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#so i guess that gets an equally ambiguous
verm1c1de · 2 months
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also, this guy
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teenytinyjimin · 18 days
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i miss you, i’m sorry (j. jungkook)
nothing happened in the way i wanted
every corner of this house is haunted
and i know you said that we’re not talking
but i miss you, i’m sorry.
summary: the first time seeing each other after the breakup is always the hardest. but seeing each other when you're still in love? an absolute nightmare
pairing: jungkook x reader
word count: 2k
tags: angst, smoker!jk, brokenhearted!jk, equally as brokenhearted!reader, why did they even break up in the first place?, featuring reader’s bestfriend!jimin, also jimin is sexually ambiguous let's keep it that way please
warnings: none, alcohol/nic use but nothing too intense, kinda sad but it's a happy ending i promise
author’s note: idk why i keep making my fic names and stuff inspired by songs, i guess it just helps me beat writers block.
also i wrote this in second person, lmk if you guys prefer that over third. i personally find third person fics easier to write, but i'm sure second person is easier to read for some of you. enjoy my angels!
── ⋅ ⋅ ── ✩ ── ⋅ ⋅ ──
Bars weren't really your thing.
If you were going to be honest, they were miles better than nightclubs, but still not your thing. It was something about the air that just rubbed you the wrong way. Perhaps it was all the creepy old men that turned you off of them, or just the fact that there's not much to do besides sit, drink, sit some more, maybe play some pool and... sit.
Jimin, on the other hand, loved bars. He loved being able to sit there, look pretty, and watch as absolutely anyone and everyone flocked over to him to start a conversation. It admittedly fueled his ego, and he loved the feeling of being the center of attention. However, he didn't love being at bars alone. Being so drop-dead gorgeous meant that about twenty times the amount of creeps bothered him than the average bar patron. Many of them figured that a pretty boy like him was sitting there waiting to be swooped up by a sugar daddy. Let's get one thing straight – that wasn't him. He had plenty of money. He just wanted to have a little conversation, give a little kiss here and there maybe, and dip at the end of the night with his bar companion by his side.
Unfortunately for you, that bar companion was usually you. It was certainly a compliment for Jimin to want to bring you along with him instead of any of his other gazillions of friends and other social connections, but it was quite exhausting for you to be in a bar pretty much every day of every weekend. He liked the attention, but you didn't. If it were an empty room with nothing but you and a bottle of rum, you'd have a blast. But what bar in Itaewon was going to be like that?
Alas, here you were, sat at the end of a bar with your friend sitting next to you. Something about the light in the building made him look extra beautiful tonight, his skin shimmering like the most precious of diamonds and his eyes deep and full of allure. At the moment he was making small talk with a lady on the other side of him, one who was definitely at least twenty years his senior but didn't look a day past thirty. Sighing, you drop your head down to look at your drink, a half-full martini glass that held a rather disappointing cosmopolitan (you weren't a vodka fan anyway, it wasn't the bartender's fault).
You wanted to be home. That was the only place you ever wanted to be these days. At home, cuddling your darling kitty in bed, and sleeping your days away. Maybe a year ago you would have loved being out and about, but now it feels more like a burden than a fun activity. And you know that Jimin doesn't mean any harm in doing what he does, but seeing him talk with so many people over the course of the night and being so happy is almost a bit gut-wrenching for you because you can't be as happy as him.
You began to feel the blood rush to your ears and your face get warm. Something was wrong, you could sense it. Everyone has those gut instincts when something isn't quite right, and this wasn't just an instinct, it was like a neon sign. A neon sign that read DANGER. Perhaps it was just you feeling rather anxious and overwhelmed, but either way you were craving the comfort of your home.
"Hey, 'Minnie, can we-" Just as you turned to Jimin to softly ask him if you could go home or at the very least switch bars, you felt a presence behind you. It wasn't just an I'm here to order a drink presence, but rather an I'm here for you one. Realizing that Jimin wasn't even listening anyway, you froze, waiting to see what would happen. And that's when you heard a familiar voice that you thought you'd never hear again.
"Hey."
You didn't want to turn around. You tried to stay as still as a statuette for as long as possible, however the more you thought about the man behind you the more you felt the urge to turn around and take a bite of the forbidden fruit. Taking a deep breath, you slowly turned until you were face-to-face with your ex, Jungkook.
"Want to talk outside?" Not yet looking at him directly, you hesitantly nodded before quickly looking back to Jimin and then standing up. You left your purse there, figuring that your friend would grab it if he changed locations, and began trailing after the tall tattooed figure that navigated his way toward the door.
As the two of you stepped out into the cool autumn air, you crossed your arms and leaned against the building. Your heart was between your ears at this point, buzzing at what felt like 200 beats a minute. It was stupid for you to have even left Jimin's side, you thought, because now you were alone with your ex of all people and God knows what this boy has up his sleeve.
"You look good," Jungkook said gently as he pulled out a pack of cigarettes and placed one between his lips. "And I know what you're going to say, you're so full of it Kook, but I mean it."
"Since when have you started smoking?" You asked, ignoring his previous two statements and gesturing toward the pack in his hand. He shrugged. "Couple weeks after I last saw you maybe? Not a big deal."
"You know that stuff's bad for you."
"I don't think sitting here third-wheeling with Jimin and his beau of the night is any better."
"You don't know Jimin, don't act like you do," You said, completely taken aback and offended by the words coming out of his mouth. "And I'm having a good time, thank you very much."
"Doesn't seem like it. Weren't you about to ask him if you guys could leave?"
"I was having- What?- Is there a reason you asked to talk to me out here?" You were struggling to form a complete sentence. This man always knew how to leave you speechless, but now it was just irritating. You watched as Jungkook leaned back onto the building with you and shook his head, giving you a toothy grin before lighting the cigarette in his mouth. "Nah. Just figured you'd have more fun out here talking to me and getting a break from it all."
"You know he's waiting for me, right? I should go back inside." You stand back up straight and begin walking back into the bar, however you feel a warm hand wrap gently around your wrist and tug you back. "Hey hey hey," Jungkook called. "He'll survive a few minutes without you. Just chill with me. I'm not asking you for anything, just a second of your time."
You turned to face your ex-lover, your eyes finally meeting his for the first time that night. Even after all this time of being apart, those beautiful doe eyes still yearned for you, and yours for him. With a shaky sigh, you brush his hand away and return to where you were standing. "Exes don't hang out like this, Jungkook."
"Woah, you're pulling out the full government name on me now?" The boy teased, puffing a cloud of smoke from his mouth. "Should I be offended?"
"I'm setting boundaries," You crossed your arms and kicked at the ground beneath you. "Nicknames are for friends or more than friends, which we aren't."
"We aren't strangers either though."
"That doesn't matter. Not friends."
"Alright, fine," Giving up, Jungkook looked down at his hand and flexed it awkwardly. "Just trying to be friendly."
"Friendly?!" You said frantically, finally having enough of his antics. "You don't need to be friendly. We broke up and that's the end of it. Exes aren't friends. They go their separate ways and when they see each other again – if they see each other – they ignore each other. I don't get why you're doing this psychological warfare bullshit on me."
"Exes can be friends," He breathed out in protest. "Can you even tell me why we broke up in the first place?"
You remained silent. The truth was that you didn't know why you broke up either. It had been almost a year since the whole ordeal went down, and you were still confused more than anything else, even more than you were hurt. All you can remember is that you guys went through some bullshit ‘mutual breakup’ that apparently neither of you wanted in the first place. The only reason you even agreed to it is because somewhere within you, you felt like perhaps you weren’t deserving of such a wonderful relationship. And the only reason Jungkook agreed to it is because he thought that it’s what you wanted.
"No, seriously. What went wrong? What did I do? I just want some closure..." His voice became increasingly softer as he kept speaking, which only meant one thing. You stared at the ground intensely, refusing to look up and see his teary eyes.
You felt his hand gently wrap around yours and tug on it as a plea for your attention. Jungkook was your weakness, the only person you'd willingly do anything for, and he really loved to take advantage of that without even realizing he was.
You peered up at him hesitantly, worried that you'd find yourself in tears the second you saw the ones pouring from his eyes. Sure enough, when the eye contact began, you were driving yourself forward into his strong arms and dampening his shirt with your tears.
Jungkook's embrace felt the same as it did the last time you felt it. It was still so warm, so inviting, so loving. Never once did you feel unsafe in his arms and this moment was not an exception. As you sobbed into his shirt you felt his hand move from around your waist to the top of your head, stroking your hair gently.
The two of you stood there for what seemed like hours, simply letting all emotion out while enjoying the company of one another. While Jungkook has been exceptionally transparent in expressing the fact that he's heartbroken about the situation between the two of you, it's safe to say that you feel equally as devastated. This man was once the love of your life and the only one you ever needed, but now everything about him except for his embrace feels foreign. This was someone you once saw yourself building a life with, but now it's shattering to think that he has a life after you.
You pulled away after a while, refusing to make eye contact as you wiped the tears from your eyes. This all felt entirely pointless. It was obvious that nothing went wrong in the relationship yet here you were, no longer in one. You couldn't begin to imagine what Jungkook had been going through since you guys broke up considering the fact that for you, your entire world turned upside down.
"I'm sorry," You managed to choke out before you felt Jungkook's hand gently guide your face up to look at his. You watched him stare at you for a moment, taking in your features, before his lips began to curl into a soft smile. "Mmm. Yeah. You're way too pretty to let slip through my fingers."
Feeling your face turn hot as a blush crept to your cheeks, you let out a soft giggle before you were cut off by a familiar pair of lips meeting yours.
"JUNGKOOK?" You heard a voice call out. The two of you pulled apart, eyes wide. Shit. You forgot about Jimin.
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Some people need to understand queer coding opens character identities and relationships up to a solid queer interpretation, but that doesn’t equal “this character 100% fits my headcanon and if you disagree you’re a [REDACTED]”
From a literary analysis perspective, as long as your interpretation is reasonably evidence-based it’s valid. As this is fandom, I’d add “sincere” to that since unlike an academic setting we get bad faith actors but that’s it.
So, to have a valid “interpretation” you have to do the work in good faith, and you have to be able point at the text to support your interpretation. If you can’t, or don’t want to, that’s a headcanon, and it’s totally fine.
“But this character is a lesbian she likes a girl!” There’s more to queerness than straight and gay. You could reasonably interpret a girl who likes another girl as plenty of different things:
Lesbian
Bi
Ace/aro and something else
Straight and closeted trans
Straight and lover is closeted trans
And so on.
So when you have an interpretation, someone might tell you, “I think this other thing.” The polite way to handle this if you don’t like it is to say “that’s so cool we can see different things in the ambiguity of art”. Maybe blocking each other if you dislike their interpretation that much.
That’s of course unless you both want a debate to further refine your understanding of the text or just like to argue or whatever. Which is fine! As long as it’s not overly bitter or whatever, it’s fun to discuss.
“So how do I know which interpretation is more canon than another?”
See, that’s the thing, you can’t. Canon is kind of shaky in the first place. The canon is just what’s written that’s recognized as true/correct text, not the way to understand it (and not what the author says is true, some people take Word of God as canon because it allows the following of one concrete interpretation instead of acknowledging multiple, but strictly speaking it is not). You can only interpret the canon.
For example, 4-komas bonuses of serialized manga are usually non-canon because they are jokes and not meant to be taken seriously as a part of the story’s text. That’s what canon actually is for, originally it’s to talk about which books are genuinely part of the Bible and which are to be deemed offshoots that shouldn’t be taken as a Catholic Church-endorsed religious text.
I guess that’s what gets people confused? That there’s no actual truth to imagined worlds, only what happens in the eyes of the beholder when they interact with art?
Because that’s what it means, canon often has nothing to do with who’s “actually a lesbian” short of them saying it directly. An onscreen wedding is said to “make a couple canon” precisely because there’s only so many ways you can interpret a wedding, but all that means is that the text says they’re together at a point in time. One way I can think of having a canon sexuality would be a canonical character sheet, or an omniscient narrator saying so, but everything less is basically an interpretation.
Note that interpretation obviousness can go from “that’s a stretch but I like it”, to “you only need eyes to see it”, they’re both still interpreting. Even a character talking sexuality technically only makes canon that they’re willing to say so, but that’s when critical thinking comes in.
If you hear a character say “I’m a married lesbian” and think “they’re just confused” with no evidence, you look like an idiot. You absolutely can argue which interpretation is more valid or likely by pointing out inconsistencies, stretched evidence, or that one interpretation has a higher volume of evidence/etc. This is how you avoid relativism and “nothing the text says matters” trolls.
Occam’s Razor is another way you might be tempted to try and determine whose thesis is stronger. This technique works through figuring out which interpretation requires the least amount of assumptions (saying something arbitrary is true as a basis) but it doesn’t make anything canon, or more interesting, it’s not a concrete sign of superiority. Just means it has stronger fondations.
However… your interpretation being stronger, more popular, better worded etc. or you thinking someone else’s is immoral, stupid, etc. doesn’t give you license to be a bully, to call people names, to dox them, dig up dirt to make them look worse, and so on and so forth. Thinking you’re right and they’re wrong does not make you above basic respect, politeness, or consequences. You’re not better than everyone else.
As a child, I used to think I was always right because I was logical, and I clearly made logical sense so there was no way for there to be a logical reasoning that arrived at a different conclusion. (Newsflash: Child me was very wrong! Sometimes multiple things can be equally valid! And even if they were not equal, that didn’t give me license to deride people publicly!)
Queer coding is by its nature interpretative. Coding is the author leaving hints about their characters by using a “code”. Some hints, almost everyone in your section of fandom might have the exact same interpretation about. Some hints might be dead obvious. Some hints might leave you overjoyed. Some hints you might ignore because they make you uncomfortable.
Some people will disagree with you about how they interpret the coding, or might even just state that they believe people have a right to interpret the canon however they want, even in ways you don’t like. That is normal. That is not a threat to your interpretation.
Don’t be a petty cunt about it.
Essentially,
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dat-town · 2 months
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curse me out
never seen circus masterpost
Characters: cursed prince!Sunghoon & female reader
Setting & genre: magical realism au, fantasy au, reincarnation au
Summary: Many came to you over the years to get rid of their curses but nobody like Sunghoon.
Warnings: general creepiness of an eerie circus, ambiguous ending, blood, injury, implied past death, is a spoiler or a warning if i say it was inspired by enhypen concepts?
Words: 2k
i guess i will tag you in all of these @restlessmaknae 
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Some curses were better off untouched.
It was one of the first things you learned, just like prophecies were always up to interpretations and Ouija boards were banned for a reason. The other side was not to play with.
But you had an eye for curses. You looked at them like they were complex riddles waiting for you to solve them. Every curse had a little back door, a tiny loophole and that was where you came in: for the right amount of money, you helped people find that hidden exit, you helped them get rid of whatever made them struggle. Be it a curse for terrible luck, no love or some sort of disfigurement. Some curses could only be undone by the shaman or witch who put them in place but you had many connections and you knew how to strike a deal. You got yourself your name when you joined the circus, you were called the cursebreaker as if it was something unique when in reality you were just a witch with a keen interest. One of your kind in the always on the move circus.
Some people didn’t even know they were cursed, they blamed things beyond their control on such silly things as fate or beat themselves up for not being able to change when there was nothing humans like them could have done. With those cases, it was you who seeked them out, drawn to their curse like a moth to flame. But sometimes people found you. They heard rumours about the disappearing circus and the cursebreaker inside. They were always desperate ones with dark curses.
But no darker than the boy’s who walked into your tent that day.
The bell chime made you look up from where you sat, meditating, and you felt air being sucked out of your lungs.
Oh, for hell’s sake, he was beautiful.
The boy was tall and wide shouldered. He had raven black hair contrasting against his clear, pale skin. His eyes were just as dark as his locks, highlighted by his all black outfit, his long coat swirling behind him from the outside wind blowing. Despite his youthful features, he held himself with ageless elegance like a prince. It gave his soft features sharpness and coldness to his demeanour.
You blinked when he took another step closer and his curse was suddenly all too clear in front of you. Most people’s curses clung to them like leeches but not his. His was pulsing, like a black heart, like it was keeping him alive. Like there was no him without the curse.
“I can’t help you,” you told him straight away, without any polite greeting. You shot up from your place, meditation long forgotten. You weren’t afraid of him but you didn’t want to experience his rage either when he found out why you refused to help him.
“What makes you think I came for your help?” Your guest raised an eyebrow challengingly while watching you equally intrigued but it only made you confused. Why else could he have come to your tent?
“Did you come to kill me then?” You asked, unwilling to show fear.
“No,” he flashed you a smile, his thin, rose coloured mouth tilted upwards in a lazy slope. It should have been dangerous yet it somehow made your heart flutter. “I heard you can see how curses unfolded, their maker.”
“You want to know who made you like this.”
It wasn’t a question, it made sense.
“I have waited for a long time to meet somebody like you,” the beautiful boy sighed, resigned, sounding much more tired than somebody who looked his age. But looks weren’t everything, you knew that.  “So tell me, were the rumours about you true or not?”
“Take a seat,” you pointed at a pillow on the ground as it was as good of an answer as any, then you followed in suit, sitting across from him after lighting some scented candles while he was looking around curiously.
From up close, he was even more beautiful, perfect porcelain skin and those enticing eyes but you knew better than to fall into his trap. It didn’t mean you were immune, not when he smelled like sandalwood and leather and something rich and sweet.
“Give me your hands,” you told him, extending your own hands, palms up, towards him. He did as you asked, his cold skin grazing yours sending a shiver down your spine. You closed your eyes and focused on the pulsating darkness around him.
“You are very old,” you blurted out at the first image slipping into your mind about castles and a different era. You could hear the not-so-boy laugh.
“Huh, I don’t hear that everyday. Didn’t you know that’s a rude thing to say?” He teased and you felt yourself blush. At least, with your eyes closed you didn’t see his expression when he noticed.
“You are a prince,” you whispered as you saw him wearing a crown, sitting on a throne, people bowing to him.
“I was,” he confirmed quietly.
Prince Sunghoon. He’d had a lavish life but he had lived in a turbulent era. His position and power had been threatened by not only neighbouring kingdoms but power hungry men of his own too.
And there had been a girl too. Not a princess but a commoner, a shaman’s daughter. You saw the two of them met in an alcove, her hiding him from traitor knights, her tending his open wounds. The curse felt familiar with her. You felt familiar with her.
Your eyes snapped open and even though your guest couldn’t know what exactly you saw, he looked at you knowingly. As if he expected this.
“I lied before,” he admitted slowly as if he was weighing his options, like he was afraid of your reaction. “Actually I waited for a long time to meet you.”
You gulped and pulled back your hands, briefly wondering whether you had enough time to retrieve a weapon even though the immortal being claimed that he didn’t want to kill you.
“Even if my ancestor did something to you, it has nothing to do with me,” you said, defensive, not sure what on earth this cursed prince wanted after centuries had passed.
“That depends,” he mused. “What exactly did she do?”
You remembered the blood from the vision. The black magic. The girl’s sacrifice. You felt justified to take her side, to displace the prince’s baseless anger. Surely he couldn’t have wanted to die instead of the life he had gotten.
“She saved your life. She died for you.”
Sunghoon’s pretty mouth twitched.
“My life was worth nothing without her,” he said, melancholic, and that was when you realised what he meant. He had loved her. He didn’t want to know what had happened because he was hungry for revenge but because he wanted to know whether his feelings had been reciprocated. After all these years though? You were surprised that he was so adamant.
“Make sure to remember it in this life,” the immortal prince told you but his words only left you confused once again. Why should you have remembered that?
“I… what?”
“You told me there would be other lives, chipmunk,” he smiled and his voice softened like expensive silk.
You were fairly sure that nobody had ever called you that and yet, the pet name brought up memories you didn’t even know you had buried inside you.
“Did you come to punish me, Your Highness?” You didn’t even bother looking up from your work table full of herbs, your mouth set in a small smile.
“Do I look like a tyrant, chipmunk?” The prince put a hand over his heart, feigning being scandalised. “Though maybe I should as you stole something very valuable from the kingdom.”
“Did I now?” You looked at him, amused, knowing very well that he would have never hurt you.
“Yes, my heart,” Sunghoon smiled as he whipped a single rose out of nowhere, holding it out for you.
It became a common affair: meeting the prince in secret but eventually it was bound to be found out.
“Father,” you yelped in surprise when you came face to face with your elder after saying goodbye to the boy who ruled your country. Your father looked at you with grave concern, so you were sure he knew.
“It won’t end well,” he warned and you didn’t need to ask to know what he meant.
Maybe you should have given his words more consideration. He was a shaman after all. But you were too taken by the boy with the most adorable moles you had ever seen to care about warning signs.
“Your Highness,” you gasped in horror when you saw Sunghoon at your threshold covered in blood.
“I… didn’t know where else to go,” the prince coughed up as he leaned his weight against you once you opened the gate wider and let him inside. It was scandalising to do such a thing so late at night but you didn’t care about neighbour gossip, not when Sunghoon was dying on you.
“What happened?”
“It was a trap. An ambush,” he forced out between gritted teeth, his beautiful face pained and you wondered how much of it was physical and how much due to the facts that he couldn’t trust in his allies anymore. He had doubted their loyalty before but the fact that he came to you instead the royal physician told a lot.
You laid him down, his skin already feverish and sweaty, blood dripping down on his pale neck. He was the heir to the throne and yet, he looked so fragile like that. You were familiar with your father’s shaman practices enough to know what he needed to be saved and you knew what the cost was but no price was too high to save him. So you gave him your life and many others. You gave him eternity.
“Sunghoon.”
His name rolled off your dry lips like a plea and familiar despite not even remembering a few moments ago. You stared at him in disbelief, your past self trying to keep herself atop of your conscious memories.
“We never stood a chance,” you told him because even if you had stayed alive, your love had been impossible. A prince and the shaman’s daughter? You had believed you had done him a favour.
“Like star crossed lovers, I know,” Sunghoon nodded and reached out, his pretty pianist fingers grazing against your arm, making you shiver once again, this time more pleasantly. “But what about now?”
“Now… I will die of old age one day and you won’t. Your curse can only be undone by death itself,” you told him, trying to keep level headed no matter how hard it was to think near him. Was immortality really a curse? It was, if you had to see your loved ones dying.
“Then let it take me too with you. I have lived long enough. I don’t want any more countless lives, I only want this life, with you,” he said and it was the closest thing to an I love you you have ever heard.
How could you have said no to that? Your job was to break curses after all even if his was your own making. Even if it cost both of your lives. Because you understood it, a simple life was better with him than forever without him.
“I guess, we have a lot to make up for before that, Your Highness,” you smiled and slid your fingers between his, something you would have never dared before in the positions you had been.
“I guess, we have,” Sunghoon smiled too as he brought your hand to his mouth and hinted a kiss over your knuckles, making you blush deeply, blood roses blooming on your cheeks.
Some curses were better off untouched.
And some curses took centuries to come full circle.
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duckapus · 9 months
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Horror Comedy AU where Ash Ketchum is an eldritch abomination spawned from an Unfathomable Void, but is still his usual self.
Basically, Delia was an Interpol Agent back in the day with luck just as strange as Ash's, and on her Last Job she got captured by a doomsday cult that was trying to summon a dark god equal to Arceus Itself and bring about the apocalypse. This doesn't work out, both because Delia's Aura awakens and messes with the ritual (I always prefer to think that Ash's weird ambiguous connection to Sir Aaron comes his mom's side even if in most universes she doesn't have a usable amount of Aura), and because the Void God they're trying to awaken helped Arceus create the world in the first place (and the two of Them kind of have a thing going on) so It wouldn't have helped them destroy it even if the ritual had worked.
Instead they only get a "small" fragment of Void Stuff that mixes with some of Delia's Aura to become a living mass of Darkness covered in writhing tendrils and glowing blue eyes that absorbs all the cultists, knocks out every Pokemon in the room, frees Delia, and shrinks down into the form of a human baby. Delia, being a Ketchum and a major character in a crack fic, promptly decides "my baby now" (to be fair she's not exactly wrong?) and leaves Interpol to reopen her late grandmother's old diner in Palette Town. She was planning to do that anyway even before ending up with a monster baby so it works out I guess.
Meanwhile, Giratina actually noticed the massive spike of Void that was Ash's birth and since the whole issue got resolved so quickly it takes a couple months for her to find where her new half sibling ended up (you read that right. She's the god of symmetry, Light and Dark are included in that, so Arceus and Void God both created her. Also I'm using she/her for Giratina because immortal genderless embodiments of universal concepts can use whatever pronouns they want), and when she does she offers to help him learn how to use his void powers...well, mostly. See, in this version of the Pokemon Universe not all Legendary Pokemon are gods and there are gods who aren't Legendaries, and the ones that are both tend to lean towards one or the other, so Giratina who's more Pokemon-leaning and only half-void functions very differently from Ash who isn't Pokemon at all and almost fully void, so there's some things she just can't help with.
Still, the fact that she's offering to help at all is a big relief for Delia who is doing great so far but would probably be in over her head raising what's essentially a Horror Movie Monster on her own, so Giratina makes semi-regular visits over the years both to help with powers and just to bond with her new little brother (and new mom because there is no way Delia Ketchum doesn't win her over). Also, absolutely no attempt is made to hide Ash's true nature both because I find it funny and because the Pokemon World is already weird enough that Palette Town having a baby demon just living there barely registers as noteworthy.
As far as Ash's childhood goes, it mostly follows the same beats as canon, though there are obviously some weird things that pop up. For one thing, one of his powers is that he can understand any language, including Pokemon. And, because they're sensitive to this sort of thing Pokemon can usually tell that he isn't human even without him using his more obvious powers, and that makes most wild Pokemon more receptive to him than usual.
Except birds. Birds really don't like him for some reason.
Also he turns out to have healing powers, which he finds out during that scene with Serena. Basically, he makes the cloth he ties her injury with out of some of the Void Stuff that makes up his true form, and by the time they get to Professor Oak both the cloth and the injury are gone. There are, however, side-effects, which Serena only finds out about after she moves to Kalos and Ash only finds out about years later when he saves Charmander. (I'll get to that later)
On to the first day of his Journey, things only go slightly more smoothly thanks to Ash and Pikachu being able to communicate properly, and they still get chased by every Spearow on Route 1 because all of them are trying to "Destroy the Void Spawn!" This means they still fall off the waterfall and get fished up by Misty, who gets the Full Horror Experience because after All That Shit Ash is worn out which makes him kind of Melty. And, well, Pikachu is injured, the Spearow are still coming, he can't maintain a coherent enough form to keep going on his own, and this is Season 1 Ash who can be kind of an impulsive jerk sometimes at what would normally be the bike stealing scene, so he kind of...possesses Misty and Books It.
And since this isn't a power he's ever used before and he's using it in a high-stress situation while injured, his control isn't the best, so she catches a glimpse of the Unknowable Truths of the Void, and that combined with her being there for the Biggest Thundershock Ever makes her a little...fanatical about Ash's whole Eldritch God Thing. They're still friends first and foremost and still develop something similar to their usual dynamic but the fanaticism is there, especially at the beginning. At least she's not worried about the bike this time?
Also when Ho-oh shows up he kind of visibly stumbles in midair because he was not expecting the Chosen One to be that! This is why we don't let the local Mew be the only one doing check-ins.
Anyway, Brock and Team Rocket are still their usual selves, apart from Team Rocket deciding to do research into how to fight demons so they'll actually stand a chance at stealing Pikachu so now they've got a Nacli (because salt) and a bit of an Exorcist Schtick going on.
The Charmander Incident goes a bit differently, because they just barely don't make it in time and Ash basically tells the universe NO and brings him back, which is how he finds out that his healing powers have side-effects because this time those effects are immediate. When Charmander's tail flame relights it's somehow black, he has what seems to be a new Ability that makes all his Fire-Type moves also do Ghost-Type damage, and as time goes on his scales darken until he has Shiny Charizard's color scheme. This goes further when he evolves, because he has some clear differences from a normal Charmeleon beyond just his colors, and he seems to now actually be part Ghost.
I also had some ideas for later on, like May being full of Ghosts because she's easy to get into but extremely hard to get out of or control, and Dawn being Akari who ended up as a Hisuian Zoroark and got back to the present the long way, but for now this is what I've got.
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hadesoftheladies · 1 month
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alright, some misogynist and ableist goons on this site keep bothering me about my jkr post because they cannot fathom the fact that calling out bias doesn't necessarily equal endorsing. so i'm going to be super nice about it and put all the facts here for the fact-enjoyers.
let's go over the claims made against jkr by testerical twitterheads, because everything to do with trans politics regarding jkr is just extremist white liberals reaching.
Claim: JK Rowling is friends with Matt Walsh. False!
Claim: JK Rowling is friends with Kellie-Jay Keen. Ambiguous! (She has agreed with Kellie-Jay Keen on several issues and advocated for her based on false allegations about nazism concerning Kellie-Jay Keen. Men-rights activists made shit up about her endorsing nazi salutes at her women's campaign. also, JK Rowling has agreed with many people whose politics she does not wholly endorse, like matt walsh. agreeing with someone on an opinion or fact, does not mean you agree with their politics.)
Claim: JK Rowling denies the Holocaust. False! (For proof, see this thread. JK Rowling does not DENY that the Holocaust happened, but that trans people were specifically targeted by the Nazis. Some argue that this makes her a Holocaust denier based on some German article, but I find the term muddies the water. It can be an offense, a grievous one, to deny the Nazis did something when they did, but calling JKR a Holocaust denier makes people think she doesn't believe the Holocaust happened when she absolutely does.
Additionally, the topic as to whether trans people were explicitly targeted by Nazis has had a fair share of scholarly debate. They may have faced some measure of harassment, but being specifically targeted is also a reach considering how little historical evidence we have of transvestites being outrightly persecuted, at least, to anywhere near the same degree homosexual, black or Jewish people were. Cross-dressing certificates were legal in Nazi Germany, for example, and I have found no record of a transvestite suffering things like forced sterilization. This article briefly mentions a German author who thought that the Nazis would finally take care of "the transvestite problem" because now they could be sent to concentration camps and castrated there, but there is still no record of any transvestite having undergone such a thing. Furthermore, of the examples of transvestites that were taken to concentration camps, both of them were homosexual, so it would be more accurate to say they were targeted for being homosexual, especially when you look at why they were arrested. On the other hand, some transvestites ended up in concentration camps, but it was likely due to the fact that they were Jewish rather than trans.
It is also very significant that in the German Republic, transvestites had permits while homosexuals did not!
JKR might be denying that they burned trans books. Unfortunately for her, she is wrong. Transvestite research WAS targeted by the Nazis. Again, not much is known about transvestites during this time and I have found no solid numbers. It most definitely didn't happen on the same scale as what gay, lesbian, Jewish or Roma people were suffering through--and why would it, transvestites weren't a large population, also i have found no record of transvestites being forced to wear pink triangles, like homosexual men were--, though gay men and transvestites seemed to get more leniency if they were "Aryan." )
Claim: JK Rowling directly funds government suppression. (Which government? Source? I'll make an assumption and guess that you're referring to her 1 million pound donation to the Better Together anti-Scottish independence campaign? Yes, she has. But she respects the opinions of those who disagree with her on the subject. She's also donated to the Labour Party, which is more centre-left politically.)
Claim: JK Rowling has financially supported groups that repress Scotland's right to independence. True! (She also voted "No!" on Scottish independence).
Claim: JK Rowling is gunning to be a Neo-Nazi. False! (She has not expressed any explicit Nazi views! Please tap the source to see what Nazi views actually are! JK Rowling has been explicitly leftist in her politics and anti-racist.)
Claim: JK Rowling is a fascist. False! (She does not identify as fascist and does not have any explicit fascist views. Unlike the people burning and trying to ban her books, which contain very little of her politics.)
i don't worship JKR, i don't even agree with a good chunk of her politics. especially when it comes to her sympathy for israel. she's a millionaire white woman, and i am a born and raised african middle-class person. we won't have many politics in common. but unlike you lot, i don't need to be misogynistic or ableist in order to disagree with a woman. resorting to misogyny, ableism, racism or homophobia just because you hate someone is still misogyny, ableism, racism and homophobia. i wouldn't call a transperson the "t-word" even though i don't profess their gender faith. because i recognize that using the "t-word" on a trans-identified person that's done or said disgusting things like, idk, andrea long chu or hunter schaffer (are these your leaders? seriously?), saying that word will still hurt trans-identified people who didn't do or say those horrible things unnecessarily.
see what i did there? i read things up for myself, added sources from people i disagreed with politically, discussed the valid history of people who i disagree with without resorting to dehumanizing language, and called out the celebrity you lot think are "my hero" without being a hypocrite!
class dismissed.
now fuck off you rancid misogynists and go back to snivelling about how righteous you are to your echo chamber.
also, radblr girlies feel free to reblog or link this for all the anti-jkr posts that make any of these claims or keep trying to bait you with this braindead discourse to save yourselves the effort. love you and muah! :)
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esther-dot · 6 months
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Lately I've been toying with the idea that Jon will indeed become king of the FF. It's the only reasonable ending for him, the only one that matches both Jon's show ending and Sansa's book foreshadowing (to marry a king, not a prince, not a king who had been). I think the show ending on such ambiguous (and bitter!) terms for Jon was decided because of the sequel. In other words, I'm considering the possibility that M. will transfer his 5year gap at the end, and we'll see them again at the end after some time will have lapsed and they'll be older and firmly in their positions. But, with this ending I'm afraid we'll only get hints of Jon and Sansa's romance on page, and nothing too explicit (although I guess that it might have a role in Daeny's death).
I think that, throughout the book, the famous "the FF don't kneel" is only meant to be subverted: they will kneel to Jon, after everything he has done for them, and he will probably settle them in the Gift(s). In my opinion, this ending is truly poetic. If ASoIaF is a fairytale, then the hidden prince does not become king because of his inheritance (which he has already foresaken just as he will reject the Targaryen inheritance: so vividly given as "I don't want it!" in the show, lol), but has forged a kingdom for himself, because he is truly worth it. I am not sure that he will go to the Wall because he will be punished, but regardless, he will become king of the FF. If it will be like this, then Jon's ending is the apotheosis of subversions.
And only as an equal will he be able to marry Sansa: when Sansa becomes queen, everybody will want her for her claim twice over, unless her husband is already king. I think this ending is foreshadowed in her ASOS, Sansa IV chapter: two castles in the sky, one black, one grey, become one in all the colors of spring. Note that this is something Sansa sees in the morning sky, meaning after dawn.
And with this explanation I've made peace with the disastrously ambiguous ending of GoT.
I wish you'll make your peace too, Esther!
(old anon btw, anxiously waiting for your posts for years, and now this darn thing made take a name. So be it).
It's so nice to finally "meet" you @justleaves!
I like that reading of book foreshadowing and the mess GoT gave us. You know I can't agree with most of the fandom that we can entirely or even mostly dismiss the show's ending. Too much of it gave me that, "it was always meant to be this way" feeling and since the ending of the show, Jonsas have turned up a lot of foreshadowing for Arya sailing away, King Bran, Dark Dany, Jaime and Cersei dying together...so many things were kinda-sorta right, just presented so horribly they felt wrong!
I've always felt very weird about Jon becoming King of the FF, most of us Jonsas reject that out of hand because it really rubs us the wrong way, but I had a series of anons critical of Martin's handling of aspects of Dany's POV some time ago, particularly how he characterized the Dothraki, and I did go back to read/re-watch some interviews, and I've accepted he doesn't share our sensibilities there, or on a handful of other issues. I hadn't even realized I was projecting when I dismissed the possibility of a kid from a different culture becoming the leader of an indigenous group. To me that is inherently negative. But of course, at the time when Martin began all this, it wasn't generally perceived that way, and we have Mance so...
Right after GoT ended some of us speculated that not including the Gift was why they had Jon ride off past the Wall with the FF, while in the books, he might be responsible for the Gift, so I really like how you've blended the two. I've written before about how it would make sense to me that Jon rejects the Stark/Northern claim and then rejects the Targaryen/Southern claim, and is rewarded in he end for those decisions, and I think it would be a more satisfying resolution to the bastard struggle if he is chosen as a leader because of who he is rather than who his "father" is (whether we mean Ned's son -> KitN or Rhaegar's son -> Targ heir). The way Jon is of the North, has such connections to the Starks (whether as Ned's bastard or Lyanna's boy post parentage reveal) as well as his time with the FF, the understanding he has and care he has for them which others do not, well, it certainly sets him up as a great bridge between the cultures. A person uniquely capable of creating a lasting peace.
I also really like your idea of the time-lapse because a) Sansa's age b) allowing all these revelations time to settle. I can't rationalize how the cast of characters would accept Jon as the legitimized son of Ned, only to turn around and accept that actually he's Lyanna's son, and how they'd be ok with a Jonsa marriage immediately thereafter. And that's not even dealing with how he'll be perceived/the rumors that will be swirling around him post rez and whatever his actions are immediately after. Love it in fics, but when I think about it in Martin's words, hard for me to imagine, so the idea that in a few years after Jon has established himself they'd be able to marry, that makes sense to me.
I think this ending is foreshadowed in her ASOS, Sansa IV chapter: two castles in the sky, one black, one grey, become one in all the colors of spring. Note that this is something Sansa sees in the morning sky, meaning after dawn.
That is a beautiful reading of the scene! I can easily see that being the idea! The other reading I've seen on this is that it's the Jon and Sansa competing claims being joined as the solution to the Northern succession crisis (that may be @agentrouka-blog's spec? I'm not successfully turning anything up atm). I had actually written into the margins in my copy "sounds like Winterfell" by the line about a castle in ruins, and later in ASOS, we have back to back Jon and Sansa chapters that talk about Winterfell and have a weird number of similarities (link). But, specifically, the ruins/rebuilding idea seems like it points to Jon and Sansa's stories converging and allowing them to restore Winterfell together:
The warmth took some of the ache from his muscles and made him think of Winterfell's muddy pools, steaming and bubbling in the godswood. Winterfell, he thought. Theon left it burned and broken, but I could restore it. Surely his father would have wanted that, and Robb as well. They would never have wanted the castle left in ruins. (Jon XII, ASOS) The snow fell and the castle rose. Two walls ankle-high, the inner taller than the outer. Towers and turrets, keeps and stairs, a round kitchen, a square armory, the stables along the inside of the west wall. It was only a castle when she began, but before very long Sansa knew it was Winterfell. She found twigs and fallen branches beneath the snow and broke off the ends to make the trees for the godswood. For the gravestones in the lichyard she used bits of bark. Soon her gloves and her boots were crusty white, her hands were tingling, and her feet were soaked and cold, but she did not care. The castle was all that mattered. Some things were hard to remember, but most came back to her easily, as if she had been there only yesterday. The Library Tower, with the steep stonework stair twisting about its exterior. The gatehouse, two huge bulwarks, the arched gate between them, crenellations all along the top . . . (Sansa VII, ASOS)
So as always, I see the pros, I see the cons, I can't make up my mind, but I'm ok with that. I have no problem talking about GoT/my frustrations when I get an ask, but after I wrote my post canon fic Free, I just...wasn't angry anymore. D&D's choices will always baffle me, I'm disappointed we don't have TWOW yet, but I enjoy the different spec, fics, gifs, and art we have in the Jonsa fandom, so as long as we're all having fun, I'm happy.
I'd love to read any other observations you have about ASOIAF and fairytales, I think posts about parallels with other lit are fascinating!
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mamamittens · 6 months
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I absolutely adore your series, Sweet Child
My favorite One Piece reader story for sure.
So I'm not sure if this question has been asked, but what would've happened if Akainu won?
Also you somehow got me swooning when he holds reader in his arms and you describe his expression of awe??
That probably wasn't even intentional but it's got me wondering what an ending with him would be like.
Is a yandere too? Platonic? Romantic??
Well, actually, there is one pending request for a yandere Akainu end (with smut). Though by default all characters are platonic (Akainu was the surprise yandere by secret vote actually). Hopefully I can finish the au endings next month but I've been meaning to write them for quite some time now so... I guess we'll just have to see?
And anyway, an ending with Akainu would have him miraculously survive the blast and find reader at the inn before Marco and Ace do. Reader was smart enough to act in a way that would leave them relatively clear if they couldn't get away, but Akainu doesn't need much encouragement to excuse anything reader does as somehow innocent.
Thing is, every since he'd heard of them (in a meeting where the higher ups were considering where best to assign reader given their devil fruit), he's been enchanted by the idea of them. An agreeable, fresh recruit with a devil fruit to match. And seeing how most devil fruit users match their fruit, he made the not so crazy assumption that reader would also be supportive. And as someone so much stronger than his subordinates, he's used to having to do the heavy lifting to accomplish his goals. His equals so different in personality and power they inevitably clash, right down to their ideas of justice.
But, in his eyes, reader just needs to be taught. They're still weak (though now he knows they can be very clever) so it's understandable that they may have picked up on some bad habits.
So, when he finds them again he personally takes them under his wing. No more 'other partners'. Just him. And he sort of slips into the headspace that he's the only one that can keep reader on the right path. That their time with Whitebeard has caused permanent psychological harm (like, not immediately immolating civilians that help pirates--obviously this isn't an issue of ingrained morals but brainwashing to think it's okay to help criminals). This isn't helped by reader not being stupid enough to argue with him under normal circumstances.
And since reader can't be trusted to make good decisions on their own, they just need to stay with Akainu so their 'real' true potential can be met. The fact that this means Akainu will never have to feel alone in life or his pursuit of Absolute Justice is not a coincidence. Having a 'perfect match' is intoxicating (Marco himself ran into this issue since physical contact makes the reader also feel like a phoenix so his instincts without the power to oppose him). Having your perfect match be incapable of threatening you on any real level even more so for people with clear issues like Akainu.
He doesn't chain the reader like Teach did. But they're never too far from Akainu's reach either, other marines under strict order to return them to his side if they're caught elsewhere.
This ending is meant to be a tad ambiguous as well if it's platonic, romantic, or sexual. But it could very easily be any of them since his attraction isn't based on their looks or personality, but what their presence brings him personally. That look of awe could be from seeing first hand how their devil fruit could be used or that someone could influence devil fruits that much and be meant to stay by his side. After all, they were tossed about different bases without his protection and look what happened!
Hope this long post answers your question! ( •̀ ω •́ )✧
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no-gram · 2 months
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Jacka:...... Ah! Good morning! I've been waiting for you to wake up…!
Ai:You are ......
Jacka:You don't remember, do you? Well...first of all. Do you know where you are?
Ai: This is... this is a prison.
Jacka:Correct! Yes, I should introduce myself. I'm...I'm Jackalope. Well, you can call me Jacka...? But call me whatever you want!
Ai: Nice to meet you. I'm...Ai. I'm the administrator of this prison.
Jacka: Nice to meet you, Ai. I'm glad to see you're swallowing so quickly! Well, do you remember that much?
Jacka: I'll be quick, but can you get ready to leave the room?
Ai: Where are we going?
Jacka: We're going to go around the prison to where the prisoners are. This is a small prison, so I'm sure you'll be able to figure out the map in no time... but it would be nice to have an explanation, wouldn't it?
Ai: Okay, let's go.
Jacka: Um...do you mind if I hold you?
Ai: Can't you walk by yourself?
Jacka: Well, well, well... look! Your stride is different, isn't it?
Ai:Sigh...I guess we have no choice.
[Footsteps]
Jacka: There's your room now, and my room, and storage and dining room. There's also a shower room.
Ai: Are there any rules?
Jacka: Hmm, why don't you decide...? You are the administrator, right?
Ai: Do you know how it feels to suddenly have power in a strange place?
Jacka: Do you think I can understand other people's feelings?
Ai: ...I lose. Tell me the next room.
[Door opens]
Jacka: The next room is a very special place, so listen carefully. This is the Panopticon. You can look around and keep an eye on all the prisoners too. They're all sleeping now, though.
Ai: Prisoners...
Jacka: Are you worried?Well, it's not comforting, but they are all girls about your age. I'm sure you'll get to know them quickly. Well, they are all called to be evil person.
Yes, let me introduce all of you! I think it will be much easier for you that way, rather than going about your business without knowing anything about them.
Ai:agree.. We need efficiency in our work.
Jacka: You're very motivated, aren't you? You're not even intimidated by the prisoners. That's worth explaining.
Jacka: Okay, first then, prisoner number 001, Tsuguha. She is the youngest girl here, 12 years old. She seems a little cautious, so please be gentle with her.
Ai: An elementary school student, huh? I wonder if I can be gentle.
Jacka: You might be able to force her to disclose information by frightening her, but there are not many prisoners in this prison. We can unravel their information over time. If so, don't you think it's worth being gentle?
Ai: Maybe so. But they are equally bad people here. We will not know until we interact with them.
Jacka: It's good that you are willing to do this, but don't overdo it. I don't want you to miss the truth. Next.
Jacka: Prisoner number 002, Jun. She's the staunchest of them all. She's not very sociable.
Ai: Hmm.Is intimidation sometimes necessary?
Jacka: I'm scared! I may have to make you learn to be nice...
Jacka: Let's move on already!!Prisoner number 003 Kizuna. Hmmm, she seems relatively bright and normal among the prisoners. But she might be the one I don't understand the most.
Ai: What do you mean you don't know her well?
Jacka: She is more ambiguous than the other prisoners. It's like there's something the prison can't detect.
Jacka: You are halfway there. Keep up the good work. Prisoner 004, Tuzuri. Hmmm. She seem calmer than the other prisoners. Maybe too calm, in fact.
Ai: How can he be calm in the presence of potential bad guys? I can say this now that I don't know anything about them, but I find it more suspicious when people are calm.
Jacka: My explanation is only an image, but it may indicate that we should also value our intuition.
Jacka: Alright, well, let's move on. Prisoner number 005, Itoho. Hmmm, she is the oldest one. Perhaps that's why she has a certain amount of leeway.
Ai: Can i stand up to an older opponent?
Jacka: You threaten younger people, but are intimidated by older people?
Ai: Don't drag out the joke...I'm starting to look foolish. I still don't really understand proper communication.
Jacka: I don't think intimidation is allowed, but we are here to record what you feel and what you learn, so it's up to you how you behave.
Jacka: last. Prisoner number 006, Rinne. You can tell at first glance. There is something bizarre about her. Now you are pure and innocent, for better or worse, so be careful not to be consumed by her pressure.
Ai: ...I definitely have a sense of responsibility as an administrator. I don't know if I have the dignity, but I am ready to manage these girls. I will not be defeated so easily. I don't know if I can defeat violence, but...
Jacka: Oh, you will be fine on that point. The prisoners cannot hurt you.
Ai: Wow, that's great.
[The sound of bells]
Jacka: Just in time. Now, your life as an administrator is about to begin. The girls will be waking up soon.
Jacka: Let's review. You are the keeper of this prison. You have to give the prisoners a "Justice" or "Evil" verdict. You can base your decision on whether they are good people or not, whether you like them or not, the law or not, or any other criteria.If I were to give advice, it would be to give justice to the people you want to model your life on.
Ai: I should have thought about how to address everyone. I'll have to improvise and see what I can do.
Jacka: That's it. They can't hear my voice. good luck.
Ai: Nah...that's terrible.
No, I'm an administrator. I am not going to be outdone by girls my age. First impressions count.
Jacka: That's the spirit. I'll be watching from afar. So, Ai, I look forward to seeing what your choice will be.
Ai: Good morning, prisoners. I'm the administrator.Have a good life.
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letoscrawls · 6 months
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How would you rate each version of Duncan from the Dune series and of his love/shipping interests whom do you think he had the best and worst compatibility/chemistry with?
Oh i love you for this question because i've been making silly little rankings in my head for YEARS and you just gave me a reason to unleash them in the wild
So, when it comes to Duncan i think the first thing you gotta take in mind is that his original version had a thing for lady jessica (love or whatever), and it's implied in some of his other relationships that she's always there in the back of his mind somehow.
Duncan and Alia: okay let's start with the one that irks me the most. Alia is my daughter, my beloved, my everything and i hate that she had to be overshadowed by her mother even during her marriage. but it's not jessica's fault, it's stupid duncan that saw jessica in alia, and someone even told him at some point. i don't remember who, i think it was jessica herself??? also you're a psychic living computer whatever HOW can you not see that your wife is being possessed by an evil presence. GOD. i'm obsessed with the tragedy of alia and i loved those scenes when duncan realized she was gone and he started crying ugh. chef kiss. very shakespearean if you will, but yeah Alia deserved a better companion so i'd rate this a 4/10 at best. four points for the tragedy and nothing more
Duncan and Hwi: 0/10. -1183948/10. this is the worst. not even tragedy can save this mess of a ship. hell it wasn't even a ship it was just wrong. poor hwi was paired with the worst men ever and then died??? wtf!! that was terrible for women in general. Not to mention god-emperor duncan is the worst duncan of them all i hate him so much you have no idea. he was a sexist homophobic dumb piece of shit and i hate that he survived and probably died peacefully with siona. also something tells me his encounter with hwi wasn't very consensual you know? maybe the way it was written was ambiguous, but i got the feeling she wasn't really sure of it and it did nothing for the plot, it made no sense. just a bad vibe in general
Duncan and Siona: meh, we don't see much of them, we just know eventually they got together and had a lot of babies and saved the atreides. i've always felt like siona was a half written character, we saw her in the beginning and she's a fearless rebel with a mind of her own, but then in the end she succumbs to the insanity of leto II's grand scheme of things and she seems more like a puppet in his hands. i don't know i'd rate this a 3/10 just because we don't see much and i think they were forced by the events and nothing more. P.S: i would have to look on the dune encyclopedia for more details, maybe they actually liked eachother like ghani and farad'n but i'm not sure
Duncan and that Jessica pseudo clone: they are mentioned briefly in god-emperor i think and it proves once again that this man had un unhealthy obsession for jessica (an assumption based on the fact i don't like him and jessica didn't either. stay with me you know i'm right). but yeah they were happy i guess??? i'm sure if some guy resembling duke leto showed up that jessica lookalike would have dropped duncan's ass in one millisecond though. 6/10
Duncan and Murbella: oh we really are in it aren't we. now THIS is a fucked up relationship. they get a higher score because she's as fucked up as him, and i appreciate equality. But hell duncan and murbella are insanity at the highest level. She imprinted on him when he was a teen and he reverse imprinted on her and they got stuck in a weird sexual curse???? peak madness i just. i don't even know what to say, if i didn't read god-emperor before heretics i would have said this is the most insane thing frank herbert did in these books. but anyway, we actually get to see a little more of their relationship (or maybe situationship, i don't even know what to call that thing they had) in chapterhouse, they are addicted to eachother and made a ton of babies for the bene gesserit. i would say there's tragedy in them as well and even though i know they dynamics that got them stuck together is not healthy and ok and they are by far the weirdest pairing in the entire six books, i'll be honest i was saddened when murbella eventually choose the bene gesserit over him. the scene when she's going through the ritual to become a bg and he's desperate to lose her might have moved something in me. idk. i give them a pass because they are fictional and weird, but overall they are a solid 8/10 to me. and i appreciate the fact that duncan was finally able to have feelings for someone who didn't have 95% of lady jessica's genotype
Duncan and Sheeana: meh. they were meant to be according to the bene gesserit plan, and they did seem to have some sort of bond in chapterhouse. but i don't know, i feel like they were two kids manipulated by the bene gesserit in different ways, and nothing more. But since the saga is incomplete, i'm sure the final book was supposed to explore their dynamic as well. i would say 5.5/10 for the potential (sheeana was super cool on her own and i like to think they could have joined forces to take down the bene gesserit and fall in love while they were at that. but it's all in my head so idk.)
i'm at the end of this long ask and i realized you asked me to rate Duncans and not his relationships. oh well (i had a drawing planned for that years ago). my apologies
Original Duncan: 10/10. bestest boy. gone too soon. he was one respectful king
Messiah Duncan: you know what despite everything I DO LIKE THIS DUNCAN. 9/10 bc he has cool metal eyes and he's very similar to the original Duncan in a lot of ways. should have treated alia better though.
God-Emperor Duncan: get this fucker out of my sight. 0/10.
Heretics baby Duncan: just a baby. an innocent soul. my son. you deserved to live a happy life with your adoptive dad Miles. 8.5/10
Chapterhouse Duncan: a pathetic loser trapped in a toxic situationship with a computer inside his head. he did try his best let's be honest. also a skinny legend. 8/10
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coeluvr · 7 months
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Ok so I get the feeling from some of the more recent interactive stories, his conversations with Lancelot, and from the old POV scene about the walk in the woods, that Luceris is almost… protective of MC? I’m sure much of his feelings (like if he likes MC or not) is based on MC’s personality, but there seems to be a strange undercurrent of wanting to keep MC safe that isn’t entirely based on getting revenge on Caterina. And he does seem to care about how MC is treated, most clearly in the recent scene at E’s birthday party. My MC still has a burning hatred for him and will only spare his life bc of Helios but i as a reader think he is such a fascinating character. Am I reading that right or giving him too much credit?
Oh, this is so interesting to me. I love discussing the characters so this is my time to shine. ✨️
It's a bit complex with Luceris; I wouldn't necessarily label Luceris as protective of the MC, but it's not a straightforward matter.
I do think he wants MC to be safe (not equal to MC's emotional well-being). Determining how much of this stems from his grand revenge plan, how much is tied to seeing himself in the MC, and how much might be rooted in genuine affection is hard to really pinpoint and I like the ambiguity.
Luceris wouldn't admit to himself that he's even slightly protective of MC either, and he if ever does then it's in the name of his plan. He can't lose his pawn after all.
In terms of E's birthday ball, I will say that was more of him causing problems for Falk because he doesn't like him rather than protecting MC. If you select options that lead to the conflict between MC and that servant then you will also see a part that reads something along the lines of:
You didn't expect this turn of events, but you know Luceris causes chaos when it helps him get what he wants.
(This is not word for word.)
So while he might be protective of MC, I don't think that particular event is the event you want to reference when you mention him being protective of MC. I think the fact he fired the servants who were treating MC horribly (rotten food + ripping clothes) would be more of a front-runner in that regard.
I guess you were reading it right but maybe giving him a little bit too much credit!
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ratgirlcopia · 1 month
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Nah, i think what you said in your lore opinion makes a lot of sense, actually, and as your token mutual who is (unfortunately, here) very fond of terzo and meliora, i think, from a 'what is ghost to someone just getting into it' perspective its probably the most coherent way to approach it!
(My migraine addled brain last night suggested it's like. Vampires before and after Dracula. Prequelle and Impera are putting a definite and more specific thing together. The earlier albums and papas play with a premise, and it's not that there's *not* stories there, but. If you're writing a dracula story you don't really have to integrate other earlier, potentially contradictory, vampire concepts unless you want to, because we've got a single, specific iteration we're working with now. The previous papas and how they interact with copia's lore are functionally, as you say, more like fun AUs than equal canon)
yeah i think this is a really good way of looking at it! the previous papas are essential to how the concept evolved, but they're just not part of it anymore, they were a separate thing, and that time is pretty much over. sorry in advance for how long this is, this ask just made me start thinking about it again and i think it's an extremely interesting topic.
it's sort of wild, because i guess they figured that in order to keep people invested, copia had to be part of the "same" universe, and there had to be background characters carrying over across eras to bridge the gap, but the longer it goes on, the more it becomes obvious that the story probably would've benefited a lot from doing something like, "hey, the three previous guys were all from, say, the swedish location of the ghost ministry, but now we're going to talk about all-new characters from the los angeles location and it's a separate thing." but the decision to keep imperator and nihil as characters who have always been orchestrating things across eras (thus retconning a lot of stuff in the process) means we have these very ambiguous connections that weigh down the narrative.
even nihil's whole existence is contradictory. they present him as if he's been "papa" forever, we also have the "there can only be one papa" rule copia throws out during the ascension show, so then we're left with...what, nihil was papa before, then his kids were papa, then he went back to being papa? if the title is that easy to toss back and forth, it doesn't really mean anything. but if we view nihil-imperator-copia as their own universe, with nihil holding onto that title forever because there just isn't anybody else who's good enough for it, his whole deal makes a lot more sense.
the previous three are killed off SO unceremoniously, and because they are literally never brought up again, it just feels like (again, understandably) the writing at the beginning of the prequelle era was pretending there's a connection to the past eras that wasn't really there, to convince people to stay invested in what was essentially a brand-new thing. but now that it's worked and people are invested in copia, there aren't any more call-backs to previous eras, because they don't need them. but that weird "is it the same thing or isn't it" connection is still there because they relied on it in the beginning of the prequelle era.
it's the kind of thing that would drive me absolutely crazy if i was responsible for figuring out how to tell a coherent story, but thankfully that's not on me so i can just watch.
i think ghost is probably a very, very difficult thing to write for because of all this, which is part of why i'm so interested to see what the ghovie ends up doing. i think it could be a really cool opportunity to retcon the parts that don't make sense and try to edit all the weird, ambiguous loose ends together into a good, internally consistent story. they'd have to be willing to risk going "hey, these things aren't connected at all, sorry," more openly than they have before (even though that's basically the reality, with the current era not acknowledging the previous guys at all), but i think it would be worth the risk in terms of turning out a story that can stand on its own as a logically sound thing.
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intuitive-revelations · 5 months
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Ok so... that episode. Mixed thoughts. First half I felt was really strong. The second half...well.
As usual I'm going to kind of vomit my thoughts out as bullet points. It'll be quite rough though, as I'm way too tired to break these down more carefully right now, and just want to say my piece before I go to bed:
LOL at UNIT being so out in the open now. Couldn't help but think of all the big bold 'secret' signs from the classic series when I saw that.
The Vlinx is a really odd addition... did anyone else think about Splinx (from the Mines of Terror game) when they heard the name?
MEL! I did find it curious that some of the reporting on her appearance was ambiguous about when it would be, so I guess that explains that. Kind of an odd choice for a UNIT / Toymaker story, but establishing her as a character at UNIT works fine.
Now that I think about it, wasn't POTD specifically written with awareness of who / what RTD would be using in the specials? If so, I guess that explains why Mel didn't play a part in the plot.
Speaking of which, they're definitely going for this UNIT spin-off aren't they? I mean... makes sense. It seems they're building off what we saw in POTD anyway.
Trinity Wells coming back was a fun surprise, given how long it's been since we've seen her.
The political commentary of 'being right' is kind of perfect. Between this and the trans representation in The Star Beast, it kind of feels like RTD is laying out this thesis for the next few years.
I kind of like how they did the Toymaker in this one? Though he's perhaps a little too flamboyant and 'Master'-y for me, I do think the stuff with his accents etc was quite clever. I also think there was clearly some thought about the more dated racial stuff with the character, which that line about the weather kinda felt like it was hinting at?
I liked all the little ways they hinted at the Toymaker's "crystal guardian" backstory, with him sitting outside of "Chaos and Order".
Speaking of which... did he imply he beat the the Black and White Guardians? Cause if so...
Not gonna lie, when the Doctor started talking about a mistake he made when he was young, a part of me really genuinely thought they were about to mention Divided Loyalties. The line about the 'face' the Toymaker wore didn't help.
I'm also glad we got the Celestial Toyroom stuff, as I wasn't sure how much we were going to get in this episode? I think the creepiness with modern effects was great. I kind of wish we got to spend more time there though, ala the original story.
Conversely, I also feel like we could have gotten a bit more out of the idea of the Toymaker escaping into the universe? We got a glimpse of that in 'realistic' terms with the outer world, and a more campy fun vibe inside UNIT, but I would equally love much more focus on the world going mad, both mentally, but also physically. I dunno, it feels like there's two ambitious stories you could have gone with, but the episode kind of half-and-halfed it.
The stuff with Amy, Clara, Bill and the Flux. I needed that. Seriously. As someone whose literally spent all last week thinking about how it's all been one line of tragedies for the Doctor, connected from one to the other, getting that acknowledged in text was great.
The twist with the Master getting trapped too was a bizarre addtion, and honestly unnecessary. It felt like that story (I can't remember which, sorry EU fans, an EDA I think) which offhandedly implies both the Master and Rani are dead. I feel it could have worked a bit better if it was another major character we haven't heard of in some time, like Rassilon or someone, instead of someone we saw just a few episodes ago.
I will say the games were disappointing. I get there's only so much you can do with recognisable simple games, but I definitely wish we got something a bit more complex than "biggest number wins" and "catch". This is a story that really needed a good resolution, ideally based on the Doctor outwitting the Toymaker, and we didn't really get that. I'm not upset about it, just felt weak.
That being said, the focus on rules with regards to 'best of three' was perfect. Exactly what I wanted more of tbh.
I'm surprised by the "One Who Waits", after being teased in marketing as referring to the Toymaker, actually being someone else. RTD's been doing a surprising amount of sequel hooking actually...
I'll get more into the mechanics in a second, but I do like the resolution being about the Doctor's own mental health? It feels like the right conclusion, not just based on the past couple episodes, but also based on Thirteen's character arc, as well as everything that happened before her. I'm sure fans will (rightfully) eat that up and talk about it a lot.
Ok, so let's seperate out the BIG thing, and my thoughts on it. Warning: I'm about to get uncharacteristically negative for me:
I had seen the leaks about the bigeneration, and am really disappointed at how accurate they were, though I had kind of accepted it based on the accuracy of The Star Beast's leaks.
Funny enough, I genuinely do quite like ideas of weird stuff to do with regenerations in terms of splitting etc. I genuinely have had some thought before about the idea of it from an assimilation kind of view, merging together, kind of a more horror-y take on the Master's plan in POTD.
But... did we have to do this with Tennant? I mean, don't get me wrong I love him and have genuinely loved what he brought to Fourteen, distinguishing him from Ten and giving him the feel of that extra history since then... but did he really need to be the Doctor to get a life after regeneration? After all, Ten is the one who 'didn't want to go'. Granted him such a thing really feels like it's going against not just the 'embrace change' message of DW in general, but even Ten's own arc specifically?
(This is a thought I had after writing everything else here, but it's also kind of messed up that he's the one to get this conclusion, when we literally just had a whole arc about 13 and Yaz not having enough time together because of 13's incoming regeneration...?)
I don't think I need to spell out the issues of having two 'current' Doctors, not just in-universe, but also out of universe, and the shadow that now hangs over Ncuti's series, whether or not we get more with 14. The TARDIS splitting was really bad too.
That being said, there is one saving grace, in that it's seemingly implied that the rest of 14's life still comes before 15, somehow, based on what the latter said about being better because 14 will take the time to rest, recover and reflect on everything that's happened?
This is the one thing that doesn't make me want to throw the resolution away, as it does seemingly provide some clarity. If RTD sticks by that line, it would suggest it's less that there's two whole new Doctors, and more that 14 has been given some grace of having a bit more time before he turns into 15. That there's still technically a linear progression of Doctors, it's just one gets to hang around a little while to give the new one a cleaner mental slate. How on earth that would work however, is a whole other question...
I mean... couldn't we have just done this by time travel instead? Rather than introduce this whole new, kinda show-breaking concept? You could still get your hypothetical Tennant and past companions miniseries (which seems like it'll be a thing) or whatever alongside 15's own debut. Just let it be non-linear, and let us meet and travel with 15 before we get a peaceful, recovered 14 regeneration?
Also... if we ARE going play fast and loose with the ideas of regeneration... why didn't Tennant's face coming back play into this? Like... what a weird choice to make that the 'mystery' of the specials, throw in a crazy regeneration sequence... then just suggest it's a bit of a subconscious message. If we are going to get crazy with what regeneration can do, why not go all in with stuff like the Guardians of the Edge, or the Valeyard or something? Have fun with the internal identities lore of regeneration?
So yeah, to summarise my thoughts on the bigeneration... I really think RTD might have gone a step too far this time. I spent a little time after the last episode talking about how the lack of resolution on the Flux was one of my bigger complaints about the Chibnall era, but this writing decision feels even more baffling. If Doctor Who is going to have a 'jumping the shark' moment, we might have just witnessed it.
That being said, as someone who hates being too negative, I did find a silver lining in that the dialogue implies he's planned ahead how to get out of some of these issues, with regards to two concurrent Doctors etc. It just doesn't feel good being in this situation at all, when it wasn't needed in the first place.
Overall thoughts
I didn't hate the episode. In fact I was very much in to most of it! There were a lot of good ideas, across the Toymaker, the Giggle etc. although I do feel some were woefully underused within the episode. It's just that they're all kind of marred by that one big bad idea at the end.
Like I said, the stuff focusing on the Toymaker and the Doctor's history, plus his time since he travelled with Donna was great. The Giggle was a fun satirical concept, if again underused, and the Toymaker's argument for targetting Earth was pretty great. The resolution of forcing the Doctor to settle down, for a little while, and be with friends is decent too, and a nice conclusion to come to, even if the way it came about was a mess.
I suspect, and hope, we might get some more details not just about how this will all work (or maybe just opening up the question without getting too specific), but also about any possible plans for spin-offs and whether or not they will overlap with the stuff in this episode, which may or may not alleviate my worries.
But for now.... yeah, I'm concerned, sorry.
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malcontentmathador · 4 months
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I feel like you're misunderstanding lapithae's take? They're not trying to correct anyone's interpretation, they're just saying that a lot of the criticism aimed at how p4 handled Naoto's arc is based on something that the devs weren't actually trying to convey. There is absolutely nothing wrong with people reading Naoto as trans or nb, and f anyone who says there is, but when you critique a work, it is important that you do so based on the canon material.
I believe I made it clear in my post that I was using the opportunity to talk about a wider community problem that bothers me ("apologies for the combative tone, it is really not aimed at you"), and not just responding to OP.
But either way, what you are saying is also relying on the idea that "the devs weren't actually trying to convey" anything about trans experiences. I think this is very debatable - the imagery of gender reassignment surgery in Secret Lab is unmistakable - but also irrelevant, because writer intent is not actually something you can properly know. You can make guesses at it, but those guesses are themselves interpretations of the text, with no more or less validity than other interpretations.
Sometimes authors also mean to write something, and end up producing something completely different. To use a popular example, a lot has been written about how the "The Kurozumi were born to burn!" line from One Piece. Did Oda mean to say that some people are just born evil and are destined to be killed to right the wrong they caused by coming into the world...? Probably not! But it is how the text reads to many, and no amount of "I didn't mean it that way" will change that. The text exists on its own, independantly of the author.
Of course, not every possible interpretation is equally supported by the text. Stuff like "Ash Ketchum is in a coma and everything is happening in his head" has virtually no support in the text; it's a funny joke reading to give a passing glance to, but it doesn't deserve genuine attention.
The point is, saying "you don't get to complain about this because it's not what the author intended" is fruitless; no one can know what the author intended. The original poster's take on what the "goal" of Naoto was is not anymore valid than yours or mine, and the text and the experiences it describes are too ambiguous and amorphous to decisively reject trans/enby readings in my opinion
I hope that is more clear; I am not totally sure I answered exactly what you were trying to say
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Fic Tag Game
Thank you so much for tagging me, @starwalkertales
How many works do you have on ao3?
30… I'm quite proud of the fact that I've made so many, and 29 of them in just 2½ years (granted, most of them are quite short, but there are a few longer ones in between)
2. What's your Ao3 word count?
272,066… Holy Force, according to a quick google search, that equates to about 3 average novels, damn.
3. What fandoms do you write for?
Star Wars, mostly the prequel trilogy. I have two “older” Yu-Gi-Oh fics.
4. What are your top five fics by kudos?
1. Rain with 298 kudos. This is actually my newest story and in just a week after I posted it, it had overtaken all my other works (I guess people like it). It's cute fluffy and smutty obikin, where our boys get stranded and given a small but much-needed holiday.
2. ‘Com’Passion with 280 kudos. I can't hide the fact that my guilty pleasure is threesomes. This one is smut with a lot of emotion, involving two experienced masters (Mace and Obi-Wan) taking Anakin to their bed after he walks in on them.
3. Nanika the daughter of the Force with 279 kudos. This fic, where Anakin is sent back in time as a woman, is my baby and biggest challenge.
4. Hearts' desires with 263 kudos. Sweet, smutty obikin with too much plot, featuring Anakin and Obi-Wan's first time together.
5. All I want for Christmas with 211 kudos. This is last year's tooth-rottingly cute and fluffy Christmas fic, where Obi-Wan returns home and realizes he can't escape Anakin and Padmé's love.
5. Do you respond to comments?
Always! (It can sometimes take a few days if RL is demanding my attention) Commenting is the lifeblood of fandom, and it's through commenting that I've found many of my friends here.
6. What's the fic you wrote with the angstiest ending?
Um, I have a few that could compete for that title... but I'd have to say Fallen, it's short, ambiguous and it hurts so much. I have others equally angsty, my very first SW fic In The End is also very angsty.
7. What's the fic your write with the happiest ending?
All I want for Christmas, it is just SO happy that it is nauseating (I got fluff poisoning writing it)
8. Do you get hate on fics?
No, and I'm very grateful for that. I have a few people asking if I'm going to continue with Nanika soon... I will, promise!
9. Do you write smut? What kind?
Yes, I do... I don't know if it's a specific type... but it's not very kinky (I love reading all kinds of smut, I'm just not brave enough to write it yet)
10. Do you write cross-overs?
I have a few faint bunnies in deep freeze, but they're not very detailed and most likely won't be written… so no, but never say never.
11. Have you ever had a fic stolen?
Not that I know of.
12. Have you ever had a fic translated?
Nop, but I'm considering translating back one of my own stories at some point, just for the fun of it.
13. Have you ever cowritten a fic before?
I have. I wrote The Jedi and the darksider together with my sweet heart Zolita. It was an inspiring and challenging experience to write Melany and Zaya's story.
14. What's your all time favourite ship?
Obikin (I can't deny it), BUT they are not my only love, and I will happily let them take a third to bed with them at any given opportunity.
15. What's your WIP you like to finish, but doubt you ever will?
Pirates of the Galaxy, and it is a damn shame!
16. What are your writing strength?
I've been told that I'm good at writing atmosphere, and admittedly, it's one of my favorite things to write, so it's not really surprising. Haunt me for a year is testament to that.
17. What are your writing weaknesses?
Dialogue... I struggle with it every single time, but I'm stubborn and will keep practicing so that maybe one day I'll feel like I've gotten good at it.
18. Thoughts on writing dialogue in another language for a fic?Probably not dialogue, but I'm toying with the idea of writing spells in other languages, preferably old Sith, there's just not much known Sith language.
19. First fandom you wrote for?
Yu-Gi-Oh, back in 2016 before I stumbled into the SW fandom and got lost in the galaxy far far away.
20. Favourite fic you've ever written?
I love them all, they all have a very special place in my heart and it is almost impossible to chose, but I will say Tave Jen’drajuna; the dark family is just… it is me.
I want to ad a bonus question.
21. What fic would you want to rewrite one day.
My very first long fic Light and darkness. I still love the idea of vampire Sith Anakin, but I was so inexperienced when I wrote it and even though I adore the story the writing could be better.
I will tag anyone who wants to do this, and also @fleetstreetfatality @prahacat @barmadumet @demon----dean @tideswept @briliantlymad @fangeek-girl @dark--whisperings @lilredghost and @knightjane if you have already been tagged or have answered, please just ignore me, and of course there is no pressure.
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dribs-and-drabbles · 8 months
Text
Laws of Attraction ep 8
I watched the ep on Sat as it aired but then forgot to post these notes. With it being the last ep, I didn't have so much to say...beyond screaming over the brilliance of everything, but here it is anyway.
(Oh god it's all over after this 😭 I miss them already).
That fight was actually great...even though I don't like boxing/fighting. I don't know why Navin isn't worried for Charn's safety though...
Those bruises on Tinn... 😂
I adore Rose and Maya as spies!! Spin-off series now with them as leads running an underground pi business with the bar/singing as a front! Thank you please.
What a fucking location. Out-fuckin-standing.
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I LOVE THE DRAMA OF THIS!! LIVE-STREAMING THATTHEP'S CONFESSION?! CHARN YOU FUCKING GENIUS!
Please Charn, please turn off your ringtone 😭🙏🏽
Oh no...Tinn's going to rush in there, get caught by Thatthep's men, and they'll use him to lure Charn out. No no no...
Oh thank god...but wait...
YESSSSSSS CHARN. YOU EVIL GENIUS. FOR ONCE SOMEONE GOING INTO DANGER WEARS A BULLETPROOF VEST. THANK YOU!
Oh oh oh, there's half the ep left. Please let it just be Charn and Tinn being stupidly adorably in love.
Well I was right that the evidence from the doll would be too weak for a prosecution 🤷🏽‍♀️
I can't believe Tanthai still wants to see his father. Smh. I guess despite everything Thatthep did to him, he still seeks recognition and...love?
Charn is such a little shit. I love him.
Not the post-it notes 😭
The marriage equality advocacy speech!!! 👏🏼😍
Glad to see as a collective fandom we are all ignoring the Chan and Tin spellings of their names the show is using. Also, the lettering is in blue! (And it's already been pointed out that it's the same date as the airing day).
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Galaxia!
Charn telling his mother that he's happy, with Tinn by his side, surrounded by All. That. Yellow.
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Navin! That's it. He's amazing. 10/10. No notes. The best ex-boyfriend we could have gotten for Charn.
I love how Thatthep looks out of focus and obscured (even more than Charn is) behind the metal fence, as though he's not a prominent presence in Charn's life anymore (these are completely unedited screenshots apart from a little crop).
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Oh my god the couple sweater vests 😂
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Tanthai (and Thee) are finally freeeeeee!
We're all Granny! Yelling at them to kiss 😂
Ugh people in love stink (affectionate)
Not the dolls! 😭
Maya and Rose and their rings!
Tinn still has the ring necklace, and Charn's using his evil babygirl lawyering for good now!
All in all, a fantastic last ep. I think they could have had the wedding date a few years in the future and left it ambiguous as to whether it was a legal wedding or not. But I'm SO glad that from the beginning they set up Charn as being a bit smug about how great a lawyer he was...then made us wonder if he was going to do something stupid and impulsive...but then followed through with Charn's brilliant plan to 'catch' and deal with Thatthep. Yes, he is brilliant and he was right all along about it.
I guess I should add a final note on the colours...which stayed pretty consistent through the series (maybe I'll write another post about just this later) but in short I felt like green represented Tonkhao; Tinn was definitely a loyal blue boy; both Thatthep and Charn also used blue but as a front/a mask to their true selves; Tanthai was generally black and white but was forced to conform to his father's (blue) wishes and tied to the accident of (green) Tonkhao; and Charn...was a bit of an enigma because as well as his blue, he was accompanied by the red of revenge...but under it all I think he was a soft pastel, earthy tones guy, much like his mother...and which is why the shot of the dolls at the end made me gasp so much. Because not only were they there to represent Tonkhao but they both also have Charn and Tinn's colours.
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[ep 1] [ep 2] [ep 3] [ep 4] [ep 5] [ep 6] [ep 7]
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