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#the female solidarity is not here is it?
eddiemunsonsdick · 9 months
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I hope England wins the women's world cup just to piss off the haters. 🤷‍♀️
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The Bats Are Fighting (Distaff Edition)
some conflicts I enjoy:
Babs is pretty hostile/judgy toward Helena at first & is bitterly upset and hurt when Helena starts wearing a Bat costume - apparently a Batgirl costume - without asking her. Later on, Bruce chases Helena out of the costume, and Babs gives Cass the Batgirl costume with her explicit blessing. Helena and Cass never have a rivalry over this exactly, but I don't think they ever really get along, either
Babs and Helena eventually make up when Babs lets Helena join the Birds of Prey but it's rocky in the beginning - Babs dislikes Helena's methods and doesn't entirely trust her; Helena resents being kept on the outside
Steph is super-impressed by Cass and tries to get her to like her and they eventually get close, but Cass has a pretty low opinion of Steph-as-a-vigilante and doesn't hesitate to boss her around or knock her out, and she's super-hurt by Steph lying to her about what's going on during War Games (probably not unrelated: Cass is the only Bat to blame Steph instead of Bruce after Steph dies)
Babs and Cass get very close but also have tensions because Babs wants Cass to have the 'normal' life that Babs thinks she should've tried harder to have when she was younger, and Cass isn't entirely comfortable with this pressure, plus - this one I think is a bit more well-known - Babs spends a lot of time tutoring Cass and looking after her (awww), BUT ALSO in a tense moment she gets really nasty and harsh about Cass's reluctance to learn to read and calls her "stupid"
Dinah finds Steph REALLY annoying and wants her to stop tagging around after her... until she finds out about Steph's miserable home life, and then she appears like an avenging angel and kicks Steph's dad and his cronies out of the house
Babs decides to work with a guy who tortured Dinah because she thinks he's capable of redemption and Dinah is NOT HAPPY about it
Just generally, Steph and Helena are very much outsiders who don't get brought into the "core" Batfam and who aren't trusted with info like Bruce's secret identity. By contrast, Babs is an insider almost from Day 1 - she may have conflicts with Bruce, but she's also got his absolute trust - and Dinah is as insider as it gets, with a mom who was also Black Canary and a stint on the JLA
other general characterization notes that cause Conflict (TM):
Babs is pretty much a classic Bat - she's got a ton of control issues and she's an instinctively secretive workaholic
Helena is an adult who will kill people if she damn well feels it's necessary and she doesn't appreciate being lectured about it
Steph is a defensive teenage outsider with a bucketload of family problems - deadbeat evil dad! addict mom! - and when she's upset she's got a reckless self-destructive streak
Cass is very much like Bruce in that 1) she is wildly super mega good at fighting, 2) she's an instinctive loner who's comically bad at people AND YET she can nevertheless effortlessly manage to head off to a foreign country for a weekend and have a passionately-felt mutual love affair with some random criminal or something, and then that person dies & she goes home like nothing happened, 3) she cares about other people but completely sucks at communication & when in doubt will just go silent & take off or refuse to have conversations, 4) because she hates talking sometimes she'll just knock you out or hit you so that she won't have to do it, 5) she will spend an entire year planning to have a fight to the death with someone for Reasons and tell no one about it because why would she tell someone
anyway they're all terrible <3
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jacksprostate · 3 months
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f Narrator wanting to murder maim mutilate m marla.. or marla/ male marla and narrator/f narrator worsties/besties. or marla/male marla and tyler… or anything with marla/ male marla..
Marlon called me, interrupted me at work, and he said he had a bruise. He said I needed to come and look at it right away, because he needed to know.
This was him, asking me, pounded flank steak, to look and tell him the nature of his bruise.
Marlon hasn't had health insurance in years, so he tries not to think about it, usually. It's easy, since there's no difference when you have health insurance. It's old hat.
But today, he thought about it.
And he noticed a bruise.
So I'm walking up to the Regent hotel after work, and he's in the lobby in his limp little tank top. He'd call it a wifebeater and imagine himself in place of the wife, I'm sure. I wonder if he isn't cold all the time. Mr. Marlon Singer, such a masochist just so he can show off his skeletal body with all the cigarette burns I have to hear him and Tyler laughing over.
I am Jane's abnormal hemorrhoid development.
He doesn't mention what Tyler and I stole from him, even though I think it was all the cash he had. Even though just three days ago he tried to chase me around the house and beat me with a broom. He made me and Tyler go sleep in the junkyard. Buried under our furs, howling at the moon. Maybe I can't fault him for that.
He couldn't keep it here where the guys he brings back could get at it, he said, and sure. But he should've known better than to tell Tyler about it, because now it's bags upon bags of lye being kept in the driest room in the house.
I work on grinding cracks into my remaining teeth as he grabs his neighbors Agatha and Dianne's Meals on Wheels kits. The delivery lady remarks on what a good young man Marlon must be, helping out these old ladies. Oh, yeah. A real, upstanding, mummified rat of a man. Maybe he helped them into the ditch. He yaps at me the entire walk up to his room, and I don't hear a word as I methodically rip up the skin around Tyler's kiss on my hand with a broken nail. It's been infected since Tuesday, and the ring of puffy red flesh makes the ghost of her lips white like the center of a neon tube. Always buzzing.
We get to his room, he says to me, "One of these boxes is for you, you know."
I think about all the women who bother to use what little time they have to operate charities that keep the poor and destitute alive enough to want to kill themselves. All that time spent cooking mac and cheese en masse and putting little packets of powdered milk next to little cartons of the liquid, like they get at schools and prisons, packets that can only be opened by the nimble fingers of caring relatives these elderly recipients do not have.
Sure.
Tyler told me I need to be eating at least two meals a day, or she'd steal a blender and make me drink raw chicken. So I eat the Meals on Wheels box. Sorry Agatha. I rip open the powdered milk packet, dump it into the carton, hold it closed, and shake it. Twice the calories. A recipe for palliative care.
Marlon's sitting there, quiet, eating Dianne's latest last meal. All the urgency is gone. Sucked dry. He's got pallor like a hospice heart failure. When dogs get treated for heartworms, the worms die, and sometimes, not all of them break apart. Sometimes, there will be thin, dead cords of necrotized nematode strung through their heart waiting for the right beat to fall apart and clot a vital artery. This can take years to happen. Your pet recovers perfectly from treatment until seven years down the line, you give it a doggy cupcake and a pulmonary embolism for its tenth birthday.
Marlon looks like he's had his first melarsomine injection and his owner is thinking about taking him to a dog park instead of bothering with the second. If you let a dog get its heart rate up too high when getting treated for all the parasites you let grow in it, its heart will explode. Or all the worms will clog its lungs. Whichever one it is, it's happening to Marlon here in this room. On this bed.
He says he'd found a bruise, a while back. A nasty little thing, like the crush of a plum under your thumb. Near one of his ankles. And Marlon Singer knew he couldn't afford any novel treatments, and he'd seen too many people rot from the inside out from them already. He did not go to the clinic down the street that gets its windows broken in often enough that there's just big black billowing sails of trashbags over their storefront more often than not. Marlon says he once saw a rat nailed to the door, which is something you'd think would be too neat and poetic for real life. He didn't go to the clinic because he didn't have to. And maybe if he was fucking guys he wanted to he would be a bit more cautious, but the men Marlon Singer gets to fuck are the type to have given him those bruises in the first place. They're the reason there's single mothers visiting that clinic, like half melted wax getting scraped out of the picture. He says he shouldn't feel guilty.
I tell Marlon about where I got the idea for poisoning all the food at the Pressman hotel.
He asks me what I mean by that, and I tell him about my first boss at the company I work for now.
When I first started there, I was selling our cars to companies. Bulk orders for work vehicles. My job was to not fuck up any contracts we already had. Marlon is probably aware, but the type of man involved in that sort of thing, he knows he's got you on a collar and chain. You and him both know he'll be renewing the contract, but you have to do the song and dance for him. Pretend you like how close he gets to you. Pretend you don't want to rip his testicles from his ballsack when he leans in sweaty and tells you how he likes your hair, did you go and do all that just for me?
Because he knows. And you know. But enduring this is what you were hired to do. If you were a man, you would've been hired to create a sense of the old boys club with this guy. But you're not.
There is so much pretense in the world.
Anyway, my first boss, call him Joe — whenever I'd return from those trips and dinners, Joe wouldn't pretend that it wasn't a shit job. He'd commiserate and wish me luck with the next one. He didn't overstep, he wasn't creepy, he kept his distance. The best you could hope for. Thirty days on the job, they asked me how I was doing, and I told them I was doing great. The job was amazing, I felt embraced by the company, my boss was great. One of those things was true to me.
And when Joe got his promotion, for being such a great regional manager, he cornered me in my cubicle and informed me he'd been jerking off into my nicely labeled thin salad lunches each time they showed up in the office fridge. He told me this with the same smile he'd always worn.
Marlon, he's next to me, and he leans closer like we're having a nice little confession. My skin itches.
It was before the 90 day clause kicked in my health coverage, so I had to wait at one of those free clinics like Marlon's, and I was surrounded by a lot of young men, wispy mangled pears. What little flesh was left was soft. When I told the nurse what happened, I watched myself die in her eyes. Dappling up with rashes and bruises until I was all painted and sunken like a bog body.
For the longest time, I wondered if I'd become the oral Mary. How many times I vomited in that office toilet, I don't know. I stopped bringing lunch.
The thing is, I couldn't see it in his face. Joe's, I mean. Not even when he told me. I couldn't see it in anyone. So I stopped eating out. Stopped eating altogether, really.
Marlon, his response was to go to the support groups. His tragedy was that it was a slow death, coming for him. Best to wriggle into the pile of dying bodies, see what it's like. Maybe that could muster enough suicidal impulse.
I tell Marlon, of course, I couldn't go to HR. I was a new hire with no evidence and previous record of liking my boss. I didn't want to tell my mom. I didn't want her to know. Those uncomfortable dinners became absolutely, wretchedly unbearable as I thought about the food I was being forced to share.
When the option came up for a dead end job in the least loved department in the building, I put on the best performance of my life to get the part. Best aspiring Compliance and Liability head and sole department employee, that's me. My new job was to keep secrets. It was, already, old hat.
For months I thought about waking up from a narcoleptic fit at my desk, with Joe leaning over the cubicle wall and asking if I was alright. I watched my stomach like it was nuclear. Every extra second it took until I bled like usual slid me closer to buying myself a shotgun and pumping a slug or two into my brain.
It's an unavoidable fear, I tell Marlon. You can't do anything about it. Once you know, you know. At some point, you have to find the peace in it. Imagine yourself, a balloon popping with meaty chunks flying apart, splattering onlookers and raining viscera.
For a month, six months, I had cancer. Worse than cancer. Every time I eat out, I get it again.
Marlon is looking at me, melting stained glass, drowning in that sort of shared pity you build together with someone who's dying.
I don't want Marlon to feel guilty.
I tell Marlon, that's why I poison the food at the Pressman hotel. Someone's got to do it. Blood in the tomato sauce, spit on the steak. Imagine what you could do to a soup. The men who go to the Pressman hotel, they're the kind that leave Marlon bloody and walking around Paper Street calling for Tyler to come out and burn more holes into him. They're the kind that get promoted from regional manager. They're the kind that lean in close, pull your wrist towards them, and say there's one way they know you could secure the contract renewal. The kind that almost ruin it in a temper tantrum when you don't, resulting in an upper management intervention on the 24th day of your new job. They're the kind that hear that shit and say you should've been more appeasing. More polite.
Don't feel guilty, Marlon.
I hope all of them rot so everyone can see the maggots eating their insides.
Marlon isn't smiling. I am unavoidably bad at distracting him. There's something final in it, when he sighs, and takes off his tank top. He says it's on his back, and I should just tell him.
I look. I see it. Black hole, botfly, necrosis. There's so many things these broken blood vessels could be. Withering, snapping apart like mummified heartworms. I imagine driving the two inch melarsomine needle deep into the muscles bunched upon his spine.
I look.
I press my hands into him, and I grip like I'm trying to rend my fingers through his skin, deep into his body cavity to rip out his guts. Like I'm trying to grab the rope of his small intestine and strangle him with it. Marlon's yelling at me and trying to hit me, arms flapping like a chicken, and I am bruising ten deep circles into the soft pearskin of his abdomen. It's the only place left on him that's mealy, that isn't frayed rope under worn out leather.
I tell him, you've got bruises. They look mostly normal, to me.
Don't worry too much about it.
And Marlon, he leans into me, and I let him.
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feminine-catharsis · 1 year
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if you think your boyfriend or husband is accepting towards your sexuality but is seemingly not upset by you kissing/undressing/being sexual with a woman, or more accepting to allow you to have relations with a woman as opposed to being upset if you asked to be with a man,congrats. you are being fetishized
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blackpilljesus · 9 months
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I dont take moid pandering women seriously because I know it's all an act to survive; from the conservative to the liberal woman. If these women were in a position where society collapsed or they were the only/one of the few women alive - they wouldn't love moids so much then. The worst of worst maIe apologist knows that maIes are dangerous, their actions speak louder than their words.
MaIe apologists preach one thing then do the other. Many of these women pushing women & girls into a lifestyle of hypersexuality and "exploring freaky kinks" in the name of sex liberation aren't having that much sex themselves - if any. Several women who push the "men are superior ugh women should submit to their husbands instead of working!1!" schtick are often single and working themselves or they've got partners the complete opposite of the trad values they preach. Women who talk about how "lonely" moids are never offer themselves up to "help" with moids loneliness, they point at other women -such as sex workers- to do that instead. Libfem-esque women who talk about moids like they're wounded baby lambs that women just need to show more love to would still not trust a lone maIe at night. They'd still have their guard up around maIes but expect women to "trust" xys & not speak bad of them.
I can go on and on but the point is that it all boils down to sacrifice and a performance. Many moid apologists pull the crap they do to virtue signal being "one of the good women" to moids hoping it's not them. They may not all explicitly wish for other women to be harmed - but they dont care either so long as its not them.
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deathlessathanasia · 1 year
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"For nine days and nine nights, Leto was pierced by unexpected labor pains. All the goddesses, the best ones, were with her: Dione, Rhea, the tracker Themis, roaring Amphitrite, and all the rest, except for white-armed Hera, who sat in the great hall of Zeus, the cloud-wrangler. Only Eileithyia, goddess of childbirth, had not heard: she sat on Mount Olympos under golden clouds, through the cunning of white-armed Hera, who distracted her out of jealousy that fair-haired Leto was about to bear a perfect, powerful son. So the goddesses sent Iris from the well-built temple to retrieve Eileithyia, swearing to give her a necklace nine cubits long, strung with gold thread. They urged Iris to summon her away from Hera, before Hera could dissuade Eileithyia from coming. Swift, wind-footed Iris ran when she heard this, quickly traversing the whole distance between. As she reached the seat of the gods, steep Olympos, Iris quickly called for Eileithyia to come to the door from the great hall, her words flying out as all the other Olympian goddesses had urged. Iris did persuade Eileithyia's own heart, and so the two goddesses flew like sky doves. When the labor goddess landed on Delos, labor seized Leto; she strove to give birth. She threw her arms around a date palm tree, knees sinking in the soft meadow, and Earth smiled." - Homeric Hymn 3. To Apollon
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thewhizzyhead · 4 months
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you know when you get a friend that was even more "tomboyish" than you were in your teens and then as the both of you grow up and enter college, you see them explore expressing themselves more femininely and absolutely fall in love with it and with the concept of womanhood - while you on the other hand become all the more estranged with "being a woman" because good God you really don't fucking get it and that seeing your once-tomboyish friend find joy and an emotional connection to womanhood makes you really realize that you have no such connection whatsoever, hence making you feel left behind in actually "becoming a woman"? Anyways what I'm trying to say here is I'm definitely not fucking cis-
#when i told my cis girl classmates that i feel nothing but indifference towards the concept of womanhood or girlhood#they felt really fuckin sorry for me#and i'm like my bros my dudes i dont really give that much of a fuck for something i don't really understand in the first place#like of course i know feminist theory and all that and as someone born a woman i know and experience and study gender struggles deeply#be it with double standards or dealing with gross perverted dudes#that being said - i dont know what being a woman is outside of our shared struggle in patriarchal structures#like when u take away all the shit we definitely need to fight for - what else is there left for me to enjoy on a personal level#and the answer to that is nothing because i never really gave a fuck about gender be it now or as a child#perhaps its due to my upbringing as well na like i was more responsibility minded but still#to see once really tomboyish classmates grow to love being a woman makes me feel lonely because how can i love a concept i cant comprehend#so anyways when i told this dilemma to a nonbinary-questioning friend of mine he jumped with joy because BESTIE SOLIDARITY#and my bro here was never female to begin with and yet he fully understood my disconnect to concepts of gender#and the coming of age rites that come with them like 'nagiging dalaga na talaga' 'ay nagbibinatilyo na to'#so um yea#thats my ramvle for today and my update on my gender crisis#i dont mind being called a woman tho like im used to it and it doesnt unnerve me - but id rather not be like trapped in having to be that#so um woo#personal shit
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deadmomjokes · 2 years
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My cherry tomato is out there trying to grow beefsteaks, the snack size bell peppers are bigger than the “giant” eggplants, the “giant eggplants” are the size of my thumb, the chamomile reseeded itself in the middle of the gosh dang summer, I somehow have a entire celery plant I have no memory of propagating and it’s outcompeting both the invasive morning glories and the “everbearing” strawberries that haven’t bloomed since May, and out of three zucchini plants I have yet to materialize a single zucchini this entire year.
We’ve clearly entered some kind of upside down parallel universe where nothing means anything anymore, but at least the un-spicy jalapenos are, in fact, as un-spicy as advertised, so it can’t be all bad. Or maybe that’s just further proof we’re living the Bad Timeline, idk at this point
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moodboardsbysarah · 1 year
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So much of what people call “feminism” is actually just women jealously competing with each other and women lashing out in insecurity at each other… and then trying to blame men for it.
You know, like women do anyway with or without feminism.
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violenceweaned · 2 years
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sometimes customers are right. there was this old lady a few months ago who said that this city does not care abt poor people. she was extremely happy to move away. and she was right. i never knew how spoiled and rotten people could get before I moved here. It’s insane. eat the rich. that definitely includes upper middle class people. they care abt no one but themselves and act oh so oppressed despite having easy breezy lives lol
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suzannahnatters · 1 year
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all RIGHT:
Why You're Writing Medieval (and Medieval-Coded) Women Wrong: A RANT
(Or, For the Love of God, People, Stop Pretending Victorian Style Gender Roles Applied to All of History)
This is a problem I see alllll over the place - I'll be reading a medieval-coded book and the women will be told they aren't allowed to fight or learn or work, that they are only supposed to get married, keep house and have babies, &c &c.
If I point this out ppl will be like "yes but there was misogyny back then! women were treated terribly!" and OK. Stop right there.
By & large, what we as a culture think of as misogyny & patriarchy is the expression prevalent in Victorian times - not medieval. (And NO, this is not me blaming Victorians for their theme park version of "medieval history". This is me blaming 21st century people for being ignorant & refusing to do their homework).
Yes, there was misogyny in medieval times, but 1) in many ways it was actually markedly less severe than Victorian misogyny, tyvm - and 2) it was of a quite different type. (Disclaimer: I am speaking specifically of Frankish, Western European medieval women rather than those in other parts of the world. This applies to a lesser extent in Byzantium and I am still learning about women in the medieval Islamic world.)
So, here are the 2 vital things to remember about women when writing medieval or medieval-coded societies
FIRST. Where in Victorian times the primary axes of prejudice were gender and race - so that a male labourer had more rights than a female of the higher classes, and a middle class white man would be treated with more respect than an African or Indian dignitary - In medieval times, the primary axis of prejudice was, overwhelmingly, class. Thus, Frankish crusader knights arguably felt more solidarity with their Muslim opponents of knightly status, than they did their own peasants. Faith and age were also medieval axes of prejudice - children and young people were exploited ruthlessly, sent into war or marriage at 15 (boys) or 12 (girls). Gender was less important.
What this meant was that a medieval woman could expect - indeed demand - to be treated more or less the same way the men of her class were. Where no ancient legal obstacle existed, such as Salic law, a king's daughter could and did expect to rule, even after marriage.
Women of the knightly class could & did arm & fight - something that required a MASSIVE outlay of money, which was obviously at their discretion & disposal. See: Sichelgaita, Isabel de Conches, the unnamed women fighting in armour as knights during the Third Crusade, as recorded by Muslim chroniclers.
Tolkien's Eowyn is a great example of this medieval attitude to class trumping race: complaining that she's being told not to fight, she stresses her class: "I am of the house of Eorl & not a serving woman". She claims her rights, not as a woman, but as a member of the warrior class and the ruling family. Similarly in Renaissance Venice a doge protested the practice which saw 80% of noble women locked into convents for life: if these had been men they would have been "born to command & govern the world". Their class ought to have exempted them from discrimination on the basis of sex.
So, tip #1 for writing medieval women: remember that their class always outweighed their gender. They might be subordinate to the men within their own class, but not to those below.
SECOND. Whereas Victorians saw women's highest calling as marriage & children - the "angel in the house" ennobling & improving their men on a spiritual but rarely practical level - Medievals by contrast prized virginity/celibacy above marriage, seeing it as a way for women to transcend their sex. Often as nuns, saints, mystics; sometimes as warriors, queens, & ladies; always as businesswomen & merchants, women could & did forge their own paths in life
When Elizabeth I claimed to have "the heart & stomach of a king" & adopted the persona of the virgin queen, this was the norm she appealed to. Women could do things; they just had to prove they were Not Like Other Girls. By Elizabeth's time things were already changing: it was the Reformation that switched the ideal to marriage, & the Enlightenment that divorced femininity from reason, aggression & public life.
For more on this topic, read Katherine Hager's article "Endowed With Manly Courage: Medieval Perceptions of Women in Combat" on women who transcended gender to occupy a liminal space as warrior/virgin/saint.
So, tip #2: remember that for medieval women, wife and mother wasn't the ideal, virgin saint was the ideal. By proving yourself "not like other girls" you could gain significant autonomy & freedom.
Finally a bonus tip: if writing about medieval women, be sure to read writing on women's issues from the time so as to understand the terms in which these women spoke about & defended their ambitions. Start with Christine de Pisan.
I learned all this doing the reading for WATCHERS OF OUTREMER, my series of historical fantasy novels set in the medieval crusader states, which were dominated by strong medieval women! Book 5, THE HOUSE OF MOURNING (forthcoming 2023) will focus, to a greater extent than any other novel I've ever yet read or written, on the experience of women during the crusades - as warriors, captives, and political leaders. I can't wait to share it with you all!
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swagging-back-to · 1 year
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my fucking roommate yalll she seriously cnnot go five seconds without starting shit with me
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roach-works · 1 year
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On Jew-Coding
thinking about like, jew-coding, and how often people point to whatever greedy little assholes exist in any given media property and go ‘those are an antisemetic depiction of jews’ and it’s like, thanks, i guess, but why were you connecting those two dots in the first place, so here we go! quick and messy guide to checking if a character is jew-coded in a Good or Bad way.
BAD JEW-CODING i.e, if this makes you think a character is jewish, you’re the asshole here (and possibly so is their writer):
-ugly little creature
-greedy
-thick accent
-mercantile and mercenary
-hateful
-conniving / scheming / tricksy
-cowardly
-unusually ‘swarthy’/ oddly colored
-big strident violent females and cringing wimpy little males
shadow council of beardy elders
-from new york (solidarity shout out to italians)
NEUTRAL JEW-CODING i.e, these are just common characteristics of many jews you can meet in real life:
-short
-curly hair
-regarded with confusion and suspicion by Normal Folks
-from new york
GOOD JEW-CODING i.e these character traits reflect real jewish values and which jewish people will themselves enthusiastically Vibe With:
-argumentative, curious, always searching and questioning
-kvetching, i.e, extended but humorous bitching about every last little thing
-sardonic and mocking sense of humor / punches up (and well above their weight class)
-extremely difficult to control and suppress, refusing to play by rules that don’t serve them
-defiant, rebellious, even spiteful towards agents of authority
-involved in arts, crafts, science, and social reform, multidisciplinary
-surviving and even thriving in a marginalized social status
-creative and incredibly annoying nonviolent resistance
-believes in restitution, not redemption, i.e transgressors should attempt to fix what they have broken rather than be forced to suffer an equal amount to the harm they have dealt
-plays with binaries but doesn’t take them very seriously; fluid and creative approach to if/then black/white good/bad dichotomies
-values wealth specifically as a way to safeguard life, health, safety, and justice; does not ever value material goods above a sentient life
-quietly but perpetually Big Mad
-from new york if it’s funny
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feminine-catharsis · 1 year
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my blog is mostly centered around radfem content with the occasional husband or mental health post so when i see ladies with names that dont have obviously radfem names and profiles with no visible radfem content im like :33 yes :33 my hidden sisters
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beescake · 2 months
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PLEASE PLEASE MEGADUMP THE ARASOL!!! PLEAAASEE MR BEESCAKE I AM ON MY KNEES BEGGING YOU
HFHGHD GLADLY aaa i’ve been adding notes to it here and there for months but just hesitant to post it bcs im 🧍‍♂️🧍‍♂️🧍‍♂️🧍‍♂
also this is just my own takeaway of the events, it doesn’t necessarily comply to the Ultimate Truth of Canon-Alignment or represent the actual facts of what hussie intended! v sentimental smh but hopefully its still interesting to read
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i love when characters inform each other by proximity, it's one of my fave things to see in media :') it feels even more significant when two characters deliberately choose to stick together, so that when one operates, you can tell the other is similarly aligned in associative solidarity.
sollux is a keystone of this trope — whoever he aligns with is a wordless statement, a nod of approval. this stood out to me bcs the main four humans were alr friends by default, but once you reach hivebent you realize the trolls can actively choose who they want to hang out with.
and as we all know, after assessing every troll's biases/loyalties, sollux is the only one who maintains his selective preference for innately Good 👍 people.
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aradia is such a beautiful character honestly, she evokes such incredible feelings in me. she might not have been consistently written with care but the best parts of her character are truly stunning. i think it's easy to remember sollux as the self-sacrificing one bc he's so open about it (and his friends frequently react to his Moments) but when you compare him to aradia, it's always struck me
how much more. raw it is
to be so alone as an agent of time, having to orchestrate immeasurably harrowing events nobody understands or gives a fuck about
with your role painted in the story as one who must tend to the needs of the narrative, responsible to match every next note
because when you're given the capabilities, it becomes your duty to carry it out.
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it becomes expected of you to keep experimenting and arranging the machinations to work for everyone, dusting off hundreds of necessary failures to keep going
and having to be so unwavering in your drive knowing miserably that there's no one who can help you but yourself.
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or alternatively: to make things fun! so other people won't think twice about letting you go off on your own.
sure she's had some very good buds, notably thanks to Team Charge v Team Scourge antics.
and yet, at the end of the day, the one friend that kept choosing her time and time again was the friend with the highest standards.
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i can see why people like to define arasol as moirails/matesprits but surprisingly i find the nondescript, unlabeled aspect of their relationship more straightforward to understand.
there's no shortage of people who would accommodate sollux. most of the surviving trolls are his oldest friends bcs he’d chosen them well. his transparency with his feelings had built him strong friendships that won’t falter or break, regardless of how much of a dick he can be. they’ve already seen and accepted him at his worst, and they still like him for who he is.
contrast that with aradia, who'd been so approachable, friendly and reliable in her exchanges it was super fun to talk to her. but the moment she became depressed, all her connections broke down.
her friends became hesitant to interact with her (until she became god tier, “happy” and amicable again) because her gloom and resignation didn’t serve them. she dealt with it alone.
there’s def something of note here abt the disparity between the way male & female characters are written+perceived in homestuck (esp parallel arasol with davejade) but i won’t go into that lmaoo
with this in mind i like to think of sollux as a gift to her, a loyal companion given to complement and commend her resolve. she's capable of doing so much alone but hussie took the time to build her and sollux's relationship as one of a unit; a set.
the ambiguity of their status does complicate things, but i do believe it makes sense with their characters. aradia's relationship with romance is a rocky one, the dubious stringalong equius had with her is a pointed reminder that her feelings of attraction are ultimately controlled by the author writing her.
unlike the other trolls who can openly address and own up to their crushes, aradia had romantic emotions forced upon her (especially when hussie implies 'she kissed equius back on her own volition'). and it seems like her character is so intrinsically neutral abt attraction that even when forced by the almighty powers above, she's unable to retain it wholly.
however, looking back to pre-game when she could actually "choose" her own feelings, she did have a crush on sollux.
their soft spots for each other were so obvious to the point where other people could see it.
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taunting aside, when vriska comments on their unit as bf/gf it actually informs the audience that arasol's relationship is romantic in nature despite not aligning with the quadrant system.
even while dead, aradia could still describe her care for sollux, expressing that she would like to see him happy. if they had more time to explore their relationship on alternia, it's possible they could've settled in a quadrant once they grew older.
but going back to the lack of labels, their dynamic was affected once more when aradia became god tier.
to me, her ascension was both the perfect culmination and possible closure of her character. it's the light at the end of her journey toiling through countless of timelines where she had to actively assess and participate. that's why it's cool to see her being silly and having fun giving guidance, passively exploring and watching other people do their parts.
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and yet the joy of her freedom makes it hard to explore further introspection. if we take her by her word, she'd already come to terms with the hurt she's been through and forgiven those involved.
i can't help feeling attuned to how impersonal and detached it can be, to devote and meld your identity so completely with your designated position as Maid of Time until you've become hard for your old friends (and even some readers!) to personally connect to.
idk post-canon but i assume there’s some degree of similarity to be bridged here with aradia's god tier and how the hs2 humans' Ultimate forms was described as a consolidation of all their possibilities. since aradia's classpect is inherently of service to Time, going god-tier may have elevated her beyond personhood with the "game construct" possessing her entirely. sollux doesn't realize the extent of it bcs he's still mortal, but a part of him may have subconsciously understood this.
i think there is a core aspect to aradia that was lost to the dehumanizing glory of god tier — a core aspect that may have contained an element of why sollux enjoyed talking to her in the first place.
to him, aradia hadn't just been a nice girl, she was a cool girl. despite not having much in common, he's still willing to chill next to her so she's not alone while she does what needs to get done.
back on alternia, they held a mutual and equal-level regard for each other that could've definitely settled into something permanent. but now, he's placed himself in a position where he can be kept around or left behind at will. the parameters of the relationship are largely in aradia's court, so any label she suggests to identify their relationship with he's likely to accept.
but that's why it's so difficult to label it. because god tier aradia may not necessarily Want quadrants or relationship labels. rather than the initial romantic attachment, their commitment to each other had evolved into one fundamentally of companionship.
no label? ok fine. no matter what, he still thinks she's a good soul worth latching on to. the best, actually. aradia > everyone else.
even if it gets stilted at times. there's an unexpected struggle to connect when sollux's go-to default for talking points is his feelings about things, and aradia may not want to talk about emotions all the time.
not to mention god tier aradia became an observer, especially of chaos. but sollux's avoidance of involvement comes partially from his innate pressure to get involved if something goes wrong. and he can't always tell when something goes wrong, because aradia doesn't mind if things go wrong anymore.
it's a non-negotiable preference that causes them to take the occasional time apart, a new boundary that wouldn't have existed before the game and aradia's god tier.
but just like how his friends tolerated his moods, sollux accepts aradia as she is. with no quadrants, their connection doesn't break down because there's no implicit romantic expectations to be disappointed by or resentful over.
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sometimes when i see hs content that deliberately distances sollux from aradia, i assume this is the dissonance people might have felt. people might find it "easier" to be cynical about them bcs of this strange tension.
but idc lmao. grab that shit by the neck
lack of easy resolutions and cleanly tied ribbons is pretty standard of homestuck and imo it doesn't make arasol's dynamic any less incredible. with the right affection and consideration, there's still so much potential to develop the nuance of their relationship outside of the popular quadrant-based depictions.
hs has a lot of really great character compatibilities but the way aradia and sollux are in their own special orbit is why i can write this much about them in the first place. it's that frail innocence between first loves that makes it so sweet to me, two kids who grew up too fast playing guesswork without being clear where they're going.
ultimately i do think you're meant to feel a little tragedy for just how much they care for each other, even if they can't quite establish it in simple terms.
maybe they keep taking breaks to progress their own paths. maybe they remain as anchor partners while seeing other people. but even if you decide to separate them, they're still (awkwardly) texting each other updates all the while. and when they reunite it feels like coming home.
and well. more than anything, i like to believe that they do want to be exclusive.
they're just afraid. after all, they're still learning how to love, beyond the projections of the foursquare quadrant system they had inadvertently distanced themselves from since young.
they might not have everything figured out, but they'll get there eventually if you just hold them together and write them there.
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optional post-canon segment:
one of the limitations of main hs is that (monogamous) relationships are often written as the go-to solution to wrap up character growth; it's an easy "patch" to imagine characters getting their happy ending because they have a partner, and those who don't end up with someone don't get that closure (most notably jade).
hs2 reaffirms this by suggesting that aradia's character cannot progress without letting sollux go, because happily settling in a relationship automatically locks your potential.
that pathetic panel of sollux staring emptily into the sky is still my fave hs2 spoiler ngl i find the impact of their parting so emotionally provoking precisely bcs they were written in original hs to be each other's forever, coming back together again and again
but now, they're subject to the decisions of the post-canon authors who might choose to deviate from that.
it's not new for them to part, but now there's an underlying worry that her dropping him off this time might be the last time. while i think the prospect of shattering their stability to make them grow separately sounds fun on paper, no amount of me desperately hoping for a good execution is gonna guarantee it
idk. i guess prediction-wise im expecting sollux in classic dramatic-hs2 fashion to tell dave to back off aradia LMAO. otherwise it's just gon be sollux and karkat pathetically watching aradia and dave from a distance swimming in their unresolved feelings for narratively-powerful time players smh obvs it sounds corny as hell but who knows its still plausible
srsly tho i hope they take the opportunity to develop arasol's relationship in a fresh direction that doesn't hurt me too badly...... and i hope they force sollux out of his comfort zone. i like watching him struggle :-)
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soulofapatrick · 3 months
Text
Protect You - Aaron Hotchner x Female Reader
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Summary: You come into work injured and Hotch accidentally outs your relationship
Words: 1.8K
Warnings: None really
Notes: I honestly don't know where this one came from but enjoy hehe
Y/N’s POV
As I step into the familiar confines of the BAU bullpen, a sigh of relief escapes my lips upon noticing it’s only Spencer present as the others always arrive later. Hotch and Rossi must be holed up in their offices, shielding them from witnessing the bruised left side of my face and the split lip that I’m trying to conceal with my hair, keeping my head down. I would try make-up but they’re profilers, we’re profilers, there’s no point hiding any of it as they’ll work it out. 
Every moment reminds me of the ache throbbing on my face, a constant reminder of the altercation that occurred early this morning. I try to mask the discomfort with a tight-lipped smile, but I know Spencer sees through it the moment his gaze flickers up from the file he’s absorbed in. His eyes widen in concern, and he’s on his feet so fast his chair clatters to the ground, abandoning his document to rush to my side. 
I appreciate his silent understanding, his quick grasp of the situation without needing an explanation. It's moments like these that remind me why the BAU feels like family.
“Hey,” Spencer’s voice is gentle, his concern palpable as he takes in my appearance, eyes flickering over the bruises, assessing whether I need medical or not, “What happened to you?” 
I offer a weak shrug, sliding onto my desk so Spencer can slide into my chair like we usually sit, waiting for Emily, JJ and Morgan to arrive, “Oh just a little accident.” I murmur, trying to downplay the severity of it, though the pain pulses with each word. Spencer raises his eyebrows, scoffing lightly, drawing a heavy sigh from me, I relent, knowing I can’t actually keep it from my best friend, “Jessica might have found me in Hotch’s bed this morning after he left to be here early,” I pause, letting that sink in first, the fact I was in our boss’ bed, “She… well, she punched me and I just left her… she’s still grieving and it’s been just over a year now…” 
Spencer's hand finds mine, a silent gesture of solidarity amidst the chaos. And in that moment, I'm grateful for his unwavering support, his quiet strength anchoring me to reality when everything feels like it's spiralling out of control, “Are you going to tell Hotch?” 
Before I can respond, the authoritative timbre of Hotch’s voice cuts through the air, drawing my gaze towards his office. Instinctively, I turn my head away, a futile attempt to shield him from the truth of what his ex-sister-in-law had down to me. But it’s too late. The damage is already written across my bruised face, a stark reminder of the violence that had erupted in the early hours of the morning. 
Hotch strides into the bullpen, his gaze sweeping over the room before settling on me, his expression a mixture of concern and confusion. "Tell me what?" His voice is clipped, demanding answers that I'm not ready to give. Spencer gets up from my chair and moves over to where the coffee station is, staying within hearing distance but giving us enough privacy. 
I swallow hard, feeling the weight of Hotch's gaze bearing down on me like a heavy burden. "It's nothing, Hotch," I repeat, my voice barely above a whisper as I keep my head bowed, unwilling to meet his gaze. But I can sense his skepticism, his unwavering determination to uncover the truth lurking beneath my hesitant words.
Before I can protest further, Hotch grips my chin with a gentle finger and thumb, forcing me to raise my face and meet his gaze. The shock that flashes across his features sends a shiver down my spine, his expression morphing from concern to horror, then to simmering anger barely contained beneath the surface. 
His voice is low, a dangerous undercurrent lacing his words as he practically growls, “Who did this to you?” 
I try to shake my head free from his grip but he won’t let me, cognac eyes full of anger as he searches my face. Every part of my wants to submit to him but I can’t ruin the last bit of Haley he has left by telling him and he finally sighs. He takes a risk and presses his forehead to mine, eyes closing and taking a deep breath before he’s letting me go and taking a step back just as the bullpen doors open. With one final lingering look he turns to the others and tells them to meet him in the meeting room in ten. 
As Spencer intercepts Hotch on his way back to his office, a sense of foreboding settles over the bullpen, amplifying the tension already thick in the air. I watch, heart sinking, as Spencer murmurs something to Hotch, the words lost in the charged atmosphere. Hotch's head snaps up, his entire demeanour shifting in an instant. Even from behind, I can sense the fury radiating off him, a palpable force that sends a shiver down my spine. Whatever Spencer said has stirred a tempest within Hotch, one that threatens to consume everything in its path.
Before I can comprehend the gravity of the situation, Derek's voice breaks through the tense silence, his concern evident in the way he addresses me. "Oh shittt, what happened to you, baby girl?" he asks, his usually jovial tone replaced by genuine worry. 
Spencer slumps back into my chair, his expression somber as Derek rounds the desk to his, drawing Emily and JJ's attention in the process. In moments like these, the boundaries between colleagues blur, replaced by the unspoken bonds of friendship and camaraderie that define us as a team. They crowd around me, their questions a chorus of concern as they inspect the bruises marring my skin. Despite their genuine care, I can feel the weight of their stares, the unspoken questions lingering in the air like a heavy fog. 
Just as I'm about to ask them to drop it, a voice cuts through the chaos, echoing from Hotch's office with a force that silences the entire bullpen. "HOW DARE YOU LAY A HAND ON HER?!" Hotch's voice booms, despite his door and blinds being shut, reverberating off the walls with an intensity that leaves no room for doubt.
A stunned silence settles over the bullpen, the air thick with tension as Hotch's voice echoes through the confines of his office, despite the closed door and drawn blinds. His words hang in the air like a heavy pall, commanding attention and demanding justice. The sudden yelling draws Rossi out of his office, his expression a mix of concern and confusion as he surveys the scene unfolding before him. It's rare to witness Hotch lose his composure, and even rarer to hear him raise his voice with such raw intensity. 
But, as the seconds tick by, the tension in the air becomes almost palpable, a tangible force that hangs heavy around us. We exchange uncertain glances, the weight of Hotch's anger casting a shadow over the once tranquil atmosphere of the bullpen. And then, just as quickly as it began, Hotch's voice rises again, the sound muffled by the closed door of his office. Despite the distance, his words carry with them a sense of finality, a declaration of his unwavering resolve, “I CAN DATE WHO I WANT, YOU DON’T GET TO DICTATE IF Y/N IS GOOD ENOUGH FOR ME.” 
As Hotch's voice reverberates through the closed door of his office, his words cut through the heavy silence like a knife. The weight of his declaration hangs heavy in the air, leaving us all stunned into silence.
Derek's eyebrows shoot up in surprise, his mouth slightly agape as he processes the implications of Hotch's words. Emily's eyes widen, a mixture of shock and admiration reflecting in her gaze as she exchanges a quick glance with JJ. Spencer, ever the observer, remains stoic, his expression unreadable as he absorbs the gravity of Hotch's statement. 
The realisation settles over us like a heavy blanket, each of us grappling with the implications of Hotch's unwavering resolve. In that moment, it's clear that he's not just defending my honour; he's asserting his autonomy, refusing to be swayed by the opinions or judgments of others. And as the echoes of his words fade into the background, we're left in a stunned silence, the weight of the moment pressing down upon us like a tangible force. For a brief moment, the chaos of the world outside fades away, replaced by the quiet intensity of the bullpen. 
But our reverie is short-lived as Hotch reemerges from his office, his face flushed with anger and frustration. His gaze sweeps over us, a silent command to gather ourselves and move forward. Without a word, he gestures towards the conference room, his authoritative presence brooking no argument. 
As the rest of the team practically rushes towards the conference room, driven by the urgency of the moment, I find myself lingering behind. The weight of everything that has transpired settles heavily upon my shoulders, anchoring me to the spot as I struggle to process the whirlwind of emotions swirling within me. I remain perched on the edge of my desk, head bowed, my hands suddenly the most fascinating thing in the world. The sound of familiar footsteps draws nearer, the rhythmic cadence echoing through the empty space of the bullpen. And then, like a beacon in the darkness, Hotch's shiny smart shoes appear in my line of sight, his presence casting a warm glow against the backdrop of uncertainty. 
He says my name softly, a gentle reminder that I'm not alone in this moment of vulnerability. I lift my gaze to meet his, finding solace in the depths of his unwavering gaze. There's a tenderness in his eyes, a silent acknowledgment of the tumultuous journey we've embarked upon together. 
In that moment, he looks at me like I've hung the stars, like I'm a goddess deserving of reverence and adoration. It's a gaze that speaks volumes, a silent confession of the depth of his feelings. And then, with a gentle touch, his hand reaches out to cup my unbruised cheek, his touch a balm against the ache of the morning's events. In the stillness of the bullpen, he draws me into a soft kiss, a silent promise of solidarity and unwavering support. In that fleeting moment, time stands still, the chaos of the world fading away as we find solace in each other's embrace. And as we pull away, the weight of the world feels a little lighter, buoyed by the strength of the bond that binds us together.
With a silent understanding, we rise from the tumult of the morning, ready to face whatever challenges lie ahead. And as we make our way towards the conference room, hand in hand, I know that no matter what the future holds, we'll face it together, united by the unbreakable ties of love and loyalty.
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