i like ana as a cuban myself and im glad she's making it, but she's been doing the most with the promotion of that film. oates was obsessed with sexual abuse and would romanticize it to hell and back and this is all so disrespectful. marilyn will never be left alone and she's dead. it's disgusting how she was never a person but a product and continues to be
ana's comments have been annoyingly tone deaf, but my issues are far more with the director, whose comments i find abhorrent, and the producers (amongst them br*d p*tt), and, netflix itself at this point (there was a report that netflix was "absolutely horrified" by the final cut - okay? you're the distributors, you can make the decision here), and the fact that for every woman online discussing this with deep concerns, or talking about being horribly triggered by it, or trying to defend and uphold marilyn's true memory, there are men replying, at best, "it's ~art~, you just don't get it," or at WORST (and i have seen this over and over again, i deleted my post about it the other night, but it's disgusting and deeply telling), openly excited at seeing the graphic r*pe scenes and the degradation threaded throughout the film, down to comments where they're replying with their whole chests that they can't wait to get off to it, down to the dude i saw who, when in response to a woman asking what is wrong with him that he wants to see marilyn fictionally assaulted, he said, "it's not about seeing marilyn being r*ped, it's about seeing ana de armas as marilyn being r*ped." they have no shame and no compunction about saying this aloud. and no doubt a lot of it is about titillation over marilyn herself, but marilyn has now been gone for so long and is so mythologized and commodified that she's no longer a real person, she's only a poster of a white skirt blowing in the subway breeze, she's only a body. it's been sixty years, and you'd think somehow she'd be treated more carefully and respectfully at some point.
it negates her humanity, her talent, and the reality of her abuse (why are we adding heinous fictional abuse onto the life of a woman who WAS subjected to abuse and hurt and objectification across her short life?). i have no idea if the film even touches on the medical trauma she endured, for example, both physical (particularly in regards to her endometriosis) and mental (and what she was subjected to during her forced hospital stay), but i know there's a depiction of a talking fetus, so that tells me enough. oates is someone i have countless issues with anyway, and blonde is neither the first nor the last time she fictionalized real life events in the most traumatic way possible with no respect for the victims. you're right, she seems to have a fixation on this topic.
what breaks my heart is i know this story reduces marilyn to a shell, a broken doll, the helpless dumb blonde beauty who was exploited and used by men for their pleasure, devoid of self-respect, desperate to be loved, dragging herself towards her tragic end, and that's not who she was. that's the boilerplate version that was sold of her. she was a sensitive, thoughtful, savvy woman; she was well-read, she was ambitious (do they even bother to mention her production company? her progressive politics? her wry humor? her extensive library? do they touch on, as the post i reblogged mentioned, her conversion to judaism and her studies?), she longed to be appreciated for her talent and not her physical form, she tried to improve and grow, and yes, she did yearn for love and belonging and a family and motherhood after an upbringing of neglect and abuse, but degrading and exploiting her further isn't the way to examine that or get it across. and idc how often they say this is a highly fictionalized account, plenty of people will watch it not knowing that, and take it as some semblance of fact (this happens with biopics all the time), and it's a disgrace to her legacy. i try not to be a proponent of saying certain art/stories within reason shouldn't exist, but there was no defensible argument for this to be made. marilyn is never allowed to be seen as a whole person. marilyn is never allowed to rest. exactly as you said, she's used as nothing but a product. this was her worst fear. she said, "i hope they don't do that to me after i'm gone." she deserves to be remembered as a person. she deserved better then, she unquestionably deserves better now.
not to give credit to arthur miller, but he said, "to have survived, she would have had to be either more cynical or even further from reality than she was. instead, she was a poet on a street corner trying to recite to a crowd pulling at her clothes." they're still pulling at her clothes, at this point they're digging at her grave.
but let's ultimately look at marilyn's words, the real things she left us to consider, which matter most. she left us her films, her luminous image, but she also left us her poetry and written accounts of her life and interviews that are far more fascinating and relevant than any gratiuitous fiction could ever be.
marilyn said, in an interview given just before her death: "I never wanted to be Marilyn—it just happened. Marilyn’s like a veil I wear over Norma Jeane...I can always find Marilyn in the mirror."
"it's still about nudity. is that all I'm good for?"
"But when you're famous you kind of run into human nature in a raw kind of way. It stirs up envy, fame does. People you run into feel that, well, who is she, who does she think she is, Marilyn Monroe? They feel fame gives them some kind of privilege to walk up to you and say anything to you, you know, of any kind of nature and it won't hurt your feelings. Like it's happening to your clothing. One time here I am looking for a home to buy and I stopped at this place. A man came out and was very pleasant and cheerful, and said, "Oh, just a moment, I want my wife to meet you." Well, she came out and said, "Will you please get off the premises?" You're always running into people's unconscious...Usually they don't say it to me, they say it to the newspapers because that's a bigger play. You know, if they're only insulting me to my face that doesn't make a big enough play because all I have to say is, "See you around, like never." But if it's in the newspapers, it's coast-to-coast and all around the world. I don't understand why people aren't a little more generous with each other."
"It's nice to be included in people's fantasies, but you also like to be accepted for your own sake. I don't look at myself as a commodity, but I'm sure a lot of people have."
"It was the creative part that kept me going, trying to be an actress. I enjoy acting when you really hit it right. And I guess I've always had too much fantasy to be only a housewife. Well, also, I had to eat. I was never kept, to be blunt about it; I always kept myself. I have always had a pride in the fact that I was my own."
"I'm one of the world's most self-conscious people. I really have to struggle. An actor is not a machine, no matter how much they want to say you are. Creativity has got to start with humanity and when you're a human being, you feel, you suffer."
"There is a need for aloneness, which I don't think most people realize for an actor. It's almost having certain kinds of secrets for yourself that you'll let the whole world in on only for a moment, when you're acting. But everybody is always tugging at you. They'd all like sort of a chunk of you."
"I think that when you are famous every weakness is exaggerated. This industry should behave like a mother whose child has just run out in front of a car. But instead of clasping the child to them, they start punishing the child."
"Fame has a special burden, which I might as well state here and now. I don't mind being burdened with being glamorous and sexual. But what goes with it can be a burden."
"I never quite understood it, this sex symbol. I always thought symbols were those things you clash together! That's the trouble, a sex symbol becomes a thing. I just hate to be a thing."
"I don't think people will turn against me, at least not by themselves. I like people. The "public" scares me, but people I trust. Maybe they can be impressed by the press or when a studio starts sending out all kinds of stories. But I think when people go to see a movie, they judge for themselves. We human beings are strange creatures and still reserve the right to think for ourselves."
"It might be a kind of relief to be finished. You have to start all over again. But I believe you're always as good as your potential. I now live in my work and in a few relationships with the few people I can really count on. Fame will go by, and, so long, I've had you fame. If it goes by, I've always known it was fickle. So at least it's something I experienced, but that's not where I live."
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