I definitely think there's Something (TM) to say about the portrayal of "off-human" characters in modern media adaptations as having (particularly facial) deformities and/or learning disabilities.
Robert Louis Stevenson was fully like "this is my OC, Hyde, who represents the impact of a complete apathy toward your fellow man. There is nothing extraordinary about him except that his rancid vibes make people uncomfortable which adds to the core theme of the role of morality in humanity, so its really important that he's physically normal so the audience can recognise that it's what's inside that's most important," and every film adaptation was like "mmkay. Yeah, no, I've got it. We can show that he's evil by using prosthetics and making him non/semi-verbal, which, as we all know, are the True Measures of Evil."
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“I love endless corridors, I love doors that lead where they shouldn’t and stairways to nowhere, I love rooms whose dimensions don’t add up and angles that don’t make sense” bro, that’s not cosmic horror, it’s just Brutalism.
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tfw you’re a closeted gay man but you’re trapped in a show where cannibalism is a metaphor for gay sex (among other things) and you’re too afraid to stare into the abyss because you know goddamn well the abyss stares back so you ignore all your demons and bloodlust and the hot psychiatrist that keeps subtly suggesting that murder is the new black and pretend to be so normal that you end up watching the love of your life (aforementioned hot psychiatrist) turn himself in because he can’t bear to live without you and to cope with that you marry the hottest single mum near you because let’s be honest you’re too far gone to download grindr or pick up a knife and start stabbing people now so you just sit yourself down and enjoy awful peaceful domesticity for the next three years and quietly scream
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Sometimes you have an idea for a story that makes you think “….That can’t be right. I’m not that fucked in the head, am I?”
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Lmfao drawing in class while the teacher isn’t watching but the twist is that I drew digitally
Also I don’t think I would actually draw Adam like this I was in a rush okay?? 😭
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realised. dean is the perfect viewer avatar for a horror show. he gets to be both the action hero and the quippy, self-aware wiseguy who knows he's in a horror show. he provides a safe point; a comfortable power fantasy for you to experience a story through. he's ash in the evil dead. he's a gunslinging tough guy, and you get to see those moments where heroism sits on his shoulders like an ill-fitting leather jacket. and even when he gets his turn at being captured and victimised by the narrative, it's filtered through this mythic lens first. he's the tormented hero; tortured by villains, tortured by the constraints of his role. yeah he gets bruised, beaten bloody to a pulp, torn to shreds and killed, but his perception of reality never gets thrown into serious doubt (unless it's played out as a gag). the narrative valorises his sense of right and wrong, because that's what heroic stories do. their heroes provide moral center, regardless of how we might judge them. the lines dividing hero, anti-hero, and villian are paper thin, and dean isn't truly ever allowed to be ambiguous. and the hero always wins in the end, even when he dies.
meanwhile sam is the abject object of the horror show, a character who gets trussed up, chased, tied up, ripped apart, cut into, possessed, exploited, manipulated and psychologically hounded. he's carrie covered in pig's blood. he's the marginal person people are cheering on either to die - or to live past it all. he gets his turn at playing both movie monster and victim, always occupying the liminal space between both. abject horror lives within him. he's violated with demon blood, he consumes demon blood. he hates halloween because he vomited his guts up in front of a room of normal children. he will never get to be normal, he's designated the freak on multiple levels, but most significantly, by the way his narrative frames him. he's living inside a world that is at its core, fundamentally frightening and horrifying - full control over himself and his surroundings is always slipping away, just beyond his reach. his grip on reality and the world around him gets thrown into question by the story consistently. what's right? what's wrong? what's real? what isnt? the narrative punishes him - because that's what happens to you when you're living in a horror. he can never run away from his nightmare reality, it catches up to him like a curse nipping at his heels. the only way out for him is through the punishing fire. in order to survive, he's required to be pushed to the absolute brink of instability; emotionally, physically and mentally. he emerges out the other end, barely holding it together but somehow alive - like the bloody final girl, changed irrevocably by what she's experienced.
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