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#that’s actually kinda true
beldaroot · 1 year
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i love a hypocrite :)
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yukipri · 4 months
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Spar, Alpha-Ø2, Mand’alor the Resurrector.
My take on this super fascinating if somewhat obscure character from Legends! A clone with Jango Fett’s memories, who escaped Kamino to become leader of a faction of Mandalorians.
I’ve been exploring him a lot in my fic, the Prime Override, and I wanted to give him a shot visually. His appearance here is specific to my fic, where his story diverges considerably from Legends, so there are a couple of details that don’t match that of any of the three official illustrations that exist of him. But the changes are intentional! I still hope he’s recognizable 😅
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PLEASE DO NOT REUPLOAD, EDIT, TRANSLATE, OR OTHERWISE USE MY ART. To share, please reblog! Reblogs and comments greatly appreciated!!!
❀ You can see the rest of my art through the Masterpost pinned to the top of my blog!
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dipdoodlesamuel · 7 months
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Wool Over Our Eyes fueled me an unbelievable amount
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5hrignold · 1 month
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this is all i got
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turtleblogatlast · 2 months
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Here’s a thought-
When Splinter says Leo’s the leader at the end of Season 2…pretty sure he was joking.
After so many high stakes and high emotions, he (a bit cluelessly) makes a joke to add some levity, just to make things a bit easier for he and his sons to digest everything that happened. It was a lot that happened, so it makes sense that Splinter wants to make things that much softer for everyone.
But- making a joke like that, after everything they all just went through…I can definitely see how the events of the movie pave out in response.
For example, by joking about Leo in particular having the responsibility of a leader, that puts him directly in the sight of Raph’s building anxieties. Because after everything, it’s clear that Raph really started taking the hero name seriously to the point that he started undermining his own fun and childhood in the process. So in the eyes of a Raph who is so worried about what could happen if they’re not prepared again, Leo in particular kind of stands almost as a point of danger in that aspect.
And with the joke of Leo “leading” in any capacity ringing out over them, it’s easy to blame Leo and Leo alone whenever he goes and goofs off with Mikey and Donnie. I think as well that the concept of a leader being spoken after the Shredder just pushes more weight on Raph’s shoulders and makes him realize how much goofing off they did before when they should have been better heroes (despite them all just being kids...)
Raph knows his brothers are good, he knows and has pride in them and himself in turn, but it terrifies him to know that they won’t be ready for the next big threat, and Leo directly going against this caution even more than usual just pushes Raph to want to try more.
As for Leo- keep in mind what happened all throughout “Many Unhappy Returns.” Keep in mind what happened all throughout the series in general. In the former, Splinter more than once points out how he would rather have his other sons with him than Leo, especially because they “would take this seriously”…even though Leo was taking it seriously. (Not that Splinter should be expected to read what Leo was doing when Leo wasn’t making his plans clear, but that wording sticks with kids.) Even after Leo’s plan pulled through, Raph’s the one who spoke in trust of Leo, not Splinter.
As for what happens in the series in general…well, we see Leo mess up a lot, apologize a lot, get his brothers out of messes a lot, and even when he does well or is responsible it’s either glossed over or still seen as goofing off (no I will never be over that moment where Leo almost got Gus’s tags and got screwed over out of pure bad luck.)
So imagine hearing a joke like that as Leo, who for a good chunk of especially the start of the series has been a lowkey voice of reason. The idea that Leo being responsible for the team is nothing but a joke…? It’s understandable that it could feel like a blow, that it could push him to want to try less.
Especially after everything they just went through.
They’re heroes. | They’re kids.
Why shouldn’t they care? | Why should they care?
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project-sekai-facts · 7 months
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Maybe I dreamed that up but did you have a post about Tsukasa being repulsed by romantic plays? Or something like that? I swear I've seen mention on that somewhere but i don't remember where...
repulsed isn't the right word but he has a habit of writing unnecessary amounts of violence into romantic plays.
in kamikou festival, his adaption of R&J involves a bunch of romeos engaging in a violent battle over juliet, and generally puts much more of a focus on the violence and action than the romance. he does it again in Emu's wedding card story where he suggests killing every character that gets in the way of the wedding in Emu's play.
also in kaito's mermaid card story he writes out the romance part of little mermaid, however the reason given for this change in the main Mesmerised by Mermaids story is that wxs' version of The Little Mermaid is simply a homage due to the original tale being too tragic for their audience of young children (also there's a certain out-of-universe reason why wxs never does romance plays).
tsukasa likes violence.
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oceanwithouthermoon · 4 months
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THE FACT THAT THE ONLY INSULT SHE COULD THINK OF FOR HIM WAS THAT HES QUIET AND GLOOMY, AND SHE HAD TO LIE ABOUT THE REST OF IT..
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ghostcrows · 4 months
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i really like this gif from the wiki page for nanorobotics
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thinking about the possibility of belos ending up in the inbetween realm after being stomped and finally getting what he deserves... 
[ ID: A digitally illustrated comic mainly featuring Philip Wittebane from The Owl House. The first panel on the first page is a birds eye view of the inbetween realm, with cubes floating everywhere and a slight disturbance in the water below. The second panel is a close up of that disturbance, which looks to be a whirlpool of some sorts. The third panel follows that, and Philip’s hand is shown forming on the water, with a ““splat” beside it. The fourth panel is a behind view of Philip kneeled over, head to the ground and face obscured. He is in his human form, like how he is seen in Elsewhere and Elsewhen, and is breathing heavily. The fifth panel is still of Philip kneeling, except he has popped up his head and is looking around. He asks, “What is this” but is then promptly cut off by the next panel, which shows a grimwalker hand rising out from the water with a splash. He looks at this with a confused look.
The first panel on the second page is a close up of Philip’s face, a concerned and fearful expression on his face. He blurts out the word “No”. The second panel is spliced into three pieces, and each shows more dead grimwalkers rising from the water. The first shows another hand, the second a fully formed grimwalker with a broken mask crawling towards and reaching out to Philip, and the third yet another hand. The third panel is of Philip trying to back away by crawling while more grimwalker hands shoot up around him. He shouts at them, “G-Get Away!” The fourth panel is a view of Philip crawling back from behind, and a head of a grimwalker can be seen behind him. He yells again, saying, “I said-” but is cut off by the fifth panel where the grimwalker behind him suddenly grabs his arm. The sixth panel is of him looking over his shoulder, surprised. The seventh panel is an above shot of Philip sitting on the water, grinwalkers surrounding him and grabbing each of his limbs. The water swirls below him in a whirlpool motion. He shouts, “Get off me!! Go!!” The eighth panel is a closeup shot of an arm grabbing his shoe and pulling him down, the ninth panel showing the fear in his eyes.
The first panel on the third page is a wide shot of Philip being dragged down under the water, his arm straight up desperately trying to grab something. The water cascades around him, pushing him down even more. The second panel is a closeup of Caleb’s eyes, which are glaring with anger. The third panel is a below view of Philip being dragged down, with Caleb’s hand still tightly grasped around his foot. The fourth panel is a closeup of Philip’s eyes, which are staring in fear. The fifth panel is from Philip’s POV, where Caleb is seen still pulling him down by his ankle, glaring at him. Other grimwalkers are beside him, hands reaching up towards Philip to also help drag him down.
The first panel on the fourth and last page is of Philip being dragged down, a fearful and almost angry expression on his face. He screams, “Caleb! Let-” but does not finish his sentence. The second panel is of Caleb still glaring at him, not saying a word. The third panel is Philip looking at his brother with an unreadable expression on his face, as though he just realized something. The fourth panel is an above shot of Philip finally being dragged down into the depths Dr. Falcilier style, arm out stretched and he sinks. Broken masks of grimwalkers can be seen below him, pulling him down too. The last panel shows the surface of the water in the inbetweens realm, the surface still and finally tranquil. The word “Fin” is written at the bottom of the page. End ID. ]
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heart-wit-strength · 2 months
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Sasha Waybright is so strong, if my two besties from the special besties trio casually made an inside joke in public that I didn't know of at the dinner table and then brushed it off without elaborating further context, I'd practically start crying on spot and stab myself with a plastic fork
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shadow-the-crow · 1 month
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Tma au but it's 2010's ya dystopian. Everyone is sorted by fear alignment, like factions.
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speremint · 4 months
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Brimstone and Roses is app trending on WT?? 🥺
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nero-draco · 2 months
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softesttangerines · 7 months
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Ok, idc how wrong of a theory it is that Rayleigh is Mihawk's dad but i'm obsessed with the fact that Mihawk probably didnt get to see much of his dad while growing up because of his pirate life.
And on the rare occasions when he gets to see him, he's constantly sulky because Rayleigh keeps talking about these two other kids that he adopted with his captain and how "You would totally love Shanks and Buggy, Hawks. They are trouble makers but i'm sure you would get along!"
And Mihawk isn't so sure he would love the kids that stole his dad from him so he just humphs his way out of the conversation everytime. He did ask his dad to take him with him on his adventures since it's kids safe (he's bound to think that when there are two kids, younger than him, parading on the ship) but Rayleigh always refuses because he wants his son to live away from piracy, an honest and safe life.
(Except, joke's on him. Mihawk had his rebellion phase and said fuck you, dad! Discovered his obsession with swords and went on his own adventures.)
Fastforward, post Roger's execution, Mihawk meets Shanks for the first time and the bitter feelings he had from his childhood resurface and he's full on grudge and salty so he challenges him to a duel to kick his ass. Except, to his surprise, Shanks is actually a decent opponent and instead of wanting to kick his ass, he relishes in the fact that he finally found someone that keeps up with him, so he keeps coming back asking for more duels.
On the other hand, Shanks sees this dark haired guy with magnificent yellow eyes and he knows him, he knows him from his bounty posters and because Rayleigh has spoken few times when he cameback to the crew from his short family visits about his stubborn son, and he wonders if Mihawk knows him or if the guy just randomly challenges people with no regard to his life.
Obviously, to no one's surprise he falls in love mid fight, with the sassy quips (now he confirmed that Mihawk does in fact know him and he does seem angry about something) the audacity to roll his eyes in the middle of a fight and he's absolutely breathtaking with a sword in his hands. Shanks wants to impress him no matter what since this guy seems to genuinely be onto the fight and ignoring his flirty comments. He figured he did impress him a bit, if the way that Mihawk said they'd meet soon again is anything to go by.
Bonus:
Mihawk took an immediate like to Buggy when he met him but he refuses to admit it to anyone ever, especially not the clown himself but he does enjoy teasing Shanks that Buggy was much easier to "tolerate" first, just to get a raise out of him.
+
Rayleigh is totally against two of his boys dating each other but Mihawk keeps telling him off ("You were barely ever here for me as a dad, you don't get to boss me around!") and Shanks is too busy being heart eyes to listen to any word coming from the man. At the end, he just ends up giving both of them the shovel talk.
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narutoenjoyer5000 · 8 months
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i think its so crazy the way having power as a shinobi always seems to be such a double edged sword on naruto. like on one hand, u need it, its a tool for survival and it earns u respect from ur peers. but on the other .. it can also lead to the exact opposite. if u have too much power it can lead (or contribute) to isolation and becoming ostracized from ur community bc it makes people fearful of u .. this is applicable to madara i think and to naruto and gaara as well. madara isnt ostracized only bc of his power, it is also his lack of skill in forming bonds bc he has trust problems but his power is a major contributing factor. he is feared for his power (but also admired) and the more he gets isolated, the more he starts building his own identity around it as well and starts thinking its the only thing valuable abt himself. naruto as well is feared for his power as a jinchuuriki even tho he is also a bit of a special case since its only the grownups that know abt this so his peers ... they ostracize him for the opposite thing. he's a failure at the academy and a difficult learner so he gets no respect. it is only when he starts gaining more power (or controlling it better) and using it for the sake of the village that he gets everyone's respect and acknowledgement. he's a hero even all of a sudden. but gaara is an even more extreme case. gaara is also a jinchuuriki and he's ostracized for it to such an extent that he does not get to build bonds at all and in a bit similar fashion to madara starts self-identifying only over his power. both him and madara end up consumed by their power but while madara decides to use it for the sake of saving the world, gaara just fully decides to just live for himself, fight for himself and love only himself ... madara also becomes a bit self-absorbed but its not something he does purposefully i think. gaara just goes, well, everyone fears me and despises me anyway, so i might as well give them a reason. my only purpose in this world is to kill ... i have no other reason to live. i forgot where i was going with this but .. something something isolation, objectification and dehumanization from others on account of ur power and it leads to the person internalizing it and seeing themselves also as either below or above being human .. madara perceives himself to be above it, he develops a god complex and comes to think that he is the messiah who will solve the world's problems (with power) and gaara seems to perceive himself to be beneath it .. as a tool and a servant. both to his village and to the bloodthirsty voices he hears in his head.
#gaara#madara#naruto#posts#.. had a whole other chunk of text here that i deleted bc i thought it wasnt that relevant to the topic of thr post#but i still think its interesting so i'll put it in here#when i said gaara hears voices .. i was going to say mdr doesnt but then realized that thats not true? mdr also hears voices#presumably. he heard kuro zetsu speak to him in his head during their first (well majority actually) time that they spent together#in the cave. mdr seperates him from himself when he gives him to obt. and he seems to believe that to have been the moment of his creation#anyways but i think its so interesting how both him and gaara have a seperate identity with them that benefits from this?#they benefit from their corruption. the ichibi benefits from gaara's bloodlust and hatred and kuro zetsu benefits from mdr's power lust#and they both drive them to further pursue it ... there is something in there i think. something abt how experiencing isolation etc#will make u susceptible to ill-natured manipulation or influence. from the outside#gaara apparently can handle having to live with shukaku after he gains his first bond (naruto). and he isnt susceptible to it anymore#mdr wouldnt have gone down his path either if his bond w hsrm hadnt fallen apart#naruto is saved bc he does not give up on trying to find bonds. putting aside how it kinda sucks for him to have to prove his worth#to his village first. it is ultimately abt him never giving up. always trying ... and eventually finding the right people#to bond with#mdr never finds this up until the end of his life ... and its the reason he cant find his peace ever before#but i also think its interesting how both kuro zetsu and the ichibi .. i mean they dont outright manipulate their targets#theyre moreso just feeding into whats already there .. its why mdr/zetsu work great together narratively i think#but it also applies to gaara as well. gaara wants to shed blood bc he wants to share the same kind of pain he has experienced#just like mdr wants to gain power/become god cuz he longs for control and is fearful of depending on others#and both the ichibi and kuro zetsu want that as well. the ichibi hates how the humans have treated him. he hates being confined to#a jinchuuriki's body. he wants to be free. and if he cannot be free he will use his host to go punish the humans who did that to him#and kuro zetsu well ... he wants to be powerful i guess. but he moreso wants mdr to think that he is#so that he can become host to kaguya who will explode the fucking shit out of him#there's more even .... gaara seeing himself as a tool to others since he believes the voice to be his mother's .. and mdr seeing himself#at the center of everything cuz he thinks that the voice is his own. mdr bc of this being even more self-centered#but then also more altruistic. bc he's the savior. running out of tags here unfortunately but yeah .. much to think about
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sanshinexx · 1 year
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Here's part two of drawing my family pictures as the Bad Batch because I can and you can't stop me
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