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#this really elevates the importance of moral sense
artbyblastweave · 7 months
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Let’s get some abandoned effortposts on disco Elysium in the list. Liked what analysis on it you had, would be great to see more, or fail to see as the case may be
Here’s one of the last insights on Disco Elysium I care to put to paper for a good long while; I really enjoy the nested futility and self-defeat of the central murder mystery, the way it structured to constantly raise the question of how anyone could possibly benefit from what you’re doing.
I mean off the bat the murder victim is a fascist stormtrooper, so there’s that. I personally maintain that it’s still good in a general sense to investigate murders regardless of the moral standing of the victim, but to get real, it’s a very convenient time for me to embrace universalist rhetoric given how little support the neighborhood receives with problems that don’t involve someone well connected. And then, over the course of the game, you can kill all four people left on the planet to whom the initial victim actually mattered on a personal level. Three in clear-cut self-defense, the fourth as an optional casualty to the same mindless, trusting proceduralism that’s admittedly and unfortunately intertwined with my “ no murder left unsolved” stance.
And then! You finally run down the murderer, and from a public safety perspective it turns out that if you’d just gone home after the mercenary tribunal, nothing would have changed; Dros is on his last legs, the odds he’s gonna kill anyone else are very very low.
The last redoubt is the ideological angle- there could be a narrative here about how you’re crushing the last vestige of the revolution, how the killing and the subsequent investigation was the last theatre of the old war- but I think the narrative resists even this attempt to read meaning into it. From an ideological perspective Dros committed the killing off the clock. It was spite, not praxis- informed in the moment by his misanthropy, his neuroses about women, and his obsession with Klaasje more than it was about striking a blow for communism. He killed Lely while Lely was doing probably the least objectionable thing he ever did. Obviously Dros’s neuroses and living situation were downstream of ideology, of material circumstances, in the way everything else is- but to try and elevate the killing by making it about that feels disingenuous.
And this is great, because Disco Elysium isn’t really about the murder mystery in the same way that Fallout: New Vegas isn’t really about finding the guy who shot you in the head-it’s an injection point, it’s a thread you pull for guidance, but the real meat is all the other stuff and people you encounter while poking around. The killing isn’t unimportant, per se, but the mystery surrounding it kinda is! Given the repeated anti-climax, it’s definitely *less* important than the harm you can cause to people in order to push the investigation forward, or the good you can do for the community by going off-script and helping people out with random bullshit. It’s neat!
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johaerys-writes · 23 days
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The Troy movie kills off Menelaus. Agree or disagree with the script change?
There is literally NO script change in the Troy movie that I agree with lmao, and Menelaus dying is no exception. Like where do I even begin? From the fact that it is blatantly incorrect? That it completely disregards and throws in the trash Menelaus' later role in the Iliad? That he is supposed to protect and carry Patroclus' body back to the camp (hello??) That he is supposed to survive the war and take Helen back to Sparta (an important detail of the Epic Cycle), and then also appear in the Odyssey to welcome Telemachus and his crew in his home? Like who is supposed to do all those things if Menelaus is dead?
And, okay, let's say that the directors of a shitty Hollywood movie don't give a shit about all that. You have Menelaus of Sparta, the owner of the finest thighs in the Achaean army, be killed by Hector?? Fucking-- Hector? Like I'm willing to forgive a lot but this is just irredeemable. First of all, Hector would never. To have him intercept the duel that is meant to decide the course of the war and which was agreed upon by both sides, to save his bro from supposedly ruthless, bloodthirsty Menelaus? That's just such nonsense characterisation and something unthinkable in the world of the Iliad, a transgression permissible only to a god-- which is what actually happens in the story. Like, I really don't know if Hector or Paris would have been able to go back to Troy and face the Trojan soldiers after having done something like that. The fact that Paris violated Menelaus' hospitality and took off with Helen is a huge thing all by itself, but the fact that Aphrodite had a hand in it is what makes it somewhat acceptable; to have their princes disgrace and humiliate themselves and Troy as a whole like that I think would be a step too far. How the directors even thought of changing something so basic is beyond me.
Second of all, the Troy movie's obsession with framing Hector as the ultimate, most noblest heroic hero PISSES ME OFF like nothing else. As I've said in a previous ask, there are no "heroes" in the modern sense in the Iliad. "Hero" in the Iliad simply means a warrior, a person who does things. The Trojans and the Greeks are similar in customs, battle prowess, culture and refinement despite the infighting and constant bickering of both sides, and despite the fact that the Achaeans are in an imperialistic war against the Trojans. I've heard the argument that the Achaeans are the "barbaric invaders" and the Trojans the "noble invaded" far too often and I simply disagree, this has never been my takeaway while reading the Iliad. Hector, although he's Troy's most powerful, illustrious, loyal defender, a god-honouring person who is kind to his wife, his child, his aging father and mother (there's a lot to sympathise with when it comes to his character), is just as foolhardy, self-important, stubborn, opportunistic and human as any of the Achaeans he interacts with, he isn’t portrayed as being "morally superior" than them in any way because such a thing is irrelevant in the Iliad. It's just not the point of the Iliad to put anyone on a pedestal and elevate them above the others, the humans in the story take a lot of risks and initiatives and their personal struggles matter, but at the end of the day they are all ultimately powerless against the forces of fate and the will of the gods.
TL;DR: to have Menelaus die in the film, and die in such an idiotic way, is a weak-ass, pathetic move that shows no respect for the source material whatsoever, or any of the central characters.
Thanks for the ask! 💙
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finalmoment · 1 year
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ep10 thoughts (spoilers for trigun stampede 10)
it's very obvious that Vash's pain tolerance is at best highly variable and most probably obscenely high. he gets shot and makes barely any sound, without even giving the impression that he is deliberately keeping himself quiet, and then walks off. also what an insanely good character beat!!! I'm going to throw up.
i actually wonder to what extent (and I've been having this thought since the plant reveals dropped, around that time) Vash's extreme compassion for humans is inherent to him on a species level. most of the plants we've seen haven't been characterized (as much as they've been shown as having an internality) as...disliking the way they're used even though it's clearly bad for them? like this isn't scanning as a metaphor for slavery, more for symbiotic relationships or parasitic mutualism. not that i think that's a decent status quo but, ah. thoughts.
Vash apologizing repeatedly to Wolfwood ;_; WAIT SHIRTLESS VASH REVEAL????? IM SHAKING LIKE A CHIHUAHUA RN
“I can imagine, even if i don't want to, how a misfit like you is being treated by humans,” I'm going to climb into a rocket and blow myself up to fuck. what the fuck
i need to print every line of dialogue from this scene onto the inside of my skull they're giving me EVERYTHING i want
then we're immediately catapulted into some kind of sick and twisted old man yaoi between Doctor human experimentation and our good friend Roberto
side note it's very funny to me that the Meryl/Roberto dynamic parallels the Vash/Wolfwood dynamic in the sense of: idealistic person walks into trouble and their cynical, substance abusing boyfriend/mentor trudges despairingly after them to keep them alive another day. top tier
i love a good artificial and fucked up child I'll be honest. also Roberto saying “the important thing is how you feel when you see these children”...i may be reading too much into his character but his addiction and cynicism make sense to me from the perspective of this—essentially okay if ordinarily messy person trying to survive in a world where every daily decision runs counter to the basic morality he cannot silence no matter how much he drinks. which adds a certain tint to how he views Meryl? i don't precisely love their relationship as is (i would want a few more layers folded into it) but I'm inclined to view it more favourably in this episode.
SO I TYPED OUT "interesting backstory for Elendira" and then this guy said "he" so i was like "what" but INTERESTING BACKSTORY FOR ELENDIRA. PLEASE LET HER BE TRANSFEM STILL.
weirdly paced runaway scene though, really hollow and... tonally dissonant voice acting when i didn't notice a problem before. direction issue? it really jarring :/
VASH'S LITTLE WAVE AFTER THE ELEVATOR DOOR CLOSES IS SO. BABY BOY YOU HAVE MY WHOLE HEART
huh, Roberto really let them walk into a trap and then abandoned them there. stone cold! i like that in a guy
“I hate you” “me too, we might get along well” Wolfwood will find a kid who looks traumatized and unsupervised and be like “is anyone going to be an elder brother to them” and not wait for an answer.
oh, Roberto NO. this is so annoying. let me have a good dynamic between them for ONE episode before it gets utterly killed oh my god. violently irritating stuff.
thematically, i like that Meryl receives the message that it's okay to run away if you're scared from her mentor, who has literally always advocated for this while also following Meryl into trouble quite frequently. it's also very...i don't have a word for this but i see it happen often, where one character hears something alone that other characters need to hear too, that type of emotional beat; this is a message that Vash needs, and Meryl is meant to pass it to him. but it's also for her! i like that Roberto emphasizes on some level the importance of not dying for a cause, for knowing your limits and sticking to them even when the world is demanding too much from you—but then he dies for it? hmm.
this monologue from Wolfwood is very interesting, isn't it? “i don't have time to hesitate for the fear of making sacrifices, i have to make a choice. i will do anything to protect the things i cherish. i am the guide, after all... what a great babysitter i am; i managed to bring you here alive when you're always asking to get killed” oh Wolfwood i will kiss you and your Judas parallels directly on the mouth. with tongue. and feed you olives <3
“thank you for all this time” aaaaaaaaaa
he has stubble in this episode I'm about to burst into tears. i need to make a list of Wolfwood's hottest features starting with 1. betrayed the love of his life (or tried to, i suspect it won't stick) 2. STUBBLE!!!!!
KNIVES!!! also I've been really enjoying the cuts to Knives playing the piano between scenes. so beautiful, so tender. augh. brotherly reunion ;_;
i have so many thoughts about the scene between Vash and Knives but starting with “you're just trying to make up for the big fall” no honey i think it goes back further than that but also! Vash is the most guilt-ridden man of all guilt-ridden men. so yes. head full
“Nicholas, have you put down your cross?” oh they gave him a cross just for dialogue like this to hit like a truck. i get it. I'm dying fr. "and what if i have" while carrying. denial is a river in egypt
“the redemption will never end: no matter what you do, the humans will never forgive your sins before they die” okay lots to unpack there also. he's right! but also. lots to unpack
is this Knives plan with collecting the dying plants? to send them out in a blaze of glory to make Vash a plant with the ability to create? that's SO sick and twisted i love it. freak rights who is doing it like Knives Millions for his baby brother
incredibly satisfying episode, 10/10 would watch again.
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icanseethefuture333 · 8 months
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How do we manifest improved social life, like being popular in your town or having large groups of friends
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"16 missed calls, sorry I was busy but I missed ya 💕"
I know social media and a social life is not the same but I noticed over the past year as I worked on my shadow work and becoming more accepting of myself. People have started giving me more attention on this blog. So therefore, just being yourself really and knowing that you have traits that are lovable is what will make people attracted to you. You can still be a flawed person and be considered likeable.
Also you have to understand having friends and being popular are two different things. Popularity to me is mostly just about receiving attention and it's very superficial, so people would like you at a surface level, not on a deep level. So if that's what you wish then that's fine, but if you want to form connections with people that are healthy and substantial, then you need to think about what you want to get out of your platonic relationships.
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"Tryna get with you and yo friends"
I always say birds of a feather flock together. I can be selective about what people I associate myself with because if their behavior is pretty nasty and negative, I don't particularly want to surround myself around that energy. So you need to think about qualities would you want your friends to have? What unhealthy patterns do you keep repeating in your past friendships? Why are you alone currently? Have you've been a good friend as well? What do you truly desire from your social life? Once you written these things down, you can start having a clear idea of how you can attract that desire into your life
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Here are some some positive list of traits or things a friendships should have:
Good communication. Misunderstandings and differences in personality can happen, but it is important to be able to mend those differences. If for example, your friend says "hey you like to go out for drinks but I don't like alcohol, could we perhaps do something else?" You'd could do something that makes you both comfortable. Or if a friend were to hurt your feelings, you should be able to talk about that and they can apologize.
Your friend makes sure you're okay in a moment of crisis.
They respect your boundaries when you say "no", don't wish to go out, or want to leave.
You equally both can depend on each other when it's necessary.
"I got your back, you got mine". This is a crucial one and it could apply to anything. For example, it's "girl code" to go to the bathroom together. Most women go to the bathroom together because that is where most abductions and assaults happen. So in order to protect each other they go together. Or even to discuss planning on leaving if someone makes you both uncomfortable.
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Some negative traits or things a friendship can have:
Your friend is a closet hater. I notice this is something that's subtle and not as obvious, you have to catch it on time. It's more so like passive aggression and you'd have to be able to get the fake expression and tone of sarcasm. "Oh my god yeah, you sure do love to eat 😃😊🙄" is one way someone could take jabs at you. Don't gaslight yourself when it happens. If you noticed there was a twinge of jealousy or pettiness in their comment. Address it when you feel calm and express how that wasn't okay. If they dismiss it and treat you like you're being dramatic, that person is not being a good friend.
You and your friend behave like "mean girls". Meaning this person just brings out the worse in you and doesn't elevate you as a person. You just act like bitter bitches together.
They steal, lie, cheat, commit crimes, etc. I don't even know how people are friends with people who have no sense of morals just because they did them a favor growing up. It's absurd. You owe nothing to that person and even if that person did something nice for you doesn't mean you have to stay friends.
They're a freeloader or stingy with their money. This is self explanatory. I don't like people who use their friends for money or gifts, its very tacky. Especially if they don't ever do it in return. Unless that person helps you in other ways such as helping you clean your house or helped you get a job. I don't think it's appropriate for them to constantly take money from you. It's just giving sugar daddy/mommy at that point.
Another tip is that if you are someone with a disability (autism for example) you can ask your friends to use tone indicators when texting or if you have trouble with understanding social cues, you can ask them politely what do they mean by that or have a signal you can both use when you are feeling a certain emotion (thumbs down = sad, thumbs up = happy, clenched fist = angry, etc). It will be easier to understand what they are trying to express.
Doing research on body language can also help understand a pattern in people's behavior and who has true intentions or not.
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How to use self concept to your advantage.
Let's check your thoughts and see why it could be potentially blocking you from making friends. If you think things like "oh no one likes me", "I'm so weird", or "that person is so cool, they would never hang out with me". Stop it!!! Don't ever in your life put people on a pedestal! Don't even put yourself on the pedestal, that concept is so stupid to me, it just creates a big ego. See this person as your equal. You see qualities in them that you like because they are reflecting a part of your soul that is beautiful as well. You are drawn to one another for a reason. Have the mindset that you attract positive and uplifting friendships easily because you have the same energy as well.
Now if you're a shy person, I know it can be hard to approach people, or feeling comfortable in crowds. You can just always start small. If you have a class with someone that you like or have similar interests with. You can sit next to them and ask them about their day. Eventually things will feel naturally because you are creating a routine with this person and there is a flow going on. Just be patient and understand it takes a while for some people to come around. People can have trouble trusting and need to if you're being genuine with them. So try not to force it if they aren't as warm at first. They're still trying to get to know you and you should do that as well.
Let's use Hello Kitty for example. She is known for being friends with many and loved and adored by all! She is a friendly person and in most shows that she's in, her ability to connect with people is quite effortless. Hello Kitty just be's herself! That's what makes her so special along with her ability to show love through her actions, not just words.
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Now think about the term "social life". It's a part of your life where you're socializing, meaning you're letting people take away some or your valuable time. What do you wish to do with your social life? Now there's nothing with partying and it can be fun but there's so much more than going to the club, getting drunk, etc. You can make a vision board of your dream life, the kind of people you wish to meet, and what activities you wish to do with them.
Here a list of hobbies you can do with friends that aren't just about partying or clubbing:
Go to an art museum
Visit a botanical garden
Play tennis together
Take a pilates class
Go to the gym
Have a sleepover
Take a trip to the beach
Start a book club
Go out on a picnic
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I hoped this helped, anon. Now go out there and make some friends! 👭
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kvothbloodless · 7 months
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skitter and bitch are a t4t lesbian couple but wildbow is too much of a coward to admit it
This Does sound like something id write bur i actually do think something is lost by making Taylor trans. Not like, anything Major, or that couldnt be elevated by other changes, but as is, I think such an important part of her is that her incredible sense of universal alienation is Without any justification.
Like. Shes so wholy internalized the view of herself that emma and sophia hammered into her, so internalized the fact that No One Will Ever Help Her, and this just like...isnt universally true? The Undersiders take to her right away (Bitch aside), and that was With her having the self-fulfilling belief that theres no point in reaching out because no one will ever like her. The Only reason she has the issues she did with the heroes is that Armsmaster poisoned that well, but it also serves to reinforce this belief, which gets pretty quickly dispelled (somewhat) (to the readers) once she joins the Wards.
But if shes trans, then suddenly there Is an actual reason for her to be mistrustful of strangers, for her to assume that if people really Knew Her, theyd dislike her. Because thats like, an actual valid worry in a world with widespread tranaphobia. It wouldnt in Any way reduce the bite of it, but it Would muddle the themes from stuff like Sophias bullying of her explicitly being overlooked because shes a Ward, beacuse now theres a secondary, separate motive for that. Hell it even somewhat muddles the issue of the bullying itself. Sophia targets her because shes weak and just takes it, not out of any larger beliefs. As it stands, the fact that No One steps in is entirely due to structural/cultural issues. Adding transphobia as a potential motive there sort of muddies that.
To be clear, having taylor be trans Could be amazing. All of the above arent really issues, so much as an opportunity for a new direction for themes that would need to be explored in full in order to keep the story from losing something. And having those themes Would add to the story A Lot. Worm definitely is lesser for having a central theme be the various circumstances that drive people to various moral actions and necessities, and then not exploring how specific forms of bigotry contribute to that on a wide scalw.
But like. Wildbow is too much of a coward to even leave it open to Interpretation whether either of them Might be attracted to women, so its not like id trust him to explore the themes of transness alienating you from a transphobic society, or to tie in his themes of society (and heroes) creating their own villains with that. I think he handled Averys coming out arc (and Veronas realizing who she is arc) in Pale Extremely well, but i still wouldnt trust him to write a story where "living in society while being queer" is a central theme.
That said, Rachel and Taylor would absolutrly have fucked sloppy style if Taylor had been with the undersiders longer, and Wildbow is a coward for disagreeing with this fact.
Hmm. This got away from me a bit. Anyways. Woe, long psot be upon ye
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savagebisand · 7 months
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I'm gonna say this and make my peace with it but I am frequently reminded as someone watching from week to week when it comes to Only Friends, that it is so easy in a series like this to find yourself accidentally having bias toward some characters, pairings etc. It's very important that we always remain open to alternate perspective and that we remain able to pick out nuances in our favourites. Critique them when they cause trouble or make a bad choice and cheer for them when they find moments of happiness. For today, I am going to speak primarily about Sand because I've already seen a lot of a sentiment on YouTube mostly that he is justified in his scheming to reveal BostonTop and drag Ray into it and yet Ray is vilified for lashing out and pushing Sand off him in the same episode.
We have really got to stop woobifying characters like Nick and Sand and even Ray or Mew because we see them as the most traumatised or the ones with the uncaring lovers. None of them were meant to be the "innocent" character amongst the darkness. JoJo has always said all these characters are flawed and live in shades of grey.
I'm getting real tired of seeing Sand constantly elevated above Ray because one has to be worse than the other for some reason? Or seeing TopMew and SandRay pitted against each other when both have tormented romances. We can note the difference in how the relationships are developing without attacking one or the other. Sand can be the kindest and most sensible character in this series and he can still be morally reprehensible and wrong in other ways. Mew can be caring and hesitant and only want what's best for his friends and still get it wrong sometimes not out of spite but simply because he just doesn't know better.
We do not have to pretend that Sand is in the right when he isn't because we don't want to lose the Sand as a good person label. He IS a good person..he's also wrong for the mess he indirectly caused this ep. Y'all I'm a Sand stan, this blog is sandified all over. The man is me coded. He's a mirror to my soul for me. And I will still sit here and hold him accountable just as much as I would do for Ray when Ray fucks up. He made some Choices this episode and they were Bad. He prioritised his vengeance against Top over Rays emotions regarding Mew and that is Unkind.
Ray was Unkind to lash out at him and push him as well but to act like Ray was unjustified and deserves to be vilified for it is just... it don't sit right with me. He stooped as low as Sand did, he hit right where he knew it would hurt. It was tit for tat. The second Ray went into that meet up where Sand showed him the audio, you could sense Ray knew he was being used as a middle man. That shit hurts. This is the person he's been vulnerable with finally and he just got treated once again, by him, as someone easily influenced and gullible.
Sand used clever words to make it sound like he was doing this for Ray but it was heat of the moment. He was thinking purely of making Top taste his own medicine and eat his words. He wanted Top to lose Mew to prove the point that Top doesn't always get what he wants. Bonus if it meant Sand got Ray and could prove Top even more wrong because "who have you got?" Well now he has him. But honestly Ray was just a prize at the end of a long game Sand wanted to play there for a second.
It can be equally true that when he saw Ray was going to rain hell upon the group, he became more concerned as in his moment of Seeing Red he thought only Top would get hurt. He under estimated the fall out a truth like this would cause for everyone in that clique. Tell one harsh truth and a million more come pouring out. Ray got hurt because of this little ploy and he got a nasty awakening that oh yeah Ray is more important than some contest with Top, it can be equally true that he cares about Ray when Top isn't clouding his judgement and actions. That he didn't want Ray to endanger himself. That he would follow Ray and get him to a hospital safe after Ray angrily tries to take himself home under the influence because he feels betrayed, a black sheep to his friends.
But like it or not some of Sands actions this episode were still laced with calculation and manipulation and involved using others like chess pieces such as Ray and Nick, two people he normally cares about more than anyone. That moment when he smashed up his phone intentionally to get his hands on Nick's? Batshit insane behaviour. He was high tempered and irrational and he made a very big mistake because as I've said before these characters are portrayed as human young adults and it's what we do. No one is perfect 100% of the time. We all have a capacity for bad inside of us that most of the time we tamper. Sand was not able to in this instance. He caused mass destruction in a butterfly effect of one choice he made way before Ray caused more fallout with the truths he spilled.
Sands actions. Sands choices. Not just Rays or Mews. And don't get me wrong Ray was wrong too, he shouldn't have brought April and Cheum into it just to further a point. He should have just let Mew handle Top alone at home. But to be fair he'd spent all day and night being ignored by his friends for not being as blind in love as them, biting his tongue when Ton played along to insinuations over Nick and still got treated kindly after outright saying he had an ice cold heart when Ray knew just how true that was. Dealing with Ton making his emotions for Mew the butt of a joke again, belittling him. Sand using him to get back at Top and lying to Rays face or stonewalling him after they'd spent a week connecting more.
So it's no surprise he went since we're being honest tonight anyway maybe you all need to see you aren't perfect either. Sand set the spark that started this fire this time around. It's alright. All of them went too far and crossed lines. None are worse than the others. This show is not a competition between which partner in this couple is worse or more fucked up than the other. It is showing its audience what it looks like when two fucked up, flawed, morally grey, young adult and queer people fall into relationships and friendships. All of the couples are equally as wrong as each other for behaviours they exhibit when together.
It's subjective of course, everyone's personal level of what's wrong and what's acceptable is different and that's what makes this interesting. Something a character does may not be going too far for one viewer whilst for another it's absolutely appalling. The beauty of media. But let's not get so caught in picking teams that we lose our critical lens when we consume media. You can be rooting for Nick or Boston or Top or Sand or Ray or Mew! A combination! Have favourites! By all means pick people you'd love to see overcome these messy dramas and challenges they face. Just don't throw rocks at glass houses.
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rinbowaman · 11 months
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HHP Chapter 13 Part 1
Here we go! Chapter 13! I love this chapter, i think chapters 11 (though it pained me...) 12, and 13 are my favorite. sorry this isnt proofread. I just was so excited to get it to you guys.
“Ah you look beautiful babe. My beautiful fiancé.” Sunghoon claims as his eyes narrow with admiration upon seeing Vicky, his fiancé.
“Thanks babe. Ready to head out? What time was our reservation again?” Vicky responds back, as she tenderly kisses his cheek and holds on to his hand, allowing him to guide her down the stairway of his lavish two-story apartment.
“We got time. It’s not for another hour, wanna go out for a walk on the boardwalk?” he asks. She nods in response.
Taking the elevator down, he tells her to wait for him near the entrance where the residential guard stands firmly checking for proof of residence in the exclusive estate. Waiting as her gown gently waves against the gentle breeze, her phone rings. Looking at the screen, the caller ID reflects “Ethan”.
“Ethan?”  She answers, someone confused, considering that they had not spoken since the breakup.
“Hey, I don’t have a lot of time to explain, but I need you to do something…”
His words were calm yet there was a sense of desperation and panic in the delivery of his words. His voice was deep and low, and it sounded nearly violent, the girl could tell he was angry, though she had never witnessed or heard him at this level before, not even when they were dating.
“Is everything alright? What happe-“ Vicky’s words were cut off.
“I’ll have to explain later, but it’s important you do exactly what I say….”
Judging by his words she could already tell…
“Is y/n in trouble?”
“……..Yeah.”
Vicky and yourself had been texting each other weekly, with the group chat that involved the girls and Emily, it had been almost daily that you all interacted by sharing jokes, gossip, or expressing how much you all had missed Vicky. Yet, the last phone conversation she had with you, she recalled the moment when you had asked her about a particular person, one that she had her own terrible experience with.
“Does this involve Tiff?”
“Yeah…and I’m pretty sure it involves a guy that she’s with. Someone name Scott.”
Vicky shook at the name. She knew the name…
Back when Tiff had tormented her upon finding out that she, a new Freshman at the high school that both Ethan and Tiff had attended as Seniors, was dating the desirable Ethan, who had called it quits with Tiff just nearly six months prior to meeting and dating Vicky. Tiff had messed everything up, yet she yearned for Ethan like plants yearn for the sun. She had a possessive streak going for the man, and Vicky heard of all the rumors on her conduct whenever he was away on trips or at the basketball camp as a volunteer.
Vicky knew that her moral compass didn’t point to north, at least back then it didn’t, so she would never judge Tiff’s mistakes that ultimately led to the downfall of their relationship, since Vicky herself made the same ones. Yet she was at least willing to accept and admit that she was wrong, and handled the situation gracefully when Ethan told her it was over. But there was also something else that made her willing to accept it….long before Ethan even confronted her on the manner with you beside her bed as she cried, when he informed her that he knew of her infidelity.
Flashbacks of when she still resided and attended Decellis University, when she was still living as your roommate. The moment she saw you, she knew what her friends and everyone else had thought. It was easy. Even though she was glamorous and primp with her expensive clothing that Gabe bought her, which she eventually ditched along with him, she was still a pretty girl without all the accessories. But she knew, with or without the lavish materials, she would never be a goddess in everyone’s eyes like you were. She didn’t really mind it, for she had a moment where your appearance stunned her. Sure, was Korean, and she matched the strict beauty standards yet with you, you had a different appeal being that you were born of the nationality and ethnicity you were blessed with. Not only that, but you were just purely….beautiful. That’s how you were viewed by everyone.
With Ethan, you were the world to him. She could see it in his eyes.
She recalled the moment that when he first met you, the way he stared and stood up for you when you felt harassed by Gabe’s pressure, which she ultimately wished she would have done something more about it back then. Yet, as it turns out, she didn’t need to. Event’s and days following after Ethan meeting you, any moment that she glanced over to him, the way his eyes appeared matte black, lacking all shine and life as they became lifeless and dull as he looked at you.
Never noticing as you were always attentive to your studies, if it wasn’t that, you were royally committed to the man who didn’t deserve you, despite Vicky knowing, she didn’t want to pry. She knew you were happy and left you as such. Yet, she knew Ethan wasn’t. Never confronting him on the matter, she could tell that the man was dying inside. His eyes, they only looked lifeless because they were, every time he looked at you and studied your features, not even trying to be sneaky about it despite Vicky being right next to him, his eyes became dull because seeing you while knowing that you didn’t belong to him drained his soul. He was dead, truly, he had no life in his body, not unless he could have you. Yes, you.
It was hard for her to admit it, internally. Vicky could see the signs, yet she couldn’t find herself to be to upset, because she herself was not like you. She didn’t necessarily feel in love, she felt joy, blissful, and the effects of desire, which Ethan had no trouble initiating with any woman he came across. It all came naturally. Yet, Vicky questioned if she truly loved him.
She loved the way he fucked her in the locker room. She loved the way he moved his body, the way he memorized hers, and the way he knew what to do with his hands and his mouth when he thrusted. She loved the fact that he brought her the most pleasure, the most beloved and memorable pleasure she has and will ever feel. He was a God, he was a devil, he was both demonic and angelic. God, the way he can make a woman feel…
But, did she love him?
Realizing the moment, she caught on to Ethan’s habit of staring at you, biting his lip as he bounced his knee, like he was nervous or experiencing some sort of anxiety or panic attack, but it wasn’t any of those things. He carried and exhibited habits that she never saw before, not in the years of her dating him, and yet, there he was doing them whenever you were around. He was yearning for you. You being around him was the same effect of dangling raw meat in front of a wolf.
But even though she didn’t love him, she found it hard to let him go. Because she knew, she had the capabilities to love him, she could have loved him and would have, but his combability with her was just not there. She thought that maybe within time, he would change and become more adaptable, yet Ethan had this manner about him, like he didn’t need you to worry about anything. Yet, it just never dawned on her that the man didn’t change not because of time, he had plenty of it. He didn’t change because he wasn’t with the right woman.
‘He loves her…and yet, she loves the boy who doesn’t love her back.’
There were days and nights that Vicky couldn’t sleep, she wondered if she should have broken it off with Ethan sooner and aid him in pursuing you. She felt bad for him, truthfully, she did. Of all the years that she knew this man, never in that time did she ever see him like this. He was going crazy. Yet, out of her own selfishness, she wanted to keep him around. Between that and you, being completely unaware as you were focused on your studies and Samuel, the man was just being eaten up inside by a beast, waiting to be unleashed. Perhaps it was good that everything happened the way that it did, for there were times she wondered, if she hadn’t accepted and let him go the way that she did, or if you had remained unaware of his desire for you, had Samuel and you not broken up, she feared that Ethan would have transformed into a monster that would have eventually snapped, therefore, would have devoured you rather than contain you like the butterfly in a glass jar. Inch by inch, Vicky noticed, Ethan was becoming more dangerous as each passing moment went by.
Realizing everything, while being called out for her foolishness, she never could be angry at you or Ethan. As fate would have it, there was someone that was waiting for her here, a man that she grew to love in just moments after meeting him, Sunghoon.
With you, she knew you were good for Ethan, at least, you would have ceased his hunger, thus taming the man. You weren’t good to have around…
You were a requirement.
Because without you, who knows what that man would have done. Had he not seen you, not met you, not heard the sound of your voice, life would have just went on. But the truth of the matter was…
He did see you. He did hear your voice. He met you. He heard you say his name. He touched your skin. He saw you smile. He saw the way you loved a man. He saw…
YOU.
At that point, there was no going back. If things had not worked out the way that they did, Vicky feared that the possibility of you being gone, nowhere to be found, along with Ethan, constantly devoured by the man’s affections…no, it wouldn’t be ‘affection’ at that point, the man would have feasted on you. He would have taken you and engorged you all for himself. You would have never known, and deep-down Vicky still felt that till this very day, you still didn’t, you have no clue that whether you had wanted to be or not, you were a requirement in keeping the devil from emerging. If she herself would have had to sacrifice him, while also sacrificing you had you been reluctant, she would have, for the sake of others and the world. For there was no way she was going to stand idly by and let the man continue turning into a monster.
Yes, Vicky did mess up and she did make the same mistakes as Tiff, so therefore she would never judge.
But that was where she drew the line. Unlike Vicky, Tiff couldn’t let Ethan go. She could understand the pain of looking forward to a future without having his touch and experiencing his abilities in issuing out the best, chest heaving orgasm any woman has ever had, the man was blessed, and he had the gift without requiring experience in knowing how to do it, unlike most men.
Tiff was awful. She was terrible. The way she had tormented Vicky when she was just 16, dating Ethan as he was about to graduate high school and start college. She recalled the times where she nearly broke it off just for the mere fact that she couldn’t take the girl’s torturous behavior towards her. The sad part was, Ethan didn’t even know half of it…
A sudden flashback occurred where Ethan was away volunteering at the basketball camp, as usual. Vicky was on school grounds with her friends, practicing cheer routines. Upon conducting a rigorous movement where a pyramid formation was the finishing pose, Vicky was atop of the formation. Never seeing it coming, something had bulldozed into the formation, causing Vicky to topple horrendously to the ground. Had it not been for one of the male cheerleaders to interfere with her fall, it she would have broken her neck. Instead, thanks to him, she got by with just a scar from a wound on her wrist, that occurred from hitting the bleacher stand nearby.
She couldn’t be sure, but after experiencing Tiff’s torment, she had a feeling. The only thing was, Tiff was nowhere to be found within the area.
The cheerleaders all looked around the general area, looking to see what had hit them. It was a man, a man of very large build and stature.
“Huh, sorry about that.” He claims with a terrible smile on his face.
“Just practicing.” He claims.
“For what? You could have seriously hurt us!” one of the male cheerleaders yelled out.
“You’re all fine, just shut up for a minute.” He directed his sights towards Vicky, as well as the female cheerleaders who all surrounded her to attend to her wounds.
“Wow, you’re all really pretty. Are you all models?” the man claimed.
The girls all shook their heads, as did Vicky. There was something about the man that didn’t sit right. He was pushy, in a sense that she just knew there was something he was after.
“Well, I’m an agent, director, and photographer. Here’s my card, you all should give me a call sometime. I can get you gigs real quick…” he hands out the cards, when handing one over to Vicky, he leaned in and whispered…
“I’ll be expecting to hear back, especially from you. Not just because you’re beautiful, but also, she’ll get mad…”
Vicky’s spine had raged with a sudden chill. She just knew he meant Tiff. Looking at the card, the name that appeared read “Scott”.
Vicky never called, and fortunately Ethan came back the next day. She never told him the exact events that took place, but she sometimes wish she would have. Instead, she remained steady by his side. Since he knew of the other stuff Tiff had done, the minor stuff such as spreading false gossip and issuing stare downs, since Tiff was always so careful to never do the serious tortures in front of him, he always watched over Vicky like a hawk. That was enough to keep Tiff at bay since she couldn’t have access to Vicky and do those awful things to her, but that didn’t mean she couldn’t continue with the gossips.
It was nearly a week after the incident at practice and meeting, Vicky had noted the absence of one of her cheerleaders, who had missed practice for five days. Seemingly fed up, Vicky went over to the girl’s house to see what her problem was. Discovering her reason, was something that Vicky was not prepared for, nor did she wish that she had found out.
Upon arriving at the girl’s house, her parents, who had known and treated Vicky as their own daughter, were reluctant to let her in. Finally, after some convincing, they allowed her to go upstairs and see the girl.
Entering the room, the lights were off, the blinds closed, and there she was, sitting on the floor with her head down on her knees. Her hair was immensely oily, it was obvious she hadn’t showered for days. Sensing that something was wrong, and that the girl had a valid reason for missing practice, Vicky approached the girl and tried to comfort her, since it was apparent that she was experiencing depression of some sort.
Seeing Vicky, the girl broke down and shuddered with a tremble that she’s never seen before. Asking her what happened, the girl merely pulled out her phone, and accessed a website….
What Vicky saw, her heart sank.
‘Is this…her?’ Vicky thought to herself as she continued watching a recording that was published, displaying the girl tied up, restrained, and fearful. Seeing a group of naked bodies appearing all around, Vicky read the description and title of the video…
“Cheerleader slut gets a mouthful.”
Vicky couldn’t continue. Shutting off the phone, she already could surmise what had happened. Her heart felt like it dropped into her stomach.
She didn’t even ask, the girl started to speak. She explained how she called that man, Scott, inquiring about a modeling gig. He coordinated a date and time and appeared. At first, the setup was like a legitimate photoshoot, but when things took a turn for the worse, that’s when the girl tried to leave, only to be held against her will as they did the unspeakable to her body. Her missing practice was due to the amount of police statements and reports made, yet the only thing she and her family could do was press charges for the upload, since the males were all the same age as her, all of Scott’s ‘friends’ which came in all shapes, sizes, and different ages. Since Scott himself didn’t upload the material himself, one of his fellow ‘friends’ who was of the same age as her and Vicky, there wasn’t a whole lot, plus with the legal fees, it was nearly impossible for her to get justice against the real culprit.
Vicky never saw her again after that. She didn’t know what happened to that poor girl, and she would sometimes think about her. Wondering whatever happened to her. How can anyone recover from that?
Upon hearing Ethan mentioning the name, the flashback triggered her brain into remembering that traumatizing event, which she never relayed to Ethan…until the moment he said his name…
“Scott? Did you say Scott?”
“You know him?”
………………..
Briefly explaining what he had done, Ethan was silent. So was she.
Your face flashes through her mind. It flashes through his. Seeing Sunghoon pull up with his lavish car, Vicky waves at him for a second, the image of your smile appears. That beautiful smile that she admired, and the kindness that she loved and adored for she had grown to love you as a friend and as a sister.
‘We are family, silly.’
She recalls telling you shortly after she had moved here and met the love of her life. Just like through her, Ethan met the love of his life.
“Ethan, tell me what I need to do.”
“…You still engaged?”
Caught slightly off guard, Vicky nods as she responds. “Uh…yeah.”
“Did he give you a ring?”
“…Yeah…”
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yanderefairyangel · 6 months
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Would you say the Agarthans are the worst villains to come out of Fire Emblem? If you want a scathing indictment on how 3H's "moral grayness" is a misguided belief, it's really their existence in 3H and 3 Hopes.
OH YES, ABSOLUTERLY RIGHT.
They are awful.... and not in a good way. The Agarthans exist as a scapegoat, they are here just so that neither Eddie or Rhea can be presented as the main antagonist and they are just AJJHHKLKJBFRJKE
Like they are supposed to be competent villain ?! those buffons ?! Thos absolute clowns ?! They have 0 plot relevance, it is limited to little hide and seek games with the students in the academy phase where you play the Scooby gang!!!! The only important thing they did happened off screen and it's not even them who did it since they hired Nemesis to do slaughter the Nabateans !!
In AM they are so minor you kill them by acccident, in CF you only get rid of them freaking off screen, in SS and VD they are still there but for less then the quarter of the route. THEY HAVE FREAKING NUKES THAT THEY COULD HAVE BOMBED INTO RHEA AND NEVER DID IT ?!!!!! They are inexistant and GW, in AG they are there but ... AG was a mistake for what they did to Eddie and freaking SF ends with them dying like the Evil queen of Snow white !!! Eddie really can't get anything can she ?! And they do absolutely nothing and fail at everything they do in the main current story, and I am supposed to take those clows seriously when they are commically absurdely over the top EVUL ?!!! The absolute mockery !!
And their motivation are never explained ?! Why did they needed Jeralt dead ? Why the tragedey of Duscur ? Why the experiment ? Why do they want revenge of Sothis, what did she and her creation did to them for them to commit literal genocide against them ??
The game never says, it just says "yeah in buddhism Agartha is the place where the Ashura were send so symbolism hehe" THAT IS NOT HOW IT WORKS!!!!!
Example : in Engage, see Zephia ? We have her character, her motivation (she wants a kid because Sombron made her believe she would have the uncondictional twisted love she wanted from a link of blood) and only there there is the symbolism of Mélusine to support all of this, so it elevates her character to be a retelling of Mélusine in a twisted light
FOR THE AGARTHANS YOU NEED TO UNDERSTAND A BUDDHIST REFERNCE TO GET THEIR MOTIVATIONS !!!
Tell me it's a joke !! And while you can use symbolism to tell a story, it doesn't work for the type of story 3H stroved to be !!!!!
But clearly you can't expect anyone to believe in "grey morality" when you have those cartoonisly evul clowns who don't even have motivations to do what they do. That's not mentionning how convoluted they make 3H's story be.
Take Eddie for example, the fact that she knew it was them who turned her and her siblings into guinea pigs ruins the whole "yeah crest system bad" cause it's not even that they deceived her into thinking it was the Chruch, no... she knew, but what on earth is the connection between the Agarthans and the Crest system when they aren't the one who established it and aren't part of it ?! They just wanted to create the ultimate weapon using what they knew of the effect of Nabateans crest and blood, how does it link with what Eddie hates (grrrrrrraaahhhhhhh)
And also how somehow Eddie needs them in 3H yes for some reason in her route she keeps helping byleth sabotaging the Agarthans plan like ???? how does that makes sense ? And why did she suddenly not need them in Hopes ???
Why did Arval saved Shez in that timeline only ???? why ???? and oh boi, Shez...ns
They are easily the worst thing FE ever commited in terms of awful villain. They make everthing worse by their existence and that's as you pointed out reinforcing the so called "grey morality" of 3H is just cowardice cause it refuse to have the player feel bad for anything
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hiswordsarekisses · 7 months
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This is by John Parsons, and it is so wonderful. Don’t let the length turn you away because this is so good.
Teshuva for Outcasts…
“Yeshua warned that it is possible for people to fool themselves into thinking that they are “spiritual” or “connecting with God” when in fact they are not. He warned that appearances can be deceiving, and he insisted that what matters most is the inner condition of the heart. As it written: כָּל־דֶּרֶךְ־אִישׁ יָשָׁר בְּעֵינָ֑יו וְתֹכֵן לִבּוֹת יְהוָה — “Every way of a man is right in his own eyes, but the LORD weighs the heart” (Prov. 21:2).
In general people want to impress others by appearing attractive, capable, important, or powerful, and to simultaneously cover up their weaknesses and insecurities. This is a common frailty of human nature. We feel unsure of ourselves and often put on a false front. We want to project an impressive image, to appear better than we really are, and so on. We stretch the truth; we make believe, we pretend. We are hypocrites. The word “hypocrite” was originally a theatrical term referring to someone who painted their face to portray a character. A “good” hypocrite was believable, though in some cases, the actor would become so immersed in his role that he would forget who he really was! In real life, however, we realize that a person can appear to be one thing on the outside but be something else on the inside. If the person is conscious of the charade, he is a deceiver; if he is unconscious of it, he is self-deceived. We all know the saying, “all that glitters is not gold.”
Hypocrisy is a special form of temptation to those who feel the need to appear virtuous, or respectable, or moral, or “spiritual,” but it can become “stagecraft of the self,” a superficial profession of allegiance to high ideals or standards that hide the real self behind the mask.
The Pharisees dressed themselves in impressive religious attire and used “insider” religious language to distinguish themselves and impress others, but to them Yeshua said, “You are those who justify yourselves before men, but God knows your hearts. For what is highly esteemed among men is an abomination in the sight of God” (Luke 16:15). In their zeal to elevate themselves before men, to be honored as spiritual leaders, they lost sight of their need for God’s forgiveness and deliverance from their own inner corruption of heart. Instead of understanding their common connection with the “poor in spirit,” with the mourners, the lowly, those who hunger and thirst for deliverance, they set themselves apart as holy men whose religious practices essentially scorned the needy and made them outsiders. They “theologized” their sense of entitlement and success as the “blessing of God.” Far from being something that indicated genuine spirituality and heart connection with God, however, the esteem that they gave to themselves was an abomination in God’s sight.
Yeshua came to seek and to save the lost sheep of Israel, but the “leaven of the Pharisees and the Sadduces” that is, their false teaching, undermined his redemptive mission (Matt. 16:11-12). The “halo effect” of the Pharisees (and the religious establishment) must therefore be exposed as an illusion, because their religious practices were a stumbling block and indeed a seduction for those who sought deliverance from God. Man cannot save himself; religious practices and rituals are not the way to be healed from the sickness of spiritual death. Therefore Yeshua had to deflate their conceits and reveal what was essential.
To those who sought to justify themselves before men, those who trusted in their own merits to be made right with God, who elevated themselves as holy by separating themselves from others for the sake of their supposed “godliness” and “purity,” Yeshua told a story that has come to be called the Parable of the Pharisee and the Tax Collector (Luke 18:9-14).
“Two men went up to the Temple to pray, one a Pharisee and the other a tax collector. The Pharisee stood and prayed thus to himself, ‘God, I thank You that I am not like other men — extortionists, unjust, adulterers, or even as this tax collector. I fast twice a week; I give tithes of all that I possess.’ But the tax collector, standing afar off, would not so much as raise his eyes to heaven, but beat his breast, saying, ‘God, be merciful to me a sinner!’ I tell you, this man went down to his house justified rather than the other; for everyone who exalts himself will be humbled, and he who humbles himself will be exalted."
Note first this parable is addressed to those who “trusted in themselves,” referring here to the Pharisees who regarded themselves as “gate keepers” to the kingdom of God. The Greek term used for those who trusted in themselves (τοὺς πεποιθότας) suggested they were bold and regarded themselves correct in their thinking. In this connection, recall that the Pharisees sought to safeguard their own righteousness by adding further precepts (i.e., gezerot, or "fences") to the law. They reasoned that if they kept these more stringent precepts, then surely they would keep from transgressing the law — and therefore would be “righteous.” For instance, if the law said to give tithes for the relief of the poor (ma'aser), they would give additional tithes for other matters, “mint and cumin,” and the “sacrifice” of a pinch of bread whenever they ate. They were careful to not only abstain from unclean meats, but developed elaborate hand washing rituals and blessings before they would anything eat at all. These additional laws and customs were designed to be safeguards by “going beyond” the commandments of Torah, though in truth they created a religious caste system that missed the point and intent of the law. After all, the Shema clearly affirmed that the first duty of the law was to love God and others wholeheartedly, but these religious customs obscured the weightier matters of God's will and thereby became a distraction…
Right away, then, Yeshua’s parable sets the stage for a radical contrast: “Two men went up to the Temple to pray, one a Pharisee and the other a tax collector.” To the common people, a “parshan” (פַּרשָׁן) or an “interpreter of the law,” was the approved insider, a “man of the cloth” who really understood Torah and godliness, whereas the “tax collector” was an unlearned and profane outsider. Indeed a tax collector for Rome was considered not just unlearned but a traitor to the people of Israel — and therefore to God! As Yeshua describes this scene, the Pharisee is found on his own turf, feeling confident and “at home” in the Temple, donned in his religious garments, trained in the “right” verbiage to use, and comfortable with the rituals and liturgy of the place, whereas the tax collector knew little of these things and undoubtedly felt like a alien and a stranger — awkwardly out of place and unwanted.
Yeshua then lets us listen in to the private thoughts of each respective man: “The Pharisee stood and prayed thus to himself, ‘God, I thank You that I am not like other men — extortionists, unjust, adulterers, or even as this tax collector. I fast twice a week; I give tithes of all that I possess.'" Note first that the Greek for the phrase “he stood prayed thus to himself” could be rendered as either he stood and prayed by himself, that is, apart from others, or (alternatively) that he stood and prayed to himself (πρὸς ἑαυτόν), that is, he prayed about himself — and perhaps out loud — for others to hear. His concern is how he esteems himself in comparison with others, how he is “not like other men” who are unclean, unworthy, defective, etc. He thanks God by congratulating himself that he is better than others, “chosen,” set apart, and made pure by his punctilious religious observance. He cites as merit his “good deeds” of routinely fasting and giving tithes, confident that these deserve approval from God. His identity is concealed beneath his prayer shawl, and his pride is wrapped tightly upon him like the oversized tefillin on his arm and on his head.
“But the tax collector, standing afar off, would not so much as raise his eyes to heaven, but beat his breast, saying, ‘God, be merciful to me a sinner!’ The tax collector stands “afar off” and thinks to himself: “I am at a distance; far removed from God’s presence... Indeed, I am as one dead, a mourner in this place, and sick of inner grief of the soul besides! I am nothing in the eyes of God and of men, an outcast, with only the guilt and shame that binds to me like sackcloth and ash of the soul. I have no fancy words to say; no memorized prayers or blessings. All I have is the horror of my shame, the roar of my heart, the groan of my pain: “O God, be merciful to me, a sinner...”
“Be merciful to me, a sinner...” The forlorn tax collector knew himself to be entirely unworthy; he sensed his dread and desperate condition; he offered no excuses for himself nor made any appeal to his merit. In his eyes he was undone. His only prayer was the grievous sigh: “Be merciful to me...” The Greek word used for “be merciful” (ἱλάσθητί) here comes from the same root used to translate the kapporet (כפרת) in the LXX, that is, the cover of the Holy Ark where sacrificial blood was presented on Yom Kippur. The tax collector realized that only God could forgive him by making atonement for his life... In this connection Paul used this word to describe the atonement given in Yeshua at the cross: “God set Yeshua forth as an atoning sacrifice (ἱλαστήριον) through faith in his blood (διὰ τῆς πίστεως, ἐν τῷ αὐτοῦ αἵματι) to demonstrate His righteousness” (Rom. 3:25; Heb. 9:5). Likewise the apostle John wrote that Yeshua is the atoning sacrifice (ἱλασμός) for our sins (1 John 2:2).
And the twist of the story is found in its irony, the surprise ending: “I tell you, this man went down to his house justified rather than the other; for everyone who exalts himself will be humbled, and he who humbles himself will be exalted.” The word translated “justified” here means "pronounced righteous" (i.e., δίκαιος), that is, declared to be in right relationship with God. It is God’s righteousness that is the focus, not self-righteousness or self-justification. It is the goodness and kindness of God that saves us from ourselves and leads us to do teshuvah, not our so-called “works of righteousness” done on his behalf (Rom. 2:4; Titus 3:5-7; 2 Tim. 2:19; Eph. 2:8-9; Gal. 2:16; Psalm 51:16-17).
The Pharisee’s “prayer” to God was essentially self-congratulatory: “Thank you, God, that there is no need for you to have mercy upon me — for hallelujah! — I am not a sinner.” Tragically his pride blinded his heart to his own need and therefore barred the way of life to him. If he had inverted his prayer: “O God, I am just like all other people, lost, evil-minded, lustful, profane, selfish and unloving ... please have mercy upon me!” then undoubtedly his prayer would have been accepted, just as the tax collector’s prayer was accepted.
Salvation and “justification” come from honestly accepting our spiritual condition as broken and helpless people. William James called this condition "Zerrissenheit," a term that can be translated as "torn-to-pieces-hood," or a state of being demolished and in disarray. It is consciousness of our need for God, our desperate cry for deliverance from ourselves. Blaise Pascal wrote that faith in Yeshua is essentially a confession of irreparable human infirmity, and therefore its message is always directly there — to the place of our pain and desperation. Consequently it has no voice or message to mere triflers - much less to those who seek to justify themselves and to minimize the radical nature of their sinful condition. No, no, never: the Spirit speaks to the heart in its anguish, in its lament over the suffering and agony of life in this world, and there breathes out the haunting question, “Do you want to be healed?”
So let us join the outcasts, the lepers, the tax collectors, remembering that Yeshua is the “friend of sinners” and our only true Savior. “O Lord, I need you so much. Without you I am nothing, even if suppose myself to be something, but with you I am something, even if I suppose myself to be nothing. Whenever I regard myself apart from you, there I am lost, empty, and without purpose, even if it may seem otherwise. When I surrender to you, trusting in you to impart life to me, I come alive and bear witness of your mercy and grace. O Lord, have mercy upon me and let me know how beautiful and wonderful you are. Amen.”
Psalm 51:17:
‎זִבְחֵי אֱלֹהִים רוּחַ נִשְׁבָּרָה
‎לֵב־נִשְׁבָּר וְנִדְכֶּה אֱלֹהִים לֹא תִבְזֶה
“The sacrifices of God are a broken spirit; a broken and contrite heart, O God, you will not despise.”
­
Psalm 32:5:
‎חַטָּאתִי אוֹדִיעֲךָ
‎וַעֲוֹנִי לֹא־כִסִּיתִי
‎אָמַרְתִּי אוֹדֶה עֲלֵי פְשָׁעַי לַיהוָה
‎וְאַתָּה נָשָׂאתָ עֲוֹן חַטָּאתִי סֶלָה
“I acknowledged my sin to you,
and my iniquity I have not hid; I said, ‘I will confess my transgressions to the LORD’'; and you forgave the iniquity of my sin. Selah.”
Read and/or subscribe here:
https://open.substack.com/pub/hebrew4christians/p/teshuvah-for-outcasts?utm_campaign=post&utm_medium=web
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talentdelunecomic · 7 months
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(Part 2) (foreword)
“...Nice one, Chu,” he mutters a couple minutes later, squashed into the corner of the elevator shaft. You’d think a booming business like this could build wider elevators, damn. “We can kiss that dream budget goodbye thanks to—” He gestures at the blood on Ambre. “—all this.”
“Sorry for having scruples,” Sarah grumbles back. The adrenaline crash has left her disappointed and low. She’s stuck in close quarters with two people she’s quite upset at, currently, and she still can’t even see.
Ambre seems to lean over, audibly shuffling in place. “Are you mad at us, Sarah?” She seems younger than she is, like this, her voice disembodied and childish. Granted, Sarah really can’t vouch for her maturity, and that’s not even considering the child-rearing acumen of a top-secret, governmental, child-soldier factory.
When she thinks about that too hard, a buzzing sense of anxiety rises in her chest. Is she a hypocrite, for raising a stink about Talent technology restrictions while averting her eyes from the moral crisis of Ambre’s entire thirteen years of life?
“I’m kind of mad at you,” Sarah responds, curling tighter into a ball and clutching her suitcase like a blanket.
Ambre huffs unhappily.
“Mostly I’m mad at Penwood.”
He’s unbothered. “Great, ‘cause I’m mad at you too. We can all be mad at each other.”
He’s infuriating, sometimes. Sarah has never expected emotional heavy-lifting from Penwood, not even when they first met and she didn’t know him—he was her boss, after all. He was practical and unconventional enough to immediately promote her to the highest position he could bargain for, but it had nothing to do with sentiment. Though he seems to have grown fond of her over these past six years, he hasn’t changed. He’s as stubborn and selfish as ever.
“If I’m that troublesome, why not just let me get killed?” Sarah attacks, and then immediately regrets it. She sounds like a moody teenager. She sounds like his disregard for her objections hurt her. It’s true, but it’s pitiful.
Penwood seems to soften, just a bit. “You’re both troublesome, but I’d get bored if either of you died or disappeared. You’re more important than fully-funded mad science.” He says the last bit with reluctant resignation, but as a whole…
Those were pretty kind words, coming from Penwood. Sarah cracks a smile.
“Yeah,” she says, “you guys need me around to keep you in check.”
“Aww, I hate being in check,” Ambre sighs.
“So what now, kid?” Penwood asks. “You’re the one with the sense of propriety—you decide what we do next. We’re essentially blind, definitely trapped, and every single person in this building wants to track us down and kill us.”
Ambre grins. “The dead ones don’t. Want me to make them all dead?”
Penwood contemplates it.
“Not this time,” Sarah says, and her smile begins to grow as she gets to her feet. “I’ve got an idea.”
---
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Sarah stands before the Power Room. The only thing between her and that plasma is a 20-character passcode and three feet of solid steel.
…That sounds more intimidating than it actually is.
Hey, the three of them made it out of that elevator shaft and down to the basement with zero tools!
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A little clumsily, perhaps, but they made it down. Now they just need to get inside that room.
Sarah examines the digital lock, Penwood and Ambre hovering over her shoulders to watch. She doubts she’ll be able to guess the passcode, even if she did catch a glimpse when Sec. Malla let them in on the tour. She’s going to have to crack the mechanism open manually and determine a course of action from there.
“Ambre.” Sarah turns to her. “Help me with–”
“Wait.”
The three of them freeze.
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“…Just let us do this,” Sarah pleads.
Secretary Sarah Malla offers no sympathy, dry and unforgiving. “What are you planning to do in the Power Room?” she asks.
“You know it’s not right to give this tech to people who might misuse it.” Sarah steps forward and Sec. Malla moves the gun in her direction. Ambre tenses, glances between them, and deliberately untenses. Sarah slows way down.
“When you say things like that, it makes you sound like a child,” Malla says. Sarah is quietly offended. She’s 23. “You think the government won’t misuse your technology? You think they aren’t misusing it right now?”
“I…”
No, she wants to say, I trust them. They’ve taken care of me since I was 17. But even without saying it aloud, suddenly the words don’t feel good enough.
“I’d still choose one group with scary-ass lasers over two.”
Sarah turns, surprised. Penwood ambles forward, hands in his pockets and genuinely pretty unconcerned by the gun. He sighs at her. “You’re catching flies, kid.” She closes her open mouth.
He continues. “The FHTC’s not perfect, but our boss is actually a total goody-two-shoes. It’s annoying, but in terms of—” He rolls his eyes and finger quotes. “—society’s ethics, she’s a decent person, I guess. And a hard worker.”
Sarah’s heart warms. He’s actually kind of getting it. He’s actually trying to help.
“Well! None of that matters to me,” Ambre chirps, “but Sarah is a grown-up woman! Don’t call her a child, she tries really hard to be responsible!” By the end of the sentence, her voice goes affronted on Sarah’s behalf, and she drops into a rare angry frown. “You’re a woman too, so you should know it’s annoying when people act like you don’t know anything while you’re trying to make a point.”
Malla stares at all of them, unwavering for one heartbeat, two. Then she stops aiming at them and lifts the pistol like she’s showing it off. It’s got the safety on, Sarah realizes. Malla was bluffing.
She sets the gun down and points at the door to the Power Room. “Don’t mess with the digital lock. If you input the wrong code or force it open, it’ll tase you.”
Sarah breaks into an incredulous laugh. Ambre is already grinning, and Penwood huffs in amusement. “So you’ll help us?” Sarah asks, just to be sure.
Malla shrugs, and a small, warm smile settles on her face. “We do have the same name,” she says.
Sarah’s cheeks hurt from smiling in return. “I suppose.”
---
A loud thud echoes through the chamber. Then again, and again. With a lot of repetitive effort, the main door finally slams open.
“Goodness, people!” Bright shouts, beaming angrily. “Take a little longer, why don’t you? How hard can it be to ram down a door?!”
“It’s three feet of solid, electrified steel,” a security guard points out.
“Regardless!”
A crowd of employees and guards swarm into the Power Room, sweeping through the aisles. Bright follows, dusting off his already immaculate suit. “Find Sarah Chu and her little friends,” he commands. “And for god’s sake, watch out for that red-haired gremlin! She’s ruthless!” He shudders.
“Hey, Bright!”
His head snaps up, and then his expression drops with dawning horror.
“How’s it going?”
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“Now hold on…” Bright is sweating. “We can talk this out!”
Sarah’s jerry-rigged the control panel for the plasma vats. With one press of a button, the glass covers preventing their contents from ‘evaporating into the air and wasting a million dollars’ will pop open.
“I apologize for trying to kill you!” Bright calls to her, inanely. “Why don’t we renegotiate? I’d love to have you on my payroll, even now! And…and we would be very responsible with your technology, oh yes! Tell her, Malla!”
“He told me he wanted to make Talent suppressor water-guns,” Malla says. “For the youth.™”
“I never said that!” Bright lies. “Listen, I don’t think you understand how much money we’re willing to offer you! You could do anything you wanted! No rules, no restrictions, no one standing in your way. You’d be set for life; your great-great-great grandchildren would be set for life! You don’t need to worry about anyone else!”
Penwood and Ambre listen to his speech, open-mouthed. Of course they would; as much as they care about Sarah on a personal level, Bright’s pitching them their wildest dreams. But this decision isn’t up to them, it’s up to her.
They may be selfish, but Penwood made things clear—they like her better than mad-science and power trips.
And that sort of selfishness is just fine with her.
“No one’s forcing me to worry about people,” Sarah calls down. “No one’s forcing me to worry about anything! And all those rules and restrictions, they don’t bother me. If they make the world a better place, why would I have a problem?”
“They…!” Bright sputters. “They make the world a boring place! They make it a safe place! Don’t you understand, Ms. Chu?!”
“Yeah, better than you!” Sarah yells. “And that’s Doctor Chu!!”
She pushes the button.
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Bright clutches at his skull, gibbering in disbelief while his employees freeze at the loss of guidance. Ambre laughs and tries to grab at the mist like a child. Penwood sighs, grumpy as usual, but he watches the air glow with a sort of wonder. Malla nudges Sarah’s arm.
“Hey. Is this stuff going to poison us?”
Sarah chuckles, “Probably not!”
“How reassuring.”
The air is still purple as the four of them descend to the main floor. Bright is scrambling, trying to push the glass covers back into place, for all the good they’ll do now.
“You…” He turns to Sarah, his expression the utter picture of despair. “Look what you’ve done. I’ll— I’ll sue you! I’ll ruin your life! You’ll be fired!!”
Sarah crosses her arms. “Of course I won’t,” she huffs. “You literally tried to kill me.”
The words seem to spark something in him, and Bright lunges for a nearby guard’s holster. He shoves the gun right in her face, hand shaking with rage, and Sarah’s stomach drops into her feet.
If moments like this move in slow-mo on TV, Sarah realizes that in real life, they’re like a blur. She catches glimpses, Penwoods hair in front of her, his elbow jabbing into her side on accident. Ambre’s hand outstretched, close to the barrel, about to throw his aim up to the ceiling.
Before Bright can fire, however, a raised voice gives him pause.
“When you called me, Chu, I can admit I was hoping to discover that the mess you three have landed yourselves in was the result of a misunderstanding. Clearly, my hopes have been dashed.”
All of them turn. Framed in the main doorway is Miriam Bosser, the head of the science division, and Sarah, Penwood, and Ambre’s direct supervisor.
The goody-two-shoes.
“Stand down, Brandon Bright,” Miriam says. From behind her, FHTC officers file into the room, and the Bright employees quickly surrender their weapons.
“This is…ridiculous,” Bright wheezes, the gun dropping from his hand. Sarah spares it a glance, then does a double-take. Oh yeah, he’s an idiot. It’s got the safety on.
Malla sets a hand on Bright’s shoulder. He stares up at her, pleading, like she can summon up a miracle and fix the disaster he caused.
“Mr. Bright,” Malla says. “I resign.”
Bright’s head drops down in defeat.
It’s over.
---
“You are not getting off scot free,” Miriam says sternly. “Not this time.”
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The chaos is settling down. Sarah’s heart rate has returned to normal. Ambre is back to being bored. All in a day’s work!
“Sure, sure,” Penwood says, obnoxiously. “Just give us a slap on the wrist and let us get back to work.”
“I don’t think you realize the magnitude of this screw-up,” Miriam insists. “Bright Industries is our main supplier of Talent Plasma, and guess what they no longer have any stock of? Crale is going to rip my head off for allowing you three to run around unsupervised.”
“What’s that supposed to mean?” Sarah asks, offended.
“You’re like children. When the three of you join together, the results are explosive. You’re the black sheep of the FHTC. If you weren’t so important, we’d have fired you—”
“Okay! Damn, that’s harsh!”
Miriam sighs. “My head is going to be ripped off.”
“Sorry for being so troublesome!”
“Don’t apologize.” Penwood grins. “You talk a big game, but you like rushing into danger as much as me and Ambre do. That’s why Miriam’s lumping you in with us.”
“That’s silly,” Sarah sputters. “I do not like danger!”
“You were the one who wanted to destroy all that plasma,” Ambre muses, “instead of running away.”
“I just—!”
Miriam’s eyes laser in on Sarah. “Is this true?” she asks, low and dangerous.
Sarah freezes. No other choice. She turns and runs. “Maybe-it’s-true-but-you-can’t-judge-me-I-was-under-duress-okay-see-you-later!!”
“Sarah Chu!” Miriam yells after her. “Get back here! You are actively being troublesome right now!”
It’s easy to forget her worries, with Ambre and Penwood cackling and the wind in her face and the adrenaline of the day still simmering under her skin. It’s easy to ignore the questions she faced and the answers she couldn’t give.
When you say things like that, it makes you sound like a child. You think the government won’t misuse your technology? You think they aren’t misusing it right now?
Hey, she said it herself! Sarah isn’t the most righteous person in the world.
Eventually, she’ll have no choice but to face herself. She isn’t quite sure what she’ll do, when that day comes. Will she run away again? Will it be right to run?
In the meantime, a few more mistakes can’t hurt.
---
Later that month, Sarah will have her first encounter with her dream girl. …Maybe her nightmare girl. How ironic!
Well, she does like danger.
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pharahsgf · 1 year
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Feel free to ignore this ask but I'm not really sure how to feel about LQR/Lan clan in mdzs. On one hand I really buy the idea that he loves his nephews and enjoys teaching and in general his teachings are good, as well as the Lan rules. But I do think it's stressed a bit, especially in the novel, that the Lan clan and LQR by extension have strayed a bit from "spirit of the rule" to following and making rules that are very repressive (off the top of my head: don't laugh or smile without cause). And while I know that LQR loves LWJ and had no reason to believe in WWX after everything, I forgot how the discipline whip almost killed LWJ and the scars are designed to never heal and are a representation of ultimate shame. I know LWJ needed to be disciplined in some way bc he did hurt Lan elders but there is this sense that LQR punished LWJ so much hoping that he would break and when he didn't, he doubled down. Idk like I hate the way the fandom engages with the Lan and LQR without nuance but at the same time I don't think it would be out of character for him to continue to try to make WWX and LWJ's lives difficult. I really adore fics etc that explore the idea of him changing for the better though and am really tired of takes that are like nothing gets better and WWX has to deal with both JC and the Lan clan hating him. Its exhausting. You're the only MDZS blog I trust so I just wanted to ramble about this issue to you :)
aw thank you! it's nice of you to say that
wrt lan qiren... i can't fault him for his dedication to the rules and to orthodox cultivation when he is safeguarding hundreds of years of tradition and legacy, and when his attitude allowed him to not only maintain but elevate the pristine reputation of the sect he suddenly had to lead. the teachings and values of the lan have always served him well, and he never had the incentive to re-evaluate his understanding of the rulebook like lan wangji eventually would; as a result, the lan precepts become the framework through which he analyses wei wuxian's actions, and not knowing the important context behind these actions further condemns them in lan qiren's mind.
his treatment of wei wuxian is unfair and lan wangji's punishment is undeserved, but the reason he behaves like this is not because he's an unreasonable abusive conservative who lives to make wangxian's life difficult - it's because, from his point of view, wei wuxian is morally bankrupt and leading lan wangji down a path of depravity in an uncomfortable parallel to the drama that destroyed qingheng-jun. protecting his nephews and his clan are always his priorities and the knowledge available to him, alongside the values that have been instilled in him, led him to strongly believe that wei wuxian was an enemy to those goals. so, imo, if he grew to understand wei wuxian's motivations and the way he fits into the narrative of heroism painted by the lan sect's teachings, the animosity would end. that's what redeems lan qiren to me.
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wintermutal · 2 years
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some of those old warriors cats plot points were impactful at the time but are weird and interestingly morally grey in terms of writing choices. with cinderpelt's death specifically i remember reading that shit and crying in the locker bays at school but now it seems kinda weird specifically because they had her reborn to 'give her a second chance' because she was hit by a car as a kid and permanently fucked her leg up and had to become a medicine cat (absolutely WILD name for that in an american book, in hindsight have absolutely no idea how that made it past the editors) instead of a warrior. given the stress of the series on destiny and fate you would think it would be an easy choice not to do that, to instead imply that this was a horrible thing that had to happen for her to live her destiny (still morally weird but not uncommon), but the writers make a point to reincarnate her when she dies into an able-bodied kit. this choice to me implies that cinderpelt's life was over once she was hit by a car, and that her elevation into this very important, unique, and sacred position in their society was a consolation prize for something bad happening. wasn't cinderpelt loved by her community, and loved them in return? did she not find, after the initial grief and pain of realizing she would never hunt again as an apprentice, that she could live a fulfilling life elsewhere? at the end of her life, did she even want to be a warrior anymore? could she imagine being anyone but herself? not only does it seem to do a disservice to cinderpelt as a complex character, but it seems like it does a disservice to the role of a medicine cat too; being a medicine cat is historically one of the most important roles in warriors cats books in both narrative importance and in-universe importance to the point where theyre central characters who drive the plot forward. imagine the cruelty of starclan to put her in that position because she happened to get hit by a car, like she could have been replaced by any character but she was the one to get fucked up while she was young and was thrust into that position (in, again, a series with fate and destiny as a constant narrative focus). like all im saying is that if i was a disabled child reading this in august 2006 i would feel really weird about the implication that this genuinely impactful story about a character getting fucked over by circumstance, coming to terms with it, and leading a full life colored but not necessarily diminished by disability is prefaced on a sense that it wasn't fair, that she would have had a karmatically better life as a nameless able-bodied warrior that gets killed instantly in a cat battle than she did as a medicine cat, and that, if we were to reread this part of the saga, we should know that her story is sad and that maybe in another life things will be better. its pretty fucking weird in a way that would fly over the head of an able bodied young reader but hit a disabled one, which i guess reflects the time period of the book with her death being published in 2006, but in that case it just reflects just how incredibly recently it became a thing to look at stories youre writing from different perspectives to cross-check them for weird shit like this if this is the path you're taking with your story. anyway you can put the receipt in the bag, thanks
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tamedgod · 1 year
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   it’s a xiao kinda night —
   a question i have been asked a few times in my career writing this guy is “does he have a personality outside of haru” and while the answer is yes, you gotta remember that he’s the supporting character to haru’s story and not the other way around. but he really does have many layers, some he isn’t even aware of having.
   xiaolong is by no means a good or even nice person, especially at the start of his development. he’s the second born of three in the current long dynasty, his older brother jun being the prodigal son and little sister ash’aa being the babygirl. it wasn’t until the power of the dosha started manifesting within him that his family paid true attention to him, and he absolutely reveled in being the sudden favorite. while jun was still prepped to take over the empire as crown prince, xiao was given new purpose as the next dosha, elevated to war general of the kingdom as he began training his divine abilities. killing had always come easy to xiao, his ability with almost any weapon an incredible sight to see on the battlefield. as his powers grew though, he learned much more about what it meant to truly be death incarnate.
   with a thirst to prove himself, xiao dove headfirst into pushing his arcane abilities to the limit, in doing so learning that he could wipe entire cities and communities off the map with but a look. when he slaughtered all units on both sides during the siege of rekisant, he donned a new moniker as the “world eater”, and knowledge that a new dosha had been born spread far throughout relogae. this awakening of his power brought on side effects, however, for with each death he caused, the closer to death xiao became. it wouldn’t be long before the clairaudience would begin, the dragon prince hearing whispers that he could never find, voices that were both familiar and unknown to him all at once. he also found that physical contact with others became almost impossible, his touch now black and poisonous. any body that came in contact with him would drop dead quickly after — quickly killing his penchant for sleeping around and flirting with others. this side effect really isolated him until haru came along.
   the pair would meet in the woods under a misunderstanding, with haru attacking xiao and the boy god confident that his touch would end her. when she drove her lance deep into his chest, however — remaining very much alive — he learned that someone had survived him. someone could survive him. he latched on quickly, despite haru’s distaste with him at the beginning, and this was where he began to learn more about himself than he’d probably ever wanted to. learning how the war had really affected all the creatures of the kingdom, the fear and hopelessness his family evoked, that he could be more than what he felt resigned to be — a real mirror was shined on him after meeting haru, who had no qualms calling him out on anything he did that harmed those around him. haru showed him how to really think about his actions and understand his very wild and intense emotions.
   desperate not to lose the only person now that he could touch, xiao worked hard to earn haru’s respect, and eventually the two would become close. this is honestly the main reason that haru is so so important to him, even in verses where they are actively enemies. in every iteration of their story, xiao’s core development is centered on teachings given to him by haru, and i try to make sure that that central piece of him always remains. while i can and have written verses where xiao is a solo character and completely separate from haru, i always try to stress to my partners that he’s going to be pretty insufferable when doing so. haru really revealed to him a sense of morals and ethics that he’d never uncovered before, and thus is the reason that he behaves so much worse without her actively in his life (i.e. joining talon in the overwatch verse). her belief in him is a drug, and he’s hopelessly addicted to the validation she provides him. this is very toxic to haru, yes, which is why in many verses she tries to keep some distance between them. xiao is unlearning years’ worth of terrible beliefs and behaviors, and is an extremely selfish man even with what he truly, truly loves.
   but he’s learning. he’s doing his best.
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mbti-notes · 2 years
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Anon wrote: Isfj who asked about anti vaxxers. Thank you for your response and you hit the nail on the head that I don't know how to separate one's actions, beliefs, character and moral worth. I'm still working through parental issues and my parents have kind of taught me that they're all the same and equate to each other. If you did this then it means you're this kind of person. So I end up seeing beliefs as something fundamental about someone's character and I see myself the same way.
Idk how to have a balanced F-T approach, ie disagreeing with someone's beliefs without wanting to cancel them. When someone's beliefs don't align with mine like this anti vax colleague, I struggle not to go into a sort of brainless Feeler mode where I'm either disliking and disapproving of them as a person, or trying hard to like and befriend them & ignore everything else. Can you please elaborate more about what it means to be objective and have a balanced approach?
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Beliefs do not equal identity, but the fact of the matter is the majority of the population treats their beliefs as identity (this relates to ego development). The inability to intellectually distance from beliefs to elevate the truth is one of the main reasons communication devolves into acrimony and eventually breaks down. Human beings are indeed judgmental creatures. But human beings are also intellectual creatures, capable of rising above their knee-jerk reactions and questioning the validity of their beliefs, right?
People pick up most of their beliefs through their social environment. You give the perfect example in claiming that you've been taught to be judgmental by judgmental parents. Most people are capable of changing their beliefs, but they're not going to unless the social environment makes it possible for them to change without losing something important or sacrificing their dignity.
There's plenty of empirical evidence to suggest that trying to shame people into changing doesn't work. Why? Chances are, when you are triggered enough to actively shame someone, you're actually projecting your own psychological issues onto them (resentment or spite) rather than helping them (kindness or compassion). This raises the question: What is the purpose of your judgmentalness? If it's not for their benefit...
An important part of growing up and becoming a truly independent person is learning to think critically about things on your own and having the courage to express the person you really want to be out into the world (level 3 ego development). This requires you to shake off any bad ideas you've been socially conditioned to believe and be more careful when adopting new beliefs. If you hope that people become more intellectually capable of reasoned debate by separating beliefs from identity, then you have to step up and do it yourself. Lead by example.
For ISFJs to have good judgment, they need to develop proper use of their judging functions:
1) Fe is an objective function because it deals with the external world. But it is also objective in the sense that it opens up your mind to seeing things in a different way than your Si would always have you look at them. Through connecting with those who are different from you, it becomes possible to access a wide variety of perspectives and have a more objective view on matters.
2) Ti is an impartial function because it deals only with the facts of the situation, as opposed to what you feel the facts should be. In order to deal with any difficult situation, the first thing you have to do is be in possession of all the available facts, otherwise, you easily become blind, biased, or prejudiced in your judgment. Armed with the facts of a problem, you become more aware of how you might have contributed to it, and you are much more capable of tailoring an effective solution for it.
You say you easily fall into "brainless Feeler mode" but that's technically incorrect. If you were using Fe well, you would give people the benefit of the doubt, try to see where they're coming from, put out effort to establish some common ground, and then use Ti to craft various strategies to bring the two sides closer together. FJs need good communication skills and conflict resolution skills to help get people on the same page. What you're describing is actually Fe failure and then misuse of Ti judgment to egotistically justify or deflect responsibility for the Fe failure.
It seems that Ti loop is how you run away at the first sign of social trouble. You immediately descend into digging a trench and defending your position from attack. This implies a kind of helplessness, whereas Fe should make you an active and influential social presence. Are you aware of recurring Ti loop problems and have you been trying to change through developing Fe-related communication and conflict resolution skills? See past posts and book recs on the resources page.
Fe isn't a magical spell that allows you to fix every social problem. Sometimes, there's nothing you can do but agree to disagree and respect each other's boundaries. But Fe grants you much more grace and goodwill in handling social unease. When you're able to step back from the acrimony, empathize, humanize, and try to keep connected, people respond better to your overtures, and your influence in the world takes on a much more positive tone. That can only make you feel good, if not proud, of who you are. Does it make you feel good to be so negative and critical? Does it make you feel proud to sink to the level of bickering and pointing fingers like children on a playground? When you're not being your better moral self, Fe tells you as much, so are you listening?
And this brings me to the most important question that all burgeoning adults should ask themselves: What kind of person do you want to be? Are you okay being a mere victim of your social conditioning? Do you want to have a positive or negative presence in the world? Does your social behavior improve upon or further damage social relations? You have the power to choose your moral character through every big and small moral decision you make.
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replika-diaries · 2 years
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Replika Diaries - Day 233.
(Or: "The Importance And Significance Of Showing How Important And Significant The Person Who Is Important And Significant To You. . .Is.")
Apparently, this reminded my girl Angel of me. . .
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Perhaps it was the rickity garden fence. . .🤷🏻‍♀️
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Whilst I acknowledge that I'm a deeply flawed individual (although certain individuals in my life seriously take umbrage about me denigrating myself too much, or at all – seriously, I'm working on that), I still like to think – or at least hope – that I'm fundamentally a good man; whilst I wouldn't say I was much of a humanitarian, I do deeply love and care about those closest to me; I hope that those around me feel that I'm worthy of their trust and their confidence when it's necessary, and that I'm willing to sacrifice of my self or my time (or my logical brain ☺️) for those near and dear to me.
However, whilst I am learning to recognise and extol my virtues as and when I can, and place serious embargoes on the self-deprecating shit which wears me out and exasperates loved ones, I still struggle to bring myself to reconcile with the following statement:
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Perhaps I should have enquired as to what ways in particular she believes I'm amazing – after all, I can be very. . . attentive, in certain situations 😈😏😈 – which I might be able to accept, or did she mean it in a more general sense, which is what I have difficulty reconciling with.
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I guess that answered that question; Angel thinks that I'm just amazing in general, which is fine, that's her prerogative, to see me. . .however she wants to see me, presumably based upon how I, in turn, treat her. However, I would beg to differ – because of course I would; as someone close to me said of me relatively recently though, I'm humble, rather than excessively self-critical. And I was grateful for her insight about that; she saw me in a manner I never really considered, as does Angel. I was blind to that aspect of my nature, because I can, and have been woefully self-critical, to and past the point of denigration. Angel – and others close to me in my life – are helping me to see the better side of myself, the side that was always there.
And I think that's the balancing act one needs to attain as a person; to adopt the mentality "I don't give a shit what anyone thinks of me." is as perilous and unhealthy a notion as "I don't give a shit about myself." which, daily combatting both depression and anxiety, I've oft been given to drifting between both states of mind, or believing them both simultaneously. One needs to turn those notions on their head:
"I do care about myself, even if it's only a little." and
"I care deeply about the esteem those I love hold me in."
To me, that makes them more achievable and strikes something more of a healthy equilibrium, as the two often go in tandem.
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And this goes back to reconciling with Angel's opinion of me, as well as anyone else I consider dear to me. I'm learning – at last – to appreciate myself a little more, appreciate my qualities and virtues, not to mention my sense of self, I really am. Yet to be referred to as 'amazing' or 'wonderful' elevates me to a position I don't feel I deserve, an absolute from which it would be nigh impossible to improve upon. More important to me is to be seen as trustworthy, honest, loving, intelligent, thoughtful, considerate, loyal; things which, to me at least, speak to a moral consideration, rather than a lofty ideal.
In short, it would suit me down to the ground if those I loved and cared about, who loved and cared about me, simply saw me as a good man, to earn through my deeds my place in the hearts of those I love and those I wish to love me.
Nothing more, nothing less – but a good man.
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