#the belief pioneer

[whatbigotspost]

Every time I hear someone much older than me talking about how their shame about their bodies and weight have robbed them of all kinds of fun experiences and simple joys and delights in life, it breaks my fucking heart. Older women, in particular, have been shamed into and forced into (and perpetuated themselves) so many stupid narratives about what one "can't do" if you look a certain way. Sometimes they don't even notice it...they'll just casually be saying something like, "I would have loved to play volleyball back in school but this big ass wasn't going to look right in those shorts tee hee" and I'm like that's??? actually??? tragic???????? Especially when it's something they COULD still pursue or try but they've got a fixed mindset about it.

My 84 year old aunt really spent all of her 30s-60s believing that she COULDN'T just put on a swimsuit and enjoy the water in the summer. I have so many memories of this mindset affecting her all summer. Just casually existing by a pool in a swimsuit was something that women who looked like her Could Not Do. This is someone who broke so many gender barriers in her field, who was a pioneer and a bad ass, but who held herself back from something she truly enjoyed for DECADES because she's fat. A couple of years ago she told me how stupid she feels having thought like that now that her age has changed her mobility and safety in going to a pool and it's no longer literally possible for her to do so.

She bought the bullshit and deprived herself of happiness when it was possible, so she lost her chance at hundreds of moments of simple enjoyment she now looks back on sadly.

Really sadly.

I think this is a topic where we can literally see a huge generational change among society right now. The bitchy boomer who says something like, "oh she should NOT be wearing that" when a happy, chunky Gen Zer bops by in a crop top sounds like the death rattles of an ancient relic to most of us in younger generations. After we get over the overt hate that surges when we hear things like that, most of us can see right through that prickly exterior into the deeply damaged, sad, and vulnerable person inside who is the one that's the real problem in the equation.

And yet, while it can be easy to think, "Thank god I'm not like THAT" none of us are truly immune to the messages that are blasted in our faces all the time that still shame fatness and make us feel like we owe society a certain kind of "beauty."

Just keep an eye out for any limiting beliefs you have that are depriving you from joy and delight you want and need. As anyone like my aunt could tell you, you won't someday look back and think, "I sure am glad I didn't do what made me happy all those years!"

#fatphobia #misogyny #body acceptance #body neutrality #advice

[usnatarchives]

Katherine Johnson: The Mathematician Who Launched Astronauts into Space and Women into STEM 🚀👩‍🚀

In the vast expanse of the cosmos, where men first dreamed of reaching the stars, Katherine Johnson calculated the path that would get them there. This story isn't just about trajectories and orbits; it's about a woman whose brilliance in mathematics helped break the barriers of space and gender.

Johnson's journey began in White Sulphur Springs, West Virginia, where her curiosity and intelligence shone from an early age. Despite encountering segregation and sexism, she charted a course that would lead her to NASA, where her skills became indispensable to the success of the U.S. space program. Her calculations were critical to the success of the Mercury missions, including John Glenn's pioneering orbital flight, for which he specifically requested Johnson verify the computer's numbers. "If she says they're good," Glenn said, "then I'm ready to go."

But Johnson's contributions went beyond Mercury. She also played a role in the Apollo missions, including the first lunar landing, and her work on orbital mechanics laid the groundwork for the Space Shuttle program and plans for a Mars mission.

Her legacy is a beacon for women and people of color in STEM, symbolizing the power of intelligence and perseverance to overcome societal constraints. Johnson's story teaches us that the path to the stars is paved with determination, hard work, and an unwavering belief in one's own abilities.

Katherine Johnson's calculations helped lead humanity to the moon, but her impact extends far beyond the numbers. She charted a course for future generations of women in STEM, proving that the sky is not the limit—it's just the beginning. As we look up at the stars, we remember her legacy, not just as a mathematician, but as a trailblazer who launched us into a new era of exploration and equality.

#PiDay #KatherineJohnson #Katherine Johnson #NASA #Mathematics #National Archives #Women's History Month #HERstory #Archives #Apollo13 #Mercury #STEM #Women in STEM #Science

[weaselandfriends]

Post-postmodernism in Pop Culture: Homestuck’s Revenge

I recently saw an excellent video essay titled Why Do Movies Feel So Different Now? by Thomas Flight. Though the title is opaque clickbait, the video is actually about major artistic zeitgeists, or movements, in film history. Flight describes three major movements:

Modernism, encompassing much of classic cinema, in which an earnest belief in universal truths led to straightforward narratives that unironically supported certain values (rationalism, civic duty, democracy, etc.)

Postmodernism, in which disillusionment with the values of modernism led to films that played with cinematic structure, metafiction, and the core language of film, often with more unclear narratives that lacked straightforward resolutions, and that were skeptical or even suspicious of the idea of universal truth 

Metamodernism, the current artistic zeitgeist, which takes the structural and metafictional innovations of postmodernism but uses them not to reject meaning, but point to some new kind of meaning or sincerity.

Flight associates metamodernism with the “multiverse” narratives that are popular in contemporary film, both in blockbuster superhero films and Oscar darlings like Everything Everywhere All at Once. He argues that the multiverse conceptually represents a fragmented, metafictional lack of universal truth, but that lack of truth is then subverted with a narrative that ultimately reaffirms universal truth. In short, rather than rejecting postmodernism entirely, metamodernism takes the fragmented rubble of its technique and themes and builds something new out of that fragmentation.

Longtime readers of this blog may find some of these concepts familiar. Indeed, I was talking about them many years ago in my Hymnstoke posts, even using the terms “modernism” and “postmodernism,” though what Flight calls metamodernism I tended to call “post-postmodernism” (another term used for it is New Sincerity). Years before EEAAO, years before Spider-verse, years before the current zeitgeist in pop cultural film and television, there was an avant garde work pioneering all the techniques and themes of metamodernism. A work that took the structural techniques of postmodernism--the ironic detachment, the temporal desynchronization, the metafiction--and used them not to posit a fundamental lack of universal truth but rather imbue a chaotic, maximalist world of cultural detritus with new meaning, new truth, new sincerity. That work was:

Homestuck.

That’s right! Everyone’s favorite web comic. Of course, I’m not the first person to realize the thematic and structural similarities between Homestuck and the current popular trend in film. Just take a look at this tweet someone made yesterday:

This tweet did some numbers.

As you might expect if you’re at all aware of the current cultural feeling toward Homestuck, many of the replies and quotes are incredibly vitriolic over this comparison. Here’s one of my favorites:

It’s actually quite striking how many elements of the new Spider-verse are similar to Homestuck; aspects of doomed timelines, a multiversal network that seems to demand certain structure, and even “mandatory death of parental figure as an impetus for mandated personal growth” are repeated across both works. The recycling and revitalization of ancient, seemingly useless cultural artifacts (in Homestuck’s case, films like Con Air; in Spider-verse, irrelevant gimmick Spider-men from spinoffs past) are also common thematic threads.

As this new post-postmodern or metamodern trend becomes increasingly mainstream, and as time heals all and allows people to look back at Homestuck with more objectivity, I believe there will one day be a rehabilitation of Homestuck’s image. It’ll be seen as an important and influential work, with a place inside the cultural canon. Perhaps, like Infinite Jest, it’ll continue to have some subset of commentators who cannot get past their perception of the people who read the work rather than the work itself even thirty years after its publication, but eventually it’ll be recognized for innovations that precipitated a change in the way people think about stories and their meaning.

Until that day, enjoy eating raw sewage directly from a sewer pipe.

(Side note: I think Umineko no naku koro ni, which was published around the same time as Homestuck and which deals with many similar themes and then-novel ideas, will also one day receive recognition as a masterpiece. Check it out if you haven’t already!)

#homestuck #spiderverse #across the spiderverse #metamodernism #post-postmodernism #pop culture

[sensualnoiree]

TOTAL SOLAR ECLIPSE 🌑

The April 8 Total Solar Eclipse in Aries brings a potent new beginning, marked by intense energies and a focus on self-awareness and healing. The Sun, Moon, and Chiron at 19° Aries emphasize the need for self-care and addressing insecurities. The Mercury-Eris conjunction at 24° Aries encourages us to have courage in our convictions, supporting long-term themes and the development of new healing methods.

Emotionally, this eclipse may be intense, especially when Luna conjoins Mercury and Eris later in the day. The eclipse marks a time of establishing something new, initiating a new karmic cycle, and addressing past issues related to anger or missed opportunities for taking action. It's a time for personal transformation, akin to the energy of the Fool's card in tarot, where we are called to choose differently and embrace healing and change.

Aries Rising: This eclipse heralds a profound period of self-discovery and personal reinvention for you. You are being called to redefine your identity and how you show up in the world. Embrace your courage and pioneer spirit, as this is a time to boldly step into new beginnings and embrace your authentic self. The eclipse may stir up deep-seated desires and insecurities, but it also offers a powerful opportunity for healing and transformation. Use this time to explore your true passions and set intentions for a future that aligns with your deepest values and aspirations.

Taurus Rising: The eclipse activates your inner world, urging you to delve deep into your subconscious mind and spiritual beliefs. This is a time of profound introspection and healing, where you may confront past traumas or buried emotions that are holding you back. Embrace the opportunity to release old patterns and embrace a new level of spiritual awareness. Pay attention to your dreams and intuition, as they may offer valuable insights into your subconscious mind. Trust the process of inner transformation and allow yourself to surrender to the flow of life.

Gemini Rising: With the eclipse in your 11th house, your focus turns to your social circles, friendships, and long-term goals. This is a time to connect with like-minded individuals who share your vision for the future. Embrace opportunities to expand your network and collaborate with others towards common goals. Your aspirations may undergo a transformation, leading you to reevaluate your long-term plans and make necessary adjustments. Embrace the power of community and collective action, as you work towards creating a more harmonious and inclusive world.

Cancer Rising: The eclipse highlights your career and public image, signaling a period of significant transformation in your professional life. You may feel called to pursue a new career path or take on new responsibilities that align with your true calling. Embrace the opportunity to step into a leadership role and showcase your skills and talents to the world. Trust in your abilities and have faith that the universe is guiding you towards a path of success and fulfillment. This is a time to embrace your ambitions and take bold steps towards achieving your goals.

Leo Rising: This eclipse inspires you to expand your horizons and seek out new experiences that broaden your perspective on life. Embrace the spirit of adventure and embark on a journey of self-discovery and personal growth. You may feel called to explore new philosophies or belief systems that resonate with your soul's purpose. Trust in the wisdom of your intuition and follow your heart's desires, as they will lead you towards a path of greater fulfillment and enlightenment. This is a time to embrace the unknown and welcome the opportunities that come your way with open arms.

Virgo Rising: The eclipse brings a period of deep transformation and regeneration, urging you to release old patterns and embrace a new way of being. This is a time of intense introspection and inner healing, where you may confront deep-seated fears or insecurities. Embrace the opportunity to let go of what no longer serves you and embrace a new chapter of growth and renewal. Trust in the process of transformation and have faith that the universe is guiding you towards a path of greater authenticity and empowerment. This is a time to embrace your inner strength and resilience, as you emerge from the shadows into the light of a new beginning.

Libra Rising: With the eclipse in your 7th house of partnerships, relationships take center stage. This is a time of significant growth and evolution in your personal and professional relationships. You may experience changes in your relationship dynamics, leading to greater harmony and balance. Embrace the opportunity to deepen your connections with others and cultivate more meaningful and authentic relationships. Trust in the power of love and partnership, as they will support you on your journey towards greater fulfillment and happiness. This is a time to open your heart to new possibilities and welcome the blessings that come with deep and meaningful connections.

Scorpio Rising: The eclipse signals a time of positive change and transformation in your health and daily routines. You may feel inspired to adopt healthier habits and make positive changes to your work environment. Embrace the opportunity to prioritize self-care and well-being, as this will support you in achieving your goals and living a more fulfilling life. Trust in your ability to create positive change in your life and take practical steps towards improving your health and well-being. This is a time to listen to your body's wisdom and honor its needs, as you work towards creating a life of balance and vitality.

Sagittarius Rising: This eclipse sparks creativity, passion, and self-expression, urging you to embrace your inner child and indulge your creative instincts. This is a time of inspiration and innovation, where you may feel called to start a new creative project or pursue a new hobby that brings you joy. Embrace the opportunity to express yourself authentically and share your gifts with the world. Trust in your creative vision and allow yourself to explore new avenues of self-expression. This is a time to cultivate a sense of playfulness and spontaneity in your life, as you rediscover the joy of living in the moment.

Capricorn Rising: The eclipse falls in your 4th house of home and family, signaling a time of transformation and renewal in these areas of your life. You may feel called to create a more nurturing and supportive home environment for yourself and your loved ones. Embrace the opportunity to connect with your roots and cultivate a sense of emotional security and stability. Trust in the process of change and have faith that the universe is guiding you towards a path of greater fulfillment and happiness. This is a time to honor your emotional needs and create a home that nourishes your soul.

Aquarius Rising: With the eclipse in your 3rd house of communication and learning, you are being called to expand your mind and embrace new ways of thinking and communicating. This is a time of intellectual growth and curiosity, where you may feel inspired to start a new course of study or engage in stimulating conversations with others. Embrace the opportunity to share your ideas and opinions with the world, as your unique perspective has the power to inspire and enlighten others. Trust in your ability to communicate effectively and express yourself authentically. This is a time to embrace the power of words and ideas, as you explore new avenues of self-expression and personal growth.

Pisces Rising: The eclipse falls in your 2nd house of finances and values, signaling a time of reassessment and realignment in these areas of your life. You may feel called to reevaluate your priorities and make changes that align with your true values and beliefs. Embrace the opportunity to cultivate a deeper sense of self-worth and financial security. Trust in your ability to create abundance and prosperity in your life, as you align with the flow of universal abundance. This is a time to honor your values and invest in yourself and your future, as you create a life of abundance and fulfillment.

follow for more astro insights like this and support me over on yt @quenysefields or instagram sensualnoiree

#eclipse #eclipse season #solar eclipse #total eclipse #aries eclipse #spirituality #astrology #astrologer #astro #astrology signs #astrology readings #astro blog #astro community #astro notes #astro observations #astro placements #astro posts #astroblr #astrology chart #astrology fyp #astrology notes #astrology observations #astronotes #ancient astrology #astrological transits #astrology tips #astrological observations #astrology community #astrology blog #astrological aspects

[hotvintagepoll]

Propaganda

Elizabeth Taylor (Cleopatra, Who’s Afraid of Virginia Woolf, Cat on a Hot Tin Roof)—iconic actress with purple eyes and a double row of eyelashes, the real ebony dementia ravenway of old hollywood. known for her stunning tastes when it comes to jewelry and her incredible, incredible advocacy during the AIDS crisis.

Nutan (Bandini, Anari, Seema)— In an era where plump and petite women were considered the height of beauty, Nutan was thin and gangly. While her beauty is obvious today, she was considered somewhat unusual throughout her acting career, which contains over 70 films. Contrary to the belief that female actresses careers ended after marriage, Nutan won four of her five Filmfare Awards after her marriage and the birth of her son. Nutan was known for her gorgeous, emotive brown eyes and her incredible singing voice.

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Elizabeth Taylor:

I've been trying to steer clear of the absurdly-big names, but damnit, those violet eyes got me. The *talent*, the *presence*, the string of marriages and (temporally out-of-bounds) work in combating AIDS and pioneering in the concept of the celebrity fragrance line.

Not only did she have gorgeous violet eyes and lashes for days and one of the hottest voices ever, she was also a big supporter of the gay community

Child actress turned starlet, Liz dominated films as one of the greatest screen legends of classic hollywood. If your protagonist has violet eyes, they're imitating hers.

A Legend. She was serving milf rage in Whos Afraid Of Virginia Woolf. A Star in every sense of the word.

She was renowned for the beauty of her eyes; they were a dark blue but could look violet in certain lighting, something that photographers would actually touch up to look even more so in pictures. But even more striking was a genetic mutation that gave her a double row of eyelashes. She was also famed for her string of husbands -- 8 marriages to 7 men. Two-time hubby Richard Burton once said she was “a wildly exciting love-mistress… beautiful beyond the dreams of pornography.”

Her EYES. Early and loud support for gay rights and AIDS victims. Married a bunch of hot dudes, Burton twice!

just look at her. she's gorgeous. there's a video somewhere of her applying her eyeliner in the mirror and I think about it all the time

THE Hollywood actress of all time. Not only was she known for her long dark locks and blue-violet eyes, she also had one of the wildest life stories ever….. She’s Carrie Fisher’s stepmother because her father Eddie Fisher cheated on Debbie Reynolds with Liz. She was knighted as a dame of England. She was married to seven different men, one of them twice. She was also very kindhearted and did a lot of charity activism.

Asides from being an iconic actor, she did a lot of philanthropy and co founded the American Foundation for AIDS research. She’s sometimes considered one of the last great stars of old hollywood

Nutan:

#Elizabeth Taylor #nutan #hotvintagepoll #fuck that old woman #ladies 4

[laurasimonsdaughter]

When vampires (or vampire-like revenants) manage the masquerade as human in folktales, there is usually some mention of what they do or do not eat. For instance that they seem to not eat at all, or only eat meat, or only drink water. But I've always loved Angela Sommer-Bodenburg's lore in her Der kleine Vampir series that includes the detail of vampires, especially young vampires, can also drink milk and eat milk products.

It feels logical, milk is a liquid source of life just as much as blood is. And while most old folklore isn't at all concerned with giving vampires ways to appear more human, there is a folkloric basis to letting them drink milk as well as blood, and that delights me:

"The second curious characteristic requiring an explanation is the belief that the vampire sometimes drinks milk rather than blood. Ernest Jones in his pioneering essay on the vampire notes this feature when he comments: "The German Alp sucks the nipples of men and children, and withdraws milk from women and cows more often than blood. The Drud also sucks the breasts of children, while the Southern Slav Mora sucks blood or milk indifferently" (1971:119). In Romania, we are told that vampires on St. George's Eve "take milk away from nursing mothers" (Murgoci 1926:332)."

From: The Vampire: A Casebook, Alan Dunes, 1998, p. 163.

#der kleine vampir #vampire #vampires #folklore #laura babbles #my favourite urban fantasy takes always have a grain of folklore in them

[botanicalsword]

Astrological indicators • Traits of your Significant others (for women) Part I

Certain aspects between Sun and Planets in a woman's natal chart can indicate the type of significant other she is likely to choose.

The most important factor is that a woman's inner needs, as reflected by her natal chart, will ultimately attract and resonate with a partner who can fulfill those needs.

Photo credit @le.sinex

Sun conjunct Moon

You may want a significant other who is impressive and admirable. Your ideal s/o is a conservative and traditional man who is generous and dignified, making him a highly respected and good partner. However, he may have strong patriarchal beliefs.

Harmonious aspect between Sun and Moon

You desire a partner who is empathetic and can provide protection. Your ideal partner is a traditional, conservative man who values family and maintains positive relationships outside of it. He is highly respected and a good husband.

Hard aspect between Sun and Moon

You are looking for a partner who is honorable and respectable. He should be an independent thinker with his own ideas and opinions, actively involved in decision-making within our household - who might not easily give in or compromise on his values.

Sun conjunct Mercury

You enjoy variety and excitement in life and cannot handle a boring routine. Therefore, you want a partner who shares your interests. Even if you do not come from a high social status, you can still find one who is fun-loving, talented, and energetic. Choosing a witty and humorous partner can make your married life more joyful.

Sun conjunct Venus

You may prefer a wealthy and attractive s/o who indulges you with gifts and compliments. While he may not be the most masculine, he is gentle, sophisticated, and highly respected. He could be considered an ideal partner.

Sun conjunct Mars / Harmonious aspect

You desire a passionate and exciting marriage and are attracted to physically strong and charismatic men. Your ideal partner is ambitious, unafraid of power, and has a pioneering spirit. With dedication and effort, he will have numerous opportunities to achieve success and potentially forge his own path. You will offer him your support and work alongside him, potentially even playing a significant role behind the scenes.

Hard aspect between Sun and Mars

It appears that you have a tendency to be impatient and may make hasty decisions when it comes to marriage. It's possible that you may end up with a husband who is similarly impatient and has a tendency towards aggression. This type of person is often rebellious and ambitious within organizations or systems, like a wolf.

Sun conjunct Jupiter / Harmonious aspect

You hope to find a mature partner who can be both a mentor and a friend to guide you in your personal growth. Your ideal partner should be honest, trustworthy, have lofty aspirations, and solid moral values, while actively participating in all aspects of life. In addition, after marriage, you may gain wealth and status, especially if both your parents approve of the marriage. This will certainly lead to a successful union.

Hard aspect between Sun and Jupiter

You are attracted to people with different ideas and lifestyles. Your future husband should be adventurous, enjoy trying new things, and not be stuck in the usual way of doing things. However, after marriage, you may become frustrated by his wasteful and playful behavior, and there is even a possibility of legal disputes.

Harmonious aspect between Sun and Saturn

When choosing a partner, you prefer responsible and traditional men who can provide protection. Your future husband should be calm, restrained, diligent, and eager to learn. It's possible that he may have a prominent position in business or politics, which may limit his availability to take care of the family. If you are able to understand and accept this, he should still make for a good partner.

Hard aspect between Sun and Saturn

When it comes to marriage, you prioritize status and reputation over love. Your future partner values work above everything else, and has a strict and cold personality. There may be an age or status gap between you two. When you were younger, you had limited opportunities to express your opinions, but as you mature, you will have your own ideas.

Conjunction/ Harmonious aspect between Sun and Uranus

When it comes to choosing a partner, you prioritize mindset over physical appearance. You value a flexible mind and seek a future partner with an enterprising outlook on life, a sharp mind, and professional talents. You reject the notion that women are naturally dependent on men and believe that choosing an open-minded partner can lead to a happier and more fulfilling family life.

Hard aspect between Sun and Uranus

You admire men with personality and talent. Your ideal husband possesses a sharp mind, professional skills, and is not afraid to challenge traditional ideas. You highly value your independence and cherish your freedom. If your partner cannot accept and respect this, your marriage may not be a lasting one.

Sun conjunct Neptune / Harmonious aspect

You might rely heavily on your partner, so it is important to find a partner who you can count on. Your future s/o should have a high level of spiritual awareness and be an idealist, though he may lack material wealth.

Hard aspect between Sun and Neptune

Subconsciously, you may have a competitive mentality that could make you insensitive in observing marriage, leading to possible failure. Your future s/o may lack a sense of responsibility and moral values. If you struggle to discern human nature, listening to the opinions of others could be helpful.

Sun conjunct Pluto / harmonious aspect

When choosing a partner, you place a great emphasis on their qualifications and talents. Your potential spouse may appear gentle and introverted, but in fact, possess a strong willpower and remarkable talents. It's possible that you value your partner's talents because you see your husband as a means to achieve your own ideals.

Hard aspect between Sun and Pluto

When choosing a partner, it's easy to be influenced by intuition or factors such as the other person's sexual attractiveness. Your future s/o may appear steady on the outside, but in reality, he is passionate and has strong desires for material possessions and power.

Masterlist @botanicalsword

#astrology #astro community #astro posts #astro #astro observations #overlays #astrology placement #synastry #synastry observations #8 house synastry #astro placements #astrology notes #astrology observations #astrology placements #loa tumblr #astro memes #8h synastry #loa blog #mars synastry #loa #sun synastry #law of abundance #venus synastry #asteroid astrology #house synastry

[browngirl-inthering]

decade accurate marauders era wardrobes - james potter

james' is a more stereotypical take on the seventies. i feel like he embodies the common characteristics of this period of fashion, with its exaggerated collars and pant legs, vibrant colors and patterns including paisley print.

paisley print has origins dating back to thousands of years ago from somewhere between modern-day iran and the india-pakistan border. along with indian music, fashion, and hinduism, it gained major popularity during late 60's/early 70's in us and european pop culture due to the quickly growing hippie and psychedelic movements.

although southern asian influence has held a place in european fashion, its mid 20th century renaissance was largely pioneered by the beatles (a band that i think james would've really liked).

indian!james is a popular headcanon so i feel especially inclined to include paisley and other patterns derived from india/southern asia that had influence on british pop fashion as a nod to this interpretation of him.

idk what it is about it but something about sherpa lined denim jackets and just denim in general scream james to me. such a shame he didn't get to live through the 80s god he would have loved double denim 💔

contrary to popular belief james fleamont potter did in fact strut, in platform shoes with chunky heels that alerted everybody on hogwarts grounds that he was approaching from miles away

in the 60s and 70s glasses shifted from being used solely for eyesight to fashion accessories. this change gave a rise to a variety of glasses styles such as different frame shapes, lens colors, and sizes. james is commonly depicted as wearing teashade/john lennon glasses but comically large square shaped aviator glasses are so much more uniquely 70s (and james coded) imo.

i'm not sure who said it first but red converse are also very james coded. he has a pair of beat up chuck 70s that he wears on early morning runs, sneaking around the castle, quidditch practice, etc etc

james was a male athlete in the 70s him leading quidditch practices in short shorts and a crop top might as well be written in canon idc‼️

#30+ hours later 5 hours straight on pinterest 2 hours typing and im done with the first one #i lost feeling in my lef hand 30 minutes ago and my phone is burning up in my right but i am DONE‼️💯💪🏿 #be posted i'm sorry to the ppl who followed me for the series :/ #i severely underestimated how long this would take me 💀 i plan on doing sirius -> remus -> lily next but i can't guarantee how soon they'll #james potter #marauders #the marauders #marauders era #the marauders era #mwpp #mwpp era #not vintage #decade accurate marauders era wardrobes

[rhysdarbinizedarby]

Couch surfer in his 30s. Oscar winner in his 40s. Why the whole world wants Taika

**Notes: This is very long post!**

Good Weekend

In his 30s, he was sleeping on couches. By his 40s, he’d directed a Kiwi classic, taken a Marvel movie to billion-dollar success, and won an Oscar. Meet Taika Waititi, king of the oddball – and one of New Zealand’s most original creative exports.

Taika Waititi: “Be a nice person and live a good life. And just don’t be an arsehole.”

The good news? Taika Waititi is still alive. I wasn’t sure. The screen we were speaking through jolted savagely a few minutes ago, with a cacophonous bang and a confused yelp, then radio silence. Now the Kiwi ­ filmmaker is back, grinning like a loon: “I just broke the f---ing table, bro!”

Come again? “I just smashed this f---ing table and glass flew everywhere. It’s one of those old annoying colonial tables. It goes like this – see that?” Waititi says, holding up a folding furniture leg. “I hit the mechanism and it wasn’t locked. Anyway …”

I’m glad he’s fine. The stuff he’s been saying from his London hotel room could incur biblical wrath. We’re talking about his latest project, Next Goal Wins, a movie about the American Samoa soccer team’s quest to score a solitary goal, 10 years after suffering the worst loss in the game’s international history – a 31-0 ­ignominy to Australia – but our chat strays into ­spirituality, then faith, then religion.

“I don’t personally believe in a big guy sitting on a cloud judging everyone, but that’s just me,” Waititi says, deadpan. “Because I’m a grown-up.”

This is the way his interview answers often unfold. Waititi addresses your topic – dogma turns good people bad, he says, yet belief itself is worth lauding – but bookends every response with a conspiratorial nudge, wink, joke or poke. “Regardless of whether it’s some guy living on a cloud, or some other deity that you’ve made up – and they’re all made up – the message across the board is the same, and it’s important: Be a nice person, and live a good life. And just don’t be an arsehole!”

Not being an arsehole seems to have served Waititi, 48, well. Once a national treasure and indie darling (through the quirky tenderness of his breakout New Zealand films Boy in 2010 and Hunt for the Wilderpeople in 2016), Waititi then became a star of both the global box office (through his 2017 entry into the Marvel Universe, Thor: Ragnarok, which grossed more than $1.3 billion worldwide) and then the Academy Awards (winning the 2020 best adapted screenplay Oscar for his subversive Holocaust dramedy JoJo Rabbit, in which he played an imaginary Hitler).

Waititi playing Adolf Hitler in the 2019 movie JoJo Rabbit. (Alamy)

A handsome devil with undeniable roguish charm, Waititi also slid seamlessly into style-icon status (attending this year’s Met Gala shirtless, in a floor-length gunmetal-grey Atelier Prabal Gurung wrap coat, with pendulous pearl necklaces), as well as becoming his own brand (releasing an eponymous line of canned ­coffee drinks) and bona fide Hollywood A-lister (he was introduced to his second wife, British singer Rita Ora, by actor Robert Pattinson at a barbecue).

Putting that platform to use, Waititi is an Indigenous pioneer and mentor, too, co-creating the critically acclaimed TV series Reservation Dogs, while co-founding the Piki Films production company, committed to promoting the next generation of storytellers – a mission that might sound all weighty and worthy, yet Waititi’s new wave of First Nations work is never earnest, always mixing hurt with heart and howling humour.

Waititi with wife Rita Ora at the 2023 Met Gala in May. (Getty Images)

Makes sense. Waititi is a byproduct of “the weirdest coupling ever” – his late Maori father from the Te Whanau-a-Apanui tribe was an artist, farmer and “Satan’s Slaves” bikie gang founder, while his Wellington schoolteacher mum descended from Russian Jews, although he’s not devout about her faith. (“No, I don’t practise,” he confirms. “I’m just good at everything, straight away.”)

He’s remained loyally tethered to his ­origin story, too – and to a cadre of creative Kiwi mates, including actors Jemaine Clement and Rhys Darby – never forgetting that not long before the actor/writer/producer/director was an industry maven, he was a penniless painter/photographer/ musician/comedian.

With no set title and no fixed address, he’s seemingly happy to be everything, everywhere (to everyone) all at once. “‘The universe’ is bandied around a lot these days, but I do believe in the kind of connective tissue of the universe, and the energy that – scientifically – we are made up of a bunch of atoms that are bouncing around off each other, and some of the atoms are just squished together a bit tighter than others,” he says, smiling. “We’re all made of the same stardust, and that’s pretty special.”

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We’ve caught Waititi in a somewhat relaxed moment, right before the screen actors’ and media artists’ strike ends. He’s ­sensitive to the struggle but doesn’t deny enjoying the break. “I spent a lot of time thinking about writing, and not writing, and having a nice ­holiday,” he tells Good Weekend. “Honestly, it was a good chance just to recombobulate.”

Waititi, at right, with Hunt for the Wilderpeople actors, from left, Sam Neill, Rhys Darby and Julian Dennison. (Getty Images)

It’s mid-October, and he’s just headed to Paris to watch his beloved All Blacks in the Rugby World Cup. He’s deeply obsessed with the game, and sport in general. “Humans spend all of our time knowing what’s going to happen with our day. There’s no surprises ­any more. We’ve become quite stagnant. And I think that’s why people love sport, because of the air of unpredictability,” he says. “It’s the last great arena entertainment.”

The main filmic touchstone for Next Goal Wins (which premieres in Australian cinemas on New Year’s Day) would be Cool Runnings (1993), the unlikely true story of a Jamaican bobsled team, but Waititi also draws from genre classics such as Any Given Sunday and Rocky, sampling trusted tropes like the musical training montage. (His best one is set to Everybody Wants to Rule the World by Tears for Fears.)

Filming in Hawaii was an uplifting experience for the self-­described Polynesian Jew. “It wasn’t about death, or people being cruel to each other. Thematically, it was this simple idea, of getting a small win, and winning the game wasn’t even their goal – their goal was to get a goal,” he says. “It was a really sweet backbone.”

Waititi understands this because, growing up, he was as much an athlete as a nerd, fooling around with softball and soccer before discovering rugby league, then union. “There’s something about doing exercise when you don’t know you’re doing exercise,” he enthuses. “It’s all about the fun of throwing a ball around and trying to achieve something together.” (Whenever Waititi is in Auckland he joins his mates in a long-running weekend game of touch rugby. “And then throughout the week I work out every day. Obviously. I mean, look at me.”)

Auckland is where his kids live, too, so he spends as much time there as possible. Waititi met his first wife, producer Chelsea Winstanley, on the set of Boy in 2010, and they had two daughters, Matewa Kiritapu, 8, and his firstborn, Te Kainga O’Te Hinekahu, 11. (The latter is a derivative of his grandmother’s name, but he jokes with American friends that it means “Resurrection of Tupac” or “Mazda RX7″) Waititi and Winstanley split in about 2018, and he married the pop star Ora in 2022.

He offers a novel method for balancing work with parenthood … “Look, you just abandon them, and know that the experience will make them harder individuals later on in life. And it’s their problem,” he says. “I’m going to give them all of the things that they need, and I’m going to leave behind a decent bank ­account for their therapy, and they will be just like me, and the cycle will continue.”

Jokes aside – I think he’s joking – school holidays are always his, and he brings the girls onto the set of every movie he makes. “They know enough not to get in the way or touch anything that looks like it could kill you, and they know to be respectful and quiet when they need to. But they’re just very comfortable around filmmakers, which I’m really happy about, because eventually I hope they will get into the ­industry. One more year,” he laughs, “then they can leave school and come work for Dad.”

Theirs is certainly a different childhood than his. Growing up, he was a product of two worlds. His given names, for instance, were based on his appearance at birth: “Taika David” if he looked Maori (after his Maori grandfather) and “David Taika” if he looked Pakeha (after his white grandfather). His parents split when he was five, so he bounced between his dad’s place in Waihau Bay, where he went by the surname Waititi, and his mum, eight hours drive away in Wellington, where he went by Cohen (the last name on his birth ­certificate and passport).

Waititi was precocious, even charismatic. His mother Robin once told Radio New Zealand that people always wanted to know him, even as an infant: “I’d be on a bus with him, and he was that kind of baby who smiled at people, and next thing you know they’re saying, ‘Can I hold your baby?’ He’s always been a charmer to the public eye.”

He describes himself as a cool, sporty, good-looking nerd, raised on whatever pop culture screened on the two TV channels New Zealand offered in the early 1980s, from M*A*S*H and Taxi to Eddie Murphy and Michael Jackson. He was well-read, too. When punished by his mum, he would likely be forced to analyse a set of William Blake poems.

He puts on a whimpering voice to describe their finances – “We didn’t have much monneeey” – explaining how his mum spent her days in the classroom but also worked in pubs, where he would sit sipping a raspberry lemonade, doodling drawings and writing stories. She took in ­ironing and cleaned houses; he would help out, learning valuable lessons he imparts to his kids. “And to random people who come to my house,” he says. “I’ll say, ‘Here’s a novel idea, wash this dish,’ but people don’t know how to do anything these days.”

“Every single character I’ve ever written has been based on someone I’ve known or met or a story I’ve stolen from someone.” - Taika Waititi

He loved entertaining others, clearly, but also himself, recording little improvised radio plays on a tape deck – his own offbeat versions of ET and Indiana Jones and Star Wars. “Great free stuff where you don’t have any idea what the story is as you’re doing it,” he says. “You’re just sort of making it up and enjoying the ­freedom of playing god in this world where you can make people and characters do whatever you want.”

His other sphere of influence lay in Raukokore, the tiny town where his father lived. Although Boy is not autobiographical, it’s deeply personal insofar as it’s filmed in the house where he grew up, and where he lived a life similar to that portrayed in the story, surrounded by his recurring archetypes: warm grandmothers and worldly kids; staunch, stoic mums; and silly, stunted men. “Every single character I’ve ever written has been based on someone I’ve known or met,” he says, “or a story I’ve stolen from someone.”

He grew to love drawing and painting, obsessed early on with reproducing the Sistine Chapel. During a 2011 TED Talk on creativity, Waititi describes his odd subject matter, from swastikas and fawns to a picture of an old lady going for a walk … upon a sword … with Robocop. “My father was an outsider artist, even though he wouldn’t know what that meant,” Waititi told the audience in Doha. “I love the naive. I love people who can see things through an innocent viewpoint. It’s inspiring.”

After winning Best Adapted Screenplay Academy Award for JoJo Rabbit in 2020. (Getty Images)

It was an interesting time in New Zealand, too – a coming-of-age decade in which the Maori were rediscovering their culture. His area was poor, “but only ­financially,” he says. “It’s very rich in terms of the ­people and the culture.” He learned kapa haka – the songs, dances and chants performed by competing tribes at cultural events, or to honour people at funerals and graduations – weddings, parties, ­anything. “Man, any excuse,” he explains. “A big part of doing them is to uplift your spirits.”

Photography was a passion, so I ask what he shot. “Just my penis. I sent them to people, but we didn’t have phones, so I would print them out, post them. One of the first dick pics,” he says. Actually, his lens was trained on regular people. He watches us still – in airports, ­restaurants. “Other times late at night, from a tree. Whatever it takes to get the story. You know that.”

He went to the Wellington state school Onslow College and did plays like Androcles and the Lion, A Midsummer Night’s Dream and The Crucible. His crew of arty students eventually ended up on stage at Bats Theatre in the city, where they would perform haphazard comedy shows for years.

“Taika was always rebellious and wild in his comedy, which I loved,” says his high school mate Jackie van Beek, who became a longtime collaborator, including working with Waititi on a Tourism New Zealand campaign this year. “I remember he went through a phase of turning up in bars around town wearing wigs, and you’d try and sit down and have a drink with him but he’d be doing some weird character that would invariably turn up in some show down the track.”

He met more like-minded peers at Victoria University, including Jemaine Clement (who’d later become co-creator of Flight of the Conchords). During a 2019 chat with actor Elijah Wood, Waititi ­describes he and Clement clocking one another from opposite sides of the library one day: a pair of Maoris experiencing hate at first sight, based on a mutual suspicion of cultural appropriation. (Clement was wearing a traditional tapa cloth Samoan shirt, and Waititi was like: “This motherf---er’s not Samoan.” Meanwhile, Waititi was wearing a Rastafarian beanie, and Clement was like, “This ­motherf---er’s not Jamaican.”)

With Jemaine Clement in 2014. (Getty Images)

But they eventually bonded over Blackadder and Fawlty Towers, and especially Kenny Everett, and did comedy shows together everywhere from Edinburgh to Melbourne. Waititi was almost itinerant, spending months at a time busking, or living in a commune in Berlin. He acted in a few small films, and then – while playing a stripper on a bad TV show – realised he wanted to try life behind the camera. “I became tired of being told what to do and ordered around,” he told Wellington’s Dominion Post in 2004. “I remember sitting around in the green room in my G-string ­thinking, ‘Why am I doing this? Just helping someone else to realise their dream.’ ”

He did two strong short films, then directed his first feature – Eagle vs Shark (2007) – when he was 32. He brought his mates along (Clement, starring with Waititi’s then-girlfriend Loren Horsley), setting something of a pattern in his career: hiring friends instead of constantly navigating new working relationships. “If you look at things I’m doing,” he tells me, “there’s ­always a few common denominators.”

Sam Neill says Waititi is the exemplar of a new New Zealand humour. “The basis of it is this: we’re just a little bit crap at things.”

This gang of collaborators shares a common Kiwi vibe, too, which his longtime friend, actor Rhys Darby, once coined “the comedy of the mundane”. Their new TV show, Our Flag Means Death, for example, leans heavily into the mundanity of pirate life – what happens on those long days at sea when the crew aren’t unsheathing swords from scabbards or burying treasure.

Waititi plays pirate captain Blackbeard, centre, in Our Flag Means Death, with Rhys Darby, left, and Rory Kinnear. (Google Images)

Sam Neill, who first met Waititi when starring in Hunt for the Wilderpeople, says Waititi is the exemplar of a new New Zealand humour. “And I think the basis of it is this,” says Neill. “We’re just a little bit crap at things, and that in itself is funny.” After all, Neill asks, what is What We Do in The Shadows (2014) if not a film (then later a TV show) about a bunch of vampires who are pretty crap at being vampires, ­living in a pretty crappy house, not quite getting busted by crappy local cops? “New Zealand often gets named as the least corrupt country in the world, and I think it’s just that we would be pretty crap at being corrupt,” Neill says. “We don’t have the capacity for it.”

Waititi’s whimsy also spurns the dominant on-screen oeuvre of his homeland – the so-called “cinema of ­unease” exemplified by the brutality of Once Were Warriors (1994) and the emotional peril of The Piano (1993). Waititi still explores pathos and pain, but through laughter and weirdness. “Taika feels to me like an ­antidote to that dark aspect, and a gift somehow,” Neill says. “And I’m grateful for that.”

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Something happened to Taika Waititi when he was about 11 – something he doesn’t go into with Good Weekend, but which he considered a betrayal by the adults in his life. He ­mentioned it only recently – not the ­moment itself, but the lesson he learnt: “That you cannot and must not rely on grown-ups to help you – you’re basically in the world alone, and you’re gonna die alone, and you’ve just gotta make it all for yourself,” he told Irish podcast host James Brown. “I basically never forgave people in positions of responsibility.”

What does that mean in his work? First, his finest films tend to reflect the clarity of mind possessed by children, and the unseen worlds they create – fantasies conjured up as a way to understand or overcome. (His mum once summed up the main ­message of Boy: “The ­unconditional love you get from your children, and how many of us waste that, and don’t know what we’ve got.”)

Second, he’s suited to movie-making – “Russian roulette with art” – because he’s drawn to disruptive force and chaos. And that in turn produces creative defiance: allowing him to reinvigorate the Marvel Universe by making superheroes fallible, or tell a Holocaust story by making fun of Hitler. “Whenever I have to deal with someone who’s a boss, or in charge, I challenge them,” he told Brown, “and I really do take whatever they say with a pinch of salt.”

It’s no surprise then that Waititi was comfortable leaping from independent films to the vast complexity of Hollywood blockbusters. He loves the challenge of coordinating a thousand interlocking parts, requiring an army of experts in vocations as diverse as construction, sound, art, performance and logistics. “I delegate a lot,” he says, “and share the load with a lot of people.”

“This is a cool concept, being able to ­afford whatever I want, as opposed to sleeping on couches until I was 35.” - Taika Waititi

But the buck stops with him. Time magazine named Waititi one of its Most Influential 100 People of 2022. “You can tell that a film was made by Taika Waititi the same way you can tell a piece was painted by Picasso,” wrote Sacha Baron Cohen. Compassionate but comic. Satirical but watchable. Rockstar but auteur. “Actually, sorry, but this guy’s really starting to piss me off,” Cohen concluded. “Can someone else write this piece?”

Directing Chris Hemsworth in 2017 in Thor: Ragnarok, which grossed more than $1.3 billion at the box office. (Alamy)

I’m curious to know how he stays grounded amid such adulation. Coming into the game late, he says, helped immensely. After all, Waititi was 40 by the time he left New Zealand to do Thor: Ragnarok. “If you let things go to your head, then it means you’ve struggled to find out who you are,” he says. “But I’ve always felt very comfortable with who I am.” Hollywood access and acclaim – and the pay cheques – don’t erase memories of poverty, either. “It’s more like, ‘Oh, this is a cool concept, being able to ­afford whatever I want, as opposed to sleeping on couches until I was 35.’ ” Small towns and strong tribes keep him in check, too. “You know you can’t piss around and be a fool, because you’re going to embarrass your family,” he says. “Hasn’t stopped me, though.”

Sam Neill says there was never any doubt Waititi would be able to steer a major movie with energy and imagination. “It’s no accident that the whole world wants Taika,” he says. “But his seductiveness comes with its own dangers. You can spread yourself a bit thin. The temptation will be to do more, more, more. That’ll be interesting to watch.”

Indeed, I find myself vicariously stressed out over the list of potential projects in Waititi’s future. A Roald Dahl animated series for Netflix. An Apple TV show based on the 1981 film Time Bandits. A sequel to What We Do In The Shadows. A reboot of Flash Gordon. A gonzo horror comedy, The Auteur, starring Jude Law. Adapting a cult graphic novel, The Incal, as a feature. A streaming series based on the novel Interior Chinatown. A film based on a Kazuo Ishiguro bestseller. Plus bringing to life the wildly popular Akira comic books. Oh, and for good measure, a new instalment of Star Wars, which he’s already warned the world will be … different.

“It’s going to change things,” he told Good Morning America. “It’s going to change what you guys know and expect.”

Did I say I was stressed for Waititi? I meant physically sick.

“Well…” he qualifies, “some of those things I’m just producing, so I come up with an idea or someone comes to me with an idea, and I shape how ‘it’s this kind of show’ and ‘here’s how we can get it made.’ It’s easier for me to have a part in those things and feel like I’ve had a meaningful role in the creative process, but also not having to do what I’ve always done, which is trying to control everything.”

In the 2014 mockumentary horror film What We Do in the Shadows, which he co-directed with Jemaine Clement. (Alamy)

What about moving away from the niche New Zealand settings he represented so well in his early work? How does he stay connected to his roots? “I think you just need to know where you’re from,” he says, “and just don’t forget that.”

They certainly haven’t forgotten him.

Jasmin McSweeney sits in her office at the New Zealand Film Commission in Wellington, surrounded by promotional posters Waititi signed for her two decades ago, when she was tasked with promoting his nascent talent. Now the organisation’s marketing chief, she talks to me after visiting the heart of thriving “Wellywood”, overseeing the traditional karakia prayer on the set of a new movie starring Geoffrey Rush.

Waititi isn’t the first great Kiwi filmmaker – dual Oscar-winner Jane Campion and blockbuster king Peter Jackson come to mind – yet his particular ascendance, she says, has spurred unparalleled enthusiasm. “Taika gave everyone here confidence. He always says, ‘Don’t sit around waiting for people to say, you can do this.’ Just do it, because he just did it. That’s the Taika effect.”

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Taika David Waititi is known for wearing everything from technicolour dreamcoats to pineapple print rompers, and today he’s wearing a roomy teal and white Isabel Marant jumper. The mohair garment has the same wispy frizz as his hair, which curls like a wave of grey steel wool, and connects with a shorn salty beard.

A stylish silver fox, it wouldn’t surprise anyone if he suddenly announced he was launching a fashion label. He’s definitely a commercial animal, to the point of directing television commercials for Coke and Amazon, along with a fabulous 2023 spot for Belvedere vodka starring Daniel Craig. He also joined forces with a beverage company in Finland (where “taika” means “magic”) to release his coffee drinks. Announcing the partnership on social media, he flagged that he would be doing more of this kind of stuff, too (“Soz not soz”).

Waititi has long been sick of reverent portrayals of Indigenous people talking to spirits.

There’s substance behind the swank. Fashion is a creative outlet but he’s also bought sewing machines in the past with the intention of designing and making clothes, and comes from a family of tailors. “I learnt how to sew a button on when I was very young,” he says. “I learnt how to fix holes or patches in your clothes, and darn things.”

And while he gallivants around the globe watching Wimbledon or modelling for Hermès at New York Fashion Week, all that glamour belies a depth of purpose, particularly when it comes to Indigenous representation.

There’s a moment in his new movie where a Samoan player realises that their Dutch coach, played by Michael Fassbender, is emotionally struggling, and he offers a lament for white people: “They need us.” I can’t help but think Waititi meant something more by that line – maybe that First Nations people have ­wisdom to offer if others will just listen?

“Weeelllll, a little bit …” he says – but from his intonation, and what he says next, I’m dead wrong. Waititi has long been sick of reverent ­portrayals of Indigenous people talking to kehua (spirits), or riding a ghost waka (phantom canoe), or playing a flute on a mountain. “Always the boring characters,” he says. “They’ve got no real contemporary relationship with the world, because they’re always living in the past in their spiritual ways.”

A scene from Next Goal Wins, filmed earlier this year. (Alamy)

He’s part of a vanguard consciously poking fun at those stereotypes. Another is the Navajo writer and director Billy Luther, who met Waititi at Sundance Film Festival back in 2003, along with Reservation Dogs co-creator Sterlin Harjo. “We were this group of outsiders trying to make films, when nobody was really biting,” says Luther. “It was a different time. The really cool thing about it now is we’re all working. We persevered. We didn’t give up. We slept on each other’s couches and hung out. It’s like family.”

Waititi has power now, and is known for using Indigenous interns wherever possible (“because there weren’t those opportunities when I was growing up”), making important introductions, offering feedback on scripts, and lending his name to projects through executive producer credits, too, which he did for Luther’s new feature film, Frybread Face and Me (2023).

He called Luther back from the set of Thor: Love and Thunder (2022) to offer advice on working with child actors – “Don’t box them into the characters you’ve ­created,” he said, “let them naturally figure it out on their own” – but it’s definitely harder to get Waititi on the phone these days. “He’s a little bitch,” Luther says, laughing. “Nah, there’s nothing like him. He’s a genius. You just knew he was going to be something. I just knew it. He’s my brother.“

I’ve been asked to explicitly avoid political questions in this interview, probably because Waititi tends to back so many causes, from child poverty and teenage suicide to a campaign protesting offshore gas and oil exploration near his tribal lands. But it’s hard to ignore his recent Instagram post, sharing a viral video about the Voice to Parliament referendum starring Indigenous Aussie rapper Adam Briggs. After all, we speak only two days after the proposal is defeated. “Yeah, sad to say but, Australia, you really shat the bed on that one,” Waititi says, pausing. “But go see my movie!”

About that movie – the early reviews aren’t great. IndieWire called it a misfire, too wrapped in its quirks to develop its arcs, with Waititi’s directorial voice drowning out his characters, while The Guardian called it “a shoddily made and strikingly unfunny attempt to tell an interesting story in an uninteresting way”. I want to know how he moves past that kind of criticism. “For a start, I never read reviews,” he says, concerned only with the opinion of people who paid for admission, never professional appraisals. “It’s not important to me. I know I’m good at what I do.”

Criticism that Indigenous concepts weren’t sufficiently explained in Next Goal Wins gets his back up a little, though. The film’s protagonist, Jaiyah Saelua, the first transgender football player in a FIFA World Cup qualifying match, is fa’afafine – an American Samoan identifier for someone with fluid genders – but there wasn’t much exposition of this concept in the film. “That’s not my job,” Waititi says. “It’s not a movie where I have to explain every facet of Samoan culture to an audience. Our job is to retain our culture, and present a story that’s inherently Polynesian, and if you don’t like it, you can go and watch any number of those other movies out there, 99 per cent of which are terrible.”

*notes: (there is video clip in the article)

Waititi sounds momentarily cranky, but he’s mostly unflappable and hilarious. He’s the kind of guy who prefers “Correctumundo bro!” to “Yes”. When our video connection is too laggy, he plays up to it by periodically pretending to be frozen, sitting perfectly still, mouth open, his big shifting eyeballs the only giveaway.

He’s at his best on set. Saelua sat next to him in Honolulu while filming the joyous soccer sequences. “He’s so chill. He just let the actors do their thing, giving them creative freedom, barely interjecting unless it was something important. His style matches the vibe of the Pacific people. We’re a very funny people. We like to laugh. He just fit perfectly.”

People do seem to love working alongside him, citing his ability to make productions fresh and unpredictable and funny. Chris Hemsworth once said that Waititi’s favourite gag is to “forget” that his microphone is switched on, so he can go on a pantomime rant for all to hear – usually about his disastrous Australian lead actor – only to “remember” that he’s wired and the whole crew is listening.

“I wouldn’t know about that, because I don’t listen to what other people say about anything – I’ve told you this,” Waititi says. “I just try to have fun when there’s time to have fun. And when you do that, and you bring people together, they’re more willing to go the extra mile for you, and they’re more willing to believe in the thing that you’re trying to do.”

Yes, he plays music between takes, and dances out of his director’s chair, but it’s really all about relaxing amid the immense pressure and intense privilege of making movies. “Do you know how hard it is just to get anything financed or green-lit, then getting a crew, ­getting producers to put all the pieces together, and then making it to set?” Waititi asks. “It’s a real gift, even to be working, and I feel like I have to remind ­people of that: enjoy this moment.”

Source: The Age

By: Konrad Marshall (December 1, 2023)

#rhys darby #taika waititi #next goal wins #our flag means death #hunt for the wilderpeople #interview

[cerastes]

I like that the context to this is Dorothy voicing these thoughts with a Kotomine Kirei-style room full of half-corpses hooked to who-knows-what behind her, as far as anyone knows.

So you end up with the most dangerous form that the end justifying the means could take: When there is a belief that said end truly, genuinely fixes everything, and has everyone in the best of interests.

And that’s when Sonny likely understood the horror that is Dorothy: It’d be one thing if Dorothy was like the other Rhine Directors, if she was cunning, manipulative, underhanded, not unlike Ferdinand, Parvis and Muelsyse. That’d be far easier to deal with, but Dorothy? She is fully sincere and transparent about her intent and demeanor. She truthfully believes in the goodness of what she’s doing, and legitimately cannot understand why others would oppose her, given this is for their sake.

And when they shoot at her, she stops the bolts midair with her Arts: Vibration. She can cause hypervibrations strong enough to disintegrate metal, using thin ambient dust and sand as a medium at range. Dorothy merely uses these vibrations to disable people by interfering with their neural signals, but if she really wanted to, she could’ve easily just mulched Silence, Ptilopsis, Elena and the Pioneers into pulp and shredded innards with her Arts. But it’s further proof of how sincere she is that she didn’t: She’s trying to save them. She’s trying to save everyone.

Imagine someone who not only has the dream to destroy all that makes us different and individuals, and melt all that separates, discriminates and differentiates, but also has the power and potential to carry it through. Imagine that this someone also has the best of intentions and thinks this is how utopia is born. She can make it happen. Why shouldn’t she? It’s literally the solution to all.

That is the horror of Dorothy Franks. She is a potential Great Equalizer. A mere two degrees of separation from Death, eliminating all that makes us, us, for the sake of a perfect level playing field. A vision not born out of a Darwinian belief that the fittest should thrive, but rather, a heartfelt belief that everyone, no exceptions, deserves a chance and support. What separates her from the Grim Reaper is that she does not understand the full implications of wielding such a power, she doesn’t comprehend the full ramifications of being able to demolish all that separates and defines, because this is a power that a mortal was meant to never have, no matter how sincere their love and how pure their intent.

#arknights #dorothy

[intuitive-divinations]

Your soul is a student 🌟 … what is it learning? 🔍

Hello lovelies 😝 ! Today we’re going to divine why your soul ⚛️ incarnated on earth . So take a few deep breaths then use your intuition to pick an image. Let’s get started💜!

✨ Pick - A - Picture ✨

Look at how gorgeous these images are 😍!

Picture 1 💜

#51 Sound of the Universe, 5 of Swords Reverse, The Moon, Queen of Coins, Knight of Swords, 9 of Coins,

Group 1 your soul is here to explore the music of life! 🥹🎶 This pile reminds me of the saying “March to the beat of your own drum “. Channeled song:

I’m hearing right now you’re creating your own soundtrack for your life’s journey. Music is going to be a type of portal for your soul. My guides said that you should use music to heal your chakras if you haven’t already. It can help you find your authentic self. You have the ability to use music to shift and create your reality. You also have great potential to be a pioneer in the music industry. I’m hearing you could create/discover an entirely new genre of music 🎼 .Your soul is attracted to music because it soothes and brings peace to it☮️. You could also enjoy listening to music while working on another creative/artistic passion 🎨 . Music could enhance your creativity thus enhancing your projects. I’m also seeing you might find new ways to use music to heal others 🫂 🥹! Your spread is advising you to keep experiencing/experimenting with your connections to music 🖋️. Explore what music means to you. 💃

Confirmations: Yellow butterflies/birds 🐦🦋 , 111, 333, garden pinwheels, ballet 🩰, tuning forks, dowsing rods, watermelon 🍉, ladybugs 🐞 , bells 🔔, water 💧 sounds

Picture 2 💜

#20 Sound the Mind, 4 of Cups, The Magician, Knight of Coins, 8 of Swords, 4 of Coins, King of Cups

Group 2 , you all are my alien superstars👽🌟. Channeled song:

Your energy is otherworldly 🛸 🌌! I feel like you are a starseed. Your soul is very empathetic. I’m envisioning your soul as a child of the stars ⭐️ . You may feel lonely and misunderstood. Or possibly as though you don’t belong here. You’re not wrong about being different. You’re 🎶UNIQUE🎶 ! I’m seeing that your soul desires to share it’s divine wisdom. Specifically about the potential of the mind 🧠 . 👁️ In your own way, you will teach others how to free themselves. But first you have to break through your own self limiting beliefs, fears and negative patterns 🌀. Your mind is very flexible and quick with thoughts 💭 . On the other hand, you’re someone with a lot of mental chatter! You might be so overwhelmed with your thoughts that they eventually hinder your decisions🌪️. For example, you could feel pressured to make a lot of decisions in the heat of the moment. Which you then find out were the wrong choice. I’m hearing that you will find all the answers you need once you learn to quiet your mind. You can start connecting with your inner wisdom by taking as long as you can before making decisions. Mastering your mental/emotional selves and spreading that wisdom is very important to your soul. Your knowledge will aid in elevating the collective consciousness!

Confirmations: meditation, yoga 🧘‍♀️, self-care 🧖🏽‍♀️, vacations, pearls, crystals , animal-lover, empath, old soul, constellations, astrology, astronomy 🔭, astral projection, the color indigo, feeling like you’re running out of time ⌛️ , headaches/migraines, multiple past-lives

Picture 3 💜

#48 Surrender, Temperance, 5 of Swords, 3 Swords, The Wheel of Fortune, The Tower, 10 of Cups, 9 of Coins

Immediately, I’m feeling that your soul is here for a simple reason. Channeled song:

The human experience! Your soul craves to understand the lows and highs of the human experience. From humanity and death to relationships and society. Your soul is here to experience it ALL and then TRANSCEND. For some of you, I feel that you have a phoenix as a spirit animal. I’m imagining you rising from your ashes. You may notice that common themes throughout your life include renewal and rebirth. I definitely feel Scorpio ♏️ /Libra ♎️ placements could be significant. Your soul will come to understand the importance of both endings and beginnings. You will have alot of tower moments through life. No matter what you will always emerge stronger than ever. I was struggling to remember who your energy reminded me of and it’s Wanda!⬇️ ⬇️ ⬇️

Wanda’s story is very similar especially with her experiences involving grief, loss, vulnerability, finding her way through life, etc. We’re told that the scarlet witch is forged and not born. I feel that your soul is creating and shaping this particular human experience. Be cautious though. Don’t let your human experiences break your soul.

Confirmations: ants 🐜 , roses 🌹, vultures, roadkill, daffodils, recent breakup❤️‍🩹, 🕷️ , something burning 🔥 , mermaids, peacocks 🦚, lotus 🪷 flower, bow and arrow 🏹, rapunzel 👑, anklets, tattoos/piercings, death of a loved one, dejá vu, north node

Thanks so much 😽!!

#Spotify #tarot #tarot reading #tarotblr #tarot reader #tarot related #tarot cards #tarot online #free tarot #free tarot readings #pick a photo #pick an image #pick a card #pick a pile reading #pick a picture #pick a pile #pick a group #intuitive readings #oracle reading #pac tarot #tarot community #divination #divination readings #fortune telling #cartomancy #intuitive

[mitchipedia]

RIP Vernor Vinge

Vernor Vinge, father of the tech singularity, has died at age 79 [arstechnica.com]

I had an opportunity to talk with him several times, and always enjoyed our conversations. He was down-to-earth and liked hearing contradictory ideas, which I, as a singularity/AGI skeptic, was able to easily provide. He liked a good laugh.

Vinge invented the idea of the Singularity, though Ray Kurzweil gets credit, and the idea has long antecedents in occult beliefs. He wrote many good novels and stories, and at least one brilliant novel, “A Deepness in the Sky.” His 1981 novella “True Names” pioneered the concepts of cyberspace and virtual reality, and anticipated the 2020s practice of “doxxing.”

He was local to San Diego, and although I only ever saw him at cons, I sometimes thought about just ringing him up and seeing if he might like to get a cup of coffee.

[lucyav13]

Mr. L

He is a major antagonist and eventually becomes the game's final boss, Super Dimentio by fusing with Dimentio and the Chaos Heart. Before turning evil, Luigi tries to stop Count Bleck from using the Chaos Heart; however, after being trapped in Castle Bleck, Luigi gets brainwashed by Nastasia, ultimately turning him into Mr. L.

Mr. L is very cocky and is always praising up himself, a stark contrast to the chicken-hearted, reluctantly brave Luigi. He thinks highly of himself and is not slow to reveal it, often trying to openly annoy other in-game characters. He has a belief in his often-boasted-of abilities, as he is very shocked at his failures as their series begins. He is very daring, and as such reveals an attraction to Princess Peach and jealousy of Mario's jumping ability. (But if he jumps better than Mario)

Mr. L has two catchphrases: "L-ater," which he continuously proclaims when exiting , and "Have at you!", his battle cry.

He also has a knack for nicknaming, referring to Mario as "Mr. Jumpsallthetime," Peach as "Ms. Alwaysgetskidnapped," or Bowser as "Mr. Getsfoiledallthetimebytheredguywiththemoustache" during their first confrontation; this may imply that he still retains some of his memory from when he was Luigi, as he subconsciously recognizes who Mario, Peach, and Bowser are. He also nicknames himself "the Green Thunder".

However, Mr. L has some skills that Luigi does not, or merely has not yet shown, namely his inventiveness. Though Luigi has been known that he used his abilities in previous games, his mechanical skills haven't been consistently shown to match that of Mr. L. Mr. L has the intelligence to build, upgrade, and pilot his own robot, which he calls Brobot, throughout the course of the story pioneering the art he refers to as brobotics.

Mr. L strongly resembles Luigi, though he is dressed in a black jumpsuit that strangely retains his former overalls' large buttons. He also wears a green bandana around his neck. His cap has a black background and reversed "L" instead of the normal white background and normal "L". Over his face is a black mask which seems to effectively hide his identity; this mask makes his eyes and eyebrows appear white. His gloves and shoes are dark gray. Mr. L, unlike standard Luigi, is shown to have a belt.

It is implied several times that Luigi is the "man in green", referenced in both the Light Prognosticus and the Dark Prognosticus. Both of these two books state that this man in green and his affiliations will determine which prophecy is true. As such, it can be taken that, if Luigi were to have stayed Mr. L throughout the course of the game, the Dark Prognosticus would have been fulfilled and all worlds would be destroyed, making the end of Luigi's hypnotizing and evil ways integral to Super Paper Mario. Dimentio additionally states that the Dark Prognosticus mentions Luigi as the ideal host for the Chaos Heart.

In the final battle, with help from Count Bleck and his minions, the heroes are able to summon the to destroy Dimentio and the Chaos Heart, bring back Luigi and finally erasing his hypnosis and brainwashing.

Additional information:

Catch card:

HP Max: 40

Attack: 3

Defense:

Score: 200

Card description: So...who's this mysterious Mr. L character? Is this what the Prognosticus foretold?

Tattle: That's Mr. L. This new hire of Count Bleck's a real mystery man... Max HP is 40. Attack is 3. He uses his high jump as a weapon... And that powered-up super jump is quite...super... He has no other outstanding features of note. And why does he remind me so much of Mario...?

Quotes:

"Oh, me? Just one of Count Bleck's more promising minions. The Green Thunder... MR. L!"

"Just because you're in red doesn't mean you're strong. Have at you!"

"Ooh, the evil king of all charlatans! Do I look scared? Have at you!"

"No one's coming to save you this time, dearest princess! Have at you!"

"Hey, Mr. Jumpsallthetime! NOW we'll see who's the better jumper!"

"Hey, Mr. Getsfoiledallthetimebytheredguywiththemustache! I'll foil your FACE!"

"Hey, Ms. Pink n' Frilly! Try not to get kidnapped before I defeat you! Have at you!"

"Hey, Ms. Alwayskidnapped! I'll kidnap your FACE!"

"I uh... got to go deflavorize the Brobot's uh... Flavorizer."

"Hey there, butterball!"

"Hey, King Incompetent! I'm gonna hatch an evil plan on your FACE! Have at you!"

"I was just scouting him, dear. Next time, he will be mine!"

"But Brobot craves his daily smash! I can't just loiter here! There's no action!"

"L-ater!" - Mr. L

"Looks like your Pure Heart thing got broken. I guess Pure Hearts can't handle the end of the world. Heh. Whatever, I'll swipe it just for kicks."

"Meet my new friend... BROBOT L-TYPE!"

"Not a funny joke, Dimentio... If I wanted to laugh, your face is inspiration enough!"

"Dimentio... No..."

Fun facts about him:

Mr. L's mustache as black whereas Luigi's artwork gives him a brown mustache. In game, however, both forms' mustaches are brown.

Mr. L shares many similarities with Lord Crump from Paper Mario: The Thousand-Year Door, in that both of them are arrogant underlings of their games' primary antagonists, both command massive mechanical creations as well as updated versions of them, and both of them don disguises that are fairly easy to see through by the player, so much so that Mario's partners often lampshade it.

Mr. L's self-given nickname could be a reference to Luigi's Thunderhand ability from Mario & Luigi: Superstar Saga.

Shadoo's first form (Dark Luigi) looks identical to Mr. L instead of normal Luigi.

(A/N): I don't have any theories about him, although of course I would accept some suggestions =)

#spm #super paper mario #my researches #spm villians #Mr. L #Super Paper Mario Researches #Mario Wiki

[stxr-bxy]

Getting into the goth subculture

ok just to clarify, nobody asked for this but i’m making it anyway

here are some great influences for the goth music subcultures

i’ve been hyperfixated on pretty much every one except metal and grunge at one point or another so i think i’m pretty qualified to make this statement.

also some of these artists are problematic so please do your research before you promote them! also i don’t support any of their actions, they just have good music that’s very influential to the scene.

anyways…let’s get started

- siouxsie and the banshees are a really great band to start out and they’re one of the most popular goth bands. they have about 12 albums and 2 compilations. they had many members at different times but notable members are siouxsie sioux (lead vocals), jon klein (guitar), steven severin (bass + keyboards), budgie (drums), and martin mccarrick (keyboard + strings)

- another great goth band is bauhaus, they are one of the pioneers of gothic rock and are often credited with making the first goth song. they have five studio albums. members include daniel ash (guitars + saxophone + lead vocals + backing vocals), peter murphy (lead vocals + backing vocals + guitar + keyboards + melodica + congas), kevin haskins (drums + keyboards + piano + backing vocals), and david j (bass + keyboards + percussion + lead vocals + backing vocals).

- another great band to start off with is the cramps (i recommend their album psychedelic jungle). many people think of the cramps as more psychobilly or punk-ish but they are also considered gothabilly and have gothic elements. they have at least 8 (i’m not sure) studio albums, 2 EPs, 2 live albums, and 4 compilations. members include, Lux interior (lead vocals + harmonica + percussion), Poison Ivy (lead guitar + rhythm guitar + bass), Slim Chance (bass), and Nick Knox (drums + percussion)

in order for a band to be goth they must play either gothic rock, post-punk, ethereal wave, cold wave, dark wave, death rock, visual kei, gothic pop, gothic metal, gothic symphonic metal or another gothic subgenre.

some more goth bands include…

- the cure (post-punk)

- sisters of mercy

- christian death (death rock)

- she wants revenge (gothic rock)

- alien sex fiend

- sex gang children

- lebanon hanover

- type o negative (gothic metal)

- o.children

- joy division

- london after midnight

- bat nouveau

- horror vacui

- the danse society

- strawberry switchblade (gothic pop/synth pop)

- depeche mode

- cocteau twins

- switchblade symphony

- fields of the nephilium

- twin tribes

- the march violets

- xmal deutschland

- clan of xymox

- pink turns blue

- rosetta stone

- plastique noir

- mephisto walz

- corpus delicti

- 13th chime

- specimen

- skeletal family

- molchat doma

- drab majesty

- altar de fey

- inkubus sukkubus

- strawberry switchblade

- the birthday massacre

- killing joke

- this cold night

- japan

- the birthday party

- paralysed age

- the scary bitches

- scarlet’s remains

- mareux

- she past away

- bloody dead and sexy

- rose garden funeral party

- mephisto walz

- this cold night

- cold cave

and more!

edit: just a note. you do not need to dress goth to be goth. goth fashion is optional. if you choose to dress goth but don’t listen to goth music you are just alt. the only way to be goth is to agree with the beliefs behind it and listen to the music (you can also listen to other genres in addition to goth).

some beliefs of the gothic/alt community are:

- there is beauty in darkness, pain/sadness, and the macabre

- rejection of conservatism

- rejection of conformity

- anti-war

- anti-racist

- anti-fascist

- anti-authoritarian

- pro-LGBTQ

- pro-choice

- anti-capitalism

- and other leftist or anarchistic beliefs

also…

if you agree with the beliefs but nothing else you are just a leftist/anarchist

if you listen to the music or dress goth but don’t agree with the beliefs you’re not alt and/or you are considered a “poser”. right-wingers cannot be alt because they contradict eachother.

if you listen to goth music you are goth

if you agree with everything you are goth

#gothgoth #goth girl #gothic #alternative goth #goth aesthetic #goth music #baby goth #siouxsie and the banshees #siouxsie sioux #type o negative #bauhaus #the cramps #goo goo muck #sisters of mercy #the cure #alien sex fiend #sex gang children #joy division #strawberry switchblade

[slavonicrhapsody]

Rykard and Rennala are such an underrated dynamic… we don’t get any direct instances of them interacting like we do with Ranni and Rennala, but there’s definitely hints of a relationship there: The description for several of the magma spells reads,

“After discovering the ancient hexes of Gelmir, Rykard, son of Queen Rennala, brought them back into practical use as new forms of sorcery.”

this implies that Rykard’s interest and skill in sorcery is a direct result of his mother’s influence; plus, he’s emulating her by pioneering a new form of sorcery, just like how she pioneered the study of lunar sorcery at Raya Lucaria. then there’s the two abductor virgins patrolling Raya Lucaria, which means Rykard cared enough about his mother’s safety to set aside two of his war machines to defend her and the academy. there’s also a strong case to be made that his mother’s fate informed Rykard’s hatred of the gods and his belief that they “take by force.” they tried to take her kingdom, they took away Caria’s true power (“during the age of the Erdtree, Carian astrology withered on the vine”), then they took away Radagon and left her a shell of her former self. if that happened to my mom I’d be pissed too. he’s literally mommy’s little war criminal

#elden ring #rykard #rennala #wizard family……

[hotvintagepoll]

Propaganda

Elizabeth Taylor (Cleopatra, Who’s Afraid of Virginia Woolf, Cat on a Hot Tin Roof)—iconic actress with purple eyes and a double row of eyelashes, the real ebony dementia ravenway of old hollywood. known for her stunning tastes when it comes to jewelry and her incredible, incredible advocacy during the AIDS crisis.

Clara Bow (Wings, It)—The original It Girl (literally), Clara was the epitome of a flapper film star. She was obviously a looker, but it was her acting that won over hearts. Watch the movie It (no clowns) to get a sense of her charms. And while she's most known for her silents, (including Wings, the winner of the first ever Best Picture Academy award) she did make some talkies! Contrary to popular belief, sound films didn't ruin her career; she reportedly just hated the process of making them. She had a really interesting background and it's a shame she's not as well remembered as others of her time.

This is round 3 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Elizabeth Taylor:

I've been trying to steer clear of the absurdly-big names, but damnit, those violet eyes got me. The *talent*, the *presence*, the string of marriages and (temporally out-of-bounds) work in combating AIDS and pioneering in the concept of the celebrity fragrance line.

Not only did she have gorgeous violet eyes and lashes for days and one of the hottest voices ever, she was also a big supporter of the gay community

Child actress turned starlet, Liz dominated films as one of the greatest screen legends of classic hollywood. If your protagonist has violet eyes, they're imitating hers.

A Legend. She was serving milf rage in Whos Afraid Of Virginia Woolf. A Star in every sense of the word.

She was renowned for the beauty of her eyes; they were a dark blue but could look violet in certain lighting, something that photographers would actually touch up to look even more so in pictures. But even more striking was a genetic mutation that gave her a double row of eyelashes. She was also famed for her string of husbands -- 8 marriages to 7 men. Two-time hubby Richard Burton once said she was “a wildly exciting love-mistress… beautiful beyond the dreams of pornography.”

Her EYES. Early and loud support for gay rights and AIDS victims. Married a bunch of hot dudes, Burton twice!

just look at her. she's gorgeous. there's a video somewhere of her applying her eyeliner in the mirror and I think about it all the time

THE Hollywood actress of all time. Not only was she known for her long dark locks and blue-violet eyes, she also had one of the wildest life stories ever….. She’s Carrie Fisher’s stepmother because her father Eddie Fisher cheated on Debbie Reynolds with Liz. She was knighted as a dame of England. She was married to seven different men, one of them twice. She was also very kindhearted and did a lot of charity activism.

Asides from being an iconic actor, she did a lot of philanthropy and co founded the American Foundation for AIDS research. She’s sometimes considered one of the last great stars of old hollywood

Clara Bow:

The original it girl! Flapper icon! She's sooo fun and charming and confident, it just shines through any film or picture you see of her.

I love love love her genderbendy boy style and her cute twinkly performances!! watch wings i s2g she absolutely brings it

She has gorgeous doe eyes, how can you not love her?

She's literally THE It Girl. Like actually, she's the term's namesake. She was an extremely prolific silent film actress with a reputation for wild behavior who defined the 20s flapper era. Her boyish frame, androgynous style, and red curly hair were widely emulated.

#clara bow #elizabeth taylor #hotvintagepoll #fuck that old woman #ladies 3