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#this is just another example of him deflecting
kellykadesperate · 1 year
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tk ‘if i don’t say how i feel i might explode’ vs carlos ‘if i don’t say how i feel it means it’s not really happening’ is what we’re working with here
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kanmom51 · 7 days
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https://twitter.com/parkjmwins/status/1782358915939774874
Idk whether you will even answer this ask or will block me but this is exactly why JK had similar concept pics like Jimin. Jikookers made it to be romantic while Fandom made it to a joke 'JK always copy Jimin' (ofcourse). I've seen you making multiple posts about Jikook concept pics being match is a proof of them being a couple when in reality Hybe don't even take permission of original artist before using their ideas for another. One hybe label just got into trouble for copying newjeans and according to CEO min heejin it was BANG SHIHYUK who wanted to copy newjeans to create a second version of them through illit. And guess what he made sure illit gets 10x more success than newjeans, a 2 day song was already charting in different charts including hot 100. The same bang shihyuk who ignored every bit of Jimin's success but shamelessly copied his ideas and visions of concept pics for another favorite member. He shamelessly asks staffs to copy original ideas of artists who created them and use them for a cheap version of the said artist, Newjeans and Jimin are just examples.
Was it JK's fault ? Not necessarily but unlike rookie Illit he had power and capability to make his own decisions and use his own visions instead of doing what he was asked to do by the staff (his words) but he didn't and sat comfortably while using another person's hardwork. If you still think those similarities were because they were couple then idk what to say because in that logic Newjeans girls and Illit girls are dating.
Talk about TikTok generation ask.
Linking me to a tweet that has zero actual information and/or proper discussion, just stating a fact that isn't necessarily even a fact. Ignoring the full picture (like y'all do when it comes to Jikook as well, btw).
And I also find it so so funny how you are basically hanging your all on something that a very problematic figure within the Kpop industry is claiming, all to try and deflect from despicable behaviour she's being accused of, including using and revealing private info of Hybe idols obtained in illegal and despicable manors, perhaps including having to do with certain private info leaking of certain BTS members (including the one person that you so vehemently claim to love and stand in defense of).
You think that by sending me this link you are proving something?
You say that you read through my posts. Well, obviously you've missed those many posts I've written explaining how JM and JK being a couple can be deducted not from one action or one behaviour alone, but the combination of many many actions or behaviours. A puzzle built of not 10 or 50 or 100 pieces, but one built of so many many more.
I find it funny how with everything that has been going on with JM and JK you guys are still at this.
We're back to JK copying JM.
Like seriously.
Like even if the whole NJ Illit thing was true there was some kind of a comparison to be made with these two men.
Like JK, who's album concept is 180 degrees different than JM's doesn't have stylists at his beck and call to create a concept that isn't a full on copy of JM's. Right down to the studs and colours and minutiae details of some of the outfits.
Like if he did copy JM, that same scorned poor JM (that's how you guys love to portray him, as a damsel in distress awaiting you to swoop in and save him) CHOSE to fly to NY to be with JK and spend Silver day there with him, travel with him multiple times and spend his entire 18 months in the army with that awful copy cat JK.
Your ask tells me that you have zero understanding in human interactions and relationships. JM saying time and time again, JOKING time and time again, about JK copying him, it's a tease but also something that he LOVES. How he inspires JK, how JK perceives him as his catalyst.
But this here, the photo concepts and the whole of JK's wardrobe while promoting, claiming it's all about copying JM is just bull crap. This was planned. And it was planned by the two of them. It's not a coincidence that JM happens to wear the bottom part of a two piece outfit months before JK wears the top part of the same exact outfit.
And if we are talking about copying, is it the concept he's copying or is he so far gone that he's literally copying down to the smallest of details?
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Like seriously. You think that's about copying JM?
Or because it worked for JM so he thinks it will work for him? Literally same hairstyle rocking as JM had in Face? Cause why not use a concept that works? Seriously? JK's all "I should do this cause it worked for JM so it will work for me"?
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Was that what he was thinking when he rocked a highlight of JM's hair colour over the years? That the colour works for JM so I should have a strand of that colour in my hair as well, copying his success? Is that the theory you're working with?
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Or when JK wore the same jacket as JM on Valentines day, you know, in a clip that JM himself records and uploads, that JK also copying JM?
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Babe, this isn't just about the concept pics either. And it's not just about Face and Seven or Golden. Wearing the actual same black leather or leather-like pants just because he couldn't find any other pants? That level of copying? Or perhaps it wasn't about copying and more about mirroring.
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About "You are me I am you", which they have been screaming at the top of their lungs for years now!!!
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It amazes me how you have zero issue in taking an over decade long complex super close relationship (no matter how you perceive it they are super close) and simplifying it into "JK copied JM's concept because JM's concept worked for him", or to even compare whatever went on with JK and JM and those similarities to a claim made (by a disgruntled and caught red handed employee of Hybe) about one new GG copying concepts and whatever from a GG that's been around for 2 years now. No connection between them. No long term relationships between the groups. One group supposedly copying from another. Yeah, definitely the comparison needed to be made between that and Jikook's behaviours or decision making.
How infantile of you.
Oh and that paragraph of yours at the end. Laughable really.
Like I already said, go compare 2 GGs in two different companies to 2 men that have been close for over 10 years now. And let's also disregard the long history of those two doing the similar and same outfit (during official shoots, performances etc, or during their free time) thing and look at this one single concept.
Probably styled (funny how the styling seems to be similar for years now on many occasions, and just with the two of them)
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Not styled.
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These are just examples of MANY MORE instances.
Oh, and I suggest you go read this post too. Not mine, but recently written and oh so relevant to the conversation.
I can't help but wonder how different your pov would have been if one of those two young men was a female. Just thought I would throw that in here too.
But I gotta give you an A for persistence. You guys, you never give up, do you? No matter what JK and JM will throw at you, you will find a way to twist it around to fit your narratives. I guess you also think that JM was forced into enlistment with JK, ah? And their trips together and the content that will drop, also forced on him? I guess him saying otherwise isn't enough to convince you guys either, right? I love the way how you guys are so intrenched in your belief of victimhood that you don't even listen to what JM himself tells you. You love him so much that basically call him a liar. Good for yous I guess.
So, to clarify my answer to you, just in case it wasn't as clear as day already...
You do you, cause nothing I tell you, or show you, or you know what? Nothing that even JM himself will tell you or show you will satisfy you. Because you are living in a self built fantasy of what and who JM is and what and who those that surround him are, all to fit that narrative of yours in which he needs you guys as his saviours and knights in shining armour to swoop in and save him from the big bad JK.
One more thing.
JM's Face was a masterpiece.
We all agree on that. JK included.
He adores JM, he's his no. 1 fan and he's been showing us this throughout 2023.
JK is not a person that would callously copy a concept used by a bandmate just because it succeeded for his bandmate and might work for him too.
Let alone from JM.
His person.
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Not even if, as you put it, he was told to do so by the powers at be (which yeah, he'd tell to go shove it up their asses if they ever did 'tell' him to do that btw, and they wouldn't do it anyway seeing that they know that would be his exact reaction).
So, no.
That is my answer to you.
Just a whole big fat NOPE.
No to copying. And surprisingly no to blocking you.
Yet.
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secondstar-acorn · 4 months
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one of the things that makes me insane about lautski (among MANY) is how aware of each other’s boundaries they are and how they’re able to banter with each other without taking it to heart
throughout the show they’re lightly teasing each other (i.e. literally all of “if I loved you” and steph’s c+ bringing down pete’s gpa) but they’re also earnest with each other about the things they joke about when it counts!!! best example of that is in “cool as I think I am (reprise)” with:
“you’re not as cool as you think you are” “but you’re as smart as I know you are”
LIKE. OKAY. O K A Y. pete’s journey throughout the show has been realising he IS as cool as he thinks he is. he’s not insecure about it anymore. he stands up to max! he knows his worth! and steph knows that, so she knows this won’t hurt him. steph, throughout the show, has an aversion to being earnest, ESPECIALLY when it comes to her feelings for pete—I mean hell, that’s what “if I loved you” is all about. so when she gets scared and worried about what’s gonna happen to pete, she deflects with that familiar banter while knowing it won’t actually hurt him, just as an act of self-preservation. because she CAN LIE TO HERSELF, as wiggly says. but pete, who DOES have a better handle on his emotions imo, especially as he grows throughout the show, who has thought steph is smart from the very beginning (“smarter than she thinks she is” in “cool as I think I am”), and KNOWS steph is insecure, deep down, about her intelligence, responds with that earnestness. because steph needs to believe in herself for this to work, sure, but also because if he’s going to die, steph needs to know how smart and how special and how LOVED she is.
and he subverts the dynamic they have throughout the rest of the show: steph teases, pete laughs it off because he knows she thinks he’s funny. steph makes fun of pete’s bowtie and suspenders and being micro-peter, and pete says something witty, and: “I didn’t know you were funny” “neither did I” “I like funny guys”. and at the end, with pete telling her about tap dancing: “you’re such a nerd, spankoffski. but the bow tie’s growing on me.”
steph shows her love through that teasing, because she knows that pete doesn’t take it to heart, and because it protects her OWN heart. and she expects pete to tease her back, but he doesn’t this time. he loves her. he believes in her like her dad and her teachers and basically every authority figure doesn’t, and she needs to know she is respected. (I could make a whole other post on steph’s coding in npmd as having a learning disability and being utterly failed by the adults in her life, but that’s for another time)
so pete crosses into earnestness when it counts. and steph is affirmed and respected. they literally speak each other’s language.
IT’S LIKE YOU TEST ME, BUT NOT TO BEST ME.
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bird-inacage · 7 months
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Only Friends: EP8 Sand & Ray's 'Never Friends' Scene
I wanted to do a deep dive into this scene, because it really exceeded my expectations. It sets the tone beautifully for Sand's current state of mind, and First delivers such a wonderful, nuanced performance here. Easily one of my favourite Ray/Sand interactions yet.
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Sand is looking noticeably weary after witnessing Ray and Mew dancing in the bar. The poor boy just looks so tired and dejected, as if he's carrying the weight of the world on his shoulders. Unfortunately for him, the bar is where he works so he's not able to avoid being in a place Ray and Mew frequent together.
Ray approaches and tries to behave as he normally would. He asks to borrow Sand's lighter, a little call back to Episode 1. The camera lingers on Ray's reaction when Sand simply hands it over. Another nod to where Sand had lit his cigarette for him previously. A split second detail, a very clear message: 'It's not my role to take care of you anymore. You have someone else for that now'.
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Sand being Sand, is still concerned about how Ray is doing and asks about his arm. They fall into a little routine patter before Sand gets straight to the point. I give him such kudos for doing this, for choosing not to skirt around the subject but confront it head on. Besides, it's not as if avoiding it is going to make it hurt any less. "So what's going on between you and Mew?" Sand frames it as a question, because he wants to hear it from Ray himself. It's the least he deserves. There's also a challenging air in the way Sand looks at Ray with his eyebrows slightly raised. 'Humor me. And don't lie.'
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Ray looks visibly uncomfortable and hesitant. I do believe Ray exhibits a conscience where Sand is concerned. He at least has the decency to feel guilty. I think he was hoping they could continue 'as normal' for a little while longer, so he wouldn't have to tackle this difficult conversation. Ray's wordless reaction gives Sand all the confirmation he needs.
Before Ray has anything to say, Sand jumps in with, "Congrats, you're no longer in the friend zone." The way he says this feels 100% genuine. I do think that Sand wishes the best for Ray, because he's in exactly the same position as Ray once was - pining after someone who doesn't return his feelings. So he gets it. He can acknowledge how nice it must be for Ray to finally be reciprocated. This is an example of Sand's 'if you're happy, I'm happy for you' response, because it means the attention is deflected off him.
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What Ray says next is also quite telling. He's says things are good but it's very early days, and they're essentially seeing how it goes. "It's okay." Note how Ray doesn't gush or seem particularly animated. A few brief but fairly non-descriptive comments. You'd expect him to be over the moon. I feel like this is Ray's attempt to be minimise the damage by downplaying things. He doesn't want to overly dwell or flaunt his happiness in Sand's face. I also believe there's a degree of honesty here, that Ray has some genuine reservations about Mew and their future as a couple, (that perhaps he's been trying to ignore).
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The next few lines absolutely gutted me. "Good, you can finally end the secret crush. Such a waste of time, right?" 'Good for you, you're no longer suffering (like I am)'. When Sand talks about a waste of time, he's referring to himself. 'At least you no longer have to kill time with me, when you really wanted to be with Mew, what a relief that must be.' Sand is massively self-deprecating here. The time they spent together was not special. It didn't have the same meaning to Ray as it did to Sand. Everything he did was meaningless in context because he thinks Ray was simply 'settling for second best' in the meantime. Sand often uses this tone to imply his own foolishness. For continuing to care so much for Ray when he's getting nothing back.
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Ray then asks "Are you okay?" I've noticed that when Ray poses this question, he's not really asking. He already knows or he wouldn't ask in the first place. He's basically saying, 'You're not okay but tell me why', allowing Sand to further divulge. However, Sand is never going to give a honest answer to that question. He's always putting on a brave face and pretending to be okay even when he clearly isn't.
Sand then comes back with his classic, "Why wouldn't I be?" "You're seeing someone you've always loved. It's a dream come true." Not a single thing Sand is saying is about his own feelings. His own pain. His own turmoil. He's purposely shifting the focus to Ray, 'well you're happy so I don't matter. It's your dream come true, so my feelings aren't part of this equation' - which just breaks my goddamn heart. 'Who cares what I feel or think about this. I get no say.'
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Ray ponders for a second or two. You can tell he's at a loss as to how to salvage things with Sand without losing him completely. So he offers the next best thing he can, in order to still keep Sand around. "Can we still be friends?" Which means, 'I still want to spend time with you. I still want you to be part of my life'. And Ray's face is full of hopeful naïveté that Sand will agree (this boy really has no idea how agonising that would be). For Sand, this is like adding insult to injury. 'Friends' has no clear definition in Ray's terms, and Sand is wary of Ray's tendency to blur that line. So Ray asking him if they can still be friends doesn't really mean anything, which prompts Sand's "You and I have never been friends from the get-go". 'We need to stop fooling ourselves that what we were doing was ever friendship. I've woken up, you need to too'. Sand is not prepared to participate in muddying the waters, especially now Ray is dating someone. It's not fair to anyone involved.
"We have nothing in common. Besides, I don't know why I should be friends with you." This is probably the harshest thing Sand says in this entire conversation. He's very pointedly trying to create distance. Despite evidence to the contrary, he's alluding to differences between them that should justify that distance, justify him pulling away. Sand is just so resigned and matter of fact about all this because he knows there's nothing Ray can say to refute his thinking. It's all far too late anyway.
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Ray displays a moment of slight panic and he's clearly thrown by this. 'It's not like that. Don't reduce it to that'. One thing we can be sure of is it upsets Ray to imagine no longer having any connection to Sand. This indicates to me that Ray does value Sand in his own way. Right now he just has no idea what he can offer to keep Sand close to him, because there is no legitimate reason for doing so since he now has Mew.
As a form of consolation, or perhaps a last ditch attempt to tug on Sand's heart strings, he admits, "but when I'm with you, I'm so damn happy." Ray means well by saying this, as in you make me happy. 'That's got to mean something, right?' But by phrasing it this way, it comes across as he's making this all about him. Sand is desperately searching for evidence to prove Ray does care about him, and he keeps coming up empty. He's run out of reasons to stick around anymore. And Ray's not saying the right things to prove him wrong.
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Sand deflects again. '(So what if I might make you happy?) You'll be happy with Mew too. I'm nothing special. You'll get to spend time with him in the same way we did'. "You might even be happier," said with a smile no less. Another absolutely gut wrenching line. Sand's sadness clears briefly and he looks sincerely like he wishes Ray the best. It almost feels like a farewell of sorts. 'He'll make you happier than I did. Because I'm not good enough. I'm not what you want.' This is yet further indication that Sand doesn't think he's left any lasting impression on Ray. Whatever they shared with one another, Ray can easily replicate with Mew instead. He's easily replaceable.
Ray reaches out to stop Sand from walking away. Ray is conflicted. He feels regretful over Sand, which he shouldn't be feeling. He's worried that this time Sand is really slipping from his fingers, and there's nothing he can do about it. Because what's done is done. He chose Mew. So what else is there to say?
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Sand follows up with, "Let me go already." 'Stop torturing me. Stop giving me false hope when you've already made your choice. Forget me so you can continue being happy and I can move on. Don't make this difficult for me.' Even in this line, I can hear Sand's care for Ray permeating through it. Sand knows he's isn't what Ray wants. He can make Ray happy but not happy enough to choose him. So the best he can do is to send Ray on his way, and to wish him well. All he asks is for Ray to return the favour, and leave him alone to heal. Akin to his addiction, Sand is telling Ray that he needs to let go from clinging to him like a crutch. Because the only purpose he serves is a crutch and nothing more.
He wants Ray to want him for him, and not as a safety net. Not because he provides Ray with some form of temporary comfort or company. Not because he's a means to pass the time.
Why I adore this scene so much is due to the enormous strength and kindness Sand displays here. He could have been much colder with Ray. He could have been petty, outraged, bitter, resentful. But you truly sense his helpless love for Ray throughout the entire interaction. He's still trying to deliver his message in the most considerate way he can manage. He firmly holds his ground but without any malice. 'The tragedy is I can't help but love you, despite what you've done to me'.
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starwikia · 2 months
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suicide cw
look i have been in this area before mentally. it sucks and i wouldn’t wish this on anyone. but, and this is going to sound callous, but i don’t feel any sympathy for james somerton. even if i hope he’s like. not dead. But thats all the amount of goodwill im willing to give him. The more i think about this really, the more angry i am. 
ngl this entire situation is another example of how white people weaponize their mental illness to avoid consequences. Im seeing it in real time.
this man has a continuous habit of using self-harm as a get-out-of-jail-for-free card. in both of his apologies, he has worded his supposed attempts in ways that were clearly meant to guilt people who displayed his plagiarism and overall horrendous history of racism and misogyny. i say supposed because, while i’m not saying those are lies and this would he such a fucked up thing to lie about that i don’t want to think he has, unfortunately, it’s been proven again and again that his word can’t be trusted, as he’s known to lie to try get out of consequences. Hes a proven liar. him lying about this is actually the best case scenario, because no one should go through this entire situation, wouldnt wish this on anyone, but you can only do this so often before people stop sympathizing with you. is this callous? Yeah, but like. I’m actually fucking angry he cant straight up take no as an answer. that this is how he reacts realizing he cant be one of the Cool Kidz™️ on youtube anymore. he acts like he DESERVES a career, like its not a privilege hes lost due to his own actions.
He lied about apologizing and forgiving people, he lied about giving the money to hbomberguy to give to ppl he ripped off (yknow, instead of doing it himself), he lied about the jessie gender situation and rewrote the narrative to make it so he isnt the bad guy, and hes the victim all along actually!
you can’t tell me that supposed last message of his isn’t meant to be a 13 reasons why esq attempt to deflect the blame “look i’m going to kill myself and it’s all YOUR PEOPLES FAULT for not letting me achieve my DREAM of being filmmaker IN PEACE!!! I just wanted Nick’s (the guy who I have thrown under the bus again and again) portfolio up!! Im just being a good friend dont you all FEEL BAD” he refuses to take ANY ACCOUNTABILITY of any of his actions and he IS STILL trying to shove the blame over to other people again.
it’s also pretty ironic people are like “uhhh well hbomber’s fans harassed him!!!” like hbomber outright told people NOT to HARASS JAMES!!! ALSO acting as if james doesn’t have a very real documented history of STRAIGHT UP sending his fans to harass and threaten smaller creators, more notably women, trans, and bipoc creators. especially after he’s stolen typically very personal anecdotes so he could profit from them. so why can he do it but the second people are like “hey this guys an actual piece of shit.” and he can’t handle it suddenly people are trying to white knight his shit? like no he doesn’t get that. he doesn’t get that at all just because he couldn’t handle the consequences of his actions. 
what? were supposed to stay quiet about a man profiting off of other minorities because he wanted to be the spokesman for all gay people? people tried to solve this on a smaller, more private scales for YEARS and he kept doing it. it was clear that the giant public video was the ONLY way to get people to notice. HE WOULDVE GOTTEN AWAY WITH STEALING 87 FUCKING THOUSANDS WORTH OF DOLLARS. HE CANT HANDLE THE FACT HE CANT GET AWAY WITH IT. 
am i supposed to feel bad for the guy who basically threatened a trans woman with the police? i don’t care what anyone says, it’s so fucking obvious that he threatened jessie by implying he was getting the police involved in their conflict. what am i supposed to act like that didn’t happen? are we supposed to pretend like he didn’t glorify nazi’s and outright said that gay people made up a good chunk of the nazis? That he didnt say america joined ww2 bc they were jealous of the NAZIS. WHAT WOULD POSSESS YOU TO FUCKING SAY THAT. but then? He gives women (not even women most of the time, he misgenders nonbinary ppl constantly) shit for writing mlm. are we supposed to act like he doesn’t straight-up sees himself superior and better than people of color and steals their works to put himself on a pedestal? Are we supposed to act like he didnt spit on our elders by saying “only the boring gays survived aids” like man! Fuck you! He BLANTANTLY MAKES UP HISTORY TO PUT HIMSELF ON A PEDESTAL!! HE ACTIVELY TRIED TO REWRITE LGBT HISTORY TO SUIT HIS FUCKED UP NARRATIVES!
yes this sucks ! no one deserves this but no one should be making him a martyr. Thats what he fucking WANTS! He wants to be immortalized as a victim!! (again, supposedly, it was reported hes alive but its not confirmed).
The shit he got isnt near the amount of fucking callous behavior hes done again and again. Again, to drill this point, EVEN IF HE DIDNT CALL THE POLICE HE THREATENED A TRANS WOMAN INTO THINKING HE DID!!! The fact he tried to use a head injury to justify years of the outright ghoulish shit fucking astounds me. Why the fuck did anyone in his life thought it was a good idea to let him TRY to come back. in the end, he had options. he didn’t need to try to make a comeback. HE DIDNT NEED TO FUCKING LIE OR IGNORE THE SHIT HE WAS CALLED OUT ON the reality is, he wanted to come back thinking he could shove it under the rug, was told that no dude, you’re not allowed to be a youtuber anymore. you’re done. you need to move on and went full nuclear. it’s not on anyone’s hands but his own. HES BEEN DOING THIS TO HIMSELF!! But nah man we cant call his shit out bc hell may or may not kill himself. Fuck the other minorities who have the same issues but worse and sometimes BECAUSE of him. This is going to SUCKKKK so bad when other ppl, specifically white gays, are going to weaponize this shit to get away with their stuff.
#warning: do not read this post if you want me to be nice to james somerton. i am extremely mean in this post.#before anyone accuses me of shit i legit never contacted him myself or anyone involved. i am someone who witnessed this behavior repeatedly#again. i hope hes alive and well. the fact is him lying about this WOULD BE THE IDEAL SITUATION. BC NO ONE SHOULD GO THROUGH THAT. but.#he HAS to forever be the victim in his eyes. attempting doesnt automatically mean youre free of sin.#its just terrible to see that regardless whether or not he did do it#its very clear his attempts to run away from his consequences are working on some people#we need to acknowledge that if your shitty ex friend can weaponize a threat to kill themselves#so can this internet person after being called out for horrendous shit#like what was the alterative? what were people supposed to fucking do? be nice about it?#yeah as if poc and trans women arent historically given shit for being 'too mean' about wanting justice.#this isnt just the plagiarism this is the fact a white dude has been parading himself as THE speaker for the gays(tm) but has been using hi#gayness to shield himself from his misogyny racism transphobia and antisemitism#its very clear regardless this means that ppl r going to side with him and then give him benefit of doubt#if you cant handle the heat stay out of the fucking kitchen dude. this is the consequences of your fucking actions.#hes a disgusting person who cant handle being told no so hes going to drag everyone down with him#like. idk this entire situation is frustrating to me.#its also frustrating ppl trying to be moral abt it like 'see! i knew this was bad all along!' no you didnt. shut it.#for the record im like mainly talking abt twit watching those spineless uwu cutesy ppl basically saying hes done noting wrong#oh and also alt righters who are clearly weaponinizing this where u know they wouldnt give a shit if a right ytber did this.#james somerton#idk might delete this later its just. ugh...
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luveline · 1 year
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happy shy friday! maybe a shy reader x steve where it’s like a couple months into the relationship and steve’s just unloading compliments and affection to boost readers confidence??
thank you for your request! steve announces you're his dream girl and turns you into a human furnace! ♥︎ fem!reader 1.1k words
"You know you're so pretty, right?" 
A warmth like sunlight blooms in your chest, an impossible heat. You'd figured after a few months of Steve's sweet compliments you'd get used to them but so far each has the same potency as the first. 
You lift your head from the book splayed open across your thigh and smile softly, the barest hint of happiness playing on your timid features. Steve's a brilliant detector for your small moods, and his own smile grows. 
"You do," he says, nodding, a light behind his eyes that melts you every time. 
"Not like you." 
"Don't deflect," he says succinctly, rising on knees to sit by your side. 
He closes the small gap between you, his bare thigh pressed to yours. You regret your pyjamas shorts if only because skin on skin contact with him is a surefire way to get your heart hammering, and he knows it. 
Steve wraps a big hand around your forearm, familiar, thoughtless, and tilts his head to the side to read along with your novel. You pretend that this is normal for him because you're not sure what he's up to. He doesn't speak again until you turn the page. 
"You're not just pretty," he says. 
You wait for him to continue. When he doesn't, you say, "Steve, what are you doing?" 
"You're sweet," he says, completely ignoring your question. He says 'sweet' like 'cool', and like it's hardly a compliment at all. It rolls off of his tongue as every praise does — easily.
"I'm-" You laugh, looking into his eyes from under your lashes, taking the time to trace the shattering of amber and topaz that strikes through each deep iris. "I'm not the only one." 
His smile softens. You know what he's doing before he does it, your arm pulled to his chest and your face turning on instinct. Your lips part ever so slightly under his and the heat of his breath breezes over your bottom lip, a sensation you can't ever get used to. He leads, he pushes, his lips soft and insistent against your own. His nose smushes into your own for a second and suddenly you aren't kissing but smiling, the two of you paused and close and feeling at one another's arms like you've never done it before. 
He pulls back. You sigh, your pulse a capering rhythm under the smooth pad of his thumb where it works circles. 
"You're trying to embarrass me," you mumble. 
The front most strands of his hair have fallen into his eyes. He rakes a hand backward through the dark wave of it and shakes his head simultaneously, a false denial in the way he's grinning before he's even spoken. "That's not true." He drops his hand to your knee and slides up until there's enough doughy flesh there to squeeze. "I'm just making sure we're on the same page." 
You nod, abruptly speechless. "What page is that?" 
"The one where you're beautiful," he says. "And sweet, and capable, and amazing." He ducks down to plant a kiss under your ear. "That page." 
His exhale caresses your ear, has you shuddering under his touch. 
"Are you on that page?" he asks. 
You wrap your arm around the back of his neck, crushing the silken sheet of his hair. He waits, and he doesn't seem surprised when you slowly pull him in for a hug. 
"What are you talking about?" 
Steve follows your example and clutches the back of your head like you might fall away. "I thought you should know." 
"But why?" 
His neutral hum tickles the side of your face where he's deigned to rest his lips, and his hand pets at the nape of your neck without any urgency. "Why shouldn't you? You're my dream girl." 
Your heart thumps up against your ribcage violently. "You can't say stuff like that out of the blue." 
"Does it feel out of the blue for you? To me, this stuff is old news." 
You're thinking, What is this? He's flirting with me and we're already together. But Steve isn't flirting at all, there's nothing but an innocent sincerity in his words and in his palms. 
"I'm your dream girl?" 
"A thousand percent, you are." He encourages your head back enough to meet one eye. You're reluctant to let him move any further, worried this is a spell you'll somehow break if he gets too far. "Are you kidding?" 
"No," you say, startled. 
He's beaming now, his head turned until your noses are touching again. He rubs the tip of his against the bridge of yours, a ridiculously close, fond love that has your breath catching. 
His lashes kiss with the force of his smile. 
"You're better than that, anyway. You're my girl. No dreams involved. Don't know how I pulled this one off," he jokes. 
Your laughs mix up, huffing, quiet sounds. Your knees ache from the position that you're in and you shift. Steve takes it for a want to be closer, somehow, and he tugs you until there's not an atom of space between your fast-rising chest and his. 
He kisses you again, more chaste than the first had been but never any less meaningful. There's a thousand words in his kiss and half feel like I love you. 
The other half are apologetic. 
"I," — he kisses the tip of your nose — "have to get dinner out," he says, leaning back with your face cupped in both hands like a kindled flame. He pulls them down your cheeks slow. Then, because the moment had been too perfect, probably, he pinches your chin. "Or we can let it burn." 
"We can't. What would we eat?" you ask, bemused at his terrible idea. It's the day before your usual grocery night; if dinner burns, you'll be going to bed with empty tummies. 
"I could eat you. Not sure what you'd eat." His eyebrows jump up. "Hey, you could eat me!" 
Your laugh is thick and sticky and awful, a giddy giggling prompted by his proximity and his dream girl declaration. He laughs at your laughing and lifts your chin for one last kiss.
He clamours up off of the couch and doesn't look back, which is a blessing. You cover your molten cheeks with both hands where Steve's had been and make a noise so high you're not sure even dogs could hear it. Safe to say you feel a lot more confident in your relationship after that. 
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superficialdomina · 5 months
Text
Pain (Into Submission, Part 2)
Series masterlist
Note: This part is a continuation of Part 1, Vulnerable. If you haven't read it, may I suggest you start there? Big thank you to @acidcasualties for reading, suggesting, encouraging and just generally being spectacular.
Word count: 2.1k
Warnings: 18+; minors DNI. Implied smut, much angst. Awkward conversation and tortured metaphors. Loki's a bit upset.
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Loki was avoiding you.
Since that night in the basement chamber, when you had held him as he caught his breath, and the light in the chamber turned from warm torchlight to the stone grey of dawn, he’d carefully managed to deflect your gaze – your presence, even, on multiple occasions. You sighed inwardly as you glimpsed the edge of his booted foot disappearing around the corner ahead of you. Again.
The memory of him vulnerable and naked on the cold floor remained rich and vivid in your mind. Images of him splayed before you – remembered and imagined – had been a source of much solo entertainment under your sheets in recent nights. Was there anything more deliciously seductive? Beautiful, powerful, dangerous… kneeling.
The two of you had had few interactions since. Briefings, meetings, public interludes that blurred and obscured your newly exposed power dynamic. It was difficult to read him. Superficially, he was as haughty as always; obnoxious and glib, his expression disdainful, his proud chin lifted arrogantly as he argued with the others over petty, trivial matters.
But there were tells. His eyes following you across a crowded room. His tongue nervously wetting an already moistened lower lip as you spoke. And once, that contemptuous laugh breaking off a fraction too early when your gaze fell upon him, his expression quickly and inexplicably contrite.
You frowned slightly at that memory, pressing your lips together as you felt a rush of frustration and lust. He had been avoiding you. It was mildly irritating, though not surprising; you had not expected his submission to be complete after a single orgasm in your hands. Fear, shame, ego - whatever their personal reasons, capitulation was rarely so easy, even in the weak ones. And if you could be certain of one thing, it was that this beautiful God was going to fight it. 
It would make his eventual – inevitable – acceptance all the more delightful. 
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This morning was another irksome example. The team were congregating in one of the smaller conference rooms with general agitation, to “await further instruction” from Rogers. The tight space forced Loki to squeeze by you – to your utter delight, and his patent discomfort.
Less than a week ago, you thought wryly, you would have relished the chance to brush by my thigh. Gone out of his way for the opportunity, even. Pathetic little God. The idea was oddly emotive.
"Good morning, prince", you murmured as he passed, emphasising the lowercase "p" on the last word, weighting it with a subtle mockery that only you and he would notice. His eyes widened at your little neg, and you imagined him swelling in his too-tight trousers as you reminded him of his place. Did he want to fall at your feet then and there in the briefing room? Kiss your boot as you roughly twisted his perfect raven curls in your fingers? The God of Mischief might not quite be ready for such a public display of devotion. 
Rogers droned on, and your concentration drifted.
Loki leaned in carefully orchestrated nonchalance against the window, his face set in his trademark smirk. From this vantage, you had an uninterrupted view of his full profile. He did cut a menacing figure, contrived though you were certain it was; long, lean legs rising up to meet slender hips and narrow waist, all sluttishly wrapped in black and green leather that dully reflected the morning sunlight. His broad shoulders rolled back regally, and you could clearly see the outline of his shoulder blades flexing gently with each breath.
Fuck. Pay attention.
You had been watching him more closely since that night in the chamber; knowledge was power, after all, and you had to find it where you could. He was so tactile - the way he traced invisible patterns on the backs of his hands when he was nervous; caught the condensation from the side of his glass and absentmindedly rubbed it between his thumb and forefinger as Steve repeated himself “for those in the back”. You followed his fingertips now as he distractedly drummed them across his leather-clad thigh, imagining them pressing into your flesh as he came undone beneath you. Gods, you needed to stop torturing yourself.
His hair was swept back into a low, tousled bun at the nape of his neck, exposing the soft skin there. Was there still the hint of a bruise where you had nipped his skin? Could he still feel where you had kissed him wetly across his magnificent jaw? As you watched his face, the corner of his mouth twitched up into the briefest smirk, and you felt another jolt of unexpected emotion. I miss him, you realised sadly.
The room broke abruptly, and you were suddenly aware that you hadn’t been listening for several minutes. You shot a quick look at Nat – had you missed anything crucial? Training, 3pm, she mouthed knowingly, and you nodded once in acknowledgement and appreciation. You probably deserved the eye-roll she gave you.
As the room emptied, you glanced at Stark’s fancy translucent wall clock and made a decision. 3pm gave you time to have a little chat with a certain Norse God.
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It took several minutes for him to answer your knock, and you wondered briefly if he had been tempted to ignore you.
When he did throw his door open, he wore his usual air of regal arrogance; chin still lifted, shoulders thrown back. But you could feel his awkwardness – his movements seemed mechanical, his breathing a little rapid, his elbows held too close to his body to be entirely natural. He’s nervous, you thought with a thrill.
“Yes, Agent?” His polite words dripped with acid.
“Loki.” His face remained impassive, but he moved back just enough to let you step lightly into the room; his wordless acquiescence made your pulse quicken.
His chambers were richly and elegantly furnished, but dark and secretive. In the quick glimpse you had, you saw him reflected in every detail; from the furs lining the floor like area rugs (was that a polar bear?), to the Nordic relics and symbols adorning every wall. It was unexpectedly sensual.
Loki haughtily cleared his throat, and you resisted the impulse to slap him squarely across the jaw. His perfect, condescending jaw, you thought longingly.
Instead, you opted for candour with a side of hubris. “Why are you avoiding me, Loki?”
He scoffed imperiously. “I am not.”
“Don’t be ridiculous. You’ve made leaving a room as I enter it into an elite sport,” you insisted. “Why? Are you ashamed?”
“Of course not,” he snapped, angry, his carefully curated indifference now askew. “I have simply moved on to… other matters of interest.”
“You’re ghosting me?” You raised your eyebrows mildly, a smile curling your mouth. “That seems unlikely. I thought we had a nice time.”
His jaw clenched and unclenched, his legendary silver tongue momentarily caught by his growing and uncharacteristic rage. “That’s not – it is not a matter of -” Loki blustered meaninglessly, and you watched insult and fear battle to own the bitterness that swept across his face. With some effort, he collected himself, settling on a mask of seething outrage. “What do you want?”
“I have a proposition. A repeat of our previous tryst, and – hopefully – much more than that.”
He raised his voice – something you rarely heard him do. “I have neither time nor inclination-”
“Loki,” you admonished gently, “we both know that isn’t true. You can pretend it didn’t happen. You can deny how much you enjoyed coming undone in my hands, blindfolded and exposed.” You took a chance at stepping closer to him, reaching out to gently trace your hand up his outer thigh. “But I know what you felt.”
He didn’t move away, but his lips parted in a snarl that bared his perfectly white teeth. “You know nothing, Agent.” He had regained control of his volume, and his words were now menacingly low. “I am a Prince of Asgard,” he hissed. “I am a literal God. Why would I have any interest in what you are suggesting? This proposal,” his lips popped at the word, “is ludicrous and insulting.” He glared down at you, your hand paused at his beautifully curved hip, his chest so close to your face that you could feel it rise and fall. Desire thrummed between your thighs at his proximity.
“Is it?” You lifted your chin, meeting his gaze and reaching for the ascendancy and authority you knew you had, filling yourself with the memory of him vulnerable and naked and sobbing at your feet. “Surely what I can offer you is infinitely preferable to the deftly crafted pain you’re currently stewing in.”
He remained silent, but you imagined you saw the briefest glimmer of surprise dance across his face. What was it that you had said?
Pain.
Cogs whirred in your head. Loki had had plenty of experience with pain. Did he need it? Did he seek it? My sweet little masochist, you thought with a smile.
“You know, humans – and human-like Gods, I suppose – are the only animals that actively seek out pain?” you ventured tentatively. “You can’t train a mouse, for example, to enjoy spicy foods, or to find pleasure in intense exercise.” You continued to trail your hand up the side of his torso, fingers drifting over his sculpted obliques like a beautiful instrument. “Is that what you want, Loki? Does pain make you feel… alive?”
He narrowed his eyes at you. “What could you possibly know of pain, Agent?” he hissed. “I have felt pain that you could not imagine; pain that would hurt you just to think about.”
You hesitated, unsure if you were going too far. "Are you sure you're not conflating pain with fear?” He raised his chin defiantly, but you continued quickly. “There’s a correlation between the anticipation of pain, and the intensity with which it is felt. That is, fear of pain is often a far more noxious experience than the stimuli of pain itself.”
He sneered down at you over his long, straight nose. “What exactly are you trying to say, Agent?”
“Only that physical pain doesn't have to come from physical violence.” You paused, willing him to catch up. “You might find pain without fear to be… enjoyable. Exquisite, even.”
“I…” Whatever he was going to say trailed off into the air behind you. You saw the muscle in his jaw quiver as he swallowed nervously.
“I know your feelings about it confuse you." You lowered your voice until it was almost a whisper. "Why would anyone – let alone the great Loki, God of Mischief, future King – why would you want to feel pain? But you do, don’t you? You need it, and you are consumed by shame because of it.” You reached up to stroke his cheek, but this time he turned his head away, eyes closed.
I’m missing something, you thought. There was a wound here… Maybe even one that you could heal. If I could just find it…
And it came to you in a rush that left you giddy. The thing he needed - the onlything Loki had ever needed.
“I am offering you a chance at authenticity, Loki; something that I hazard you’ve not had much opportunity for in your long, if somewhat apocryphal, life. I am offering you a place to belong.”
At your last word, Loki took an unsteady step backwards. His rage evaporated as quickly as it had surfaced; only desperation and sadness remained writ across his face, and you realised with some trepidation that it had been several minutes since he had spoken. You wanted to wrap him in your arms, caress him, hold him until all his fear and shame had been shed like blood.
Not yet.
When he did eventually speak, his voice was composed. “I think you should leave, Agent,” he said coolly, drawing himself up again to his full height, masking his softness once more in leather and steel.
You paused for a fraction of a second, then nodded, letting your hands fall and stepping back from him. Did I reach him? His door snapped closed behind you with a resounding click. I guess we’ll see.
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Continued in Part 3: Lost
Tagging some folks who enjoyed part 1. No hard feelings if you'd rather be removed!
@lokisgoodgirl @acidcasualties @infinitystoner @lady-rose-moon @coldnique @thomase1 @kats72 @vickie5446 @holymultiplefandomsbatman @tomlugirl @lokisninerealms @missmushroomsstuff @ladyloki3 @fandxmslxt69 @sinsandguilt @sarahscribbles @lunarnights95 @meowmeow-motherfucker @simplyholl @divine-knight-hand
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thinking thoughts about swords symbolizing the corruption of the institute and the control it has over the kingdom. the sword motif is absolutely everywhere - banners and art, kids’ games and cereal commercials, the statue of gloreth at the center of the kingdom. the institute building itself boasts even more - there are tons of statues and suits of armor, all holding swords. swords are everywhere you look!
another example is the way ballister and his swords are used as a tool by the director. he’s knighted with the same fake sword that kills the queen, highlighting how the system can only thrive on manipulation and deceit - the director can only have control over the kingdom if she lies to it, which she does primarily through ballister. he also immediately tries to go to his sword when he finds out nimona is a shapeshifter, as he hasn’t yet unlearned the values taught to him by the institute. the director keeps his real sword the whole time and uses it to try to kill who she thinks is ambrosius, planning to frame ballister for that murder too, which becomes a major turning point in his arc as he decides to abandon the sword as he no longer wants to be part of her game.
but even though he’s made the choice to reject the institute, he still struggles to unlearn its values. he’s been brainwashed from a young age, and had plenty of time to internalize false notions about heroes and villains and monsters. while he cares deeply about nimona at this point, he still instinctively goes to draw his (other) sword when he learns she’s the “monster” from the legend of gloreth.
one of the ways the director retains power is through gloreth - since she’s considered the symbol of righteousness and heroism, the ideal to which all knights should strive, she’s invoked at every moment possible. the scroll bearing the legend is used to justify killing nimona, and “the will of gloreth” is used to justify practically everything. ballister’s sword has a G on it, which is visible right before he gets knighted, and ambrosius’s sword looks just like the one the statue holds aloft. (gloreth didn’t actually have a sword like that, at least not when she knew nimona, but nobody knows this - the real story had been warped and twisted to fit the narrative so much over the course of a thousand years.)
ambrosius, being her descendant and the golden boy, finds it even more challenging to realize the institute is corrupt. he’s also been brainwashed and forced into a role, and there has always been an immense amount of pressure on him to follow in her footsteps. so when he meets ballister in the tavern he places ballister’s sword on the table and suggests killing nimona, as this is what the institution wants. ballister, who knows that nimona isn’t the one to blame, angrily walks out and leaves the sword laying there, trying to leave both it and the institute behind again.
ambrosius becomes understandably reluctant to use his sword for anything violent after cutting off ballister’s arm. he doesn’t draw it when leading a squadron of knights to find nimona and ballister, even when everyone else has their weapons trained. he points it at them and doesn’t use it when he and the other knights have them surrounded. at one point he even places it in front of the director in the effort to protect her. (he seems to be very loyal to her for reasons i’ve touched on here, and is still heavily under the influence of the institute at this point in time.) in fact, the only time he ever actually uses his sword going forward is the fight with ballister, but even then he’s not really fighting exactly, just deflecting ballister’s sword. he doesn’t try to get in a single strike, not wanting to hurt ballister again or give him any more reason to hate him.
nimona, having grown up under very different circumstances, knocks over suits of armor that have swords. she destroys the statues that hold them. when she and gloreth play fight as children, gloreth holds a toy sword while nimona holds a stick.
everything is inverted at the climax - when every other knight is running around with weapons, ambrosius doesn’t draw his sword. he stands in the middle of the street and asks aloud, “what are we doing?” as he’s finally able to see how corrupt and how dangerous the institute is.
and nimona is the one who seeks out gloreth’s sword, and ballister is the one who lets his own sword fall, breaking the cycle and rejecting the institute’s values once and for all in order to save her.
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dontyoufeelitangel · 24 days
Text
Ghosting
The ministry was a sad place, but a truth was a truth no matter how harsh.
You love your job.
You love the people you work with.
There’s a man there who you fancied,
And you were almost positive he felt the same.
From the way he’d dance with you, to the way his lips would softly touch yours.
Copia was gentle in all that he is.
He knows what to say, and how to say it. He can be honest without making it hurt.
Just a couple months ago he had made sweet promises to you, his words laced in what you thought was honesty.
“You mean a lot to me, it’s true” he gently held your hands. The two of you in the garden of the ministry.
You let out a quiet sigh and a warm smile, enjoying the moment.
It wasn’t often the two of you had time alone, Copia was a busy man.
So it shows that you really do mean a lot to him when he directly disobeys his mother for you.
He’d squeeze in time to any of his schedules if it were for you.
It was minutes before you spoke,
“Yeah?” You smiled, raising your hand to cup his cheek, rubbing your thumb along the lines of his makeup.
“Of course” he leaned into your touch.
Moments like that made you enjoy your job at the ministry.
.
There were other factors you enjoyed to, for example, Copias ghouls.
They were enjoyable to be around,
They noticed how Copia took a liking to you so in return they welcomed you to their group with open arms.
You felt safe with them, they were your closest friends.
.
There was only one flaw with the ministry
They didn’t care about simple things like relationships.
The head sister of the church was as sour and bitter as they come.
Not an ounce of sympathy could be found in her words.
Sister imperator.
He lacked respect for life, she took it every chance she would get.
Sister imperator had given direct orders to get her sons killed.
A mother lost her daughters and a son lost his brothers.
Copia was kept around longer than any of the other Emeritus brothers,
Because of this you were afraid of your feeling for him, you loved him, and with this love came a hope that he would never leave.
.
The ghost project was a band that the ministry had made to spread the word of Satan. And as well to financially fund and support the ministry.
Occasionally Copia would take himself and his ghouls on tours in different areas of the globe.
After months of waiting Copia and the ghouls were set to come back today.
You made preparations for dinner for them, setting the table before rushing outside to greet the tour bus.
.
The ghouls waddled out the bus, one by one as you counted them.
Something gloomy about their aura.
Dewdrop spotted you in the yards of the ministry and jogged towards you.
You welcomed him and gave him a hug as the rest of the ghouls caught up.
Now surrounded by ghouls you welcomed them all back,
You were getting antsy waiting for Copia, the ghouls and ghoulettes were too tall for you to attempt to look over their shoulders to the tour bus behind them.
So instead you simply asked.
“And I assume Papa is doing fine?” You questioned, one of your sweet smiles on your face.
The ghouls immediately paused and looked at eachother,
Some whispered in a ghoul language you couldn’t make out, other looked to the ground.
There was a first to speak up.
“The tour was a success of sorts” it was Swiss. You appreciated his answer but it still deflected the question.
“So he’s fine? .” You questioned again, more firm this time as you knitted your brows.
The ghouls were trying to find words, words that wouldn’t hurt as much.
Mountain took your hands in his, the other ghouls just as anxious as you waiting for him to speak up.
“He’s dead” he spoke.
The earth must’ve stopped, you felt dizzy with an unsettling turn in your stomach.
If mountain wasn’t holding your hands your sure you would’ve toppled over by now.
You let out a disbelieving laugh,
“Don’t fuck with me” you tried to make your voice sound serious but it was wobbly and raw.
You honestly wished another ghoul would’ve told you.
You trust mountain to much, you know he’d never lie.
Maybe if Dewdrop had told you, would would’ve gotten a longer feel of disbelief to save you from the bitter truth.
“Under sister imperators orders” rain spoke, he felt shame that you had to find out this way.
“You knew it was gonna end like this, it had to happen, it does every time” a newer ghoulette Aurora said.
Mountains grip on your hands only lasted so long, you crumpled to the ground.
Weak knees hitting the grass below you.
Your mind wanted to not trust them, to say they were lying.
Unfortunately for you, you trusted these ghouls with your life and you knew they wouldn’t lie to you , not about this.
The ghouls winced as you let out a blood curdling scream.
It was a long drawn out scream that only stopped for a second, only a second for you to take an inhale of air before continuing to cry.
No words could be put into your mouth to describe how this felt.
Like the walls were falling down: they were.
The world was ending, it was.
Internal panic set off, what would you do without him?
The part that hurt you the most was: you could scream and cry and scratch and shout and claw but there was absolutely nothing you could do to bring him back.
Your vision blurred and your ears rung. You were alone inside yourself, nothing else mattered.
You didn’t hear the worried voices of the ghouls trying to calm you down and making no effort.
You didn’t notice how your body gave out below you, or how the tears started to burn you cheeks.
Your world was ending,
Because how do you continue without the one you love most?
.
.
.
Edit: I was high writing this. So it doesn’t make sense in a lot a parts, I’m not gonna fix it because it’s sorta kinda funny.
I apologize if there’s no plot and your completely lost, the 🍃 got to me.
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gojosbf · 2 months
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why do you think that female char are no longer well written on jjk? /genq (i am caught up with the manga so don't worry about spoilers)
SPOILERS AHEAD!!! for me all of this began with nobara's death and it went downhill from there, now see I understand it might've been important to give yuuji motivation etc but when a roach naoya get's to survive again and again after getting killed but there is no hope for nobara who was one touch kill and had chances of survival but doesn't purely for shock factor, it doesn't sit right with me.
Okay, ignore even that maybe it's my attachment to the character talking so let's talk about other female characters: most of the fandom forgets momo exists that's how useless he made her, she suffered no serious damage (not as far as I remember) and her only active role was in kyoto goodwill arc and an appearance in shibuya we barely see her after that.
Gege treats female characters as a catalyst for mcs, either they're completely useless or get killed off or even if they're powerful enough they're barely mentioned or shown doing something useful.
Example for catalyst: We literally never really see Utahime in action except in Shinjuku Battle to boost Gojo's ct. Like really? That's your semi grade 1 sorcerer and all throughout the manga that was her only role?
Example for completely useless: I already talked about momo, lets about miwa okay, she put her everything to that one swing post-shibuya against kenjaku only for him to deflect it with his bare hands and what about her after that? Nothing!! She gave up everything and now she cannot do anything, just another cheap tactic to get rid of another useful character.
Example for killed: Listen I will accept Mai's death because it served the purpose and was one of the most impressive parts but other than that? Yuki Tsukumo, the special grade, the star plasma that rejected even tengen and cornered kenjaku, her death was so anticlimactic and unsatisfactory, she was practically winning but apparently "a miscalculation" caused her death, listen I like a shocking plot twist and death but that seemed like nothing but an excuse to get rid of another strong female character because gege had no idea how he'd use her in future.
More example for catalyst: Tsumiki and Yorozu (aka the same body but!) she was such a driving force for Megumi but after Culling Game arc hit we got a tease of her (or them) and that provided more motivation for megumi to fix things to work harder to bring his sister back but instead of seeing more of her gege killed her off after sukuna took over megumi's body because her purpose was served!! Done. She was there as long as she could be used as a beacon of hope for our poor boy.
Example of if powerful then they're barely shown: Shoko and Mei Mei, we know both of them are quite capable, they've proved their worth and aside from the fact that Mei Mei is a fucking pedophile she's still a great sorcerer but now she doesn't care about sorcerers and henceforth isn't present/doesn't provide much or any help at all other than the telecast. Shoko on the other hand, we're supposed to believe that her using rct is special and she's one of the most important characters mind you she's the part of the og trio but we rarely get to see her. Even know (the up to date manga chapters) they keep talking about taking the injured sorcerers to shoko but they never !! show !! her !! in !! action !! Like c'mon she's been working overtime but SOMEHOW gege can't dedicate more than four panels to her?
Now onto Maki, the only one standing, the only female character gege truly utilised gave her one heck of goal and arc and then very conveniently forgot her for next 100 chapters. She's great yes, and gege's finally back to currently giving her the attention she deserves which I am very skeptical about because if he just kills her off in next chapter to make a statement istg...but everytime she's mentioned they HAVE to mention toji, it's almost like she'll never leave his shadow, all her achievements are boiled down to FEMALE TOJI which, don't get me wrong I love toji but she's more than that, she's a monster because she wiped out a whole clan not because she shares same superhuman powers as her predecessor and dare I say she's already surpassed toji at this point.
Let's not forget Uro and Angel/Hana whom gege brought in once for one job and then we all completely forgot about them. (I am mentioning them last because he's done this with many other characters so they're truly not an unique case in that sense)
Returning back to when jjk first was fairly new and we had these panels
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it was hype we thought FINALLY!!!! she doesn't denounce her femininity but isn't used as a fan service material through them either and she's fucking nuts and strong FINALLY!!! only for gege to go well now that you've had the crumbs you're getting neither, not the pretty ones nor the strong ones and even if they're strong I am going to act like they don't exist so have fun!! And that's why I think he's really downgraded.
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justallihere · 2 months
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Do you sometimes have to let go of scenes that you like, just because you can’t fit them into storyline? If so, can you share some examples of “deleted scenes” from previous chapters with us?
Yes! I have a doc with 10k+ words of stuff that I cut. Most of the time it’s an alternate take on a scene, but there are a couple true “deleted scenes” as well. There are lots more than below but here are a few that have fairly coherent snippets.
Mira showing up to Basgiath before the wedding was originally quite different:
“I thought we had all learned our lesson about being places without a bodyguard.”
Violet turned at the voice behind her. It was Garrick—she recognized his footsteps, his voice—but Bodhi was with him too, a silent shadow half a step behind. He inclined his head and offered Violet the barest hint of a smile.
“Two of you to hunt me down?” she asked, looking between them. “I’m flattered.”
“You’re deflecting,” Garrick said.
She rolled her eyes. “I have plenty of protection.” She pointed across the flight field to the rocks, to the faint outline of a dark shape blending in against the outcropping and the shade beneath it. “There’s Andarna. Tairn is up there” —Another gesture to the mountains, where Violet knew he was hunting, though she couldn’t see him from where she stood— “and Sgaeyl and Xaden are right. . . there.”
She smiled when they came into view above the college’s walls, but not at the reappearance of Sgaeyl and her rider. No, she was focused on the green dragon behind them, and the tall rider that sat astride him.
As soon as Teine landed, Violet took off at a run. Mira met her halfway, ripping off her flight goggles as she went. They collided in the middle, nearly tumbling to the ground.
“Hi,” Violet said, gripping her sister tight, her arms locked around her ribs.
Mira cupped a hand around the back of her head protectively, the other curving around her shoulders. Violet could imagine the glare she was aiming at Xaden or Garrick or Bodhi or all three of them behind her. “You okay?”
Violet nodded, tucking her head into her sister’s shoulder.
“Violet?” Mira pressed.
She took a breath that trembled a bit on the inhale. “Someone tried to kill me last week.
Mira tensed, her embrace tightening. “And you took care of it?”
Violet nodded again. “I took care of it.
“Good.” Mira pulled back just enough to take Violet’s face into her hands and tilt her head up to meet her eyes. “I’m proud of you.”
I wrote a brief scene of Xaden and Violet interacting with a kid (the daughter of a staff member) the day before the coronation that was cute but didn’t make it in:
“Hi there,” Violet said softly to the little girl, crouching to be on her level. “I’m Violet. What’s your name?”
“I’m Rosalie.” She looked from Violet to Xaden and back again, her expression curious. “My mommy says you’re our queen now.”
“Well.” Violet smiled. “Tomorrow, actually. Once he gives me a pretty crown to wear.” She tilted her head toward Xaden.
“Like your ring?” Rosalie reached out a curious hand, and Violet held her own up in return to let her touch the glittering gemstones on her left ring finger.
Violet shrugged, holding still as the girl twisted her rings this way and that, apparently unbothered for someone who was typically so reluctant to have others in her space. Her position must have hurt, too, but she didn’t show it. “I haven’t seen it yet, so I don’t know if it will match. Ask him.
Rosalie turned to Xaden expectantly. “Does her crown match her ring?”
“Not quite,” he admitted. “She’ll still look beautiful in it, though.”
“Did you marry her because she’s so pretty?”
He crouched next to Violet and said conspiratorially, “I married her because she has the scariest dragon on the whole continent.”
Rosalie’s eyes went wide. “You’re a dragon rider, too?” she asked Violet, who nodded. “My brother says girls don’t ride dragons. He says I’m too small.”
“A lot of people told me I’m too small, too,” Violet admitted quietly. “But that doesn’t matter to them. If you’re strong and brave, you can ride a dragon.”
“You must be really strong and brave,” Rosalie said in a whisper that wasn’t really a whisper at all. “A lot of people are scared of King Xaden more than they’re scared of dragons.”
Violet laughed. “Are you scared of him?
“No,” Rosalie said contemplatively. “He keeps us all safe.”
Violet smiled, but it was tight-lipped. “Yeah. He does that for me, too.”
And I started writing a moment of Xaden and Violet feeling the effects of the bond with Sgaeyl and Tairn, but it got replaced in favor of the late-night kitchen talk in ch. 18:
Xaden woke in the middle of the night to movement beside him.
He was only half-awake, but he was aware that his cock was achingly hard, and he was sweating, and there was a warm, soft body next to him. He rolled toward it instinctively, his fingers just touching skin that felt as feverish as his own. As soon as he made contact, they jerked away.
“Fuck, don’t touch me right now,” Violet gasped, and his eyes finally opened all the way.
“Shit.” He sat up in bed just in time to see her rolling out of it, her hair mussed from sleep, her movements unsteady. He lit one of the mage lights next to the bed without thought, trying desperately to ground himself and reinforce his shields.
He watched as Violet squeezed her eyes shut, likely doing the same thing. In the low light, he could see the flush in her cheeks. She was wearing a thin slip, pale pink, and he could make out the shape of her body beneath it—the dip in her waist, the curve of her hip, the slope of her breast.
He turned away from her, dragging in a deep breath. Fuck. This arousal, this desire, wasn’t his. It washed over him like a wave, threatening to drag him under. What he wouldn’t give to pull Violet in with him. He had imagined her so many times, the noises she would make, how she might taste on his tongue, the way she would feel coming on his cock. It was easy to imagine her again, draping her across his lap with her thighs spread wide so she could ride him until they were both satisfied.
“Fix your godsdamned shields,” Violet hissed.
He hadn’t even realized they were down and he was projecting his every thought to her. “Shit.” He put them back in place rapidly, and the lines of her face relaxed, just a little.
“Tell me you have something to smoke,” she begged. They needed to do something. They couldn’t be together with a bed between them.
“No, but I know who does.”
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poopingonthefloor · 9 months
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Davesport is Toxic NOT abusive
(((WARNING: PRETTY LONG POST UNDER THE CUT.))) I've seen some people making the claims that Davesport is comship/proship (ok well i've more seen people bitching about it) and im tired of the Davesport slander so this will be an analysis of their relationship. My motive isn't to force anyone to ship it or anything- i really dont care what you do with your life, my frustration is just when people try to make up REASONS why they don't like the ship, even though its literally canon (and not badly written). My main point is -- You can hate what you want. You don't need a reason, and it doesn't need to be bad just because you don't like it. But I will not take any slander on their ship nor any slander of people who like davesport. Davesport is absolutely toxic-- No DSAF fan would disagree. They are literally child murderers with little to no souls and literally are physically disfigured to the point they don't have the capacity to feel proper humanity anymore. You cant expect 2 men who live their lives willingly murdering and then partying in vegas to celebrate on repeat to be gentle and kind to themselves or anyone else.
However, its NOT abusive. I've seen multiple people (mostly from twitter screenshots) claim that Davesport is abusive or the way people portray it is in a fetishy or romanticizing way of abuse, when that's just not the case. I don't blame a lot of people, since a lot of it comes from reading context and intent of the artist, which not everyone is good at-- BUT I'm here to assure you that MOST people don't intend to do that much and just like to portray how their dynamic is canonically like or portray Daves obsession with Jack. Another argument I've seen (by a twitter screenshot...) is that people are comshipping Davesport because people draw Jack annoyed a lot at Dave when...thats not true? That's just Jack's personality, first off:
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(From the Dave x Reader fanfic by Directdoggo)
"Jack is a bastardman not very touchy-feely. We can see this in many scenes, where Dave more or less says “I love you” and Jack responds with deflecting humour, or outright scorn. When Dave says it for the final time, this time, Jack tries to say it back, but can’t outright, only getting out: “Why is this so hard?” and “I hope you can find peace with what you’ve done.” Which Dave understood the meaning of. (Hey, better than Henry (LEGACY Jack) hearing “I love you” and proceeding to tear Dave limb from limb, huh?"
(Directdoggo describing Jack's personality)
I know it can be a little confusing to some people, but as someone who struggles with similar issues, just because he struggles to express intimately doesn't mean he can't love anything. Sometimes people are just different and communicating like that doesn't come as easily, even to the people you're closest to. To make it as easy as possible to comprehend-- He's quite literally a tsundere. (Minus the exaggerated ridiculousness in anime) He loves Dave, he just cant bring himself to say or act like it. The dismissiveness or rudeness in response to Dave's affection is not abuse, it's just a defensive response since he doesn't know how to say it back. (His way of being "shy") -- Also note its important that Dave UNDERSTANDS this about him by that point.
However Jack isn't the only thing I've seen regarding the claims that their ship is abusive-- and to debunk all of those I'm going to explain the three points that keep Davesport from being abusive, and I'll use Henry x Dave (which is what I'll call it to prevent it getting confused for FNAF willry) as an example alongside it since its super obvious why that one is messed up. Firstly, They are both bad people. By this point, Dave and Jack are murderers. It's just not surprising that they will be willing to kill each other at at least some point, considering they are willing to kill 5 year olds without remorse- and they'll both deserve it. It's only their own faults that they teamed up with the other, and it's meant to be the ultimate irony when Jack becomes even worse than Dave by "An ending". My point is- they're bad people. It's not like they're owed perfect company or would choose wholesome people to hang out with when they're literally both child murderers. Dave wasn't evil and didn't want to kill by the time he teamed up with Henry (and even after it was Henry's fault), so by that point his suffering was absolutely undeserved.
Secondly, They're lacking any specific power dynamic. Unlike Henry and Dave- whom have several levels of "Age, Father figure, and Employer", the most important one is that Henry is Dave's abuser. He manipulated him and purposefully harmed him both mentally and physically, whereas Dave never had any intention of doing either because Dave loved him and didn't want to lose him (because he had nobody else) This obviously much different with Dave and Jack, whom other than being taller and several years older than (which you can argue their 6 year age gap is weird but they didnt get to know each other till they were both older than 30 so by that point age difference doesnt rlly matter and (also theyre "mentally" like 24 and 22 canonically anyways (as much as I usually hate that argument)) Other then that they are only co-workers. This is a bit more arguable during DSAF 1, where Dave comes across more threatening and comes across like he's manipulating Jack, but I don't exactly count that because I wouldn't say theyre "shippable" or in their "situationship*" by that point (but also because them even being a ship was barely considered by the creator at that point obviously)-- whereas Dave is certainly more easily recognized as sincere to Jack in DSAF 2. Jack also is not someone who is afraid to defend himself against Dave, as shown by the fact he's willing to call out Dave's ridiculous behaviors (which is reasonable of him to do).
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(Also from the Dave x reader fanfic) (I just think this specific screenshot debunks any sort of "power dynamic" claim)
My Third and Final point: There is a CHOICE involved I haven't really done much Dave defense in this post, but his defense is very simple: He is literally physically unable to comprehend guilt or conscience. Dave didn't want to murder anyone in the first place, but it was Henry who fucked with his (literal) head so much to the point he stopped being able to feel guilt. He doesn't care about murder and doing wrong because he CAN'T care. You can't really let that reflect Dave as a character when he's really not in control of himself in the first place. Now with that, that doesn't change the fact he could certainly affect and hurt people, and it's fully up to Jack as to whether or not he wants to deal with this purple man's freakish life choices and hobbies or not. And that's honestly super dependent on the ending you decide to base Jack on. Most people see the 'canon' endings to be: Gnarly ending (DSAF 1) -> An ending (DSAF 2) -> Good ending (DSAF 3) Where in all of these, Jack DOES choose to deal with Dave and basically is completely cool with murder. You don't have to follow those endings if you don't want to, but that's just typically what the modern "Davesport" is known for, but its what I'm using for my defense (considering this is a defense of both fandom and canon Davesport.) Though as opposed with Henry and Dave- Dave had no choice. Henry only ever manipulated him into thinking he did, and Henry made sure to feed this whole 'we will be a family' ideal into Dave (who never had one) so that Dave would be terrified to lose him. Jack never manipulates Dave (when teamed up with him), and Dave never manipulates Jack (tho arguable in DSAF 1 as well). They stay with each other despite all of their issues, and I believe its due to some co-dependency (imo I think Jack is also obsessed with Dave just in a different way before DSAF 3) Which isn't healthy, but not...inherently abusive.
I believe my main three points kind of cover the most of why I dont consider Davesport to be inherently a bad ship, but like I said- if you don't like it, none of that matters anyways. You dont NEED a reason to like something, and I wont try to convince you why you should ship something because I like it. Just don't hate it just because of what someone else says-- 90% of the dsaf fandom aren't comshippers, and Davesport isn't gross or "toxic /neg" just because it's not healthy. I think "Don't fetishize/romanticize literal abuse like its normal or sexy" and "We should explore more complicated and unhealthy dynamics" can and SHOULD coincide with each other!!!! I think Davesport is great because of how bittersweet it is that these two people finally found solace and acceptance in each other but couldn't get past the self-sabotaging nature of what Henry turned them both into, ultimately making it impossible to work out forever. I think embracing the Davesport makes the (kind of aged) trilogy a lot more enjoyable of an experience and I DO encourage any davesport skeptics to keep an open mind. [Pretend I wrapped this up super nicely I can never do that--- Also this is open for conversation and/or debate, and also yada yada my bad if i said something randomly terrible I have extremely poor social skills lol let me know so I dont do it again yada yada] *Also if anyone doesnt know a situationship is (at least in the context im using it in ive heard other definitions for it but its not a real word so i actually dont care) when 2(or more) people basically treat eachother like lovers but they never communicate this outright and dont technically officially date but like they treat and commit to eachother like a partner would) (So its kind of what all those people who playfully flirt and call each other their spouses as a commited running joke are in)
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ghostingcrows · 10 months
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Okay because generally I’ve been seeing a lot of fighting a weirdness I wanted to talk about this for a second
Hobie Brown is not an adult
Please stop being weird about him!!
More explanations under the cut
I’ve been complaining about this a lot and for people that don’t understand this situation essentially in an interview one of the directors said that an early concept of Hobie design was that he was supposed to be like the cooler older kid and as the example used for this he stated the ages 19/20
Because of this many people took it as still being canon which has led to a large bit of debate in the community between people about his age
The people who have taken this reference to the early concept as canon have started bashing people who ship Hobie with others in the group (mainly Miles and Pav which is important and which I will come back to later) as well as used this as an excuse to sexualize Hobie because hes an adult
A barely legal one which even if this was true is its own separate issue
However the issue with this specific take is that its wrong
For a variety of reasons
1) For starters people say that since the director said he was 19/20 it must be true however another director/creator of the film has stated that Hobies age is up for interpretation meaning he doesn’t have a specific set age
However, it is very clear based off of everything else that Hobie was still meant to be in the teenager range in terms of age 
For starters the actual movie
Throughout the first half of the movie Hobie is referred to a couple times by both Gwen and Pav and later Miles
Every time he is talked about in this context it is always with the undertoned implication of him and Gwen supposedly having a romantic relationship with both Pav and Gwen treating it as a sort of thing that could potentially cause friction or other issues in regards to Miles and Gwens relationship
If Hobie really were 19/20 this would be, cannot stress this enough, incredibly weird and creepy on the writers part
Unlike Hobie Gwen does have a confirmed age and she IS a minor and the movie imply that she had a relationship with Hobie whether she actual did or not and treating it as a joke would be weird and out of place if he was an adult
Not to mention that a lot of people referred to Gwen, Hobie and Miles dynamic as a love triangle which again weird and gross and uncalled for if Hobie was an adult
2) The art books both in the english and Japanese translation refer to Hobie in a way that either implies hes a kid or outright uses terms that mean hes a child
In the English translation of the book Hobie is referred to as the cool slightly older boy the girls want to date
Meanwhile the Japanese translation literally spells it out
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3) I’ve heard a variety of different deflect in regards to all the above mentioned stuff
“Hobie doesn’t look like a kid” people age differently. I’ve met kids in high school who were the same age as or younger than me with full ass beards and mustaches as well as people who are well into there 20 who look like they’re still 15 he simply just has a structured face
“He was bit at 16 in the comics and said he was spider-man for 3 years in the movie” We aren’t in the comics universe though and in this iteration Miles was bit at like 13 and Gwen at like 14 meaning that in actuality the kids are usually bitten really damn early and the actual facts are that we don’t know how old he was when he was bitten and since we very clearly aren’t in the comic universe as these movies are significantly different from the comics you can’t just go off of that
“Just because it was a concept doesn’t mean it was changed it could still have been kept” While it is true that yes sometimes things from first draft concepts are kept a lot of times they aren’t such as Hobies best friend Pavitr who was supposed to be 13 in his concept but very clearly isn’t in the movie (I don’t actually have solid evidence for that claim I just think it would be weird that they make comments about Pavs body and show him shirtless if he was still 13 in the final-) both Pav and Hobie had a shit ton of changes done to them  alongside basically all of the main 4 (Hobie, Pavitr, Gwen and Miles), except for maybe Miles but he was already an established character, so using his concept as hard and fast evidence when he very clearly was changed a lot and everything else points toward him being a kid just doesn’t work
“He mentions going to a pub so he has to be at least 21” first Hobie is British and the legal age in Britain is 18 also you don’t have to be of legal drinking age to go into a pub you just have to be old enough to actual order drinks which doesn’t even account for the fact that this is also Hobie we’re talking about who would not give the slightest fucks about the legal drinking age “But they show him with a beer in his montage and they wouldn’t encourage that in an underage character” Hobies montage is so fast paced and colorful that I genuinely don’t even know if thats true because you can barely comprehend the stuff that happens in that scene the first time you see it and not to mention that he also flips off the cops in that montage so I don’t really think they were too concerned about encouraging certain behaviors or not since half of Hobies speech in that scene was about overthrowing governments saying ACAB
So in conclusion
Hobie doesn’t have a confirmed age but based off off all the information we are given he is probably actually closer to 16/17 as his age
Now as a side tangent something else I want to address is the inherent homophobia and racism undertones that came with the initial spreading of his false age
Because when people initially heard that age they’re first instinct wasn’t to jump at the actual movie for imply a ship with Hobie and Gwen or even on the people make jokes about but was instead to jump on the people shipping Hobie with Pav and Miles
Both other male characters who are also characters of color
Odd that the first though was the (honestly at that time) relatively new and unpopular gay poc ships (Yes I know the ships are more popular now they had BARELY any content at the time of the interview)
Like genuinely the absolute giddy JOY I saw some people have at the idea that people who were minding their own business would have had a ship they liked ruined for them was insane and still is to me
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Note
Ermagerdddd, your Leona leadership post kickstarted the Leona brain rot again <3 It got me thinking what would happen if for his birthday he received a card/letter with all the positive things people have said about his skills and leadership. It doesn't seem like many of them say it outright to his face.
[Referencing this post!]
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EW, NOT THE L*ONA ROT BRAIN 🤢 I'm sorry to say that the condition is terminal/j
Mmm, I feel like that actually wouldn't change much or invoke that strong of a reaction from him???
Leona's not usually very forthcoming with his true feelings, and nor is he the kind of person that gets openly sentimental when presented with praise. There have been examples of him casually accepting recognition or compliments (Jack tells Leona he's an incredible dorm leader, Leona responds with a short laugh asks Jack to serve as a model for the rest of the dorm). Sometimes depends on how the praise is worded though, as there’s many times when Leona gets offended because of it (Vil says Leona is “only good” for his handsome face; Cheka says Leona is good at Magift but then asks him to teach him how to play; Farena/Falena tells him “even if you can’t be king”, he's intelligent and there's a lot of good Leona can do for their country). There are also times when he deflects or attributes compliments to others’ ulterior movies (like when he rightfully points out Ace is gushing about him to stay close for protection in Endless Halloween Night). He has a voice line as recent as his Broomquet (that just dropped) where he says there's so many herbivores looking at him with sparkling eyes, so he may as well entertain them this time. Even when Leona's got all the attention on him and is being showered with affection, he tends to act very lowkey about it or act in a way which implies he doesn’t believe them. (For example, maybe he’s convinced himself it’s his birthday, so the attention is condition or fleeting.)
Leona is already well aware of what his own skillset is, and where his strengths like. He's frustrated with the world for not seeing his merits—but because he's been verbally beaten down so much in his childhood, he's had to build up emotional walls to prevent his little-kid ego from getting hurt. That's likely manifested into this sort of reluctance to fully believe/accept and internalize praise (because no matter how confident in himself Leona may outwardly act, there's always still that lingering doubt and collected bitterness toward the world that once denied it to him). It’s an inferiority complex resulting from the critique he got as a child and constant comparisons to his older brother, so… in actuality, Leona’s confidence isn’t 100% “real”; there’s an element of self-doubt there, so more often than not he’s scoffing at what others say about him or taking their words cynically (ie focusing on the negative aspects interpreting their words negatively).
Learned behavior like that won't be reversed with one birthday card from all his peers! (I think it's probably something Leona ought to unpack during his mandated post-OB therapy sessions.) Maybe Leona would be sarcastic when he first receives the card—"What, for me? You shouldn't have. It's just going to be shoved into a drawer where it'll never see the light of another day" (you know, like trying to deflect how he's really feeling by acting a little dismissive about it?), but he'll claim to keep it anyway so as to not hurt 'all his fans' precious feelings'.
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starkiller419 · 10 months
Text
An apology.
pairing : Anakin Skywalker x F!Padawan reader | wc : 2.7k |
summary : just a wee little drabble. you hurt Anakin in battle (accidentally of course) and share a bed together. may be working on a pt. 2...
warnings : idk it's definitely fluffy. a little bit of violence but not directed at either Anakin or the reader.
a/n : this came to me in the middle of working on something else and I just had to get it out before I forgot. I didn't do any smut because idk it just didn't seem right? anywayssss enjoy <3
(PS mans is literally an angel. that's all.)
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Ever since you've met him, you've been in agony.
You haven't slept one night without his blue eyes taking high precedence in your dreams. his voice, his laugh, his entire being clouding your dreamscape. And then when you wake, and he isn't there, you are in more agony. He has managed to consume your entire being in a matter of months. Granted the months have felt like years, but still, it should be considered a world record. How easily you have fallen for him, and he is clueless. He has no clue of your true feelings.
He does not know why you follow him the way you do, basically nipping at his heels as you walk steadfastly behind him. Half the time you don't know where he is going, and you don't care. He never wanted you in his life, he made that very clear in the first couple of months of your apprenticeship. You are simply an obstacle to him, an obstacle in place by the council, an obstacle he cannot ignore.
And while you are still an obstacle, in the utmost sense of the word, he has grown accustomed to your presence. He finds himself feeling deep apparitions of sadness when you are not near. He has come to enjoy the way you follow him like a lost puppy, with your wide eyes watching him, observing his every move.
He feels flattered that someone as spectacular as you found him equally as spectacular.
Sometimes he catches a glimpse of your thoughts mid-mission. How your mind seems to stray from the war and destruction before you to more simple things. The way his dirty blonde curls frame his face. The way the certain spot in his jaw clenches when he is frustrated, or concentrated. the way his eyes seem to become brighter when he is happy, and darker when he is sad. He enjoys how all of your escapist thoughts are of him. He takes pride in being able to give you the comfort of escaping the tragedy that engulfs your life.
Right now, for example, the two of you are engaged in a battle on the planet of Alderaan. The separatists have planned an attack against Senator Organa and his wife, and the council chose Anakin and you to protect them. One thing led to another, and within the first four hours of your arrival, a flock of separatist droids had invaded the Senator's home. As you fought alongside Anakin swinging your blue lightsaber to dodge and deflect blaster shots, you couldn't stop your mind from straying to the way his body moved so effortlessly in combat.
You regained some composure and redirected your attention to the droids before you. There had been about thirty of them when you started fighting, and now you were down to the final ten. You approached two from behind, taking the sneaky approach, and sliced clean through their midsections with your lightsaber. You smiled slightly at yourself, proud of your work, before redirecting your attention to the blast you could feel heading toward you.
You spun around quickly and directed the shot away from you, directly into Anakin's shoulder. Your eyes widened as you felt fear and shock flow through your veins. He stumbled slightly but somehow managed to maintain his composure and sliced through four droids, leaving only four remaining to fend off.
"Anakin!" you called out as you rushed to his side. You each took on two droids and the battle was over as soon as it had started. He turned to look at you, the pain in his shoulder was barely there, being fended off by the adrenaline coursing through him. "I'm so sorry! I-" You began apologizing profusely but stopped when he brought his hands to cup your face and softly stroked your cheekbones.
"I'm okay." He smiled brightly at you and proceeded to move his right arm around, showcasing the lack of pain and damage the blaster shot had caused. "You did well. I'm proud of you." His smile remained as he praised you. You didn't like it when he praised you, it just made your affection grow stronger. The way his eyes were shining brightly and the way the corners of his mouth curled into that deviously charming smile made you weak in the knees. Something, as a Jedi, you could not afford to be feeling. much less for your master.
"Are you sure?" Your voice is laced with concern as you stare into his eyes, unwilling to break eye contact. He nodded softly before his smile faded and he looked behind you with a stoic expression on his face. You turned to see where he was looking and saw Senator Organa walking from his hiding space in the room beside the one you were currently in.
After exchanging a few words with the Senator, mostly just him thanking you for defending him and his family, you and Anakin were shown to the rooms you would be residing in for the evening. One of the many servants in Organa's home had led the two of you up a long staircase, and down a long hallway, before stopping in front of one room. "This is your room for the remainder of your stay," she spoke with no emotion in her tone as she turned and swiftly walked away, leaving you and Anakin to stare at the door.
You looked at Anakin and saw he held that same smile from earlier on his lips, making you feel somewhat uneasy. He opened the door and motioned for you to enter before him. You were greeted with a lavish room, a large king-size bed situated in the middle, and a doorway leading to a bathroom over on the left wall. Anakin spoke first, taking in the surroundings, "I'll sleep on the floor." He moved to grab a pillow and a blanket off the bed, quickly creating a makeshift sleeping space on the hard ground.
"No Master, you're injured. You can have the bed, I don't mind." You said as you motioned to his shoulder. In typical Skywalker fashion, Anakin had insisted he was fine and didn't require any medical attention. He said he would apply some bacta upon your return to the temple. You didn't believe him after watching him remove his robe and wincing slightly in discomfort.
You made your way into the washroom, searching through the golden-plated cabinets and cupboard until you found a white box with a red cross on it. You re-entered the bedroom and placed the kit beside where he sat on the bed. He eyes you with curiosity, and then the box, his curiosity soon turning into arrogance.
"Y/n, I told you, I'm fine." He spoke in an irritated tone as if you were a child and he was putting you in your place. You scoffed and rolled your eyes, gripping onto his right shoulder and watching as he flinched in discomfort due to his injury.
"Oh really?" You scoffed again and laughed slightly at his childish behavior. "Just get over yourself, Master. There's nothing wrong with accepting help when it is offered to you. Besides, I owe you." You spoke softly as his demeanor changed from arrogant to calm and he began to remove his tunic to allow you to treat his injury.
You had seen Anakin shirtless a few times, only passing glances however as you tried to avoid looking at him in that context. It just added to the flame you already felt near him, and you couldn't stand more than what you already had to deal with when it came to your unrequited feelings.
He sat on the edge of the bed with his legs dangling off the side and you crawled behind him, sitting on your knees so you could look at his wound properly. It wasn't bad, he was right about that, but if it were to be left untreated it would become infected before you made it home. It was about the size of a quarter, his skin singed around the edges from the heat of the shot, the middle of the wound red and bloody. You took a cleansing wipe from the kit beside you and spoke in a whisper, "This may sting a bit." to which he scoffed and responded in a hushed tone,
"I'm sure I've felt worse." You rolled your eyes at his neverending arrogance as you placed the wipe against the wound, and he didn't even flinch. His back muscles had tensed slightly, showing his discomfort, but besides that, he was as calm as ever. Well, as calm as Anakin Skywalker could be. After cleansing the area you began to apply the cool bacta gel using your finger. Your touch was light to not risk hurting him in any way as you touched his open wound. He took a deep breath which startled you slightly, but not as what happened next.
"Why do you admire me so much?" He asked in the same hushed tone he used moments earlier. You thought over his question for a moment. You knew the answer, but you also knew you couldn't tell him the truth. However, you didn't feel right lying to him.
"I'm not entirely sure. You're strong and powerful, as a Jedi and as a person. You are smart and calculated, sometimes. And when you care for or about something or someone, you give it your all." You say trying to sound confident, but the shaking of your hand as you apply the gel tells Anakin otherwise.
"Is that all? There's no… other reason?" He asks in a shy tone. Anakin doesn't usually get shy. This was a new side of him you were seeing at this moment.
"Should there be?" You rebuttal, and watch as his back muscles tense up once again, but your hand was nowhere near him at this point.
"I guess not." He said quietly. You grabbed the gauze from beside you and placed it on his wound, securing it with tape before boldly leaning down and placing a soft kiss against it. He turned his head to face you and you felt a blush creep onto your cheeks.
"For good luck. Y'know, with healing and all." You smiled as you spoke softly and gazed down to look at the bed. He brought his hand to your chin and pulled your head to face his, "Thank you." He said sincerely, the look in his eyes matching the sincerity in his tone. Your face is only inches away from his own, and you're overcome with the need to kiss him.
You've imagined what his lips would feel like many times before. What it would be like to share something so intimate with the only person who was able to awaken these feelings in you. Your eyes drift from his down to his lips, only momentarily though as you know he's watching you. That's the thing about Anakin, he's so attentive and observant. It gets harder and harder to hide your desires from him as each day passes.
In another uncalculated bold moment, you lean forward and place a soft kiss on his cheek, pulling away to see the pink that tints his cheeks. It wasn't exactly what you wanted, but it would do for now. His breathing has increased and grown heavy, you take note of the rising and falling action of his chest. "What was that one for?" He asks as he stares into your very soul, his eyes holding an unknown feeling to you.
"An apology." You say as you smile softly at him, his eyes placing you in an unbreakable trance. He smiles a soft smile back at you and looks down, his curls fanning over his face. You want to reach out and run your fingers through his hair, but you've made enough bold moves for the night, and resist the urge.
You move off the bed, grab the kit as you do so, and return it to the washroom. You then remove your outerwear, leaving you in the tank top you wore beneath your Jedi robes and the loose linen pants. You had packed pajamas for the trip, but seeing as Anakin and you shared the room, you didn't want to wear the silky black shorts and top.
Well, you did, but you shouldn't.
Anakin watched as you removed your clothes with your back facing him. He admired every curve of your body, the way your shoulder blades moved when you pulled off your tunic, the tight black fabric that adorned your torso. He found his mind drifting to sinful places as he watched, so he forced himself to turn onto his side and face the opposite direction.
You lay down on the floor facing the ceiling and your mind was racing. The floor was uncomfortable, but you didn't mind if it meant Anakin could be more comfortable. That's one of the downsides to your ever-growing affections for the Jedi, the way you'd sacrifice anything for him. Even something as small as a comfortable place to sleep.
You closed your eyes and tried to sleep, only to open them moments later as you heard rustling coming from the bed beside you and a soft "Psst." coming from Anakin. You were met with his head hanging off the bed a couple of feet above you, and you couldn't stop the smile that formed on your lips.
"I'm trying to sleep." You said quietly and closed your eyes again, hoping he would return to his spot and leave you be.
"You didn't actually think I would let you sleep on the floor did you?" He laughs and you hear the sound of the covers being thrown off his body, and then you hear him lay beside you, the floorboards squeaking under his broad frame. You open your eyes again and turn to see Anakin laying beside you with his head on a pillow he must've grabbed from the bed. He's on his back as well, his eyes now closed as he fake snores. You laugh at his idiocy and sat up, hitting his chest as you did so. He laughed as well, giving up his facade of false slumber, and looked up at you.
"What are you doing?" You asked through your laughter, trying to stifle it as best as you could.
"If you sleep on the floor, I sleep on the floor." You smiled down at him before wiping it clear from your face and speaking in a serious tone, "Master-"
"Anakin. You can call me Anakin." His words make you blush,
"Anakin.." His name sounds so foreign coming from your mouth. But he loves it, and so do you. "you're injured, you really should sleep in the bed."
He smirks charmingly and sits up beside you, leaning in ever so slightly, "If I sleep in the bed, you sleep in the bed." He rephrased his earlier words as his smirk only seemed to grow.
You rolled your eyes, "You're not going to give up are you?"
"Nope." He said, popping the 'p'. You exhaled softly and looked over to the bed. It did look comfortable. Before you could stand, Anakin had moved closer and wrapped his arms around your waist and thighs, carrying you bridal style to the left side of the bed. You erupted in giggles and a blush spread across your face at the slight intimacy of this moment between you two.
You could feel his toned chest against your cheek, his heart beating ever so rapidly. It sent chills down your spine, and electricity through your veins.
You wouldn't know it, but holding you in his arms like this sent the same feelings through Anakin. The bottom hem of your top had lifted ever so slightly when he picked you up, so his hands were able to feel your bare skin and it sent him into a frenzy.
He placed you on the bed before walking over to the other side. You laid on your side facing the middle, as did he. You were a mere inches apart, neither of you making an effort to create space or distance. No words were exchanged as the two of you just stared at each other for a few long moments. He broke the stare by leaning closer to you and placing a soft kiss on your forehead, mumbling a "Goodnight." into your skin.
Not long after, you fell asleep.
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freesia-writes · 1 year
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Waking Up With Rex
I've been seeing a lot of you sharing the struggles you're facing in life these days, and had the random idea of what it would be like to wake up with Rex and allow him to provide some encouragement. :)
SFW, established relationship. Word Count: 808
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You stare at the ceiling. Your alarm hasn't gone off yet, but you're awake, allowing all the thoughts of the tasks that await to swirl around your brain and give you a cynical attitude toward the day ahead. It's been one thing after another lately, and just when you think things will lighten up, something else throws a wrench in it all. As you become more awake, you suddenly realize that Rex isn't in bed anymore. Eyebrows furrowing, you push some pillows up behind you and prop yourself up, wondering what got him out of bed even earlier.
The answer becomes readily apparent as the door swings open and he stands in the doorway, holding a tray in his hands with a small half-smile on his sleepy face. Your heart skips a beat at the sight of such a contrast -- a brave, courageous, battle-hardened leader entering your bedroom with such an air of domesticity. He didn't bother to get dressed, and as he shuffles over in just his sleep shorts, you count it an extra bonus. He gently sets the tray down on the nightstand, and as he lowers it, you see a lovingly prepared assortment of morning delights -- caf, biscuits, some fresh fruit, and a single flower that he found in the bushes that grow outside the front door.
"What's all this?" you ask sleepily, finding the troubles of the day subsiding in the face of such a sweet act.
"You've been dealing with a lot lately. I just wanted to do something nice," his smooth voice purrs. He places the hot mug into your hands and slowly walks around to his side of the bed, lifting the covers to climb in next to you, careful not to jostle the steaming cup. As he draws near, you feel the heat radiating off of him and catch a light whiff of his scent, a little musky in the morning. After a few sips, you set the mug down, turning to nestle into his chest, relishing the feeling of his outstretched arm around your shoulders.
"I'm tired of it all," you confess, breath gently tickling his collarbone. "I'm trying not to complain, but it's just thing after thing..."
His far hand crosses his body to gently caress your cheek, lifting your face to his when it reaches your chin. He places the most impossibly tender kiss on your lips, thumb brushing the side of your jaw. When he pulls back, his golden eyes seek yours out, looking intently.
"Sometimes life piles on," he rumbled, moving his hand to brush your hair from your face and lovingly stroke the back of your head. "You're doing exactly what you're supposed to -- one step at a time."
"I know," you sigh, closing your eyes and basking in his touch as though it could chase away all the troubles that await outside the bedroom door.
"And hey," he says, more insistently now, causing you to open your eyes, "It's not all bad." You open your mouth to respond, but he places a finger over it and continues, "For example, you are the most beautiful creature in the galaxy, as far as I'm concerned... if that counts for anything."
"It does," you affirm, a smile weaving its way across your lips now.
"You're strong..." Rex murmurs, hand stroking the outside of your arm. "You're intelligent... witty... resilient..." he continues, hand continuing his gentle caress.
"Stop," you deflect, feeling sheepishly overwhelmed at his lavished praise and affection. You don't know how you have this man wrapped around your finger, but you are eternally grateful for that, especially in the midst of everything else.
"Alright," he smirks, "If words won't get through to you, maybe I can show you..." Your heart skips a beat at his gravelly tone, though you're not really in that frame of mind. Fortunately, he knows you well enough to have anticipated that. "I'll tell you what... You tackle today, give it all you've got, and I can provide a little stress relief later tonight."
You run a hand over his chest, savoring the curve of his pecs, the texture of the fuzz in the middle, the various ridges and pockmarks of scars, allowing yourself to soak up the joy of his love, which he seeks to convey in as many ways as possible -- verbal, physical, acts of service... He's got his own troubles, and yet his selfless care of you is a grounding and encouraging reality in the face of everything else going on. With one last loving gaze into those honey brown eyes, you kiss him deeply, trying to put all your appreciation into it.
He hums quietly as you pull away, cupping your cheek for one last comment, delivered with a suggestively arched eyebrow, "But if you need a little help in the shower before you go..."
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