anyway literally everyone is going through something all the time!!! everyone is wounded!!! everyone is human & no one makes it out of this life unscathed!! maybe try approaching people in good faith instead of always defaulting to the worst possible interpretations of each other
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every single thing said about kaz is just like, patently false to the point of irony. dirtyhands about a man whose hands are literally spotless because they're never uncovered. without morals or conscience, would do anything for money when it is repeatedly implied he's passed over business opportunities if they involved slavery or indentures. doesn't say goodbye, just lets go about a man who has made it a point to never let anything go. doesn't need a reason when he is proven to never act without a reason, and in all actuality usually has at least two. and this is without mentioning bastard of the barrel about probably one of the only barrel kids to have at least started out with a "normal", happy nuclear family...
and it just makes me think: kaz is deliberately written not to be better than people say he is, but just bad in different ways. he is not good or virtuous or compassionate; the point of having people say things that are not true about him isn't to make a point of his completely different nature.
so the point of it can only be to emphasize how nobody really knows him. to draw attention to his absolute isolation. and maybe to give more credit to how much his 'armour', which is supposed to protect him by keeping everyone away, really only serves to keep him away from everyone else.
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Gabe's death didn't have as much weight in the series as it did in the books
However, I think it's a bit symbolic that his last scene was like his first scene: Invading other people's privacy without caring about what others think
The difference, however, is that this time he paid the price for his actions.
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A calling card arrives on your doorstep!
thought it'd be fun to make silly little edited together calling cards for twitch and grace >:3c
(twitch wrote theirs while mid steering a ship, probably)
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read the green bone saga this week and i’m just saying. if you want an in-depth political fantasy mafia thriller (yes all of those words apply) set in a post colonial nation that is navigating an unsure global political position and the potential exploitation of its culturally significant resource that simultaneously explores the bonds between family and how they can take different shapes in the wake of loss and love and life, with brilliantly developed, fleshed out characters and realistic pacing (both in world and in the actual delivery of the story). i HIGHLY recommend.
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when I think for any length of time beyond a fleeting half-second about the conclusion to the Jamie & his abusive father plotline I still seethe, months later :)
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i have a VOY confession: I skipped Threshold because the rating on imdb was SO so low... is it required viewing???
I was holding off on this question so I didn’t give you the most insane rambling answer, so thank you for your patience. Short answer: I definitely think it’s worth a watch. I, thresholdbb, am obviously biased about this, but imo Star Trek isn’t quite Star Trek without its delightfully campy side.
Threshold is often pointed to as the worst episode of Star Trek, and it has also been voted as such. That said, it really isn’t that bad. The science is iffy at best, but it’s science fiction and that part gets a pass in my book. It only veers into the ridiculous in the last act, otherwise it’s actually not bad. If it didn’t take a hard left at the end, people probably wouldn’t rag on it as much as they do.
Tom Paris has some excellent moments and Robert Duncan McNeill was having a blast being a mutant, chewing up all the scenery. The EMH has a bit that makes me laugh every time. Janeway is delightful as always. Plus, the episode won an Emmy for make-up.
Really though, I love what episodes like Threshold (and the like) represent: a willingness to take risks. Some of that has been lost in the bigger budget productions that have come after (they’re coming back around), but I unabashedly adore that these “bad” episodes exist. Plus now we get to poke fun at and enjoy hyper-evolved salamander babies for eternity. What’s not to celebrate?
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JOAN.
Dauphine of France. Princess of Scotland. Princess of Albion. Queen Regnant of Scotland. Queen of England. The Half Breed Heathens Whore Of A Wife. My Darling Wise Thistle. Little Wise Eyed. Jeanne.
Though Joan’s father died not six months after her birth his love for her was remarked upon - indeed it was said that he could hardly bear to be apart from her.
His death was something her mother Mary never recovered from despite two subsequent marriages and the reminder of him in her black haired and grey eyed daughter seems to have been a mixture of grief and solace to her.
Joan proved to be a serious child - interested in books, archery and riding but with a keen talent for music she was included in and educated in rulership from a young age, particularly by her paternal grandmother who remarked that she saw ‘very much of Marguerite of Navarre in her’ she was excellent at politics, at rulership and in her concern and interest in the lives of all her people but she was not warm and nor did she have the charisma and ability to draw the eye of her mother, something that drew unfavourable comparisons.
Her marriage was made out of pragmatism on her part and no one was more surprised than Joan when it turned into love.
(inspired in part by this edit by @emilykaldwen (ABBY MY BELOVED))
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