bowhale, who was visiting the court for the spring festival with her son, The Earl of Bowhale, a man who was only seven months your senior. They were both on average kind, well-meaning people, even if they were set in their own ways, who paid well and certainly granted you with a degree of personal freedom that you knew many servants didn’t even dream of. 
Hugo, the Earl, was his mother’s, Edith, only surviving child. A fact that obviously made The Countess fiercely protective, however in the last few years that shielding behaviour had metamorphosed into a safeguarding of a different kind: the continuation of the family name. 
Barely a day passed without her bringing up the need for her son to either marry (a complicated matter) or take a mistress.
Which was why she had been hell bent on attending the spring festival to peruse a suitable noble from the court, believing that ‘seeing a young woman face to face is the only way to tell if she would be a good mother to her son’s children.’ 
You helped The Countess into her dress for the evening, making sure you nodded and said, “yes, my lady”, at all the correct moments as she spoke. 
“I think there will be some chance of seeing a suitable suitor tonight, if not tomorrow. I know most of the court is present, but many outer nobles are not arriving until the morning.” 
“Yes, my lady.” You adjusted her skirts. 
“Hugo needs to seriously consider his future, the legacy of his father’s name.” She sighed. “I spoke to him again this morning.” 
“Yes, my lady.” 
“He is as insolent as ever. His father was never like this. I do not know where he gets it from.” 
You smile, “Perhaps his lordship takes his strong-willed nature from his mother, my lady?” 
She looks down at your grinning face and laughs at your tease. “You are terrible my dear,” but she beams and puffs out her chest, enjoying the praise. “And far too kind on him, there’s no way his will could match my own.” 
You laugh, and are about to speak when the door to The Countess's rooms open and Hugo barges in. 
“Mother, I- Oh,” he gives you a little smile and half bow as a greeting. You nod back.
“So I see she is deserving of a formal greeting and not I?” The Countess scows, but you know from experience that if someone had entered without acknowledging you they would have also faced reprimand. 
Hugo pulls a face. “Mother-”
“And what about knocking Hugo? Since we are in his highness’s house, on his highness’s hospitality I do not think that forgoing manners should be our way forward.” 
He sighs, but nods, before waiting for a moment to see if she will continue talking. 
The Countess nods. 
You stand up, watching them going back and forth in their regular verbal sparing matches.
“Mother, is it completely necessary for me to join-”
“You surely are not speaking of the possibility of not attending tonight? Are you?” 
“Mother-”
“Because if you were, I would be-”
“It wouldn’t be anything, an Earl can retire to his-”
“An Earl would not insult the hospitality of his King.” 
“Mother-”
She held up her hands. “I will hear nothing of it.” 
Hugo sighed dramatically, his shoulders slumping in defeat. 
“And what are you wearing? You are covered in mud.” She tutted.
“I was riding and-”
“Riding? At this hour?” 
He nodded. “Some of the knights and other Earls went to the forest and-”
The Countess tutted dramatically. 
“I was going to take Stefen to the stable and brush him down instead of attending.” 
She raised her eyebrows. “You intended to brush your horse instead of attending? There are servants for that exact duty Hugo.” 
He shrugged frowning, you knew how much he enjoyed taking care of his horse. “I do not trust the staff here, they do not know Stefen, they-”
The Countess shook her head, “you are attending. Go, get bathed and dress, Robert will assist you.” 
“But Mother, Stefen-”
The Countess turned to you quickly, “Will you do me the favour of going to the stables and getting Stefen ready for the night?” She smiled kindly at you and you nodded.
“Of course my lady.”
“See?” She turned to her son. “Now we have a trusted member of staff to care for him.” She said triumphantly. “Or do you not trust her to look after him here?” 
Hugo gave you an apologetic look, he hadn’t meant to lump you with the task. But you smile back, and he returns a weak nod. 
“Of course that’s fine,” he said defeated. 
You often groomed Stefen, he was a powerful and grumpy animal that tended to only obey four people, Hugo, the two main stable hands at Bowhale, and you. He tolerated others for the most part, but was quite difficult when something set him off. 
“Good.” The Countess clapped her hands together. 
.
You finished helping The Countess get ready before you stepped out of her rooms and headed for the stables. The evening light was just starting to dim into twilight. 
Hugo caught up with you on the stairs, gently touching your arm to get your attention.
“I’m so sorry.” 
You smile kindly, “what for, my lord?” 
“Making you settle Stefen in, I,” he sighed, “I could have easily done it earlier, I just wanted an excuse to… not go…”
Your smile widened. “I know, Hugo, please don’t worry, besides, I like taking care of Stefen.”
He gives you a grin, his spirit lifting as they always did when you used his first name. “Thank you, I-”
“Hugo!” The far-off call of The Countess echoed around the castle and you chuckled while he groaned. 
“Have fun!” You waved as you continued down the stairs. 
He nodded disheartenedly. 
You got a little lost on your way to the stables and had to ask a stern looking guard the way. When you arrived and introduced yourself to the head stable hand the poor man looked relieved. 
Stefan greeted you happily, and had no qualms about letting you brush and clean the mud and grime from his coat. Much to the other stable hands's shock. 
It wasn’t long before the sky was dark and you were left alone in the stables with the horses. 
“You need to be nicer to others Stefan.” You scowled with a grin. 
He whinnied, seeming to laugh playfully at you as you stroked his neck. 
“That’s a beautiful horse.” 
The low voice behind you made you jump and you spun around quickly. Stefan sensed your discomfort, snorting and stepping forward to try to put himself between you and the stranger. 
“It’s alright,” you hushed, patting his side and calming him. You turned to where the voice had come from, the stranger’s outline was just visible in the low candlelight. “Thank you, it is The Earl of Bowhale’s horse.” 
“A fine beast for sure.” The stranger nodded, but did not step closer. “I have heard he has a temper.” 
You smile and nod. “He is a little set in his ways, strong-willed,” you stroke Stefan affectionately, “but he is a loyal companion if you earn his trust.”
“And it seems that you have.” 
You smile again at the stranger. “I would like to think so, The Earl and I used to train him when he was a colt. He is used to me.” 
“You ride?” 
“A little,” you turn back to Stefan briefly as he nudges your shoulder and stroke him again, “occasionally I accompany The Earl or Countess when they wish.” 
“Hmm.” 
“And what of you stranger? Do you ride, or are you just of this disposition to watch horses while they rest and harass servants with questions?” You tease playfully. 
He chuckles lightly and waits a beat before he steps closer and leans against the wood of Stefan’s stall. The flame light flickers against his features and dread grips your inside in its icy hold. 
You freeze for a second, eyes wide before you bow your head and curtsy as low as you can. “Your Highness, I apologise, I did not realise it was you in the dark.” 
Your mind rushes with thoughts, you were going to get punished, put in the stocks, maybe even imprisoned, why wasn’t he at the event? Why was he here seemingly stalking about in the dark? 
He wasn’t wearing his crown, his clothing obviously expensive but not the attire for entertaining the court. 
King John laughed again, but the sound wasn’t unkind. “You were all for questioning me a second ago, am I so fierce that you can’t even raise your head to look at me?” 
You keep your position, looking down, panicking on what to do, how to-
“Hmm?” He hooks his fingers under your chin, tilting your head up to look at him. “Has the servant lost her voice?” 
You shake your head. “No, Your Highness.” 
“Then answer my question.” His voice is low, nearly a growl. The pretence of softness hiding something much sharper underneath. 
“You are fierce, Your Highness.” You whisper and he grins. 
“And yet, you look at me?” He keeps his touch on your chin light.
“You are making me, Your Highness.” The words slip from your tongue before you truly have a chance to understand them and you screw your face up the second they are spoken. 
But he laughs quietly and drops his hand to his side. “There, I wonder what you will do under your own will.” 
You pause and swallow, taking a deep breath before opening your eyes and looking back up at him. 
His grin widens. He observes you for a moment, the look in his eyes dark, predatory. And for a second you are sure that you made the wrong choice. 
“Stand,” he says, his voice still soft and you obey slowly, “much better, I do not need you to stay in a curtsy, my pride is not so vast that I need to have everyone at my feet.” 
You stay quiet, biting at your lip and pulling at the skin around your nails, but watch him carefully.
“You are Edith Bowhale’s personal attendant, are you not?” 
“I am.” You nod, not wanting to fall short and lose whatever small grace has decided to put you in the King’s favour and not chagrin. 
He hums a response, looking away from you for a second and you can feel relief flood your veins as you are out of his sharp glare. The consolation is short lived however, as he quickly stares back at you. 
“She was speaking to me about many things, though I have to admit upon seeing you I wished I had been paying more attention.” He smiles, his voice like silk as he takes a step closer.
You pause for a second, your mind slow to catch up with the meaning of his words. “I, wait, I’m sorry, Your Highness, I-”
He chuckles and brushes his fingers against your cheek, a light touch that makes you jump and startle back. 
“So skittish,” he teases, “over just a touch.” 
“I-”
“A touch from your King no less,” he tuts, “I should be insulted.”
“No, that’s not, not my intention, I-”
Stefan whinnies, seemingly unhappy with how close the King is getting to you and King John uses your brief distraction to his advantage. He grabs hold of your bicep and pulls you out of the stall and swings the wooden door closed. 
You can hear Stefan neighing in distress as he pushes you up against the door, his griping your arm tight. 
“Calm the horse.” He says softly, his piercing eyes seeming to sink into your very soul.
You swallow, your mouth dry, but tap the door. “Stefan,” you say softly. 
The horse calms slightly at your voice.
“It’s alright, don’t worry,” you repeat your words a few times until you hear him start to settle and wish they could have the same effect on you. Your heart races, your breath catching in your throat. 
He delights for a moment in your obvious discomfort. “My, my, I have never seen a servant to a Countess so shy.” 
You stay quiet, heat rising to your skin. You try to focus on his mouth, but no matter how hard you try you are drawn back to his striking eyes, as if he holds some bewitching magic to keep you under his control. 
Slowly he raises his left hand up, giving you plenty of time to see it before he gently touches his fingertips to your cheek, lightly stroking your skin. You still jump a little, naturally trying to flinch away. 
It makes him smile even more, taking a deep pleasure in your flustered reaction. He breathed in deeply, as if he were savouring a flower, “aw, what’s wrong? Does the little servant not know how to address her King? How to behave in his presence?” 
“I… I’m sorry, Your Highness.” Your voice is barely above a whisper. 
He grins wickedly at how timid you have seemingly become. “Now, now,” he teases, his voice thick and heavy, “there’s no need to apologise with those words… how about you tell me something sweet instead?” 
You frown in confusion, “something sweet?” 
He leans a little closer, caging you in. “Something nice.” He languidly runs his fingers down lower, along your jaw and to your neck. Your racing heartbeat drums against his fingers and a giddy thrill runs down his spine. 
“I…”
“Something nice,” he repeats, “something that you could never normally say to someone like me, something that will make me smile.” 
Once again your words slip out of your mouth as if you had no control over them, his hypnotic gaze seemingly completely destroying your survival instinct, “you’re beautiful,” you whisper. 
He freezes the moment you utter the words, your eyes going wide as you realise what you said. The syllables of your sentence seemingly echo around the stable, ringing and repeating clearly in your mind as if you had screamed them from the rooftops. 
A faint dusting of pink highlights his cheeks, but thankfully you cannot see it in the candlelight, he smiles slowly, moving his hand up and tracing your bottom lip with his thumb. 
“Repeat that.” He breaths. 
Your heart beats so forcefully you’re sure you're going to faint. “You’re so very beautiful.” 
He chuckles, leaning closer until his nose bumps against yours and preening a little at the compliment. “You know such words from such an unexpected source only mean more… thank you.” 
He dissolves the last centimetres separating you and presses his lips to yours, swallowing down your little gasp of surprise and licking into your mouth without hesitation. His hand is warm on your neck, his body pressing up against yours as if he expects you to push him away, to run. Instead, your fingers sink into his shirt, pulling him closer as you kiss him back with equal further, a lamb happily going to the slaughter. 
He growls, low in the chest when you reciprocate, heat blooming in his lower stomach as he pushes even closer and rubs his quickly hardening cock against your hip. 
You gasp a little in surprise, but quickly regain yourself, wrapping your arm around his neck and urging him closer, needing to feel every part of him. 
This couldn’t be real, this was impossible, you had to be dreaming. Maybe Stefan had reared up as you brushed him and you’d stumbled and hit your head, it was seemingly the only logical conclusion. You might as well enjoy this delusion as long as it lasted. 
His kisses grow more demanding, more urgent and he nips at your bottom lip, groaning at your high-pitched sigh. And then whining himself when you repeat the action on him, forcing your tongue into his mouth and pulling sweet sounds from his lips. 
There was-
The stable door slams open, “Your Highness, I have come to-”
King John turns furiously, “What?” He yells at the poor servant sent to fetch him. 
It’s like a dam has been broken, your mind snaps back to your senses. What were you doing? What the hell were you doing? Kissing The King in a barely lit stable. 
The servant stammers a little, saying something that you can’t for the life of you hear. He is silhouetted in the darkness, unseeable and the King steps closer, giving him a verbal dressing down.
You slip out the side door, and rush back to your room. Thankful for the clouded night sky that keeps your face in shadow and identity hidden from possible prying eyes. 
____________________________________
Thank you for reading!
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the-evil-clergyman · 1 year
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Illustrations from Oscar Wilde's The Happy Prince and Other Tales by Kate Baylay (2010)
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majestativa · 3 months
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The laughing girl with love-lit eyes.
— Oscar Wilde, The Ballad of Reading Gaol and Other Poems, (2010)
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ilovelosermen69 · 8 months
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I would never be feral for a man nev-
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skitskatdacat63 · 1 year
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2023 Testing - Day 3, Session 1 - Oscar Piastri(ft. Mark Webber)
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melodygatesauthor · 6 months
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There's a new blorbo in town I didn't tell you guys about
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Hehe
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blue-sadie · 6 months
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Fall From Grace
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Imagine:
Being the head servant for prince john and also his mistress who he loves with his whole heart but it's always been a secret between the two of you because of his arranged marriage but one day his mother finds out and he has to choose the crown or you.
"Her I choose her I will always choose her, I love her more then the kingdom, more then I love myself, she owns my heart and soul without her I am no more then the dirt underneath our shoes"
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yourfuckinangel · 1 year
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invisibleicewands · 2 years
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Oscars - GMTV - 8th March 2010 #1
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cinemagal · 1 year
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21 FILMS OF THE 21ST CENTURY Moonlight (2016) dir. Barry Jenkins
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inside llewyn davis (2013)
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My Lord
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Prince John x F!Reader • Rating: 18+ pals Masterlist• ao3• want to be tagged? | request info • Kinktober 2023 Masterlist • Day 7: Slow and Soft
Summary: The ex-Prince is condemned to live out his days in exile.
A/N: Look, I know he’s got blue eyes in the film. But I have decided no. 
Warnings: one slap to the face, talks of marriage, oral (f receiving), dry humping, hand jobs, 'my love' as a term of endearment, typos, please let me know if I've missed a warning!
Word Count: 3178
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Being exiled wasn’t as bad as he had thought. The weather was certainly better. 
No matter what he’d done, King Richard couldn’t bear to see his younger brother executed or locked up in some dank prison. So he’d stripped John of his titles and sent him overseas under the guardianship of the Marquess and Marquise.
Banished. 
Never allowed to return to England under punishment of death. 
It had taken weeks to get there, more than enough time for John to fester and drive himself to madness on the ship. Haunt himself with the imaginary horrors that were waiting for him. 
Instead, when they landed, he was treated well. Like a far-off, but still regal, cousin of the Marquess. Not that it stopped him from sulking for the first few months. 
However, the worst thing was, undoubtedly, you. 
At least at first. 
You were one of the head servants. Though you were treated more like one of the Marquess and Marquise's children, with the amount of freedom you were given. And the language you were allowed to use. The offhand and familiar way you spoke to them and him. 
It had driven him up the wall. Your snide comments. Your little eye rolls. The way you somehow managed to sidestep him, and challenge him, and completely get under his skin at every single opportunity. 
You had been the one to drag him out of his rooms in those first few months, not taking no for an answer. 
“It’ll do you no good moping around here all day, my lord.” The way you said the title always sounded like an insult. 
You took him on walks and rides, to markets and tailors, making him come with you to choose a horse. Demanding that he helped you prepare vegetables, making him carry his own bow and arrows when you both went hunting. Things that were beneath him. Things that he hated, dreaded. Until one morning, when you were accompanying the Marquise on a trip and had been away for a few days, he had woken up in such a foul mood. Realising only in the evening with a huff that he missed you. That he couldn’t remember a time when he had been happier than being in your presence. 
Not to say you still didn’t annoy the hell out of him. 
Originally, you didn’t even have much to do with the ex-prince. It was only when John’s spitefulness had upset some of the other servants, and in turn, the Marquess, that you had been sent to ‘deal’ with him. 
He had nearly been in exile for a year at the midsummer festival. Had become a little too intoxicated on barley wine and, as you helped him to his chambers, he had kissed you. Soft but demanding. Gentle but unyielding. 
You had pulled back like you had been struck by lightning. And smacked him across the face. Hard. Not some dainty brush of your fingers. Or a sharp sting of your palm, no, you had hit him with the heel of your hand. A bowl that would have nearly sent him sprawling even if he hadn’t been drunk. 
You had left without a word. Or look his way. 
The next morning John had risen late, memories of the previous night coming back in a rush, of him fisting his cock with tears of anger and self-pity on his skin. Quickly, he realised you had not come to wake him at the usual time. 
He had enquired after you, subtly of course. And the young servant boy, Lucas had told him that you had left instructions for the ex-prince to not be awoken, due to his previous intoxication and late night. That you had headed out into the woods early in the morning. 
He didn’t see you until late afternoon, having spent most of the day in his rooms, staring out of the window to the woods, waiting for your return. He bit at his nails until they bled, going back and forth with the idea of readying his horse and riding out into the forest after you. 
He had pretended to be in bed when you knocked and came into his room, bringing him white flower tea. 
You hadn’t looked directly at him, keeping your voice oddly cold as you explained that the tea would help with his hangover, and that the flowers were from the forest. 
His heart had nearly broken when he released you had spent most of your day collecting them for him. 
“I’m sorry.” He whispered. Pain running through his heart like needles through fabric. 
You looked at him then, a small kind smile on your face. “For what, my lord?” Your normal tone back. 
John beamed, his eyes shining. 
You swallowed. “I am sorry, my lord.” 
“For what?” 
You tapped your cheek, mirroring the bruise on his face.
His smile widened and he shook his head. 
When during the evening meal the Marquess asked about the bruising, John had simply laughed and told him that he had had a small disagreement with someone at the festival who had a ‘mean right hook’. He made sure he caught your eye as he said it.
You both went back to your normal routines. Dancing around each other, while simultaneously spending most of your waking hours together. 
Nearly a month after the festival you had accidentally walked in on him after his bath, his hair still wet from the rose water as he sat on his bed and fisted his cock. 
Apologies had slipped from his tongue, despite the fact that you’d technically barged in on him. But you had simply walked around and sat down next to him on the bed. He watched you in a trance as you took hold of his length in your hand. 
“Let me help you, my lord.” 
He had tried to kiss you again, but you moved your face away. 
Wordlessly and without looking at him, you coaxed him further onto the bed and sat with him between your thighs, his back against your chest as you wrapped one arm around him and used the other to bring him to his release. 
You had left silently, leaving him to the dark night and slumber. But you spoke to him the following morning as if nothing had transpired between you. 
The next evening, just before bed, you came to his room again and stroked him until he found his release with a sob in your arms. 
You did the same the next night, and the next, and the next. Never allowing him to kiss you or touch you in a way that could cause your own pleasure. Always fully clothed while he was stripped bare. Over the next weeks, you slowly allowed him to hold your hand, arm or calf as you touched him. Let him grasp onto you as his orgasm overtook him. 
It hurt. Though he didn’t want to dwell on why. 
However, no matter how hard he tried, his thoughts kept rotating back to you. Your soft skin, gentle hands and the sound of your heart when he pressed himself close to your chest. 
John leaned against the wall, looking out to the dark night sky. 
You came into his room silently, only looking to him once you’d reached the bed. You’d expected him to be sitting on it ready, unclothed. Instead, he stood, still in his attire from the day. 
You barely manage to raise an eyebrow before he moves towards you, taking hold of your hands in his. His skin is cold, desperate for your heat. 
“My lord?” You frown. 
He takes a step forward, his heart racing, eyes shining in the candlelight. Slowly he raises his right hand and touches your cheek, brushing over your skin with his thumb. 
His touch is soft, gentle. As if you were some precious thing that would break under the smallest pressure. Some skittish animal in the woods. 
You gaze back at him, his slightly parted lips, his dark eyes, unable to focus on any feature for longer than a second.
He leans forward, moving to kiss you and you step back, pulling your hand from his as if he burnt you. 
“My lor-”
“My love,” he looks at you imploringly. The thudding pain in his chest sharpening, beseeching. Like he had been gutted and strung out, his ribs broken and split outwards so that you could view his beating heart. 
“I am not your love.” You whisper, there is no heat in your words.
“You are.” He takes a step forward and drops to his knees when you step back. “You are.” He says brokenly, his voice thick. “Please, please, I do not need to be yours. I do not... I wish I was. But you are mine. My love. You will always be my love.” 
You swallow and stare at him, almost frozen by his words. 
“I... I...” he screws up his eyes, all the words he wanted to say mixing up and fleeing in the moment. “You do not need to return my feelings, but please, know that I will always love you until my dying breath.” 
You shake your head, pain tight in your chest. “I’m not,” you breathe deeply, your voice softer than he has ever heard it. “My lord, I am just your servant, I serve-”
“I love you.” His voice breaks slightly at the end. The weight of the words too much. “I love you,” he slowly takes hold of your hand, pressing his lips to your knuckles and palm. “I love you.” He kissed your wrist, staring up at you imploringly and kissing up your arm when you did not move away. “I love you.” Cautiously he stands so that he can kiss your collarbone, your neck, your jaw, your cheek. “I love you.” He whispers. 
You hold your breath, searching his eyes for something he’s not sure you’ll be able to find. Carefully he inches forward, closing the small space between you. 
You don’t move, don’t lean to him, but you don’t back away. Softly he presses his lips against yours, almost sobbing when you finally touch. 
He pulls back a fraction after a second. “I love you,” he whispers against you. “Please, let me love you.” 
You shake your head, agony tight in your throat. You can’t look at him. Not when his voice is so soft, not when your body and heart are crying out for you to give in to him. “There are plenty of others who could warm your bed for you my lor-”
John rushes forward, kissing you again. This time his lips are demanding, pleading as he cups your cheek and slowly opens your mouth with his own. He groans when you part your lips and let him inside. “I do not want someone to warm my bed.” He kisses you desperately, stroking your tongue with his. “I want to give you my heart.” 
You moan softly into his mouth, grabbing hold of his arms and pulling him closer, pressing your body up against him. 
He groans against you, moving you back to press you against the wall and hitching your right leg up over his hip so that he can grind his aching cock against your heat. You gasp as he presses against your clit, focusing all his attention on caressing you where it makes you cry out the loudest, happily swallowing down your mewls and whines. 
He squeezes your breast with his right hand, pinching the pebbled nipple and moaning when you whimper and arch into his touch. 
He ghosts his lips down your neck, sucking a love bite into your skin just below your ear. His beard scraps deliciously at your skin and sets your nerves alight. 
You bite down on your lip, trying to muffle your cries. 
“Let me love you,” he whispers, his voice low and heavy as he ruts desperately against you. “Let me show you, let me make you sing for me.” 
He kisses you roughly, needily, all tongue and teeth as he pulls at your skirts, snaking his hand under the fabric. 
You want to give in, want to let him pull sounds and sensations from you as his heart desires but panic grips you.
“Wait,” you pull back. 
He stops, stops his kisses and his roaming hands but still stays pressed close. 
“My lor-” you bite your lips together when you see the flash of pain on his face. “My...” you touch his cheek softly. You want him, you want him so badly. “I cannot, I haven’t...” You swallow. “I...”
“I wouldn’t cum inside.” He mutters, pressing his palm flat against your stomach. Even as he says the words a slight groan escapes him at the thought of you spread out under him, full of his cock and spend. “Not until we’re married, you have my word.” 
Your thoughts stop for a second. “Married?” 
He nods and smiles. “If you’ll have me.” 
“My lord-” 
He presses his lips to yours again, kissing you languidly before he drops down to one knee. 
Your eyes go wide. Words escaping you. 
“I have asked the Marquess and Marquise. They have given their blessing; I can marry you if you wish it.” 
Your heart hammers in your chest, the way he phrased it. As if he were the servant wishing to marry a lord. 
Slowly he takes off the jewelled ring on his little finger, one of the few things he had been allowed to keep from his time as prince. “Will you take me as your husband?” He looks up at you nervously. “Will you take me as yours?” 
You nod, not trusting your voice for a moment. “Yes.” 
His eyes light up as you speak, a wide smile breaking across his face as he softly takes your hand and slips the ring onto your finger. He kisses each knuckle, and then the back of your hand before standing and pressing his lips back to yours, slow and soft. 
Gently he guides you to the bed, freeing you of your clothes and pressing you back down against the mattress. 
Uncertainty bubbles in your veins as he moves his hands down your body, slowly feeling every inch of you. He pinches your nipples with vigour, dipping his head so that he can take one into his mouth. Lavishing your breast with attention before moving on to the other. 
He groans, deep within his chest, looking up at you through his lashes when you gasp and moan softly. So determined to pull every ounce of pleasure he can from your bones. 
Languidly he kisses down your stomach, pressing your thighs apart. 
You nervously go to cover your sex, heat breaking out on your skin. 
“My lo-”
“Let me make you feel good.” He murmurs, his voice laced and heavy with lust. His eyes hungry and wild. 
You barely manage a nod before he dives to your core, licking a long, flat stripe through your folds with his warm tongue. 
You gasp loudly, quickly covering your mouth with your hands as he does it again, flicking your clit with the tip of his tongue. 
He’s a demon, possessed and ravenous as he devours you. Slowly sinking his tongue into you and then inching up painstakingly slowly. Ending each movement with a swirl around your clit that has your thighs shaking and stars building at the corners of your eyes. 
You moan against your hands, the sensation all-consuming as he erases any other possible thought. You can’t stop squirming, simultaneously trying to get closer, nearer, desperate for more pleasure, and trying to back away from the heady onslaught of your senses. 
He doesn’t let you escape, pressing firmly against your thigh and keeping you spread wide for him, his hand on your stomach keeping your back flat to the bed. 
“You taste so sweet, my love.” He looks up at you, his eyes dark, blown wide and drunk. 
You open your mouth, moving your hands away to speak when he leans forward, sucking your clit into his mouth and revelling in your cry of pleasure. In how your muscles tense beneath him. 
He gently presses two fingers inside of you and curls them upwards to stroke your walls. 
You shake under him, your hips bucking up against him unthinkingly as you gasp and sink into pleasure. 
John watches you intently through hazy eyes, sucking constantly on your bundle of nerves, watching your every movement keenly. Desperate to lift you higher and higher before you come crashing down. 
He strokes against a spot that makes you sob and focuses all his attention on it, your slick coating his fingers and dripping down his hand. 
The pressure begins to build uncontrollably, pushing you right to the edge. You grope around for his hand on your stomach, grabbing it firmly. He squeezes back and groans against you as fresh wetness hits his tongue. 
You moan loudly against your fingers, trying your best to dampen the sound as lightning runs along your nerves, your orgasm rippling through every limb. You gasp, contorting in your pleasure as John doesn’t stop, keeps stroking, keeps sucking, prolonging your bliss for as long as he can. 
Finally, your legs stop shaking and he pulls his mouth away, slowly pulling his fingers from your dripping folds. 
You mewl as he licks them clean and pulls off his clothes. It’s not like it’s the first time you’ve seen him naked, but it feels different. Personal. A sight all for you. 
He leans down, kissing you hungrily and settling between your legs. 
The weight of his thick cock, hot against your core makes you gasp. You sink your hand into his hair, pulling lightly at his curls as he rubs his length against you, spreading your slick all over his aching cock and grinding perfectly on your clit. 
You sob against him, holding him close as he keeps moving, building up a deep and overpowering friction. That bottomless weight starts to settle in your belly again, the coil growing tighter and tighter as he rubs and ruts against you. 
You grab hold of his arms tightly and rock with him, trying to gasp out and warn him of your impending orgasm. “I... my lor-my love!” You gasp as he hits perfectly, his thick length massaging wonderfully over your bundle of nerves and through your folds and you gasp as you cum again. Pleasure blossoms along your spine, kissing every nerve as you cry out and are overtaken by ecstasy. 
John groans, moaning loudly as you call him ‘your love’. The look of bliss on your face, the fact that you are falling apart for him drives him to the edge and pushes him over. He kisses you sloppy, whining into your mouth as he spills against both of your stomachs. 
He doesn’t stop kissing you as you come back to yourself, breathing hard. Your skin is sweaty, hot, but you keep him in your arms as he presses close and whispers sweet words in your ear. 
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Thank you for reading! (Using a different tag list for kinktober so I don't overwhelm anyone.)
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