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maple-tree-hills · 2 months

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Percy Jackson AU where instead of Poseidon being absent in Percy’s life, he helps raise him. But Percy doesn’t know his dad is Poseidon. He thinks Peter Johnson is a marine biologist and a fisherman who is frequently on long business trips for his job. Maybe Sally and Poseidon are divorced, and she marries Smelly Gabe or maybe they’re still together, who knows.

Just, instead of Percy being in anger at the gods for neglecting their children he’s in disbelief that his very normal father is Poseidon. They go on fishing trips together all the time and he dresses like a tacky Hawaiian tourist. Not a god. He refuses to believe this despite Grover being a satyr, and Mr. Brunner being a centaur.

I’m not sure if Percy should know all of the gods or not. Maybe he knows Mr. D already as Cousin Dexter. Cousin Dexter has shown up a couple of times in his life. He’s a devil for the drink and a known alcoholic, so why is he at this weird camp playing cards with Grover and Mr. Brunner? And they start talking about the gods and demigods again. And Mr. D calls him ‘mortal.’ And Percy’s like yeah, no Cousin Dexter has had a bit too much to drink despite the fact that he can’t smell any alcohol on him, and he’s only been drinking Diet Coke. Percy switches subjects as to why Mr. D isn’t drinking any alcohol. Apparently, his father won’t let him drink alcohol anymore and is forcing him to work at this summer camp. Percy is happy to hear this because at least someone isn’t having Cousin Dexter’s shit anymore.

Then they switch gears back into the conversion about gods existing and he’s sure Grover, or Mr. Brunner, or Mr. D will say sike, but none of them do. They all seriously believe in the gods. Well Percy is stubborn and won’t be convinced this easily.

And then he finds out that Hades stole the master bolt and has his mother, and he’s like uncle Hector? Uncle Hector is a god of the underworld? And he has my mother and stole Zeus’s lightning bolt? No way. Uncle Hector lives in LA and works at a music producing studio. He is not the god of the underworld. He is not Hades, this is insane and Percy does not appreciate being punked. He’ll admit some supernatural stuff is real because a minatur killed his mom, but being a demigod no way.

And they keep telling Percy about the family drama and he’s still in disbelief. All he knows about uncle Zane is that his father is not on good terms with him. There’s no way uncle Zane who his father HATES, who works in the Empire State Building is Zeus. There’s just no way.

And then he finds out about the Big Three and forbidden children thing. And he goes ‘That can’t be true uncle Hector has two kids: cousin Bianca and cousin Nico.’ And he just accidentally spoils to everyone that Hades has not kept his end of the pact about fathering more mortal children.

And then they’re on the road going through quests fighting against Alecto again, Echidna, and Medusa and Percy still can’t believe the gods are real.

It isn’t until he gets to the underworld that he starts believing. There seated on a dark throne surrounded by skeletons is Uncle Hector? Uncle Hector is actually Hades? He’s freaking out he’s never seen his uncle this way before. He’s terrifying and keeps demanding this Helm of Darkness thing in exchange for his mother. Where’s Nico he wants to hang out with his cousin?

And maybe Percy sasses him because what the heck uncle Hector sending furies after your nephew and holding your sister-in-law hostage and accusing your nephew of theft is not cool. And things for the most part will proceed like they do in the book for the most part. I could see Hades when he’s pretending to be a human behaving similarly to Jay Duplass’s portrayal of him in the TV show. Just a comical uncle who is most certainly not lord of the underworld.

(I’ve only seen the TV and I’ve almost finished the first book so far, but I do know Hades has two kids named Bianca and Nico)

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crumb-crumblet-s-crumbington · 7 months

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hello! i’m love your post and arts so much! I look at your posts after a hard day and my mood immediately changes to excellent. can I ask a couple of questions?

which pairing with Ethan do you prefer?

and… can we get to know you better? a little biography?

Thank you for your time! I'll be waiting for new arts! (sorry if i made mistakes, my english is not so good. im russian)

i like basically every ship with ethan! it mostly depends on the mood im in, but if im being honest, mithan, winterfield, and wintersberg gets frustrating to think about because they all dont treat ethan well canonically... lethan is fun because they have never met and i can make my own assumptions!

i used to like wintersberg the most and i still do like it, i just have expanded my horizons to other ships as well...., its mostly like a punchline to me though. they have the funniest potential which is why a majority of their posts is just joke comics. i do not like how people try to erase how karl is arrogant and egotistical tho. thats like removing the flavor.... the way karl acts is just very funny to me, hes so lame in a good way and i like how everytime he talks to ethan it sounds like hes twirling his hair and kicking his feet. canonically speaking, karl was very much in the wrong for trying to use rose and not elaborating and i will die on this hill. ethan is not in the wrong for being disgusted and angry that karl would ever try and propose that in the deal. karl is very arrogant so when ethan says no to him it makes him mad and he tries to use fear to get ethan to take his deal (kicking his chair and warning him) i like karl, i like how messed up and arrogant he is but i dislike how people try to portray him as a nice guy. however, in a AU where everythings the same except he doesnt try to use rose i do enjoy the dynamic they could have, especially if the teamed up (not with the deal where they use rose. ethan wouldnt agree unless karl never involved rose in the first place). karl is just a very entertaining character and i like him a lot, hes funny and his personality can be extremely hilarious

mia and ethan is pretty tragic and thinking about it too much makes me a bit sad, imo in a reality where ethan survives re8, he needs to divorce mia. im not saying ethan needs to hate mia and never talk to her again i just dont think they should be so intimate together because of her behavior... please do not take this as anti mia. they loved each other dearly but it wasnt healthy. their relationship was kept afloat by lies and mia doesnt change even though she deals with the consequences of her own actions in re7. she actively tries to hide her past from ethan and is mostly focused on trying to move on and have a normal life even if ethan will have to live the rest of his life in the dark.

she loves her family so much, shes very afraid of them leaving her so she hides all the bad things in the hopes that they wont leave. its selfish, its human, its real, her character is so amazing and i love her. she doesnt learn from re7 and hides important information from ethan again. i geniunly think they should have gotten divorced after re8 if ethan had survived. its tragic and its sad but they love each other so much. it sad because they both geniunly love rose so much but they themselves shouldnt be together. its just sad to think about it. whenever i draw them it usually takes place before re7. they should have divorced on good terms and shared custody of rose.........

ethan and chris is also frustrating to think about... chris is a major jerk in re8, whenever i draw it, its under a unspoken AU that chris did not behave the way he did in re8. his weird behavior in re8 is probably for a meta reason imo. capcom wanted to set up a twist villian so they make chris very vague and unesscarily cruel. while its frustrating that they turned chris into a jerk for the sake of a twist, it still happens in canon and i will forever roll my eyes whenever i see him on screen. he did what he thought was best but imo, execution matters more than the intentions. same applies to mia. they both did things that hurt ethan because they thought it would be the best but in the end they just hurt ethan.

all the ships ive discussed with people ethan has met canonically just makes it look like i dont even like the ships... LOL ... ethan just has horrible luck with the people he meets i guess... but i do enjoy the ships and drawing them, but again all of them come with the canon baggage that ends up making me sad because everyone treats ethan poorly whether they had good intentions or not

which is why leon and ethan is the most fun to draw without getting stressed... LOL... they have never met but just drawing what i think their dynamic would be like is very fun.

please dont take this post personally, this isnt a post declaring why ur fave ship sucks, this is just my own personal preferences and in the end i draw all of them anyways

if i had to rank the ships based on drawing silly comics it would be

wintersberg

mithan

lethan

winterfield

wintersberg has the funniest potential just because of karl and mithan can be funny if u water it down to "i love my wife so much" and said wife comes home with suspicious amounts of hard cash

i enjoy making joke comics far to much

if i were to rank the ships based on how healthy they would actually be for ethan it would be

lethan

winterfield, mithan, wintersberg (no particular order)

sorry 😭

leon and ethan have literally never met but imo it would still be the healthiest because ethan gets to start new

the three other ships r all unhealthy in some way, at least canonically without changing much about the characters (i do like winterfield but just because of how chris behaved in re8 it knocked them down)

i cant even rank them on personal preference because my opinion changes so often 😭 it changes based on discussions i have with my friends or recent art i see that inspires me... me and my friends recently had a discussion about mia and ethans relationship which made me very frustrated and sad with mia so i defiently wouldnt be drawing them anytime soon... meanwhile i hvae been talking to a friend who really likes winterfield often so the conversations we have give me art ideas and i end up drawing it more. if a friend of mine really enjoyed wintersberg or lethan and talked to me about it often id probably start drawing it more, the joys of being a multishipper

it changes a lot based on how im feeling and if im in the mood to draw something funny or something serious

sorry u asked a really simple question and i responded with a essay

and a little bit about myself is that i go by crumb, i am 18 and i go by all pronouns and prefer it/its

im vietnamese and live in texas

i made this tumblr acc solely so i could post my ethan art and im a re7/re8 girly so if ur here waiting for me to draw the re1-re6 characters im sorry u should probably expect nothing

i also make personal animations sometimes which u can find here

thanks for the ask and sorry for the rant!

#ethan winters #crumbessage

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celaenaeiln · 6 months

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Sometimes, I feel like DC is afraid to put Dickkory in canon and for real (like endgame pair and no divorce bs or smth even if the plot continue to move forward) is because Dick seems to be the type that's very family oriented and if he has a wife and eventually have children, he'd put alot more focus on his own family, having less and lesser time with the batfam(not totally counting them off tho). Titans maybe won't be so affected because both Dick and Kory are part of the Titans and it's gonna be probs like Roy and Lian situation(?) where they still spend alot of time with the Titans with their children with them.

Less time in Gotham means less time with Batman, and Batman needs his emotional support Dick Grayson.

EXACTLY

EXACTLY!!! EXACTLY, EXACTLY!!

The actual reason Kori and Dick's wedding blew up is because the writers wanted him back for the batfam. They couldn't have Dick spending time with the Titans, having children, and being separated from the batfamily, especially not with Bruce's emotional state.

Oh I forgot to mention. Guess what else goes on the day of Dick and Kori's wedding?

The New Titans (1988) Issue #100

What a massive freaking coincidence.

Bruce has attachment issues to Dick. It's like that Batman and Superman comic panel where Bruce is talking about his robins leaving and he says, "It was like with Dick. I couldn't let him go."

Bruce refuses to rest in bed when he's injured. But all of a sudden he's willing to skip his son's wedding for an injury. Sure, B. That's why.

Dick and Kory would definitely raise their kids with the Titans like Roy does but that would also rub the batfamily the wrong way because Dick is such as integral part of the family. Since he loves them too, he would try to split his time with the Titans and the Batfamily but that wouldn't fly with the titans because they think Dick is too good for Batman. They hate when Dick has anything to do with him.

Titans (1999) Issue #13

Batman gets on the Titans' nerves like nobody else. And Bruce thinks the Titans aren't good enough for Dick. So mutual hate because neither side want to let go of Dick Grayson, and Dick's in the middle desperately trying to bridge the gap.

Yeah, DC's definitely scared of making Dickkory canon. And the tug-of-war's the only reason.

#dick grayson #nightwing #koriand'r #dickkory #roy harper #arsenal #starfire #cl anon asks #thanks for the ask!#bruce wayne #batman

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son1c · 5 months

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something about me is i got into sonic in 2020 because my BJF (best job friend) at the time wanted to go see the first movie together. we did, and then we saw it three more times in theaters (before they all shut down because of the pandemic). it was this whole thing, we brought our other friends along for the rewatches and always had a lot of fun.

now, in 2023, i surround myself with people who unironically love it.

i know my experience isn't universal, but overall i've had a very positive experience with sonic. and whenever i see stuff that implies sonic as an interest is "cringe" or whatever, i'm always like "huh?" cuz it's so divorced from the reality i live in.

it makes me sad to think that some people feel ashamed about liking sonic. like, what's there to feel bad about? it's a fun series with tons and tons of content, and i think it's great that it can bring people of all ages together. there's a little something for everyone, even if you don't like EVERYTHING about it.

games, comics, music, books, movies and tv shows, coloring pages and sticker sheets... not to mention all the stuff you can make for yourself, since sonic is a very big open world full of endless possibilities irt fanart and fanfic.

idk what this post is about really. i just think it's pretty cool that when i was at the store earlier today, a kid saw my sonic socks and smiled real wide. cuz that's what sonic is to me. something to share and smile about

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meanbossart · 3 months

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DU drow asks time

Lore questions/sweet messages/stuff that made me laugh that's about DU drow specifically that I decided to compile in a single post!

First of all, "outraged to be used as a medium for old man gay divorce" is a hysterical sentence LOL

As for his thoughts on the Ansur debacle? Negative ones. He hates the emperor, he doesn't care about his third-time-twist real identity, he doesn't particularly care about Wyll either (well - he kind of finds him entertaining, he's kind of really frustrated by him, it's complicated) but he saved his dad on a whim to spite Mizora anyway. BUT HEY, all that trouble would have been worthwhile if he's about to get an ancient dragon fighting alongside him - this old duke sounds a little too confident in this fairy tale, but stranger things have happened, right?

Then the situation unfolds as it does, and if he wasn't eager enough to use that orphic hammer before, he certainly is now. There is very little that the Emperor does past Act 3 that DU drow doesn't find a way to twist into something that confirms his resolve against him. If he could have taken Ansur's side in that fight, he would have - not that he shed any tears over killing him either.

Sick sword though, that helped soothe his nerves a bit and I'm sure spared everyone a little bit of a tantrum at camp later.

HAHAHAHA I can't confirm nor deny because I see so few large body-type elves as it is (which is fair, elves aren't usually... That massive). I did set age to 50% because it does look a little weird when it's all smooth. Maybe that's the trick?

Though I guess if you find it unsettling, then... No wonder it suits him! however this just looks like an impressively handsome fella to me, to be honest. I insist on fucking him up further whenever I draw him for that reason.

Thank you so much for following along and for giving the fic a try!!! And no worries, english isn't my native tongue either so I've been there 😎👍

I do actually have a couple of very short comics planned that take place pre-tadpole, but my backlog of WIPs is... Massive. Not to mention the commission work I do (currently not taking any more). I have one that's about his first interaction with Orin and another about a business dinner with Gortash gone-wrong, but I have no clue when I'll be able to work on them. Hopefully soon though!

You know, I've always hoped that after I died I'd be remembered as the guy who inspired others to make their nipples card-swipe-able.

Joke's aside, thank you LOL I love that my guys' nips have taken up non-insignificant room in your mind, it's always comforting to know that you aren't the only one.

Piercings and the such aren't really his style though. While he finds his scar-work weirdly comforting, he isn't so interested in aesthetic results as much as he just enjoys having pain inflicted upon him in a controlled environment, by people that he loves - He doesn't recall this post-tadpole, but the scars were a result of a kind of... Recurring ritual between himself and Orin that served to replace normal intimacy, pretty much.

Since you touched on it though, I do like to believe that Astarion finds his cut-up body fun, both on the eyes and on the hands LOL.

I'm starting to think you guys are all in on this. It's like the fifth time someone catches me in the act - god damn it, is it that obvious that I wanna slide down Peter Steele's cold corpse like he's a a ride at the Magical Ice kingdom... Which is to say, yes, both the guy and his music are not-so-lowkey a big inspiration behind a lot of DU drow's characterization!

That's all for now folks, thank you so much for the asks!!! This isn't all of them but I try not to spam people's feeds when I can help it/space them out. I see all of your messages and I guarantee you that if I have an interesting answer for them, you will see a reply eventually!

#ps: i only made that peter steele joke because i know he would be ok with it LOL #ask #DU drow #bg3 spoilers

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leliosinking · 11 months

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I dunno, but having grown up in the 90s/00s with the ‘94 film.. it is admittedly very frustrating seeing new fans constantly trash talking something that was so foundational for queer people my age.

Like, no, it’s obviously not as gay as iwtv22, but it is still very very extremely very queer coded. And that coding is all we had for a long time. Like Lestat’s first levitating bite with Louis? Lestat and the Fop? Louis’s heavy-breathing farewell to Armand? Louis and Lestat’s reunion? These moments meant so much to me growing up, before I ever even knew there were books. And then later reading those explicitly queer moments as I grew older?? It only further cemented the importance of the coded sexuality and how it allowed me to love this very queer thing without having to unpack its queerness with my family.

I just think there’s a lack of consideration for the era where queerness in media was something that had to be kept secret, and using that against the film as some sort of “gotcha” isn’t the move you think it is.

And, yes, Tom and Brad suck as people. We don’t have to debate that, I agree wholeheartedly. But this constant dumping on older fans for.. cherishing an old thing that meant a lot to them for extremely specific reasons? That really sucks.

(the gatekeepy older fans can rot though)

Like let’s be 100% real here: every adaptation of these books is deeply flawed because the books themselves are deeply flawed. Not just structurally, they have serious problems regarding race, sexuality, women, children… Anne did not create a perfect foundation to work with, and she herself was an extremely flawed and often problematic person. And no matter how much you want to imagine that the tv show is divorced from all that.. it never will be. And that’s not your responsibility or mine to contend with any of it. It is a piece of media. It has no bearing on you as an individual.

I guess what I’m saying is that this series is nearing its 50th (!!!) birthday, and we as fans are very fortunate to have not only this incredible television series, but two iconic films (yes, QotD is iconic but in like.. an ironic, highly camp way), a musical of.. dubious but magical quality, and not one or two, but SIX stunning comic adaptations.. I just think it’s time to stop pitting the show against the movie when it’s all part of this massive, deeply flawed yet incredibly beautiful, wonderfully queer body of work.

#anne rice #interview with the vampire #iwtv #amc iwtv #iwtv 2022 #iwtv season 2 #iwtv 1994 #iwtv 94 #Lestat #louis de pointe du lac #queen of the damned #lestat the musical #the vampire chronicles

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canonmisogynyvictimstournament · 8 months

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PROPAGANDA

AGENT TEXAS (RED VS BLUE)

1.) okay so tex is an ai based on the memories this one dickhead dude has of his dead wife, allison. there's also an ai based on the dickhead dude himself, his name's church. all the stuff with the ai's and the different versions of her is kind of confusing to explain but she sort of dies twice- first sacrificing herself for something that has very little narrative weight, and being absorbed into a kind of . monstrous mesh of other ai's (including the original church ai) that then is erased, with basically no mention of tex, it's all about church's death.

then, there's another version of both church and tex born from the original church ai's memories (epsilon-tex and epsilon-church). epsilon-church's arc is basically about learning to move on from his past and let go of tex, because he's kind of obsessed with her and it's preventing him from progressing. so, epsilon-church 'forgets' tex, deleting her for good. tl;dr she dies, again, basically entirely for church's development.

when i was a kid super into rvb i was always really disinterested in tex and looking back it's because er story just.. isn't resolved satisfyingly at all. basically all of her story is hitched so tightly to church's story and development that tex barely gets room to be more than a memory of the director's dead wife- she never gets to move past the circumstances that created her and become her own person entirely divorced from the director or from church- allison died and we never knew anything about her besides that the director god sad about it. beta-tex died unceremoniously and without mention. epsilon-tex died for church's character growth.

quoting church's own words from the show: ""She died in her real life, and that's all the Director ever remembered of her. So now, no matter how tough she is, no matter how hard she fights, she's always going to fail, because that's what she's based on. No matter what she's doing, or what she's trying to accomplish, just when her goal is within her reach, it gets yanked away. Every. Single. Time." and she just never… actually overcomes this. she just dies.

and quoting now-inactive tumblr user epsilontucker from 2015 who put it better than i could: "Tex’s whole life was spent fighting for agency. Freedom from what Omega wanted her to be (O’Malley), what the Director wanted her to be (Allison), what Church wanted her to be (his). Epsilon-Tex wanted to know who she was and why she was and she wanted to dismantle everything Church ever built. Especially because he built it for her.

And this character arc about freedom and agency, about a chance to define herself on her own terms, is resolved by… Church deciding to delete her.

Because everybody always seems to know what’s best for Tex."

this is also to say nothing of the treatment of her character on just, like, an episode-to-episode basis. rvb has a big problem with basically treating "bitch" as a personality trait for female characters, and tex gets some of the worst of it. if you made a drinking game of how often tex gets called a bitch, or a huge bitch, you'd die of alcohol poisoning. also at one point andy the bomb makes a bunch of transmisogynistic jokes at her because she's suppsoedly mannish (she's not masculine or feminine really everybody in this show is a multicolor master chief. she's just good at fighting) and then calls her a dyke. the end

2.) Some background (spoilers): Tex is introduced as a badass mercenary from Project Freelancer, and the ex girlfriend of Church, the main character of the show. It is eventually revealed she and Church are both Aritifical Intelligence programs; Church is an AI copy of the Director of Project Freelancer, and Tex is a copy of the Director's late wife.

Firstly she is straightforwardly the victim of misogynistic "jokes" for the first several seasons. She is called misogynistic slurs, shamed for sleeping with other men besides Church, she cannot work the entertainment stand at the base bc she's female, called lesbophobic and transmysogonistic slurs bc she is a competent soldier, and blackmails another female character out of jealousy bc she is the only other girl in the group.

Even when these jokes go away, and the show transitions from comedy to drama, her writing revolves around the male characters around her. Because she is the personification of the memory of the Director's dead wife, and his perceieved failure to save her, she explicitly, in the text, will always fail at what she sets out to accomplish no matter how strong she is. She wishes to be free of the cycle of being resurrected bc Church can't live without her only to fail and die again, but lacks the agency to end it without Church. Church's arc about learning to let her go ends not with her being free to exist as her own person without him, but with him forgetting her. Since she IS his memory, this ERASES HER FROM EXISTENCE. She literally cannot exist without this guy.

This would all be easier to swallow if she wasn't the ONLY prominent female main character for 8 whole seasons. It's a beautiful story about how grief can fester into anger and a need for control, and how that pushes away the people you love, but it's a story entirely centered around Church's development, in which she is a prop that stops existing when the story is over. I love her but she deserved so much better than she got.

3.) girlboss

KAMALA KHAN (MARVEL COMICS) (CW: Racism)

1.) One of the most prominent brown women in all of comics, beloved by the fan base. Recently killed in a PETER PARKER SPIDERMAN COMIC (despite being much closer with Miles Morales and having basically no relationship with Peter) in what's probably the name of MCU synergy, which nobody wanted (she'll probably be resurrected as a mutant, erasing her unique and interesting history as an Inhuman). She was using her shapeshifting powers again despite having stopped in her solo as she got more confident in her own skin and identity as a Pakistani American girl, died disguised as the very white Mary Jane as a fake out/last minute replacement for killing off MJ. I fucking hate it here. A cheap trick to drive sales. L + Misogyny + racism + are you fucking kidding me

#polls #round 1 #week 1 #new #cw racism

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coffee-writesthings · 5 months

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I fucking love the tf2 comics because you get shenanigans such as:

Amelia Earhart died in a hot dog costume

The Mayor of tuefort doesn't actually know what a mayor can and can't do

The mayor of tuefort forced a man to pretend to be an italian stereotype for literally years

Saxton Hale blows up the moon

Spy might have helped a child murder the santa guy from that one smissmass comic, or it was spy disguised, it's not totally clear to be perfectly honest

merasmus takes 'kill me come back stronger' pills, which soldier also takes because he thinks its heart medication

merasmus is gender fluid, depending on how you read it

merasmus in indebted to like all the mafias

australians canonically all grow australia-shaped chest hair, and are the way they are because of a golden material called australium

spy has miniature cornish hens in his teeth, as well as the rest of the makings of one of those tiny, several-course, meals

soldier just loves fighting things naked, while covered in honey. canonically-speaking, he does this all the damn time

zhanna is racist against french people

demoman is married to his liver

demoman's eye socket is haunted

soldier has little raccoon children, lieutenant bites i think was one of their names

the pregnancy machine thing

also, the baboon uterus thing

heavy's sisters are into spy and sniper, which i can't say i disagree with. good lord.

BUT THERE'S ALSO THINGS LIKE THIS:

Scout and Sniper go out to get tacos after a bad interaction with an enemy spy

saxton is so deeply divorced with maggie

miss pauling is a lesbian, if a leak of the final issue's script on 4chan is to be believed

RED demo and BLU soldier become friends outside of work but the administrator finds out so they have to kill each other and ;-;

Heavy has a family and he risks his life to feed them and he loves them so much just GAH

these people have been fighting for generations over something that's literally worthless and i think if you think more about it there's an actually really applicable theme about that to real life

the mayor of tuefort forced this just random guy to pretend to be an italian stereotype for so long that he forgot how he used to speak. he forgot who he used to be almost entirely. do you understand. in another world there is a psychological horror about this guy's life exclusively

maggie works for her ex-husband's nemesis and it's honestly not explained why but she's also clearly ashamed or sad about it

spy being scout's dad and it's a whole thing and THOSE FOUR EMOTIONALLY DEVASTATING PANELS

sniper's bio parents are cowards and fools and don't much like him and there's a whole realization that he wasn't actually australian and it puts together a lot of puzzle pieces for him,

and then later he meets his parents-- the ones he grew up with-- in heaven after dying and being brought back to life and he gets told that hes a professional and its this payoff from the meet the sniper video

"you're getting very good at saying horrible things to dying men, miss pauling"

spy is nearly murdered by classic!sniper and he looks genuinely scared

heavy and medic are in love. do you understand.

#i will so absolutely expand on any of these #ive gotten to special interest levels about this #listen man im so normal about this game #tf2 #tf2 comics

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redpenship · 4 months

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Many fans bemoan Sonic's characterization in issue 50. Why does he talk so much? they wonder. Should he be moralizing at someone he just met? they post on Tumblr/Twitter, the websites for moralizing at people you just met. As a comic fan, should I really be expected to read more than 40 words of dialogue on a single page?

All of these are valid critiques. However, I believe the debate around Sonic's characterization distracts from the issue's most problematic content: the destruction of gay men in the Sonic IDW universe.

The first incident is obvious: the relationship of Doctor Starline and Doctor Eggman. Despite being two men in a relationship, their relationship is very obviously lesbian-coded. As we all know, lesbians get divorced at higher rates compared to hetero- or m/m homosexual couples (source). This is sometimes attributed to the lesbian phenomenon of "u-hauling", in which lesbians move in together very shortly after dating. Now stuck in close quarters despite never truly testing the boundaries of their relationship, they are prone to discover love-breaking flaws in one another that ultimately destroy their romance affair. Eggman and Starline's relationship follows a similar cycle: they meet, move in together, and then tragically break up because they discover irreconcilable differences between each other. Their relationship is lesbian-coded, whether done intentionally by the writers or not.

This is the first affront committed against gay men. Lesbian-coding them is problematic, as lesbian and gay relationship cycles are unique and cannot be swapped around carelessly. Male homosexual romance is particularly distinct. Allow me to outline an example here: typically, the two men begin as rivals who dislike each other for a variety of reasons. This rivalry ebbs due to conflict or mutual interest in helping one another with a problem, such as figuring out what to do when there is only one bed in a hotel room or one of them is going through that "time of the year". Any intrinsic binaries dividing them, be they sociological or biological, play heavily into the flourishing romance--heteronormativity is what makes gay relationships exciting, after all. The two men then realize that they may be attracted to each other despite their rivalry, forgiving each other for past sins even as severe as trying to crash a space station into the planet. They are then free to comfortably fall back into the fictional gender roles ascribed to them, reflecting dominant and submissive positions, and--huh? Sonadow omegaverse doesn't reflect the complexities of IRL gay relationships at all? Weird.

Moving on, I have now established that the lesbian-coding of Starline and Eggman's relationship was one of IDW's first offenses against gay men. The next offense is even grander than the first, so hold on tight!

Within the Sonic universe, Eggman has always stood in defiance of gender roles. His insistence on wearing pants, despite bottoms being a degenerate garment for women only, has always set him aside from other men in the series. Issue 50 undermines his anti-masculine position by reincorporating him into the hetero-patriarchy via intimate violence.

It is common knowledge that drone operators are kinda gay (source). Real soldiers kill other men in close combat wherein their life is likewise in danger. A man killing another man, dominating him while sweaty and short of breath and tussled up, is a strictly masculine affair. Drone operators do not experience such a masculine version of killing. Queer theorist Cara Daggett asserts that the spatiotemporal disorientation of drone warfare emasculates drone operators, as they kill from afar without bearing any of the risks associated with normal combat. A hypermasculine designs and messaging around drones fail to disguise their reality as genderqueer bodies.

This theory can be easily applied to Doctor Eggman. In games and most comics, he does not directly engage with any foes--he prefers to fight with robots and mech suits. His badniks and other robots (such as Metal Sonic) therefore turn into genderqueer bodies as they deny him "masculine killing" by disorienting his spatiotemporal axis relative to his enemies. When this is combined with his insistence on wearing pants, it becomes clear that always operated in defiance to hetero-patriarchal norms. He is a gay man.

In issue 50, this becomes unclear. Doctor Eggman reorients his spatiotemporal axis by grabbing the platypus by his leg and smashing him into the ground. With this one action, Eggman openly embraces his role in the heteropartriarchy by engaging in close combat. The queer ideal of Doctor Eggman is dead.

Starline is gone. Eggman is effectively a heterosexual man. No one cares about Don and Nite. In one issue, the IDW writing team has destroyed the status of gay men in their comics and reduced them to nothing.

Remember this post next time you so proudly post about how many lesbians there are in the comics. Their empire has been manufactured by the systematic removal of gay men in the comics. Do not let the cute wlw or questionable Sonic characterization distract you from this fact!

a/n: sorry, this got away from me. big /j for everything here.

#sonic the hedgehog #idw sonic #dr eggman #redposts

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traincat · 11 months

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Wait, hold up...Felicia and Flash were a thing!?

Flash and Felicia were a thing! And it's great and I love it.

So back in the day when Peter and MJ got married, Felicia had no idea. So when she comes back and discovers he got married in her absence, she doesn't react so well, and decides she's going to get revenge by dating his best friend: Flash Thompson.

(ASM #329 & ASM #330) Flash had been going through a romantic rough spot at that point in time so he was prime for Felicia to swoop in. Also they had some incredible couples' outfits.

(ASM #335) Current comics are not on this level.

However, Felicia started to develop real feelings for Flash when she got to know him as a person instead of just a tool to get back at Peter.

(ASM #337)

(ASM #341)

They were together for a fairly long period of time, in comics years. They broke up after Felicia proposed to Flash and Flash... said he didn't know if he liked her because of her or because he knew she was the Black Cat and being close to her meant being close to Spider-Man.

(Spectacular Spider-Man #210) It's sad!

They've had a couple of quick interactions since then, but nothing that's really touched on their long term romantic history. In the MC2 universe, they have two children together, named Eugene and Felicity because they're apparently not very creative people, but they are divorced.

#felicia hardy #flash thompson #marvel comics #flashfelicia #*replies

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daresplaining · 7 months

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An Interview with Christine Hanefalk

Christine Hanefalk created her blog, The Other Murdock Papers, in 2007 as a place to discuss and share her interest in Matt Murdock and his world. Over the years, she has become one of the most compelling and influential voices within the Daredevil fan community, even making a cameo appearance in the comic itself in Daredevil volume 3 #31. In 2022 she published Being Matt Murdock, a passion project centered around an area of particular fascination: Matt's legendary hypersenses. The book weaves real-world science into the vast Daredevil canon to explore the notion that Daredevil's powers, though superhuman, are not – and do not need to be – as divorced from reality as one might think.

Christine was kind enough to answer my questions about the book, and about her nearly twenty-year-long fascination with the Man Without Fear. Read the interview below...

Daresplaining: I know many people will be familiar with your blog and your longtime interest in Matt Murdock's sensory world, but could you say a little about how Being Matt Murdock first came about, and how you approached writing and researching it?

Christine Hanefalk: I started The Other Murdock Papers in late 2007 and gradually allowed myself to start writing more about the scientific and sensory aspects of Daredevil as time went on. I was really worried it might turn people off, but the opposite was true and people really seemed to dig my deep dives. And so as far back as around 2012 I decided that, one of these days, I was going to try to write a whole book on the subject.

Despite the fact that it took me ten years to complete it, with most of the work being concentrated to the final 12-18 months before publication, I had actually done some writing early-on. I think I had about half of chapters one (on the literary history) and seven (on the sense of smell) written several years ago, along with various snippets and notes that I had filed away and was able to work into some of the other chapters. I had also consistently been keeping an eye out for anything new and interesting in the peer reviewed academic literature, and managed to amass – and read through – quite a collection of books on sensory neuroscience over the years.

When that “now or never” moment finally arrived, it lined up well with a period of time in my life where I was able to cut back on regular work and devote most of my time and energy to the book. I went over all of the stuff I’d already looked at before but with more focus, and got myself reacquainted with subjects I hadn’t really touched since college, such as thermodynamics. I also reread nearly all of the comics, taking very detailed notes on how and when Daredevil used his senses to get a better idea of the overall pattern. It’s not an understatement to say that I’ve spent upwards of 2,000 hours on this project over the years.

D: I understand that you were introduced to Daredevil through the 2003 movie. What drew you so strongly to Matt as a character? How much of a role has your fascination with his powers played in your continuing interest over the years?

CH: I grew up reading comics and enjoying sci-fi and superhero movies as a kid. I was born in 1977, so both the original Star Wars trilogy and the Superman franchise loomed large in my life when I got old enough to watch them. And while I eventually stopped reading superhero comics, I always had a special place in my heart for the genre and had a certain fascination with the general idea of superheroes. That eventually steered me in the direction of the Daredevil movie when it was released in video stores (I don’t think it even went up in theaters in my native Sweden).

The specifics of Matt Murdock’s power set was definitely one thing that gave this character an unusual kind of appeal to me. I had always been interested in the science of the senses – and what happens when one is missing – and had even written a paper on sensory compensation for my neuroscience class while I was an exchange student at the University of Rochester around the turn of the millennium.

There were additional things that made Daredevil interesting of course, such as his career as a lawyer, his overall personality, and the general mood of the world he inhabited, but the combination of his power set and my already having a soft spot for superheroes definitely piqued my interest right away. Within a few months of learning that Daredevil even existed, I had read pretty much everything he had ever appeared in.

D: Do you have a favorite sense, both in terms of your own research and as a Daredevil fan?

CH: I think I probably enjoyed researching hearing the most since there’s so much to cover. It’s also fascinating to me how hearing can be called on to perform spatial functions despite having this deceptively simple, linear, time-dependent form in terms of how it is received by the ear. The fact that it’s possible, even for quite ordinary humans, to sort of “see-hear” silent objects is fascinating to me.

However, if we look at Daredevil, I’d say that hearing has tended to be overused compared to both smell and touch. While hearing is often called on to perform near transcendental duties, smell tends to be forgotten by a lot of writers, probably in large part due to the fact that we humans seem to be less conscious of smells than we are of other sensory input. For the entire history of the comic, Daredevil has often gone several issues without any reference to smell, and the things he’s been smelling have often tended to not be very interesting. It’s always a treat to see smell being used in creative ways.

Still, the sense I would be even more interested in seeing more of in Daredevil is probably touch, which I also think is used less than it could be. Sure, there’s plenty of reading by touch (print or braille), but I still think we might be underestimating the importance of touch in Matt’s life, due in part to the high expectations of the radar sense (whatever we make of it). I view the “radar” as absolutely vital to everything Matt does as Daredevil, but I also see a much greater potential role for touch to work synergistically with such an ability.

D: Do you have a favorite new fact that you learned over the course of researching this book?

CH: Yes. I do think my coming across Jacob Twersky’s writing helped solidify the idea I had about how the concept of the radar sense may have originated. Blinded in childhood, Twersky would go on to become a champion collegiate wrestler, and later a historian and author. I read both his 1954 novel The Face of the Deep and his 1959 autobiography The Sound of the Walls while working on my own book. The way Twersky describes his sense of the obstacles around him in The Sound of the Walls struck me as shockingly similar to early descriptions of Daredevil’s radar sense, including the use of the term “radar” itself.

While I can’t know for sure whether anyone at Marvel was familiar with Twersky’s writing, it’s worth noting that he was a New Yorker and a contemporary of Stan Lee and many of the others in the Marvel bullpen back in the day. Whatever the case may be, it’s clear that the Marvel creators were not the first to use the word “radar” to describe the “obstacle sense of the blind,” as it was often known at the time. Over the years, and especially after having studied the early issues in great detail, I’ve definitely come to favor the idea that the “radar sense” wasn’t meant to be understood as a literal (electromagnetic) radar, though I should add that the understanding of the radar seems to have been all over the place for most of Daredevil history. Reading Twersky definitely added considerable weight to my interpretation of the early radar sense.

I also had some favorite epiphanies connected to the radar sense, one in particular which I think explains why Daredevil’s very particular way of being blind is often so difficult to make sense of for writers and fans alike. I recently wrote a rather lengthy post covering much of that stuff.

D: While taking a renewed deep dive into the source material, did you find yourself changing your opinion on anything?

CH: I should preface this by saying that there are definitely things I’ve changed my mind about over the years, even before I started most of the work on the book. I mentioned above that my understanding of the radar sense has shifted gradually, away from the more literal take the name suggests. Looking at the comics very carefully gives you even more of a sense that pinning down anything concrete here is going to be really difficult.

Revisting the comics has also given me a new appreciation for certain runs, such as the pre-Miller Bronze Age issues. This process has also led me to reassess my earlier assumptions that Daredevil’s senses have gone through some kind of steady evolution from Silver Age goofy to modern and grounded. This really isn’t the case, especially when you exclude some of the early outliers. You can find plenty of examples of both nonsensical and absolutely brilliant “senses writing” throughout the history of the comic, but I wouldn’t say that the treatment of the senses, or Matt’s blindness, have necessarily become more grounded on average.

D: You go into great detail about how much of Matt's sensory world has not been explored yet on the page. Is there any particular, specific experience that you would love to see depicted in future runs or adaptations?

CH: Contrary to what people might expect of me given my priors, I don’t necessarily think that there needs to be more stories about his senses, blindness and so on. However, I think these aspects of the character should be viewed as absolutely essential to how Daredevil is written, no matter what the particular storyline happens to be. I make a point in the book about how Daredevil is an amazingly interesting thought experiment, and I really believe that. So I’d really just wish for writers to be more comfortable running their scenes and stories through whatever their own version of this thought experiment happens to be and making sure that what’s on the page makes sense in light of that.

D: While researching other superpowered blind characters from the comics world and beyond, did you discover any new favorites? Can we expect a spin-off blog about Doctor Mid-Nite?

CH: Ha ha, no. It’s enough of a challenge keeping up with The Other Murdock Papers these days. As regular readers have undoubtedly noticed, I’ve been considerably less active there in recent years, having to do with work on the book as well as other real life stuff that’s competing for my time and attention. I do expect it to live on for many more years though, and I do update every once in a while. I’m definitely looking forward to writing about Daredevil: Born Again when that comes out, and we also have Echo coming out in early 2024.

D: What is your biggest Daredevil sensory pet peeve?

CH: To be honest, what bothers me more than all of the silly things put together is the suggestion that Daredevil can “see better than all of us,” is “not really blind,” and so on. As much as this might sound like the whole point of the character, it also takes much of the complexity out of what Daredevil does and how he does it. As blanket statements go, it just doesn’t hold up to scrutiny, unless we radically redefine what sight is, and what the other senses – even when heightened – actually do.

D: I love the scene in volume 3 #26 when Matt evades Ikari by changing his heart rate, even though logic would suggest that Ikari could still track him using his other senses, or even just other sounds. Do you have any favorite DD moments where you let sensory weirdnesses slide just because the scene is so compelling?

CH: While it’s a whole issue rather than a single scene, I really enjoyed what Mark Waid and Chris Samnee were attempting to do with the story that sees Matt attempt to escape Latveria while losing all of his senses. The scene I’m choosing to let slide here is when Matt seems to develop some kind of heat vision (it’s frankly unclear what it’s supposed to be) as his body tries to compensate. Whenever you see hints of thermal imaging in Daredevil, that’s an indication that he’s doing something that’s much further removed from how his senses should work than most people realize. It’s not something that follows naturally from heightened senses and is more like an entirely different kind of superpower.

I definitely tend to give a writer much more slack when 1) I'm enjoying the writing overall, and 2) said writer compensates to some degree by doing a good job of exploring, or at the very least remembering, that Matt is in fact blind.

D: What are your hopes for this book in regards to the impact it might have on how Daredevil is written in the future? What are the key takeaways that you hope fans and/or potential future Daredevil creators pull from it?

CH: If people reading this interview haven’t read Being Matt Murdock they may get the impression that it’s all a long list of “don’ts” or “can’ts,” but that’s a far cry from what I’ve attempted to do. I remember reading another superhero science book a few years ago that seemed to have as its central premise that “superpowers are stupid,” which didn’t feel particularly gratifying. I don’t see it that way at all. Sure, there are certainly characters whose powers read more like magic than anything else, but I don’t necessarily mind that. We don’t have to hold every character to any kind of scientific standard, and there definitely comes a point when taking this too far just takes the fun out of it.

When it comes to a character like Daredevil, however, I feel very strongly that bringing science into the picture has the potential to aid in the creative process rather than hinder it. Daredevil is relatively unusual in that he can exist comfortably in a kind of “reality next door.” His powers are not possible in our own universe, but they are not so far removed from our normal understanding of things that we can’t attempt to make sense of them and imagine what life would be like from his perspective. Because while no one has super hearing, most of us do have regular human hearing which detects the measurable and explainable phenomenon of sound.

There are naturally things about Daredevil that not even loosening the reins of biology will address – for instance, even a science-minded writer is likely going to have to break some of the laws of the physics of sound – but understanding how these phenomena unfold in the real world helps create a good structure for how Daredevil might operate. And I feel like I’ve come pretty close to presenting a coherent “view” of the world from Daredevil’s perspective in this book.

It would definitely be a dream come true to have this book inspire future Daredevil writers, but I obviously don’t have much control over that kind of stuff. I’ve been able to give out plenty of copies to past writers and artists though, ha ha. I would want incoming writers to know that science is their friend. And that understanding some of the science makes Daredevil even more fascinating.

D: If you were given the opportunity to actually experience the world the way Matt does for a day, would you take it?

CH: Absolutely! Mind you, I probably wouldn’t want to do it for longer than a day or two and I very much appreciate my standard issue eyesight, but I think it would be fascinating to explore his world. Though in this thought experiment, I would assume that I could experience things the way he does after years of getting used to it so it’s not too much of a shock to the system. Unlike what happened in the delightfully ridiculous story where Daredevil switched bodies with Doctor Doom, and Doom appeared to adjust on the spot and couldn’t even figure out that he was now blind, I would expect it to take months or even years to learn to navigate the world the way Matt does (superhero acrobatics not included). And it’s not just about being able to integrate different amounts and kinds of sensory information. It’s also a matter of acquiring the strategies that allow for combining this sensory information with real-world knowledge in order to handle the many ambiguities which remain in a world organized around people with a more standard set of human senses.

D: Do you have any book/article/etc. recommendations for someone wanting to expand their reading on the topics explored in the book?

CH: Among the books I’ve read that I would recommend for general audiences is David Eagleman’s The Brain: The Story of You as a good introduction to the brain. If people want to progress from there I also recommend Brainscapes by Rebecca Schwarzlose. I don’t make any explicit references to Brainscapes in my book, but it’s a very solid read for anyone who wants to learn more about the role of “brain maps” in guiding our experiences. For the senses themselves, there’s The Universal Sense by Seth S. Horowitz (about hearing), and What the Nose Knows by Avery Gilbert.

Another book I read years ago that is sort of “on-topic” is A Sense of the World: How a Blind Man Became History’s Greatest Traveler by Jason Roberts. It’s not one I reference in my own book, but I guess it’s “Daredevil adjacent.” It tells the absolutely fascinating true story of James Holman (1786-1857).

D: Beyond Being Matt Murdock and your blog, is there anything else you would like to promote/mention here?

CH: Not for the time being. Maybe there’ll be a second edition of Being Matt Murdock one day, but I don’t have any such plans for the foreseeable future. What I would like to do is take the opportunity to encourage people to tackle their own passion projects. For me, finalizing this project came down to realizing that if I were to be told I only had a year to live, I would want to prioritize finishing this book. That’s how much it meant to me. And when you feel that way about something, try to do whatever you can – as much as your current circumstances will allow – to give yourself that gift. Tackling something like this can be very daunting, and I definitely had to get over my fears of making mistakes and putting myself out there in order to do this. But I’m really glad that I finally did.

For more fun facts and information on Being Matt Murdock, and to purchase your own copy, visit www.scienceofdaredevil.com

For more of Christine Hanefalk's writing, visit www.theothermurdockpapers.com

#Christine Hanefalk #Being Matt Murdock #Daredevil #Matt Murdock #Quotes #Commentary

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nekropsii · 1 year

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man what I hate about the fandom excusing the Dave blog with the n word like "it's not IN the comic so it's not canon" is that in THE comic, Hussie was way too obsessed with having Dave rap about segregation and slavery as quips one of the first raps even referenced the slur negro, which textually went over many people's heads (because "it's just "black" in French") when the context was racist white men in segregation-era and how they pronounced that very closely to the well-known slur, pronouncing it with "knee" these types of raps weren't just in Act 1, it was even in Act 3 it's so uncomfortable considering Hussie said "I just type out how I'd talk" when it came to Dave's dialogue, considering his humor and how those raps and the blog came into light it's so annoying how people keep suggesting it's not IN the comic at all- like it's giving "read it once 5 years ago and never freshened up on it while still debating it", y'know?

I'll give as many sources to what you said here as I can, just so people listen more. Wasn't able to track everything down, so some things are more up in the air, but overall, you're on the money.

[Blog of Dave Strider- February 17, 2010.]

I heavily agree and identify with your frustration. Just because it's "not in the comic" doesn't mean Hussie didn't write it and that it's not worth evaluating. This isn't a case where you can disregard it for noncanonicity reasons, like Post Canon. This was written concurrently with canon, and therefore it reflects the political mindset of Hussie during the time of writing Homestuck. That much is valuable information. What I will point out is that the next paragraph here contains yet another phrase that is rather telling of Hussie's... Racial vocabulary.

Definitely not the most comfortable thing in the world, to put it nicely. Haven't personally seen it get mentioned, and I feel like it's apt to bring up here, since this is the closest I've seen Hussie get to the big Hard R. Typically, they default to Soft A, which doesn't make it less racist, but does have a different... Vibe, so to speak. It's more hateful sounding.

Moving on.

[Andrew Hussie's Formspring- Feb 24, 2010 - Mar 7, 2010. Exact date unknown.]

The fact that Dave is a near exact emulation of Hussie themself in speech mannerisms, down to the lifting of entire chatlogs, is telling. As we've seen from Hussie's past work, he was clearly... excessively comfortable with throwing around the N-word, as a white man. Why would Dave be any different? It's hard to argue that Dave's racism is "not indicative of Dave's flaws, but indicative of Hussie's", when Dave as a character is both a product of Hussie's mind and a direct extension of her. You can't truly divorce the two. Dave is racist because Hussie is racist. Dave is an extension of Hussie.

[Homestuck, Act 2, page 294- June 23, 2009.]

I believe this is what you were talking about in reference to that particular version of the N-word being used, as well as the references to slavery. This is in Act 2. I couldn't find much in Dave's other raps, outside of his fixation on the idea of Black presidents as a novel concept... Other than this.

[Homestuck, Act 5 Act 2, page 2825- November 1, 2010.]

Apparently using the term "Urban" to refer to Black people, culture, art, and music is a recurring Hussie-ism, even in Homestuck. Rose also uses this a couple times, notably more than Dave does. It sees more usage in Problem Sleuth as well- unsurprising, considering it is an older work than Homestuck is.

[Homestuck, Act 4, page 1590- March 17, 2010.]

[Homestuck, [o], page 3879- July 2, 2011.]

[Problem Sleuth, page 62- March 15, 2008.]

TL;DR: I don't think there's any real excuse to leave Hussie's racism out of genuine discussion of the contents of his works. It's obvious. The only valid defense for leaving it out of analytical conversations is ignorance, because... Well, some people just aren't that observant. Homestuck does not exist in a vacuum. Hussie did, in fact, write this, and Hussie is, in fact, bigoted. Bigotry shows throughout their works not because they're spinning a grand narrative of overcoming your moral failings, but because they kind of just suck. Dave isn't an exception, and shouldn't be divorced from the context of having been written by Andrew Hussie. There's no debate to be had over the existence of Hussie's bigotry, because contesting such a clear cut fact is pure stupidity. It's like arguing that evolution isn't real because you, personally, do not understand it, or don't find it comforting. Hussie's bigotry is one of the only things we can be 100% sure is a real part of his personhood, rather than another figment of his ironic online persona. The level of "Well, Actually"-ism people will engage in over this is mind-numbing, quite frankly.

Thank you for the ask- people being aware of the racism in Homestuck keep me sane. Have a lovely day.

#homestuck #problem sleuth #homestuck meta #homestuck analysis #beta kids #dave strider #rose lalonde #john egbert #andrew hussie #cw racism #homestuck.pdf #dave.pdf #dave.prtsc #rose.prtsc #john.prtsc #nekro.pdf #nekro.sms

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striderepiphany · 1 year

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My favorite reddie fics masterpost

I have an absolutely insane number of reddie fics saved in my bookmarks for how recently I joined this fandom so I decided to share my absolute favorites with you. Please give these authors some love and let me know which ones are you've read and enjoyed!

the year of the goat and your kid back by derryfacts2

1 chapter, 14,838 words, No Archive Warnings Apply. Summary: The day you get the most important email of your life, there’s a new black skidmark on the wall of the stairwell, and you know exactly whose fault it is. “Margaret,” you intone to the harried, wild-haired woman in the lobby. She sighs at you as she tries to jimmy her mail key loose. “I know.” It wouldn’t even be that bad if the kid would just skateboard outside. Or get good at skateboarding. Either of those things. Maggie’s a nice lady, though, and she’s had “trying my best” scribbled all over her since they moved into 6B maybe eight years ago. So you try not to be a dick, even if her son is a gold-standard pain in the ass. He’s good for three things: smells, noise, and reminding you how big Eddie must be by now.

The first It fic I read that made me go "holy shit, this is fantastic" and remains one of my all-timers (hence why its first in this list). Really fun and unique outsider POV from Eddie's estranged gay dad, and tells a very sweet story mostly through dialogue. Young adult Eddie and Richie are very cute.

i think the clock is slow by derryfacts2 (again)

3 chapters, 15,815 words, No Archive Warnings Apply. Summary: So there was that reason that work wasn’t boring, too. There was Richie’s soppy campaign of making cow eyes at the back of Eddie’s head as he passed, gently pressing Betty for details about his personal life (“I don’t think he has one. He had this awful fiancé a few years ago, but we’re all glad that’s over”), and chasing the incomparable high of a quiet, muttered “Thanks, Rich” whenever Richie picks something up for him from the copier.

Richie is a wannabe stand-up comic daylighting as the receptionist at Eddie's office. Eddie is a tightly-wound corporate asshole. They are both disasters. Or: five times Richie watched Eddie and one that Eddie watched him back.

I really enjoy workplace dramas and this one satisfied the itch so well. So many good scenes and dialogue, this author characterizes them in a way that really works for me. The perfect read-in-an-afternoon fic.

listen to my heart (can you hear it sing?) by vampirerising

12 chapters, 137,708 words, Major Character Death. Summary: "You need to wake up now,” Stan says softly. “This isn’t real.”

“I know, but I can’t,” Richie sobs. “I don’t want to be here.” Not again. Never again. It is dead, why is It still haunting him?

Stan fixes him with one of those looks of his, the one where he can see his every thought as if it were written on his face. “That’s not true, Trashmouth.”

Alternatively: We all know Richie gets caught in the Deadlights, but do we really know what happens after?

(Deadlights, timelines, Stan’s ghostly meddling—oh, my.)

This one is fucking weird in a way that I absolutely adore. Kind of like a sci-fi novel in that it requires you to pay attention to figure out what the fuck is going on but its so good and worth it. The MCD is Stan, not Eddie, and the last couple chapters are actually a very normal domestic Eddie lives AU. One of the first reddie artworks I made was fanart for a scene from this fic that I really enjoy.

a strange sense of familiarity by Katranga

21 chapters, 103,571 words, No Archive Warnings Apply. Summary: "So Eddie, what brings you to the bar tonight?" Richie asked. "Gonna rebound from the divorce? Pick up a hot young twenty-something to feel young again?” “Fuck you,” Eddie said, jutting his chin forward. “What a terrible way to ruin the mood.” “I’m sorry, all my moods are poorly cultivated. What mood were you looking for?” A nervous lump grew in Eddie's throat. He threw back his drink to get rid of it.

Hand wrapped around the glass he’d just slammed back onto the bar, he said, “The mood that gets me leaving with a schlubby forty-something.”

Pre-chapter two, Eddie and Richie meet and don't remember each other, but have an instant connection anyway...

This one is just... so fucking good. Decently long without ever feeling like it's dragging. Part 1 is them developing their totally-casual-I-swear relationship, which blows up right when Mike calls them back to Derry. Part 2 is them navigating both killing a nightmare clown demon and the awkwardness between them. Also everybody lives! So that's nice.

change partners by avacadomoon (with podfic available)

1 chapter, 30,453 words, No Archive Warnings Apply. Summary: "Rich," Eddie says heavily. Meaningfully, and Richie holds his breath, both afraid and hopeful that Eddie is about to say something really sappy, like I always knew and it didn't matter to me, or you know I support you no matter what. Eddie takes a deep breath before he speaks, and Richie closes his eyes, braced for it. "I didn't look at your dick pics."

"Well hey, Eds, thanks," Richie says, laughing incredulously. "Thanks for that."

I LOVE THIS ONE SOOO FUCKING MUCH. I urge you to consider this as a rec for this author as well, as they have a bunch of other reddie fics I think are fantastic. I have a weakness for any reddie fic that lets them be just a little mean to each other. As a treat. (Also the podfic is very well done, you should check that out too.)

check raise by avacodomoon

1 chapter, 15,061 words, No Archive Warnings Apply. Summary: "Eddie, not a fan of stand up comedy, not a fan of his beer," Rich says, leaning back on one elbow and squinting at him, like he's lining him up in a camera lens frame, "but what is he doing drinking alone?"

"I was alone, and now I'm not," Eddie says. "Some prick sat down next to me and started yapping."

"Ah, unpleasant to talk to," Rich concludes. "Explains a lot."

I know I meant the last rec as a blanket rec for all this author's works but I'm including this one specifically because it has a twist ending that is well-foreshadowed and it slapped my dick clean off.

Things that Happen after Eddie Lives by IfItHollers

11 chapters, 107,947 words, Author Chose Not To Use Archive Warnings. Summary: In a world where Richie manages to save Eddie from It after the deadlights, they still have problems on their to-do list. Featuring everything from Derry to Los Angeles—Richie Tozier's murder trial, Eddie Kaspbrak's divorce proceedings, bedsharing of the platonic and non-platonic varieties, an investigation of magic, a truly disgusting séance, the quintessential morosexual road trip, and OH MY GOD THEY WERE ROOMMATES.

Definitely NOT your average Eddie lives AU. Drama! Mild peril! Psychic abilities! The ghost of Stanley Uris collect calling from beyond the grave via Richie Tozier's vocal chords! Fun and freaky and weird. Three things that make any fic a Josh favorite.

I'm going to stop there because I'm sleepy but let me know if you want more! Like I said I've got like 70 of these lovingly tucked in my bookmarks and I'm happy to share with the class.

#reddie #fic recs #it sk #it 2019 #richie tozier #eddie kaspbrak

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pochapal · 10 months

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32! Do you like HS^2?

i...genuinely do! i think sometimes there's a half-conception that based on the mere premise of my fics that i don't like postcanon all that much (omelette route was misconstrued as an epilogues fix-it fic in certain circles and pickle route is still sometimes seen as a "better version" of hs^2) even though everything i write is in direct conversation with and comes from a place of admiration for hs^2/the epilogues.

with hs^2 in particular i think it had some really electric ideas that we only got to see the very first brushstrokes of (thinking most pertinently here about whatever was going to go down on deltritus that we never saw) that, if they'd been able to get off the ground, probably would have eclipsed the epilogues as the most interesting part of homestuck. from the bits we saw the meat timeline stuff was definitely the weakest. outside of the jade/altcallie possession chapter a lot of that half of the story was fairly unsurprising character-driven extrapolation of the same angst we departed the epilogues with - and i largely agree with @hms-no-fun that some kind of timeskip here would have helped it feel a little less repetitive (although arguably there might have been? three years definitely passed with dirk et al but it was very up in the air as to how long it had been for the pursuit spaceship crew). i get why that never happened - both meat and candy were being told in tandem and candy ended on a buildup to an immediate conflict that needed to be followed in real time versus meat's meandering slingshot towards something more nebulous, so for the sake of structural symmetry that limited things a little.

i think i'm more amenable to a lot of hs^2's storytelling decisions because i wholly and entirely loved the epilogues from the getgo and it was so good to see that theme/tone be carried through to a more "traditional" mspa space, even if i wonder if the comic form damaged the story more than it helped it. i remember a lot of people getting weirdly mad whenever we'd get an extended prose scene instead of visual panels despite hs^2 being a continuation of the text-based epilogues. then again, the mainstream hs fandom as a whole fucking sucked when it came to postcanon and that's even more evident in how they've collectively memoryholed the whole thing so talking about audience reception is maybe not the most useful thing to talk about here lmao. idk i think people forget that homestuck is largely a story about people who suck and then who get better from sucking. it's just that nobody really likes it when that lens is turned inward onto the alphas/betas who outside of a small handful of exceptions in canon never really had any ethical issues that caused problems for them and others so i personally think it was very interesting and refreshing to explore how the kids' complacency wrt their baggage and trauma allowed them and their world to backslide so disastrously! roxy lalonde enabling jane's fascist ascension is fascinating storytelling actually! (side note: read through shadowed eyes)

hs^2's original characterwork is probably where the story shines the most. the fucked up dynamics between the theseus crew was super fun to read because there's honestly nothing more enjoyable than Supremely Divorced people deciding that makes them irredeemably evil now. the egbert gender stuff was really nice! i particularly enjoyed how, even though it came after the june egbert renaissance, it still managed to be its own unique take on egbert's gender arc that i think really encapsulated the originality driving the project. also forever shoutout to the candy kids my beloved candy kids my children who i will die for - for me in particular hs^2 was a fun time because i was developing my own versions of harry/vrissy/tav for pickle route in parallel to hs^2 and it was so enjoyable seeing all the overlaps and divergences with each upd8. also yiffy fucking rules on every level and even though she never got to be more than a promise she sure was one hell of a promise.

that said i do not think it's that surprising that hs^2 ultimately died before its time. the conditions of the story paired with the most demoralising and vicious iteration of the fandom meant the odds were stacked against it in a big way. you can particularly see the strain of that starting to manifest in the final ~6 months worth of upd8s where people were leaving/being pushed out of the project and every part of hs^2 was a completely hostile environment and the quality of the art and storytelling began to get a little shaky - which i can't really blame them for all things considered! it's hard to want to make the best version of a story possible when the overwhelming reception is a bunch of sanctimonious redditbrained weirdos screaming that you're evil and foul for making characters in a piece of fiction do unexpected and surprising things and also being sympathetic to trans women. there were of course issues with the production conditions of hs^2 that would have probably led to some sort of reckoning at some point, but it's very obvious that the traumatic pressure cooker of a fanbase that wanted nothing more than the death of this project and the ruination of everyone that worked on it threw this whole thing off the rails much faster. despite that, you still have to infinitely admire the team for daring to make something challenging and original in a sphere dominated by people who are content to regurgitate the same babybrained 2013 content ad infinitum - for just a brief moment, homestuck was truly allowed to be the literary masterpiece it's been all along. now people just treat it as more fandomslop to consume and that's perhaps the biggest shame of all.

in the end i think hs^2's legacy is best felt in the places haunted by its premature absence. i'm talking about the comic itself of course but also other spaces and people and projects. stuff that really engaged with the meaty thematic frameworks being thrown up in postcanon that now no longer have a mirror to talk back to - stuff like pesterquest and godfeels and the aforementioned through shadowed eyes that all massively are in conversation with the deeper artistic and philosophical principles underpinning this era of homestuck. if anything else hs^2 will continue to serve as a useful prerequisite for getting into some of the best stuff homestuck fans have ever made. we might never see what could have been, but at least the torch is still being carried by people who care.

#spaceengineerjulia #homestuck asks #homestuck^2 #long post #i had more opinions on this than i'd previously thought lmao

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