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little-pondhead · 9 months

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DP x DC Prompt

…

There are no more heroes.

Well, okay. Rewind a bit.

Danny has been doing the hero thing for a while now. He’s had a big reveal; everyone has accepted him (including his parents), the GIW disbanded, the Anti-Ecto acts repealed, and generally, everything is going great. Some of the A-Listers are even training as junior ghost hunters to help give him a break from his rogues! (Being Ghost King makes things hectic sometimes, and he just needs the extra help. Sue him!)

The point is, literally nothing is wrong with Danny Phantom’s afterlife.

And then Valerie Gray, the Red Huntress, disappears in front of his eyes.

Danny is baffled! She’s just…gone! Valerie just popped out of existence, like she was never there. But no matter how hard he searches in the Ghost Zone, he can’t find her soul anywhere. His core isn't broken in grief. So she’s not dead. Which is good. So then, where is she?

Some of the others come forward with ideas on how to find her. A few ghosts volunteer to go out into the mortal realm, an area Danny had declared off-limits, to see if she was out there. Danny approves it. He rounds up some of the friendlier (i.e., discreet) ghosts and Amity Parkers and demolishes the outside travel ban.

So everyone spreads out, looking for their dear frenemy and teammate. But it becomes apparent very quickly that something is wrong with the rest of the world.

There are no more heroes.

Every single living superhero on the face of the Earth has just…vanished. Villains are running amok; the countries are in chaos! Some aliens are invading Earth, mythical deities are trying to take over, and society is crumbling to the ground. Everything is on the brink of collapse.

Well, Danny was still there. And so were his people. They were pretty spread out, so could they just…take up the mantles? He also knew where to find the souls of dead heroes in the Zone; surely they wouldn't mind coming out of retirement for a little bit, especially if they couldn't die again. Oh! And that skeleton army leftover from Pariah Dark's reign might be useful in repelling those invading forces.

Honestly, there were more than enough hands to go around! And with the heroes gone, Danny didn't mind letting everyone out for a little break, as long as they followed his rules. They wouldn't stop the search for the other heroes, but hopefully, when they found them, the heroes wouldn't mind Danny's intervention too much. :)

In other words:

Someone fucks up, and all of Earth's living heroes are either wished out of existence or are whisked away to some far-off realm where Danny hasn't checked yet. In the attempt to figure out what's going on, Danny lets the dead run amok over the Earth as they search for clues. The skeleton army repels the invading armies, the souls of dead heroes deal with the world leaders, and his rogues and other Amity Parkers set up shop in place of famous heroes, trying to get the cities under control again.

Basically, they just do their best to keep everything from imploding until the Justice League and others are back.

(And why is it that Danny hasn't disappeared? Well, whatever caused everyone to go poof! only affected living heroes. Anyone heroes that were dead in the first place, or even just half-dead, stayed behind.)

#pondhead blurbs #danny phantom #dpxdc #reveal gone right au #ghost king au #for plot reasons #it doesn't count if the hero had died and then came back to life #lots of heroes would still be around then #but this is me pushing the halfa!jason todd narrative work with me here he deserves the fun #deadman is there too #and he's just thriving honestly. it's so nice to be around his own kind even if the world is ending #maybe ellie is whooshed away too cause she never technically died but she took up danny's moniker when he was crowned #vlad is ecstatic cause danny put him in charge of several states while they looked for clues including Wisconsin #skulker is replacing superman and just has a shitty S painted on his chest and just eats kryptonite like candy the first time he meets Lex #Kitty and Johnny take over in gotham and sam is now the new wonder woman #idk man just stupid stuff like this #the press is flabbergasted cause the fucking KING OF GHOSTS just showed up and he's 14 and just looking for some friends #Danny: hey guys sorry about the zombies and fire i'm just here to find my coworker and lil sister and maybe the other heroes #Danny: in the meantime i'll just let my army into the mortal realm to defend it while we figure out what's going on pls don't yell at us :)#the press: how do we explain this to the justice league when they come back. how do we explain that earth was saved by a 14 year old boy-#also idk which heroes are technically dead but are still kicking so if you feel like someone deserves liminal status slap it on them idc #some villains are trying for world dominance and some are just trying to find their buddies. their fight buds. where'd they go? :(#joker gets bitch slapped by a skeleton two days in and waylon becomes bffs with wulf #danny uses the watchtower as a base of operations and it's the only thing he doesn't want to give up when the heroes are back #i have no plot ideas beyond this #i just want everyone to be baffled that an army of the dead showed up while they were gone and just made sure everything stayed cool #later danny realizes he was technically the ruler of the world for a bit since his people were everywhere keeping the villains in check

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tiffanyachings · 7 months

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it would have been very beautiful. camilla would have had to cook (horrible bone soup)

#HELLO back at it again #tug introduced groundbreaking new findings about soul permeability but my mind bypassed all that in favour of this au #the division of labour is as follows:#dulcie reads the instructions; snacks; and changes the radio station every time she doesn’t like a song #if you complain she will remind you she's literally dying. life is too short and mediocre songs are too long #pal gets stuff from high shelves and battles his constantly fogged up glasses #he tried to help with prep once and promptly got himself banned from using knives for the rest of his life #cam does 98% of the actual cooking #trivia section -#you can tell i am new to this because i arranged them in the wrong speaking order. let’s all practice our right to left reading #cam has a silly novelty apron because a) the idea was unbearably funny to me and b) i need to spread the gospel (aroace cam)#the cookbooks next to dulcie are ‘a few teaspoons of salt’ (by ianthe tridentarius)#and ‘saintly feasts: food for saints and scholars’ which is a real book! though not written by cassiopeia the first #*#dulcie septimus #dulcinea septimus #camilla hect #palamedes sextus #the locked tomb #field sketches #<< i get to have an art tag now!

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eyrieofsynapses · 4 months

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why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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spacedace · 10 months

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Dp x dc idea:

Danny & Co joining the Justice League and everything...but it's that wonderful DC AU where Bruce died in Ethiopia instead of Jason and Tim decided to be Dad (TM) of Jason's Robin and runs around as kid Batman for awhile (eventually becoming full legit Batman).

Danny & Co joining up after all of that, they have only known Tim as Batman (and for fun let's make this Brian Dead where Danny & Tim are dating, or are dancing around each other, maybe Super Brain Dead because I love Kon being involved).

Anyway, Tim is Danny & the Pham's Batman...and then they ended up accidently in the normal DC universe and meet Bruce Wayne Batman and immediately are like "Press X For Doubt" about the whole thing

Danny, squinting suspiciously: who the fuck are you?

Bruce: I'm Batman

Danny: No the fuck you aren't

Elle: Yeah no way, I know Batman, Batman's a sleep deprived twink

Tim (as Red Robin) walks in

Danny: holy shit they fucking shrunk Red Robin

Tim: What??

Elle: Okay what the fuck, first Batman isn't a twink and now Red Robin is???

#dc x dp #dp x dc #dpxdc #danny phantom #batman #danny fenton #tim drake #dani phantom #danielle phantom #bruce wayne #jason became red robin in the universe they came from #Danny: wait who's red hood?#eventually everyone takes their masks off to sort stuff out and it's just #Danny: Wait Matches Malone is Batman in this world???#Bruce: what #Danny: you're the guy that used to be a gotham goon right? in our world you found damian and brought him to us #Danny: and i guess everyone kinda just adopted you as their new uncle and you never left #bruce has to reboot over the fact that his AU self upon undying & being dunked in the lazerus pit #apparently decided tk hide his real identity like jason did but instead of a rampage he became the cool uncle #clark has to tackle him to keep him from trying to orchestrate something similar in their world

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gin-juice-tonic · 4 months

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This is for a particular anon. I'm sorry few people in your life offline are able to understand and fail to be supportive as a result, but it really is a wonderful thing that you are doing. You have every right to be proud of yourself, as you very well should be. I'm proud of you too.

#ask stuff #Pbbth #<- putting it in the art tag in case they dont see it right away- since im not responding to the ask directly #also happy new year anon!

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esmiara · 4 months

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Gently putting her in my pocket forever

#genshin impact #genshin impact fanart #genshin #genshin fanart #idk what to put man #furina #doodle stuff #genshin furina #she is simply a new precious child of mine #local soukoku artist adopts a heavily traumatized daughter #sounds right to me #oh hi genshin people don't mind me #only messy stuff in here #and i felt too lazy to actually draw her whole original outfit okay

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ronkoza · 9 months

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More honeymoon cows, these Arne sketches are most likely photos that Tor took.

Tor belongs to @littleulvar

#original character #modern au #arne #tor #pastel goth druids #tor’s wearing something different than black #someone please tell this cow he looks good in colours #I have so many feels right now about them #enjoying little things and being together in new place #trying weird food and amazing drinks #getting lost in narrow Italian streets full of flowers and cats #taking longs walks at evenings to watch the sea and feel soft sand under their feet #buying silly souvenirs and stuff just because #and arne melting each time seeing tor so relaxed and happy #still hardly believes this amazing man is his husband

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splatnews · 5 months

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This just in!

we've got leaks of some new junk coming this chill season! these could also count as spoilers,so be sure not to look if you dont want any! not alot of gear this time but there IS alot of christmas-y themed stuff!

next salmon run gear

new wandercrust gear

new locker decor

new banners

new emotes!

here's all of them separated

datamined by DiamCreeper24

footage of the new king salmanoid,Megalodontia(joe). it seems to act like a really really REALLY big maws (view the video here!)

we'll also be getting a randomized king meter aswell

all these things will be added once the chill season is here!

#splatoon 3 #splatoon news #splatoon #chill season 2023 #sorry i updated this like a million times like right after i hit publish #more stuff was dropped LMAO

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riaki · 6 months

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— the warmth of a home | satoru gojo x reader jjk0 setting w/ coparent teen megumi

wc: 2.2k cw: petnames, established relationship, ur megs mother figure, reader is referred to as they but u wear perfume not proofread!!

this was just meant to be a weekday blurb like the last but oops it turned into a full fic mb

"i'm home!"

your voice rings out as you step through the threshold of your shared home, a gentle evening breeze ushering you in as you slip your shoes off sore feet and hang your well-worn jacket up, scented flowery perfume and sweet smelling cologne mingling on the thick fabric.

it's cold out; autumn is setting in, the crisp leaves that signal the arrival of fall collecting outside your doorstep as the late weeks of october wave goodbye and usher in the first days of november, followed by a drop in temperature and thin ice that begins to crust over any wet surface.

the small hallway leads into a wide, open living room, with a corner of couches and a worn tv that hasn't screened anything in ages. there's a fuzzy throw blanket hanging over one of the couch arms, knit with patterns of cute little dogs, stuck with tongues lolling happily from their mouths. a potted plant that's clinging on to a thin thread of life you can barely sustain on the days you remember to water it sits on the coffee table, bits of soil speckling the edge of the warm clay pot as the lights overhead cast a soft glow upon the ceramic. there's a pair of black socks strewn across the tabletop- you make a mental note to give their owner a good scolding and maybe a physical touch fast for the night once you find him.

you set your bag down by the door, stepping onto the wooden floor as your feet make soft thumping noises when you cross. two pairs of keen ears pick the sounds up almost instantly, coupled by two, equally loud voices that compete for your attention.

"ah, they're back! hope they brought takeou— ow! megumi, don't yank so hard." satoru's voice comes from the bathroom, a little ways down the hall decorated with polaroids and doodles. it's promptly followed by a curt, "sorry." the words bring a smile to your face; that irritatingly singsong voice you love so much coupled by megumi's aloof and quiet.

you make your way to the door, a warm glow flooding out of the crack before you push it open wide enough to peek your head, catching a glimpse of the scene unfolding on the other side as you stifle a laugh.

satoru is propped on the edge of the bathtub, hunched to make his frame somewhat smaller and the top of his head accessible to megumi as he faces the wall, while the latter fastens a section of loosely-trimmed cream bandages over satoru's eyes, all too tight that it begins to cut into his smooth skin. there's a grimace twisting his soft lips (you know they are from constantly running a thumb over them) pink glistening from moisture under the soft daisy yellow light. megumi's hands are far too tight as they grip the strip of bandage, forcing satoru's tufts of white hair into a disheveled mess.

at the sound of the door creaking on its hinges, both of them whip their heads toward the door, megumi all but ditching the task before him as satoru hooks the bandages beneath his chin with one finger, expression softening into that lovesick grin that makes your heart pump faster against your ribcage.

"welcome back." megumi hums, straightening up to brush past you. a silent agreement passes between the two of you— you'll finish tying the bandages for satoru, while he gets some homework done.

"thank you, megs." you laughed, giving him a quick ruffle of his smooth dark hair as he bumps shoulders with you, slipping past and walking into the hallway with a disgruntled mumble at the touch. "go easy on this old man next time. i don't want to deal. with a child for the whole night," you called, stifling a laugh when you see the exaggerated hurt expression that finds its way onto satoru's face almost instantly.

a distant sound of acknowledgement from megumi finds your ears as you turn around to face your very mature and handsome husband, who's still hunched over the edge of the bathtub with his arms folded over his chest and a faux crossed expression on his face. you take a few steps towards him before you sit down on the tub beside him, legs turned out to make use of the space as you turn your head to get a good look. there's a pout on his lips, not giving an ounce of thought towards being subtle in a way that's so very him. his sparkling blue irises peek out from beneath his long lashes, the color of the clouds in the sky that slowly begin to paint pale under the shine of the setting sun.

"hey, satoru. what's got you looking so down?" you chuckled, scooting closer on the cold rim of the tub to reach out. your fingers card through his hair and you almost swoon at the way he leans into your touch, like a cat chasing for chin scratches. you push the mess of hair from his eyes to press a lazy, slow kiss to his forehead, bumping into his side. as soon as your fingers touch the first square inch of hair on his head, his arms find their way around your waist, pulling you close like he's done so many times before.

"you're so mean to me, pretty. did you call me old?" he whines, the corner of his lips downturned as he buried his head in your shoulder for a moment before pulling away to stare down at you imposingly. you only sighed, stroking his hair as you watch his lips curve up in a poorly smothered grin, cocky and smug in a way that he knows makes you want to kiss away until only a little awestruck gape remains in its wake.

"of course not, 'toru. you know i love you too much to curse you with wrinkles." you hummed, taking in the sweet look on his face dusted rosy as he looks at you.

"i should hope so," he grins, and in one swift motion, you find yourself tucked flush to his chest on his lap, one of his hands snaking up your arm to pull you close as he catches your lips with his in a sweet motion he's been anticipating since the last clingy smooch this morning. he tastes like the candy you hid away in the cabinet in an attempt to stop his sweet tooth from plowing through the time before his next dentist appointment, and you add it to your mental list of things to reprimand him for.

for now, though, you let yourself indulge- let your hand trail up his chest and around his neck, feeling his pulse beneath your thumb as you lean into him with a sigh of contentment. he's warm, familiar, and stable in a way that you've only ever found comfort in, and he's fully aware of the effect he has on you when he pulls away, puckered lips pecking your cheeks with unrestrained affection as you laugh and bat him away.

he soaks in the moment for a bit until he speaks again, with a heave and a sigh that makes him seem far too worn out for a 27 year old. "help me out, love." he sighs, motioning toward the loose bandage around his neck that threatens to slip any moment. your hands are already moving when he speaks, taking up the bunch of fabric in your fingers to push his hair back and fasten it around his eyes. you mourn a little over the loss of the sight-- his pretty blue eyes tucked away behind a wall of necessity, hidden away from the world. your shoulders sink a little and you melt into him some as you finish tying the knot, making sure it's securely fasten before you move your hands away.

you're caught mid-motion, though- his hand shoots up to grab your wrist gently, thumb gently prodding at your pulse as he tilts his head into your other hand.

"'toru? what are you doing?" you asked softly, staring down at him from your vantage point in his lap.

"baby," he starts slowly, other hand snaking around your waist to press against the small of your back, warm and steady as he presses you close to him. "do you love me?"

you're surprised. most of the time, he never broaches the area of emotions out of the blue—it's an area of vulnerability he's still not quite ready for; not quite healed enough to approach. and you understand, so you never push him to talk.

"of course i do. that's why i'm here." you reminded him, gaze snagging on the way his teeth catch his lip and chew nervously. a fleeting thought enters your mind, and for a second you almost think he might put up infinity.

it's quiet for a moment, then, and you take the moment to size him up, appraising as the light from the window above filters in, framing his face in some sort of angelic light. he really looks ethereal, you think to yourself.

then, the silence is broken.

"enough to buy me takeout?" he offers sheepishly, all apprehension vanishing as that easy smile creeps over his lips again and he clasps your hands in his, lithe and calloused fingers enveloping yours to dot your wrist and knuckles with little kisses.

you blinked, before rolling your eyes, laughing that sweet laugh he only ever teased to hear from you as you wriggled free from his grasp, sliding off his lap and standing up again before he could trap you in a hug again.

"no, satoru. but i'll make dinner with megumi and save some for when you get back. does that sound good?" you offered, looking down at him expectantly.

he smiles at that, swinging his legs over the tub to stand as well. he's tall, almost comically so— looking quite out of place under the fluorescent lights amidst pastel shampoo bottles. your eyes drift to the sink, where two bristly toothbrushes are tucked in the same cup, and you smile.

"anything made by you is great, sweetheart." he says with a cheeky grin, reveling in the soft flush that stains your face as he walks closer, cupping your face in one hand and leaning down to kiss the side of your head affectionately. he catches a whiff of your perfume, and his smirk only widens. before he can do further, though, someone clears their throat from the other side of the door, and you turn around to catch sight of a head of spiky black hair, an unamused look on his face as megumi eyes the two of you.

"why are you still here?" he sniffs, peering up at satoru with a frown. the latter just chuckles, reaching over to aggressively mess with his hair, leaving it even more disheveled and out of place as an angry protest leaves megumi. satoru skirts just out of reach of an irritated jab, throwing what you think is some sort of charming wink from beneath his white bandages at the two of you.

"seeya, love. hold the fort down while i'm gone." he calls, already halfway to the door. his steps echo in your ear as you just smile, opening the bathroom door and stepping into the hallway as megumi slides up to your side, a sour expression tugging at his lips. "don't let the rascal upset our haven." said rascal makes a face.

"be safe," you said softly, hoping he caught your unspoken wishes in those two words. judging by the way he paused at the door before hurrying back to your side to pepper you with four departing kisses— one on either cheek, the tip of your flushed nose, and on your lips-- he took the caution to heart.

"you're so cute when you worry, love." he chuckled, his laugh like a spring of rejuvenating running water that filled you with life. he took a moment to take you in again— hair slightly messy from the wind whistling outside, the tips of your ears a pleasant red and a look in your eyes he could only describe as adoration.

"don't worry. i'll always come back to you."

and with that, he was gone.

not for long, though. eventually, he'd return home to a lone kitchen light flicked on, spreading warmth onto the table below. he'd come home to the same heart-warming scene he had so many times before— slipping his bandages down his face, taking his jacket off to spread it from one of your shoulders to megumi's— you'd fallen asleep together with the window open, a chilling evening breeze filtering in as the pages of megumi's homework fluttered in the wind, frustrated scribbles smudged against the crinkled paper underneath his elbows as he slept. you were by his side, too— cozy and exhausted, soft little breaths leaving your lips every now and then. times like this brought him a simple joy; the happiness of having a home to come back to, a family with handmade dinner gone cold on the table as it waited for him, a trio who could support one another and provide the love that each person had been missing.

there would never be anything he'd want more than this simplicity.

he ends up dumping megumi on the couch before carrying you bridal style towards your shared bedroom.

extra: u and megumi cook pasta tgt :3

my (riaki) stuff. don’t repost and/or plagiarize!

#in other news furina banner drops today #gojo satoru x reader #satoru gojo x reader #gojo x reader #satoru gojo x you #gojo satoru x you #jjk fluff #I DID NOT WRITE THIS WHILE LISTENING TO CHRISTMAS MUSIC WDYM >:#i dont know how to write for winter stuff bc i live south #im officially tired of writing gojo cus i cant get him right. megs n geto next!!#gojo fluff #billet-doux #this probably won’t be the last of jjk0 gojo cus that bandage blindfold is growing on md #jujutsu kaisen #jujutsu kaisen x reader

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