#some messed up writing for you

[some-messed-up-writing-for-you]

Short Prompt #1351

“Such vile creatures, aren’t they?” the guard asked as he sneered at the chained dragon.

The scaly beast lay at his feet, starved and wounded. It could only stare back with equal disdain, lacking the strength to growl or hiss.

Beside the man, a renowned beast slayer stood studying the defeated creature. “Worry not,” they said, “I shall bring an end to this filth.”

“Good. We’ll finally be rid of this thing.”

The guard nodded before turning to leave. Behind him, the dragon watched with wide eyes as the slayer’s spear pointed towards the man’s back and was swiftly thrust through his heart.

#writeblr #writing #writing prompt #short prompt #terato #monster fucker #human x monster #human x dragon #smuwfy #some messed up writing for you

[atryx0-tal]

im working on a thranduil x reader fic bc brain go brr and i just recently got into the hobbit/lotr franchise

am i any good at writing? there was a time, long ago…

will i still continue doing this? yes absolutely

its on google docs and i am a prologue + 10 chapters and 52 pages in, a playlist thats still being edited (sorta) and i still have no title

n my english major big bro will be my beta reader lolzies!

anyways wish me luck and you will find the fic posted on my ao3 (pinned)

#thranduil x reader #lord of the rings #the hobbit #rings of power #some messed up writing for you #writing block #rahhh i love him #brain goes brr #ao3 fanfic #wish me luck

[stopeatingshit]

When you realize that you have to decide between mental stability and academic success

#some messed up writing for you #mentally unhealthy #mentally fucked

[pherredraws]

from the homumiko mines

#dgs #tgaa #dgs spoilers #tgaa spoilers #homumiko #idk why mikotoba is taller in the kiss. hes on his tiptoes #the first one is inspired by the moment when sholmes puts his hands on ryu's neck so he can feel how cold they are from blood loss lol #anyway i continue to be deeply fascinated with early years homumiko #i feel like my view of their relationship is more slowburn than most #like. they were both not at their best when they met and i can very much see a scenario where they start living together w/out necessarily #liking each other #the last one in based on a line in 1-5 where gregson (?) says that after an hour of blood loss even sholmes piped down or something #which makes me think he would not shut up beforehand. and i think he'd say some stuff He Really Shouldn't Have #but susato wrote it off as delirium + she was too worried abt her dad and messing with the crime scene #que like 5 months later her going .........ohhhhhh #thats not how you write que i think. anyway

[odderevents]

I have had a thought. Steve secretly knowing how to play the piano bc he learned as a kid and had to stop bc his dad's an asshole is lovely. I've seen this floating around a few times and I love it. Eddie catching him playing the piano and being so fucking in love with him will never not be perfect.

But.

Consider

Steve playing the Harp.

It's definitely a rich kid instrument. Big ass fucking impractical instrument. Absolutely beautiful to look at and listen to. Hands playing piano is great. But have you ever seen an accomplished harpist? It makes you think impure thoughts about what those fingers can do.

So. Steve secretly knowing how to play the harp

Maybe his mom used to play it, so there's a big harp (the ones with the columns and super intricate base board, not celtic) that's just gathering dust in the basement. Steve started piano lessons, loved learning how to pull music out of an inert object. But his dad decides it's to effeminate, makes him stop. And sure, a harp is a different beast to a piano. But you've still got cords, and Steve's got a pretty decent ear, and he can barely remember seeing his mom play. So one day when he has the house to himself, which isn't an unusual occurrence at this point, he tries it out. And he's admittedly pretty shit at it, but so was he at piano when he started. Only difference is he has no teacher.

So maybe Steve discreetly finds a way to acquire a beginner's practice instructional book for harp. And works on it when he needs to get his brain away from things.

He's even more careful with it than he is with any dirty mags he might later acquire. He knows that worse, much worse than piano, harp is not a masculine instrument and under no circumstances should his father find out about his affinity for it.

It's still his go to when he can't sleep even years later, pulling out the now old and battered booklet of sheet music and exercises. Especially once the upside down bullshit starts. It's soothing and mindless at this point.

The harp that was much too big when he first started with it is now just the right size, it's weight against his shoulder comforting. He can close his eyes and his fingers naturally find where to land and pluck.

Even when he becomes friends with Robbin and then Eddie, both musicians who he knows wouldn't give a damn about him playing a woman's instrument, he can't bring himself to mention it. If he did, they would want to hear him play and he's self-conscious about being self-taught. Both of them play well, they play with other people and people come to listen. He doesn't consider himself a "real" musician. It's just something he does to keep his hands and brain busy on nights where the sheets feel like they're strangling him and the dark reminds him too much of when he can't see not because it's night but because something's hit him in the head again and he can't tell apart the sound of his heartbeat from something pounding through his walls.

So he goes to the basement. Finds his stool. Removes the dust cover. Goes through the meditative motions of tuning it by ear, because that's how he's always done it. And then he plays until the tips of his fingers feel numb. Somehow, he always comes out of it peaceful enough to pass out on the couch in the basement for a couple more hours.

Steve is so used to keeping it a secret he doesn't even think about it when he starts dating Eddie. It's just a thing that's always only been his, and most importantly, it's been vital to keep it that way for so long it's the natural state of things for Steve at this point. It doesn't ever come up. When Steve gets nightmares when he's sleeping with Eddie all he has to do is curl into his boyfriend's chest and feel the warm heartbeat that's not his own to settle back into himself.

The problem arises on a night when Eddie was supposed to stay with Steve but he got held up in Indianapolis when getting a new amp for his guitar. He would come back to Steve but it would be late in the night. Steve has been keeping himself busy all day so he passes out in the early evening on the couch in front of a shitty sitcom he put on to try to distract himself from the empty house.

Nightmares find him, which isn't terribly unusual, but he doesn't have his usual method of coping so he resorts back to his previous habit.

Eddie walks in bone tired after many hours of driving to and from Indianapolis, waiting while the clerk figured out they didn't have the amp he'd been assured over the phone would be available for pickup today, waiting some more while they had the amp driven from a sister shop an hour away because no way was he driving back and forth again to Indianapolis on another day. So yeah. Eddie is beat. All he wants is to dive head first into his boyfriend's impeccable pecs.

He doesn't find Steve waiting with a welcome kiss like he usually would when he walks in. Instead he's greeted with a hauntingly beautiful rendition of the melody of Master of Puppets in a way he's never heard before.

He drops his stuff in the entry hall and goes down to the basement where the music is coming from, curious to see where Steve might have found the recording. Eddie doesn't quite know what to do with himself when he finally lays eyes on Steve, with dried tear stains on his cheeks and his eyes closed as his fingers pluck and strum without hesitation. He's rooted to the spot as he watches Steve work his favorite song in a new and completely heartrending way. He hasn't been able to listen to it since he played it in the upside down. It always brings up the bitter blood tang of the air and the hair raising shrieks of the bats. But this is somehow different, it's soft and melodious but it's still got the same bones.

Eddie feels tears on his own cheeks. He's missed this song goddammit. And he couldn't be happier that it's Steve that's given it back to him

Queue tears and fear and confessions and comfort. Somehow much later in the future there's inexplicably a harp in some of the corroded coffin tracks. And it shouldn't work but it does

#steve harrington #eddie munson #steddie #steve harrington plays an instrument #steve harrington plays the harp #this ran away from me #it was supposed to be a random idea #sorry if it's disjointed #it's midnight and the idea was not going to let me rest #I'll probably come try to clean it up at some point #i dont even want to imagine the typos #i hate writing on mobile #but once again brain latched on the the idea like a chewtoy and didn't want to give it back #so you unwitting internet denizen are now graced with the aforementioned mess

[amugoffandoms]

Woo!! It's time! It's time for the gift exchange!! (@milgram-valentines-exchange) Happy Valentine's Day to @mrcrazyvillainvillainn!! I had such a fun time writing your gift!! Truly gotta let Mahiru and Mikoto be silly and happy! I really hope you enjoy!! I've never written a ship fic for any of the prisoners, so I guess we ball?? (Also, let me know if you want the art without the titles!!) JIAWODJIAOW Anyways, here we go! Please enjoy...

do i dare love you? (i have always loved you)

Is this selfish? This isn’t too much, is it? I just love you so much. How long would this dream go on? I guess we can just say that this feeling is happiness~ Do you really think you know what love is? You don’t have to keep it in and hide it away. "I love you", the reason why I'm here This is how "I" will love "you"! --- "To be honest, Mikoto Kayano didn't know what to expect." "Mahiru Shiina fixes the flowers in a bouquet and hands it off to the customer." (Mikoto Kayano and Mahiru Shiina love each other in the smallest of moments.)

To be honest, Mikoto Kayano didn't know what to expect. Getting a mysterious call out of the blue? Well, ah… That’s sure to scare him.

No, no, everything’s fine. No need to resort to anything crazy. 

Mikoto exhales and splashes some water on his face. Turning off the sink, he looks up at the mirror and flashes himself a smile. 

…ah, okay, that was a little embarrassing. Mikoto laughs to himself as he walks out of the bathroom and back to his desk.

He drums his pen against his desk as he moves his mouse around to turn his computer back on. Placing his head on his hand, he scrolls through emails and emails.

…

It’s just the same emails. “Fix that.�� “I liked the original design better; can you do it again?” “The deadline moved. Make sure your designs are ready for–”

Ping!

Mikoto blinks and glances over at his phone. 

New Message: make sure to come soon! 

Right, yeah. Mikoto has to head back home soon. Okay, he should really get a start on his work so he can head home early!

Sitting straight, Mikoto pulls up some designs on his computer and grabs the small stack of papers. 

With one more glance at the ideas given, Mikoto starts designing.

Mikoto leans back in his chair and slumps back. The design… is done! This is where Mikoto pretends to hear a soft achievement noise. Ding!

Anyways, Mikoto exhales and looks at the papers on his desk. The design is nice! One of his finest designs, actually. He flips through the papers and nods to himself, happy with the result. 

In the corner of his eye, he notices his boss and quickly waves him down. The second his boss looks at him with a small smile, Mikoto realizes his desk is an absolute mess. 

Ack–! Why did he leave his energy drink can here? Oh, these papers need to be in a folder–

Right after Mikoto finishes rearranging his desk, his boss finally makes it to his desk.

“Chief! I finished the design you wanted me to make!” Mikoto hands the stack of designs with a small smile. His boss blinks, clearly surprised at how fast Mikoto finished the designs. He flips through the small stack, checking each design.

 

His serious expression seriously doesn’t tell me anything… Mikoto internally groans.

“Good job, Kayano.” His boss places the stack underneath his arm. “These will probably suffice for our client. Do you have other designs that need to be completed?” “Ah, um–” Mikoto looks around at his desk. He doesn’t think he does. “...No…?’

“Oh?” His boss asks, surprised for some reason. Hey, Mikoto knows how to finish his work if it isn’t being constantly changed! “Ah… Alright then… I guess you…” His boss looks around the office. “...Actually, it looks like everyone is preoccupied.”

Mikoto shifts uncomfortably in his seat. Please don’t give him more work. Please don’t give him more work. 

His boss lifts his wrist and looks at his watch. “Hm… It’s seven. Earlier than I would like to let anyone out.” 

Oh, please. Please. Please-!!

His boss sighs. “Alright, Kayano. You may head home early today. I’m only doing this because you’ve got most of your work under control and I unfortunately don’t want to bother your coworkers with giving you their work.” You would anyway, but you seem to be in good spirits today…? “Thank you, Chief!” Mikoto smiles. “Don’t expect this often from me. Have a good night.” His boss turns right around and walks away, going over to a different cubicle. Mikoto watches as his boss walks away and pumps his fist.

Woo! I’m free! Mikoto grins to himself as he packs his stuff into his bag. Standing up, he shuts his computer off and looks around.  To be honest, he feels really bad for his coworkers… 

But, he promised to get home as soon as he could. Mikoto glances at his phone, specifically that one notification.

make sure to come soon!

He doesn’t want to break his promise. So, with a quiet exhale, he walks to the elevator and clicks the button to go down. The elevator doors open.

He walks in.

…

“…oh, I forgot to press the button to the lobby–” Mikoto mumbles as he quickly clicks the button down.

Mikoto hears the key click in the lock and turns the doorknob. As he walks into his apartment, the lights are all out.

“I could’ve sworn I left the lights on…?” Mikoto mumbles as he takes the key out of the lock and shrugs off his coat. He slowly walks through his apartment, fumbling for the lights. 

His hands land on the switch and Mikoto flips the lights on–

Arms wrap around Mikoto’s neck. Something makes Mikoto twitch. “Surprise~!”

Mikoto jumps. 

Mahiru laughs above him as Mikoto lies on the ground, dazed. “Ma– Mappi???” Someone relaxes.

“Hehe~ Did I scare you?” Mahiru giggles, absolutely beaming. “A… a little, yeah!” Mikoto dusts himself off. “I think I hit my head… Ow…”

Mahiru’s laughter immediately stops. “Ah– did I hurt you? Hey, let me see–”  Mahiru quickly kneels on the floor and scoots next to Mikoto. “No, no. I’m okay, I promise– Please don’t worry!” Mikoto gives a weak smile. “Let me just look, okay?” Mahiru says, with a soft voice filled with concern. (Her voice is always soft, but these moments, they're just a little bit more comforting. Maybe it’s Mikoto being too detail-oriented recently, but he’s decided to notice the smaller things.)

Mikoto swallows. “Okay.”

She looks at the back of Mikoto’s head, checking for any bumps or bruises.  The moment is silent as Mahiru looks all over Mikoto’s head for anything and Mikoto sits there, quiet.

To be honest, he doesn’t want to say anything. He doesn’t want to ruin it. It’s… those small moments, right? When you know someone loves you. Those are the moments you want to hold in your hands because they’re so fuzzy and warm. 

“I love you,” Mikoto whispers. 

There’s a pause. Mahiru stops checking his hair. Her hands are still. She’s not moving. 

Did he ruin it? Maybe he should apologize and–

“I love you, too,” Mahiru whispers back.

And, they’re back to silence.

Mahiru scoots back in front of him. “You’re okay. Nothing too bad, okay?” 

She says it with a voice that makes him know she cares: a warm, loving voice. It makes him want to cry just because she loves him. 

And, he loves her. And, he'll make sure she knows that.

“Okay,” Mahiru says, her voice oddly strained. Is… is she about to cry? “Um… Okay, I made some food for you. I– I know you don’t usually like big gestures and I really shouldn’t push myself, but… I think you deserve it, okay?”  “Okay.” Mikoto nods. He stands up and gives a hand to Mahiru, who takes it with a small giggle. “Hehe, this feels like a fairy tale~” She hums.

“Hey, can I…?” “Eh? Do what?” Mahiru asks, with a tilted head. “I mean, whatever it is, I don’t mind~”  

Mikoto places a small kiss on Mahiru’s cheek.  “Ah–!! Hey–! Oh–” She’s red, blushing from ear to ear. 

Mikoto laughs. “That was payback.” “Oh, you-!!” Mahiru has an angry look, but her smile says otherwise. “Fine, fine! That’s fair. Okay, come on, let’s eat~ I don’t want our food to be cold!” Mahiru grabs Mikoto’s hand in hers, trying to drag him over to the table.

Her hands are warm.  Mahiru quickly pauses as she looks at Mikoto and their hands. “Is everything okay…?” Mikoto nods.

“Everything’s perfect.”

Mahiru Shiina fixes the flowers in a bouquet and hands it off to the customer. “Have a good afternoon~” She grins.

As the shopkeeper’s bell rings to show the customer has left, Mahiru sighs and melts into the counter.  “Shiina…? Are you alright?” One of her coworkers asks as they walk over. Mahiru mumbles something into the counter.  “Uh…” They laugh. “Okay, I’m guessing you’re not okay. Um…”

Mahiru keeps her head on the counter as she hears her coworker’s footsteps slowly disappear.

Mahiru sighs. She’s really tired… She wasn’t able to get any sleep last night. She doesn’t even know why. She just couldn’t sleep. A lady like her should be getting her beauty sleep! 

Oh, well… She’ll just have to brave the storm! 

Mahiru quickly lifts her head up and instantly gets hit with a fit of dizziness. 

Ah, that was a bad idea…

As Mahiru quickly blinks away the dizziness, she notices her boss and coworker walking over. 

“I wasn’t doing anything–! I mean, I was doing something, I promise!” Mahiru awkwardly laughs as she waves her hands around defensively. Her boss shakes her head. “Mahiru, you can head home. We don’t expect that many people today, and you seem tired. I can cover whatever is left of your shift.” “Ah, but–” “I’ll pay you for your full shift, alright? Just head home.” “Okay.” Mahiru hesitantly nods and takes off her apron as she heads to the break room to grab her stuff. 

When Mahiru returns with her belongings, her coworker hands her a small bouquet with lilyturf, dahlias, forget-me-nots, and red lilies. 

“I know you’ve enjoyed taking these kinds of flowers home recently, so here you are!” As Mahiru opens her mouth to speak, her coworker continues, “And, don’t worry about the charge. I already paid for it.” Mahiru blinks, taking the bouquet and looking at it. “Ah… Oh. Thank you.” Mahiru smiles at the flowers.

“Of course! Now, rest well!”

Mahiru smiles at her coworker before leaving the store, the shopkeeper’s bell ringing behind her.

Mahiru hums as she enters her apartment and quickly walks over to her table near the couch, grabbing water from the kitchen. She places her bag on the floor next to the couch.

Sitting on the couch, she pours some water into a glass vase. Then, she places her bouquet in the vase.

Mahiru looks at the bouquet for a few moments, admiring each flower.

When she yawns, she finally lowers her head on a pillow and slowly…

Closes…

Her eyes…

There’s a smell of food cooking in the air.  She feels warm.

Mahiru slowly blinks the sleepiness from her eyes and looks around. 

…why is there a blanket on her…?  Is someone cooking?

Confused, she pushes herself upright and glances at the kitchen.

Mikoto.

Mikoto is cooking.

“Huh…?” Mahiru blurts out, sleepy and confused. Mikoto looks over at Mahiru. “Oh, hey! You’re awake! Sorry, I tried calling you, but you were asleep. Um, so I let myself in with the spare key!” 

Mahiru glances at her bag on the floor and quickly picks it up. Opening it, she searches for her phone. When she finally finds it, she turns it on and sees the notifications flood her lock screen.

3 Missed Calls

10 New Messages:

hey, mappi ^^!!

i’m off from work so i’m coming to visit!

Ah wait you might be at work

Go back to work!!

i think your door is locked??

hello?

mappi??

i’m letting myself in, ok?

oh dear where’s your key

found it!! Coming in now :D

Mahiru rambles as she stares at the notifications, “Ah– I didn’t realize you were calling. I’m so sorry, please forgive me–”

“Hey, hey. It’s all good!” Mikoto smiles. “You were tired, so I let you sleep. I grabbed a blanket from your closet. Hope that’s okay!”

Mahiru nods and sits there for a moment, not sure what to do.

She glances over at the table, spotting the bouquet. She looks at Mikoto, who has a smile on his face as he tries to cook some soup. 

She knows why she likes getting these flowers.

They remind her of Mikoto.

They remind her of how much she loves him.

She loves him.

“Hey, let me help you, okay~?” Mahiru sings as she hops up and skips over to the kitchen. “No, I’m okay. I can cook, see?” Mahiru looks at the small pot Mikoto is using to cook soup. 

It’s… hm… not the best soup…?

“Just let me help you, alright?” “Alright, alright.” Mikoto, stepping back, raises his hands. “Show me what you want to do.”

Mahiru quickly slides in front of Mikoto and glances at the pot. "Can you wrap your arms around me?"

"Eh–?" Mikoto coughs in shock. "Yeah, yeah– Um…" 

Mikoto quickly wraps her arms around Mahiru and looks over her shoulder as he tries to stir.

“Mhm~” Mahiru hums. “You’re stirring a little too harshly. Relax, okay?”  “Alright.” Mikoto slowly stirs the soup.  “Still too tense. Okay, hold on.” Mahiru places her hands on his. “Okay, now… We’ll do this together, okay?” 

Mikoto is quiet. Mahiru takes that as his yes.

Mahiru, with Mikoto’s hands in hers, slowly stirs the soup. She murmurs some small compliments.

Mahiru lets go of his hands and smiles. “See, you’re doing it now!”  Mikoto breathes a sigh of relief. “Is it better? Honestly, I really couldn’t tell the difference.” “Hmm… Well, I guess there really isn’t.” Mahiru shrugs. “But, I think the amount of quiet, slow care you put into something will show itself." She's made herself learn that love can be soft and strong. Ever since her last boyfriend and she broke up on... amicable terms, she's tried being better. For love, and for who she loves. “I see.” “...I know it really doesn’t make sense. I’m sorry.” Mahiru shakes her head and slides out from in front of Mikoto.

“No, no. It makes sense, I promise.” Mikoto looks over at Mahiru with a smile. “It shows that you care.”

Mahiru smiles back.

After a few moments with Mahiru helping Mikoto cook, they finally eat together at the table. 

“Mappi?” Mikoto fidgets with his spoon. “Hmm?” Mahiru hums, food in her mouth. “Thank you.”

Mahiru blinks and just nods. “Y-yeah, of course…!”

Ah– That was so embarrassing…! Not at all lady-like! I should’ve just…!!

“I really don’t cook often, so that was really helpful. Haha…” Mikoto rubs his neck with a smile. “I mean, I do cook! It’s just… noodles and stuff.” “Well, now you know how to cook one more thing!” Mahiru smiles.

“Yeah.” Mikoto looks at Mahiru with a loving smile on his face.

His smile is so sweet. He even tries to do stuff he’s never done before for me! Ack… My heart can’t take it–!!

I love you.

Mikoto stares at Mahiru before laughing. 

“E-eh?? What did I do??” “Nothing, nothing. I love you, too.” Mikoto grins.

…she said that out loud…

Mahiru is instantly embarrassed. She feels warm again, but she’s not wearing a blanket. “Oh… Ah–”  “Hey, hey. It’s okay. It’s sort of cute, I think…?” Mikoto rubs his neck. “Ah– If you say so…!!”

The two of them continue eating when Mikoto suddenly speaks up again. “Hey, did you mean to make you help me feel like one of those scenes from a movie…?” “E-eh?? No, no, wait– Ah. I really didn’t, I swear!!” Mahiru frantically shakes her head. Mikoto blinks, seeming to realize Mahiru is a little panicked. “Hey, no! I thought it was sweet–!”

Mahiru awkwardly laughs. “I’m glad you do… Um… Maybe I was subconsciously inspired by something…?”

“That’s okay.” Mikoto shrugs. “Everything you do is sweet.”

Mahiru beams. 

“If it’s for you, I’ll make sure it’s worth everything.”

#mug writes #mug draws #milgram #milgram project #mikoto kayano #kayano mikoto #mahiru shiina #shiina mahiru #milgram fanfic #milgramvalentine's2024 #milgram valentine's exchange #we're going to have some afterward notes so let's see uhh #the notes are more detailed on ao3 so you can also check int out there lol #i wanted to have small references to what their crimes were #so you can see John pop in for a moment because he believed Mikoto was about to get attacked but once John realized it was Mahiru he relaxe #I wanted Mahiru and her boyfriend to break up amicably because their relationship is really crucial to Mahiru's character #I think actually beans' break-up fic they wrote was REALLY good and was what I was thinking about when I wrote that #I wanna say that Mahiru and Mikoto are both trying to get better at the things they messed up at #They should go to therapy actually /j #I wrote this before Mikoto's interrogation came out so that marriage question came flying back at me #he probably hasn't accumulated a “track record” yet to make his own business but i'd say mahiru might get him to quit early and go work #elsewhere because of how much his job is putting him through #Mahiru checking Mikoto's hair was supposed to be Mahiru carrying Mikoto to the couch but I didn't know how to write it without making it #awkward so I'm sorry wome #Looking back on it I think I realized that the lines that end both sides of the fic kinda... #go straight back to MILGRAM but trying to be better? #Everything's perfect - Mikoto said his life was fine; that he had done nothing wrong (An unconscious lie) #Here you have Mikoto actually believing he's doing okay; that he's fine and everything is okay #And while work is a hassle at least there's some aspect of his life that he connects to #If it's for you I'll make sure it's worth everything. - Mahiru wants to love perfectly she wants to love because it's the reason she elives

[coastaltowned]

ttpd song predictions: the tortured poets department

what is it like to feel like you will always be hurting? you will always be the tortured poet, drawing pieces out of yourself to make art. your partner shuts you out or you shut out your partner and retreat into the misery because it's the only way to make sense of the world. you don't know how to exist if you aren't suffering. it must be exhausting.

#tswiftedit #taylorswiftedit #taylor swift #the tortured poets department #taylor swift lyrics #ttpdpredictions #this was another hard one in that i really don't know wtf it's going to sound like or be about #and i feel like it could easily be a complete switch-up and possibly even be a bop #or satirical a la blank space the most infamous track 2 ever #but i think it'll be some combo of being about writing and about being a mess #and how being a tortured poet (whether its you or your partner) in a relationship can lead to its unravelling #mine #taylor

[hezuart]

Why do you somehow think that your words are an objective fact?

(BTW; I have watched your critique of Helluva Boss: The Circus. And I still say it was a bad take and a bad critique. And no amount of "criticism" is gonna change that.)

#if you think the circus episode is good then that's on you man... oof #theres a lot of criticism i left out of that video that i didn't catch later #like the screwed up episode timeline that i discovered #and the poor voice direction #like how blitzo and stolas kids just laugh randomly after staring at a chandelier for some reason #and at the end under the tree #stolas and blitzo legit start laughing like yandere anime girls #you guys didnt say anything funny!!! why are you laughing?????? this is so awkward! #blitzo getting butthurt that he is stolass plaything from the last episode is rendered completely useless and nonsensical after this episod #no amount of simping for helluva boss is gonna change my mind that helluva boss's writing is getting messier the more episodes that release #i mean why do you think YOUR words are an objective fact? #theres just so much to unpack after the circus episode #it messed up everything #helluva boss #stolas #stella helluva boss #stolas helluva boss #octavia helluva boss #blitzo #blitzo helluva boss #ask #octavia's existence is useless #blitzo isnt in love with stolas #and stella is jsut the personification of evil for some reason #and stolas is a weak baby #how did we get here #viv why did you do this! this episode didn't need to exist

[linotte-miller]

Pen pal Suguru, continued. You’ve never met in person, but you write to him regularly and sometimes speak over the phone. Today, you’ve sent him some pictures from your class trip. His mind is… going places.

He wants to listen, honestly, he's trying his best. But these photographs are all very distracting. This sundress, for example, has him wondering if he could tear off your clothes as easily as he tears open your letters, and whether you'd forgive him for it. He could probably make you forgive him for it.

And what are you going on about—sea snails, of all things? It's absolutely criminal that you expect him to concentrate. God, these pictures… you must be torturing him on purpose. He ought to put them away before he gets himself into real trouble.

…He probably should, but he won't. The damage is already done.

He kicks off his slippers as he lifts his legs up onto the bed and reclines back against his pillow, taking up the full length of the mattress. He closes his eyes and listens—even if he can't follow your words, your voice envelops him like an embrace, like the tide—like the tide that rolls across your body in those pictures. He imagines watching from the shore until he can't take it, and he throws off his shirt to follow you into the water.

Alone in his room, Suguru feels himself flush. It isn't warm inside here, but he's heating up and the door is locked, so he may as well strip off his t-shirt. It makes this fantasy feel that much more real.

"Suguru?"

"I'm listening."

"You didn't hear a word I said,” you complain, in the confident tone of someone who understands just how much they are loved.

"I heard all the important ones."

“You’re so mean to me, Suguru—“

That’s right, just keep saying his name, over and over. He’ll revisit the same fantasy, the same image of you in the water—and write himself into it.

He imagines himself swimming, holding his breath as he moves beneath the surface so that he can sneak up behind you, and then comfort you when you cry out in surprise.

"You think I’m mean?” he murmurs. “How am I mean to you, tell me.”

Now he has you—at least, that's what he likes to imagine. Holding you in the warm water, murmuring as he kisses and nips at your neck. You taste like sunscreen and salt. Your hips press into his as you struggle and squirm—and this, of course, only encourages him.

"You're teasing me."

"Is that what I'm doing?"

Because you are sadly mistaken—this? This is bullshit, this is nothing.

But if you ask—and, more importantly, if you’re lucky—he can show you exactly what it means to tease.

"You know I would never do anything like that,” Suguru adds—feigning indignation, feigning innocence.

But Suguru is hardly innocent—not that you need to know that, but he hopes you do. He hopes you can hear it—how, in this moment, he is lying through his teeth, counting down all the ways he could tease you and worse, drive you wild and then deny you until you're forced to beg, to cry out and admit aloud everything you want from him, and where, and how much, and everything you are willing to give for that privilege.

#jujutsu kaisen #geto suguru #geto suguru x reader #geto suguru x you #jjk x reader #linotte writes (or dies trying) #like I did work on this (not this part a different part) #I felt like I kept messing it up #anyway #needed some serotonin hits so I’m posting a thing

[scatterpatter]

HEY YOU SHOULD WATCH THE BRAVE LITTLE TOASTER

Oh nooooo if only there were an easy way to find it tho... if only... oh man... if only- oh oops sorry I tripped-

Oh man if only it were easy to watch... oh man...................

#tblt #the brave little toaster #nothing makes me want to make a youtube video essay than me autistically infodumping about every detail in this movie #i am not exaggerating: this is my favorite movie of all time #am i nostalgia biased? YES. #OKAY BUT SERIOUSLY #THE ANIMATION HOLDS UP REALLY WELL BY TODAYS STANDARDS #THE WRITING IS REALLY GOOD LIKE THE BANTER IS S-TIER AND SOME LINES STILL GET A LAUGH OUT OF ME #ITS SHOCKINGLY DARK FOR THOSE WHO ENJOY A FAMILY-FRIENDLY BUT-STILL-MESSED-UP MOVIE #also i had a WHOLE rant about how lampy isnt stupid hes autistic #also Cutting Edge gets funnier every year #like any time you talk about 'cutting edge' tech its great because this movie came out in 1987 #ALSO yes the PAL version is also on youtube but but but #the PAL version plays EVER so slightly faster- like 0.4x faster or something #which probably wont make a difference for any of youse #but when youre me and you regularly listen to the OST it dips into uncanny valley a lil #... also if youre me and watch it so much you have like the whole movie memorized #im actually trying to commit every line in this movie to memory- im good at getting the general chunks but im trying to get EVERY line EXAC #Youtube

[some-messed-up-writing-for-you]

Short Prompt #1123

“Your abilities are simply incredible!” The villain exclaimed, ranting as they walked in a circle. “How in the world did Hero ever manage to get you on their side?!”

The sidekick paused lockpicking their cuffs. “...You think my powers are incredible?”

#hero x villain #villain x sidekick #writing #writeblr #villain #sidekick #prompt #short prompt #writing prompt #heroes and villains #hero x villain community #writing community #smuwfy #some messed up writing for you

[introspectivememories]

too many whump fics about the 2023 qatar gp and not enough fics where the ghost of niki lauda haunts the drivers into striking

#qatar gp 2023 #just rewatched the race and jfc.... #me on my hands and knees throughout the entire race: save me niki lauda save me #specifically niki lauda needs to haunt george russell. he needs to show up behind george in the hotel mirror scaring the shit out of him #he needs to do it so thoroughly that george russell thinks he's in some kind of dickensian novel #he needs to freak george out so badly george shows up at lewis' hotel room looking a mess #lewis a little freaked out: ... what's goin on man? #george hair a mess eyes bloodshot nervously looking around: niki lauda wont leave me alone #lewis completely freaked out now: what. #george more insistently: he's haunting me man! he keeps calling for a strike. i cant sleep i cant eat o cant do anything! #lewis manages to get george to go to sleep. but the next morning his bathroom mirror is covered in toothpaste writing #it says 'you guys need to strike!' lewis is now a believer #f1 #niki lauda

[seyaryminamoto]

hello! I really like your meta about Zuko, and I'm so glad that I finally found a person who also thinks that Zuko in book 3 is a much worse person than he was in the book 1. I always thought that something was wrong with me, since literally no one sees this obvious fact for me! But I would like to ask you: What do you think about Katara in book 3? the fact is that she was my favorite character in books 1 and 2, and the way she was written in book 3 upset me a lot. it seems to me that they spoiled her character, but I can't explain why. Please share your thoughts!

Glad you've enjoyed my extensive meta on the fandom's fave, haha. I did write a lot about him, always nice to know my thoughts on the subject are still deemed relevant.

As for Katara... well, I have thoughts on her, too. My experience with her character is quite similar to yours, I'd say, because I too felt a lot better about her character in the first two seasons of the show compared with the third. I don't usually give this a ton of thought, but after your ask, I figured I'd try and figure out what exactly went down with her that made people like us feel so uncomfortable with Katara's portrayal at multiple points of Book 3...

For starters, I'll say I vibed with Katara a lot when I started the show for reasons beyond her being a great character or being written wonderfully: she could very well have been written mediocrely and I would have loved her anyway simply because I ran away from anime to ATLA in an era where anime kept shoehorning incest undertones into every sibling relationship, even in shows that didn't have that as a core subject. It happened at least twice that I can remember, I kept seeing people raving about shows where it WAS the core of it (I still do not understand the Oreimo deal, like, the minute I read that show's title I puked in my mouth and knew I'd never watch it), and I just needed... safety from that concept, I guess?

So when I went into ATLA, and the first sibling relationship you're exposed to is Sokka and Katara, two siblings who very much act like siblings? I was thriving. It was thrilling. I felt so refreshed that I think I didn't care much about the flaws of Book 1, despite my inability to sense direction for most of it, because thank the universe, it was a sibling relationship that made sense to me!

With that as an opening, I'd say that, initially, I thought Katara was fine for most of Book 1. In Book 2? She fell off the radar for me a bit simply because other characters are introduced that just appeal to me so much more than she does. I vibe better with characters like Azula, who tend to be the type of female character I just LOVE, and with characters like Toph, she's a tomboy, I was a tomboy (... was? x'D maybe I shouldn't use past tense...), so I gravitated much more towards those two by no real fault of Katara's core personality traits. Back in Book 1, there aren't as many main characters, so you don't have a lot of variety to choose faves from. It's not that strange, I think, that once the cast broadens, people's interest in certain characters can scatter too.

But then Book 3 happened, and I just couldn't enjoy Katara outside of episodes where she wasn't that important. The Katara-centric episode of Book 3 stand among my least favorite episodes of ATLA altogether, and among the least likely episodes I'd ever want to rewatch. I literally skipped over The Painted Lady in my first rewatches of the show, every bit as much as I skipped The Great Divide or Avatar Day, both of which annoy me a lot in the first two seasons. The Puppetmaster? Not even close to being an episode I could enjoy. Even the Runaway, that's supposed to be Toph-centric, ends up making me count down the minutes for it to end and I'm not even going to get started on The Southern Raiders and the absolute can of worms that episode is...

So, with all this being said, if we peel this particular cabbage open little by little...

After mulling it over, I've grown to suspect that Katara has major inconsistency issues since day one that most people don't particularly like to acknowledge, and that flew over most of our heads from the beginning of the show. She's pretty much portrayed to us as an empath, someone who has so much heart that she can't help but feel everyone's pain and suffer with them all the time. The fandom 100% acts like that's who she is (while also obsessively adultifying her unnecessarily, and forcing her into the mom!friend role, which... we'll talk about that later)

But this is also the same character who, when her brother banished Aang from the Southern Water Tribe as early as in episode 2, protested in a very particular way once Aang was gone. Which one of these statements sound more accurate to Katara's character, and a suitable protest for her to proclaim upon witnessing this injustice against Aang?

"Aang is alone! How could you send him away on his own? He could be in danger, Sokka! He's just a kid!"

"The Air Nomads are gone, Sokka! Where do you think he'll go? He doesn't have a home to go back to and you just sent him away!"

"You happy now? There goes my one chance at becoming a waterbender!"

If you ask the fandom? They'll most likely think that her reaction was either #1 or #2.

Surprise surprise: it was actually #3

I'm not saying she didn't show empathy towards Aang while Sokka was ranting at him, because she did. I'm not saying she wasn't willing to be banished along with Aang until Sokka asks if she'd choose pretty much a total stranger over their family and tribe, because she was. She absolutely did all those things.

... So why would she focus only on how he represented her one chance at becoming a waterbender once Aang is gone?

This feels off to me. I've never particularly liked that line. And you could absolutely say that Katara has every right to be mad at losing her chance to reclaim an aspect of her culture that she cannot connect to, but the way it was framed here? It absolutely makes Katara look more selfish than she actually was. The wording is not good. The show doesn't emphasize, at this point, that bending is such a core and crucial part of their culture and that Katara feels a major responsibility in being the ONLY person in the South Pole that can keep it alive. So it just comes off as a child's tantrum. Sokka's concerns were 100% valid too, even if he went about them while being a jerk (he is, indeed, an older brother...). He wasn't even wrong in the end about how dangerous Aang was to their tribe, since Aang's mishap with Katara on the ship gives away his position to Zuko, and it results in Zuko ramming a huge ship into their home and nearly killing people in the process. But you DON'T see the show fully framing it as though Katara and Aang did something wrong -- it was an honest mistake. We know it was. Sokka is framed as unreasonable for being so paranoid even though later events in the very episode prove he wasn't.

And that's... the crux of the issue with Katara's writing. If you ask me.

There are far too many instances where Katara makes mistakes that she's not held accountable for, that she doesn't apologize for, that run against the core logic and principles of her character and they either get shrugged off or overlooked. There are far too many situations where she acts out, and is a jerk at her jerk of a brother, even unprompted on occasion, and it's supposed to just be funny. One particularly stood out to me when I revisited it a few years ago, I can't really remember what for (maybe when I was writing Jeong Jeong's arc in Gladiator and I had a look at the fishing village...?), but it's the famous flashback episode in Book 1: The Storm.

The scene in question is... humorous. Supposedly. Katara is trying to buy fruit in the market but then realizes they have no money to pay for it. Not only does Katara piss off the vendor, but the vendor actually takes her rage out on Sokka once she realizes these kids won't give her any business: he gets kicked in the rear, as the transcript's description says. No one protests the woman's violent reaction, not even Sokka. Katara most certainly doesn't do it. But that's not all there is to it: Sokka doesn't hold what happened with the fruit vendor against Katara, they have a conversation on how they have no money and no food... and Katara offers him the golden ticket solution to their problems:

"You could get a job, smart guy."

Am I too feminist for thinking it's insane that Katara expects her brother alone to get the job? That she's not saying the THREE of them should get jobs? She and Aang are BENDERS! That's an asset most people aren't likely to find in any would-be employees in the central Earth Kingdom! So... wouldn't it be logical for all of them to do it? But no, instead, Sokka alone has to get the job?

And yes, I know, Sokka is the provider, Sokka is the protector, Sokka would do ANYTHING for his sister and the people he loves: you ask the fandom, though, and that's Katara instead of him. Moments like these simply do not exist in the fandom's eyes and, if they do, they're just excusable because Sokka is boring/weird/annoying/insert-demeaning-nonsense-here and Katara is a queen who can do whatever she wants.

Then, the consequences arrive once Sokka gets a dangerous job on a fishing boat and nearly gets killed in a storm. Aang is the one who shows concern about the potential storm when the fisherman's wife brings it up: from all I can see in the transcript, there's nothing from Katara. Sokka says they told him to get a job, so that's what he's doing, and there's no manifestation of concern from either of them about maybe joining him on this fishing trip to ensure he's safe. Instead, Aang is haunted by his past and Katara goes with him when he leaves, which, yes, is very important for context on the Air Nomads and Aang's life... and yet we don't really NEED for this scene to be Katara and Aang only. It could've included Sokka too. The plot of the second half of the episode would change? Likely. They could've come up with another idea, and not shown us a Katara who doesn't show concern for her brother's safety or any remorse when her unfair demands or expectations from him could result in catastrophic outcomes :') yes, she worries about Sokka's safety once the storm hits, but there's no sign of her feeling responsible for Sokka being out in the storm at all. No apology. Which is ironic, because Zuko apologizes to Iroh in that very same episode, hence, an apology from Katara to her brother could have mirrored that side of the story well, and they REALLY loved doing Zuko-Gaang parallel scenes like that, so it would have fit perfectly! Didn't happen, though.

Point being... Katara's compassion and empathy are not absolute. It's important to keep in mind is that they don't need to be! But precisely because she falters with them in moments where she REALLY shouldn't, with people as important to her as her own brother? It becomes very difficult to believe that she's the empath the fandom is convinced she is, and that the show's narrative tries to push her as.

The real reason why her failure to show compassion to Sokka in "humorous" situations feels so unnerving isn't because she's a typical little sister who takes her brother for granted (which is a perfectly logical/believable behavior!): it's because there are no consequences for it. Maybe at some point or another there were? But I for one can't remember many instances where Katara failed Sokka and it was framed as her fault and her responsibility. Let's look at other Book 1 instances that exemplify what I mean:

She freezes him to the deck of Zuko's ship, which puts Sokka in MAJOR danger, and she just tells him to hurry up as if it weren't her fault that he's frozen in the first place. We don't even see her making efforts to thaw him out of there when she IS the waterbender so it seems logical that she should be able to help with that (and if she's too inexperienced to do it? The least she can do to help her brother out of a dangerous situation is to TRY???). But apparently it's funny that she doesn't help him when it's her fault! So this is fine!

She endangers the entire group over the waterbending scroll, which, of course, the pirates had no right to have anyway and it's reasonable that she'd want it for herself... but she antagonized a group of fully adult, dangerous, potential murderous pirates, against Sokka's constant warnings that they shouldn't pick that particular fight. As far as I can remember? Her apologies on that episode are exclusively about how she hurt Aang's feelings by being jealous over his greater talents as a bender. Basically, nothing for Sokka, no apology for not listening to him about danger, making it worse when the very final moment features Katara proudly telling her brother that she won't steal things... unless it's from pirates. So lesson not learned because it's funny, again, to never acknowledge that Sokka has a point.

She actually cares about Sokka's fate in Jet! But the thing is... the narrative doesn't frame that as Katara's fault. Because it's not. Jet made his choices and he did awful things and he captured Sokka, lied and gaslit everyone, because he had a goal to fulfill and he used Katara to make that happen. As angry and upset as Katara is, it's not exactly shown that Katara is sorry for having trusted Jet when Sokka could have ended up paying a deadly price for it. She's angry at the betrayal, even in Book 2 it's constantly framed as though Katara is upset at him as an ex-girlfriend would be upset at her ex-boyfriend for lying to her rather than, you know, being pissed at him for nearly killing her brother + an entire village. My point is, the narrative framing never holds her responsible for Jet's choices. Which, again, she's not. But she IS responsible for her own choices... and one of those choices was disregarding Sokka's warnings about Jet. THAT was her fault, and her responsibility. She jumped to conclusions and assumed that Sokka was bitter and jealous that Jet was the charming cool leader Sokka could never be. There were no apologies to Sokka over that, either.

I could go on, and on, and on. The truth is, I bring all this up to show with solid evidence that Katara's writing was always a little... unstable. Weird. Disconnected from logic in many regards, I'd say. It's not logical/compatible to tell us that this character has the BIGGEST heart of the entire cast when she fails to show that heart to none other than her own brother, who is inarguably the person who she knows best and with whom she should share the closest relationship, even as her friendship with Aang grows and thrives. That makes no sense, thematically speaking.

Is it meant to be comedic? Yes, every bit as much as Iroh sexually harassing June was done for comedy's sake. That's not an excuse for characters behaving in ways that are thematically contrary to what they're supposed to be portraying... and along with that? No excuse for them facing zero consequences for that behavior. Which is, in fact, my main issue with these flaws from Katara: I have no issue with the writing choices in the scenes I listed just now! I take issue, however, with the lack of follow-up and consequences that you can BET, 100%, would have befallen Sokka if it had been him instead of Katara acting that way. He faced consequences even for things he didn't do, for comedy's sake: he wouldn't have gotten away with disregarding Katara's safety as often as Katara did with him, no chance at all.

Ultimately, these scenes in Book 1 are kind of ignorable in the larger scheme of things (or at least, that's how the fandom has always acted). Not a lot of people take any of this as major proof of characterization for Katara. You won't see a lot of fic writers showing her acting like this. Canon, though, often would go down this route for funsies, and the comics certainly did it plenty too, that I can remember. Part of the issue here is that, as funny as it is, it also makes Katara feel stale as a character, as does the Sokka-Katara dynamic, at large, because there's no progression for it. That's probably my greatest gripe with the Great Divide, believe it or not: it fakes being an episode where Sokka and Katara are going to be confronted over their conflictive tendencies, and the ONLY potential development in that basically-filler episode SHOULD HAVE BEEN Sokka and Katara learning to be a bit more harmonious and respectful of each other? ... And that's just not what happened at all. The status quo remains exactly the same after that episode, and it continues to be like that until the end of the show.

The real reason why Sokka and Katara are deemed the healthy siblings is because, of course, compared with the other main set of siblings in the show, these two appear to get along wonderfully. But the truth is, their relationship is not as dynamic as it deserved to be. And that's part of why Book 3 ends up failing in ways Book 1 might not have, while having similar flaws: Book 1 is when you're still getting to know these kids, and that's why I find its flaws far more forgivable than anything that comes later. When there's basically no development for that connection at all, Book 3 winds up falling flat with characters like Sokka and Katara and the bond between them.

All this being said... I'm not saying that Katara is terrible in Book 1. I still stand by the fact that I really enjoyed her character in many instances of this season, there absolutely are situations where she sasses Sokka that still make me crack a smile, and genuinely humorous situations that don't paint her in a questionable light over her lack of concern for her brother's safety. Her fight to earn the right to be trained as a waterbender is deeeeeply flawed but it's not her fault, it's more the misogyny of the writers/creators that decided that a betrothal necklace from his past would make Pakku unlearn all his sexism and get over his bullshit right after beating up a girl who was fighting tooth and nail to make him acknowledge her. That he only acknowledges her because he wanted to marry her grandmother is... uh... fuckboi behavior even when he's well over 70 years of age? XD

So, yeah, Book 1 still has my favorite Katara of the entire show even though I REALLY wish she wouldn't get away with things that other characters wouldn't get a pass for (... well... other than Zuko...). I can't enjoy her as much as I enjoy other characters because I really don't like it when characters aren't held accountable for serious mistakes they made.

Moving on to Book 2, though, and leaving behind my greatest gripe with Katara's Book 1 writing (lack of direct consequences/self-reflection on her part), Book 2's biggest sin when it comes to Katara is the beginning of the "mothering" trope. I honestly did not feel motherly vibes from Katara towards anyone in Book 1. Sokka is very often the one playing the responsible role, while Aang and Katara are seeing the world, practicing their bending, doing reckless and fun things. The entire thing about Katara being the mom friend started in Book 2 when she suddenly becomes the epitome of responsibility (well... kinda) when Toph joins the group. She still does sketchy stuff with zero consequences (I'll forever complain about how ice is not cold in this show, the kids she froze to the wall may have been dicks, but freezing someone alive that way should have resulted in serious health repercussions, just as ANY case of freezing someone alive should have, ffs, be it Zuko in Book 1's finale or Azula + Katara in Book 3's...), but once Toph is part of the group, she becomes the cool girl who's "one of the boys", and now Katara is "the mom". This dynamic gets forced into the story pretty much right after Toph joins the group. And after that? It doesn't really change for the better often. There are only a handful of instances where Katara wasn't acting wholesome and comforting and kind and compassionate in Book 2 (... particularly with Sokka, ofc), but the point where her dynamics, even with Aang, start to feel motherly is definitely Book 2.

And this adds to the issue, in the end: Katara's appeal as the main girl in the show is suddenly gone because Toph is here, and she's a way more unique character that the writers definitely were having fun working with, probably more fun than they had with Katara. So they had to find a new niche for her, I'd dare guess. Thus, instead of actually building up an awesome and solid friendship between Katara and Toph, they mostly just clash and collide. Toph is basically the ONLY character who gives Katara grief and isn't framed as in the wrong for it, which is its own set of issues (namely, Toph not being challenged enough by the narrative, which stunts her character growth), but among many things, we suddenly get shown that Katara is a girly girl who likes makeup and she ropes Toph into this when nothing we've seen so far suggests that Toph would be comfortable with that. Katara pushes her into doing things because they're the "girls of the group"... and it doesn't often look like Toph's feelings on anything are important when Katara is pushing her around for whatever purpose. I'm not saying Toph hated the spa day, she certainly had fun eventually, but even when the comics made a "Katara and Toph's day out" story, where Toph got to choose what to do for once, the story devolved into Katara's show anyway, and things concluded with Toph deciding they're better off doing girly things together when they want to hang out because Katara is just too intense for the things Toph would like to do.

This isn't even in the show, but it's basically a response to Tales of Ba Sing Se to try and even out Katara and Toph's one-sided dynamic, where Katara calls the shots of their entertainment... and even then, Toph doesn't really get what she's looking for. But Katara does get that out of Toph because all she wants is a girl to do girly things with and Toph provides that in the end, no matter how much of a tomboy she may be. Toph might just want a friend who loves the things she loves, and who knows, Katara could be that person! But the story never leads her in that direction so we never see that happen. And that's why that particular friendship never really... clicked for me. Their dynamics don't really feel enjoyable to me as they were written in the show, even though they very much could have been.

That's one thing I'll always give ATLA: the character potential and synergy they captured with that cast could be absolutely incredible. Team Avatar is so iconic because they really could work well off each other. A lot of teams in other media just aren't this good (... one of my main reasons to not enjoy Voltron and drop it in season 1 was my absolute failure to find any synergy between those characters, it felt like they all hated each other and I honestly did not enjoy their dynamics in the least), but Aang, Katara and Sokka have great synergy due to their different personalities in Book 1. Same when Toph joins them in Book 2. Zuko ABSOLUTELY could have been better in the group than he was if Book 3 hadn't devolved into the Zuko Woobifying Show by the second half, where the only writing priority was making him friends with everyone, and making them all feel sorry for him and have compassion towards him. But, broken down to his core traits, Zuko's personality would have resulted in solid chemistry with everyone else's if they'd gotten off that agenda anyway! So ultimately, ATLA has a big win in this respect that a lot of TV shows would LOVE to recreate but they simply haven't struck the right kind of balance in character traits.

Hence why the way they wrote Toph and Katara's dynamics kind of feels like a betrayal to me. Those two could have been a lot of fun, they have EVERYTHING it takes to be entertaining characters with not a ton of things in common and yet building a solid friendship that hinges on their differences. I've seen a fair few examples of that kind of dynamic in other media, and it absolutely would be possible with Toph and Katara. It's really unfair that they couldn't capture their dynamics in such a way that both characters would SHINE, rather than constantly resorting to conflicts between them that never seemed to truly be resolved.

So: Toph should not be a problem for Katara. She should enhance her character and doesn't because of writing failures. One of the core failures is "mom friend Katara", of course: there's nothing inherently wrong with Katara stepping up and taking care of people she loves, but there's something very wrong with it when she's suddenly portrayed as this motherly figure when she's doing things that Sokka had been doing just fine in Book 1. Main reason why this is the case? Sokka got dumbed down to full-time class clown for whatever reason in Book 2. While he has good moments, a lot of times they went WAY overboard with making him a source of comedy this season and that, too, contributes to mom friend Katara. Since Sokka is being so meh? We even feel relieved that Katara is there to keep things together because nobody can expect the other three to do it, right? But... Sokka was doing it in Book 1. And there's no real development to explain him NOT doing it anymore once Toph joins in besides "Katara is now the mom friend and Sokka is just here to be funny". It's not organic development: it's forcing tropes that just don't fit. And while Katara's mothering doesn't feel as unpleasant as it could here, it ultimately forces a new interpretation and portrayal of her character that honestly isn't all that interesting, most of all when the other characters are constantly portrayed as "more fun" while she's just here to keep them in line.

It just isn't the same Katara we met in Book 1, and it shows in spades. Book 1 Katara would have been hyped to join Aang and Toph in chaos while Sokka screams at them to behave themselves. Book 2 Katara is the one trying to keep the other three in line, and there's genuinely zero development that led things to that stage. It's not organic storytelling. There's no growth that leads to that, and so, it feels off.

But the core problem of all these flaws in Book 1 and Book 2 is that they roll together and snowball into something far greater that then proceeds to just... disrupt everything we thought we knew or understood about Katara. We've been told she's a kind person above all else, someone who cares about people close to her, someone who embodies hope and strength and love...!

... And then Book 3 starts, and we're actually facing a Katara who shifts into a wholly different person with the speed of a whiplash that we're left not knowing who tf this is anymore.

"Mom friend Katara" absolutely comes back in Book 3, why lie? She takes care of people, she tries to provide, she tries to be nice and sweet and then also enforces discipline on Toph (particularly) when she's being irresponsible!

But the reason why The Runaway is such an unpleasant episode is because Katara's behavior is dialed up to a thousand, and the conflict between her and Toph feels WAY too similar to what it was when they were barely getting to know each other in The Chase. Why are they STILL clashing over such things? There are occasional glimpses of friendliness there in The Runaway, sure! But they're not so strong that you actually feel like that friendship supersedes their conflicts and their propensity to bicker and argue and hurt each other. Toph blatantly calls her out on her mothering and fully canonically confirms that Katara is The Mom Friend™. Where Toph is annoyed but eventually complies with doing what Katara wants to do in Tales of Ba Sing Se, this time Katara makes a huuuuuge fuss over Toph's misbehavior and her scamming Fire Nation people. And you could argue that Toph has every right to do it, or that Katara is right to be worried, just like Sokka used to worry about such things in Book 1...

But what we get is a stale dynamic that repeats the same problems we saw in Book 2, as well as Katara coming off as rather hypocritical because she, too, did dangerous shit and picked dangerous fights where she shouldn't have, and ignored everyone who told her not to do it: she gave Toph that kind of grief over things Katara was willing to do back when Toph wasn't in the group (see the pirates thing), and she will try to stop Toph from having fun on her own terms when nobody has ever tried to stop Katara from doing that in hers. Of course, any Katara advocate would read this and go "you're missing the point: Katara was sad and upset that she was being LEFT OUT! That's why she was so mad about this!" Then the irony of the matter is that this argument STILL reflects poorly on Katara. She gave her friend a tough time, called her a wild child and a crazy person, went through her personal belongings because "she could tell Toph was hiding something from her", so she fully disregarded Toph's privacy... all because she couldn't say "Wait, you guys went scamming Fire Nation people? Damn, why didn't you wait for me! I would've gone too!", and there you go, problem solved! Katara's not left out anymore!

Yes, of course, that's not how it WORKS, people can struggle to identify what they feel...!

... And now it's my turn to say that that's not the point.

The point is that Katara said and did hurtful things to her friend. Things she eventually regrets, yes, but that she didn't have to do at all. This is the same person who fed Appa a bunch of food that made it look like he was sick, all be it to keep the group from leaving the Jang Hui river village so she could go out of her way to heal the injured and sick without telling anyone what she was doing. That, too, was a choice she made with no concern regarding how the rest of her team might feel about it: was she doing something nice? Sure! But it's not fundamentally different from Toph doing whatever she wants with zero regard as to Katara's feelings on the matter. Katara KNEW she was stalling their journey and that Sokka wanted them to move on: she didn't care about his feelings or priorities, and the story eventually frames Katara as being in the right for feeling that way. Here, she's in the inverse scenario, only it's with Toph rather than Sokka, and instead of realizing that she, too, has made choices that were irresponsible/dangerous/risky and STILL went all out with them, down to fighting whoever opposed her choices? Katara just doubles down until she, again, breaches boundaries and overhears Toph and Sokka's conversation, WHICH IS ANOTHER CAN OF WORMS DUE TO THE SOUTHERN RAIDERS FOLLOW-UP...

The thing is, Katara as a mom friend is not even a good thing. It's not conducive to fun or interesting storytelling, not in Book 2, not now. It doesn't make Katara a more interesting and dynamic character. The way she's portrayed isn't so she looks tragic for taking this role, it's all about forcing these kids into tropes that don't necessarily add up to who they have been so far. Katara's mom friend status is NOT treated with any compassion. It's not handled as a sore, difficult subject outside of the ONE conversation Sokka has with Toph that Katara overhears. And it's not centered on Katara's tragedy, on how she overcompensates for her mother's absence, it's centered on Sokka accepting her as a motherly person and encouraging Toph to do the same thing. The people who saw further depth in it probably haven't looked at the script itself in a long time: you CAN see more to it, but that's not the point of the scene. That's not where it's going. And the fact that such a tragic situation is what conduces Katara to take up the mom friend role actively makes it look like... she shouldn't have it. Why would she be the mom friend if she's just overcompensating for Kya's death? If she's taking up responsibility by thinking that no one else will (a blatant lie because, again, in Book 1 there's NO SIGN of this behavior and it's Sokka who's in a role of responsibility compared to her), it suggests that EVERYONE ELSE ought to step up and stop "relying" (and Sokka very much uses that word) on Katara being the mom friend. It's not a healthy thing. It's a coping mechanism that seems to be actively damaging Katara: and the story doesn't acknowledge it that way.

So... "mom friend Katara", dialed up to a thousand in Book 3, absolutely has a connection with why her character loses its sheen by this point in the story. There's no attempt to deconstruct this coping mechanism by Katara. No indication from the rest of the team that maybe Katara should get to be a kid just like them and stop being so uptight (even though VERY often she's not that uptight but the show very much tries to pretend she is). It's Katara's initiative to do a scam, it's not Toph or Sokka or Aang who think she needs to join in on the fun, she basically inserts herself in it. So basically, those three take the route of saying "that's what she's like, we just gotta bear with it", instead of actually helping her. If we'd seen that? Mom friend Katara would actually be a fun element to witness deconstructed by the story. And I'm not blaming either Katara or the other three for this:

This is EMINENTLY a writing problem.

Mom friend Katara is not a good trope. It could be if the point was to help her break free from it. It's not. It's simply weak writing that can't handle two girls with proactive, aggressive personalities and a ton of agency, a lack of creativity in realizing how much potential there could be in making Toph and Katara the absolute best of friends. It's seriously a disservice to the two of them that this trope literally blooms over Toph joining the show and then NEVER gets resolved or chased away. And when you have characters like Sokka or Aang kind of joining the bandwagon of "yeah, Katara's a mom!" when the two of them traveled with her in Book 1 and she WASN'T that at all? It makes matters infinitely worse.

So, if you ask me? This is the first thing that makes Katara feel more unpleasant than ever before in Book 3.

The second thing is even worse.

We return to accountability, as well as to illogical flow of thought when it comes to the writing of Katara: in Book 1, we see a hopeful girl who never speaks ill of her father or betrays any manner of displeasure or distrust towards him. No sign of her being conflicted by what Hakoda is doing: the focus is entirely on Sokka's feelings on the matter once it finally comes up in Bato of the Water Tribe, and Katara is a secondary matter, if even that.

This would be fine if Hakoda hadn't come up at all as a subject throughout Books 1 and 2. If Katara had never had the potential opportunity to see her father in any of these instances and had backed out from them for bigger reasons than... plot reasons.

For reference: she's excited, just as Sokka is, when Bato says he can bring the kids to meet their dad again. They're HYPED. We see no sign of Katara being upset at Hakoda for leaving at this point. The only portrayed reason why she and Sokka decide not to go see Hakoda is because they think Aang needs them more and they decide to forgive him for hiding the map. Katara, from the get-go, is not as angry at Aang for hiding the map as Sokka is. Clearly, Sokka wants to see Hakoda far more intensely than Katara does: even so, there's no sign anywhere here that implies that Katara harbors resentment or dissatisfaction towards Hakoda.

Book 2 gives us a similar situation: Katara declines going to see Hakoda and offers to be the one who stays in Ba Sing Se so Sokka can go see Hakoda himself. Sokka is soooo thrilled and thanks her and calls her the best sister ever and Katara very much says she is, indeed, the best. Which she's allowed to, worth noting, I'm not saying her reaction to Sokka's praises was bad, it's actually funny: but what I AM saying is that she knows how much this matters to Sokka and that's why she makes the offer she does. It's also VERY convenient! Because logic dictates that, if Sokka stays behind, he realizes the Kyoshi Warriors aren't themselves far faster than Katara does (even though, to be fair, Katara didn't really have much time to realize it at all), and we wouldn't have Aang suffering over Katara's imprisonment because the one in chains would be Sokka and then Aang might just go "oh okay it's just Sokka, I can go cosmic if it's not Katara"

... yeah I'm being sarcastic I actually don't think Aang wouldn't have saved Sokka, but they very clearly had Katara stay behind first and foremost for this specific purpose...

But Katara's acknowledgement that this is a good thing for her brother makes you REALLY wonder how much of a secret grudge she was supposed to feel towards her father at this stage of the story. The truth, in my opinion? She wasn't actually supposed to resent Hakoda as she did, let alone quite so harshly.

My sister personally told me that she thought Katara's anger at Hakoda was a fine storytelling choice when I told her I didn't like it. She told me Katara herself most likely didn't realize how hurt she had been by her father's leaving, that it wasn't until she was around Hakoda again that she understood she resented him at all, and that she had a lot more pent-up rage and frustrations than she had EVER acknowledged, and they burst out frequently in Book 3. Which, you know, is one possible explanation that tries to make this whole thing more palatable. From a human standpoint? This is valid.

... From a writing point? Not so much.

A Katara who struggles to understand her heart (which... is odd, tbh. As far as they portray her, Katara tends to know exactly what she's feeling, why she's feeling it, and she acts on her emotions rather than brains more often than not) would be portrayed as confused over her own rage at Hakoda. She would not have been written as a snappy teenager who hates her dad. She would have snapped at him and then apologized by reflex, unsure of what's come over her. We would see Sokka trying to mediate between them too, probably asking Katara what's her deal, and she would have no idea how to explain it. Katara would be avoiding Hakoda, knowing she loves him, not knowing why she seems to hate him now, afraid of saying things she shouldn't. Every time she snaps at him, she should worry about what she did, she should fear for Hakoda's feelings, she should reflect on what's going on inside her heart...!

... But that doesn't happen. And that knocks SO HARD on the concept of empath/compassionate Katara that it basically turns her into a whole different person.

As I've said countless times so far: it's not about Katara being perfect. I don't WANT her to be perfect. But I DO want the show to acknowledge that she's not. I want the flaws to REALLY read as flaws. I want other characters to react to those mishaps on Katara's part, and I want HER to reflect on what she's doing and realize she's messing up, just as she does when she hurts Aang's feelings in the Waterbending Scroll, which is most likely the best situation where Katara actually owns up to the exact mistake she made and feels genuine, palpable, obvious remorse for it. But when you feature Katara lashing out at Hakoda, and everyone just staying quiet because "uuuuh, awkwaaaard...", it feels off. Aang asks Katara, outright, what's her problem with her dad! And Katara goes "What? What problem?" She's acting like she's not even aware of the fact that her behavior is out of place, basically gaslighting Aang into pretending that she didn't do anything rude or mean to Hakoda. Aang literally saw it with his own eyes and is the ONLY person to bring it up.

To make matters worse? Katara has been with Hakoda for WEEKS. It's not like they just crossed paths two seconds before Aang opened his eyes. The implication is that she's been behaving like this, or her behavior has been deteriorating towards Hakoda with no one worrying about it or trying to make her reason with it. for that long. Sokka didn't do anything. Hakoda just took the teenage rants and left her alone because that's what she wants. And when the one person brings up that she's not acting like herself? Katara pretends nothing's wrong and acts like everything's fine and she's not acting any differently from herself. Whether she actually is just lying to Aang or ALSO lying to herself is a matter of debate... but what it suggests is she's unwilling to confront the gravity of her choices and how she can be hurting her father with them.

This is NOT to say that Katara has no right to be angry about Hakoda abandoning her in the Tribe. She has every right to be upset and feel forsaken. Their mother died, and Hakoda left with all the men of the tribe, and Sokka was left behind, tasked to protect everyone, and Katara apparently felt responsible for the whole village too: as valid as Hakoda's quest to fight in the war might be, it's not out of this world for Katara to harbor frustrations and resentment over what happened.

What IS out of this world, and particularly, not appropriate to her character, is that her way to convey those feelings was something she gave herself to, completely, only to reason with it once Aang was missing so that the episode would conflagrate her problems with Aang and Hakoda into the same thing.

This is basically a dark expansion of what we've seen in Katara's treatment of Sokka since Book 1: where it was typically "humorous" when she was a jerk to him and paid no price for it, this time it's not humorous. This time, you're supposed to see her being a jerk and then go "aaaaw, poor dear," even if you're not supposed to get mad at Hakoda because he is very much a decent dad. The show was trying to have its cake and eat it too with this situation, because Katara DOESN'T apologize to Hakoda for being unfair to him: HAKODA APOLOGIZES TO HER. Hakoda acknowledges the pain he caused Katara and the damage his leaving has wrought upon his children by apologizing and explaining how much he missed them... but Katara does not acknowledge the pain she inflicted on her father by acting out when he wasn't doing anything wrong. Is this teenager behavior? You could chalk it down to that, but that's precisely why teenagers can be a pain in the ass! And that's very much how Katara is being portrayed if she's unwilling to acknowledge she acted out and hurt someone she loves!

Her problems and resentment towards Hakoda magically go away after that single conversation. After this? She loves him. No hard feelings left. If her problems with Hakoda were this deep and difficult to navigate and work through, either she bottled them up in the rest of the show and stopped them from affecting her father... or she just got over it that quickly. Which would be very unrealistic because Hakoda apologizing for leaving doesn't change the damage Katara suffered through because he was gone. A single apology doesn't fix everything that people read into Katara's deep anguish in this scene and episode. And yet that's very much how the show portrays it: Katara is 100% fine in every single other interaction with Hakoda she gets past the first episode of Book 3. Does that make sense? Is that good writing? No, actually: it's literally digging up a problem, making it up last minute with zero lead-up to it, where the ONLY way to read "lead-up" is to pretend that Katara always had ulterior motives to avoid going to see Hakoda, even though we NEVER were shown that she was hiding anything, something that could be VERY easily shown in the story if they'd always had this in mind. The truth is that they didn't. They made it up for this episode, forced it in there, didn't even write it right because nobody reacts to Katara's behavior reasonably except Aang, and she gets away with it without even having to apologize. That's... not good form for any character, let alone Miss Responsibility and Empathy, is it?

This is why it's such a problem that Katara acted as she did towards her father. It's not because this is an unthinkable flaw: it's because there's very much no lead-up to it, kind of like there's none with Korrasami's big reveal in LOK's finale. It's because there's no follow-up to it either. It's because we don't see Katara living up to her supposed core character traits, where she should have a realization that her choices and actions and behavior have hurt someone else, someone she cares about. None of that happens.

And I will say: it's different when it comes to her clashes with Zuko and her reactions to him in the second half of Book 3. This is basically the MAIN thing the fandom gives her grief for and I hate them for it: she has every right and reason and justification to show no empathy or compassion towards a person who, as far as she could tell, took advantage of her compassion in Ba Sing Se, of Aang's compassion frequently across Book 1, and paid them back for all of it by joining forces with Azula and showing no concern to help Aang when Azula almost killed him. I am no fan of Iroh's... but Iroh jumped in to help Katara and Aang escape, at risk of being captured. Zuko stood beside Azula and did NOTHING to help those two leave. He showed zero concern for Aang's survival. He saw his sister potentially murder someone and had ZERO REACTION. So, no offense but full offense: Katara's unwillingness to trust Zuko is JUSTIFIED. Not only is it justified? It's CORRECT. It's the only writing choice that makes sense. Sokka getting over it relatively quickly feels off to me, no matter if the Boiling Rock adventure isn't as bad as others might be. Aang not holding a grudge for too long kind of fits because it is Aang... but Katara being that mad at Zuko? That's 100% fine. It fits. It works. And anyone pretending that what I said about Hakoda applies to how she treated Zuko is just completely biased in Zuko's favor.

Katara and Zuko do not have a secret magical powerful soulmates bond in canon. Their one instance of bonding comes after multiple instances of the exact opposite thing. Katara and Sokka were 100% down for leaving Zuko to freeze to death in the North Pole, and the ONLY reason why Zuko survives is because Aang can't let that happen to him. It's AANG'S compassion that saved Zuko. Katara felt none, AND SHE DIDN'T HAVE TO FEEL ANY. Let's not forget that!

Moving on to Book 2, Katara actually makes her first offer of kindness to Zuko and Iroh in the Chase when she offers to heal Iroh after Azula's attack. Zuko's reaction is to lash out violently and yell at her to leave: who, exactly, would feel inclined to think this poor beautiful sad boy just needs love when you OFFER HIM kindness and his reaction is, in a manner of speaking "go fuck yourself I'll handle this on my own"? And it's worth bringing it up because it feels like the fandom is hilariously misled into thinking the Gaang magically knows what Zuko is up to and how he's growing and evolving, as if they were part of the audience: they're not. The last time Katara saw Zuko before Ba Sing Se is literally when Zuko refuses her help. We're also talking about Fire Nation people: Katara has every right and every reason to believe that Zuko is refusing her help, not out of personal, internal strife he's dealing with and has no idea how to handle... she very much can read this as "inferior Water Tribe peasant, you will not heal my uncle with your wretched waterbending!" Because... let's be real, that's what Zuko looked like to Katara across Book 1. She has no real reason to think he's any better or different from that until their catacombs scene...

... And he stabs her in the back and joins Azula there. Right after "bonding" with her.

So let's be VERY clear on that respect: Katara has no real reason to forgive Zuko. She has no real reason to feel empathy outside of the show constantly trying to push that she's kind and compassionate with no boundaries, even if she forsakes that kindness and compassion at random whenever the plot requires it. But her death threats to Zuko? They're completely fine by me. I'd be pissed if she had acted any differently, and if anything I hate how easy Zuko had it to befriend everyone but Katara.

... Not to say I'm happy with how he befriended Katara either, but anyway...

As this isn't Zuko meta, we're not going to get into the true core glaring issues in The Southern Raiders, because ultimately, that episode paints Zuko in a disgusting light that his fans are constantly gaslighting themselves about. He was not beinga heroic good dude helping someone he connected profoundly with. His behavior leaves so much to be desired and proves he hasn't unlearned a lot of toxic things he had internalized. He didn't unlearn them in this episode, either. But the GREATEST sin Zuko commits in this episode, without a doubt, is bringing Katara on a journey that ultimately did NOTHING for her. The only person benefitting from it was Zuko himself. I've seen people pretend that Katara finally found closure: she did not do such thing. She learned what kind of scum killed her mother, but she did not forgive him nor did she kill him. Closure would mean peace. Katara did not find peace with the situation. She's shown troubled, sitting at that pier, miserable, when Aang talks with her, she's STILL angry. That's not closure. It never was.

What it was, however, was the journey where Katara thanked Zuko and forgave him because..! Uh... because...

... Why, exactly, did Katara forgive Zuko here?

He brought her to her mother's killer: she found no closure from it. In fact, she learned the VERY disturbing truth that she hadn't realized so far: HER MOTHER DIED SPECIFICALLY TO SAVE HER. Her mother sacrificed herself for Katara's sake. She CANNOT find peace with this reality in a single afternoon because holy shit, who would? Katara KNEW her mother had died. It's not until Yon Rha tells her what happened that she understands what happened in the igloo. Katara herself, her waterbending skills, and the target she painted on her own back because of something 100% out of her control, something that is NOT evil and that the Fire Nation was hellbent on destroying, are the reasons why Kya was murdered. This is DISTURBING SHIT to deal with. And the show completely sidelines this revelation and the dark impact it could have on Katara, which, seriously, is HUGE, way worse than what happened with Hakoda, because it very much could have triggered a profound self-hatred by Katara towards her own skills because how tf could her bending cause her mother's death?! Not to mention the obvious: who was that source? Who told the Southern Raiders that there was a waterbender? Who the hell is responsible, beyond the Fire Nation, for her mother's death?

There's A LOT to unpack here.

And none of it matters because Katara is just supposed to forgive Zuko for exacerbating and worsening her trauma regarding her mother's death :') funny how that works.

This IS the point where Katara should make a display of darker sides of herself that she didn't know or understand. THIS is where Katara turning dark like Aang did after Appa vanished would make PERFECT sense. With this revelation about Kya that's beyond disturbing: not with Hakoda... and certainly not with Sokka.

The cusp of Katara's worst is, by far, her behavior with her brother in the Southern Raiders. I know a million excuses have been made for this moment: my problem is NOT the fact that she lashed out at him as she did and said something DEEPLY hurtful. It's the fact that KNOWING, SEEING HE'S IN PAIN...

... does not matter to her one bit.

Instead of a trite scene with Zuko spouting shit he does NOT mean (aka "violence wasn't the answer... but lol go kill my father okay??"), we deserved a scene with Katara and Sokka talking this out. People pretend it's fine as it is: it's not. Katara has spent the ENTIRE show disregarding her brother's feelings in a myriad of ways: this time, it was way more painful and way more hurtful and SHE KNOWS IT. It's not funny. She's not amused. She's not being a shithead little sister. She's ANGRY. She's UPSET. She has every right to be! What she DOESN'T have a right to do is hurt her brother DELIBERATELY and then escape every consequence from doing that.

There's very much no way to spin that moment into making Katara a decent sister. There's no way she remains true to her core values of being empathetic, kind and wholesome when she will insidiously, vindictively hurt her brother this way. And what I said earlier about her overhearing Toph and Sokka in the Runaway? It actually gets a follow-up in this scene: Katara telling Sokka that he didn't love Kya as she did is basically her WEAPONIZING the information that was NOT meant for her as her alleged evidence that Sokka didn't care about Kya as much as she did. As if his inability to retrieve Kya's memory was NOT a manifestation of trauma, as if it were something he's FINE with! He's not! How guilty must he feel for that? Does that matter to Katara at all? Why... nope. Because all that matters at that point is her own rage, her own feelings, her own fury. Which is, then, entirely against the character we've been told she is.

The lack of apology or follow-up to this horrible moment will never stop being one of the absolute biggest misfires in one of the WORST written episodes of this show. Yes, I said it. The more I ponder The Southern Raiders, the more I realize it's an immensely flawed speedrun to establish a friendship that simply doesn't add up. Katara and Zuko becoming friends after this journey requires some wild, absurd leaps of imagination that, boiled down to basics, don't make any sense. There's no reason for Katara to decide she'll forgive Zuko after she regains enough clarity. Why does she forgive him? Because he proved he'd rather make her happy than defend his nation anymore? Ironically, at no point does Katara show any appreciation of the fact that Zuko is setting aside his firebending supremacist attitude completely for her sake. So maybe that's not it.

Ah... is it because of how he, and he alone, was ready to help her go on this journey of revenge...?! Why, ironically, the only reason why ONLY Zuko goes on this journey is incredibly artificial and fake: this IS intended as Katara's "field trip" with Zuko. None of the field trips make sense, from a logical standpoint, as duo journeys. I've mentioned it to a few people: Sokka and Zuko could have brought Toph with them to the Boiling Rock, a metal location where her abilities would be VERY useful, used her as a false prisoner and turned her in as a captured ally of the Avatar's, who 100% will bait him into coming here to rescue her so that the Fire Nation can get him next! A cover as strong as that one might actually get them further along on that rescue attempt than what they did in canon. But this CANNOT BE... because it was Sokka's field trip with Zuko so nobody else is invited, even if they're very much not doing anything else (as is the case with Toph). Aang? Why didn't everyone join the firebending discovery with Zuko and Aang? They weren't doing ANYTHING in the Western Air Temple at the time. They very much could have gone with them too. But they don't. And that's exactly why Katara's trip works exactly as it does: it's the solo journey with Katara and Zuko, and the ONLY way to make it work is to show Sokka and Aang completely opposed to the concept of finding Yon Rha. I'm not saying I think Sokka and Aang would have been on board if they're allowed to remain IC... but they could have wanted to go on this trip with Katara regardless of not agreeing with what she wanted to do. Hell, as is OBVIOUS: Kya is Sokka's mom too. His opinions, his feelings on this subject, should matter just as much as Katara's do, and fuck anyone who pretends otherwise. These two are NOT supposed to be the well-known unhealthy siblings Zuko and Azula, who each got one parent in their corner and therefore the other parent treated them like they were worthless or a monster. Hakoda and Kya were parents to BOTH their children, and any narrative or interpretation that attempts to say that ONLY Katara's opinion on Kya matters is immediately ruled out, for me, as absolute bullshit spouted by someone not worth listening to. Point blank.

Also, the fact that Zuko USES Sokka to gain this information about the southern raiders, and then doesn't even extend the chance to Sokka to join them? When Sokka is basically his new best buddy? That... does not make sense. It basically portrays Zuko as a disloyal asshole who takes advantage of his friends for his purposes and tosses them aside, disregarding their feelings whenever it suits him.

So Sokka's treatment at the hands of this episode is just deplorable. Both Zuko and Katara are HORRIBLE to him... but Katara is our focus here, she's actively hurts Sokka and then proceeds to not care. Because that's how she has operated so far, and that's how she always will.

Hence: we have a long, long tradition of Katara not treating Sokka fairly all across the show. The reasons why it's not a fair or balanced relationship at all is because Sokka typically pays the price for being a dick to Katara: either she inflicts the punishment herself, such as when he's disrespectful in the Drill and she smacks him with the slurry, or the narrative inflicts some magical punishment instead that CONSTANTLY proves that Sokka is not allowed to be a dick without facing consequences for it. Does he ALWAYS learn the lesson? Sure he doesn't! But the consequences for it NEVER stop. He doesn't get away with being a jerk to his sister. That's forbidden. But Katara? She's allowed to get away with it every single time! And the reason why it gets worse and worse is because we went from relatively silly/comedic things, in which Katara did not apologize because "it's funny that she didn't apologize", to NOT funny things at all, such as this scene in Southern Raiders. Even just a troubled glance at Sokka, or a slight hesitation after seeing how hurt he is, would be enough for me: there's NOTHING. She doubles down and keeps charging ahead. Zero thoughts or concerns given to her brother.

If this isn't why you have issues with Katara, well, I don't know why it might be the case in your case x'D But I absolutely attest that the combination of "mom friend", "selective compassion particularly when it comes to her brother" and "absolute imperviousness to consequences for her mistakes" are the things that fully caused my initial appreciation of her character to shift into ambivalence and then into full blown dislike once I reached Book 3.

Worth noting: THIS IS A COMPLAINT ABOUT THE SHOW'S WRITING. Boiled down to basics, written by any more competent hands, I don't think Katara would have acted the way she did often, ESPECIALLY in episodes like The Awakening or The Southern Raiders. I categorically refuse to write Katara in my stories as someone who gets free passes for EVERYTHING she does. I also refuse to portray her as the mom friend, particularly in Gladiator. There's a lot of depth you can give this character! So much you can do, so much worth exploring... and canon just settled for stunting her and then only bringing her out to play in ways that make her unpleasant, not particularly bright and extremely resistant to character development even after allegedly learning lessons (see how her initial behavior around Hama, who shows red flags often, isn't all that different from how it was with Jet? There's only a handful of moments where it looks like Katara MIGHT be wary, and yet they're quickly overcome by her excitement, which Hama manipulates in her favor until she does the bloodbending reveal). So I'm NOT saying Katara had no potential... but I am saying the show itself failed her, big time, because of how she was written. A quick glance through the transcript of the Puppetmaster to confirm my memories that Katara shows no sign of concern over Hama when Sokka finds her suspicious reveals that, after Hama shows them her comb and that she's from the Southern Water Tribe, Sokka, and Sokka alone, apologizes for suspecting her of being sketchy. Nothing from Aang, even though he was part of it too. Nothing from Toph, either. And certainly nothing from Katara. Only Sokka apologizes. As usual.

So... what does this tell you? What does this tell any of us? That Katara's development is... erratic, at best. That it's not linear isn't a bad thing, but that it contradicts itself non-stop, that her core traits come and go willy-nilly as the plot demands it, that her motivations to do things (like forgiving Zuko) don't add up to her experiences or to any lead-up we've witnessed, is most certainly not good.

If I were to rewrite ATLA, the main characters I'd want to rewrite into making a lot more sense than they do, and making their arcs actually logical, are Zuko and Katara. I'd definitely add a few rewrites for Iroh, particularly to make him WAY more accountable for shit than he ever was, and to show he's not universally loved and shouldn't be, since people would have very reasonable grievances with him. I'd also rewrite a handful of things with Aang, too. Toph, full-stop, deserves a growth arc of her own beyond getting stronger and getting used to having friends. Girl has the range. They just never let her explore it. And of course, I'd change a fair few elements of Azula's writing as well. But I feel like no characters would warrant a deeper intervention than Zuko and Katara, precisely because they constantly fail to live up to all the stuff people keep pretending they're flawless exhibits of.

And this is one more issue we've got going on with Katara:

The fandom ABSOLUTELY has been unfair to Katara. A lot of people hate her for no reason. A lot of people who potentially have unexamined racism making their hearts' choices for them and they despise her just because she dared not have fully-white skin. A lot of people pick completely ridiculous things to get angry at her, such as people who HATE HER because she's "rude to Zuko". Just, fuck off. That's about the stupidest reason to hate this character and stupid reasons for that have been heard plenty.

But Katara's fans have become... reactionary. They appear think that any criticism to her character NEEDS to be fought off with "she was right tho" or "she has every reason to act this way" or "she's HUMAN she's allowed to make mistakes you heathen!! That's what a flawed character is like!"

Here's the kicker, though: if you have justifications and excuses for every little unpleasant thing Katara EVER does? You're basically taking a dump on her character yourself and saying she IS flawless.

Flaws in characters are bad things that cannot be justified. They can be funny! They can be annoying. They can be infuriating. But they're things that inconvenience other characters, that hurt them, that show they're not above or beyond doing harmful things! All of what I listed in this crazy long post are Katara's flaws. The reason why I don't like the way these flaws were handled are all the things I already have talked about: no accountability for flaws is basically saying that these flaws don't matter. No follow-up, no lead-up, means Katara is allowed to be as much of an ass as she wants to be and nobody cares: THIS IS NOT FAIR. This is not how ANY character should be written. This is the core reason why I've spent years feuding with Zuko and Iroh: they get away with shit they should NOT get away with, EVER. They're not held accountable for so much they should be. This happens to Katara too. particularly in her dynamcis with her brother. And when people see those flaws and just start listing reasons why it's actually okay? All you're doing is dehumanizing these characters to pretend everything they EVER do is fine.

Also worth noting... character flaws are the way characters grow. If a character is DEEPLY flawed, you know what kind of work you have cut out for you as a writer. If you're writing a story heavily steeped on character development? Then those flaws are VITAL to the work you have to do in order to develop these characters!

But when Zuko is unnecessarily violent and you're told "it's because his culture and family are!", you rightfully assume that as he drifts away from Fire Nation ideology, Zuko WILL grow less violent. Then, you watch how he picks an unnecessary fight with Aang in the finale because everyone's being lazy, an EXTREMELY violent fight at that, and you contrast his earlier behavior with it and... where's the difference, exactly? How did he grow or learn better if violence is STILL his immediate reaction to anything he doesn't like?

Thus, when Katara's flaws get overlooked, ignored, disregarded? What kind of development does Katara get, if none of her flaws are addressed in a way that makes it look like she's genuinely learned any lessons? At least, none of the worst, biggest, glaring flaws were addressed. None of the things that she SHOULD be troubled by and that she shouldn't be happy with herself over, especially after seeing how she hurts people with her actions. This isn't cool. This isn't a fun way to write a character. And it's so glaringly unpleasant when you can so very easily contrast this with the well-known terrible flaw Sokka displays early on: sexism! And then he gets his ass kicked by Suki and he learns to respect the Kyoshi Warriors... and we never see him displaying that particular flaw again. THAT is what growth looks like! What can we point to with Katara that remotely compares to this? That she accepted Zuko? Yeah, no, that sincerely could not count any less. Her personal arc CANNOT be about Zuko. That she got over her mom's death? She didn't. So that's not it either. That she helped Aang save the world? So her personal arc was about Aang and not herself? Was her whole role in the story to play Aang's cheerleader, then? Because if that's it... she was doing that just fine at it since day one. She's the only person who faithfully believed the Avatar would return well before Aang turned up in her life, if the first episode's introduction is to be believed.

So... what, exactly, was Katara's arc? If it's just her waterbending skills, then she's as stunted as Toph, unexplored and underdeveloped and left to just strengthen her fighting skills while Aang and Zuko and Sokka are getting full character arcs, even if very lowkey but very much effective in Sokka's case, where they develop and grow (or they should) into the men they're supposed to be to end the war! Why don't Katara and Toph get similar arcs? Why aren't they challenged on a level that actually provides them with lasting, solid, provable growth, where you can look at them where they started out and see how they ended up and conclude their journey was beautiful?

I insist... writing. Weak writing. Failures to understand/develop characters properly. And of course, lack of accountability in storytelling. I wrote that one focusing mostly on Zuko... but it's very much applicable to every character who fails to own up to the things they should and deserve to face consequences for.

Anyway... this is what I'd say about Katara atm. I'm not 100% sure this is everything because I might have overlooked some stuff that also made Katara's character kind of backfire (while I'm no Kataang hater, I 100% agree that the ship should have been written better too, and after writing them whenever I have, it's honestly kind of ridiculous how such an easy ship could get fucked over so badly by weird writing choices...). Whether you agree with these assessments or not, ultimately, there are valid reasons to feel offput by Katara and don't let anyone tell you otherwise. Most of all when you DID appreciate and cherish the character once before, but her fans just jump to the conclusion that you must be a mindless hater to think she's anything but flawless (this, while claiming they love that she's flawed, then they proceed to reveal they have no idea what a flaw is...).

(final note: SORRY IT TOOK ME FOREVER TO ANSWER! Super lengthy answer to make up for it, I hope :((( sorry)

#anon #I am not tagging the character directly but I bet this is gonna show up in her tag anyway because Tumblr gonna Tumbl #look #if you're the kind of katara fan who cannot stand a single word against her #just don't read this for your sanity of mind #... but if you go ahead and do it anyway? #don't come back at me with a million arguments to prove your fave is indeed flawless #because you're basically just spitting upwards at that point #and further proving that you do not understand character growth or development in the least #she's not a goddamn religious figure she's a fictional character #every fictional character that's worth something is flawed #and flaws are not always going to be cutesy pretty things #such is the case with Katara #the writing of this show is a mess in many regards #but they fucked up in particular with some characters the fandom adores #and I hate how the fandom acts like that's not the case at all #just to take trips into delululand and absolve them of every single thing they did wrong #and all the very deserved consequences for their worst actions #because the show itself dropped the ball hard enough in that respect for the fandom to do the same #you do you #but no argument will change my mind #and if none will change yours? #... skip past this post :') #it's a free world

[ssreeder]

my favorite thing to do you ask? reading the updates while completely ignoring the fact that the fic is ending soon 🧍🏾‍♀️

My current mood trying to finish liab:

#I swear every chapter I’m like OK ANOTHER 20k CLOSER TO THE END #But the healing arc is taking FORVER #Because there are so many THINGS that have to happen #So I feel like I’m crawling through this part #But after the battle starts things should progress quickly after that #Yall know how intense those chapters can get #Phew. Gunna be a mess #BUT YOURE RIGHT IT IS GETTING SO CLOSE TO BEING FINISHED!!!! #It is kind of daunting to think about not having to write liab #It’s torturing me right now so im missing some of the sentimental feelings right now #But im sure ill look back and think AWWWWWWW I MISS IT #but right now i wanna slap jet & sokka and grab zuko back the back of the neck and tell him to STAY. #Anywayyyyy…. Next chapter is going great obviously #TWO CONFIDENT THUMBS UP #You’re amazing I miss you #I hope everything goes great!! #Gabbytril4mg #LIAB #leaving it all behind #ask

[good-beanswrites]

"Prisoner @oboetemasuka ! Milgramblrgram has judged you guilty for your crimes! It is time to meet your judgement. As the wardens' fang, I take that responsibility upon myself!" (Hits you with some good ole OOA angst 👊) TW for Amane's cult mindset and brief descriptions of the injuries.

“Amane, you must – please – !” Shidou’s voice changed from pleading to an icy calmness. “Kazui, hold her still.” 

Amane struggled from his grasp, but there was no hope of success. Even if her little form stood a chance against Kazui’s strength, even if her uniform wasn’t locking her arms in place, she knew she would not manage to draw up any power with all this pain rocking through her body. Her chest stung so that she could hardly breathe. The throbbing from her right eye made her dizzy.

Through her spinning vision, she could see Fuuta nearby. She was struck with the selfish thought that she wished she couldn't. He looked awful. Shidou had rolled him over so he wasn’t lying facedown in blood, but it still clumped in his hair and over his eyes. His arm was stuck at an odd angle. 

“No,” she gasped. “Stop…” 

It was unclear who she was commanding. Shidou? Fuuta? God? Maybe all at once. 

The room wobbled as a wave of pain washed over her. Shidou’s hands were around her face. Though seeking her eye, he may as well have been covering her mouth with how suffocating it felt. Amane shook her head violently back and forth in an attempt to stop him.

There was the ceiling – then Shidou’s face, far too close – a blood-spattered wall – Fuuta’s ginger hair caked in blood – the ceiling – intense gray eyes – the wall – a broken arm – ceiling – scowling lips – wall – ginger fur caked in blood – ceiling – a screaming mouth – blood-spattered floor – a paw bent the wrong way – ceiling – green eyes filled with fire – 

A hand clamped down on her head to keep her still. Her vision swam. She released a cry of anguish. The others probably thought it was from the pain, but she knew how to bite her tongue through pain. No, this was utter frustration.

Then came a glimmer of hope. An angel.

Mahiru stood over her. Amane only had so many people left in this world who treated her kindly, didn't lead her towards sinfulness... and weren’t beaten to death. With the recent turn of events, Mahiru may be the only one left. 

There was some arguing as Mahiru was told to leave, but she convinced the others to let her stay by Amane’s side. She smiled, though tears streaked down both her cheeks.

“It’s alright. I’ve got you. You’re safe now.”

That was it. Mahiru had been sent to save her. Everything would be alright.

Shidou’s tone was as cold as the disinfectant he was applying. “Tell her to hold still.”

Mahiru gave her a gentle nod. “Please, you have to listen to him.”

And just like that, the breath was knocked from her lungs. As quickly as her savior had come, she disappeared. Mahiru had turned against her, for the sake of that damned doctor.

Now Amane had nobody left in the world.

She lashed out one last time before her injuries overtook her completely. Her adrenaline was receding.

“This is for your own good.”

It wasn’t. 

She’d experienced things for her own good. When her mother punished her, she’d repeat the reason for it over and over. When her father brought down his wrath, Amane knew exactly why he was doing so. Her teachers would ask her, when they’d finished giving out their discipline, if she’d learned her lesson. It made sense. It was fair.

There was no lesson here. 

One must work towards holiness. Amane had been working her whole life. She’d fought to learn from each punishment. She tried so hard to be good. But now, there was nothing to learn, nothing to strive for. There was nothing at all. Yuzuriha Kotoko was killing her, Kajiyama Fuuta was leaving her, Kirisaki Shidou was dooming her, Shiina Mahiru was betraying her, and there was absolutely nothing she could do. 

Hopelessness was a trial all on its own.

#milgram #amane momose #mahiru shiina #featuring shidou kazui and fuuta (rip) #yours was actually the hardest to write because you have so many aspects of ooa covered already 😂 #i know you have a version of this scene but i had some ideas and figured it wouldnt hurt to try my hand at it #trying to toe the line between putting you in amanes shoes and feeling as if her home was a comfort and all these outsiders #are the enemy for going against those comforting beliefs #and also being like 'nah her upbringing/beliefs are completely messed up too' #anywayyyy hope you enjoy 🙃 ilyyyy #uuuhhh i mean -- Face Your Judgement Guilty Prisoner 🫵 #drabbles #milgramblrgram #tw cults #tw child abuse

[merakiui]

some thoughts about jade leech as a stalker.

(cw: yandere, nsfw, stalking, unhealthy behaviors/relationship, obsession, mentions of death/strangulation)

Jade does not love often. In fact, he has a rather small supply of love, which is reserved for his hobbies and family, so when he loves something other than those two things it can only mean trouble. When Floyd has something special and doesn’t share... Well, naturally Jade’s going to want it. He’s never been inherently greedy. Rather, he’s always let Floyd have everything: the larger half of a bluefin tuna, the shinier stone, the bigger seashells, the slice of cake with more frosting, his uniforms whenever Floyd’s were dirtied or damaged. And in return Floyd has, for the most part, shared his things with Jade. This has always been their normal. 

But this time Floyd makes no mention of sharing when it comes to you. In the past, when they were particularly interested in someone, they would share them. Or, in other words, torment that person in equal succession. Azul has been their prime target for years now, and it doesn’t look like either of them will stop their relentless pursuit in seeing how fast they can get Azul to grouse or groan or sigh. You might think they live to see Azul’s misery, but truthfully they want to accompany Azul as he carves misery into the hearts of the poor, unfortunate souls who thought it wise to do business with deep-sea beasts. Teasing him is just a bonus. 

When it comes to you, Floyd is his usual authentic self: blunt and honest to a fault, dangerously so. But that’s what makes his twin so fun. Floyd won’t sugarcoat the obvious. If he dislikes you, he’ll make it known. Jade, on the other hand, will speak syrupy sweet lies in an effort to maintain proper goodwill, even if he detests you. You’ve never really interested Jade, so he can’t say he hates you. But he can’t say he loves you either. To him, you are just a powerless human in a habitat that does not suit you. Really, even with all of the tricks and traps you pulled to beat Azul at his own game, you remained boring to him. He didn’t pay you much mind after everything had been resolved and you’d been free to return to Ramshackle. That should have been the end of his story with you. 

But then, some time later, you start to make frequent appearances at the lounge. It doesn’t take Jade long to learn that you only show up when Floyd’s on shift, and it also doesn’t take him long to theorize that you might have fallen for his brother’s unique charms. It’s sweet, in a way, how Floyd lights up when he sees you, how you smile a little more brightly when he speaks to you, how your laughter is so very buoyant when Floyd lifts you into the air and spins you happily. Jade’s content to watch from the sidelines, pleased to know that his brother has found a friend in you. That might make it easier to trick you into a contract.

He’s so set in this way of thinking, only viewing you as a pawn or a stepping stone towards some bigger end goal. But when Floyd brings you back to the dorm and you become more than a constant in Jade’s life, he starts to wonder what makes you so special. What is it about you that has his brother so enamored? What makes you irresistible? What parts of you are appealing? Jade thinks it might be how quick it is you submit when Floyd’s got you pinned into the mattress, face first, rough hands spreading your thighs apart, so he can sink into you more easily. Floyd likes that; he likes the weak things that crumble under him. He likes to push things to breaking. He likes to mark and bite and bloody and bruise and shred.

Jade likes to fix. He likes to mend, and then break, and then mend all over again. He likes the process, the psychological science behind a simple gesture, much like how he takes great pleasure in playing god over the plants in his terrariums. They say a budding serial killer starts small—with animals like rabbits or squirrels or cats. Jade starts with plants. He’ll put them in stressful environments—in soils with nutrients that don’t quite work—and he’ll watch them wilt, mottle, mold, and decay. He’ll watch them struggle to adapt, he’ll watch them yearn for water or sunlight, and only when he’s certain they’ve had enough he’ll give them proper, healthy care. It’s fun, the way he has so much control over something as dynamic as a plant. But plants cannot protest, cannot fight back, cannot act in the same way humans do. 

But it’s quite satisfying to pluck dried petals from a withered flower, almost like a morbid game of effeuiller la marguerite, and not hear a single scream.

So Jade is fully expecting Floyd to tire of you, to break you enough until boredom sinks its fangs into him and he moves on with his life. And what Floyd breaks Jade fixes, so he’s very ready to glue your heart together when Floyd shatters it. He’s ready to offer a handkerchief and his ear should you need to vent. He’s already prepared his speech: “I must apologize on behalf of Floyd. You know very well how he gets. If I can be of assistance in any way, please let me know.”

Unfortunately, you remain intact. Months pass, Floyd continues to love you, and your relationship unfolds like a lotus in early morning. Jade continues to observe. Floyd has never been one for privacy, so he’s seen every kiss, every bite, every inch of exposed skin. Hell, he’s sat at his desk and tallied Mostro Lounge’s monthly expenses while Floyd fucked you dumb on the other side of the room. He’s even made eye contact with you when you happened to gaze his way while his twin was buried balls-deep in that tight hole of yours. He wonders what goes on in that head of yours. Perhaps there’s nothing substantial within. Floyd’s scrambled your brains enough, so you could just be useless now. Though that wouldn’t be very fun, would it? He knows there’s more to you than you let on, especially when you play top and take every inch of Floyd, riding him so skillfully, and all Floyd can do is dig his fingers into your hips to guide you along to the rough, erratic pace the both of you have set. 

Jade watches fondly from the shadows. Floyd likes to have access to your neck and shoulders; he likes to take you from behind while leaning down to bite into soft flesh. But Jade thinks it would be much nicer to gaze upon your face, to kiss salt from your eyes, to pepper your jawline with tiny pecks, all while peering into eyes that house a beautiful soul. He thinks it would be nice to hold you down, have your legs wrapped around his waist or thrown up onto his shoulders, while he bottoms out. If it were Jade, he’d take you in every position, but he’d find the most pleasure in eye contact. There’s something intimate about it, much like how there’s intimacy in the hands that wrap around a throat. You have to be close to someone when you’re restricting their airflow; you have to squeeze until veins pop, until your hands are sore, until your fingernails have burrowed so deeply into skin that the crescent moons color crimson. It takes minutes to strangle someone, and every minute is spent staring into the wide, terrified eyes of a desperate soul on the verge of death.

Jade likes the way you smell, the way you speak, the way you laugh, the way you are, in every meaning of the word, so very filled with life. Even down to the way you breathe and gasp and moan and cry, you are life itself. Jade wants to bottle that for himself—pluck you from Floyd’s flower pot and place you in a terrarium with the most potent elements just to see how long you’d fare. He wants to save you from those same conditions, sandwich your face between gloved hands when he’s kneeled to your lowered height, and whisper about how it’s okay, about how you’re safe, about how he’d never truly hurt you. Jade knows that loving someone is a very special thing, but the way he loves you is not quite pleasant. The love he has for his hobbies and family is natural. Normal. Simplistic and familial. 

The love he has for you is murderous and frightening. Some days he looks at you like you’re prey he’s not yet devoured. Like you’re to be his first victim. 

Jade starts small. He takes tiny trinkets—a keychain, a pencil, an accessory. He stores these in a shoe box under his bed. When Floyd brings you over and clothes are cast aside, he swipes your undergarments for himself. He won’t wash them until he absolutely must. He’ll have the soft fabric wrapped around his dick later that same evening when Floyd’s fallen asleep and he’s up late contemplating love and lust and life and death, and he’ll cum to the thought of you. Sweet, adorable, oblivious you. 

He’s what one would call a persistence predator—a hunter who gradually wears his prey down over time. He takes from you, watches you, listens to you fret about missing things to Floyd, who promises to find the bastard who’s messing with you and squeeze them until they’re blue and purple. Jade smiles at that. Floyd wouldn’t really do that to him. Sure, they’ve hit each other when they’ve fought and roughhoused on occasion, but the punches were never truly meant. Sure, they might have been thrown playfully or angrily, but they were all temporary bouts of strength. Floyd wouldn’t truly hurt him, so to hear these determined promises and to see how you relax around him... It’s really cute. Jade wonders how much more he can take from you. 

And he wonders how much more you can take before you’re splintering. 

Really, you got lucky that Floyd picked you first. He’s far more merciful. Far more sweeter. Far more loving. At least Floyd is honest with his (at times) rough nature. At least he makes it known that he wants to bite you until you’re bleeding. But Floyd can’t stand whining. He hates it when people cry about things he can’t bother to care about, and lately you’ve been whining about this stalker you think you have for weeks now. Floyd’s told you you’re just being a scared shrimpy—that there is no stalker, that you’re probably just misplacing or losing these items, that none of them really matter because they’re replaceable. 

Jade gets lucky when Floyd finally washes his hands of you, officially fed up with your whining. And what Floyd damages Jade fixes. So when you’re in tears, distraught over the break-up and your missing items and your stalker and the fact that the door to Ramshackle was left unlocked again and that you feel like someone’s living in your shadow, Jade arrives to rescue you from your fear. You don’t even hesitate to cling to him and cry, spilling your worries in waterfalls. Perhaps it’s because he’s a familiar face. He is a reflection of Floyd, after all. 

“Oh dear,” he’ll whisper, stroking your back, allowing you to bury your face in his chest and sob. “There, there.”

You can’t see his expression, but there is a smile spreading on his lips. And his eyes are alight with cruel glee. 

“Would it make you feel better if someone accompanied you to your classes?” Your feeble nod is all he needs. “In that case, shall I spend a few days at Ramshackle with you? I’m certain whoever’s pursuing you won’t get very far if I’m around.”

And he’s right. Your stalker never takes anything again. They never leave the front door unlocked. They never trail behind you, taking shelter in your shadow. That’s because he’s your stalker, though you never managed to figure that out, and this time he doesn’t have to dwell in shadows or on the sidelines. This time he can stand before you as a friend, a soon-to-be lover, and perhaps a lifelong mate. 

Jade does not love often, but when he does it is as beautifully painful as tearing the wings from butterflies. 

#meraki mumbles #yandere twst #n/sfw #i think my favorite thing about writing yandere jade is how brutal and remorseless he can be #it's probably because he grew up in the harsh environment of the sea #which would naturally harden anyone and make them more predatory than a prey #it's probably also why he (and floyd and azul) see nothing wrong with murder #yes it's morally wrong and very much illegal #but in the ocean it's eat or be eaten and really do you think jade is going to let some other predator snap his darling up? :) #challenge: write one yan jade thought without it spiraling into a thought about his murderous rizz #challenge failed </3 he is a walking danger you cannot tell me he wouldn't think of the most horrifying things when it comes to darling #more jade thoughts!!! consider an artist (painter/sculpter/etc) jade who is absolutely obsessed with you (the nude model from his art class) #because you're the one who has finally inspired him and broken his months-long artist's block #and also because he'd like to paint you in the most vicious red #or jade who has broken into your home and is living there in secret without you knowing #sometimes he sleeps under your bed just to hear your steady breaths #he never rearranges anything in your house but he does do the dishes or clean up messes you've made #you can never remember if or when you cleaned these things but you never think much of it #jade stands at your bedside when you sleep at night and he watches you #you'll happen to wake and you'll spot him but by the time you've scrambled to wake up and turn the lights on he'll already be gone #so you're left to wonder if he was ever there in the first place or if you were still dreaming #he is the terror that you will never see until it's too late