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saintsenara · 16 days

Note

Riddle’s extremely fearful and aggressive reaction to Dumbledore when he thinks he’s a doctor (and the fact that he assumes this at all and believes he is being lied to) has some pretty dark implications (which of course no one follows up on). Do you have thoughts?

thank you very much for the ask, anon!

and yes - this has occurred to me too... which means that my thoughts come with a trigger warning for the sexual abuse of a child, and are under the cut.

the relevant scene in canon is, of course, this:

“I am Professor Dumbledore.” “Professor?” repeated Riddle. He looked wary. “Is that like doctor? What are you here for? Did she get you in to have a look at me?” He was pointing at the door through which Mrs. Cole had just left. “No, no,” said Dumbledore, smiling. “I don’t believe you,” said Riddle. “She wants me looked at, doesn’t she? Tell the truth!” He spoke the last three words with a ringing force that was almost shocking. It was a command, and it sounded as though he had given it many times before. His eyes had widened and he was glaring at Dumbledore, who made no response except to continue smiling pleasantly. After a few seconds Riddle stopped glaring, though he looked, if anything, warier still. “Who are you?” “I have told you. My name is Professor Dumbledore and I work at a school called Hogwarts. I have come to offer you a place at my school - your new school, if you would like to come.” Riddle’s reaction to this was most surprising. He leapt from the bed and backed away from Dumbledore, looking furious. “You can’t kid me! The asylum, that’s where you’re from, isn’t it? ‘Professor,’ yes, of course - well, I’m not going, see? That old cat’s the one who should be in the asylum. I never did anything to little Amy Benson or Dennis Bishop, and you can ask them, they’ll tell you!”

the surface-level reading of this scene - which is clearly what the text wants us to go for - is that riddle thinks he's about to be institutionalised for being "mad" - and, specifically, that he thinks that what dumbledore has been told is his "madness" is actually his magic.

[he is also clearly meant to be read as panicking a little bit that he's fucked around torturing his fellow children and is now about to find out...]

that riddle accepts he's a wizard so easily - and that he is so reassured by dumbledore agreeing that he's not mad - is something the text wants us to read as sinister. him immediately describing himself as "special" is set up as a precursor to the adult voldemort's delusions of grandeur - which the entire arc of the series, ending in his death as an ordinary man, is designed to undermine.

but i've always disliked this reading. the eleven-year-old riddle - a magical child raised around non-magical people - is objectively correct to describe his powers as "special" [in that they make him identifiably different from the crowd] within the context in which he lives. the word choice is nowhere near as deep as dumbledore decides - he's clearly known since he was very young that he's a wizard, but he didn't have the precise language to describe this fundamental part of himself until dumbledore offered it; prior to that, "special" is a perfectly reasonable alternative term.

and, in always knowing that he's a wizard, he also knows that he doesn't have a mental illness - but he must also know that this is something it's near impossible for him to prove.

in the real world, if i spoke to a patient who told me:

“I can make things move without touching them. I can make animals do what I want them to do, without training them. I can make bad things happen to people who annoy me. I can make them hurt if I want to.”

then i would be correct to describe them as experiencing psychosis. and i might - depending on their other symptoms - have reasonable cause to admit them [voluntarily or not] for psychiatric treatment.

riddle is - of course - demonstrably not psychotic. but it's not unreasonable that mrs cole would assume he is - the world she lives in, as a muggle [even if she's a religious one], is one in which people do not possess the ability to move objects or control animals with their minds, and if one of her charges is convinced that he can, then she's justified in seeking medical intervention.

[that psychiatric treatment in the 1930s can be described without exaggeration as inhumane is another matter...]

which is to say, i think we can easily suppose that mrs cole has - prior to dumbledore's arrival - succeeded in having riddle "looked at", and that the idea that he's mentally ill and should be committed to an asylum has been mentioned before. i think most of us would be instinctively [and angrily] wary of doctors if this happened to us, regardless of how nice the doctors in question were.

and maybe that's all there is to it.

and maybe it isn't...

in the doylist text, the eleven-year-old riddle's personality is the way it is because he's the villain of the series. where harry is preternaturally capable, even as a child, of all the things the series defines as admirable - above all, enduring difficulty without complaint - riddle is preternaturally incapable of them. he's meant to come across as unambiguously sinister - and the fact that the text repeatedly emphasises that he has control over his unpleasant traits invites us to view him as someone who is acting with full agency. that he lives in an orphanage is a trope which the text uses, like a campy horror film might, predominately to underscore how creepy he is - and the text, in keeping with its general lack of interest in states and their institutions, never really prompts us to interrogate the impact of his childhood upon the course his life takes.

[this is despite the fact that voldemort's reliving of the night he killed the potters in deathly hallows is an incredibly accurate depiction of ptsd...]

but it's also the case that the eleven-year-old riddle's behaviour and personality fits a pattern we might expect to see in a child who is being abused, sexually or otherwise:

he's aggressive, he has a hair-trigger temper, and he becomes distressed even by behaviour - such as dumbledore speaking mildly and calmly - which would not ordinarily be expected to provoke such a reaction.

his broader emotional state is fractious. his mood changes sharply, he seems to feel emotions very profoundly, he struggles to control his emotional response to things, he's extremely easily irritated, he's attention-seeking - and he particularly seeks negative attention, and he's very highly-strung. his admission in deathly hallows that he feels calm before he kills - or before he otherwise eradicates a threat or a problem - comes with the flip-side that he's someone who appears, when things aren't going well or he finds himself in a situation which he can't control, to become quite anxious. which is a trauma response.

he's extremely isolated. the text presents the fact that he has no friends as a deliberate choice - "lord voldemort has never had a friend, nor do i believe that he has ever wanted one" - and his relationship with everyone else he ever meets, including his fellow orphans, is defined by the text as exclusively involving him controlling, manipulating, and punishing them. or: he is always the more powerful person in the pairing. but this need for control can be read as self-protective just as easily as it can be read as sinister. there are hints in canon that riddle is not just some malevolent force in the orphanage preying on mild-mannered innocents. for example, billy stubbs, the owner of the rabbit he kills, is targeted by riddle as revenge: “Billy Stubbs’s rabbit... well, Tom said he didn’t do it and I don’t see how he could have done, but even so, it didn’t hang itself from the rafters, did it? [...] But I’m jiggered if I know how he got up there to do it. All I know is he and Billy had argued the day before." on the rare occasions billy turns up in fics, he's usually - i find - written very like neville - sweet and guileless and a bit pathetic. but the alternative reading - especially when we take into account that riddle attacks the rabbit rather than billy himself - is that billy is someone he would be afraid to physically confront. indeed, it's striking that voldemort - at all stages of his life - is described as being quite physically fragile. not only is he very thin, but he's always cold and his heartbeat is described several times in canon as irregular. i think this is supposed to be a comment on the physical changes he undergoes the more horcruxes he makes - although the idea that the soul would affect the heart doesn't actually align with how the series understands the soul to relate to the body - but it can also be interpreted perfectly legitimately as something he was experiencing prior to splitting his soul. i am committed to the headcanon that riddle was quite a sickly child - and that this is one of the things which drives his fear of death - and i'm also committed to the idea that his obsession with magic is because the enormity of his magical power makes up for his physical lack. he can defeat - and humiliate and frighten and remove the threat of - billy or dennis [or even an adult man?] with magic. without it, if they were to physically overpower him, then he wouldn't be able to throw them off.

he is extremely nervous about being alone in a room with dumbledore - someone he doesn't know, and who he assumes is connected to a profession [and, maybe, who knows any other doctors he's been previously made to see...] of which he is frightened.

he doesn't trust or confide in anyone - which, as a child, means particularly that he doesn't trust or confide in adults in positions of responsibility. he's clearly uneasy with the idea of finding himself in the subordinate position in an adult-child relationship when dumbledore offers to take him shopping for school supplies - potentially because he's worried that dumbledore will try and dictate or restrict what he's allowed to buy unless he behaves in a certain way... and i am always very struck that dumbledore says in half-blood prince: "He was very guarded with me; he felt, I am sure, that in the thrill of discovering his true identity he had told me a little too much. He was careful never to reveal as much again." this is presented in the text as evidence that dumbledore is the only person of whom voldemort is afraid - by which the text means that voldemort acknowledges that dumbledore knows that an ordinary man, mortal and unimpressive, lurks behind the mask of unassailable power he has created for himself; and which the text thinks is a good thing. but we can also read it as a self-protective act on riddle's part. in his excitement, he offers dumbledore information [that he is known to be a liar, that he is in trouble a lot, that mrs cole dislikes him and is disinclined to believe anything he says] which would give dumbledore - or anyone in a similar position of power and presumed respectability - cover to abuse him, safe in the knowledge that he would be unlikely to be believed if he reported it.

he doesn't appear to feel safe in the orphanage and he's frequently absent from it - by his own admission, he spends a huge amount of time wandering around london on his own, which may even involve him staying away for several days at a time. nobody appears to notice or care about this.

he's very independent - which the text again presents as evidence of his deliberate self-isolation and rejection of the bonds of love and friendship - and his independence is unusual for a child his age [i.e. that he is capable of doing all his own shopping for school].

his knowledge of violence - i.e. how he designs the trip to the cave to be maximally psychologically devastating for dennis and amy and devoid of repercussions for himself - is also more advanced and methodical than would be expected in a child of his age. again, the text uses this to emphasise how inextricable the child-voldemort is from his adult self - and also, to some extent, to underscore the intellectual brilliance [his magic is also more advanced than is normal for a child] which his narrative archetype [the exceptional villain who is defeated by the everyman hero] requires. but we can also read it as evidence of his own victimisation. a common sign that a child is being sexually abused is that they display a knowledge of sexual behaviour which is more advanced than is reasonable for a child of their age - for example, knowing in detail how a sex act is performed, or fluently using sexual slang which they have no chance of knowing either from age-appropriate settings like school-based sex education or conversations with a parent or trusted adult, or from the sort of enthusiastic hoarding of rude words and phrases all children enjoy as they grow up. riddle's precise, clinical knowledge of how to manipulate, frighten, torture, and control can be seen as something similar. if he can - at eleven or younger - methodically break down another child until they're "never quite right" again, then this is because he's learned how to from someone.

he keeps secrets. and he also goes out of his way to extract them. his grooming of ginny in chamber of secrets - he manipulates her into confiding things she wants to keep to herself, promises he won't tell anyone, and then uses the threat that he will to get her to do his bidding - is an absolutely textbook example of how abusers use the idea of secrecy to control their victims. it doesn't make his abuse of ginny any less inexcusable if we assume he learns this from being on the other side of things.

dumbledore understands his little cache of objects as trophies he's taken from victims - and the text takes the view that dumbledore is correct in this assessment. that hoarding trophies is something widely associated with serial killers means that this is yet another thing which underlines how creepy - and how like his adult self - the child-voldemort is. but it's also the case that the adult - and teenage - voldemort places a lot of emphasis on gift-giving as part of his control over other people. the two most obvious examples in canon are wormtail being given his shiny hand as a reward for helping voldemort get his body back, and slughorn being buttered up with crystallised pineapple before voldemort asks him about horcruxes. the text thinks this is sinister - and one of the reasons it does this is because gift-giving is a grooming tactic. the text also clearly thinks this isn't behaviour voldemort has learned from the other side. and yet a common sign that a child is being abused is if they have possessions it doesn't make sense for them to own [i.e. a child from a low-income background who is suddenly decked in designer clothes] and which they can't or won't explain how they came by. riddle's cache isn't luxurious - although he's so poor that a yoyo or a mouth organ probably is a luxury to him - but there's also nothing in canon which precludes the objects being presents, rather than stolen goods. if the spell dumbledore uses to make the box rattle is caused by a statement which is both relatively ambiguous and dependent on dumbledore's subjective personal morality - is there anything in this room he's acquired through nefarious means? - then the spell would still work as it does in canon if riddle was an abuse victim given the objects as "rewards". dumbledore's tendency to locate right and wrong in the individual and dumbledore's belief that good people should steadfastly endure misery means he can be written entirely canon-coherently as someone who would think a victim who appeared to collude in their own abuse - such as a victim who "offered" a sexual act because their abuser promised them something if they did - was behaving consensually, manipulatively, and nefariously. and it's worth noting that when riddle doesn't know what dumbledore has done to make the box rattle, he is "unnerved". when he realises dumbledore thinks he's stolen the objects - and that he has no interest in forcing him to admit this aloud - he is "unabashed". perhaps because he's just received proof that an experience he doesn't want to talk about is still secret...

on the other hand, the objects could indeed be stolen - because petty criminality and anti-social behaviour, especially in pre-teen children, is also a sign of abuse.

he can be extremely obsequious - when dumbledore tells him to watch how he speaks he becomes "unrecognisably polite", he ruthlessly flatters slughorn, and he is cringingly deferential to hepzibah smith. the text understands this as evidence that his apparent charm is only superficial - another trait associated in the popular imagination with serial killers [and it's striking that so much about the young voldemort - handsome, charming, seemingly quiet and polite, true evil lurking underneath the mask - is exactly like the pop-culture persona which has been created for ted bundy...]. voldemort himself agrees that his charm is performative in chamber of secrets: “If I say it myself, Harry, I’ve always been able to charm the people I needed. So Ginny poured out her soul to me, and her soul happened to be exactly what I wanted." but his obsequiousness is also a fawn response - a way of minimising a threat by attempting to please the person issuing it. he becomes "unrecognisably polite" - after all - in response to this: Dumbledore raised his eyebrows. “If, as I take it, you are accepting your place at Hogwarts - ” “Of course I am!” “Then you will address me as ‘Professor’ or ‘sir.’ ” Riddle’s expression hardened for the most fleeting moment before he said, in an unrecognisably polite voice, “I’m sorry, sir. I meant - please, Professor, could you show me - ?” riddle could reasonably interpret what dumbledore says here as a threat to prevent him attending hogwarts - even though dumbledore evidently doesn't mean it in this way - and he switches to being fawning because this is something he really doesn't want to happen...

do i think that any of this is what the text was actually going for? no. and nor do i think that reading riddle as a victim of abuse excuses the violence which the adult voldemort goes on to perpetuate.

but i think it is a reading of his characterisation which is both canon-plausible and interesting - a strange, sickly child with a reputation for cruelty and dishonesty being abused by the respectable doctor who is constantly called in to treat his coughs and wheezes, who buys him little presents and charms him into telling him secrets, who then [to paraphrase the teenage voldemort] feeds him a few secrets of his own, safe in the knowledge that nobody will ever believe him if he tries to get help.

and i also think this a reading which is sincerely important.

a significant contributor to the prevalence of child abuse - no matter what exact form this abuse takes - is that we are culturally conditioned to imagine that both the abuser and the victim will look and behave in a certain way if the abuse is "real".

and this means, all too often, that we take child abuse more seriously when the victim is "sympathetic" - when they're from a stable home, and their family are respectable, and they do well in school, and they're polite and sweet, and they look innocent, and they behave perfectly appropriately for their age, and nobody would ever dare to say that they come across as older than they are, and they're white, and they don't have a history of lying, and they don't have a history of attention-seeking, and they don't have a criminal record, and they're not abusive themselves, and there's absolutely no way of suggesting that they colluded in their abuse, and the perpetrator was someone who looks like a child abuser.

someone who is creepy, low-status, ugly, unpopular. someone who everyone can tell is socially abnormal, someone who nobody would ever intentionally permit to be around their children. not someone who is charming, well-respected, attractive, rich, popular, trustworthy. not someone who has a loving family and a happy home. not someone we might be friends with.

but many perpetrators of child abuse are these second group of people. and many victims of child abuse are "unsympathetic", when their social positions and reputations are compared to their abusers' own.

they lie. they steal. they're attention-seeking. they're vindictive. they have trouble distinguishing between imagination and reality. they're violent. they're bullies. they hurt animals. they abuse other children. they take drugs. they're mentally-ill. they come from broken homes. they're in the care of the state. they're dirty. they're poor. they're odd. they're behind at school and badly-behaved in the classroom. they do things which allow their abuse to be dismissed as something they brought upon themselves - they speak or dress in certain ways, they pose provocatively in pictures and post them on the internet, they are known to be sexually active outside of the context of their abuse, they lie about being over the age of consent, they engage in sexual behaviour with an adult abuser in a way which appears [even though it isn't, and there's never a circumstance in which it will be] to be consensual or for their own personal gain, they are flattered by the attention they receive from someone who is important or attractive grooming them, they have complicated - and not always wholly negative - feelings towards their abusers.

and they are still - unequivocally - victims, and what happens to them is still - unequivocally - abuse.

tom riddle is an unsympathetic victim - not only of any potential abuse, but also of the horrors of his life which are explicit on the canon page: that he is raised in an orphanage; that he is grieving; that he knows nothing about his family; that he is thought to be mad.

the absence of any institutional response to his childhood experiences - dumbledore, by his own admission, discloses nothing about riddle to his fellow teachers - is a flaw repeated again and again in the worldbuilding of the harry potter series.

hogwarts - and the wizarding [and muggle] state more broadly - doesn't intervene in any case of neglect or abuse, from harry to snape to voldemort's own parents. the series' individualistic morality means that we aren't supposed to interrogate these collective failings. and the series' black-and-white view of good and evil - and its general belief that violence is fine if the person it happens to "deserves" it - means that it has no interest in examining the ways that poverty, isolation, and neglect are risk factors; that straightforwardly unpleasant people can still be victims; that victims can go on to become perpetrators without their victimhood ceasing to matter; and that the abuse of children usually takes place not in silence and secrecy, concealed in ways which make it fine for adults not to notice it and not to intervene, but in plain sight.

this is knowledge it never hurts to refresh. thinking about lord voldemort's childhood might be an usual way of doing so... but it is an effective one nonetheless...

#asks answered #asenora meta #tom riddle #lord voldemort #if wizards had the concept of safeguarding it would be a game changer...

286 notes · View notes

highhhfiveee · 6 months

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please i need some dubcon mike schmidt ..,,, like he picks up drunk reader from a party n takes her home n fucks her throat ..,,, ‘you’re so easy to control when you’re all stupid like this’ ..,,, she’s got tears streaming down her face n she’s clawing at his thighs but he just holds her head in place n strokes her hair n tells her how good she’s making him feel ,,

okay okay okay. shiver me fuckin timbers lmaoooo. this is so brothersbestfriend!mike. switched it up a little but i hope you still enjoy! [had this set to post at 12 but tumblr failed me lmao]

sangria

tags: brothersbestfriend!mike, fem!reader, intimate touching, choking, wild dick sucking, deep throating, spitplay, degradation, dubcon (reader is plastered, and while she does consent to be taken advantage of, she is still under the influence); mike is such a protector and i'm starting to think that this is megasub!reader x protector!mike in addition to bbf! [let me know if i missed anything + this has been proofread but there’s always still a chance for mistakes lmao]

link to the original fic, mimosa, here 🍹, and the first part of the finale here, tequila sunrise, here 🍸

okay, so maybeeeeeee you two didn't actually get caught that day.

you’re panting in each other’s faces as you come, clean yourselves off, and exit the shed like your brother's best friend hadn't made you squirt all over the garden tools and pool supplies.

the feeling of mike's come pooling in your bikini bottoms makes you tingly all over again, and you're squirming while you both ease your way back into the fold of cookout attendees, diverting into separate paths so no one can catch onto your attachment; clandestine and kept between the eyes, lips, and bodies of you two only.

you'd wished mike nothing but hell while you were away at school, doing anything you could to get the thought of him out of your head. even though you'd been the one to catch feelings, you never wanted him to have any part of you ever again, restricting him from you.

you'd wanted him erased from the entire galaxy then, but from the cookout forward, nothing excited you more than the thought of being mike’s plaything. you snuck around with him more than you should've; giving him handjobs in the backseat of his car, letting him eat you out in your bedroom with the door open---risky things that made your heart pound with adrenaline and need, a rush to the very end.

you could only get that feeling with mike. it made you sick to your stomach with taboo butterflies, fantasizing about all the ways he could have you thrashing, eyes rolling back, toes curled until your feet cramped.

he'd hooked you on him once again, and this time, he'd decided to go with the flow. he wasn't pursuing anything with anyone else, and feelings had begun to bloom in him. nothing like love, he'd told himself (even though your flirty smile made his heart palpitate before making his dick hard), but like...safeguarding.

you were young, unversed with life, vulnerable; mike could see people taking advantage of you, mistaking your soft, impish act for total naivete. even though he'd hurt you himself, he'd never allow anyone else to treat you that way, or put you in a situation to harm you. there was this urge in him to keep you safe, keep you protected from the mean world that ate girls like you for breakfast.

mukrrrrrrrrrrrr

molwwwwwwwwww

gahdmn i cant tYpe LoL

exhibit a.

y/n are you drunk

….

………..

…………………………….

y/n

4 F R E E dwinks

downnnnnnnnn thw hATCH

pArTyz rool xp

mike's about to ask about your location when your picture floods his screen, phone vibrating in his hand with a call. he answers it with a displeased, "where are you?

"she’s at 8203 harrington circle," someone yells over loud, bass-riddled music and scattered conversations. mike hopes it's a friend of yours, and not a complete stranger. “she was fine, but i think that fourth drink tipped her over!"

mike's been putting on clothes and grabbing for his keys and wallet since your first text message, already sulking to his car as your friend finishes her statement. "stay with her and keep her upright, i'll be there in fifteen."

he can't get rid of the deep scowl etched on his face while he drives, both hands clasped tensely on his wheel at ten and two. he wants you to have fun, of course. he isn't going to tell you not to go to parties, or not to drink---you’re your own person, and he has no right to tell you what you could and couldn't do, but something about you utterly hammered around so many people you probably don't know makes his heart pound against his ribcage with agitation.

harrington circle was a street on a state school campus, one that you'd opted not to go to all that time ago. maybe you'd known some people there, but mike was sure you didn't know your way around, where to go if something went wrong...

he pulls up to a tall, red brick house smack dab in the middle of a cul-de-sac, immediately throwing his car in park and exiting when he sees two girls walking alongside a guy carrying you out the front doorway. he has his hands hooked under your armpits, pushing your boobs together and "covertly" staring at your amplified cleavage as he leads you down the short stone path.

your head lulls back a little, and you're smiling up at the sky with your eyes closed and your cheeks flushed to death. your legs drag under you, and mike's quick to grab for your waist, removing you from that perv's grasp with haste and a grimace.

you droop into him, body leaden with alcohol, and he slides one arm under the back of your knees, bending his own to lift you into a bridal style hold.

you squeal as he turns away from the house, throwing your arms around his neck and dreamily sighing at the way his hands feel carrying you, strong and vigilant and possessive. "mikeeeeeee," you mewl, pulling yourself into him so you can nudge at the column of his throat. your words are slurred almost beyond comprehension, and he commands one of the girls to open the passenger door so he can ease you inside.

he sets you down in the seat, or at least tries to, whispering, "let me go" when you keep your arms wrapped around him. the position has him hunched over, and it hurts his back so badly, but you whimper, "nooooo, want you close" while nearly making him trip and fall across you, splaying his entire body over yours. he smells so good, all warm and musky and mike, and you don’t want to separate from him.

"y/n, please. i wanna get you home," he reaches back to wrench your arms off of him, placing them in your lap and closing the door before you can complain. he walks around the front to the driver's side, monotonously thanking the girl who'd helped you as he grumpily enters the car.

he grabs for your seat belt, stretching it across your torso as he does his own and drives away from the annoyingly illuminated house and party commotion in silence.

you're so gone, but even drunk, it's unsettling to you how quiet mike is, keeping his eyes focused on the road without a hint of a glance or a word to you. his jaw is clenched deeply, and he's stiff as a board against his seat, so opposite from his usual sullen, suave nonchalance. you frown at him, fingering with your strappy, well-tied sandals. "hey, grumpy,"

"not grumpy," you huff at his tone, sour and unwavering, and wiggle your toes as you finally free them from the entrapment of footwear. "i'm fine."

"you've gotten very, very bad at lying," you demur. your head slacks again, but this time against your headrest. you ogle mike through the film in your eyes, digging your teeth into your bottom lip. "mad at me?"

mike writhes in his seat, his jaw muscles flexing at your coy lilt. you know how to manipulate him with your words, sweetening them in just a way that would have mike bending to your will. the way you're gazing at him with your big, unfocused eyes makes him makes him press down on the gas a bit harder.

"i'm not mad," he mutters, all pseudo-nonconfrontational and collected, but you know that he's not telling the truth. something about the circumstances bothers him, and you want to know why. the car comes to a stop at a red light, mike shaking his head as he scrunches his face and rubs his eye with a knuckle. "forget about it."

"i won't. don't like me having fun without you?" he doesn't answer, staring ahead at the empty streets around the two of you. it was so late, nearly 2 am, and it only fuels the exasperation he feels burning in his stomach. he doesn’t like you out here like this, without him to keep you out of harm’s way.

"is it the drinking?" you pout, frustrated with the way he's ignoring you. "i admit, maybe four drinks was overkill, but i feel sooooo good. my body feels like..." you make a subtle buzzing noise, similar to tv static, and cut it off with a giggle, reaching over for one of mike's hands while the light turns green.

you inch it towards your lap, dragging it across the skin of your thigh that skims the end of your skirt, mini and gold and matching with the white corset top you wore. "you should feel."

"y/n..."

"c'mon mike," you pout again, dipping his hand between your opened legs. you let out an astounded moan when his cold fingertips connect with your bare clit, and now he's scowling at the fact that you’re not wearing any panties. he thinks about how many people would keep note of that, combined with your docile, inebriated state, and see it as a way in. it’s clear, with how those drinks have you begging him to ease his fingers into you, caressing your tight, warm walls so he can add another check to "car" on the list of places he's made you squirt. “don't want you to be mad at me anymore."

"i'm not mad at you, y/n," he finally says, fingers still against your skin. you're soaking his seats, the excess of your slick dripping down to the cloth, and he has to pull himself out of thinking about someone else feeling you in this way. his eyes stay low on the road as he continues, "did you know anyone at that party?"

"mhm, like one person." mike sighs, a low grumble in his throat. he pulls his hand away from you, putting all of his attention on driving so he can get home. he just wants you inside, away from the world and in his charge. he doesn't say anything for a long while, eventually taking a deep breath and mumbling, "just want you safe, y/n. i'm glad you called me to come get you. there are bad people out there, and i don’t trust them in situations like this.”

"yeah," you purr, leaning against the center console and resting your head on the side of his seat. "you're my knight in shining armor, hmm? keeping me away from all the bad bad people looking to destroy messed up princesses like me?"

mike side eyes your tone, nearly scolding you for treating it like a joke and not something that could actually happen.

"...that's one way to put it, but seriously—-“

"wanna be destroyed though," you interrupt, unbuckling your seatbelt once he cuts the car off in the driveway. he’s turning to you, dark eyes gazing towards your pouted lips. you're reaching your hand across his lap, massaging it over the press of him in his sweatpants. “especially by you. wanna be your little fucktoy. let you use my messy holes however you want because they're yours."

your filthy mouth and shameless confession have mike turned on and hard and thinking about how you've called your holes his. he's seeing you bent over the couch, stuffed to the hilt with his fingers pressed against your tongue while he smirks down on you, veins coursing with lust. he squeezes at your hand, and says,

"let's get you inside, okay? then we can talk more about my messy fucking holes."

you're dizzy, giving him a big, woozy smile and letting all the craving you feel inside pour out through your glazed over eyes when he swoops you up again, carrying you and your shoes to his front door. your arms are back around his neck, and you're placing soft kisses on his lips, jaw, and chin as he drops your shoes by the entrance and carries you all the way to the couch, settling his body into one of the corners.

you're adjusting yourself on him so your bare mound drips over his thighs, and he's got his hands around your hips again, digging his fingers into your flesh as you mindlessly grind against him. you're still kissing against his lips, so uncoordinated and sloppy, and he pulls on the wispy strands at the nape of your neck, disconnecting you from him so he can leer at you with a look that tells you he will be destroying you tonight, guaranteed. "no panties was really bold of you, baby."

"can’t have panty lines in this skirt," you frown, placing your hands on mike's shoulders for leverage to move on him a bit harsher, eventually grazing them over his back and arms as you do. "not cute."

"but it's really not cute for you to have my holes on display for anyone to have, especially not when you're like this."

"mikey, please,” you coo, hunching down to press wet, suctioned kisses on mike's bare neck and rolling your hips into the weight of him. he feels so good against you, and you're aching, the alcohol sending shocks to your clit with every second of friction. "want you in me or something. no more talking, just use—-.”

"aht, don't rush me. trying to get you to understa---" one of your hands goes from roaming his shoulderblades to placing pressure around his throat, shocking him stiff against the back of the couch.

he doesn't think anyone has ever choked him before, and while his eyes burn at you with frenzied astonishment, you're causing him to have a revelation. his dick pulses against the material of his sweatpants at the feeling of your dainty hand squeezing his throat, and he's reaching to grab your wrist and bring your hand down before he comes all quick like he’s 18 again. you stop him with your other hand, coming in close to his face.

there's such a ferocity in your stare, and he knows that you're not going to let him lecture you all night. you need him to fuck you, need him to do something with you and your drunken arousal.

"are you really gonna keep talking, or would you rather just fuck my throat?" you slide your arms down his back, lips placed by his ear as you whisper, "show me how depraved people really can be when i'm like this."

he knows it's sick, but it doesn't take much past that for mike to have you on all fours beside him on the couch, back arched into a 45 degree angle as you drool all over his lap. you're begging for it, whining about how good he feels in your mouth, and he doesn't want to miss an opportunity to give you something you want, even though you're in this state. he's glad that it's him using you in this scenario, and not someone genuinely looking to hurt you. it's his rationale for giving in to your immoral desires.

you pull away from your mess with a sharp inhale, your jaw trembling as you sit up and give mike an eager, spit-slick smile. your eyes are even more distant than before, and it's almost like you’ve checked out. mike can see all the brashness and attitude you give him on the regular is gone, currently replaced with servitude and the intent to please, nothing less.

"wanna feel you ruin my throat, mike," you rasp, grabbing his dick in your hand and stroking at the soft skin, suckling on his tip as you flash him the hunger you feel inside through a grin. "please."

he's silent, having a quarrel with himself as he takes in your blank, mindless expression. it’s so wrong of him, but you look so pretty like this, and he reaches out to hold your cheek as you pout at him again.

"pleaseeeeee," you whine, tears nearly welling in your eyes. "want you to wreck me, use me however you wanttttt. gonna be your obedient, drunk little whore, do whatever you ask."

mike loses all resolve then, and demands you to drop to your knees in between his own. you're quick to assume the position, letting him put one hand on the back of your head and feed his dick into your throat.

"shouldn't like this," mike mutters, wrapping your hair up into a ponytail with both of his hands, watching you rub his dick over your face after slipping it from your mouth to spit on it. he almost can't take you like this, spacey and pliant and all his to destroy. so drunk and willing and--- "shouldn't let me take advantage of you like this."

your face is stained with tears and spit, streaks of dried liquid overlaying your burning cheeks and swollen lips. the neckline of your top is soaked too, saliva glistening on your chest.

"maybe i wanted it," you muse, winking leisurely as you wrap both of your slim hands around his base, smirking up at him. "maybeeeeeee i went and got plastered cause i knew you’d come get me if i called," you're feeding him into your mouth again, and without warning, mike is holding your head stationary, shoving his hips up into your warm mouth while you gulp every time he hits the opening to your throat. of course you'd do something like this. your admittance makes mike feel a plethora of things, good, bad, ugly, but right now, all he's focused on is making you feel like the toy you wanted to be.

"you're a fucking slut, y/n," he hisses with gritted teeth, throwing his head back as he feels you open up for him, allowing him to raise his hips and sink further into you.

the muscles of your throat flutter around his length, and it makes his toes curl, tangling together in his socks. "only sluts go to a party to get drunk so they can be turned into pretty little fuckdolls later...like being fucking mindless for me, huh?"

"love it, mike," you whimper, laying your tongue flat so his dick can slip in and out of your mouth with less resistance. it's covered in thick spit, a droplet resting on the tip, and mike leans down to collect all of it in his own mouth with a sloppy, obscene kiss, before releasing it all over his pelvis with a groan.

it was a fucking mess, and he loved it. he knew you loved it like this too, and your enjoyment of the raunchiness is reflected in the way you patiently wait for him to plunge his dick in you, eyes twinkling with everything and nothing at the same time.

your hand is moving under your dress, fingers stroking along your sodden walls, but he doesn't care; not when your eyes are rolling back into your skull as his dick infiltrates your throat again, filling the room with a persistent gluckgluckgluck as he rhythmically slams your face into his base.

you're sure you'll have no voice after this, but fuck, will it be worth it. you're basking in every second of this, so happy you decided to go out tonight. you were unexperienced in some ways, but you knew how to get to people, or at least to mike. you could get him to do whatever you wanted under the guise of him being in control, and all it took was a bit of sweetening with your voice, a flutter of your eyelashes and a crooked, "innocent" smile for mike to be wound your finger, abusing your face in a way you shouldn’t have dreamt of. you're running out of breath, and your fingers dig into his thighs with the message, but he ignores you, gripping your hair so that your mouth gently snaps up around him every time he pulls his hips back. the sensation is godly, and mike's not sure if he deserves this really. you'd fallen so hard for him at one point, and he'd crushed your hope to be with him under his thumb, but now you're here, letting him have you like this despite those memories. he's lucky, for whatever force is keeping you in his orbit.

"letting me do this to you while you're fucked up...letting some older guy take your throat like you're just free use...you're not getting into heaven," you laugh around him, forming your mouth into a makeshift smile as he slowly slides you off of him, overstimulated by the ridges of your throat muscles clinging to him. he doesn't want to come on your face, not this time. he wants you to beg for him to come in you, for him to fill you until you're overflowing, leaking down your thighs while he gives you more and more and more and more...

"i know," you mewl, pretty face smeared with saliva and pre-come. "i'll be in hell with you. wouldn't have it any other way." mike sits up, thumbing at your bottom lip and hissing as you unhinge your jaw and suck the tip of it inside. your eyes are getting dimmer by the second, but you're still wanting everything mike can give you.

he won't stop until you say so, and he strangely finds himself buzzing with lust at the thought of you bossing him around for his pleasure and yours. how had you gotten in his head like this?

"go in my room and strip, baby. sit in the middle of the bed and don't move." you're on your feet in a flash, clumsily dashing down the short hall without a look back.

it gives him time to get some towels, a washcloth to clean your face up, some lube, and grab waters for the both of you, thinking about all the ways he's gonna contort you. he might even make you watch in the mirror, make you take in your glassy eyes and lack of autonomy, the way you're letting him, your brother's best friend, have you in such an obscene way.

he cracks the door open with all the items in hand, and scoffs when he sees you naked, but stretched out on the bed, mouth hanging open with soft snores.

he walks over to the edge, dropping the things he's holding onto the comforter and shaking your shoulder softly. "baby," you lurch awake, murmuring "huh?".

you blink the bleariness out of your eyes as he uses one of the towels he brought to wipe off his drenched groin, and he smirks at you. you two are done for the night, and that's fine with him. something about your small figure, safely sprawled against his sheets has him seeing hearts and stars and rainbows and everything else he's tried so hard to push away.

when he's dry, ditching his shirt and boxers, he leans against his headboard, cradling you in his arms and lap as he begins using the washcloth to wipe at the dried spittle on your face. "here," he announces, cracking open a water bottle and bringing it to your lips, tilting it so you're able to get some water between them without much effort.

you swallow the sips he gives softly, wrapping your arms around his neck again. you loved being skin to skin with him, and right now, you felt tranquility.

this is but a fraction of that 100% he wanted to give, you think. something has changed in him, and now he wants to show you care. he still wants you to need him, need him to keep you protected from the world outside while he corrupts you in his own. you want that, too.

"mmmmmmm, you're so boyfriend," you muse, placing pecks on his collarbones as he continues cleaning you up. he's able to maintain a pokerface towards you, wiping at your cheeks with passive strokes, but inside, he feels nothing but chaos. why does he like hearing you call him boyfriend, like having you in his arms like this? why did it all seem to fill a hole in his heart, one he always thought would stay a cavity?

"really do love you, mike," you add, staring at him full on now. you might as well be sober, with your attentive, doe-like eyes. "tried hard not to, but i do."

you've broken him down, so easily, and somehow, he's giving into you with a deep, irrevocable sigh. he has nothing else to do but finally accept the truth.

"me too, y/n. me too."

this was rough for me to write because my brain just couldn't work properly, so i hope it's not the dogshit i think it is lmao hope this satisfies you anon!

faire's seedlings ✿

@leahdhopkins4321-@pyr0-kai-@angstywhore-@sunazroo-@nyxthoughtss-@mirophobic-@fayethor-@marixsimps-@regretfulme-@ithinkitszeph-@707xn-@cattt777-@violetta-ximena-@amnesia33-@topnerd03-@fastnights-@laprvphette-@savage-aespa-@mfdxz-@0-tatiana-0-@dusstory-@delwrites-@mikeschmidtgf-@jun1p3rlol-@xyzstar-@aquamarine001-@atrociouslybear

#fnaf #fnaf movie #fnaf fic #mike schmidt x reader #mike schmidt smut #faire's mike schmidt <3 #faire is writing stuff #josh hutcherson #faire answers asks #this man is sweet and gross and that's hot tbh #like...to ruin someone so close to you....having to keep it secret #lord jesus christ

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