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#so in order for this to happen
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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yak-leather-whips · 3 months
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Guys, its not some fucking “bad luck devil” or whatever. It’s clearly this fucking time gargler or whatever the fuck that’s behind all this nonsense. Aguefort literally lays it out for us that the quangle makes things happen out of order. Things like, say…Zelda and Gorgug being broken up even though we know from the Seven that they’re still together in Junior year, or Aelwyn suddenly moving out and going from a snarky 19 year old whose never had a job or gone to college to a middle school teacher with 5 cats in the course of 3 months, or the sophomore album being 10 months late even though Fig only finished her debut a little over 16 months ago AND they were in the middle of the tour, or Hallariel and Gilear getting engaged after like a year when 3 months ago Gilear wasn’t even allowed to sleep in her bed, and Sklonda defending one of the organizers of this folk festival when the festival hasn’t even happened yet, or Figs birthday suddenly moving from Christmas to July.
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lazylittledragon · 9 months
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bringing back stobin + unus annus!!
i can't count how many people wanted this one
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team7-headquarter · 5 months
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HE WAS SO MAD
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r-aindr0p · 1 month
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Throwing this at the svsss fandom before disappearing again, I just suddenly had several questions...
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poorly-drawn-mdzs · 4 months
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A new challenger approaches (slowly)
[First] Prev <–-> Next
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s0fter-sin · 1 month
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something happening on a mission, something personal that has soap spiralling; panic and rage making him reckless, thoughtless, and ghost has to draw the line
“you’re compromised johnny; you know what that means?”
“you’re not pulling me out,” soap immediately snarls. he turns on him and ghost barely recognises him; venomous fear turning his eyes to unyielding ice. "you're not sidelining me; i need to be in this-!"
but ghost has never been afraid of venom; spat or dripped straight from bared fangs.
he snakes out a hand grip the back of his neck, jerking him in a rough shake. "if you can't think, you can't be a soldier," he growls and he flinches like he's been struck.
his lips quiver as they twist in a sneer and he wrenches, trying to free himself of his hold.
ghost doesn't let him.
"it means you give your body to me because your head ain't fucking attached to it anymore."
soap stills, body trembling beneath his hand as he sucks in shaking breaths.
he tightens his grip, pulling him closer and digs his forehead hard into his. “it means you give yourself to me so i can have the weapon that you are and use you the way you're meant to be used."
the ice in soap's eyes fractures.
ghost’s voice drops to a whisper, spoken only to johnny, not this facade of vengeance and pain, and wills it to reach him through the glaciers.
“so i can keep you safe ‘til it’s done and i can bring you back.”
#in my head its bc graves abducts his sister and is using her as hostage to draw him out knowing ghost will always follow him#but the intensity and intimacy of saying ‘you cant trust your mind not to betray you so let me be in charge of your body until you can’#after what happened to tommy he could never deny johnny his right to save his sister#but its bc of what happened to tommy that he knows he cant let him do it alone with only his rage to guide him#hes more likely to get himself killed and ghost wont live through that#so he has to balance it#and the only way he knows how is to completely shut down soap’s mind until hes no more than instinct and muscle memory#if he cant think practically then dont let him think at all#reduce him to a place where he can only follow orders#and when its finally over and his sister is safe and graves is dead#only then will he drag johnny back up to the surface#he’ll do it even if it means dragging him kicking and screaming back to humanity#instead of letting him sink in the depths where nothing hurts. theres no fear down there. no pain. only order#and thats the risk ghost took sending johnny to that place but he only did it bc he would stop at nothing to bring him back#and help him through the after#the breakdown. the rush of panic and rage and relief and anguish johnnys been supressing on his order#it was his word that turned johnny into a ghost#and its his touch that brings him back to the man#coming out of my cage and ive been doing just fine.txt#we’re a team. ghost team#cod#soapghost#ghostsoap#ghost x soap#ghoap#simon ghost riley#ghost cod#john soap mactavish#soap cod
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riemmetric · 1 month
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S4E02 || S4E14
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bluerosefox · 1 year
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Same As The Day I Lost You
I...
This came to me as I'm making dinner so I'll be quick.
What if we mix deaged Danny and twin/older sibling (either one works) Damian, AND he gets tossed to his sibling in a last minute escape.
Like what if he was fighting Vlad who was doing his whole "denounce your father and join me as my son Daniel!" Thing while in the Zone and knocks Danny into something that's floating in the Zone with the ability to deage or was hit by a new Fenton or Plasmius invention while fighting in town that accidentally deages him.
Danny, who in this was adopted, gets put back to the age of six. The same age he had been found by Jazz in a 'haunted' forest Jack and Maddie were visiting/investigating while also using that time as a family vacation. (They were shocked to see a little boy with a stab wound bleeding out and rushed him to the nearby town, almost completely forgetting about the glowing green tiny puddle they found nearby and bagged most of it as evidence when they heard Jazz's scream of terror over finding the hurt little boy)
The sudden revert into that traumatized age, along with the child response to a fight or flight scenario, and add Danny's deepest need/wish to be protected his child fogged mind wishes to go to the one person who always made him feel safe.
His twin/older brother.
Just as quick as it was with Danny being turned into a child, his ghost powers ripped open a portal and sent Danny to the person he wants to be with...
Only he didn't know that right at that moment his seventeen year old twin/older brother is currently fighting the League with his family's help (his mother was trying to convince him to return to the League and be it's heir) in Nanda Parbat (the very place Damian lost the last/only person he knew loved him without any strings attached.)
So imagine everyone's face when a portal opened up, some muttering its a new pit being formed before them or something, and crawling out of it is a very scared and confused six year old Danny.
#danny phantom dc#danny fenton#danny phantom#dp x dc#crossover#dc x dp crossover#No one will be ready for child Danny#Does he have his older memories? idk maybe#maybe his six year old mind from the sudden deage is at front rn or something#Damian almost feral/angry screams at his mother for 'daring to try to replace Danyal with a cheap clone'#only to see the look on her face and knows this wasn't planned#his little brother who he secretly watched as his mother tried to go behind grandfather's back to heal only for the pit to greedily keep#was brought back by the pits not looking a day over the age he lost him#What happened was Danny disobeyed an order from Ra's and was punished for it#he almost died for it and Talia wanted very badly to keep him because he looked so much like her beloved and she couldn't bare losing that#Only the pits kept Danyal instead of bringing him back#or rather under the guide of a certain entity he was brought to the forest the Fenton's were visiting#Damian scoops Danyal up when he see's the look in his mother's eyes shift from shock to calculating greed/love#he refuses to leave his brother in the hands of the League or his mother#he loves her despite everything but knows Danyal would never truly survive their mother's version of 'love' especially in the League#Also Damian may have...refused/forgotten to tell the others about Danyal#so cue them being horrifically confused#The pure sick feeling and deep seeded panic Bruce feels when he see's the mini version of himself but with hints of Talia hits hard#blue rambles
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zeroducks-2 · 9 months
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When I see Jason and Bruce acting like the stereotypical "prodigal son and gruff but loving father" (in canon!) my blood boils.
Jason died. Bruce did not avenge him, not even "playing by the rules", so not even by arresting the Joker. He didn't do JACK SHIT after his boy was murdered. And once Jason came back, Bruce slit his throat in order to save the life of the man who murdered him, and then left him to die in a burning building.
They should be unable to coexist in the same room let alone speak let alone have a "difficult but ultimately loving relationship". I hate you DC I HATE YOU I HATE YOU I HATE
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twinstxrs · 3 months
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murph knocking it out of the PARK this episode both as riz (badass lil creature, fiercely dedicated to his friends, so deeply loving to his mom & reassuring her that he sees her + appreciates all she does for him) and just as murph (“the beans are due,” laughing at ally’s lack of written saving throws, reaction to the trap door bit, “so tactical, so late”)
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xiewho · 12 days
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for the art reqs: fig and gorgug drinking smoothies after band practice? :D
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they're on their 5th smoothie i think
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starry-bi-sky · 20 days
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Stuck in the middle of a forest made of
Flesh and bones and they're all scared of
A lost little boy who has lost his heart
Fear's not enough, they have to
Tear him apart —-------
There are two things Daniel Fenton knows that his family knows as well: 
He’s adopted.
He can’t remember anything else before that.  
‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 
What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 
When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.
(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 
The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.
It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 
The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 
His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.
(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 
(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 
They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  
(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)
Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 
He turned back around and went inside.
—-------
Where do we go
When the river's running slow
Where do we run
When the cats kill one by one
—------
One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  
He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 
It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 
He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 
Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 
(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)
After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 
He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.
—------
Hazel beneath our claws
While we wait for cerulean to cry
Unsettled ticks run through time
Enough for the hunt to go awry
—-----
There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 
He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 
Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 
(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 
(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  
He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 
A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 
He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 
His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.
Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   
—-------
Harpy hare
Where have you buried all your children?
Tell me so I say
—-------
When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 
Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.
He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.
Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 
(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)
(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)
(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  
—--------------
It clicks and it clatters in corners and borders
And they will never
Hear me here listen to croons and a calling
I'll tell them all the
Story, the sun, and the swallow, her sorrow
Singing me the tale of the Harpy and the Hare
—-------
More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 
Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 
His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 
They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 
It is a fast dream. 
His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.
His brother, face obscured in all but his eyes, which are green as emeralds, nods. 
The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 
The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 
His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 
(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 
—---  
She can't keep them all safe
They will die and be afraid
Mother, tell me so I say
(Mother, tell me so I say)
—-------
When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 
The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 
(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 
(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   
Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 
(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)
—------
Seeker, do you ever come to wonder
If what you're looking for is within where you hold
Will you leave a trail for them to follow a path
You'll soon forget
Home
—---------
When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 
When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.
‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 
He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.
He ends up calling himself Phantom. 
(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 
----------
Home is where we are
Home is where you are
Home is where I am
-----------------
Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#dpdc#danyal al ghul au#amnesiac danyal al ghul au#songs in order of the album: the hartebeest / harpy hare / and the hound / neath the grove is a heart#musician danny has my heart and soul#yes this danyal IS an alternative danny from the other au. an au where things were a little better :) but still sucks#implied good mom talia al ghul#danyal is a momma's boy send tweet#dpxdc ficlet#dpxdc prompts#dp x dc au#dp x dc fanfic#danyal is sTILL five years older than damian in this au#no beta no edits we die like danny fenton#poc danny fentons#i didnt know where to end this :(( i was gonna go on but i blanked. i thought about going into his relationships with his rogues and so on.#but that felt too much like trying to just increase the word count rather than actually writing?? if that makes sense#ugh im gonna have forgotten to include things and im gonna be kicking myself later#morally ambiguous danny whoo! we love to see it#since this was just for fun it doesnt really go into it all that much other than like. it happens. and that danny realizes he's dangerous#phantom in a hazmat suit? nah phantom looking like an assassin >:].#danyal al ghul with damian and his mom: 🥰🌸✨#danyal al ghul with everyone else: 👹🔪#am i heavily implying that clockwork had smth to do with Danyal’s amnesia and appearance by the cabin? 👀 maybe#not enough danyal al ghul aus where him being an assassin actually. has some kind of affect on him
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sirguyofdykesborn · 8 months
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hey me and my wife saw you across the baldurs gate and we really hate your vibe. can you kill yourself
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liquidstar · 8 months
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this is not a comprehensive list
#in order from left to right (with explanations):#k on#(self explanatory. definition of moe.)#a place further than the universe#(theyre at least a little insane for going all the way to antarctica for funsies)#bocchi the rock#(good mix of insane and sweet. most of the insane parts come from bocchi herself)#nichijou#(literally so much happened all the time)#and asobi asobase#(they did do arson)#i haven't seen azumanga daioh or yuru camp and i never finished lucky star#but based on what i know abt the first two id put it... azumanga between bocchi and nichijou. and yuru camp with or after k on#and from what i remember abt lucky star its also just after k on#a bit quirkier but nothing ever really happens in it. as far as i watched. which is why i stopped watching LOL#but thats all assumptions and second hand knowledge so i figured i shouldnt actually include them unless i was SURE#i also thought abt putting asteroid in love in here too but that one is a bit more niche so i left it out#i also excluded any idol shows bc that feels like a different category. and would make this too long#sorry zombieland saga and love live....#i also excluded straight up yuri. this is more abt Hanging Out than romance. but some is allowed as long as its not the focal point#like kita in btr. shes very yuri but the show isnt about that#you could probably also put is the order a rabbit on here but idr much from that. i think i watched like 3 episodes umm 100 years ago#i also thought abt putting the highschool girls segments from daily lives of highschool boys here. but they arent in most of the show#tho theyd probably go between nichijou and asobi asobase. or maybe on par w nichijou#that one girl did almost kill the other two with a rock as im sure youve all seen
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favvn · 22 days
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There's something about the phrasing of "must die," how that's specifically haunting for Jim to hear, both because of his ideals and his past on Tarsus IV as one of the last survivors of Kodos' massacre. But to have Spock's life endangered twice after the "you must let the woman you love die or the future, millions of others' lives, and your own life will be lost" episode? And to have Jim himself ask, "Why must he die?" after the episode where Spock was ready to be killed if a cure wasn't found for the parasitic creatures inducing madness in their hosts, and in that same episode Jim--unprompted--tells Spock, "I need you" and never once suggests getting a replacement First Officer? God. I need to lie down.
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