ofmd is like not comedy as in sitcom but comedy as in shakespearean where it’s psychological trauma and conflicts of violence but with dick jokes and the promise of marriage in the end
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first part of my WCI Zoro AU comic!
sorry Sanji not only am I late for your birthday but also all you get is pain shdjjd
01 02
I really wanna draw a happy birthdayboy Sanji all smiley and wobbly 💗💗💗 but cant sketch anything new rn and cleaning the comic is much easier, no thoughts, head empty
Anyway, ramble time
I don't have much experience with making comics, the żabka AU one being the one I roughed out first, but it was much less complicated. I dont recall making a serious comic effort before that... I now have a newfound admiration for drawing fight scenes, found it extremely hard lmao Generally I keep second guessing myself, always thinking I should have added more panels to make what's happening more clear, not sure if the flow of it is right. Even though I already moved onto cleaning I still keep making changes to the sketched out panels that were supposed to be final lol I also second guess the plot I'd planned, maybe I didn't think this characterization through enough? What if people dislike it?
But! If I keep tweaking and overthinking it I'll end up never posting it and I don't want that. And if I focus on other people's judgement I won't find joy in making art and I don't want that either.
So here's to sharing art! Regardless of mistakes and doubts 💗
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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DIRECTOR'S NOTE • Nov. 2023
You can't go home. This play has a particular
care for and interest in its victims. The resident
inciting event is endless. tragedy is much more
concerned with footnotes than it is with gods.
well acquainted with what happens afterward,
storytellers claim they can't diverge from what's
written: resist. rage against what must be.
tell a story about war without talking
about love. survive its aftermath. fail
to find resolution. make this suffering
a home. There's no breaking this chain—
fate, as always, gets its way.
Poetry assembled from the program of an Oresteia production. Nov. 2023.
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“Hello, Jean,” Nathaniel said.
“Go away,” Jean said, in a voice he barely recognized. “I have nothing to say to you.”
“But you’ll listen, because I just told Ichirou where you are.”
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