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stone-stars · 3 months

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happy 6 years of naddpod everyone <3 (alt title: the dragon pussy podcast making me cry for 6 minutes straight)

Transcript:

Mee Maw: That's true, but… there's also somethin' else. Murph: And you see she pushes her cloak to the side, and you see she has black scabs-- Caldwell and Jake: Oh, no! No no no! Moonshine: Oh, Melora! Murph: --and deep crick rot all over her chest and neck.

Marabelle, weakly: Jolene? I-- I didn't realize I was gonna get to-- say I was sorry. Moonshine (pretending to be Jolene): Thank you, of-- of course you're forgiven! I love you so much! You're my big sister!

Melora: You're not cursed. You were born like this.

Hardwon: (desperately) Gemma? Gemma? Gemma wake up. Gemma baby. Hey. Murph: You see she's-- she's-- she's cold and dead. Hardwon: Fuck!

Balnor: I couldn't help them. I can barely swing a sword. Alanis: There's a war coming, and everyone needs to fight. Even old men who don't know how.

Beverly, crying: No, he's-- he's my light. He's my Pelor! He always was! I strayed!

Bev Sr: You tell her the truth, Bev. You tell your mom that I died in the Feywild. Beverly: (crying) You know I'm bad at lying. Bev Sr: It's not a lie, Bev.

Deadeye: Yeah, I know I'm down a hand. And an eye. And a life. But I got a soul, and a family. And I finally know which is worth more.

Deadeye: I hate to think about what woulda happened to me, but maybe more I hate to think about who I still would've been if I had never met you.

Rosa: JV, I can't-- I can't find my lantern. JV: Aw, well look at that? There's a lantern right here. Rosa: Are you sure that's mine? JV: Yeah. Yeah, I'll-- I-- I'm gonna go look for mine.

Hardwon: --interpretation. I-- I-- Moonshine: Hardwon, I really don't want you to want to die, because I want you to live so much and I don't want to be alone in that feeling.

Lydia: Elias, is that you? Hardwon: It's uh-- It's still little Elias. You saved the child, ma.

Lydia: I don't know what I've been these past few years, I don't know what I've been these past few decades. But I want you to know that when I was your mother that... you were wanted.

Murph: Somebody who felt they could never have a child… um, is holding their child. Moonshine: I-- I didn't want to need you, dad, but… now that you're here… it-- it's kinda nice.

Murph: Your father has given you... a strategy guide on how to beat him. Caldwell: I have to look away so that the tears don't ruin the pages.

Beverly: (tearful) I don't want to go. I don't want to go. But I have to. It's my duty. I have to do this. Moonshine: Okay, youngin, I want you to know. I will love you whatever you choose to do. But, here's my two cents: A child has a duty to his father, but a hero has a duty to the world. Now, I've got my opinion of which you are. But it's time for you to decide.

Bev Sr: Thanks, Bev. I always-- I knew I could make the deal, because I knew you'd stop me.

Moonshine: (tearful) I-- I've been wanting to tell you about this for so long, and I just didn't get a chance to. And I don't know if I will, so I just wanted to make sure I told you.

Moonshine, crying harder as she goes on: Paw Paw. You are… You are my best friend. And you are the best part of me. (sobs) And I am so grateful. For-- (sobs) the fact that so much of our lives have been braided together. But… where I'm going, next-- after we beat Thiala, which we will-- you can't come, mmkay? So I just need to make sure that you are taken care of, and I need to make sure that you take care of some people, okay?

Pendergreens: This time, you picked me up. And you were nice to me for no reason.

Pendergreens: If when you come back... if I'm different? Moonshine: Mhm? Pendergreens: Just, remember me as I am now. 'Cause I like who I am when I'm around you.

Death: I will take everything from you-- Hardwon: Quit pointing at people! Death: --until you come with me. Hardwon: Ok-- I'll go! I'll go. Beverly: Hardwon, no! Hardwon: Bring her back, and I'll come. Bring her back.

Lydia: All my life, people told me what I had to be. You don't have to be anything other than what you are.

Lydia: I think you should talk to your friends. Not because you owe them an explanation, but because you deserve to be heard.

Melora: Beverly. Beverly: Yes? Melora: I wish you could grow up in a normal world, but the Gods have not blessed you with a normal life. You are… afflicted with duty. Things thrust upon you far beyond your years.

Melora: The world should have protected you, but you have been asked to protect it. What an honor, what an injustice.

Moonshine: How long do Half-Elves live? Mee Maw: You talkin' bout Hardwon? Moonshine: I mean-- It's on my mind.

Moonshine: I guess, if I'm being honest, I don't know what it's gonna be like to know Bahumia without Hardwon Surefoot. (tearful) And there's a part of me that doesn't want to find out what that feels like.

Moonshine: There is something sour I probably need to swallow, though. It is-- There's people you meet that are once in a timeless body lifetime kinda people, right? Mee Maw: Oh, yeah. Moonshine: Okay. Mee Maw: And you keep 'em with ya. Moonshine: Okay.

Moonshine: (crying) It's okay, Balnor. Like all the most powerful things in this world, I knew I was only borrowing you.

Hardwon: Moonshine, when-- When I left Irondeep, I-- I didn't know where I fit in. And then I met you, and you didn't just let me in. You brought me in, and you thought I was good.

Balnor: I hope that you all get to leave this world with the same comfort that I had: knowing that it's in good hands. I love you. Murph: "Your knight, Balnor."

#naddpod #bahumia #happy six years of naddpod everyone!!#emily axford #brian murphy #caldwell tanner #jake hurwitz #moonshine cybin #hardwon surefoot #beverly toegold #naddclips #weavings

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ace-sher-bi-john · 4 months

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While I absolutely love both BBC Sherlock and Sherlock & Co, Sherlock & Co definitely depicts a more healthy relationship between Sherlock and John.

For starters, on BBC Sherlock, Sherlock and John are both co-dependent on each other. John was implied to be suicidal before he met Sherlock. Sherlock relapses without John by his side. Even with Mary to substitute the void in his heart and help him find purpose again, John would never move on from Sherlock. If anything happened to John, it wouldn't end well for anyone, especially Sherlock.

On Sherlock & Co, one of John's only problems after returning home from Ukraine was that he couldn't afford a flat on his own. He seemed to be very excited about life, going on dates, couldn't wait to start his podcast. He was genuinely happy to see Mike.

Sherlock could easily manage on his own without John. He doesn't need to be reminded to eat, he doesn't need an assistant for cases, he doesn't need someone to take care of him. His only problem is that he needs a flatmate.

Although John and Sherlock both need each other to afford rent, they don't need each other for anything else. They want each other's company, they don't need it. They aren't two halves of a whole, they are two wholes coming together. That's how it should be with all healthy relationships, platonic, romantic, queerplatonic, or otherwise.

It also helps a lot that Sherlock isn't a complete jerk on Sherlock & Co. He genuinely treats John and everyone else with a kindness that while I believe BBC Sherlock is capable of it, he rarely showed it. When John's PTSD is triggered, Sherlock asks John if he'd rather sit out that case. He then asks John if he wants to hold hands and discuss his feelings. In part one of the Blue Carbuncle, Sherlock complimented, actually complimented John. That kind of scene just never happened on BBC Sherlock. John was doing his "That was fantastic! You're amazing!" and Sherlock said, "You flatter me, Watson. But you did awesome too! You should have seen the way you did that! It was brilliant!"

John seems like a much more well rounded happy person in general. Just listen to any of his viewer discretion warnings. "Greetings you handsome devil! This episode will contain a bit of the old swearing, a bit of violence, some drug use. Oh and a bit of duck poo!" I hate to make this comparison, due to how much it will sound like an insult. But he acts like the quirky Disney Princess personality that every Disney Princess from the 2010s has and I mean that in the best possible way. It's my favorite thing about him. He's so adorable.

In the Blue Carbuncle, John has a moment similar to ones that you've seen many times before on BBC Sherlock. John has plans that mean he won't be able to help with the case. He is going to Berlin to spend Christmas with his old army friends. It's going to be his first boys' trip in years. But then he gets so sucked into the case that he's almost late for his plane and decides to just stay with Sherlock anyway because the case is just so fascinating he can't leave. On BBC Sherlock, John has abandoned his plans, his job, his girlfriends, for a case because he couldn't stand to be without Sherlock for so long. Also because Sherlock would often crash is dates, ruin his relationships, just so that John could assist him on cases. On Sherlock & Co, Sherlock was happy for John that he was going out with friends, even though it would mean spending the holidays alone. And Sherlock LOVES Christmas, so it's sad to think that he would have to spend it alone.

Where BBC Sherlock would manipulate or guilt John into staying, Sherlock & Co Sherlock let John go and was genuinely fine with going it alone for a week or two, even if it meant being all alone on Christmas.

I love BBC Sherlock, toxic co-dependent relationships and all, and I always will. But Sherlock & Co gives a little something different and I am happy that my boys are happier.

SH: *laughing* What's so funny Watson? JW: *laughing* It's just hearing you say "bell end" SH: Lovely and jubbly

#sherlock & co #bbc sherlock #i genuinely love both #this isn't me complaining #this is just something i love about sherlock & co #as much as i hate co-dependent relationships and how toxic they are #i love bbc sherlock's johnlock portrayed as one in fanfics #but sherlock & co's johnlock is already so healthy and non-toxic #i love it almost a little bit more #sherlock holmes #john watson #johnlock

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boombox-fuckboy · 6 months

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Hey!!! You commented on my post about limetown haha which is why I’m here. You offered to give podcast recs! What are your favorites?? I’m looking for some new ones

I completely forgot I had this ask, excuse the delay. Here's a selection of 30 podcasts I enjoyed from a broad range of genres: hopefully at least one appeals.

Let me know if you're after something more specific.

Arden: (Investigative, Comedy) On the 25th of December, 2007, heiress and young actress Julie Capsom crashed her car into a tree and fled into a nearby forest clearing, leaving a trail that seemingly vanished into thin air, and a dismembered torso in the trunk. A decade later, Bea, the first reporter on the scene, and Brenda, a detective on the case, are hosting a true crime podcast about it, and neither is remotely impressed with what the other has to say. Arden is also a retelling of various Shakespeare plays.

Desperado: (Supernatural, Adventure, Horror Elements) In a modern world of gods and magic, three young people, all under the patronage of death dieties, embark on the same adventure for different reasons: for safety, for revenge, and to kill The Old Man in the Sky. Fantastic banter and killer action sequences.

The Far Meridian: (Magical Realism) An agoraphobic young woman wakes one day to discover her lighthouse home has travelled to somewhere entirely unfamilar. As this continues to happen day after day, she uses the opportunity to search for her missing brother. A really unique and charming piece of fiction.

Gastronaut: (Sci-Fi) Interstellar travel audio blog of a former food critic as he travels to an active warzone to get firsthand experience with unfamilar cuisine. ft. Disgruntled martian nobility, sinister businessmen, explosive mushrooms, forbidden snacks, rogue revolutionary artists, and the consequences of your actions.

Girl in Space: (Sci-Fi) The Girl In Space lives alone on a space station, doing science, making cheese, rewatching Jurassic Park, and tending to the plants, animals, and artificial sun entrusted to her. It's a little lonely, but not a bad life. Would be a shame if someone came along to ruin it.

The Goblet Wire: (Microfiction, Weird Fiction) A surreal microfiction with horror elements, taking the form of phone calls to an audio-based game in which the voice of the mysterious Dictator leads each player through fantastic and horrific world and story.

Hello From The Hallowoods: (Horror, Supernatural) A dramatic entity beyond your comprehension visits your nightmares to tell stories of the people (in varying degrees of human and alive) that inhabit the strange, deadly, and beautiful Hallowoods, as they find meaning and sometimes eachother.

Hi Nay: (Supernatural Horror) A year after moving to Toronto, sound designer Mari finds herself drawn into helping people around the city with various horrific supernatural encounters due to her babaylan (shaman) family background. It quickly becomes apparent that there's something much more sinister and complicated happening in the background.

Inco: (Microfiction, Sci-Fi) A perpetually exausted interstellar information trader and her peppy AI find a mysterious (read: bratty) boy floating in space and are inadventently pulled into a world political intrigue.

Inn Between: (Fantasy) Ever curious about what the D&D characters get up to at the tavern between sessions? A generally lighter-hearted (with some exceptions) with richly-written and always-growing characters. A really interesting format, too: a lot of the adventure appears in the "next time" and "last time" segments which makes it all flow really nicely. Not a tabletop podcast.

Janus Descending: (Sci-Fi, Horror, Tragedy) A xenoarcheologist and a xenopaleontologist are sent to a study a dead city on a distant world. Nobody likes what they find there. A unique format, with one set of logs presented first to last, and the other last to first. I'd recommend listening to the supercut for this one.

The Kingmaker Histories: (Steampunk, Weird Fiction, Adventure, Fantasy Elements) In the Valorian Socialist Republic 1911, on her 25th birthday, tailor's apprentice Colette experienced the worst headache of her life. As a result, she fleed from town with a human artificer and a fae chef - both now smugglers - pursued by an utterly furious flesh-crafter. I'm not sure I'm selling how good this podcast is but it's very good.

Life With Althaar: (Sci-Fi, Comedy) A human repairman moves to a space station on the edge of human territory that is perpetually on the edge of self-destruction, and ends up with a less-than-ideal last-minute roomate. Althaar is polite, friendly, deeply interested in human culture, and eager to be friends. Unfortunately he belongs to a species that sends humans into a visceral panic at a glance.

Lost Terminal: (Sci-Fi, Hopepunk) Seth is a very lonely AI living on a satellite. His crew were left stranded aboard with no hope of return, and it's been longer than he can count since then. The Earth below him has changed dramatically, and with only a few other AI down there to talk to, he's very lonely. But! He has a plan to make some new friends.

Love and Luck: (Romance, Slice-of-Life and Urban Fantasy Elements) Voice messages cataloguing two young men falling in love and opening a queer dry bar together.

Midnight Radio: (Light Supernatural, Romance) Sybil McIntyre, host of the ever-popular 1950's nightly radio hour, begins exchanging letters with an old fan who has reluctantly returned to visit Sybil's beloved town.

Midst: (Weird Fiction, Western, Sci-Fi and Fantasy Elements) The old-western planetoid islet of Midst floats, rotating steadily, in a sea of reality-warping darkness. Down in the town of Stationary Hill, things are in movement, and vistors from the light above are about to bring unanticipated change. ft a monocycle-riding monster-hunter, radio-famous airship paladins, deadly mica, the universe's peppiest cultist, good dogs, and a really strange businessman.

The Mistholme Museum of Mystery, Morbidity, and Mortality: (Weird Fiction, Supernatural, Urban Fantasy and Horror Elements) A friendly AI tour guide leads you on a tour of the Mistholme Museum, explaining the strange and often alternatural story behind each item.

Monstrous Agonies: (Supernatural, Relationship Advice) An interpersonal advice show for supernatural entities and other people living liminally in the modern world.

Night Shift: (Urban Fantasy, Investigative) Set in a modern world with the addition of magic, which manifests in small inherited skills/traits, can warp people in horrific ways, or can be manipulated with the right science (and intense work) to induce superpowers. Sebastian Fenn is a barista at Night Shift Coffee, but since things are slow he's decided to start a podcast to talk about various mysteries, crimes and conspiracies around the city, and of course finds himself deeper in them than he'd intended.

The Pasithea Powder: (Sci-Fi, Thriller Elements? I think?) The last major interplanetary war was full of atrocities, but none more infamous then the creation of Pasithea Powder, a memory altering drug which was used to horrible effect and landed it's entire team of creators in prison. So when decorated war hero Captain Sophie Green sees one of them wandering free, worlds away from his prison, she gets in touch with a very old, estranged friend: one Dr. Jane Gonzalez, who's behind bars for the very same reason.

SCP: Find Us Alive: (Weird Fiction, Supernatural, Horror and Slice-of-Life elements) You don't need to know anything about SCP to enjoy this. A research team gets trapped in an underground research facility when the complex collapses and the building is dragged into a pocket dimension. The tear it was designed to study begins creating tiny copies of itself, generating strange entities the team needs to deal with. And as if that wasn't enough, the entire situation physically resets itself every 30 days. And yet, this is genuinely also an office comedy.

Second Star to the Left: (Sci-Fi) Audio logs of a scout sent to explore and establish early infastructure new world, and the communications with the minder in charge of keeping her alive.

Seen and Not Heard: (Slice-of-Life, Drama) Seen and Not Heard follows Bet, who's still adjusting to life a year after a bout of severe illness, and the resulting hearing loss it caused. It's about the ways we make connection, and food, and art, and different kinds of grief.

The Silt Verses: (Horror) In a modern world where gods are abundant, frequently both commercialised and restricted, two devotees of an outlawed river god go on a pilgrimage.

SINKHOLE: (Sci-Fi, Weird Fiction) Forum posts from a data restoration community in a near future where the human brain is its own computer and one city hosts a massive void.

Starfall: (Fantasy) Seeking to escape her mysterious past and find some purpose, a young swordswoman joins a travelling actor's troupe. This new life is unfamilar and sometimes stressful, but she's taken under the wing of stagehand Fel, who's determined to help her feel welcome as she experiences the figurative and literal magic of the theatre for the first time.

The Tower: (Weird Fiction) A low-key, meditative podcasy about a young woman who decides to climb a seemingly endless tower. Gorgeous sound design.

The Vesta Clinic: (Sci-Fi) New GP Dr. Fae Underwood, with the expert transcription skills of resident AI Sec, writes up patient reports on human and alien patients of The Vesta Clinic, a medical clinic on the edge of human space. Really comfy and creative.

Victoriocity: (Steampunk, Mystery) Set in the steam-powered Victorian city of Even Greater London, an aspiring journalist and a tired detective find themselves working together to solve a strange murder. I say Victorian but as queen Victoria is now an extensive grandiocity of cyborg components following seven only-kind-of-successful assassinations, you may need to adjust expectations a little.

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lmskitty · 10 days

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I think one of the things I love most about family AU satosugu ATM is just because of the way the canon went we never got to see characters have normal happy lives and I love thinking about that. I adore @ziyuanyuan1113 art for this reason (among many). All those perfect little normal family moments that never got to be.

So here's my fave headcanons atm ( @thequeenofsarcaasm and @uotuok might notice a few we discussed today 😅)

Geto and Nanako have dad daughter time where they watch reality TV. Geto is the cattiest bitch known to man and is always horrifically brutal about the show and Nanako loves it. Megumi always says reality TV is garbage and he would never watch it but he always somehow ends up making his coffee in the kitchen the exact moment it's on and stands there making comments. If they mention how he seems to be rather invested he will leave without a word so now they make no comment on him.

When the kids are quite young Gojo comes home to find Tsumiki, Nanako and Mimiko in princess dresses and Geto wearing a crown with his hair being braided. Megumi hands Gojo a crown and explains that they're two films deep into a princess party and have just watched Tangled and he wants to kill them all, he has also been forced into a princess dress. Gojo instantly puts on the crown. Days later they catch Megumi singing "I've got a dream" to himself as he plays with his toys despite having described the princess party as traumatising.

Shoko is a big part of the kids lives, she takes them out when Geto has his therapy appointments and Gojo is on a mission, she spends long weekends with them when she can and her and their group chat is filled with pictures of the kids being adorable or memes.

Geto and Gojo get into routines and home life after years of arguing about household chores. Gojo has to be taught how to tidy properly and constantly forgets. It is always somehow the dishwasher that is the main culprit as he always forgets to check if something is dishwasher safe and he has unfortunately destroyed so many of their kitchen items.

Geto and Gojo do skin care routines together and love relaxing and listening to murder podcasts while they give each other manicures/pedicures, Gojo used to get it all done professionally but much prefers the time with his husband though they keep figuring out the murders are definitely just local curses in their podcasts so that ruins it a bit. Megumi caught Geto sorting out Gojo's ingrown toenail in the front room once and told them to get a room, a disgusted look on his face as Gojo yelled that they did, they'd paid for the whole house actually???

The satosugu house has a family dinner night once a month which everyone attends including Megumi who moved out to be at Jujutsu high. This is usually done by Tsumiki and Gojo as they love doing recipes together from Pinterest and cooking together. The twins are not great at cooking. Nanako cannot make toast without burning it, Mimiko finds it stressful and doesn't like to try. Megumi on the other hand is amazing at cooking but finds his family too loud as there is always music and Geto and Gojo dancing together and embarrassing him.

Later down the line Megumi finds his favourite method of cooking is he and Yuji in their kitchen in their flat with lofi on in the background, enjoying each others company. He finds he doesn't mind the noise or even dancing so long as it's just him and Yuji, and sometimes Nobara if she's staying over. (Nobara is not allowed to cook. She causes fires)

#headcanons #satosugu #itafushi #goge #gego #stsg #satosugu family au #satosugu family #my writing

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sixth-light · 2 months

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I've been thinking a lot lately* about how artistic works are so intimately products of their moment and in conversation with it, and how easy this is to overlook both in terms of discussing a work and in terms of anticipating or considering new additions to an older work.

The first is important because so many judgements that can be made about a work are only meaningful when you know what their context was. What readers need or want to see, particularly in terms of representation, is hugely mediated by what else is available to them at the time. Yeah this is about stuff like "Rocky Horror was progressive when it was created" but also it's about stuff like "the John Carter movie bombed because it was regarded as derivative", when in fact the source material originated a bunch of the 'derivative' scenes and tropes that were then used by better-known movies before a John Carter movie ever got made.

The second is important because...even if you come back to a work, as a creator, you can only make new parts of it as the person you are now, in conversation with the world and genre as it is now, not as it was when you started. Taking a mildly-infamous-among-fantasy-fans example, Melanie Rawn's unfinished Ambrai trilogy; she's often said that she can't finish it because her life has moved on and...as sad as I am it was never finished, I think that's probably smart! She could write a third book one day, maybe, but it never could or would be the third book she would have written in the 1990s. And even if she did manage that somehow, the genre has moved on in such a way that it would feel weird and probably quite offputting to read a book doing with gender and feminism what the Ambrai books were doing in the '90s, because they are/were inherently in conversation with an era of fantasy that is now past.

All of which is to say that:

as a reader (or watcher) I think it's good to hold in mind, when engaging with a work from a time and/or place unfamiliar to you, the extent of what you don't know about the context of the work

as a creator, I think it's good to be very realistic about what you're going to actually achieve when you are making something over a long time period or coming back to something you left unfinished. You can totally do that! It can be incredibly rewarding! But the thing you make now is not the thing you would have made then, probably not even the thing you imagined you were going to make then, and that's just the nature of art.

*The reason I have been thinking about this is partly books I have been reading (Mara of the Acoma, you are my blorbo) and partly a very fun podcast I have been listening to which has re-read The Ruins of Ambrai and done a lot of discussion about its context, finishing up with a great interview with Kate Elliott about writing fantasy in the '90s (and writing it now, as she is still writing great but different books!). Anyway go listen to the Hot Nuance Book Club, it's a good time.

#meta #writing #fandom #melanie rawn

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meraki-yao · 28 days

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Ok I got four asks in my inbox about the new Nick interview and I'm actually mad. I'm actually livid and exasperated because I've been getting and answering similar asks over and over again, and yet people still come to me with the same statement and the same conviction EVEN AFTER I POINTED OUT EVERY FUCKING FACT THAT CONTRADICTS IT.

Do you really need a 19-year-old to teach you reading comprehension and media literacy?

Ok, fine.

Statement One: Nick doesn't appreciate RWRB, he's brushing it aside, which is why it wasn't mentioned in the New York Times

One: Editorials don't always portray the actual thoughts or agenda of the interviewee.

Unlike a video interview or a podcast interview where we can hear the whole conversation directly from Nick with his voice, and even if there are cuts and edits we can pick it up via visual or audio continuity, in a written editorial the only thing we can rely on is the writer's words, or in other words, the writer's paraphrase or quotation of what Nick said to him. This gives much bigger room for any changes or manipulation in content because we have nothing else to reference.

It is clear that in the past three editorials, the writer or the magazine itself has deliberately demeaning and devaluing RWRB. In NY Magazine, it was only mentioned in one line and degraded to "a queer take on a common straight trope" (see the choice of word "president's daughter"), with the implication being at its core, it's a straight story/ reliant on past straight stories to be interesting; Hunger Magazine calls it fujoshi-pleasing (fujoshi: Japanese slang, denoting how a straight woman who enjoys fictional gay content is "rotten", too ruined to be married, an insult to both the audience/fans and the movie itself ); and this time New York Magazine didn't even mention RWRB, when let's be honest, it's Nick's biggest breakout role.

"Once Is Chance, Twice is Coincidence, Third Time's A Pattern" this is deliberate. I can't say what the agenda is, my guess is some extent of latent homophobia, but it's clear that this is a fucking pattern. In fact, besides the hidden agenda of devaluing RWRB, these editorials show another hidden agenda, but that's something for a later day. PM me id you want to now, I won't discuss that one on my public platform yet.

Again, there is so much more room for twisting and hiding words in a written editorial. In all the video interviews Nick did, especially in the UK, when has he ever avoided a question about RWRB? When has he ever not shown gratitude towards the project?

Two: In all video evidence that can't be manipulated, that clearly shows Nick's own thoughts which not influenced by any other party, he has made it clear that he adores RWRB.

Why else would he sign books during the M&G London premiere, going as far as to stay behind after the event just to sign books? Same with the LA M&G premiere and TIOY premiere: those were promotions for other projects, he had a valid reason to refuse to sign the RWRB books and posters, but he didn't, always signing with a big smile on his face, even playfully signing on Taylor's face. He said it himself in his Instagram post, and I quote: "The love that Henry has received has been one of the most heartwarming things to watch. It's been difficult to not talk about him. So thank you for seeing him for all he is. He was a joy to bring to life." There's your proof, directly from the man himself.

Statement Two: Nick's not interested in doing a sequel, he said he's done playing princes and he's done playing romantic leads

One: "Done playing princes" doesn't mean literally done playing princes, it means he wants to try more roles and not be stuck with only being known as the "prince" guy. (even though he's literally a prince lol)

Plus, he said that after Robert, but then Henry came along and he was attracted to Henry as a character with his scared but loving heart. He doesn't just view Henry as a prince, he views Henry as a complex, delicate person who so happens to be a prince. Him saying he's done playing princes means in the future, he doesn't really want another royal on his filmography, but this doesn't mean he doesn't want to continue Henry's story. With the given context, namely asking him about future projects he wants to take up, "he's done playing princes" and "he doesn't want to play Henry anymore" are not mutually inclusive.

Two: "Done playing romantic leads" means he wants to try new things and take up new projects that aren't romance films.

This doesn't include the continuation of already established characters i.e. sequels, this just means if he were to take up brand new projects, he wants to try something else. Sequels are inherently different from new projects because again, sequels are based on already established characters.

Three: He said several times ON VIDEO that he'd be in for a sequel

In this one, when asked if he'd be up for a sequel, he said, and I quote "Look, I think with any opportunity of doing a sequel, I think, you know, the script has to be right. But obviously, it was so lovely to see how many people it touched and having that resonance is incredibly important to me, so, yeah. Of course."

In this one, when asked if they have had conservation on a potential sequel, he said, and again I quote: "Yeah, I mean definitely had conversations. I think we're all on the same page in the sense that, you know, the script needs to be right, and sort of all the different components need to be right because we made something that has such a positive effect and I think the last thing you'd wanna do is ruin that or take that in a way, so, you know, the conversations are definitely being had."

And there are more videos from red carpet interviews that I can't be bothered to find right now but he says more or less the same thing.

(look I even transcribed it)

Not only is he on board with a sequel, he's also being careful about it to make sure once they do get to making it, it's something good. He's on board, and he values it. And again, that's directly from him.

We have a phrase in Chinese: 斷章取義, meaning "breaking off a small part of an article and deriving the meaning from that single part" That's what so many of you, in particular, the people who come to my inbox with the sentiments of the above-mentioned statement are doing. Please, use critical thinking and look at the whole picture. Stop making judgments from the surface of one source.

Tagging my friends @alittlefrenchtree and @myteavsricochet because it looks like they've been getting the same things I got

#rwrb #red white and royal blue #rwrb movie #nicholas galitzine #henry fox mountchristen windsor #henry hanover stuart fox #rwrb thoughts #meraki essay #i'm not someone who gets mad easily but I've had enough of this #nick galitzine

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kaz-oooo · 2 months

Text

I’ve already done music recommendations so, you can check out these posts (playlists and list of artists) if you’re looking for that specifically. But Wilbur made a lot of content over the years and idk, i figured I’d make a a list of recommendations for similar content to fill that void as well :)

Minecraft SMP’s (specifically DSMP)

The same SMP’s but other POV’s — I’ll just start with this cos it’s the most iffy. There’s plenty of enjoyment to be had with these fandoms still, and I personally don’t think we need to let the actions of a couple shitty guys ruin the silly Minecraft roleplay we all enjoy. That said, if you aren’t comfy watching these anymore that’s perfectly valid as well, especially since Wilbur’s character will be lurking around in the background of plenty of these. But yeah, we can also uplift other creators by watching the fun stories they made, especially those who got buried by bigger creators at the time. So Dream SMP, QSMP, Origins SMP, SMP earth, SMPlive all have content you can enjoy.

Different, completely unrelated SMP’s — hermitcraft, the life series, empires SMP (shubble was involved in this one, I’m planning on watching her POV when I find some time) etc. I’ve had plenty of people recommend these to me before, from what I’ve seen they’re very enjoyable :)

Hamilton — not even joking, if you enjoyed the L’manberg era of DSMP and you didn’t watch Hamilton, I’d heartily recommend it. Great music, lots of politics but all in a fun and silly way, also tragic endings!

Editor Wilbur ARG (I’m a massive ARG fan so I have tonnes of recommendations here)

Generation Loss — Ranboo’s very awesome Horror project that they’ve been working very hard on!!! Ranboo’s been teasing new content lately as well so that’s exciting

Analog horror series — Local 58, Gemini Home Entertainment, Mandela Catalog, Kane Pixel’s Backrooms videos, etc. All very good and spooky videos, definetely an inspiration for Gen Loss, and I know Wilbur enjoyed this content as well (though the editor Wilbur arg predates a lot of this genre) those are some of the biggest on YouTube atm, and some of my personal favourites, but there’s plenty more to find (I recommend channels like Nightmind and Nexpo who do analysis videos for all this horror and ARG stuff if you wanna find more)

Marble Hornets — gets its own category! One of the original analog horror genres (predated the genre actually) it’s basically one of the biggest and most comprehensive Slenderman series out there. There’s a LOT of content here and lots of lore and mystery (though a lot of the game clues have been lost to time) (Jack Manifold also reacted to this on stream, it was very chill and good fun)

Horror podcasts — Magnus Archives and Magnus Protocol, Malevolent and Archive 81 are some of my favourites, but there’s plenty more out there to find and enjoy :). Also very spooky with lots of mystery to involved, the Magnus Protocol is very new as well so great time to get into that!

Just Chatting / Geoguessr / other chill content

Geoguessr streamers / YouTubers — honestly I genuinely didn’t watch much geoguessr content outside of Wilbur’s streams so, I don’t have many recommendations here. I know Eret has been doing geoguessr streams lately and their content is very good and chill. Jacksuckatlife plays as well and last I watched he was fairly good at it (like similar skill level to Wilbur), otherwise Rainbolt is a geoguessr legend, he terrifies me a little ngl.

Other streamers — I think the thing with the just chatting streams is that we watch for *that specific streamer’s* personality. It’s hard to really make recommendations other than just saying go watch more of the streamers you enjoy. Personally I enjoy Phil’s hardcore streams, and Sneegsnag’s Crime Time the most, but there’s plenty of other people both in this MCYT space and outside of it that you’ll probably enjoy :)

Sorry boys (unlike horror I don’t watch much comedy so, sorry, this’ll be lacking)

Just Roll With It — Charlie Slimecicle’s DND podcast. I’ve only listened to a little bit of this but it’s really good and REALLY silly (oh, and emotional sometimes, gotta have a bit of angst y’know) Wilbur was a guest on a couple of episodes, but you can always skip past those if you want.

Tommy’s videos — so Wilbur features in a lot of the early vlogs and *minecraft but* videos, but Tommy’s content has always been good fun, his recent stuff is excellent as well! He’s been doing a lot of comedy content lately, specifically a live show so definitely check that out if you want :)

Smosh pit — not something I’ve watched a lot of, but I’ve seen clips of their try not to laugh videos and they’re definitely on par with the bat shit improv you get from Sorry Boys.

Game changer — again, not something I’ve watched much, mostly consumed through osmosis, but the show is funny, the cast is always silly and it’s a lot of fun all round

Whatever else Sorry Boys make after this — judging by some of the responses to Wilbur’s “statement” I think it’s fair to assume if Sorry Boys do continue making content Wilbur will be cut from the group. Of course don’t feel obligated to stick around if you don’t want to, but Wilbur won’t be compensated if he’s kicked and the rest of the guys are still fun :)

YLYL and similar goofy stuff

Just… other streamers again — Jack Manifold does YLYL streams with his friends. James Marriott does a lot of reaction videos as well, sometimes YLYL, sometimes reacting to content his viewers send in (like TikTok’s and break up texts), those are my favourites atm.

YouTubers — that niche between video essay and reaction content, people like Danny Gonzales, Drew Gooden, Kurtis Conner, Pinely, all good fun YouTube channels that make good, silly, and easy to consume content.

Other gaming streamers and YouTubers — Slimecicle, Ranboo, Games Grumps, RT games, and SneegSnag all play a wide variety of games, they’re all relatively chill but none of them take the games all that seriously either so it’s fun and goofy as well :)

And of course Fanfiction!!!

I might be a little bias here cos I write myself but fic is created by and for fans and it exists to give you even *more* content about the stories you love, whether it be reimagining canon events or just dumping your favourite characters into a silly au.

I know a lot of authors (myself included) are feeling super conflicted and weird about writing Wilbur in the future. Plenty of authors have been moving onto new fandoms so if you find something you enjoy make sure you check out the author’s other work and who knows, maybe you’ll find some cool new fandoms that way!

And do the same for artists and other creators, or even go check out some of your mutuals fandoms, you guys might have more in common than you originally thought!

#wilbur soot #dsmp #the sorry boys #editor wilbur arg

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ask-james-madison-stuff · 2 months

Note

Josephine Payne

(My fankid of James Madison and Doley Madison when James left Doley she was pregnant but Doley but never told James and Doley raised Josephine making her believe James abandoned them so she is acting like a bitch to Caroline but Caroline doesn’t say anything about Josephine to her dads but she also didn’t knew Josephine was her half sister)

Josephine:

- That fucker is back!

Diane(Josephine’s girlfriend):

-Yeah, I thought he was gone for good too

Josephine:

-It’s been so long!!!

Diane:

-You still pissed she almost beat you that time?

Josephine:

-Uh, fuck you!

Diane:

-Just saying

Josephine:

-Things have changed a lot since she left town!

Diane:

-That's for sure

Josephine:

-I gotta send a message of who's really in charge of things now

(sung)

Welcome home

I'm gonna make you wish that you'd stayed gone

Say hello to a new status quo

Everyone knows that there's a brand new dawn

Turn the TV on!

*Josephine opens her life stream*

Diane spoken:

-Camera speeds

Rolling in three, two

Background music:

-Welcome to the show!

Josephine:

-Top of the hour, and we're discussing a certain has-been

Who has been spotted cavorting around town

Background music:

-Welcome to the show

Josephine:

-After a seven-year absence

Did anybody miss her?

Did anybody notice?

More on tonight's program!

So, the Treasury States

is back in town

Why is she hanging around?

What does that mean for your family?

Well handily, I've got good news

She's a loser, a fossil

And I don't mean to sound hostile, but the Girl is a coward!

You can take that as gospel

Pulling my viewers? Impossible

I'm visual, she's barely audible

Stop giving her the time of day, don't listen to a word she say

I hope she had a nice vacay, but she should've stayed away

While she hid in Italy, we've pivoted to video

Now her medium is getting bloody rare

America been better since she split

Where's she been? Who gives a shit?

Caroline enters the chat:

-Salutations!

Good to be back on the air

Yes, I know it's been a while

Since someone with style treated America to a broadcast

People, rejoice!

Josephine:

-What a dated voice!

Caroline:

-Instead of a clout-chasing mediocre video podcast

Josephine:

-Come on!

Caroline:

-Is Josephine insecure, pursuing allure?

Flitting between this fad and that, is nothing working?

Josephine:

-Ignore her chirping!

Caroline:

-Every day, she's got a new format!

Josephine:

-You're looking at a queen, she's the shit that comes before that!

Caroline:

-Is Josephine as strong as she purports?

Or is it based on her support?

She'd be powerless without her Mommy and Gal!

Josephine:

-Oh, please!

Caroline:

-And here's the sugar on the cream she told me I ruined her life

Josephine:

-H-hold on!

Caroline:

-I said Whatever now she's pissy

That's the tea!

Josephine’s camera glitching:

-You old-timey prick, I'll show you suf-ffering

Caroline:

-Uh oh, the Star is buffering!

Josephine:

-I'll destroy you, yo-ou lit-tle—

Josephine camera lost its signal and ended

Caroline opens her live stream:

-I'm afraid you've lost your signal

Let's begin

I'm gonna make you wish that I'd stayed gone, tune on in

When I'm done, your status quo will know its race is run

Oh, this will be fun

Caroline said than ending the livestream smirking

(*wheezing due to how funny this is* also that's interesting! way to make Thomas and James look bad though-)

*James was working in his office and for some reason he got a glimpse of that live stream and saw Josephine, it shocked him how much that kid looked like him which has him overthinking now*

#hamilton #ask blog #hamilton musical #hamilton rp #james madison #asks open #send asks #ask me anything #thomas jefferson #role play #jeffmads family shenanigains

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loveesiren · 4 months

Text

𝖲𝗍𝖺𝗋𝖽𝗎𝗌𝗍 - 𝖢.𝖲. (𝖯𝗍. 3)

Disclaimer: Hate hate hate this chapter but some of y'all were getting mean so here is chapter 3. I think it's trash. My motivation has been shit lately so we'll see where this story goes.

Synopsis: Y/n runs away from her problems

Warnings: Language, heroin use, angst, 18+

Word Count: 2.8k+

Chris’s POV

I swear I was going to lose my fucking my mind in this tiny concrete room. I hadn’t even been in here for two hours and the anxiety was taking over. The cop sat at his desk, sipping his coffee loudly while watching a football game on a small tv that faced away from me. I was going to have to sit here until Monday morning and all I had to do was think.

A million thoughts ran through my head. I’m sure Matt and Nick already called our parents and they were going to be pissed beyond belief. Luckily our podcast was pre-recorded but if I’m not out soon news is going to get around that I’m in here. But most of all, I thought about Y/n. She seemed so upset. I knew she was blaming herself for this and I prayed she wouldn’t do anything stupid. I know how vulnerable she can get when she’s down. But I know Matt and Nick will look out for her.

“Yo, don’t I get a phone call or something?” I asked the cop.

He responded with a long sigh, as if my question was making his entire job more difficult. I furrowed my brows at him, awaiting his response. “Fine.” He finally said. He got up and unlocked the cell door before leading me over to the phone. “You got two minutes, kid.”

I nodded and picked up the phone. I dialed Nick’s number, knowing he was most likely to answer.

“Hello?”

“Nick? Hey! It’s Chris!”

“Chris! Are you okay?!”

“Yeah, yeah. I’m fine.” I responded. I could hear Matt in the background and Nick switched his phone to speaker.

“Chris, we'll bond you out first thing after your hearing on Monday! Mom and dad already hired a lawyer.” Matt said.

I sighed, knowing how disappointed they were going to be. “Cool. Cool. Uhhh can I talk to Y/n?”

Matt and Nick were both silent for a few moments. “Uhm…she’s not here…”

“Well where is she?”

“I’m not sure…”

I could hear the change in Nicks voice. Something was wrong. “What’s going on? Why are you talking like that?”

“Well…She uhm…Her and Matt kind of-”

“I kicked her out!”

“You did what?!”

“She’s always gotten you into trouble, Chris. I’m sick of it. I don’t want to see you ruin your life over her. I know you’re like in love with her or whatever but-”

“Go find her. Now!” I spat. “You don’t fucking understand, Matt. You don’t fucking understand what you did! Go find her and make sure she is fucking safe!”

“Chris, what do you mean?”

“Now!” I slammed the phone down on the receiver.

“Watch it!” The cop said. I bit my tongue and followed him back to my cell.

I sat in the corner of the tiny bed and buried my head in my knees, trying to fight the tears threatening to spill from my eyes. I loved Y/n more than anything in the entire world and I knew her better than anyone. I was the only one who knew she experimented with opioids. I tried them with her but I noticed how she started using them to numb her pain and I quit. After having to Narcan her TWICE I made her promise to never touch them again. I threatened to tell her parents. I told her I would take her to rehab. She begged me not to. I know I should have but she swore to me she wouldn’t touch them again. I helped her through her withdrawals and over the last two years she’d been true to her word as far as I knew. I mean I was with her most of the time and never saw her use or act shady. But now I wasn’t there when she needed me and who knows what Matt said to her.

Fuck, fuck, fuck, FUCK! I couldn’t stop the tears from falling now. My whole body was shaking with anxiety.

Y/n’s POV

“Y/n! Y/N!” Danny yelled, kicking my foot. I jolted awake and struggled to see through blurred vision. I rubbed my eyes and slowly took in my surroundings as an overwhelming wave of nausea took over my body.

“Ugh, what?”

“Your phone’s been ringing non stop! Fucking answer it or turn it off. It’s annoying.”

I felt for my phone as previous events returned to my memory. Chris was arrested. I got in a fight with Matt. One thing led to the next and I somehow ended up at Danny’s house smacked out of my mind. I wasn’t proud of this. But remembering what Matt said to me, I felt like I was exactly where I needed to be.

My phone started ringing again and I was able to find it between the cushions of Danny’s old, cigarette stained couch. The screen lit up with Matt’s name and I could feel the bile rising in my stomach. I ran to the bathroom and shut the door quickly behind me. I sat on the floor, heaving over the toilet, but not much came out. I can’t remember the last time I ate. I didn’t even know what day it was. I sat back and pulled out my phone. 13 missed calls from Matt and Nick combined. 5 from my mother along with three texts asking where I was. A missed call from an unknown number. To top it all off, it was 6:23 pm on Sunday. What the hell had happened in the last day and a half?

I stood up and looked at myself in the mirror. My hair was a tangled mess, a stained crop top clung to my malnourished frame and a pair of baggy sweatpants (that didn’t belong to me) were tied tightly to my waist. I looked at the fresh track marks on my arm, a trail of dried blood leading halfway down my forearm. I was disappointed in myself. I promised Chris I would never go back to this. But it was too late now. I pulled my phone back out, ignoring all the messages from Matt and Nick and opening the text thread with my mom. I typed out a quick message.

Hey mom, I’m fine. Haven’t been feeling great this weekend so I’ve been sleeping. Didn’t mean to worry you.

Not three seconds after I sent it, she was calling me. I sighed, really not in any head space to talk to her but I knew I was already on her last nerve so I took a deep breath and answered.

“Hello?” I definitely sounded sick.

“Y/n! Honey! Where are you?! Are you okay?!”

“I-I’m fine, mom. I’m at home. I’m just a little sick.”

“Nick and Matt said you weren’t at your house! They were just there!”

Fuck. Why the fuck had they come by?

“I just stepped out to get some medicine. I just got back.” I lied.

The lie seemed to calm her down a bit. “MaryLou told us what happened to Chris. We just wanted to make sure you were doing okay.”

“Yeah, mom. I’m fine. Matt and Nick are going to bail him out tomorrow.” I felt nauseous again thinking about it. I didn’t know what to expect when Chris got out. I wasn’t great with confrontation and after the situation with Matt and relapsing with Danny, I didn’t really want to face Chris. “Uhm, mom, some friends asked me to go camping for a few days. So my service might be spotty.”

“I thought you were sick?”

“Yeah, I think it’s just like food poisoning or something. I should be better by tomorrow. But I’ll call you when I can, okay?”

“Y/n, are you sure you’re okay? If something is wrong you can tell us, we can come out there…”

“No, I’m fine mom. I promise. I’ll talk to you soon, okay? I love you!”

With that, I hung up on her and quickly exited the bathroom. “Danny, let’s go.”

“Go where?” He asked.

“I-I don’t know. San Diego or something? I just need to get out of here before Chris gets out tomorrow?”

“Why? I thought you looooved him.” Danny mocked. “You’ve been mumbling about him non stop.” He sighed and sat back.

Danny liked you. That wasn’t a secret. He wasn’t bad looking. But he was a “bad boy”. His main job was drug dealing. He hung around with shady people, did shady shit, and hated on people like the Sturniolo’s for being in the public eye. Even though you were getting into your modeling career, Danny didn’t seem to care. You didn’t believe Danny’s feelings were deep. You didn’t believe Danny was capable of deep feelings or love. But you were hot and you had him wrapped around your finger.

“I-I can’t face Chris like this. I just want to get away from here. Please?”

“My cousin has a condo down in Chula Vista. It’s right by the beach. I could call him.”

“Okay. I’m gonna run to my apartment and grab some things.”

I left Danny’s apartment, and ran up to mine. I grabbed a duffle bag from my closet and grabbed some clothes, a toothbrush, and some deodorant. The basic necessities. I was almost done packing when I heard a knock on my door.

“Coming!” I said, assuming it was Danny. I threw my bag over my shoulder and made my way to the door. I swung it open, ready to go but stopped in my tracks when I saw Matt standing in front of me.

“Going somewhere?” He asked.

It was hard to find my voice. My mind was a mess and my body was hurting. I needed a fix. “Uhm- Camping. With some friends.”

“Camping with friends. What friends?” Matt asked, stepping into my apartment now.

“Just some friends. You don’t know them.” It was somewhat true. Nick and Matt didn’t know Danny. Hence why they couldn’t find me earlier. But lying to my mom about camping with friends was one thing. She didn’t know my social circle out here. Chris, Nick, and Matt on the other hand, pretty much were my social circle. We shared the same friends. If I really was to go camping with friends, chances are they’d be coming too.

“Look, Y/n. I’m sorry for what I said yesterday…I was just upset and it was wrong of me to blame it on you.” I didn’t know how to respond so I just looked to the floor. “Chris is really going to want to see you tomorrow and-” He stopped, noticing my arms. He grabbed my wrist and yanked my arm into view. “Y/n, what the fuck happened to your arms?! Have you been shooting up?!”

“Ready to go, Princess? My cousin said-” Danny appeared in my doorway. “Well look what the cat dragged in.” Danny said with his skeezy smile.

Matt looked him up and down before looking back at me. Danny had on tight jeans with chains and a sleeveless band shirt. He reeked of cigarette smoke and I knew Matt was judging me.

“This is who you’re going camping with?” Matt asked.

“Look, I gotta go…” I said pushing past Matt and locking my door.

“So you’re just going to dip out on Chris?” Matt asks. “Come on Y/n. You’re better than this guy!”

“Excuse me?” Danny asks, turning to face Matt. I step in front of Danny, putting my hand on his chest.

“Matt. You said it yourself. I’m no good for Chris…”

“Y/n, I didn’t mean-”

“It’s fine. I gotta go. Take care of him, okay?”

With that, I grabbed Danny’s hand and pulled him along with me down to his car to avoid any further conversation with Matt. I noticed his van with Nick inside sitting in the parking lot. He looked confused. I looked away and climbed into Danny’s car, urging him to drive away.

Danny offered me a cigarette and I took it. Remaining quiet as I sparked it. He didn’t ask questions. But he did place his hand on my knee as he drove. “You don’t need them, Princess. I’ll take care of you.”

The words made my stomach twist into a knot. I wanted Chris. But Matt was right. I didn’t deserve him. I was exactly where I deserved to be. “You got any more dope?”

“Gonna pick some up on our way, don’t worry.” He smiled at me. I attempted a half ass smile as I bit back the urge to cry. I looked down at my phone, studying the photo of me and Chris I had set as my wallpaper. It was a silly photo of us in highschool. We were both laughing, I was on Chris’s back as he ran down the hall with me. It was a time in my life I was truly happy.

I shut my phone off and threw it in my bag, focusing on the world passing by through the window of Danny’s old BMW. I knew this wasn’t the right move but I was never good at confronting my problems and the promise of an escape and drugs was enough to leave LA and Chris behind me.

Chris’s POV

I sat silently while the judge went over my charges. Cameron Jacobs and his family sat and watched with smug looks on their faces. Matt and Nick sat on the opposite side of the courtroom, ready to bail me out. I was disappointed when they showed up without Y/n.

The judge set my bond to $5,000 and gave me another court date. By noon, I was gathering my things and climbing into the van. Nick was hounding me with questions while Matt remained relatively quiet.

“So where’s Y/n?” I asked, no longer wanting to think about the trouble I was in or the fact that I would have to call my parents when I got home and get my ass chewed out, or the fact that we were out five grand. “Why didn’t she come?” My voice cracked.

Nick looked at Matt, seeing if he would admit what happened. Matt remained silent. “Matt…”

“Where is she, Matt?” I asked.

“Look Chris-”

“No tell me the fucking truth! It’s your fault she fucking left in the first place. Where is she?!”

Matt sighed. “I went to her place last night. She left with some sleaze bag. Said she was going camping…”

“Dude with combat boots, covered in shitty tattoos, smelled like cigarettes?” I asked.

“Yeah.”

“Danny.” I hissed. He was such a piece of shit. Always trying to get in Y/n’s pants. He was a slimy drug dealer and now she was God knows where with him.

“She had, uhm…she had track marks on her arms…” Matt said.

I tried to take a deep breath but I was beyond livid. “Pull over.” I said as calmly as I could.

“What? Why?” Nick asked.

“Pull the fucking car over!”

Matt did as I asked and I climbed out, slamming the door behind me before walking off down the street.

“Chris! Where are you going?!” Matt asked as him and Nick chased after me. I really didn’t want to be near him right now.

“Fuck off, Matt!”

“You have to fucking talk to me, man!” He said, grabbing my shoulder and forcing me to look at him. I pushed him off of me and Nick was quick to catch him before he fell.

“This is your fucking fault!” I yelled. “Why the fuck would you say those things to her, Matt? She’s been our best friend our whole lives! This is your fucking fault!”

“I was just looking out for you! It’s not my fault she’s a drug addict, man!”

I threw myself at Matt, punching him in the eye. He fought back but it didn’t last long before Nick was separating us.

“Stop it! What the hell is the matter with you guys?!” Nick yelled. “Chris, you just got out of jail for fucking assault. Beating up your own brother isn’t going to get you anywhere! And Matt, you were wrong for what you said to Y/n. But we aren’t going to find her if you end up back in jail and don’t work together. So both of you get in the fucking car and let’s go home and figure something out.”

As much as I hated Matt right now, Nick was right. All I really cared about was finding Y/n and I was going to need help doing that. I climbed back into the car silently and endured the ride home. I had tried texting and calling Y/n earlier but it went straight to voicemail. I typed out one more text.

Y/n, please be okay. I’m so worried about you. Fuck whatever Matt said. You mean everything to me. Please just text me back when you get this so I know you’re okay. I love you…

Tags:@strniohoeee@daisysturniolo.@justangelheree@flowerxbunnie@recklesssturniolo@lustfulslxt@mangosrar@bluesturniolo333@christinarowie332@kenzieiskoolaid@sturniolopepsi@mattenthusiast@ilovecrazymen@sturnphilia@poopydroopt@miaakenn

#sturniolo triplets #chris sturniolo #matt sturniolo #chris sturniolo x reader #nick sturniolo #sturniolo fanfic #matt sturniolo x reader #stardust #angst #sturniolo #chris sturniolo imagine #chris x reader #christopher sturniolo #effy stonem #jack o'connell

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9w1ft · 1 month

Text

hi anon,

i guess for me, my understanding of i-D being restructured is that it was at a point where it was going to happen regardless of whether or not karlie invested in it. because VICE, the company that owned it, had filed for bankruptcy. actually i think everyone was going to be fired and all of i-D was going to disappear. karlie invested and i-D has been working to make their business model sustainable again, leading to people being laid off.

actually there was a games media site called waypoint, which operated under VICE for several years before it was shut down completely, that i was a follower of, and i frequently listened to their podcasts, and i picked up on a ton of information about how shitty the VICE culture and management is, how they buy things and ruin them through mismanagement and a lack of professionalism, and i picked up on this vicariously through the podcast and by following a lot of the people who were involved in it via social media for many years. this gives a greater context to me about i-D’s situation as it relates to VICE.

so to me, actually, it reads more like karlie stepped in and salvaged i-D, a magazine she cares about and a lot of her fashion industry friends care about, from being lost forever.

i really think people always assume the worst of karlie. some of that is on her because she’s not always the best communicator, but so much of the i-D stuff that people have pinned on her is complete conjecture based on a picture people have painted of karlie of being an inherently mean and evil person. and i don’t think she’s a mean and evil person. i think for a lot of people who are taylor swift fans, we can’t even agree on this point, and so i don’t find it productive to discuss it much in an online forum. but i know there are people like you out there anon, so, i’ll attempt saying a little more.

think of people in your life that you admire, or public figures or celebrities that you enjoy. if you went looking, i guarantee you could find faults in every person. dealbreakers, even. and i bet you haven’t cancelled all of them. so i think this suggests that there is a way that humans make it work.

as someone who has followed karlie for many years now and has watched basically every interview of her and all these moves from her, i feel like i understand the circumstances and conditions that lead up to her saying things or doing things that arent perfect, that are taken the wrong way, that can cause harm, when it’s really not intentional and just karlie being karlie. (i feel the exact same way about taylor by the way)

and for me, i am very confident that if i ever were to sit down with her and talk to her about how i feel about any number of issues that she would see my point of view. or that over time she will find her way. again, i feel the exact same way about taylor. because i feel that i have come to know her and the type of personality she has and i know at the end of the day the things she does are coming from a well meaning place, so it’s more a matter of direction. there are a lot of people in this world where i believe this is not the case and i harbor very different feelings for them.

i dont think this entirely answers your question but this is the gist of what i’ve decided to write.

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foe-paw · 2 months

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bro i just got knocked clean off my socks by a podcaster's description of a Stephen King character made in such a way that i finally, finally, understood the reference behind Uncle Wiley's character.

first, the stephen king wiki description on randall flagg:

Flagg is described as "an accomplished sorcerer and a devoted servant of the Outer Dark" with general supernatural abilities involving necromancy, prophecy, and unnatural influence over predatory animals and human behavior. His goals typically center on bringing down civilizations, usually through spreading destruction and sowing conflict.

huh! that sounds kind of familiar! alright, on with the podcast excerpt-

Randall Flagg, he's the dude we're all here for, in one way or another, right. Because… Just to let you know, if you're a listener who has not read a lot of Stephen King, if you're here because you like hearing us talk about it rather than reading it yourself, Randall Flagg is in some ways the lynchpin around which all of Stephen King's later work is going to be built upon. He's going to leave this novel and he's going to show up in other novels. Randall Flagg is the Walkin' Dude, and he walks a lot. He is, uh- in- in the way that I think that if you're not a Stephen King reader, you probably associate Stephen King's ultimate embodiment of evil as Pennywise, because I think Pennywise has a much sharper popular culture profile. But Randall Flagg is really Stephen King's archvillain. And he is… He is the Heath Ledger Joker. He's also, kind of the Jared Leto Joker. He is also kind of the Jack Nicholson Joker! He is every Joker. Right? He's an Ur-Joker. — It's very funny that you just said he's not Pennywise. — Yeah. But he is the Joker! — Yeah, yeah. He is an agent of chaos who is calculating. — We get introduced to him - and I actually, I think the rest of the books kind of ruin Randall Flagg for me. Because Randall Flagg is really intriguing when we meet him here. He, uh, he's a drifter- so, again, we have these parallels. Nick Andrews, who is a drifter, but he's like, the good drifter… Randall Flagg is the bad drifter, who doesn't go from town to town to work, we get the sense that he just - he doesn't even remember his own past, right? There's something really weird about him right off the jump, he doesn't have a good sense of who he is and he does not care. He just has, like, weird memories of, like- impossible memories, right? Hhe remembers going to school with Charles Starkweather. He remembers riding with the KKK. He remembers, like, helping the weather underground build bombs. It's suggested that he's hanging out with Donald deFreeze and the SLA when they come up with the plan to kidnap Patty Hearst. And he's just a guy, he wears cowboy boots, he wears jeans, he wears a denim jacket, he's got pockets that are filled with all sorts of extremist literature? And, this is important- it's not just, like, extreme right-wing, right? It's extremism of any type. Right? Randall Flagg is the nightmare embodiment of horseshoe theory in a lot of ways. —Yeah. We talked a lot about liberal centrist Stephen King, and I think it should be instructive to everyone that his ultimate villain is just extremism of any kind. Like, any political statement that- or any political belief that is, like, outside the Overton Window, that's Randall Flagg. — He just, he has no ideology other than the sowing of chaos, right? Making everything worse is his goal and he doesn't have a very clear memory of his own life, the events are kind of strange, but also, and he has in his first chapter, right? He's walking down the highway and he always has- the phrase that is always used to describe him is that he "looks like a man with great good humor", right? He's always smiling, he's always laughing, but it's a mean and evil laugh.

from the Just King Things episode about The Stand.

i just feel so relieved because i've been kind of turning wiley's bizarre fucking sartorial choice of double denim in my head like a dog with a very confusing bone, but that decision is way less inscrutable if the source for the double denim turns out to be the bad-guy imaginary of Stephen King in the 70s sdkjskdjskdjskdj.

#starkid #team starkid #hatchetfield #uncle wiley #black friday musical #wilbur cross #was everyone onto this reference and it was just me who missed it because i never read the dark tower??#i was just listening to the podcast going hm alright so the stand is about a dualistic fight of good vs evil #and the devil stand-in is a dimension-traveling smug joker type who- wait what do you mean he wears denim #then i look at the wiki and of course that's game over because wiley just wears a 1:1 recreation of a randall flagg outfit smdskdjskdj #stephen king readers come to my rescue. what is up with this guy and how does uncle wiley compare and contrast

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f0point5 · 2 months

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whenever i hear about ocon's parents selling their house and living in a caravan (iirc) i just feel so bad for him. it really reminds me of all those traumatised child actors whose parents quit their job because the child can now be the breadwinner. obvs it's two complete opposite sides of the spectrum but both are such unfair sitautions to be put in as a child! esteban needing to succeed because otherwise his family would be broke forever?? (also i know that these decisions are often mentioned in a heart warming "oh look at how much my parents sacrificed for my dream" -way, but i find it so hard to look at it from a positive light. i'm sure they did it all out of love but i just can't imagine putting your child in such a tough position and putting that much pressure on them. i guess i just lack that top performance athlete mentality lol.) not to mention that most of these racing children hardly have a plan b career plan since they usually drop out of school. so now you have a kid who single handedly has to save the family from financial ruin AND has no safety net or plan b whatsoever. that's just insane and it's no wonder esteban is like that. he really has the ultimate rags to riches back story but his history gave him such a massive chip on his shoulder that he's just become unlikeable, which sucks!!! wish someone would grab his shoulders and shake him around a little and say: estieee!! youve made it!! stop driving like losing would full on kill you and just focus on getting the best out of the car and be the best you can be!! you'd think that someone with his backstory would be the last person who'd need to be humbled, but fucking hell he acts so smug and can be so delusional it's exhausting.

anyyyyways, apologies for dropping a full essay in your askbox, i don't even care about esteban lmao. it's just that whenever i do happen to think about him i just get so frustrated 🤷🏼‍♀️😬

have a lovely evening!! 💞

This.

I remember reading that once when I didn’t know too much about him and thinking, okay that’s a bit extreme. And then I thought about how much pressure that must have put on him. Pressure to succeed, but also just pressure in terms of that being not an ideal quality of life for a teenage boy. His parents made his life exponentially harder in every single way to support his hobby in the hopes that he could turn it into a career to support them. And then I thought about the fact that if he hadn’t been that 0.00001% that makes it, how much harder his life would have got, and how much guilt he would have lived with. They set him up to live with constant insecurity and instability, and to shoulder the burden of making that all worth it for them. Who does that to their child? I don’t care how talented you think they are, betting you’re financial security on that is imbecile behaviour. Even Esteban said if he were in his parents’ position he wouldn’t do it. Poor guy knows what it does to child.

It’s exactly like moving your kids to LA to be the breadwinner, except it’s worse because the amount of kids able to support a family on acting work is probably 10,000 times the the amount of drivers making enough money to support a family from driving alone. Statistically, there was a 0% chance that that gamble would pay off for them but they did it anyway. That’s worse odds than a slot machine. And they bet the house their son was living in?! Ew. Just ew.

And yeah, people say “look what my parents sacrificed for my dream” with affection when that dream has come true. But what would have happened if he hadn’t made it. “Look what my parents destroyed because they bet my future and theirs on my childhood hobby”. What in the damn hell. These stories are not in any way endearing to me - they’re just examples of narcissistic and irresponsible parenting.

And now I’ve just seen clips of a podcast he did talking about his childhood and I was almost tearing up for him. How he and his dad used to take tyres from the other kids’ karts out of the bins and reuse them because he didn’t have enough sets over a weekend, and how he didn’t go to birthday parties or on holiday because it was all focused on his racing. That’s a CHILD. And he was talking about how he and his dad would see Max and Jos and how everyone was intimidated by them but he and his dad weren’t…because they had literally bet their shirts on his career and couldn’t afford to be scared. That. Is. A. Child. What if he woke up one day and didn’t want to do it anymore? What if he wanted a life beyond what his parents chose for him by putting their lives on the line? Would he have been allowed to? I mean. No bloody words.

Again, anyone who says Jos is a problem father better be coming for the Ocons (and Anthony Hamilton).

The way he is is so clearly connected to the fact that he lived his whole life in survival mode. That guy moves through the world like the last meal he had was one he had to fight for in an abandoned warehouse. And fair enough it got him where he needed to go, but once you’ve made it, It’s the most unpalatable energy to be around, and it no longer serves you. And it also makes you look like an ass because how can you be a whole f1 driver and stink of desperation. Logically it’s clear why but it’s still just not a likeable combination. He probably knows that, but doesn’t know any other way to be. That’s why he has such an issue with teammates - he can’t not fight for things because he’s always scared someone is going to take something from him. He’s like a stray dog that you take in and they hide food in their bed because they think you might not ever feed them again.

I really hope he’s getting some therapy because the childhood is trauma-ing out in the open.

I think of everyone on the grid he’s the one I feel most sorry for, because of all the backstories that you hear, he seems the most unhealed.

But the levels of delulu is something else. That f3 season where he beat Max (racing for a top team while Max was in one that I don’t think had even won a race until Max won 10 in one season) really got him thinking they were on a level and he hasn’t let go of it since. He’s like “oh I look at it like I’ve never had the opportunity to go against Max because we’ve always been in different leagues of car”…as if there’s not a REASON. You’re out here like “he’s in a red bull” well why aren’t you? By your own admission you were on the same f3 track…helmut wasn’t looking for you bro.

Hope you don’t mind my essay back lol. I’m low-key obsessed with him because I find him so annoying but at the same time he’s like literary gold dust. He has such Main Character backstory. It’s just a pity he comes across so unlikeable to me. And the thing is, I genuinely think underneath it all he is a sweet person (delulu still, but sweet), but it just comes secondary to his survival mode personality.

#esteban ocon

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peterswonderland · 4 days

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Introduction

By now, we all have our opinions of The Tortured Poets Department: The Anthology. It has received mixed reviews from critics to fans alike.

In the Gaylor community, many have dubbed it her “straightest album,” which I am inclined to agree with. BUT.

If you do not like Gaylor or Swiftgron content, feel free to block and/or keep scrolling!

I’ve seen and read theories for years. In this post I will be referencing the Swiftgron Masterpost. I’m also an avid listener of the What I Will Say podcast. (No one affiliated with the podcast is involved with this post, and for all I know might disagree with it entirely. However, I will be referencing the masterpost at points, and it is only fair to give credit where credit is due.)

This is celebrity gossip, and everything is alleged. I do not know Taylor or Dianna. This is alleged (don't sue me, tysm!)

Peter is…Dianna?

Halfway through my first listen of “Peter,” I was fully convinced this song was about Dianna. That Peter was Dianna.

First, I will go through the lyrics that most pointedly seem Dianna-coded to me.

Forgive me, Peter My lost fearless leader In closets like cedar Preserved from when we were just kids Is it somethin' I did?

Taylor references closets in “seven” on folklore:

And I've been meaning to tell you I think your house is haunted Your dad is always mad and that must be why And I think you should come live with Me and we can be pirates Then you won't have to cry Or hide in the closet

Cedar closets are used as a "safe haven" to put valuable items in. The closet has preserved everything from when Taylor and the muse were "just kids" (likely meaning their early twenties.) Shoutout to Kristin in the WIWS Discord for mentioning this!

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Another interpretation I found on Genius mentioned that the closet line in “Peter” could also be a reference to another fantasy story, The Chronicles of Narnia, wherein stepping into a closet revealed a new fantasy world. This fantasy narrative ties in with “Peter”/Peter Pan and “Wonderland”/Alice in Wonderland, which we’ll get to in a second.

The line “And I think you should come live with/Me and we can be pirates” can also be connected to Peter Pan. Peter Pan and the Lost Boys often have to fight off Captain Hook and his pirates. There are also theories that pirates/Captain Hook are old Lost Boys. TL/DR: Old lost boys are either killed by Peter Pan or can choose to become Lost Boys…at least by these fans’ interpretations. A weak link I know, but still an interesting one.

“We can be pirates” because you’ve been forced to grow up too quickly…? Hm.

Further connecting “seven” to “Peter” is the idea of being just kids, although in “seven” it seems to be more literal, while in “Peter” she might be referring to when she and Dianna actually met: Taylor was ~20 years old, and Dianna was ~24.

From “Peter”:

Are you still a mind reader? A natural scene stealer? I've heard great things, Peter But life was always easier on you Than it was on me

Dianna is stunning, and has often been referred to as a scene stealer.

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“When we cast Dianna as Quinn, she ruined the part for me,” Murphy says. “She was supposed to be the Cybill Shepherd, Last Picture Show cunt, so to speak, but she humanized it. She can cry at the drop of a hat. So now her character has a conscience, a soul and great vulnerability.” Ryan Murphy, Rolling Stone. Credit

Credit (Shoutout to ellie from the WIWS Discord server for bringing the TCA nominations for "Female Scene Stealer" to my attention!)

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