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#posted this on my main but here it is
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"A story doesn't need a theme in order to be good" I'm only saying this once but a theme isn't some secret coded message an author weaves into a piece so that your English teacher can talk about Death or Family. A theme is a summary of an idea in the work. If the story is "Susan went grocery shopping and saw a weird bird" then it might have themes like 'birds don't belong in grocery stores' or 'nature is interesting and worth paying attention to' or 'small things can be worth hearing about.' Those could be the themes of the work. It doesn't matter if the author intended them or not, because reading is collaborative and the text gets its meaning from the reader (this is what "death of the author" means).
Every work has themes in it, and not just the ones your teachers made you read in high school. Stories that are bad or clearly not intended to have deep messages still have themes. It is inherent in being a story. All stories have themes, even if those themes are shallow, because stories are sentences connected together for the purpose of expressing ideas, and ideas are all that themes are.
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cozylittleartblog · 9 months
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@staff if you [change] the [design] of the fucking [dashboard] i will kill you
edit. i want it on the actual post that i am not actually making a de-th threat against the staff. that's shitty. the caption quotes the fucking costco hot dog meme, which i originally said in the tags. if any staff member sees this please do Not take it personally
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lazylittledragon · 1 month
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if i had a nickel for every au spawned from twitter that i SWORE i was going to be normal about
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kataraqui-archive · 6 months
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Saw this post and I had to
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eeldritchblast · 3 months
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I truly wonder if white fans are even capable of understanding how hard it is just being in a fandom space when you're not white. How alienated you feel every other day. How often you're told "it's not that big a deal" or "it's just a fantasy game get over it" or "it doesn't matter" or "go save the rainforest instead of crying over a game" or etc. etc. etc. to the point where you yourself start to question if there's something wrong with you... that it's your fault for being hurt all the time. Because it's never just about one racist mod, or one piece of whitewashed art, or one offensive post... it's all of it. Together. All the time. It's so fucking exhausting and it's why POC quit fandom spaces a lot.
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marblerose-rue · 9 months
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click for better quality!
mothwing (and hawkfrost)
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chilchucktimbs · 3 months
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saw an image on tumblr and it reminded me of them
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amanfromnewjersey · 5 months
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I am going insane about these stoats
(my insta is @trisideseye and that's where I mostly post art. I'm purely posting here bc @quiddie is active on here and I need aabria to know, personally ,how fucked up I am about these stoats)
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sm1l3b0t · 28 days
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we talk a lot about that one quote where kim dokja describes yoo jonghyuk poetically and gay as hell but what we dont talk about enough is how han sooyoung was the one who wrote that. i fully believe he did think something along those lines but also that description is han sooyoungs. what a funny thing for yoo jonghyuk to read. 'yeah our dead friend thought you were SO hot in this moment, let me intricately describe it' there is no way either han sooyoung or kim dokja are coming out of that situation with ANY dignity
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kimsuyeon · 4 months
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campesine · 2 months
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Revolutionary Girl Utena Episode 5 (1997)
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babaistrans · 8 months
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Loving this game
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matt-tholomule · 1 year
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please tell me no one’s done this yet
EDIT - REALISED I COMPLETELY FORGOT TO ATTACH THE ORIGINAL
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can-a-tuna-fish · 3 months
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Give him $25 and he will come home with a bag full of food that hasn’t seen the light of day since the early 90’s.
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poorly-drawn-mdzs · 1 month
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I want you whipped into shape!
[First] Prev <–-> Next
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loxare · 11 months
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On their wedding day, he put his hand to her cheek and called her the most beautiful woman in the world.
He could have been correct, from an objective standpoint. Truly, she was one of the beauties in town. Her curls always in perfect order, her smile plump and joyous, her figure comely, even hidden modestly beneath clothing. From an objective standpoint, he was wrong, as nothing about beauty is objective, but none in the town would have disagreed with his assessment.
They spent several years together, in loving bliss. They built their house together, they planted their garden together, they grew together.
And then came the day that a hole in reality opened beneath him. Without thought, she jumped in after, a bare half second after he vanished.
When she opened her eyes, she was somewhere else. The stars were different, and wrong. There was the wrong number of moons, and the sun was the wrong colour. But the worst, most egregious wrong was that he was not there next to her. This, she could not abide.
She had nothing to her name besides her labour, but that she had in abundance. She travelled, from town to town, trading hours of work for food and board. She taught herself to draw, and she drew her love. Over and over, she drew him. In the dirt, on walls, on her own clothes. Asking, always asking, if any had seen him. Eventually she acquired paper and ink, and drew her husband again. Her inquiries became easier, more frequent, although the answers never changed. For none had seen her love.
She learned many things as she travelled. She learned how to fix a carriage wheel. How to tend to livestock and how to weed a garden far larger than the one she had known. She learned to shape a bowl from clay and to chop timber and to carve wood. She learned to fight off brigands who would take from her her sparse money, her life, or worse.
She learned other things, about this place she was in. It was a place where many came, and few left. A nexus one called it. A refuse heap, another said. But the method of arrival was always the same. One moment in the familiar, the next falling into the strange. But the people were the same, for all that they were often of alien appearance. Some looked down upon her dirt covered hems and worn boots. Some ignored her. Most were willing to at least listen to her question, to look at her picture, so carefully drawn. To keep an eye out, and pass on a message should they find him.
Time passed, and passed, and passed. The world she came from did not have things such as magical crystals or soul mates or wizards, or if it did they had none of the power that those here did. Regardless, one town she stayed in recommended she find the local witch, for they specialized in red strings of fate.
And so she did. The witch gave her a bowl of stew and a comfortable chair, and then listened when she spoke, and looked carefully at the drawing. It was a different one. She had drawn many, over the years, as the old ones wore out, and as her skill increased. And the witch said that they did not know if he was indeed her soul mate, but if he was, then the red string of fate that they revealed would lead her right to him. She need only follow it.
It was not an easy ask. The witch wanted a blanket woven by her own hands in payment. And so she stayed in the town, longer than she had stayed anywhere. She traded her labour and her art for thick wool, and weaving lessons. It was near winter before she had a result she was pleased with, carefully folded in her arms to be presented to the witch. The blanket was unfolded immediately upon delivery, shaken out to its fullest extent. The blanket was scrutinized, for quality of the weave or for something else that she could not fathom. Finally, the witch nodded their head. They turned back to their cottage, moving to close the door. She protested, concerned about her end of the bargain, but needn’t have worried. For around her finger was tied a red string which hadn’t been there before. The end led off, through the woods.
And so she followed it. She followed it through fallen leaves. She followed it across rivers. She followed it through snowbanks and through melt waters and through hot summer sun. Finally, she followed it into a clearing on a mountain. And fell to her knees in despair. For in this clearing was nothing but moss, and the end of the string, fading into nothing.
She did not have long to weep however, as a hole in reality opened above her, and down he fell. Without thought, she moved to catch him.
He was just as he had been on the day she had left him. And as he opened his eyes, she suddenly felt ashamed. For he was here, perfect and whole and young. But it had been years and years for her. Her hair was frizzy and knotted. Her lips were thin, her hands were rough, and her figure both hard and flabby at once.
But he opened his eyes, and he called her name, and she nodded. And he smiled at her, and called her the most beautiful woman in the world.
On a truly objective standpoint, he was incorrect. Both because beauty was not within the realm of objectivity, but also because there were many women who could be called more beautiful, subjectively.
But she also knew that he was speaking nothing but the honest truth. For he loved her. He loved her, he loved her, he loved her. He loved her hair, frizzy as it was. He loved combing it free of knots, and helping her braid it in the mornings, and loved tucking flowers into it, to surprise her when she looked in the mirror. He loved her smile, and loved seeing it, and loved being the cause of it. He loved it when she spoke to him, when she told him of the things she had done, and what she had learned. He loved her art, even as he blushed darkly at being her only subject. She taught him what she knew, and delighted when he found particular pleasure in pottery. They travelled, to find a home that suited both of them. The first time she defended him from brigands had been a terrifying and yet exhilarating experience for them both.
And they built a house. With a room full of paper and clay. And a garden, and a loom. And always, forever, she was the most beautiful woman in the world.
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