AU where the first time Zuko fights Aang on the ship when the Avatar's escaping, Aang accidentally energy bends Zuko.
Zuko is no longer a Fire Bender.
Zuko is now an Air Bender.
Zuko is also Freaking The Fuck Out, and so is Aang.
"Change it back, change it back!"
"I don't know how! I don't know what I did!"
"Then learn! Fix this!"
Meanwhile, Iroh is internally screaming because yeah, this is a death sentence for his nephew.
Sokka and Katara are just. Hanging out. Staring at each other and then the crew.
Everyone's confused. The crew just...slowly edging away to get back to steering the ship and laze around and stuff.
Katara knows it's a weird Avatar thing Aang did.
Sokka has now formulated a conspiracy theory that Zuko was only pretending to bend Fire the entire time.
1K notes
·
View notes
thinking about fma, one of the things i love about it is arakawa's very intentional worldbuilding. she never gave the story more than the plot needed. we don't get a bunch of flashbacks detailing the characters' lives, eveything that we know about them is only in service of the plot.
the xingese characters are there because they need the secret to immortality to gain their father's favor. and despite this being so interesting we don't really know anything else about them lol. how well do mei and ling know each other? how do their clans stand with one another? anything at all about their other siblings? they get like two interactions and other than the clans just generally hating each other we've got nothing. we don't even get anything about how lan fan even became ling's bodyguard.
then xerxes, a personal favorite of mine. ed and al are kind of casually confirmed to be descendants of a dead civilization renowned for alchemy. are we going to explore that civilization at all? ofc not. anything about hohenheim's past, other that the things you really need to know? nope. we're just generally gonna mention how he's known as a sage throughout both the east and west.
the fact that grumman is riza's grandfather? left untouched. the fact that roy studied under riza's father? you get one (1) flashback.
i love this style of worldbuilding tbh.
786 notes
·
View notes
Anyways i also think that Chuuya SHOULD NOT be the Port Mafia boss to be totally honest witchu. If his entire experience with the Sheep, and the way he cracked under pressure as the interim leader during cannibalism, and like, THE BEAST EPILOGUE, had anything to say it's that Chuuya's not fit to be the leader of an organization such as that.
Bc Chuuya's good at adapting, he's good at spur of the moment decisions. He's good with battle tactics. We see his actual leadership abilities shine when he's commanding the mafia troops to protect the city during the guild arc. In cannibalism, his plan to rush the ADA with a full frontal attack was a SOLID idea. But he loses his advantage as soon as he hesitates and opens the table for negotiation instead.
BECAUSE Chuuya's not good at playing the long game like Mori or Dazai. He's reactionary and it's his nature to get overwhelmed by his emotions. He takes on too much responsibility but loses focus due to personal reasons. That what happens in 15 where he blows off the Sheep to go on a life changing field trip with Dazai. That's why he was taken out of the picture so easily to go on a life changing field trip with Ranpo in Cannibalism. (Damn maybe this is why he's on a life changing field trip with Fyodor as a vampire currently).
Essentially even though Asagiri has been really tying Chuuya's character with the themes of leadership, we've mostly been shown why he wouldn't be a good fit. Either this plot point will trend towards Chuuya actually learning how to be a good leader OR he won't end up as one. IN ANY CASE what we know abt Chuuya makes me really think that being the Port Mafia's boss is a terrible idea. He's not fit for the role and frankly, I think he'd hate it.
2K notes
·
View notes
heyyyyy sooooo i just watched nimona and of course being me i have to get aro about it and i am Still Thinking about the moment where ballister says “she’s my friend” and ambrosius replies “aren’t i more than that” and the thing that’s great about it is that he’s in the wrong. yes the two do get back together romantically at the end but this line, its reception in context, and the subsequent emotional core of the movie reject a hierarchy with romance at the top. like. this is a line in a scene where ambrosius is explicitly antagonising our main character, being manipulated by the main villain, and himself using the relationship between himself and ballister in an emotionally manipulative way, whether deliberate or not. in this context, the romance is not the highest or purest form of love, it is not above criticism, and it is certainly not ranked above the friendship. the relationship at the centre of the film is that of ballister and nimona, the one that bal prioritises — both in this moment and throughout the film — is nimona. they are Friends and Family (and of course evil coworkers) and that is the most important thing in the whole entire world. i love to see it <3
967 notes
·
View notes
What I think is particularly heart breaking about this episode, is that Esteban is immortalizing a memory that Cecil doesn’t get to experience. Esteban knows about his grandfather, because he has heard the story several times before according to Abby, in fact they all just heard it. Cecil is experiencing, second hand, remnants of a memory that slides off of him. It refuses to stick.
There is something so poetic to me about Cecil being a reporter, a journalist, an observer, and doing everything to piece together a story from literal scraps of his own life, only to find its already been written for him. The story has already been told. Cecil doesn’t listen to stories, he tells them. I can think of nothing more infuriating than a story being told and not having a satisfying ending, or an ending that makes sense. Nothing within the story justified the ending. And yet we have seen it before throughout the show.
I am reminded of the episode It Doesn’t Hold Up, where Cecil watches the last few minutes of his comfort film Cat Ballou, changed and different. He has seen the same movie over and over and over again, and now the ending is different. In the drawing Esteban drew in 245, there is a shovel stuck into the dirt, and there is a boy climbing into a tree. In the ending of Cat Ballou, there is a man digging into the base of the tree. Just like in the episode It Sticks With You, when Abby, Cecil and their mother journey into the woods, and Cecil climbs into a tree over and over and over again until he can no longer remember the outing with his husband and son. Just like in Cassettes, when a young Cecil’s story is cut short, in an ending that Cecil refuses to listen to, immortalized on tape.
Just like in Liminal Spaces, when Cecil enters a space that is neither here nor there and is haunted by someone who tells him that he wants Cecil to remember. The very face that Cecil saw in Cat Ballou in It Doesn’t Hold Up. In fact, he tells Cecil he has no choice, before once again, he is pulled from the story.
Cecil’s whole life is one long interrupted narrative. It’s as if he is an old cassette that isn’t rewound all the way before pulled out of the slot and put back on a shelf. The next person to listen to the tape, unknowing, doesn’t realize where they’re starting off is not the beginning. There are things missing. Cecil has gotten so good at forgetting (and justifiably so) — has forgotten how to stop. He’s recording over the same tape over and over again until the tape inside is no longer coherent. I’m thinking, of the sound of a cassette being rewound, and how it could sound very much like how Cecil is often describing owl sounds.
So, how disquieting, to have your own family stare back at you, privy to information about yourself that you do not get to have. Cecil is there, quite literally, to construct a story for his town, but who is there to construct a story for him? A man you used to hate? A sister you aren’t sure you even like? A husband who you have forgotten before? Children who see and hear more than you realize? The listener?
No. Instead he will sit until dawn comes, and be made a fool out of trying to create a story, maybe even a better one, out of scraps of memories.
202 notes
·
View notes