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#taking this from my other blog
poorly-drawn-mdzs · 4 months
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No time to play. You are being sent away.
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#poorly drawn mdzs#mdzs#yu ziyuan#jiang yanli#jiang cheng#wei wuxian#Do you know how hard it was to *not* do a 'Sold To One Direction' spoof comic? It took nearly all my will power.#Mostly because it misaligns a little too far off from the canon events and vibes.#But sit with me for a moment. Consider it:#“BEEP BEEP BEEP. I threw my pillow at my alarm clock. ”Wei Wuxian get your lazy ass downstairs!“ Yu Ziyuan yelled.#I ran to the bathroom and looked in the mirror to see my grey orbs staring back at me.#I put my long straight black hair in a ponytail with a red ribbon.#I went downstairs to see my adoptive mother holding a bottle of vodka and a cigarette.#'Listen up whore! I need money to pay the bills so I sold you. Your new owners will be here any minute so go pack!'#I stormed upstairs. There was no way I was going to let her sell me to a creepy old man!#I decided to run away. Since I'm not like other girls I don't have very many friends.#My gay friend Lan Zhan was mean but he lived like a block away.#As I opened the door I saw Wen Chao blocking the door. 'Ello Love. We're your new owners!'#I rolled my eyes and pushed him. 'Aren't you from that stupid Wen Sect? There's no way in hell I'm going with you!'#Hey again. It's me the OP of this blog taking a pause. I haven't actually read this story before aside from the memes#and I am honestly reeling from how this watpad fic chapter ends. What do you mean one of the one direction boys chloroforms her???#Chapter 2 is so much worse#Why is there such a strong focus on the *eyes* of every boy!!!#This fanfic is a horror story actually. I came into it trying to make a funny parody but I got in over my head. Dear God.#It's me again. Several minutes have passed and I'm on chapter 4. What the FUCK is going on here?#I feel like I opened up pandora's box hoping for a fun little treat and got the plauge upon me. Dont read this fic.
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thefamilyhat · 7 months
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making a simple ref for the kiddos its still a wip but I'm happy with how its coming along! :]
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ginevrapng · 8 months
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content warnings: non explicit drunken sex between james and lily, dubcon/noncon? (idk it's fucked up the drunk sex went wrong), emotional cheating(?), (i really don't know how to tag this one guys- if i've missed something lmk)
// (1.5k words) // best friend!james potter lives in my head rent free, reader not specified which house they're from but has access to the gryffindor common room, chubby reader
best friend!james is completely in denial of his feelings towards you so he spends his days chasing after lily evans. days become months and then become years, flirting with her daily and chasing her. he is a chaser it's what he does.
you constantly scowled him as it seemed like lily had no interest in him. you didn't want him harassing her. when he started showing interest in her it hurt, you knew why of course, it's hard not to fancy the great james potter but you quickly got over your feelings when you realised you had no chance with him, he was your best friend and nothing was going to spoil that.
what surprised everyone was when lily started to treat james nicer, when she started to smile at him in class. no one could have guessed this complete 360 of her feelings. the next time james came up to her in the great hall bugging her he asked her to be his girlfriend and she actually said yes, causing james to pause in shock for a moment and then start grinning. "knew you'd say yes eventually evans."
lily just rolled her eyes and told him to shut up.
you heard about what happened later on in the day and were shocked yourself. you never thought they would actually start dating, she never seemed like she was interested in james before and previously you spent so long trying to tell him to let it go and find someone else but you're happy that he's happy. he's finally got the girl.
so why does he feel so empty?
their relationship was good, they went on dates and lily always laughed at his jokes, he started to pay attention more in classes they were both in together to impress her and it seemed like lily became less stressed and uptight. they're both happy yet james feels something is wrong. even through he still grins from ear to ear, still has that mischievous attitude you love and his pranking nature, even though he's acting the same, he knows being with lily is wrong, he doesn't even know why but being with lily doesn't feel right.
lily and james have been dating for months now and james has been able to ignore that nagging feeling. one gryffindor party changed everything though.
gryffindor beat hufflepuff in a quidditch match and the house was celebrating, even people from other houses came to support gryffindor's win, however they may have came for the drinks because the gryffindor house always throw the best parties. either way everyone was wasted by the end of the night, some more than others. james being one of those, lily being someone who is nearly equally as drunk, even though she swore she wouldn't drink much as to try and keep an eye on everyone however that plan was shattered when sirius and marlene kept passing her drinks every ten minutes.
lily and james later made their way upstairs to be in private as the night started coming to and end and as soon as the door was shut they started making out and clumsily taking off each others clothes before falling onto the bed together. james placed a kiss on her neck, making her moan and breathily say, "jamie, come on, no playing around."
the only person who ever calls him jamie is you, every single person teases you about it but you never relent. in james' drunken brain his conclusion is that he's kissing you.
james could never ignore your requests and gives 'you' what you want, he tried his best to be slow but he couldn't, he thrusted into 'you', who he thought was you and started babbling. "god, i love you so much." lily wraps her legs around him causing him to groan. he says your name. your name. he says he loves you. lily realises what is happening and thinks maybe she misheard there is no way that james doesn't love her, not after how long he's been trying to woo and pursue her. that is until she heard him say your name again.
lily pushes him off her and she stares at him, james cocks his head in confusion. she's drunk and angry and so very confused so she storms out the room and slams the door loudly before going into her room, flinging herself on the bed and crying until she falls asleep. the morning after is confusing for james, he's hungover and doesn't remember anything from last night but he knows that lily is ignoring him.
he finally is able to get her alone after some help from sirius, by saying that he needed her for something before leaving them alone, and james asks her why she's so upset and mad. she scoffs. "leave me alone potter." james winces at her tone, now they're dating she always calls him james and only calls him potter when she's teasing him. she turns around to leave and james chases after her. "we're done james! don't talk to me! don't even look at me!" she spits out venomously. his blood runs cold as he just nods, he's never heard her speak like that before, he thought that maybe if he gives her some time she might tell him whats wrong and he can fix it.
she swivels round and marches back over to him, james thinking that she may have already calmed down before he saw her face. she points her finger to his chest, "another thing potter, were you ever going to tell me?" she hissed.
"tell you what?" james asks softly, trying not to anger her anymore but that doesn't work, if anything it just made her more pissed off.
"that you love her!" she throws her hands up exasperated and full of negative emotions towards him and towards you too, despite this is not your fault. james furrows his eyebrows, unaware of what she was talking about or who's she referring too.
"you're in love your best friend! when was you going to tell me james, huh? a year from now, ten years from now? on our wedding day?" she screams at him, not caring if anyone heard.
"oh," james replies quietly, his body posture relaxing.
"oh? is that all you've got to say to me?" she shouts at him.
"yeah. basically. i'll- i'll see you around evans. i really am sorry." james tells her, not really knowing what to say to her before he walks off.
lily's blood boils as he reacts so calmly and doesn't try to defend himself in the slightest. he doesn't try to fight for her. he has the gall to walk away from her.
he spends the majority of his day holed up in his room. he wasn't sure what happened last night but he knows it must have been serious. he's now single. even though she never said the words "we're breaking up" or "i'm dumping you" it was worse. lily hates him and he's now confronted with his feelings. can he really stay in denial and pretend he's not in love with you if lily knows, what if she's told the others. what if she's told you?
he rushes down into the common room, nearly tripping and falling on his way down. he has no idea where you'll be and sirius has the marauders map, maybe you'll be in the gryffindor common room hanging with everyone but you also like the library but you also like- "been look for you everywhere, where've you been all day?" he's interrupted by his train of thoughts by you. he lets out a sigh of relief, you're right here and even if lily has told you you're still cheerfully smiling at him. "jamie, you alright?" you looked concerned after noticing he's just staying silent and not moving.
suddenly he pulls you to him and hugs you tightly, making you giggle. "jamie, this is great and all but you're crushing me." he reluctantly lets go of you and takes you in. your comfy warm clothes you're wearing due to the weather that james finds highly annoying because your clothes are so baggy that he can hardly see your body, he wishes he could see your round frame and your cute soft tummy and plush thighs but you always complain about it being too cold. he looks softly at you, your hair is all messy and windswept, chipped nails from when you've been biting them and picking them because of exams coming up and chubby cheeks prominent as you smile, you look beautiful, perfect.
you put your hands on your hips and look cross at him, playfully, not like lily, but like you're not actually cross, it's not in your nature to stay seriously mad at him. "i've got a bone to pick with you." james freezes up, worried that lily's told you. "why the hell is lily ignoring me? sometimes it's like she's shooting daggers at the back of my head."
james chuckles, "ignore her. we broke up earlier on today." you thought he'd be more torn up about it but he's beaming at you.
"i'm so sorry jamie," you tell him earnestly, grabbing his hands in yours and holding them to your chest.
his heart jumps at how much you care for him. "i promise it's fine. i've realised she was never the one for me." you were about to question what he means by that and to ask him to elaborate and if that means he broke up with her but before you can do that you hear the laughs and chatter of the other marauders come in, they heard that lily and james broke up and came to console him, thinking that he'll be away from everyone in his room only to find him in the common room grinning and laughing, when they saw he was with you it made sense.
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theelvishfiddler · 2 months
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I've seen you around in other askboxs, hello! I don't have any aus in the @/tmntaucompetition, if that is what this is for?, but thanks for stopping by!
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I just realized I haven't shared anything about these guys yet... ah well, say hi to the tweens.
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pixlokita · 4 months
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I feel like ? I gotta remind people it’s ok to unfollow a blog when it upsets you in any way >> like if I ever do that sure, you can let me know if it was anything I did personally I’d appreciate it but if you just don’t enjoy something it’s ok to unfollow ;w; can’t stress enough how important it is to put your mental health first 👌
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mattodore · 3 months
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pay attention to theo’s beautiful face and not whatever matthias’s arm is doing... i liked the lighting more here than against the wall
#these are the last screenshots i wanted to edit from the ones i took on the 22nd and had been slowly editing throughout the week#will finally be putting mattodore in their thirties to rest 🙏⚰️#river dipping#echthroi#matthias evanoff#theodore doe#a burning house to live in#ts4#ts4 edit#simblr#ended up not doing much to these screenshots tbh… i was so into the audiobook i was listening to i kinda just. stared at the wall a lot...#my brain was telling me this wasn’t worth posting bc i’ve done so many mattodore edits recently and this isn’t anything different but.#like i did actually spend a few hours with these edits so. on one hand i’m like this isn’t really anything#but on the other hand i’m like. well they’re my ocs whom i love dearly and i’ll probably enjoy looking back at this#the same way i do all my other recent edits which i open my own blog up to stare at like. multiple times in a day#obsessed atm……..#anyway.#god… matthias is so huge he always takes up so much space i’m constantly having to crop him out of edits 😭#and these are poses that weren’t even made from me…. so he’s not even at his full 6’3’’ height and size like 😭😭😭#he distracted me but that aside... i'm waiting for my game to open up atm so i can get back to tweaking alessandria's sim#her face is gonna take me forever.................................#ik i don't talk about my other ocs on here much anymore but alessandria is my third favorite oc (mattodore obviously being my top two)#so... i'm seriously gonna agonize over every update i make for them now kjdhknjf#ocs with tragic backstories save me...................#i’ll probably spend a few hours with alessandria in cas and then i’m going back to google docs to write more abt mattodore
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crystallizsch · 2 months
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hello i am once again thinking about grim, and by extension the heartslabyul duo because if there’s anything else that lives in my head rent-free it’s how the main four are as close as friends as they are throughout the entire game so far.
(help this ramble became longer than i intended)
-> i know it's a pattern that the previous dorms help out in the next book which means once book 7 ends, we’re assuming book 8 would be about ramshackle(?). which means it’s diasomnia’s turn to have a big role in the following dorm. -> but it got me thinking. throughout the books, heartslabyul (specifically adeuce) is always present somehow. no matter how much screen time they actually have and how relevant they are to the conflict at that time. (actually i think something similar could be said with diasomnia but i want to focus mainly on adeuce) -> throughout the books, we're just set up with how good of friends the four are. the prologue, books 1 and 2 start to develop the four's chemistry together, and by book 3 we get one of the first signs that yuu cares about these three to the point they're willing to risk it because their dumbasses decided to sign a deal with azul. -> in book 4, while adeuce didn't have much involvement, i believe twst JUST hammers home that all four of them are friends friends. we are shown how ace and deuce went through all the trouble of transportation DURING THE HOLIDAYS because they thought yuu and grim were in trouble. like they could've easily just went "hey it must have been nothing" but they were worried enough to go check on them, not even thinking that someone else could've had handled it already.
-> since the pattern was that the previous dorm helps the next dorm, why does it seem like in book 5 it seems that heartslabyul, or at least, adeuce has as much of a big role as scarabia? the scarabia duo was there to notice the signs with vil but it was deuce who dealt the last blow to him. (honestly i don't remember much but i don't know how much help scarabia even helped pomefiore other than being in vdc hhh) -> so then it made me think, huh. it's like twst is setting up that these two will be more important than we think and will definitely not be going away soon. -> and then THE END OF BOOK 6. ouughh the end of book 6. their reunion just solidified for me how much they all care about each other. adeuce were not prompted by a direct "we're in trouble, help us" text this time. they just found out yuu and grim were somewhere in danger and it agonized them that they could do nothing about it but wait and hope they're safe. -> book 7 finally we're back to finding out ways to help yuu get home. and since they're all admittedly close friends (dare i say found family) at this point without explicitly stating it, i get the vibes of "we'll help you get home because we care about you but we're not going to think about the depressing possibility we might never see each other ever again".
-> so very abrupt transition;;; this led me to thinking about the overall “alice in wonderland” theme throughout twst. -> is that why adeuce has been with us this entire time? to remind us of that theme? we are in twisted wonderland after all. (I'm not really sure about the thought of yuu being alice but it's an interesting one to consider too) -> to tie in more with the alice in wonderland theme, i'm briefly going to go back to diasomnia. in book 7, there's like a theme of dreams. in fact, throughout the game it was all about dreams and visions and stuff. and in book 7 we're just diving into it. -> and in the story of alice in wonderland, there seems to be the implication that everything that happened in wonderland was just based on a crazy dream that alice had. like we don't know if anything was ever real. (i'm not really a fan of the "it's all a dream" twist but the connections got the gears in my brain turning) (also mickey must be relevant too but i have no thoughts about the implications of his existence at the moment 💀) -> i know we're not done with diasomnia's book but it seems to be set up as a catalyst for something bigger along the line (thinking about the possibility that there is even something bigger than a malleus overblot is very wild to say the least)
-> SO ANOTHER abrupt transition but still related, i thought about the parallel between the "overblot grim" in the beginning of the game and the "jabberwock(y)" in alice in wonderland. they're both chimera-like creatures that are like the final bosses or something. -> and what if a way for yuu to "go home" is to "slay" the jabberwocky (or in this case the overblot grim) just like in the story of alice in wonderland / through the looking glass. -> there's theories i believe that ace is set up to be some kind of "trump card" based on his name and the fact his unique magic isn't revealed yet. but also i want to add deuce in there too remembering how he held a big role in stopping vil in book 4 like some kind of foreshadowing. -> maybe the main role diasomnia will have is only about all these dream shenanigans. and i'd like to think instead that at the end of the day, this conflict with an overblotted grim is ultimately between our main four. some representations based off alice in wonderland. -> going full circle, is this why we have been shown so much of the friendship between all four of them? to establish this possible eventual conflict? and to make it harder for us to choose about "going home"? do we even get the choice?
do we "slay" the jabberwocky or will we decide to stay in this seemingly dreamlike fantasy wonderland instead?
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cyberpunkaddict · 5 months
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The deadline has passed. Thank you to everyone who participated ✨🫶
CP2077 OC Gifs Giveaway part 2
Heyyy! 💕💕💕
Omg, time flies! Christmas is around the corner and I wanna give you some…gifts. *insert bad joke here haha.*
I’m doing another Cyberpunk 2077 OC gifs giveaway. I'll pick 2 random people from the likes on this post and take your OCs out for a spin, and make some gifs. 📸 (Remember to read the rules below.)
And no worries, it doesn’t matter if you use mods or not.
If you wanna see more examples of my gifs see this tag #cyberpunkaddict.gif.
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💕 Rules
Like this post by December 25 2023.
Follow my blog.
Feel free to reblog if you want to, but it’s not a requirement.
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💕 Thank you!
I know I keep saying this, but I cannot say it enough… Thank you so much for everything! This game will always have a place in my heart, and that’s because of this fandom. I just wanna give back, you know. Besides, I love making art so it’s my pleasure. :D
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Gifs starring @punkraemans Lynk & @wilxfyres Virgo & @imaginarycyberpunk2023s Vinnie, & my OCs Villiam and Vanessa.
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I'm surprised you haven't posted any Welcome home stuff recently! Honestly kinda makes me sad since I love your WH art and stuff
yea y'all are gonna have to be Patient w/ me bc
a) i have like. a week left to pack all of my stuff before i need to shove everything into a uhaul and leave, so its crunch time! leaving little to no energy/interest in anything else
b) to be honest my mental health is the worst its been in years - which is fine, its whatever, i can deal. it's not as bad as it could be and im handling it! like a champ, even! but also its leaving little to no energy/interest in anything else
c) had a minor crisis over my art and how i interact w/ WH, and i realized im not scribbling enough of what I want. ive mostly been trying to please people and do as asked and thats! not good! so i want to temper expectation & reassert that im Not a WH art blog - its just a hyperfixation / something i love rn. i draw what i enjoy & what i want in the moment.
#i picked up my tablet last night and all of my motivation died on the spot#so im just. eh whatever ill get back into the swing of things eventually#but yeah im spending my time packing & keeping myself afloat! not much room for other things at present!#rambles from the bog#but yeah i was starting to feel like a commodity of sorts?#like the majority of asks are just some form of 'can you draw this' 'draw this' 'id love it if youd draw this'#which is. fine. im an art blog! thats what i do!#but its also like hey. im just some guy doodling what they enjoy. im not a machine churning out content for consumption#& it gets to the point where there's so much expectation and obligation and 'demand'-#when do i ever sit down and truly indulge in what i want?#like the monster scribble i posted the other day! it made me so happy! i love monsters and Beasts!#when do i ever allow myself to draw them?#rarely bc i feel like people Expect puppets from me. and thats not a great feeling!#i love puppets i love wh and everything but i would like to enjoy it w/o pressure yk yk....#& for a second there i Was feeling the pressure and scribbling puppets was starting to feel like a chore#something i Needed to do to please people#so! im focusing on real life & taking a break from creation & keeping my mindset away from 'jump into traffic' thankyew <3#theres just too much going on right now#in my head And outside of it.#so ill stick to packing & binging psych & i'll lovingly place everything else on the backburner
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thistledown-moved · 1 year
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So funny when people make posts like "if you REALLY had [disability here] you wouldn't be ABLE to have a social media account" like god forbid disabled people do anything that isn't lament in total isolation until they are Fixed or until they die.
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psalmsofpsychosis · 1 month
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"#Batman resists his own insanity so it spreads to e v e r y t h i n g around him"
You can't just say this and not elaborate in great detail. PLEASE elaborate oh my God. I do agree but I want to hear every single thought you have about this topic.
Btw, I'm the same Anon who asked -- or not really asked but more so talked -- about Batman and Joker's soulmate sort of bond.
AND WHAT DO YOU MEAN WITH "COMBINING JOKER'S HEAD WITH BATMAN'S BODY"???????
I was thinking along the lines of the concept version and how they could never be satisfied like this, united in one body. What is the result of mixing chaos and order? What is the result of mixing the act of forgetting the past and fixating on it? What do you get through combining the ideology of making everything matter and taking all meaning away?
The result is that the pure concepts become stained and dull, pushed away from their original function, losing their purpose to oppose each other.
Becoming one entity is the act of becoming complete (concepts being stained) and losing the thing that made them them. Batman and Joker were never meant to unite in this way with overlapping voices, finishing each others thoughts and sentences and it SHOWS. I'm in love with their grotesque obsession with each other that borders on love and punishment. Their desire to win and conquer the other for good but never being able to because losing one side takes away the purpose of the other.
That's why I'm so, so, SO disappointed with how the Batman Who Laughs turned out. Where are my identity crises? Plural, because this could never be an one-and-done kind of deal. They became OneTM, inentionally or not, but BeforeTM, they were always wondering what it would be like. Batman could try to get closer to Joker's mental state but never fully experience it, same with Joker. But now they are OneTM and then what? Batman is just the Joker with Bruce's memories and face. I can't begin to describe how boring that is. That's like if DC made a "Deadpool kills the Marvel Universe" story only they used Joker instead of Deadpool.
Do you see my vision? Can you feel my pain? I wanted to psychoanalyse that asshole with my amateurish psychology knowledge but they only gave us a watered down Joker who makes other Batmen less interesting upon contact. WHERE ARE THE IDENTITY CRISES?? WHERE IS THE DIFFICULTY IN MAKING A DECISION?? WHERE ARE THE LENGTHY MONOLOGUES ARGUING BACK AND FORTH OR CONTRADICTING EACH OTHER ALL THE TIME??? The Batman Who Laughs is basically Two Face but without the wall seperating Harvey and Two Face. Joker!Batman should be unable to do anything or constantly switch between Bruce and Joker or save one life and then turn around and kill it. Like, where is the complexity? Why the hell is that guy only a murder machine?? That was neither Joker nor Batman's whole purpose??
Tell me all your thoughts, my friend, while I'm here spinning in circles and going insane. I'll never get out of this alive, you'll still find me ruminating on this on my deathbed.
I swear, if you give an absolute banger of an answer again, I'll come and start living in your walls.
Have a nice day!! :)
ANON LOVE OF MY LIFE, i'm shoveling all the insides of my walls out as we speak, you can move in by Wednesday morning—
Like, the way i felt every single word you said in my bones. You are so right, and there are a couple different points here and it's gonna get longer than usual so i'll separate each thought thread to avoid drowning in lé brain soup.
• Re: batman resisting his own insanity, i feel like i have simultaneously talked about this in 7986 different ways and haven't said anything about it at all 😂 possibly most of it has been discord ramblings. Long story short, the spine of his narrative to me is that he actively resists his own humanity and in extension of it, his evil. He wants to be good. But there's also immense psychological/emotional/physical price we pay whenever we make these kind of choices; whatever we disown and banish to our subconscious, we project out into the world and unto the people around us. The load you refuse to carry will be carried by the people around you, because at the end of the day /someone/ has to carry it, it doesn't just disappear into ether. So, in a way, for Batman to remain good, to remain a hero, someone else has to be bad. The extent in which Batman keeps his goodness "pure and untainted" dictates the horrors created around him— and particularly the creation of Joker. I say creation because the existence of Batman as a concept absolutely necessitates the existence of Joker. In a way Batman does create him, and it's true that with Batman gone Joker and half the evil in Gotham would be gone too, not because Batman is an evil presence— but precisely because he disowns his own evil.
And the thing is, in the specific context of Joker, it has become this almost loving, adoring symbiotic relationship; Joker has willingly shaped himself to fit the outline of an evil that Batman needs to defeat, he has become the sin that Batman can overcome so he can stay a saint. I actually have a draft on this that i never finished, a meta about how all the coloring choices in Joker's design eerily resemble the different color stages of a wound and the bruising after, how Batman almost feels like Jesus with Joker as his side wound, Joker being the price he pays and the pain he goes through for his martyrdom in order to stay pure, for his idealogy to have any form of meaning and significance, Joker being his very own holy suffering.
We fundamentally understand reality in form of contrasts, internal ones, external ones. As you very well pointed out, without an innate sense of contrast, we cease to have any form of coherent grasp on different concepts, and they start to sort of become noise, they become nothing. Would you truly understand what a day was and grasp it as a concept if it wasn't followed by a night? So like, what i'm saying is, people around Bruce/Batman become what he needs because they love him and they want to help him keep his narrative, the structure of his psyche intact. They help him stay 'him' by taking on the burden of what he doesn't want to be, he subconsciously shapes them in the image of what he needs to uphold his identity as a good person. This is why Alfred becomes Joker to save him, this is why Selina is the more socially acceptable pretty Joker that Bruce can actually marry and bring to his family, this is why Joker and Batman feel like they can never escape their narrative, their roles and their performance. It's the reason the moment Batman lurches to kill The Riddler in "the war of jokes and riddles", Joker stops his knife with his hand. It's their defined roles, and the greatest act of love that noone except Joker would show him. Joker says "I'm the sacrifice. I'm the evil, i'm the one who kills, i have made this choice so you can make yours. You're the good one. If you become evil, it renders both your efforts and my sacrifice meaningless, and i can not allow that to happen." And it's a truly fascinating dynamic really, for all that Joker has and hasn't done throughout the Batmanverse history, when it comes to Batman he's irredeemably selfless. Everything he does regarding Batman is to keep Batman's sense of goodness and heroism intact, and in this context he's more pure than him. Everyone around Batman wants him to kill, perhaps rightfully so, they mean well. But Joker says "i'll bear all the unbearable evil so you dont have to, and we both acutely understand that without my existence you mean nothing. I will be the monster so you dont have to." And honest to god there's a heartbreaking affection to this, something noone else will ever be willing or want to offer to Bruce, not to this extent.
in 'the war of jokes and riddles' Bruce tells Selina that "what separates him from utter evil is a hand on his knife. Joker's hand." like bro, he knows. In a deeply twisted and gutwrenching way Bruce knows that noone loves him the way Joker does.
• Re: combining Joker and Batman's heads and bodies, i was thinking.... two concepts maybe?? 👀 one is more like the Dullahan myth, in which Batman loses his head but he isn't carrying it, Joker steals it. And then Joker loses his head and Batman has to keep it and he's forced to use it. It'd be an insanely fun concept; the Dullahan myth can be interpreted as the idea of death of self by supposedly losing all that would make you human; your thoughts and memories and logic, etc. Except that you still have a heart, and a body, and they're not exactly cooperative. It'd be fun to have Joker's mind trying to tame Batman's heart and body, each fighting and singing their own song, same for Batman. A version of the myth has Dullahan carrying a human spine in one hand, and i mean, the possibilities are endless!
But also another concept would be: two frankenstein monsters lmaooo, same sense of discordent internal landscape, same sense of ideological tension and conflict, but also someone's gotta [tw mentions of gore] chop chop them and sew their body parts together, and that can be another interesting element added to their fucked up dynamic ✨️ it can also be Joker as Dr Frankensten and he sews parts of himself to Batman in order to save him!
• Re: Batman Who Laughs, oh girl (gn), i have nothing to add that you haven't already said more beautifully than me. There's so much emotional nuance and complex philosophy that could've gone into that concept, it's certainly one of the hardest Batman story variations to pull off, and weirdly enough, the people who dont directly aim for "Batman becomes Joker/Joker becomes Batman" stories often tell a better more intricate tale about that transformation than the people who straight up shoot for the concept. One of the things that always sends a chill down my spine is the ending of Batman: Europa, in which Joker is terrified and screaming as Batman laughs and lurches for him; that's the dynamic, that's the Batman who laughs, and the most unsettling part of it is that, Batman doesn't change. He doesn't have to. On a core level he is quite frankly a bit fucked up, it's not a stretch for Batman to be evil, and that's why his goodness is meaningful. Cue Nietsche's quote, "Of all evil I deem you capable: Therefore I want good from you. Verily, I have often laughed at the weaklings who thought themselves good because they had no claws." Batman is not a good guy entirely, and that makes his goodness a conscious choice with so much weight and worth and significance. I dont think a lot of DC people understand this.
With Batman Who Laughs, the name kinda sums up the take unfortunately; it's a superficial interpretation that falls flat on its own face because the writers couldn't be assed to explore how a chemical combination of Batman and Joker's narrative would unfold. ¯\_(ツ)_/¯ as with any potent chemical reaction, the mixture is highly unstable and unpredictable, and that's the fucking fun of it. There's gotta be tension. I do think Batman and Joker can very well mix, i do think they can make a seamless fusion, but i dont trust any canon DC writers to handle the characterization well in a way that doesn't bore you out of your fucking mind. You gotta make a new person and you gotta capitalise on the core components both Batman and Joker share; their incessant sense of idealism, their need for purity, their volatile emotions and their aggression, their need to individuate from their context and deviate from the norm, take the third way out narrative wise, their philosophical and intellectual bend, their immense grief, their need to be oh so special and different 😂 they actually have a whole lot in common, this is why they're perfect enemies!
But yeah, writing that personality fusion is very hard because it's such an emotionally complex context and most DC writers have not felt a single emotion in the past 35 years aflhdtdhlf
Anyway yep i love your brain so SO much Anon, hope you have a wonderful day ❤️💕 and dont forget to tell me what ya think!!
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ride-a-dromedary · 6 months
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Astarion and Shadowheart: *collars undone, thoroughly debauched* Sorry we're late! We were doing stuff. Halsin: *a step and a half behind them* I am stuff.
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warblercore · 7 months
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i redrew my first ever glee fanart!!!! i've been feeling nostaligic lately and wanted to track my improvement <3
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original
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ratcandy · 3 months
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I've come to realize I think I just really like drawing guys with fluffy neckpieces
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metrixnos · 1 year
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If you're still taking doodle requests- I require teenage techno in his emo phase because we all know this guy had one-
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Brought you my human!techno for this one
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hum--hallelujah · 9 months
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like a sledgehammer to a disco ball - 3.9k words, Fun Ghoul angst and protective Kobra Kid
Kobra jerks awake at the first creak of the floor. The only person who has any right to be in his room at night knows better than to step where the floor creaks. Instinct takes over and he's holding his blaster at body height by the time his brain and eyes are awake enough to see through the dark.
"It's me, it's me, it's me," Ghoul stammers, holding his hands defensively in the air. Only, it sounds more like "'smee," because of the way Ghoul is slurring. And he's bleeding.
Kobra drops the blaster as soon as he realizes that the dark smear across Ghoul's face is blood. "What the hell, man," he hisses, groping in the dark for a light with one hand and trying to pat Ghoul down to make sure he's not like, actively dying, with the other. He could be blackout drunk or he could have gone out alone like he does sometimes and any number of things could have happened. The cold metal of an old flashlight meets his fingers and he flicks it on, shining the dim light over Ghoul.
"I did something stupid," Ghoul says. Only, it comes out as "Uh did su'hn stooid," wavering slightly, because the entire right side of Ghoul's face, from the corner of his mouth to his cheekbone, is sliced open. There's a horrific flap of flesh hanging loose that's supposed to be connected to the rest of his face. That's where the blood staining his face and clothes and hands is coming from, and why when he speaks, it sounds wrong.
"Holy shit," Kobra whispers, feeling cold Zone night air sting his eyes because they're open so wide. "Okay. Okay, what happened?" He holds Ghoul carefully by one arm, feels the way he's shaking. He's always shaking, except when he's got his hands in a bomb. This is worse than normal though. This is so much worse than anything Kobra's ever seen.
Ghoul shrugs, waves his hands vaguely and wildly. Kobra hisses a sharp breath through his teeth, frantically runs a hand through his hair. "Okay," He says again. "I'm gonna get-" He needs Jet, de facto medic, he needs Party, needs his brother-
"No," Ghoul says sharply, and that at least is completely clear. His eyes are wild from what Kobra can see in the dark. If human eyes could glow, his would. He grips Kobra's arms. "Please don't," he mumbles around the gruesome injury. His voice is high and frantic, and it has to hurt to talk. "Just you."
Kobra freezes. There's a slowly building feeling of dread, growing stronger by the moment. He pulls Ghoul off him, holds him by the wrists. "Okay. Just me," he promises, and feels sick about it. "Just me."
Ghoul noticeably relaxes, though he's still trembling head to toe, and lets Kobra drag him across the diner in near-silence aside from the occasional seemingly involuntary whimper on Ghoul's part, into the single-stall bathroom with a barely working lightbulb. Somehow, they make it past the front room where Party sleeps without waking him, much as Kobra wants to let his brother take care of this. He's practically trembling at how badly he wants Pois right now.
There's a medical kit in the cabinet that Kobra pulls out immediately. He knows how to handle this, physically speaking. It's whatever else, the shit he doesn't know and is scared to find out, like how this freaking happened, that makes him nervous. Ghoul stands in the flickering light like he doesn't know what to do.
"Sit the fuck down," Kobra snaps nervously, gesturing to the toilet lid. Ghoul does. Kobra pulls a dubiously clean rag from the cabinet and eyes it. It scares him to see Ghoul like this. Usually if he's scared, he fights. He hisses and spits and claws at whoever comes near him. More often than not, that's Kobra. But this, the wide-eyed jittering, is a whole other animal.
"This whole thing is gonna suck," he says stiffly. Ghoul nods. With a little more light, Kobra can see the thick, shiny blood streaming from the wound through his cheek. It isn't enough that Kobra's afraid Ghoul will bleed out, but the cut is so long and clear through and absolutely grotesque. He crouches down in front of where Ghoul is sitting, sideways on the toilet, and he can't tell if Ghoul is looking at him or through him, almost as if he's the ghost.
In a quick motion that startles both of them, probably, Kobra grabs the back of Ghoul's head with one hand and presses the rag to the seeping wound with the other. Ghoul's eyes go even wider and even greener, and what starts out as a shout of pain from him turns into a choked keening sound. Hearing it feels like being stabbed.
"What happened?" Asks Kobra again, when he's convinced that the bleeding has slowed enough to try and actually deal with this thing. He twists the handle on the faucet on and off, on and off, enough times that the ancient water pump starts up and clean water gurgles into the sink. He cleans the rag that way, then wets it and wrings it out before shutting the water off.
Ghoul's shoulders rise and fall in short, panicky breaths. "I'm sorry," he says. "I'm sorry. I'm- I didn't think, it was stupid, I'm sorry," he continues babbling like that before going silent again aside from the sharp sounds of his breathing.
In a testament to Kobra's selfishness, his biggest worry is that Ghoul took his motorbike out for a spin and crashed it. He can't think of what could have caused something like this. He has visions of his bike sliding out on a turn, crumbled metal and Ghoul's body flying through the air. But if that had happened he'd be hurt other than this. If that had happened he might be dead.
"Yo," he says quietly. "Chill. Just tell me what happened." He presses the now-damp rag to Ghoul's face, trying to ignore just how grotesque the wound really is. Maybe because it's fresh, maybe because of the fear, but somehow it's worse than the space where Jet's other eye used to be. Kobra never wanted to see an injury of that level on another person again in his life, let alone someone he cares about.
Ghoul flinches away, but Kobra shoots him a look and it must process somehow, because he stills and lets Kobra clean the already drying blood away from the edges of the wound with barely a whine. "It was stupid," he repeats, his voice shaking as much as it's slurring. "I don't know why I did it, Kid."
Something about the way he says that, voice small and wavering, sends a chill down Kobra's throat. Sudden understanding dawns on him. The blood on Ghoul's hands. He's not injured anywhere else. "You did that to yourself?" Kobra asks hoarsely.
Ghoul's eyes snap onto his and the rest of the color drains from his face. Kobra thinks he's going to pass out for a second, but he doesn't. He pulls as far away as he can, scrabbling awkwardly against the cold tiles and porcelain of the bathroom. "I don't know what I though, I was stupid, I don't- Kobra," he whines, with enough animalistic despair that Kobra wants suddenly to burst into tears, if he weren't so utterly stunned.
"Ghoul, calm down, I've gotta stitch it still," he says on autopilot. "Cool your engine, man."
Maybe it's the practicality of the thing that makes Ghoul momentarily stop panicking. "I'm sorry," he says again, tears welling in his eyes that he then blinks away half-frantically. Kobra's never heard him apologize for anything before tonight. He never wants to hear it again.
"It's okay, man. I've got you." He replies. If his own voice is shaking now, too, no the hell it isn't. "Come on, you have to let me..." he trails off, eyes wide. "Ghoul, why..." Then he shakes his head. He can't think about that now. He needs to disinfect the wound and stitch it up. And it's going to hurt Ghoul really, really badly.
He reaches behind him, grabs at the bottle of alcohol. This stuff is rare out in the Zones. They try to use it as little as possible. Only in emergencies. This is enough of an emergency, though. This is a fucking crisis.
He pours the bare minimum of the alcohol onto another piece of cloth, feels the cold soak in. Ghoul watches every move with jerking, stilted intensity. Kobra looks up at him from where he's now kneeling on the cold tile. He puts a hand behind Ghoul's head again. "This is going to hurt," he warns. They've nearly gouged each other's eyes out before, yet suddenly Kobra feels like he's going to be sick at the thought of causing Ghoul any more pain. Ghoul shuts his eyes in preparation.
Ghoul still nearly screams when Kobra dabs the alcohol over his wound. Kobra can see it in the way he holds his breath, the spring-tight tension in Ghoul's entire body. The only noise he makes is a quiet, drawn out whine, though. When a tear streaks down his cheekbone, Kobra catches it before a drop of salt can enter the wound.
"'Kay," he says in a ragged whisper. "That's done. Now I have to-" he gestures like he's sewing. Ghoul's eyes pop open to see what he's saying and he visibly forces himself to breathe again.
"'Kay," Ghoul says back in an equally torn up voice.
It only takes Kobra three tries to thread a needle. Medical supplies of any type are hard to come by, a whole new kind of commodity, but this stash has been here for as long as he can remember, just in case. Blaster burns, the most common injuries amongst 'Joys, come pre-cauterized. He's rarely had to sew sutures before.
Ghoul flinches back when the tip of the needle first touches the edge of his torn skin, and Kobra pauses. "Hold still," he grumbles, more out of familiar sniping than any real frustration at this point. He keeps his hand in Ghoul's hair the entire time he sews.
The feeling of a needle piercing flesh is horrible. The fact that it's his friend, someone he'd give his life for before seeing them hurt, is even worse. Kobra wants to fucking throatpunch whoever did this to Ghoul, or better, do the same thing to them, before he remembers with a sinking feeling in his stomach that Ghoul did this to himself.
He ties off the suture just barely keeping his hands from shaking. He doesn't know how Ghoul does this with bombs. Ghoul flinches again, violently, when Kobra cuts the excess line, and Kobra has to jerk back to keep from catching a flailing, uncoordinated fist in the face.
"Hey," he snaps. "Ghoul!"
Ghoul slips off the toilet lid and onto the floor almost as if he intended it but halfway as an accident and immediately curls in on himself. He pulls his knees to his chest and curls his arms around his head and Kobra can hear him hyperventilating. Kobra fucking freezes. He's used to fighting and wrestling and knee-jerk reactions that wind up with someone sporting a black eye. He is terrified right now. And there's still Ghoul's blood on his hands, too.
"Ghoul..." He cautiously reaches out, puts a hand on Ghoul's leg. Ghoul twitches, lets out a hiccupy sound that takes a moment to register in Kobra's mind as a sob. Ghoul, chaos loving, cackling Ghoul, is crying. And not just a single tear, now, his whole body is shuddering with the force of how hard he's crying. Kobra's heart is pounding with how hard he does not know what's happening, but he grips Ghoul's arm and lightly shakes him. "Hey, I'm still here, man."
Ghoul makes that keening whine again and Kobra thinks at first that he's going to pull away at best, or throw a real punch at worst. They fight enough, for any and no reason at all, that he expects it now. That's their normal. This isn't.
Ghoul scrambles to his knees, his hands finding the front of Kobra's shirt. This restroom is small, they're already in close quarters. But maybe unintentionally, maybe just scrabbling for a little purchase on anything, Ghoul winds up grabbing onto Kobra. And Kobra has always had a hard time letting anything go.
Ghoul's forehead crashes into his shoulder and Kobra instinctively puts his hands up, grabs back onto Ghoul in return. Ghoul's usual shaking is familiar to him, but the repressed wracking sobs aren't. Kobra clutches desperately around Ghoul's back, like he could hold together what he's just sewn up, like if he keeps Ghoul close enough he can't shake into pieces. No one should be able to break Ghoul. Not even Ghoul himself.
The edges of the cabinet dig into Kobra's back, but he ignores it. Ghoul is folding in on himself, making himself as small as he can against Kobra, and Kobra doesn't fucking know what to do. He's never seen Ghoul cry like this. He's never seen anyone cry like this.
"It hurts," cries Ghoul suddenly.
"I know," Kobra says, before he realizes that crying like this is probably making everything worse, that he'd worried about salt in the wound a minute before for this exact reason. He can't imagine the pain Ghoul is probably in.
"It didn't hurt at first," Ghoul mumbles, then chokes on a sob. "It didn't hurt when I started. And then it did."
Kobra wants to ask again, why? But he won't get anything intelligible. There's a part of him that doesn't want to know. He's terrified of knowing the truth. Instead, he threads his fingers through Ghoul's hair again and just repeats, "I know. I know."
A few minutes pass in speedy, spiraling silence. The only sound between them is their shared too-fast breathing.
"I can't," stammers Ghoul finally, after his cries have tapered out into raspy gasps. "I can't turn it on or off."
"Huh?" Is all Kobra can think to say. "Ghoul, you're not making sense, nothing about this makes sense," he snips, too quick and too tense. He's so beyond his depth. He wants Jet or Party to come help but he can't have it his way because he promised. He promised Ghoul. He wants to hit something. A wall, just to feel the impact. To imagine he's hitting whatever it is that hurt his friend so badly he hurt himself.
Ghoul sniffs. All Kobra can see of him is the top of his head and the cheek with the stitches. The wound is swollen and red and is going to leave a horrific scar. Kobra clenches his fist tighter behind Ghoul's back. "When I'm having fun or not," Ghoul says. "I can't. I am or I'm not. But."
"But what?" For fuck's sake, Kobra just wants to understand. He can read Ghoul like a book from cover to cover most times, and it scares him that he's so lost right now.
"It isn't good enough," he mumbles. "It's... It's in my fuckin' name, Kid, if I can't live up to that what am I?"
Kobra stares, wide-eyed, at the wall across from him. Something clicks. The clean cut through Ghoul's face, clearly from a recently sharpened knife, clearly intentional, reached from the corner of his lips almost to his ear. "Oh fuck no," he whispers. "Hell no. What the fuck. You're not-" He feels himself shaking suddenly, with restrained searing hot anger. Ghoul cut his head open, mutilated himself, to make himself permanently grin. "You're not fucking beholden to your fucking name," Kobra says. He never swears this much, only in his own mind. He's running out of words. "Fuck," he says, with feeling.
Ghoul shudders again. "I'm fuckin insane, aren't I?" He asks with sudden clarity.
It's exactly what Kobra had been thinking, for once completely unable to figure out Ghoul's mind, but he can't just say that. He can't just say that he's terrified because nothing makes sense and he's never going to freaking leave Ghoul alone again because this is all completely unhinged on so many levels that he can't even begin to sort through it. He can't say anything. He hopes Ghoul is sane enough to understand that, at least.
He just holds his friend tighter. He wants his brother more than anything right now, wants Party to come and take this weight out of his hands, but a part of him knows that even if he did, he wouldn't be able to let go of Ghoul. Why didn't Ghoul want anyone else but him? Why, after pretty much imprinting on Party like a feral kitten when they'd first met, to the point that sometimes Kobra thinks bitterly than Ghoul might know Party better than his own brother does, did he come to him? Why did he do any of this?
If a few tears of his own drip down Kobra's nose and land in Ghoul's tangled hair, no the hell they don't. He's never seen anyone go to pieces like this and he's struck dumb at the fact that it's literal. Very, very literally, Ghoul has gone to pieces. Taken a knife, that's probably still lying on the floor of his abandoned-office bedroom, and cut a line through his own cheek just so others might see a smile there.
There's crazy in his veins. Acid, maybe. And Kobra's always known that even if Party recognized it first. Watching your whole family die, failing to save your baby sibling, doesn't leave a person without any scars. Only, now, the scar is far too visible. Kobra's always known that Ghoul is more wild than any of them. Feral, unpredictable. He was raised by a pair of Killjoys who named themselves Hoot and Holler, and the thing is, a ghoul is just a ghost, and ghosts wail too. He should have known.
"I should've known," he says out loud, the first words in a while. He knows Ghoul so well. Better than he knows himself. He should have known something was wrong. He should never have left him alone. "I'm sorry. I'm sorry." He can't even blink. He stares hard at the opposite wall and tries not to scream.
Ghoul shakes his head against Kobra's shoulder and winces. "Nuh-uh," he mumbles. "I'm crazy, man. I'm insane." The fuzzy way it sounds around the stitches and the swelling just seems like proof. Just last night Ghoul's cheek was smooth and soft as he grinned across a table in triumph after winning a card game. How is it that that was just a few hours ago? He shudders again. "I'm scared," he says more quietly.
"Me too," Kobra says. As soon as the sun comes up he thinks he's going to storm out into the desert and find something, anything to beat up. Even a freakin cactus would do at this point. He doesn't know how he's going to explain this to Pois or Jet but he knows that much. He's gonna shake so hard he blows up, like a can of soda, unless he hits something. "I fucking hate you," he snaps suddenly.
Ghoul starts to flinch away, but Kobra doesn't let him. In fact, he curls tighter around him without even knowing why. "What the hell," Ghoul rasps.
Kobra hisses through his teeth. Speaking of living up to names. He fucking hates anyone who hurts his friends. But he can't say it. Hard as he tries, in the one moment of clarity about his own mind that he has, he can't speak.
"I fucking hate me, too," Ghoul says finally. The single dusty lightbulb above them flickers. If it goes out, they'll be in total darkness. Kobra thinks one or both of them might have a wicked eyeshine by now. The desert makes you wild. For some people, they're born that way.
"I think you're my best friend," Kobra finally manages to whisper. It isn't exactly what he was going for. It's not something he would ever say if he had thought of it before it popped out of his mouth. But Ghoul gets the point. Of course he does. Ghoul always gets his sharp edges, snakebite teeth and misspoken definitions and all.
"I think you're mine," Ghoul says back. "I'm-"
Kobra smacks the back of his head, like this is in any way normal, like they aren't collapsed on a dim bathroom floor in the middle of the night or the early hours of the morning and like one of them isn't mutilated for life by his own hand. Like this isn't the worst thing they've ever gone through together. "If you say you're sorry again, I'll cut you myself."
It's rough, and it's torn up and pained and choked, but Ghoul laughs. Just a short bark of laughter, hardly like the dry, rasping cackle that Kobra knows so well. It sounds like agony but it also sounds like the sun coming up. Kobra makes a noise in the back of his throat, more whine than laugh, but he's so close to blowing up that it's as good as it gets. He wants to freaking die if that would keep Ghoul in one piece.
Ghoul shifts in Kobra's arms and pulls away just far enough to look him in the eye. He clumsily wipes at the tears and snot all over his face and Kobra has to snap a hand out to catch his wrist before he unthinkingly swipes at the fresh wound and stitches. "Kobra," Ghoul says, shivering in the dark. The sun won't take long to come up once it starts but until it does, the Zones are freezing. "Kobra."
"Yeah, man, I'm still right here." Kobra forces himself to look Ghoul in the eyes and not the stitches. The wound takes up so much of his face. It's all Kobra can see when he looks at Ghoul, his best friend's mutilated mouth, sliced open by his own hand. Kobra flinches just imagining it. He focuses instead on Ghoul's green eyes, boring holes into his head with the desperate pleading in them. "I'm still right here," Kobra repeats, quieter. Reminding himself, too.
Ghoul doesn't blink. Kobra doesn't blink. Their eyes reflect the dim light back at each other. This is what wild animals must feel for each other. Terror. Uncertainty. Just themselves, each other, and whatever comes. Ghoul licks his lips, tongue flicking briefly, visibly, to the corner of his mouth that he cut open. "Don't let me-" Ghoul starts and then falters. "You gotta make sure," he says. "Don't let me- do stupid shit like this, don't let me go crazy again, Kobra, please."
Kobra stares back at him, matching Ghoul's trembling desperation. He's known Ghoul since the day their crew found him, shell shocked between the shelves of an empty gas station with the bodies of his parents and previous crew around him. Perpetually shaking hands and feral bared teeth, animal eyeshine. No one can match Ghoul for determination, and no one knows Kobra as well as he does. Even if Ghoul does know his brother better than him, the same is true in reverse.
Kobra Kid has a hard fucking time ever letting go of anything once he's got it. Fun Ghoul holds on too loosely. They're both terrified. What a pair they make. But when Kobra Kid makes a promise, he means it. He grabs the ends of Ghoul's hair and pulls, not too hard, but hard enough. That's their normal. Play fighting and hair pulling, and they both know it's a kind of language for when they can't speak. "Okay," he says, and because it's a promise, he repeats it. "Okay."
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