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#scottish nobility
scotianostra · 22 days
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On April 4th 1617 John Napier, the mathematician, died.
I hated maths with a vengeance at school, I'm not talking about counting, I can hold my own with that, but real maths. algebra, geometry, topology and worst of all logarithms, which we have Robert Napier to "thank" for, he introduced them in the early 17th century as a means to simplify calculations, aye right!
If John Napier had been born a common man he would maybe have been burnt at the stake, nothing to do with him and his maths nonsense but because he dabbled in the occult at a time when we were routinely setting such people on fire!
James VI was on the throne and his obsession with devilry consigned hundreds of unfortunates to the flames. Unless you were born of a noble family of course. A wee bit background on the Napier's his father was Sir Archibald Napier of Merchiston Castle, and his mother was Janet Bothwell, daughter of the politician and judge Francis Bothwell, Lord of Session, and a sister of Adam Bothwell who became the Bishop of Orkney. Archibald Napier was 16 years old when John Napier was born. John, as was the common practice for members of the nobility at that time, he was privately tutored and did not have formal education until he was 13, when he was sent to St Salvator's College, St Andrews. He dropped out of Uni and toured Europe for a time before returning to Scotland aged 21.
Back to his links with sorcery, several members of John Napier’s family – respected and wealthy participants of Edinburgh society - were commonly known to be wizards or sorcerers. Their necromantic power was feared by nobles as well as peasants from far and wide.
The family wizardry started with Napier's father, Sir Archibald, seventh Laird of Merchiston, who successfully predicted when Mary, then the former Queen of Scotland, would leave Lochleven Castle, where she was imprisoned. The story goes: "Claude Nan, the Queen's secretary, wrote that 'the Laird of Markyston (Sir Archibald), who had the reputation of being a great wizard, made bets with several persons to the amount of five hundred crowns, that by the 5th of May Her Majesty would be out of Lochleven." Mary escaped on 2 May 1568 – and the senior Napier was presumably wealthier for his prediction.
Sir Archibald married Janet Bothwell, sister of Adam, Bishop of Orkney, who the paper said was "a notorious necromancer", so that their son, the future mathematician, inherited "a double inclination towards the magic arts". This might explain some of John's odd behaviour. A necromancer is a wizard or magician by the way, I had to google it!
Tenants who lived on the vast Merchiston estate south-west of Edinburgh thought John to be a bit mysterious at times, Napier would be seen many evenings wearing a long gown, pacing outside his tower chamber, a private work area where he often would pass many long hours alone.
Many people thought that his pet black cockerel was a familiar – a supernatural being which assisted witches and wizards in their magical practice. However, the Napier family held the hereditary role of King’s Poulterer and Napier may have kept the cockerel on a whim but I have read he travelled not only with the bird but also with a black spider in a small box, not normal behaviour.
The Scottish writer and translator Sir Thomas Urquhart, who, told of a demonstration of devastating artillery Napier devised against the threat of invasion by Spain.
"He gave proof upon a large plaine in Scotland to the destruction of a great many herds of cattel and flocks of sheep, whereof some were distant from other half a mile on all sides and some a whole mile,"
A well as being a wizard and mathematician Napier was also a fervent Protestant, much of his writing is vehemently anti-Catholic even by the standards of the time. He was a man of contradictions though, as he is said to have had friends who were Catholic, including Alexander Seton, the Earl of Dunfermline, although the vast majority Catholics back then had to hide their faith.
The last interesting, and worrying, fact I found out about John Napier is that his cause of death according to wiki he died "from the effects of gout" at home in Merchiston tower, now I suffer from gout and it is bloody painful but I didn't know it could kill you!
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awkward-teabag · 1 year
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I can't believe I just saw someone defending brachycephalic dogs. They're not ethical and you can't just "ethically breed" brachy dogs that don't have problems. It might be able to be done, assuming all brachy dog breeders agree on it, but these are dog breeders we're talking about.
Breeders who line-breed to rapidly exaggerate traits.
Breeders who don't care if a breed can only give birth via surgical intervention.
Breeders who can't bother socializing their pups.
Breeders who are adamantly against out-crossing because they're into "blood purity".
Far, far, far too many debilitating illnesses are treated as "features" of breeds because dog breeders (at least show breeders, who are the main drivers of what the public sees and the public thinks is normal) can be a terrible group of people who care about status, money, and were one of the places where eugenicists went post-WWII.
A group of people who don't consider the suffering of animals they breed can't be trusted one iota to do a bunch of extra tests to eventually, maybe, have an "ethical brachy" dog breed.
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I recently found out that the town(?) in Scotland where my family is from is where braveheart takes place (or at least a battle in braveheart happens there idk I didn’t watch the movie)
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ladyinred2248 · 24 days
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The Scottish Princess, Finan x Reader
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Summary: Finan meets King Constantin's daughter in Winchester, who is emotionally manipulated by King Alfred and is seeking a reprieve. Multiple parts, WIP.
TW: Emotional manipulation, Panic attacks, Sexual Themes. Mature. Minors DNI.
Your father had secured the borders of Scotland from all directions and felt steadfast in his treaty with King Alfred, a new treaty of peace that you had organized almost singularly during a visit to Wessex. What he did not know is exactly how you had managed to achieve this peace treaty between your nations. 
You were coming of age now, a young woman of 20 years and for the past few years since the treaty had been enacted, you would journey to Wessex every Spring through Autumn and bestow news of the north and surrounding kingdoms to King Alfred as part of the union between nations. Well, at least that is what it seemed to outsiders and to Lady Aelswith. Alfred took a great liking to you, and the two of you had been having an affair for two years now. Although sexually you were pleased to share Alfred’s bed, emotionally you felt unfulfilled, and the guilt of the affair was tearing you apart. You knew Alfred did not think of you as indispensable, as he would never betray his beloved Aelswith - whether for personal reasons or political - so you were determined to end the affair this Spring when you arrived back in Wessex. Any feelings that had grown for the King inside your heart were unrealistic, and you often reminded yourself of this during the winters back home in Scotland when you missed his presence and his touch. When you were in Wessex, you spent months together whilst knowing that he had an obligation to fulfill his husbandly duties as well as those of Kingship, giving him space to do so. However, you were always at his beck and call to return to him every other night as he demanded. It was youth’s foolishness at its peak, and you were consistently manipulated by his handsome charms. It made you feel like a simple whore rather than a woman of nobility. When Alfred sent word that he wanted you to travel to Wessex again this Spring, you had decided to obey, if only to escape the monotony of palace life, yearning for a glimpse of the outside world away from your duties and decorating your father, the King’s, presence. But you were determined to end the affair this year, once and for all, in hopes you could find a noble man and start living again.
You arrived in Winchester on a Spring morning, arriving through the gates with your guard and almost immediately being gestured to the palace by Alfred’s men. 
“Your Highness. The King awaits you urgently.” His guardsman stated, taking you away wistfully into the palace.
As you were guided through the palace corridors, three men passed you by. There was one leading while two others walked slightly behind him, the leader seemingly a Dane judging by his looks with long hair pulled into braids, and kohl blackened eyes that were as blue as the ocean. The second was young, perhaps younger than you, a true Dane it seemed as you took in his armor and stature. The third man was different, a bearded Saxon man with tall, broad shoulders and a breathtaking physique.
The Leader nodded to you with a smirk as he passed, and you managed a small smile. As you passed them by, you turned your head back in order to gain another glimpse of the Saxon, who met your gaze as he did the exact same thing.
You entered the King’s hall, a guard gesturing for you to enter the bedchamber. You pushed the door open slowly, peeking in and around, and it instantly made you feel dread in the pit of your stomach. The feeling of being deceitful that you knew all too well.
“Lord King,” you addressed Alfred as soon as he made his presence known from the back corner.
“Hello, Princess.” he managed to speak out before moving for you quickly, lustfully grabbing your body and bestowing a searing kiss to your lips, his tongue tracing yours as you wrapped your arms around him. You fell into his embrace with ease for several moments until he motioned you closer to his bed. You pulled away from him to speak.
“Lord King, I - we must speak,” you managed to get out as his lips came to your neck and his hands ravaged across your body.
“Later,” he whispered as he tugged at the straps of your dress.
“Lord King!” You addressed him sternly, pushing him away from you. Alfred paused and adjusted himself and his clothing, then looked into your eyes.
“My apologies, Your Highness. My hunger for you is… unwaning, it seems. We have been apart for a long time. Come, sit.” He said calmly as he gestured you over to the table in his chamber. You smirked at him, grabbing his hand in yours to squeeze it for a moment which led him to give you a soft, half smile. He always had a very serious demeanor.
“Tell me how your Kingdom fared this past Winter. Tell me what is on your mind.”  He said quietly as he looked at you from across the table.
“It fared well, Lord King, despite a raid or two to the East.” You replied softly. You continued to update him on current events, and then grew silent as your mind switched to the inevitable.
“Lord King, we cannot… I cannot keep traveling to Winchester to live a lie.” You spoke.
Alfred looked down and contemplated for a moment. 
“Life is rarely fair,” He said softly, his half smile returning as he took your hand in his. “Are you telling me that you no longer want me?”
You hesitated to answer his question. It’s not that you didn’t want him. The physical chemistry between the two of you was there. It was the dynamic, the politics, the deception of it all.
He waited a moment for you to reply, and when you didn’t, he stood from the table and walked over to you. The King gestured you up from the table, taking your hand and leading you to the bed. He kissed you hungrily, his hands running up and down your body as you returned his gestures. Before your mind could catch up, you were naked in the presence of the King, in his bed with his body on top of yours. He gave your body what it had been aching for all winter, bringing you to the edge beneath him several times, but the emotional connection was lacking. You wondered if you loved him. How could you not? This was the third Spring that you had answered his call. It was impossible to not get attached. But love? That had to be deeper, you thought. You knew it had to. This could not be love; It could only bring misery to all. You succumbed to desire, the desire to feel wanted or cherished, even if it wasn’t ideal.
You left Alfred’s chamber in a haze, the guards showing you to your quarters. As you got settled and tried to calm the nerves festering within you, you decided that you would go for a walk, perhaps to the Alehouse in Winchester to blow off some steam. After all, being Scottish royalty in Winchester gave you discretion as you were not well known. You adorned your cloak and left the palace, being careful not to be seen by Alfred’s guards.
You approached the bustling Alehouse as dusk settled, taking care to be aware of your surroundings but also moving with confidence. Another reason that you agreed to come to Winchester every year was so that you could feel a sense of freedom, normalcy even that was not alloted to you by your overbearing father. You stepped inside the Alehouse, coming to the counter to request a drink.
Uhtred, Finan, and Sihtric had been at a table nearby, laughing and chatting as they drank. As you stood at the counter you took the hood of your cloak down and as Finan glanced over, he recognized you from the palace instantly. His typical boisterous confidence waned as he watched you from across the room, tempted to walk up to you and speak but he hesitated.
As you took a few large gulps of ale, you glanced across the room and caught the Irishman staring at you. He looked down quickly, but you held your gaze on him and recognized him immediately as well. You held your gaze until he felt your eyes on him, looking up again to meet your eyes with a smirk before getting pulled back into conversation with the men. You assumed that this had to be Lord Uhtred and his men, as you heard everyone address Uhtred as “Lord.” Alfred had told you of Uhtred, hearing valiant stories of him and the men who followed him, but you had yet to have the pleasure of introductions. The King preferred you to be discreet.
As you finished another mug of ale, you placed coins on the counter and stood to leave, walking back out into the crisp night air, knowing that the King would get suspicious of your whereabouts if you stayed away for too long. 
A presence in the dark startled you outside as you reached for your dagger, only to come in contact with Lord Uhtred’s mysterious Saxon man.
“I, uh, sorry.. I didn’t mean to scare ya.” Finan said with a soft chuckle and his hands raised.
You giggled as you sheathed your dagger. “That’s alright... I’m sorry, but I don’t entertain men from Alehouses.” 
Finan laughed. “I didn’t assume that you did. You are a noble, yes? This can’t be a safe place for ya.”
You observed Finan’s stance and assumed his kindness was genuine. He smiled softly at you with twinkling dark eyes and you returned the smile as you spoke.
“I am fine, thank you. I can take care of myself.” You replied, turning to walk away down the street.
Finan nervously hesitated, trying to think of what to say to make you stay with him for a moment. He thought you were enchanting and your confidence attracted him. He moved quickly to catch up with you.
“Hey! Uh, maybe I could escort you back?” He asked.
You noted his accent. It wasn’t Scottish, it was Irish.
“Well…I suppose.” You answered.
He walked next to you quietly for a moment. 
“Your accent.. you are far from home, lady.” Finan said as you met his eyes, giving him a smirk.
“So are you.” 
Finan was easy to talk with and comfortable to be around, something you had experienced so seldomly at the palace or back home with all the intolerable noble men. He coaxed deep laughs from your belly, making you realize how long it had been since you had laughed at all. He flirted with you subtly, pinching your side to tickle you as you giggled.
As the two of you got closer to the Palace after your long walk, the same familiar dread festered in the pit of your stomach. You took a hand to your belly, taking a deep breath as anxiety hit you again, stopping to lean against a tree. You couldn’t keep living this way. But as far as you knew - Alfred could have as much control as he wanted over you. Especially now that you had submitted yourself to him again.
Finan looked at you and witnessed the disdain and discomfort you held, his brows furrowing with concern as he leaned his arm above you against the same tree.
“Hey, are ya alright?” 
You hesitated before answering, taking a gulp as tears filled your eyes. 
“No… no I am not… I cannot go back, I cannot!!!” You responded as your hands started shaking, a panic attack festering inside you as your heart raced to no end.
“Hey, it’s alright,” Finan said lightheartedly as he took your arms gently, gesturing for you to sit down with him. “Just breathe, you’re okay… you’re okay,” he whispered as he took your hands, looking into your eyes. He was so familiar with what you were going through.
“I cannot… I cannot…” you continued to pant as you sat with Finan on the ground, tears falling from your eyes onto your warm cheeks. He interlaced his fingers with yours as he sat with you, looking at you intently. 
“Breathe with me, pretty girl… it's going to be okay. I’m here with ya.” He comforted, bringing you back down to earth slowly.
After your breathing had come closer to normal and you stopped shaking as much in Finan’s hands, he took the back of his hand to your cheek, a slight caress that continued to bring your awareness back. 
“What is it that you fear? Has someone mistreated ya?” He whispered.
You brought your eyes to Finan’s again, hesitating to answer for a moment as you looked into his deep brown eyes. 
“I…the King, he… I am ashamed…” is all you could muster out, tears filling your eyes again as Finan looked at you.
“I’ve heard he’s a real arse when it comes to women...” Finan responded with disdain.
“I just… I can’t do it anymore. He controls my life and I can’t live like this anymore,” You replied sternly as your anxiety turned to anger. You got up from your seated position, starting to walk in the opposite direction of the palace.
Finan stood and trudged after you. “Lady, uh, where are ya goin’?”
“Anywhere but here.” You mumbled, just loud enough for Finan to hear.
“Lady,” Finan started as he caught up to you and sighed. “… it’s not safe for ya to wander the streets at night. You can have my room at the Inn.”
Tears fell from your eyes again as you turned around and came closer to Finan, burying your face in his chest as your arms wrapped around his torso. He let you grasp him for a moment, hesitant at first, then brought his strong arms around you to hold you. You stayed with him like that for a moment, until Finan grew nervous, looking around for onlookers for fear of being seen with you. He pulled away and took your hand in his.
“Come, let’s go.” 
You nodded and followed him to the Inn, his large strong hand enveloping yours. It was quiet and only a few townspeople were out and about. He took you up the stairs to a modest room, and as you entered Finan fumbled with his things, nervously preoccupying himself with making space for you. He then lit the hearth, quietly keeping to himself as you took in the space.
The King had noticed your absence as the night hour grew late, and he was silently furious.
“Lord King, she is not within the Palace.” Alfred’s guard told him after they had searched high and low for you throughout the grounds.
Your anxiety had ceased now that you were within four walls, but you were aware of Finan keeping his distance from you as he sat at the table, pouring you both a glass of wine. He turned to look at you and handed you the glass.
“You can, uh.. have the bed.” He mumbled as you looked at him, searing into his gaze and making his heart race. You took the glass from him, taking a sip before setting it down, your eyes remaining on him. He was stunning, even with all of his armor you imagined his body would be tantalizing underneath it. You hadn’t been in the close presence of a true warrior such as this, and he was treating you so sweetly, a pure gentleman. He had settled your body and mind just by being near. In a strange way, it made your heart and your core ache for him.
You took Finan’s hand again, this time turning his palm up and bringing it to your mouth, bestowing a wet kiss to his calloused palm. He took a deep breath as he watched you, his eyes lingering on your lips as you traced his hand with them. He felt his cock grow hard and pulled his hand away from you, holding your eye contact.
“Do you not crave a woman’s touch?” You whispered to him as he held your gaze.
He smirked at you, his eyes deep with lust.
“And if it gets me killed? I have a feeling that you are an important woman.” 
You looked at him innocently, moving closer to him until your noses almost touched. You longed to kiss him and feel his tongue, the combination of ale and his handsome gaze on you making you feel steadfast in your feelings of wanton desire. You longed for him to touch your body and fulfill your needs as you witnessed the light red flush across his cheeks.
“You can take pleasure from me, Irishman. I permit it.” You whispered in his ear, giving Finan a deep shudder throughout his body. You bravely brought your hand down to graze at his hard cock in his trousers, causing Finan to let out a soft moan.
“Not… until you tell me who ya are.” He replied sternly as he jumped away, looking at you with the same desire but a change in his eyes.
You sighed, turning away from him as you stepped away slowly. He watched you as you crossed your arms and turned back to face him. You didn’t want to admit who you were to him. You would rather enjoy yourself and be ravaged by a man who didn’t seek to control your life.
“The daughter of King Constantin.” You replied hesitantly.
Finan’s eyes widened as his breath caught in his throat, causing him to cough before he spoke.
“No. No way. This is not happenin’. Absolutely not!” 
You released your arms and came closer to him again, putting your hands on his arms and seeking to align with Finan’s gaze again as his shocked expression didn’t fade.
“I only seek to be my own woman.” You muttered to him.
“No. Not only are you a royal, but Alfred desires you? No. I value my freedom, lady.” He said, pulling away from your grasp.
You sighed as you watched him walk back to the table, pouring a glass of ale and turning back to look at you as he gulped it down, then sat down with a sigh.
“You can stay here for tonight. That… is all.” He commanded.
You smirked at him. “Thank you, Finan.”
“No, don’t thank me. In fact… stay over there,” he gestured at the distance between you, chuckling lightly.
You grinned at him and took a few steps closer to him, grabbing your cup of wine from the table and taking a drink. Finan immediately stood from the table, begging distance from you.
“No! Nope,” he said with his hands up as he stepped away from you. His actions made you giggle again.
“Finan, I am not the devil!” You chuckled.
Finan laughed deeply, grabbing his ale and taking a gulp as you continued to slowly come close to him, backing him into a wall.
“Keep your distance from me, temptress!” He chuckled, signing the cross at his chest with his hand, dodging your attempt to come closer to him.
You grabbed his hand with yours and pulled him towards you as he continued to pull away.
“Agh,” he groaned.
You giggled and brought your face close to his, your noses touching as you both became serious. You grazed your lips softly over his, waiting for him to deepen your soft touch into a kiss as he bestowed his hands upon your hips, pulling you closer to him.
 Suddenly, a harsh knock came upon the door, Uhtred shouting from behind it.
“Finan, the King requests our assistance!” 
You pulled away from Finan, holding his eye contact as he shook his head.
“No, please… don’t answer.” You pleaded. Finan sighed as he looked at you, then walked away and gestured to open the door. Uhtred looked in and saw you standing there, keeping his gaze on you for a moment until he looked to Finan. Uhtred rolled his eyes.
“And what is this?!” Uhtred asked sternly, recognizing you from the palace.
“It’s… the reason the King asks for our assistance, I presume.” Finan smirked.
Sihtric had followed and joined Uhtred at the door, looking to you in surprise. He then looked at Finan and laughed, which brought a small smile to Uhtred’s lips.
@gemini-mama @bhxrdy @alexagirlie @whitedarkmoonflower @persephones-journey @king-alfred @itbmojojoejo
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yamishika · 2 months
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have any other ethnicity headcanons for fairy tail characters?
Fairy Tail Characters Ethnicity HCs
I don’t have as much extensive proof as I do for my Erik headcanons post but I will explain my thoughts for why I think certain ethnicities.
Natsu Dragneel : Japanese + Greek? (Because of the clothing style in his past flashback with his biological family)
Erza Scarlet : British + ? - I say British because she reminds me of Lara Croft who in her older days had reddish hair, also English history is big on knights, which Erza is. The other half I can’t tell as I don’t actually know what to think of her father Rung as. He seems like a POC though. (Maybe Mexican?)
Lucy Heartfilia : British / American - Because Lucy’s heritage as a noble it reminds me more of English nobility, but then her characteristics remind me more of american for some reason (it doesn’t help that Lucy looks a lot like Ashley Graham from the original RE4 and she’s American so I am kind of biased there)
Gray Fullbuster : Canada or Serbia (I think that’s mainly because I am making the link of cold countries though). Also if with Serbian I can see Ultear and him coming from similar places)
Gajeel Redfox : Native American (His hair and features remind me of Native Americans and I don’t know he kind of reminds me and looks like of Ratohnhake:ton / Connor from AC3) Juvia Lockser : Spanish + Russian (Spanish as the name Juvia is Spanish origin and Russian since the ushanka she wears and her clothing style in general)
Jellal Fernandes : Mixed ethnic - Mixed Arab (mainly Levantine Arab) + Latino (Brazilian), but then in my HCs he’s also part Desi too since the name Jellal is most prominent in India (And I want Erik to have a desi bro in CS). And the Arab/South asian idea came from him wearing Kohl/Surma in S1 in the anime. 
Ultear Milkovich : Serbian with mixed Central Asian or Kazakh (Again cold countries but since Ultear looks Eurasian but with dark features these countries came to mind. Serbia because apparently the name Milkovich is Serbian origin)
Macbeth/Midnight :  English w/Scottish + Irish + Japanese - English/Scottish/Irish is a given since his name ‘Macbeth’ but since his aesthetic is alike to Visual Kei, I see Japanese influence. But I don’t know, I just can see Macbeth with a british accent, maybe that’s just me.
Sorano Aguria : French and Korean/Japanese (I don’t know why I have the French, it just fits me when discussing with my friend @acutemushroom. Korean/Japanese because despite having a Japanese name (her and Yukino) due to her features she gave me kind of Korean vibes for some reason)
Sawyer : English (I can’t explain other than the name. But I thought of Romanian too for some reason, so English + Romanian?)
Richard Buchanan : South African + Scottish? (My only thought for this was because Buchanan I knew it as a last name big in South Africa, and Scottish is probably because of the red hair and ruddy complexion that I know scottish people can have)
Meredy : Irish (I don’t know why, it was hard to think of anything for her)
Kinana : Desi (Since the name Kinana is an urdu name apparently - So Pakistani) 
Cana Alberona : Irish + Italian (Guildarts gave me tanned Irish vibes for some reason and Alberona is I believe an Italian name)
Minerva Orland : Chinese + Latina (She wears a Cheongsam and her hair reminds me of Chinese culture but then I see Latina too) BUT, maybe she has Egyptian too and Italian since Minerva (Italian/Latin) but the blue eyeliner/eyeshadow she always has is alike to Malachite powder that was used by ancient egyptians 
Laxus Dreyar : Ukrainian + Russian (He gives me eastern europe vibes and also his features) but also since he's Makarov’s grandson he’d have Russian in him 
Makarov Dreyar : Russian - (I think his full name is of Russian origin but I can't be sure.) These are the HCs I have off the top of my head, hope this answers your question!
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spirngakawening · 7 months
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Being a theatre nerd is fun - you'll have songs from the musical adaptation of a 2001 film about a sorority girl studying law at Harvard playing in your head before watching a live Italian-language opera production of an early Jacobean-era tragedy loosely based on the history of an 11th century Scottish king, then go home to read fanfic about late 19th century child labourers in the US and another chapter of the big book about early 19th century Russian nobility and military. And you'll love all these things
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dovabunny · 7 months
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GhostSoap Concept - the MacTavish Bride Games
We can imagine a story where a princess' lesbian lover enters the tournament for her hand amongst the strongest men in the country, the shock that a woman beat all the knights to marry her love.
Now imagine the reverse.
Soap is the only son of Scottish nobility, his bloodline going back to the great clan kings. When the eldest son of the family turns 25, other families from all over send their daughters to compete for the honour to be his bride.
He hates it, feared since he was a wee lad.
The competition brings out the ugly side of people, his Grandpa laughing about stories of competitors who had hurt or even killed each other. It's a spectacle of something that's supposed to be out of love, something kind and gentle and beautiful. Not this.
Then he meets The Ghost. A stranger hired by Price, who manages his family's estate. The man barely talks, is always covered hear to toe, and doesn't give his name.
Ghost turns out to be the best gardener his father ever met, and is put in charge the vast gardens.
The head gardener is also given the garden cottage, as tradition over three centuries dictates. If Ghost isn't alone in the garden working, or tending to his bee hives amongst the flowers, he'll be in his cottage.
Simon grows curious.
Simon is huge, built for battle not tending to tulips and making honey. He can't help but sneak around the hiding spots he had as a kid to catch glimpses and spy on the man.
He learns that he talks to his bees, he uses the honey for tea, and likes to read at the kitchen window.
Soap thought the mask was because he was hiding, and maybe it is, but he also spots him late at night with a soft mask cooking in his kitchen, swaying to music.
Before he realizes it curiosity turns to obsession. He starts approaching the man, making light conversion at first...
When Ghost doesnt seem repulsed or angry, he visits more often, rejoicing when the conversation becomes two ways, when Ghost seems to wait for him, seems happy to have him join him as he works. When he makes Ghost laugh the first time...
... obsession turns to love.
A love that was gentle, beautiful, and kind. There was no fighting, anger, or cruelty. Ghost softens to him, asks about him, notices when he has a bad day, gives him little jars of honey, puts a white rose behind his ear with the thorns carefully clipped.
Then he turns 25.
He begs his father, let the barbaric MacTavish tradition end with him. His grandfather spits at his feet, his father calls him a disgrace to the family name and curses him for being his only son as he strikes him. His mother's eyes - the eyes of a victor - are cold.
He runs.
He runs through the midnight rain, lightning and memory guiding his feet to the door of the cottage hidden in deepest part of the gardens. Tears and rain in his eyes, he knocks.
Ghost frowns when he opens the old wooden door to the storm and first battering at it but immediately his eyes morph into concern and Soap falls into his arms.
Ghost brings him towels and dry clothes, wraps him up in front of the fire and brings him sweet honey tea.
Ghost sits closer than necessary, speaks softly, and Soap breaks at the kindness and gentleness he's never felt. He tells him everything, the competition, his bloodline, their bloodthirst. How he hates it.
Simon pulls him closer and listens. Soap tears up again, drunk on heartache when let's it slip that this - this moment here - this is what he wants, what he yearns for. A happy simple life with real love.
"...Love?" Ghost whispers in breathless disbelief into the space between them.
"...Love." Soap admits.
Ghost takes off his mask and Soap doesn't recoil at his scars. Soap kisses him and Ghost doesn't reject him for his desperation. Ghost takes off their clothes and Soap looks at him like he's beautiful.
Soap gives himself body and soul to Ghost, and Ghost returns his love.
The next morning Soap is gone. Price knew where to find him when his father demanded his son and heir be fetched. The competition was to begin that night, already beautiful eligible hopefuls were arriving at the manor house, their lashes flutter coy at him, their painted nails sharp, and their eyes deadly as they glare at each other.
Soap shuts down as Gaz, his childhood friend and assistant, dresses him and guides him through the motions of the day like he's a puppet. Hah. Maybe Price was right to call him a muppet.
That night is the celebration before the games, it starts with each lady introducing herself. He barely listens as they rattle off their names, own bloodlines, and empty complements.
"There is one late entry," Price announces and calls the final competitor to step forward.
A tall man, his strong figure finely dressed and styled, steps forward. Blond curls neatly tamed, face just as beautiful as it was that morning when the sunrise filtered into the room and kissed his pale skin and long lashes. His scars make him even more handsome, distinguished, fearless.
"Simon Riley."
His father recoils and jumps to his feet, "HOW DARE YOU! WHO DO YOU THINK YOU ARE TO MAKE A MOCKERY OF-"
Price interrupts. He had studied the rules and every record written of the MacTavish Bride games - there is no rule that the competition is only open to women.
"Bu- But he isn't of noble blood! Only women of distinguished families may enter!"
Simon steps forward, a document with a seal in hand.
"I am the last surviving member of the Riley family, from the O'Riley clan who united the clans of Scotland and Ireland and came over to help them resist the Roman invasion."
Everyone knew the name, the legend of their name in the history books, and the tragedy of how the entire family was slaughtered in their mansion over a decade ago.
His father is speechless. Price reminds him he has no right to deny Simon's participation based on the rules, especially not someone of his blood.
Soap steps forward, breaking the deafening silence in the hall as his footsteps are light but sure across the ancient stone floors. His eyes soft and smile bright in a way it hasn't been in years behind the walls of this house.
"Welcome to the games, Simon Riley."
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delicatemystic · 2 years
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Barbie Fun Fact
The origin and meaning of the names of the protagonists of the Barbie movies.
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(The Nutcracker - 2001) Clara: Originated from Latin, Clara means "bright", "clear", "luminous" and "illustrious".
(Rapunzel - 2002) Rapunzel: Its origin is uncertain, but some linguists believe that the name comes from the word “rampion”, which is a very nutritious edible vegetable/flower.
(Swan Lake - 2003) Odette: Of French and Germanic origin, Odette means "rich", "full of goods", "virtuous".
(The Princess and the Pauper - 2004) Anneliese: French origin, Anneliese is a combination of Anna and Liese, with Anna being a form of the Hebrew Channah, meaning "full of grace", and Liese being a German diminutive of Elisabeth "My God is an oath". (The Princess and the Pauper - 2004) Erika : It means "eternal sovereign", "rich in honor and glory" or "she who reigns like an eagle". Of Germanic origin.
(Fairytopia - 2005) Elina: This name apparently has several origins and meanings, I don't know exactly which one is right. Elina means "noble serpent", "nobility serpent", "little noble", "the glittering one, the resplendent one". The name came from the Latin Alina, Alyna, variants of Adelina, a name with two possibilities. In its Greek origin, it means "bright light". in hebrew it means "Life is given by God".
(Magic of Pegasus - 2005) Annika: of russian origin, Annika means "gracious", "full of grace"; “army” or “splendour”.
(Twelve dancing princesses - 2006) Genevieve: Of Celtic origin, Genevieve means "white and soft woman", "woman white as the foam of the sea"; "woman of good origins".
(Island Princess - 2007) Rosella: Of Italian origin, Rosella Means "rose" and "beautiful flower".
(Mariposa and her butterfly fairy friends - 2008) Mariposa: Of Spanish Latin origin, Mariposa means "Butterfly".
(The Diamond Castle - 2008) Liana: This name has two origins, Liana in Hebrew means "light", in French it means "God is an oath."
(A Carol Christmas - 2008) Eden: Of Hebrew origin, Eden means "person whose company is pleasant". In addition to alluding to the paradise of Eden.
(Three Musketeers - 2009) Corinne: Originating from Latin, Corinne means "daughter of the crown", it also comes from Greek origin meaning "virgin". In addition to the English and French origin "beautiful maiden".
(Mermaid Tale - 2010) Merliah: Means "mermaid", "girl from the sea", "beautiful sea", "moon of the ocean".
(Princess Charm School - 2011) Blair: Scottish gaelic origin, Blair means "plain", "meadow" or "field".
(The Princess and the Popstar - 2012) Victoria: Meaning "victory," Victoria is of Latin origin. (The Princess and the Popstar - 2012) Kiera:  It is an Anglicized version of "Ciara" and means "Little Dark One", besides that Keira is an anagram of Erika, referring to the character of princess and paupper.
(Pink Shoes - 2013) Kristyn: Of Scandinavian and latin origins, the meaning of Kristyn is "follower of Christ".
(The Pearl Princess - 2014) Lumina: Name of Slavic origin that means "sunshine", romanian word for sunshine.
(The Secret Door - 2014) Alexa: of Greek origin, mean "defender of man", “protector of humanity” or “she who wards off enemies”. (Rock N Royals - 2015) Courtney: It means "short nose", "little nose". This name originated from an English noble surname, derived from the French Courtenay. (Rock N Royals - 2015) Erika Juno: Erika we already know the meaning, but Juno means "youth", "queen of the gods" or "she who was born in June". Juno is a name of mythological origin, which originated from Latin.
(Princess Power - 2015) Kara: Of Italian origin, Kara means "beloved" or "dear,"
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I hope you enjoyed the content of this post, heart and reblog, and follow me pls <3
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languages-with-ian · 1 year
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And another question re: Gaelic post…can you talk more about Scots, and how it came to be seen as the more “educated” language compared to Gaelic, as well as how the language is viewed now?
Barrie quaisten!
SCOTS
Scots is another Anglic language closely related to English. There is heated debate (often, unfortunately, along political party lines) over whether it should be considered a language or a dialect. However, the linguistic consensus is that Scots is indeed its own distinct language, complete with its own vocabulary, grammar rules, and historical character. It's akin to the relationship between Danish and Norwegian - while they share a relatively recent common ancestor and have influenced each other over the course of history (however lop-sided that influence may be), they are indeed separate languages.
Around the 600s CE, a new language appeared in the southeast corner of Scotland, back when this area was under the control of certain new-ish arrivals to the island who spoke a Germanic tongue. At this point, Middle Irish (modern Gaelic's immediate ancestor) was the court language of Scotland, and would remain so until the reign of David I, crowned in 1124. Scots is said to have begun diverging from the Northumbrian Old English dialect in earnest by the 1100s, although records of the language are sparse before about 1375 (the beginning of the Early Scots literary period) owing to Viking and English "meddling" (some light raiding here, some plundering there, general theft, and so on). Owing to its Northumbrian origin and heavier Scandinavian influence (stemming from close ties with the Danelaw), Scots has more of an Anglian and Norse character to it as opposed to its relatively more Saxon-y, Norman-y cousin to the south (i.e., English). Scots has also had much closer contact with languages like Scottish Gaelic and even Pictish and Cumbric (which I'll be sure to cover in a future post), and as a result has been influenced in its vocabulary and phonology.
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It has several dialects of its own, broadly categorized by location, ranging from Borders Scots to Orcadian Scots and everything in between. (And we can't forget Ulster Scots, a dialect brought to Ulster during the 1600s by Lowlander planters.) Due to this variation, modern Scots has no clear standardized form, though linguists have made several halfway-serious attempts over the past century or so to standardize orthography.
But what's been going on with Scots between David I and the present day? Let's dig in.
David I (in Gaelic, Daibhidh I mac Mhaoil Chaluim), who reigned from 1124 to 1153, initiated the proliferation of proto-urban societies across his kingdom. These societies were called "burghs", or "touns" in Scots, and they'll come in handy later. At about this same time, Norman French began to infiltrate the Scottish nobility, and Gaelic began to decline as a language of prestige among higher levels of society.
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Once the 1200s started to creep around, the northern dialect of Early Middle English that would become Scots began expanding ever northward towards the Forth-Clyde line. This dialect was called "Inglis" by its speakers, and over the next century, it began to supplant Norman French and Gaelic as a common language within the burghs. The 1300s saw this "Inglis" tongue grow in prestige and it began to eclipse Norman French at even the higher levels of society, particularly within the courts. As the 1400s approached, it even began to replace Latin as the language of ecclesiastical and royal court proceedings.
The 1400s saw a relatively rapid geographic spread of Scots at the expense of Gaelic, which was cornered into the Highlands, Western Isles, and small pockets in the Lowlands (viz. Galloway, where Gaelic survived at least up to 1760). By the early 1500s, Scots began to be known as "Scottis", and Gaelic, which had previously been referred to thus, was now being dubbed "Erse" ("Irish") in attempts to otherize Gaelic. The 1500s saw the advent of Middle Scots, which was, in my amateur opinion, the golden era of the language, owing to its undisputed support at all levels of society across most of the kingdom. Around this time, a loose written standard did exist, but the language was still written how it sounded and regional variation was commonplace.
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1567, however, saw the coronation of James VI of Scotland (note: James I of England and Ireland as well from 1603 on). His famous Bible translation (KJV) helped to set in motion the gradual Anglicization of Scottish society as it was dispersed among the population. In 1603, the Union of the Crowns brought Scots-speaking and English-speaking nobles into closer contact, and English gradually began to dominate the speech of the Scottish nobility (this exchange would produce what is now Scottish English, a distinct standardized dialect of English that some argue is one end of a linguistic spectrum, at the other end being "braid Scots").
Beginning in 1610 and continuing through to the 1690s, Scottish planters from across the western Lowlands and the Borders began to settle in Ulster, the northeastern region of Ireland. Over time, this group of people would come to develop their own regional identity, the Ulster Scots (or, often in a New World context, Scots-Irish). Their local dialect of Scots, while maintaining a Lowland character, picked up various influences from Hiberno-English (particularly in phonology) and from the Irish language (various contributions of vocabulary).
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By about 1700, written Scots, at least in an official capacity, had become almost completely Anglicized. An example of an Anglicized convention introduced to Scots writing is the "apologetic apostrophe", an apostrophe that was inserted into a Scots word where an English-speaking person might expect a letter to be (for example, the Scots word "wi" (in English, "with") would have been written wi'). In 1707, the Acts of Union (Note: Panama played a role) seemed to solidify a shift in the upper-class opinion of the Scots language - what scarcely 150 years before was seen as the national language was now looked down upon by the nobility as "uneducated speech" or "bad English".
However, things looked different from a lower- and middle-class perspective. Contrary to high society, the common people began to take a renewed interest in the Scots language, and a literary revival began. This mid-1700s revival gave us such world-famous names as Robert Burns, Walter Scott, and Thomas Campbell. It was at this time that Scots transitioned from Middle to Modern Scots. However, features such as the apologetic apostrophe were retained during this period to gain wider readership among an English-speaking audience, a market that now effectively spanned the globe. (Meanwhile, the Highlands and Lowlands each experienced their own set of Clearances, and Scotland's diaspora began their journey to the edges of the empire.)
By the early 1800s, this "Scots fever" (NOTE: not a technical term) had reached the upper classes of society as they increasingly turned a Romanticist eye to the literature of their homeland, while simultaneously keeping Gaelic at arm's length. Since this point, there hasn't been any sort of top-level, government-sanctioned, institutional spelling reform or rulebook published on Scots orthography, although this hasn't stopped a wealth of Scots poetry and prose from being published through the years.
Since this era, there has been a relatively steady stream of interest in the language, though recent government initiatives have been taken to attempt to ensure the survival of, and increase interest in, Scots. This 2010 study by the Scottish Government sheds some light on modern public perception of the language within Scotland itself.
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Over in Northern Ireland, the Ulster-Scots Agency was established as part of the wider Belfast Agreement of 1998 in efforts to promote the language and wider culture.
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It's not all roses these days, however. A couple of years ago, it came to light that a North Carolina teenager had been, for over seven years, writing entries on the Scots Wikipedia, without any knowledge of the language. One Reddit user remarked that this teenager had caused "more damage to the Scots language than anyone else in history." (Perhaps take this with a grain of salt.)
Would you like to help protect the language?
The best way to protect a language is to learn it! If you click that link, there are several resources for adult learners of Scots to start their journey. My perennial advice, though: once you've got the basics down, use it! Find a Scots speaker and stumble your way through a conversation. Don't be afraid of making mistakes! (Note: everyone makes them.) One resource I've used in the past to learn some basics is the Open University's (entirely free!) Scots language and culture online course. All you need to do is sign up and work through the modules!
Follow for more linguistics and share this post! If you have any questions, feel free to ask!
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scotianostra · 25 days
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On April 1st 1295 Robert Bruce, “The Great Competitor” and grandfather of King Robert the Bruce, died.
With so many of the Bruce family called Robert there is a lot of confusion when talking about the family the explanation here will become apparent.
The family of Bruce originated from the town of Brus, modern Brix between Cherbourg and Valognes in Normandy and was founded by one particular Norman knight by the name of Robert who came across to England in the wake of the Norman conquest of 1066 and was granted some manors in Yorkshire by William I.
It has to be said that the Bruce family displayed a distinct lack of imagination in the naming of their sons. Having settled on the name Robert they stuck with it through thick and thin down the generations. Hence there are a succession of eight Robert Bruce’s over a period of three centuries and to make matters worse there are four generations of Roberts who each chose a wife named Isabel/Isabella.
You might think that this would be a source of confusion and you would be correct. More than one source gets hopelessly mixed up between Robert Bruce and another and it sometimes seems to be the case that no one is quite clear which Robert Bruce did what.
The second Robert of Bruce was notable for his friendship with David son of Malcolm III, king of Scots, who spent the early part of his life living in England as the Earl of Huntingdon, after his marriage with Matilda, daughter of Waltheof Siwardson and heiress to the estate of Huntingdon.
When David finally became David I, king of Scots, Robert was one of a number of Norman knights invited north to help David knit together the rather disparate group of territories that fell under his rule. Robert was granted the Lordship of Annandale, which was then within the territory of Strathclyde in what later became Dumfriesshire in the south western corner of Scotland.
Having said that nothing was ever black and white in those days and when King David fought the English at the Battle of the Standard in the year 1138 this Robert was on the English side. It was nothing personal but at this point The Bruce family owned land in what is now Yorkshire. To complicate things further by now there was a third Rober and you guessed it, the younger man was fighting on the Scottish side, this is what is known as hedging your bets! This third Robert subsequently lost control of the family land in Yorkshire.
The fourth Robert’s great contribution was to marry Isabel of Scotland the daughter of William the Lion, king of Scots. This was an indication of how important the Bruce family had became within the young kingdom of Scotland, but the marriage achieved an even greater significance in later years, as it was this connection with the Canmore dynasty that was to form the main basis of the claims by this Robert’s great-great-grandson to the throne of Scotland.
The fifth Robert married another Isabel, Isabel of Huntington who was the daughter of David, Earl of Huntington and Matilda of Chester. This David was the son of Henry of Huntington, son of David I of Scotland and Isabel was therefore niece of the aforementioned William the Lion; so yet another connection was made with the House of Canmore.
On to number six, I was going to make a joke about the Prisoner, but perhaps not! This is the Robert who died on this day in 1295. The sixth Robert continued the family tradition and married yet another Isabel, this time Isabel de Clare daughter of Gilbert de Clare and Lady Isabel Marshall which established a connection with the powerful Anglo-Norman de Clare and Marshall families.
This Robert was the first of his line to promote his claim as a candidate for the Scottish throne which became vacant following the death of Queen Margaret in 1290. He wasn’t successful on this occasion but it brought the Bruces right to the forefront of Scottish politics.
The seventh Robert married Marjorie of Carrick (the Countess of Carrick), and by right of his wife thereby obtained the title of Earl of Carrick.
Like his great-great-grandfather, he too fought on the English side against the Scots, this time at the battle of Dunbar in 1296. Although such is the confusion between the various Bruces, others suggest that it was not him but his son Robert the Bruce who did so, which would be doubly ironic.
And the most important one the most well-known is number eight Robert the Bruce who was the great champion of Scottish independence, who was crowned king of Scotland in 1306, defeated Edward II of England at the battle of Bannockburn in 1314, issued the Declaration of Arbroath in 1320, he died in 1329.
And there it ended, Robert broke the long line of Bruces named Robert and named his oldest son David, who became David II of Scotland.
There was another Robert Bruce though, but he was illegitimate to an unknown mother, Sir Robert Bruce, Lord of Liddesdale. He was killed leading a charge at the Battle of Dupplin Moor on 11 August 1332. during the second wars of Independence.
Pics are the linaege of the main three competitiors for the crown, the seal of the Robert of today’s post and the Bruce Coat of arms as Lord of Annandale: Or, a saltire and a chief Gules
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catofadifferentcolor · 4 months
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Terrible Fic Idea #81: Harry Potter, but make it Aberforth's Daughter
Having been told that choosing to be a muggle in the Wizarding World is "not getting into the spirit of things", I set about determining under what circumstances I could bear to live in the British Wizarding World. This is what I came up with.
Or: What if the SI were to replace Aberforth Dumbledore's OC daughter?
Some context:
First, we're leaning heavily on book canon while dipping our toes into Hogwarts Legacy as far as the extended magical communities in the Scottish Highlands are concerned. This means no Fantastic Beasts movies, no Credence Barebone, but the Hogwarts Legacy map and the implication the Wizarding World is bigger than just a school and alley - and actually magical.
Secondly, the OC wakes up with memories of her past life as the SI on her fifth birthday. This is less of a true SI than a modern woman in the British Wizarding World, with the middle-aged SI being a critical HP fan with an engineering background.
Thirdly, the SI takes the place of an OC - Aberforth's daughter, Aishwarya Devi, born in early 1979 as a result of fling with an Anglo-Indian astrophysicist by the name of Sandhya Devi who moved to the UK as a young adult. Although Aishwarya - Ash - is never unaware of who her father is, her parents agreed before she was born that Sandhya raises Aishwarya by herself for a variety of reasons that are part wartime paranoia, part not wanting to burden a child with the expectations of the Dumbledore name, and part Aberforth really not being cut out to be a husband or father. Assume she existed in canon, was sent to school in her mother's native India, and never made it into the pages of the books.
Just imagine it:
Ash grows up in the town of Brocburrow in the Hogsmede Valley. She is a quiet but inquisitive child - two traits that only grow more pronounced after she remembers he past life as the SI.
It becomes painfully clear early on that there is nothing she can do to prevent the Second Wizarding War from her position as an untrained underage witch, so Ash concentrates on learning everything she can so as to survive it, soaking up everything her mother can teach her - Wizarding and muggle astronomy, plus more runes and arithmancy than most ever learn in Hogwarts - and reading everything she can about this new world she has unfortunately found herself a part of.
The more she learns, the less impressed with the British Wizarding World Ash becomes. Too much power is concentrated in the hands of too few, with most wizards willing to blindly follow the most magically powerful among them because of a lingering belief that the magically powerful are magically powerful because they are deserving of it. (Think of the similar medieval concept re: nobles and their presumed nobility.)
Aberforth has little role in her childhood. If Ash had really been a child, it would have been easy to mistake his distance for lack of care, but having once been a semi-functional adult it's easier to see that Aberforth simply has no idea how to interact with children. He tries for her sake and Ash can't help but love him for it, even as he fails miserably.
Although Sandhya initially wishes her daughter to attend her alma mater back in India, Ash manages to convince her to let her attend Hogwarts in the fall of 1990, one year before Harry Potter is set to start his schooling.
To no one's surprise, she ends up sorted into Ravenclaw - and wielding an acacia and huma feather wand. ("A kingmaker's wand," Ollivander says.)
First year it's her intention to keep her head down and avoid attracting the notice of her uncle. Ash succeeds in this, coming across as just another academically gifted Ravenclaw, albeit one who makes a bit of a name for herself complaining that the muggles know such much more about outer space than we do. And math. Calculus was invented before the Statute of Secrecy, you know.
She also manages to strike up a surprising friendship with fourth year Percy Weasley - their usual tables in the library are next to each other and so they form a quiet academic acquaintanceship that evolves almost without them realizing it into true friendship. As least half of this is based Percy once telling his brothers off for a prank that borders more on bullying than humor, and the rest on Ash being just that advanced in astronomy and arithmancy.
Second year Ash is determined to stay out of the sorcerer's stone debacle - but also sets out to cultivate a friendship with Harry Potter, initially because it's the only way she can think of to get him away from the Dursleys (as any sensible adult should have done the first time he crossed their path) and out from under her uncle's thumb, but later because he is genuinely a sweet kid who soaks up all the affection he's given and returns it threefold. She does this by inviting him to celebrate Diwali with her and the other Hindi students - which opens up a can of worms regarding Harry's hereto unknown desi background - and establishes herself (and through her, Percy) a trustworthy older student Harry can rely upon.
This works out better than she can possibly dream when Harry takes his fears regarding the stone to Percy, who then presents them to McGonagall in a way that leads her to stake out the third floor corridor in her animagus form, catch Quirell in the act, and watch him die when Voldy deserts him.
Third year starts fairly close to CoS, but after the first petrifaction - about which the Headmaster does nothing save almost seem to encourage the rumors about Harry being the Heir of Slytherin - Ash decides to use her first Hogsmede weekend to act. She goes to the Hog's Head, tells her father exactly what is happening in the school, and watches as Aberforth's face turns into a storm cloud.
She has no idea what Aberforth actually does - only that the next morning the Headmaster announces the school will be closed until the person behind the petrifications is caught. She spends a week at home before the school reopens and though there are rumors the Aurors found a basilisk in the school, not a word of explanation is ever given to the students.
Ash's third year continues without further incident - except now she is on the Headmaster's radar. Albus had been kept carefully unaware of his brother's child, but now that he knows of her existence, he's eager to fit Ash into his Greater Good. Ash rebuffs him, but it's hard to be sure if even that isn't part of his plans.
Fourth year follows PoA fairly closely, though it's Ash's house Harry runs away to following events with Marge. Sandhya is more than happy to take her daughter's friend in, but the more she learns about Harry's home life, the more concerned she grows, and starts the ball rolling in the muggle world to have the situation investigated. This plays out quietly in the background while the school year otherwise follows canon - up to and including Wormtail's escape at the end of the year.
The summer before fifth year starts with both Harry and Dudley being removed from the Dursley home. Harry gets to stay with Ash and Sandhya while the Wizarding World fights over who gets to become Harry's legal guardian. They never get to decide - Harry is legally emancipated when he's forced to take part in the tournament - but the whole situation shines a bright light on everything that has been going on at Hogwarts the last few years. Dumbledore comes out of the situation with his titles intact, but his reputation in tatters - particularly after he claims Voldemort's return, which many think is a way to try to regain his former prestige.
Sixth year - OotP - is where things really start to change.
Despite his emancipation, Harry continues to live with Ash and Sandhya - Ash having very much taken up the mantle of protective older sister at this point.
With Dumbledore's political power already on a downward arc, it makes no sense to send Umbridge to Hogwarts. So Percy Weasley is the new DADA instructor instead. This makes a certain amount of sense, as Percy's frantic work keeping Crouch Sr.'s department running even while he was imperiused/ill/dead meant that things actually ran smoother. Fudge sees Weasley as a potential rival to be cut off at the knees... and one of the few Hogwarts graduates in his employ with an O in DADA.
This is awkward for a number of reasons, not least because despite having remained friends throughout Hogwarts, after running into each other at the Yule Ball (Ash was Harry's date) they're in that awkward stage of waiting for Ash to be older before investigating the attraction between them.
Sixth year goes well, with Percy setting out to teach not torture, and doing just enough to keep the ministry off his back - there are some parts of Hogwarts that need to be investigated, i.e. security and the reduced class offering - as well as doing just enough for his fellow professors to think he's a ministry toadie - Flitwick and McGonagall are not convinced by his act, but others are. There's still an incident at the DoM at the end of the year, but Harry is able to tell the relevant adults so that it's they who spring Voldy's trap, not half-trained children.
Ash's seventh year - HBP - goes by similarly smoothly. The major change here is that 1) Harry repeats everything he learns from Dumbledore to Ash, whose takeaways from the memories are far more critical of her uncle, and 2) Ash and Percy begin dating, but so little changes between them that only those they've explicitly told notice.
With the Wizarding World at war, it's a bit of a culture shock when Ash begins muggle university the next year, majoring in astrophysics. Her flat near the college serves as a well-warded base for Harry and co to hunt for horcruxes after Grimmauld Place is lost. She fights in the Battle of Hogwarts, and though she'd intended to save as many as she could, it's still a surprise when she manages to save Fred Weasley from his canon fate.
Afterwards, Ash goes on to gain a doctorate in astrophysics in the muggle world and work on integrating muggle discoveries with Wizarding knowledge, as her mother had done for the past several decades. Her friendship with Harry means that her work is put in a greater spotlight, and when Professor Sinistra finally retires Ash is the one asked to replace her. Sometime between all this she and Percy marry - much to the surprise of the other Weasleys - and have a single child just old enough to start Hogwarts when Ash begins teaching.
Harry himself takes a more political role in this world, having come to the conclusion very early on that oppression and ignorance help no one, and that it's the Wizarding World's belief that might makes right that got them all into this situation in the first place. He's Head of the DMLE for several years before being elected Minister for a maximum three terms. His administration is marked by efforts to shift Ministry hiring practices from nepotism to merit, as well as make laws apply legally to people of all magical backgrounds. He's not entirely successful, but it's a vast improvement.
Bonuses include: 1) Albus Dumbledore not evil so much as misguided - he honestly, genuinely thinks that he knows what's best for everyone. Maybe he even does. He's simply forgotten that people are not pawns and just because you want what you think is best for them doesn't mean that they want it, or that it is what is personally best for them. All of this should be brought up when he tries to pull Ash into his web; 2) An institutional problem with bullying in Hogwarts. All houses have villains and victims, but Gryffindor has more than its fair share of the latter, compounded by Dumbledore's nepotism and McGonagall being too busy to breathe most days. This eventually comes to a head during GoF, when Ash ties a charm into the school wards that writes the word Bully across the perpetrator's face when they violate standards borrowed from a muggle secondary school's guidebook; 3) Aberforth playing a greater role in Ash's life as she grows older, especially after she comes to him for help with his brother in CoS; and 4) Ash and Harry becoming siblings of choice. Ash never displaces any of Harry's friend group, but is there and willing to listen in a way no one in his life had been previously. And that changes everything.
And that is, surprisingly, more than I'd thought I'd have. As always, feel free to adopt this bun, just link back if you do anything with it.
Other SIs: Aberforth's Daughter | Lysa Arryn | Petunia Evans | Princess of Dol Amroth
More Terrible Fic Ideas
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taleweaver-ramblings · 8 months
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In the tags on the Mossflower post you reblogged you said that it wasn't your favorite (like it seemed to be op's). Which would you say Is your favorite 👀
This is a very hard question, and my Great Redwall Reread of a few years ago actually made it harder. It is, to be frank, easier to tell you my least favorite than my favorite. But if I must make some choice, it's a five-way tie between Lord Brocktree, High Rhulain, Rakkety Tam, Pearls of Lutra, and Mattimeo.
Lord Brocktree has the fabulous dynamic between the main characters (especially Brocktree and Dotti), Bucko's challenges, pretty much EVERYTHING with the hares, a stellar example of rivals-to-friends, and a pretty epic ending.
High Rhulain, Pearls of Lutra, and Mattimeo all have the riddles/treasure hunt thing going on, which I will never not love. As far as I was concerned, that was a plotline Jacques could repeat as many times as he wanted and I'd be happy.
High Rhulain is probably also a major source of my love of the "young person has nobility unexpectedly thrust upon them; must figure out How Does One Royal?" trope. And it has both hares and otters (my two favorite Redwall races) in major roles! This makes me happy.
Pearls of Lutra is actually my favorite of the treasure-hunt plots, and I think it's the best of the seafaring Redwall books. It's still in the era where we're seeing the overlap of different generations, and we see the young characters from past books grown up, and I really enjoyed that while it lasted. It also has one of the best sympathetic villain characters in the series . . . and I just like Grath Longfletch as a character, what can I say?
Rakkety Tam is Scottish squirrels. Enough said.
(Ok, but actually you have Scottish squirrels, plus the Long Patrol, plus Tergen (who is Excellent), plus a really cute romance? I also love the poems that bracket the different sections. And can we TALK about the final battle? It is arguably the MOST impressive fight, at least in terms of power imbalance, since Martin vs. Tsarmina in Mossflower. Rakkety Tam takes on the evil equivalent of a badger. And WINS. Literally the only reason this is not hands-down my favorite book is the existence of Yoofus, who annoys me so much.)
Finally, Mattimeo really just has almost everything I love about the Redwall series, both the A and B plots are excellent, and it's another one of the stories where you get to see some of the next generation. And it has the Sparra in it — I was so sad when Jacques dropped them from the narrative.
So, yes. Those are probably my favorites. I do love a lot of the series, though, so it's very hard to choose! And I recognize that not all of these have the Significance or Weight of Mossflower, and some of them may be technically weaker books . . . but they're the ones I've loved since the first time I read the series, and that I've only come to love more in the times I've reread them.
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Narnia Headcanons: Archenland
- Has three major cities (Anvard, Perth, and Ende) and then several smaller towns and villages.
- The people are generally hardy and have a reputation for being tough from living in the mountains.
- Archenlanders have an affinity for magic due to most of the human inhabitants having dryad ancestors.
- Good magic practitioners are called Cunning Men or Cunning Women.
- Archenland was hidden by Cunning people during the reign of the White Witch.
- Some of Archenland's humans had ancestors from Finland, Ireland, Scotland. Greece, and France. This is most obvious given their naming conventions.
- They speak a pidgin language called Narn, which mixes English and Old Narnian. Their own language is called Archen, which is a very weird mix of Irish and Old Narnian.
- They have accents that sound Scottish.
- Everyone knows how to use a weapon of some sort due to coming into constant conflict with the Calormen Empire.
- Everyone is also taught survival skills from a young age and children are expected to be self-sufficient, which is why Corin is the way he is.
- Edmund learns Archen so he can talk to his wife's great-grandparents, who never learned Narn due to the reign of the witch.
- Edmund scares some of his classmates later when he starts cursing at someone in Archen. His Irish classmates immediately adopt him, because he's speaking Irish. Very weird Irish but still Irish.
- Archenland's last King and Queen were King Eoin and Queen Ines. They were both murdered by Calormene assassin's and their young blind son Sol (15 during the events of the Last Battle) was placed on the throne as a puppet ruler. This was a mistake and Calormen was pushed out shortly before the last great battle.
- Archenland has creatures unique to them, specifically they have wolverines, moose, and other animals associated with colder places. Some are talking animals.
- Susan Does Not Like the fact many Wolverines can talk but Lucy is very fond of them and they adore her.
- Susan loves the snow bears (polar bears). They're very pleasant and civilized creatures that regularly murder giants.
- Peter likes the moose. They like him and one named Teo would let the High King ride him into battle on occasion.
- Edmund prefers the talking mink as they are clever, excellent spies, and foul mouthed.
- Ariane had a mink friend named Avi. He would ride around on her or Edmund's shoulders and pretend to be a dumb beast to get information or free food. Mr. Beaver thinks he's uncivilized and they bicker about it.
- Boxing is a popular sport, as is skiing.
- Archenland is well known for its poetry and music.
- The nobility favor practical clothes over grand ones. They do have royal clothing but these are brought out for special occasions.
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Meet the Chemiballs; the Noble Noble Gases
The noble gases were all (mostly) discovered by a Scottish man named Sir William Ramsay (Though, back in his day, it was more common to call them “rare gases”). He made the convention of ending all their names with -on, so you always know when something is a noble gas. (Unless it’s helium which is a noble gas but follows the metal naming convention, [or iron which ends in -on but is a metal. {Also, scientists seem to really like giving things -on names, like prion, codon, electron, etc. I will admit, it does sound cool. }]) So it’s not a perfect system.
The name “noble gasses” is a bit of an early 1900s joke. See, the noble gasses are too lazy to do anything and don’t like bonding with lesser peasant elements. The nobility is also lazy and don’t like associating with peasants. Of course, we live in an enlightened post-WWI world and no longer recognize barbaric concepts such as hieratical rule and rigid class structures. Also, the Queen is dead. But this is basically the equivalent of naming them “trust fund gasses”. The more things change, the more they stay the same.
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Green spring: Seelie and Unseelie
SEELIE AND UNSEELIE
Category: Scottish folklore
When people look up at fairies, usually one of the first thing they will stumble upon on the Internet is “Seelie Court and Unseelie Court”.
The Seelie and Unseelie Court (also known sometimes as simply “the Seelie fairies and the Unseelie fairies”) is a type of fairy division/fairy classification from Scottish folklore – and it is now one of the most famous classification of fairies in the modern world. According to this divide, the “Seelie” fairies are fairies that are generally benevolent towards humans: they return kindness, they can bring favors, they can ask for or give help, and if someone offends them they warn first before striking. These fairies are still dangerous, as all fairies are: like all fairies they are prone to revenge and mischief, but they are generally the “good guys” so to speak. In contrast, the “Unseelie” fairies are the malevolent and negative fairies, those that attack people without warning, and sometimes without reason, and ally themselves with witches and other dark entities of evil power. The “Unseelie” fairies include various negative entities of the folklores of the British isles: the baobhan sith taking the shape of a beautiful woman to lure and kill men, the redcaps who live in ruins and dye their hats with human blood, the nuckelavee who is a grotesque skinless centaur bringing disease and famine everywhere, the shellycoat who is a bogeyman of rivers, and the Sluagh (a host of malevolent fairies/angry ghosts/nocturnal spirits who you better not cross path with).
[Note that while the term “Court”, in modern fiction, has been reused numerous times with the modern meaning of “court” – having a queen and a king, and being made of nobility – the term seems originally to just be a word meaning a “host” or a “group” in general, since in Scottish folklore there is no talk of “Unseelie king or queen” for example.]
Now… all that being said, the divide of Seelie/Unseelie seems to be a latter addition or invention to the Scottish myth of the fairies. Before that, it seems there was just “Seelie” (it is clear that “Unseelie” was based on the word “seelie”): because “seelie” or “seely” was a term used in Scotland, but also in Northern England, to designate fairies as a whole. “Seelie” is a term that means “blessed”, “happy” or “lucky”, and it seems to have been used the same way fairies as a whole were called “good neighbors” or “the fair folk” – it was an euphemisms, or a counter-name, destined to flatter and please the supernatural beings, in hope of avoiding their wrath. It seems that originally “Seelie” was the name of all fairies as a whole, but then somehow the meaning got twisted into just meaning the good fairies, while a different name was created for the wicked fairies: “unseelie”, meaning “misfortunate, unhappy, cursed”. What is even more fascinating is that originally the term “seelie” was used alongside the word “wights”. “Seelie wights” – a word with an unclear meaning, but which was sometimes spelled “wichts”, leading to deformations as… “witch”. “Seelie witches”. The closeness of “Seelie” with “wights” and “witches” led in fact some scholars to wonder if the term “seelie” was actually used to designate fairies, or if it rather was used to designate a different type of supernatural being, different from fairies.
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Today, the Seelie and Unseelie Court is such a widespread and popular division you find it everywhere in fictional works talking about fairies. In modern “fairy fiction”, these two courts were most notably popularized by two book series:
# The Dresden Files: In the worldbuilding of this snarky urban fantasy series (bordering on the cosmic horror), the fairies are divided into two nations each dominated by a different Court, the Seelie Court ruling over the summer season, and the Unseelie Court ruling over the winter season. Each Court is ruled by a triumvir of fairy queens who embody the “Maiden-Mother-Crone” trinity: a Lady, a Queen and a Mother. Titania is the queen of the “Summer Court”, while Mab is the queen of the “Winter Court”. The Dresden Files notably challenges the idea that the Seelie and Unseelie Court are based on morality: while it is the stereotype common in this world, in truth the Unseelie fairies are not “evil”, they are cold, ruthless, calculating beings of ice, death and darkness. Meanwhile the Seelie fairies are beings of life, light and warmth, yes, but they can be as chaotic and destructive as hot jungles or thunderstorms, and they are not fairies of “goodness”. “The Dresden Files” is notorious for bringing the whole idea of “Seelie/Unseelie=Winter/Summer” which wasn’t something before its release…
There was a concept of the fairy courts being associated with cold and heat before The Dresden Files though: it was the elf-courts in “The Discworld” series by Terry Pratchett (which was a main source of inspiration for The Dresden Files). In Pratchett’s world, the elves of the Discworld (a cross between a parody of the Tolkienesque elves and the “fair folk” of British legends played for full horror) are divided between a court centered around a Queen, who lives in perpetual frozen wastelands of endless winter, and a second one centered around a King, instead hiding in a very hot, very moist, warmth and humid underground realm of vapor and sweat.
# Another big influence on modern perception of the Unseelie and Seelie Court was “The Shadowhunter Chronicles”, where the fairies are also divided in two nations each ruled by one of these courts. No seasonal theme here – rather the Seelie Court is focused on appearing as beautiful, helpful and benevolent as possible, while still being deceptive and manipulatives, while the Unseelie Court is openly and proudly cruel, violent and monstrous. The Seelie Court is ruled by a Queen, while the Unseelie Court is under the domination of a King.
Interestingly, the same way “The Dresden Files” was inspired by “Discworld”, it seems the concept of “The Shadowhunter Chronicles” of the two courts being divided between beautiful subjects of a fairy queen and the monstrous subjects of a fairy king was inspired by an older work of the 80s: “Faerie Tale” by Raymond E. Feist, a horror novel based on fairy folklore. In it, we end up learning that somehow after the events described by William Shakespeare in his “Midsummer Night’s Dream” play, Titania and Oberon (or at least the beings Shakespeare described by this name) ended up splitting their fairyland into two distinct part, separated by a dusk-plunged, haunted, no-man’s land called the “Shadow Lands”. On one side is the Bright Lands, a fairyland of endless day where the sweet and kind Queen rules over pleasant, charming and joyful fae, who are benevolent and helpful towards humans, but still dangerous to live with due to their alien ways of thinking, strange customs and hazardous magical powers. On the other side, the King lives in the Dark Land, a realm of endless night where he rules over monstrous, grotesque, hateful and murderous fae who only wish to invade the human world and destroy mankind.
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Hello, all!
So, I've been trying to make an overview of the Steph's Crew sequels for you... but it has been taking forever. I did not know how COMPLICATED this story was while I was setting it all up lol.
But yeah. In the meantime, how about I show you some cool stuff?
Character Names + Meanings (for the main cast of UVC):
Stephanie:
The name "Stephanie" has Greek origins, deriving from "Stephanos," meaning "crown" or "garland."
This is a good name for a main protagonist - could indicate her central role within the story, especially regarding the mystery and investigation.
Ben:
"Ben" is often a short form of "Benjamin" or "Benedict," (it's the latter in this case), and both mean the same thing - "son of the right hand" or "blessed."
This name could suggest a significant role in the life of other characters, like Stephanie.
Also indicates what a genuinely kind, good person he is, especially in contrast with some of the other folks in this story lol. Like his wife.
Dylan:
"Dylan" is a name of Welsh origin, meaning "son of the sea" or "born from the ocean."
This name might symbolise his adaptability or fluidity in relationships and life circumstances. He's known for being very chill and easygoing, even in tense moments.
Alice:
"Alice" is often associated with the meaning "noble" or "of noble birth."
Also could be a reference to Lewis Carroll's "Alice in Wonderland" story (about an ordinary girl finding herself in a magical world).
In the story, Alice could represent a character with a strong sense of honour or nobility, perhaps dealing with issues of loss and relationships (which she does in this sequel... mild spoiler alert).
Bret:
The name "Bret" could be a variation of "Brett," which is short for "Bretton," meaning "man of Britain," or "a native of Brittany."
In the context of the story, Bret's character might have elements tied to his origins or background. Doesn't really say much about him as a character (unfortunate, as there is a lot to his character! Especially in the sequel).
Elise:
"Elise" is a name of French origin, derived from "Elizabeth," meaning "God is my oath."
This name could signify a character with a strong sense of faith or determination. This suits her a lot... it's strongly suggested that El and her family are religious, and she as a character is very determined, strong and principled, and she passionately stands up for herself and what she believes in, even if her views aren't popular with others.
Connor:
"Connor" is an Anglicized form of the Irish-Gaelic name "Conchobhar," meaning "lover of hounds." Or dogs in general.
This name could hint at loyalty or association with dogs, which might relate to his role as a supportive friend. Dogs are loyal companions, and he is a good friend to Elise when they're in Cambridge together, so I'd say that definition fits.
Daisy Sommer (Connor's lecturer):
"Daisy" is a flower name, often symbolizing innocence and purity.
The surname of "Sommer" (German for summer) might evoke a sense of warmth or positivity, reflecting her character's disposition.
Daisy is a warm, bubbly person, and she has a lot of enthusiasm for her work (and just life generally) that makes her stand out to Connor in the story. It also rubs off on people a lot, so people generally just enjoy spending time with her.
Rachel:
"Rachel" is of Hebrew origin, meaning "ewe" or "innocence."
This name represents purity or vulnerability. And she's very vulnerable in book 2, so that fits well too.
Gordon:
The name "Gordon" is of Scottish origin, associated with a place name meaning "spacious fort."
It might convey stability or a strong presence in the story.
Gordon is the opposite of "stability" lol. But he has kind of a strong presence in the story (though I will say, since there's soooo much going on in the story, he probably hasn't got that strong of a presence lol), and in Rachel's story especially.
Charlie:
"Charlie" is often a short form of "Charles," which means "free man."
This name showcases Charlie's sense of freedom or independence. Which... in the first book, there was a specific part where Elise said that was a similar reason why she fell for Bret... his freedom, his desire to live for himself and not conform to what others want from him. All that to say, the girl's got a type.
Mary:
"Mary" is another Biblical name (woohoo!) of Hebrew origin, meaning "beloved" or "bitter."
Could also be a reference to the Mary in the Bible... Mother of Jesus (as well as this pure, good and dutiful woman who always does what God asks of her. Blessed and highly favoured. Mary Johnson isn't perfect by any means, but she's known for being the "good" twin, and she is also academically gifted)
Everybody loves Mary. And she can be rather bitter at times, I suppose. This definition fits well, too! (Oh, and, no spoilers or anything, but Mary in the sequel goes through a lot... it's sad what happens to her)
Angel (Charlie's cousin):
"Angel" is a word often associated with heaven, divine messengers or goodness.
In the story, this character may symbolise a positive influence or aid.
This girl is honestly not important until like halfway through... when the summer formal plot comes in. She couldn't find herself a date, so Bret agreed to go with her (not for the best of reasons... but still a nice gesture from him). They don't end up together or anything (they don't even go together in the end), but in the short time they spend together, she leaves a huge impact on him. Some people just have that effect on others, you know?
Isn't this cool?
Let's make this a tag game!!
Rules for Character Names + Meanings Tag Game:
Make a list of your main OCs and find out the meanings of their names. Then write down their definition and whether or not you think the definition fits their character.
Tagging these people to try it out: @mysticstarlightduck, @winterandwords, @gummybugg, @clairelsonao3, @aziz-reads, @exquisitecrow, @ember-writer
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