Between him and me there is something greater than love, between us intimacy as if he has been with me for a hundred years, I know him as the inside of my hand, his fear, his anxiety, his shyness, his laughter, even his thoughts .. I know him as if he’s a part of me.
بيني وبينه ما هو أعظم من الحب ، بيننا الحميمية وكأنه معي منذ مائة عام ، أعرفه على أنه باطن يدي ، خوفه وقلقه وخجله وضحكته ، حتى خواطره .. أعرفه كأنه مني.
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what does your heart look like
tagged by @stxsis
tagging anyone who wants to do this, and @justiicar because i would love to know what results Samara gets
Jack’s result:
a guiding, golden light
Just because you cannot see your own heart doesn't mean that others can't. Your heart is blinding, captivating, a fire so bright that others can't bring themselves to look away. It illuminates the path they follow and cements you as a guiding star for their own wayward hearts. Every experience you've lived through has built your lighthouse heart up just a little higher. You are inspirational, a light that doesn't go out.
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Aziraphale’s face after Crowley kisses him makes me feel sick, not exaggerating, not a silly haha hyperbole, it actually makes my stomach churn. He just looks so broken up about it, he’s almost crying. I know that if Crowley had said yes to going to Heaven with him he would have kissed him back but he couldn’t. There’s a look of guilt there and just pure pain, he looks at Crowley in a way that says “please don’t make me feel this, not now” and the worst part is because of how complicated his reaction is, I feel it could be mistaken for one of disgust which disturbs me so much because Crowley may believe that’s how it made him feel. The fact that Aziraphale doesn’t kiss Crowley back but also isn’t the one to pull away and instead briefly holds Crowley during this kiss haunts me so much as well, god.
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Watching multiple cracks in Alastor's composure only for him to narrow his eyes and/or smile a bit wider afterwards is one of the most delightful while simultaneously horrific things put to media that I've seen in a while.
It just builds on such encroaching dread as the episodes continue, because you can see it very clearly in his eyes that he remembers shit that bothers him, and stores whatever happened to act upon for later.
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I live quiet days as I should, days when desires and demands do not overwhelm me, my soul floats on the river of stability, I do what I love, and I love what I do, contentment is my dress and contentment is my choice
أعيش أيامًا هادئة كما ينبغي ، أيام لا تزدحمني فيها الرغبات والمطالبات لا تغلبني ، روحي تطفو على نهر الاستقرار ، أفعل ما أحبه ، وأحب ما أفعله ، الرضا هو لباسي والرضا هو خياري
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Ask Your Heart, Riku
Riku's Memories shown after his heart is returned (see: similarities to Aurora's heart being returned) / The places shown in Sora's heart where Riku is asked personal questions
What are you so afraid of?
Losing something that's important.
What is the one thing you care about more than anything else?
My close friend(s).
Riku, what do you wish?
I wish...to recover something important that I lost.
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geto, gojo and the sun ☼
it’s pretty well established that geto and gojo are the suns of each other’s worlds. we know, and are reminded regularly, that the sun is a consistent motif in their relationship. despite this, the metaphor actually runs much deeper than what we see on the surface.
geto associates gojo with the rising sun. in the opening sequence, all of his moments with gojo are dappled with streaks of sunlight. when they’re on the bike, when they’re walking through jujutsu tech, when they’re poking each other’s faces or getting stuff from the vending machine— it’s all so bright.
for geto, gojo is the rising sun that parts his clouds, literally exemplified in the ending sequence when geto is impatiently waiting for gojo in the rain. not only does gojo bring an umbrella, (which he himself doesn’t need) after he picks up geto, they walk together into the sunlight. like a cloudy night, geto waits for the sun to return every morning.
contrarily, gojo associates geto with the setting sun. when they break up in front of the KFC, the sun is setting around them. gojo’s eyes, which usually shine so brightly in the sunlight, are dampened by the waning rays of the sun. in gojo’s memory of the breakup, there’s no sun at all— it’s completely grey.
for gojo, geto is like the setting sun in that no matter how far he extends his hand, he’ll never reach him (as mentioned in the light novel). gojo can only watch as geto slips into the horizon, bidding him farewell at every dusk as he takes all the light with him, leaving gojo alone in the night.
when gojo meets geto at the end of his life, the sun has almost completely set. as he’s dying, geto is illuminating the vestiges of the last sunny day gojo will ever have. the sun sets for the last time, and geto slips through his hands even as gojo uses them to kill him.
what’s interesting here is that both of them associate each other with the same thing. geto is the center of gojo’s universe, and vice versa. the setting sun becomes the rising sun— they're an ouroboros, cycling through day and night as one.
suns are also solitary creatures, doomed to be alone whilst being the most powerful thing in the universe. we need the sun to survive, but we can’t get too close or we’ll die. we can only admire the sun from afar, basking in its rays on the condition that we can never openly embrace its warmth.
i'm reminded of a tolstoy quote that speaks to the nature of the sun as a literary motif:
"he stepped down, trying not to look long at her, as if she were the sun, yet he saw her, like the sun, even without looking."
the sun is always around us, even if we can’t see it directly. geto and gojo may be apart, hidden by clouds or the horizon, but like the sun, they remain at the center of each other’s worlds— steadfast, ever-present and never waning.
(credit to @serenan2d on tiktok for providing the initial analysis that inspired this post. check her out, she’s amazing)
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