#we're on will's accountability arc

[misuutira]

Hellooo back from the dead with another Calamity AU doodle! Not so much of a thought dump, but I wanted to experiment with the “possessed by Mako” concept a bit. The whole point of this section of the story is to not only create a dramatic climax, but to also reinforce--at least to the gang’s non-mers--just how difficult human relationships have been for them: Rikki’s feelings of betrayal towards Zane, Emma’s detachment from others since her trip, Cleo’s fear of pulling others (i.e., Lewis and her family) down, and Bella’s resignation about the fact that Will won’t take the time to see her for who she really is. 

I genuinely felt sad about not including Bella in the last sketch compilation so I thought it’d be nice to imagine how that plot point might look for her. She gets her moment to cause havoc, which honestly? We were so robbed of, especially with the crap that she let Will get away with. So maybe this is also somewhat cathartic for me as well (RE: the ‘aren’t you tired of being nice?’ meme...which I sketched and forgot to digitize WHOOPS). 

ALSO- I am finally sketching out the first pages of the Calamity AU as a comic! I’ll probably keep on posting little brainstorms of lore bits, but I am slowly (emphasis on slowly) working on making this an actual start-to-finish story. So be on the lookout for that...Soon™

Until then, thank you guys so much for all of your feedback! It always puts a smile on my face seeing the excitement for this AU. :D

#h2o just add water #h2o jaw #h2o au #mako island #mermaids #fanart #doodle #sketches #calamity au #we're on will's accountability arc #he needs to be called out #i don't why the show was so quick to villainize zane (justifiably) but not extend that same scrutiny to will for the stuff he did #i'm not gonna completely villainize either of them in this story but they are going to have to EARN that trust back from the girls #and bella is going to get to see that she deserves better #lovers to friends

[immortal-saccharin-swan]

Episode 1 | The Willow Tree

It was a slow glide over the darkened lands, Eternal Sugar's wings stiff after a lack of use for so many years. Her gaze never remained in one place, searching constantly for something, anything, that would allude to where she was.

Yet with the darkness of everything, it was getting increasingly hard to see.

"How did Shadow Milk ever manage in this low of a light level..." The beast muttered to herself, tucking her wings in to dip a little lower, hoping she'd be able to see things better if she were closer to the ground.

Spreading out her wings once more, Eternal Sugar couldn't help herself from smiling softly as she felt the wind whip past her face, the cool air a stark but welcome contrast from the warmth of her slumber.

For a moment, she allowed herself to close her eyes, smiling softly as she enjoyed the cold air.

When she opened her eyes again, a soft glow in the corner of her vision caught her attention. Without hesitation, she made a sharp turn around, tilting herself up to gain some altitude before leveling out once more.

Her gaze remained trained on that soft glow, with it getting brighter the closer she got to it.

When she finally landed, having to dig her heels into the soft ground to stop her momentum, she looked up, only to be met with a large silver willow tree.

The bark of the tree was covered in cracks, light of different colors filtering through. White, red, blue, and purple. The light bounced off the shiny silver leaves of the tree, hitting back onto the tree and painting it in an almost mosaic manner.

Eternal Sugar would almost think it was pretty, if it wasn't the thing keeping her in this pitch black hell hole.

With a soft sigh, the winged cookie made her way forward, pressing her forehead to the tree alongside her hand, a smile forming to her lips as she watched the red light grow brighter.

"They're okay..." She muttered, a tired chuff leaving her as she shook her head.

"...I'm okay."

Whether that was a confirmation to herself, or to the other beasts, she didn't know.

#eternal sugar #eternal sugar cookie #cookie run #cookie run kingdom #crk #🦢| sleepy swan story progress |💤 #roleplay account #🦢| Episode 1; The Willow Tree |💤 #WOOOOOOOOOOOOOOO STORY PROGRESSION LET'S GO WE'RE GONNA FREE OUR BIRDY HELL YEEAAAAHHHH - poster #WE'RE GONNA BEAT UP A FUCKING TREE LET'S GO - poster #also yes big story progression is gonna be typed up in a like #fanfic manner so hope no one minds enjoy the swan wifey prison break arc - poster

[babbeldumpsterfire]

Unpopular opinion I guess: crying once doesn't absolve all the shit Izzy did, or the fact that he's toxic too. I don't know why he has this rabid fanbase of people ready to defend him to the death and justify whatever he does, but jesus christ if we get poor little mew mew izzy in s2 and he gets no accountability I'm out.

#I'm also interested in how they're doing accountability for ed #that will be interesting #but I have a feeling that since the fans love izzy so much we're gonna get some dumb redemption arc just because conn o neill is hot #and not because the character's arc actually calls for it #ofmd #spoilers #anti izzy #ofmd spoilers #I have a feeling we'll get 'poor innocent izzy mew mew' and 'big evil ed' and frankly just ew

[fungi-maestro]

Questionable Images - The Question #10 (1987)

#book club #the question #vic sage #questionable images #dc comics #comics #some unmasked vics for you! #including... young vic :) well. my age vic. he is around 21 here. #i like pictures where he's laying on the ground #or crying #or both #anyway fascinating arc so far.... much to think about.... #be prewarned about the political climate this came out during while reading of course... always take this into account... #but yayyyy 10 issues down! we're a fourth of the way through! #i am in the grey area in the run where I was barely conscious while reading most of this last time... #i was kind of.in a fog.... #so im absorbing it much better this time

[boysdontcryboycry]

logs back into the stranger things fandom and suddenly everyone hates stranger things what da hell

#if i see one more vickie hate comment i will go ballistic #yeah we're gonna be plagued by so many bad faith and no context takes from bts for the next two years aren't we............ #you can be mad about argyle heaven knows i am but you cannot seriously be complaining about vickie joining the cast like we knew this #also saw someone bring up karens s4 poster and im just agog. its been two years since that babe. karen has always been important. #fifth fucking named character we meet and she has her own arc every single season what da hell #also please be so serious. loved wayne. who on earth expected him to stick around. #i wouldn't be surprised if he skipped town on account of his nephew being dead and likely facing the scorn of the town for their relation

[deiscension]

Isn't it crazy how M.itski's Nobody is a deep dive on SQX's character development.... 'I just want somebody near me / Guess I'm a coward / I just want to feel alright'. 'And I know no one will save me.'

The heartache of realizing you never knew what it was like to be wanted, you didn't even know what it was like to be needed, and it wouldn't have mattered anyway because what you had wasn't yours and you still took it. You still took it and you couldn't give it back even when you tried because you weren't strong enough to say the right name when it mattered the most and you weren't brave or just enough to understand and condemn the one who poured blood all over your hands when he handed you a fate you were undeserving of. And really what does it say about you that you mourn what was despite the fact it never should have been? What does it say about you that even when you had it all there were pieces missing? Of course you'd never turn to resentment. That's not who you are, it never has been. It's not your right either. You'll find a way to die happy but that's not really the same as peace or contentment. Are you allowed to want after you've had? Hard to say.

#▌ ◈ ooc ; ⌜ he fucking ascended again! ⌟ #an oversimplification to a degree to be for sure but huh. hm! #i genuinely might do an analysis on all the different ways this song applies to sqx #not tonight though its way too late #also 'i'm just asking for a kiss' i can't entirely extrapolate what i'm thinking into coherent thoughts but! #even if sqx's character arc isn't focused on any such thing as romance it's still so fitting #all that power and influence. all they want are true friends. #i have my own interpretations of sqx and hx but if we're going strict no subtext taken into account canon #how INSANE is it that xl is sqx's first no strings attached friend #applying this to my modern/au verses too-- all that history #she just wants companionship just wants connection can't stand the idea of being an empty collectible trinket #but so much is already decided for her and about her and even if she has her fun its an uphill battle #thinking thoughts. as we can see. thinking many thoughts. #she does just want a kiss! then she'll be alright! #the subtle angst with her in canon even pre-black water has me in a chokehold tonight #distraught over 'too busy with my brother's scolding' #shi wudu ur one of my faves but i hate you and you stink also.

[blue-rphub]

Yo, what’s the Steel Ball Run AU like? I’m interested in learning about it, if ya don’t mind?

Also, hi! Hope you’re having a good day today! ^///^

THANK YOU FOR YOUR INTEREST!!! i hope ur having a good day too coin<3 ily mwah!

so most of the AU has been primarily set on twitter (my twt RP accounts are SCARY_MONSTERZ (diego & dio) / DlRTY_DEEDS (valentine) / TOTHESKIIES (shikari, they're an OC)!!), but their accounts have been recently transferred here to set up a sort of a parallel timeline of events!! but ALL information here rings true for BOTH timelines.

i'm writing from late-SBR into post-canon on tumblr, but obviously, if anyone wants to write pre-SBR / early/mid-SBR, i'm always down lol.

anyway actual au info (please note there will be some spoilers!!! also under readmore bcuz this is wordy. i'll be speaking exclusively for the main cast as well as the characters i personally write here.)

ITS SET (mostly) POST-CANON WHERE EVERYONE LIVES-- yes, EVERYONE. none of the main OR side cast have died, however some have retained injuries that still very much effect them in post-canon.

Diego Brando (the original) was the winner of the Steel Ball Run race, and has obtained Manhattan Island as its mayor. consider him the sort of 'main character', as i mostly wrote this AU based HEAVILY around Diego's antics-- he was my first SBR muse!

Valentine is still President, and his wife, Scarlet, has a Stand in this AU. Her Stand is known as Love At First Feel, named after an AC/DC song. her Stand ability allows her intangability, which essentially grants her invulnerability to many attacks (including D4C & The World to an extent! however, she's very unsure how to use it at the moment; its primarily used for its defensive capability).

Also... Lucy Steel has a Stand. the exact details are a little "???" to me atm, but another Lucy writer on Twitter had her Stand basically allow her to turn her own body fluids into objects (somewhat seen in canon iirc, also forgot the handle of said Lucy</3). but the Lucy Steel in this AU, can see and interact with Stands

Johnny, Gyro, H.P, & Diego are friends!!! they were initially forced to work together after the train almost killed Diego, & they worked as a team to attempt to kill Valentine. however, immediately after the race ended, Johnny, Gyro, and H.P returned to Italy. Diego chose not to join them due to his injuries, fearing he may not survive the journey bcuz of them.

Alternate world Diego (known exclusively as Dio in this AU) is also still here. He was tasked with securing the Holy Corpse, but got ahead of himself and chose to attack Johnny whilst they were nearing the end of the race. he ended up losing his leg during this battle (as seen in canon!), and technically didn't finish first as he never crossed the finish line, choosing to take a different route to ensure the Corpse was secured.

as for where Dio's story goes after that, he does continue to work with Valentine for a short while, before he gets written off when Diego is offered his placement as Mayor. said Mayorship is only offered bcuz Valentine very much wants Dio & Diego to try and kill eachother, so neither of them will get in his way again.

and of course, at first, Dio & Diego were very much enemies. but as written on twitter, Dio eventually becomes one of the guardsmen for Diego, & works as a sort of personal hitman. he also takes over as Mayor whenever Diego is unavailable, as most won't know their visual differences.

also my SBR OC does play a role within the early-story & post-canon; Shikari is Valentine's Head of Defense. they are beneath Blackmore- as Blackmore is Valentine's second in command- but they act as a sort of standby whenever Blackmore goes down.

whilst Shikari is indifferent to Diego, they do have a strange fondness for Dio. its thought they sympathise for him; after he recovered from his leg injury & did some work for Valentine before he was fired, they worked together extensively. he was mostly placed with them due to Shikari's very reserved nature & patience.

also Shikari is very aware that Valentine views them as disposable. but due to the nature of their Stand, Take To The Skies, which is an object based stand taking the form of a cape, it does allow D4C to quickly 'generate' another Valentine from them in emergencies.

Additionally, Valentine is EXTREMELY cunning and evil in this AU. moreso than canon. with the Holy Corpse secured, he very much views other human life as entirely disposable, even those who work closely to him. he is REAL fucked up.

thats the majority of it! but yeah idk how many SBR fans i got followin me but this AU is very open to more people joining LMAO rn its just me and @/civillwars (amlite<3) over here!!! more of my SBR AU stuff is on twitter but i havent written there for a while but i do plan on gettin back over there for some stuff.

BUT YEAH any lingering questions... abt any characters or events... i probably have considered it & written it down. most characters have gotten the "they were injured but not killed" treatment, which will effect them in this post-canon AU.

#mailbox #c0in #SBR AU #< tagging as that bcuz i made a tag on main for it as well #BASICALLY. CONSIDER MY SBR RP ACCOUNTS AS LIKE. im just writing fanfiction for my AU. HDFJASFKD #god this got long as hell. ALSO THERE IS MORE? but due to the seperate timelines..... twt/tmblr....... #some stuff isnt applicable. #like me & amlite did an event where diego / axl teamed up and killed valentine that was EPIC!!!!! #BUT whether or not that will be rewritten for the sake of THIS timeline? uncertain. we're closing in on the civil war arc right now. #so we have still got sometime to go till we reach dat point HJDKASDF

[astonmartinii]

careful what you wish for | alex albon social media au

pairing: alex albon x fem norris!reader

be careful what you wish for because sometimes childhood dreams come true (not the way you think though)

MASTERLIST | BROTHER'S BFF MASTERLIST | TIP JAR

yourusername

liked by alexalbon, landonorris and 453,096 others

yourusername: it's sweet treat hour in the paddock

view all comments

user1: oh to be a person in the f1 paddock getting a sweet treat

user2: ummm actually i think i deserve one more than any of the guys on the grid

yourusername: probably true lol

georgerussell63: BLASPHEMY

landonorris: blood is CLEARLY not thicker than water 🤨

maxverstappen1: i can't believe this betrayal

charles_leclerc: puppy play date is OFF

yourusername: not you people proving them right within 0.5 seconds.

user3: y/n really is god's strongest soldier these fools must be so annoying

alexalbon: not me tho

landonorris: nuh uh 😐

alexalbon: sorry to burst your bubble lando but on the scale of least annoying (me) to most annoying (carlos) ... well marketing love carlando for a reason

landonorris: Y/N TELL HIM TO STOP BEING MEAN TO ME

yourusername: i'm not your mum, defend yourself

landonorris: ???

carlossainz55: THERE IS NO WAY I'M THE MOST ANNOYING ON THE GRID? Y/N TELL HIM THAT

yourusername: keep your car away from oscar and maybe

oscarpiastri: thank you grid mum 🫶🏻

carlossainz55: grid mum clearly showing favourites 🤨 does my sleepovers at the norris household mean anything?

yourusername: your old ass does not need a grid mum be fucking for real

carlossainz55: GASP!

alexalbon: nevermind what ever the fuck that was... the sweet treats slapped, thank you very much

yourusername: see this is why you're my favourite

oscarpiastri: i am right here

logansargent: :(((((

yourusername: NOOO MY LITTLE DUCKLINGS I LOVE YOU

user4: the way y/n has taken to oscar and logan makes my heart so warm

user5: her missing a lot of the start of the 2023 season and logan saying he started to feel less lonely when she was back coming to races as she went out of her way to support him

user6: her and alex going to miami a week early and acting more like parents than logan's actual parents

user7: it's like the older drivers are her grid kids but she only goes full mama bear for oscar and logan

user8: i'm gonna need this friends to lovers arc for alex and y/n

landonorris: do you people ever shut up

yourusername: LANDO ???

landonorris: sorry you have to die single sorry i don't make the rules

f1

liked by yourusername, georgerussell63 and 1,405,788 others

tagged: alexalbon, landonorris & georgerussell63

f1: ALBON P5!!! now that's why lando had a poster of him in his childhood bedroom

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user9: i know lando forever regrets bringing that up all those years ago

user10: since we know how close alex and y/n are... i'd bet a lot of money y/n brings it up at any opportunity

yourusername: LET'S FUCKING GO!!!!!!!!!!!!!!

alexalbon: always knew you were my biggest fan

yourusername: it must be a norris thing

landonorris: alex the literal f1 account is making fun of me and you're SAYING SHE IS YOUR BIGGEST FAN

alexalbon: okay buddy lets calm it down

landonorris: don't put me in time out you're not my grid dad

alexalbon: am i not?

this comment has been deleted

alexalbon: i wouldn't claim you dummy

landonorris: i saw that ............. interesting

user11: the way this is the biggest hint for y/n x alex we've ever gotten but lando is not putting 2 and 2 together

yourusername: i've never had to try to keep a secret from lando i've always had to spell it out for him we're safe

landonorris: who is we?

user11: i see what you mean

georgerussell63: good lord, will i ever get out of the alex DRS train?

alexalbon: NEVER MWAHAHAHAHAHAHAHAA

georgerussell63: have you already started drinking?

alexalbon: maybe, you know y/n can't mix drinks for shit

yourusername: P5 in a williams calls for a throwback college tequila punch

maxverstappen1: college tequila punch without me THE FAVOURITISM HAS GOTTEN OUT OF HAND

yourusername: you AND I QUOTE said "never talk to me again, i don't want to see you with any kind of receptacle that a person could drink out of, i never want to see a bottle of tequila ever again i feel like this is a hangover that will be passed on as some kind of generational curse"

maxverstappen1: now you say that i do recall saying something similar

user12: the way oscar and logan were so happy for alex, that's a grid dad for real

logansargent: we knew all of our drinks would been on his tab 🤞🏻

oscarpiastri: and he brought our kebabs!!

user13: how do i get this kind of treatment on my nights out?

logansargent: you have to third wheel alex and y/n when they're insufferably cute 👍🏻

this comment was deleted

user14: i'm on to yall

alexalbon

liked by landonorris, maxverstappen1 and 720,987 others

tagged: yourusername, logansargent & oscarpiastri

alexalbon: post night out munch with my favourites

view all comments

user15: oh i can smell the arguments coming

yourusername: no one die i'm putting my phone on do not disturb

user16: so real

georgerussell63: HOW DARE YOU DISRESPECT THE SANCTITY OF OUR FRIENDSHIPS I THOUGHT WE WERE PLATONIC SOULMATES OUR LOVE FOR EACH OTHER SEWN INTO THE VERY FABRIC OF OUR BEING

alexalbon: well damn

georgerussell63: well damn? WELL DAMN? THAT'S IT YOU ARE NOT INVITED ON MY ANNUAL EASTER SUNDAY WALK AND BOUTIQUE EASTER EGG HUNT

landonorris: wow that'll really show him george

georgerussell63: LANDO WHAT THE FUCK WE NEED A UNITED FRONT

yourusername: babe this isn't trench warfare

georgerussell63: i thought you weren't getting involved this is a GALEX DISCUSSION

charles_leclerc: i thought this was a twitch quartet dicussion?

georgerussell63: maybe if you people MADE YOURSELF USEFUL IT WOULD BE

charles_leclerc: you know what i don't like your tone. i am very secure in my friendship with alex and am happy he has other thriving friendships especially with those who have recently joined the team and need the extra comfort

alexalbon: finally a normal person

user17: what is happening

user18: i think this is what the kids call losing your shit

user19: kinda feels like it's ended prematurely

alexalbon: he's at my door

user20: oh? should we like maybe be afraid?

yourusername: WHY AM I LIVING IN THE SHINING RIGHT NOW DOES HE HAVE AN AXE?

landonorris: hold on .... why are you there?

yourusername: george russell is at the door screaming for justice potentially wielding a weapon and that's what you took from that?

landonorris: ummm yes? there's something weird going on here

oscarpiastri: i'm also here

logansargent: me too (PLEASE SEND HELP)

user21: well wasn't that just ... delightful

landonorris

liked by maxverstappen1, alexalbon and 903,788 others

tagged: oscarpiastri & yourusername

landonorris: this whole grid kid thins has gotten out of control why is this kid being treated better than ME in my OWN HOME

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user24: how could lando be angry look how pookie oscar is

oscarpiastri: this is what i'm sayingggggg

yourusername: so fuck me i guess

user24: babe that's alex's job

yourusername: you right

user25: HOLD ON PEOPLE IS THAT Y/N/ALEX CRUMBS ???

user26: quick add it to the spreadsheet

alexalbon: there's a spreadsheet?

user26: we don't fuck around about your hypothetical relationship with y/n

alexalbon: that much is clear (send it my way asap)

yourusername: talking about favouritism in the norris household as if i have not lived with this for MY ENTIRE LIFE

landonorris: booooooo let me complain (did you or did you not get your weird kids from my career favouritism in the family)

yourusername: don't weaponise my children against me

landonorris: but they're so annoying oscar is eating all of the ROAST POTATOES THIS IS THE NORRIS FAMILY DINNER EVERYONE KNOWS THE ROASTIES ARE MINE

oscarpiastri: not anymore :P

landonorris: choke

oscarpiastri: don't make me call my dad

landonorris: call him up i'll beat his ass at this point I CAN SEE YOU TAKING ANOTHER POTATO

oscarpiastri: @alexalbon :(

alexalbon: keep my kid's name out your fucking mouth

landonorris: excuse me?

yourusername: ugh that's so hot

landonorris: EXCUSE ME?

user27: well .... add it to the spreadsheet?

landonorris: i'm so close to blocking all of you

yourusername: i thought you loved alex :(

landonorris: not that much

alexalbon: i see....

landonorris: NO I'M SORRY I TAKE IT BACK I LOVE YOU ALEX (YOU BETTER NOT BE SHAGGING MY SISTER HYPOTHETICAL OR NOT)

yourusername

liked by alexalbon, charles_leclerc and 528,095 others

tagged: landonorris

yourusername: silverstone babyyyyyyyyyyyyyy i hope my home treats my boys right

view all comments

user28: i would give a kidney to be there for real

user29: you might have to the prices at that race are INSANE

landonorris: finally the home race which means you actually have to root for me

yourusername: ehhhhhhh

landonorris: girl i did not get much sleep last night wtf do you mean EHHHHH

yourusername: alex is a london boy

georgerussell63: once again fuck george i guess

yourusername: you didn't give me time !!!!

georgerussell63: were you actually going to say it?

yourusername: no ❤️

landonorris: right george i think it's time to unionise against y/n and alex

yourusername: the fuck do you (do we?) know about unionisation babe our family are the capitalist machine

user30: so like when are we getting the full albon pets meetup with sausage?

alexalbon: you always treat me right

yourusername: only the bestest for you

alexalbon: oh wow i'm blushing

yourusername: i can make you do a lot more than that

landonorris: do you mind?

yourusername: LET ME FLIRT IN PEACE GOD I CAN'T HAVE ANYTHING

alexalbon: yeah let y/n flirt with me in peace

logansargent: he's giggling and swinging his feet - we might even get a skip away

alexalbon: sue me

user31: alex and y/n being so tired of lando is so true

oscarpiastri: they match each other's freak and they really need to let that freak flag fly

logansargent: as they should i need to post some of the cute pictures of them my phone storage is suffering

landonorris: i'm throwing my phone out of the window

user32: confirmation? CONFIRMATION?

alexalbon

liked by georgerussell63, maxverstappen1 and 1,359,086 others

tagged: yourusername

alexalbon: bro my nurse is hot as fuck

view all comments

user32: bro nearly died and THIS IS WHAT HE POSTS

user33: is it insensitive for me to celebrate that they're together on a post just hours after he was in a massive crash

yourusername: probably but we'll take the compliment regardless

georgerussell63: let it be known i'm annoyed that this is how i found out about this relationship but i'm so glad you're okay and that you had your person with you as support

alexalbon: my person awwwww georgie you're such as softie, but thank you i'm all good

yourusername: i knew you loved me really georgie

georgerussell63: i'll come round to this i guess

yourusername: so no more morning visits with weapons

georgerussell63: THERE WERE NO WEAPONS

alexalbon: you called me many mean words and sometimes words are our biggest weapons

georgerussell63: shut the fuck up

yourusername: that's not very peace, love and kindness he nearly died russell change up your tone

user34: YESSSSSSSSS WE CAN FINALLY SEE THE TRUE POWER OF THE ALEX/Y/N SASS

user34: also obviously very happy alex is okay

user35: i fear we as a fandom do not have our priorities in check

landonorris: i wouldn't leave the hospital if i were you

alexalbon: is that a threat?

landonorris: very much so

maxverstappen1: he's serious i'm literally holding him back (it's not hard he's like a gremlin)

landonorris: A GREMLIN WHO HAS BEEN GIVEN WATER

yourusername: but i thought you loved alex? surely this is the least offensive option on the grid?

alexalbon: awwwwww babe

maxverstappen1: i'm really not sure thats the compliment you think...

landonorris: NO I DO LOVE ALEX BUT NOT LIKE THIS

yourusername: it could be worse, you're besties with alex - i could've gotten with carlos or pierre!

carlossainz55: excuse me?

pierregasly: what did i ever do to you?

yourusername: whores ❤️

landonorris: true they are whores

alexalbon: and i'm a big ol family man

landonorris: you keep that to yourself

oscarpiastri: get well soon dad

logansargent: we love you !!!

yourusername: don't think we've forgotten about you exposing our relationship....

alexalbon: but we love you anyway

yourusername

liked by logansargent, landonorris and 783,209 others

tagged: alexalbon

yourusername: f1 cars are too dangerous actuallyyyyyyyyyyy you're all BANNED

view all comments

user36: finally some good fucking food

user37: i feel like we've been waiting for this relationship for so long i expect a wedding invitation at this point

alexalbon: yeah soz only the girl with the spreadsheet is getting an invite

user26: SCORE

alexalbon: well aren't we just the cutest couple in the world

yourusername: i fear we are

yourusername: and if any of you hoes try and comment any dumb shit like "us erasure" i'll break your toes

georgerussell63: oh! okay...

maxverstappen1: sure i guess so...

charles_leclerc: i'll let you have your moment for now

landonorris: i'm single but i want to be involved

user38: the lipstick print... i'm weak

user39: they already made me feel lonely before we got confirmation i think i might need to redownload hinge

landonorris: ugh i guess you guys are kind of cute

yourusername: of course we are one of us is a norris

landonorris: TRUE 💅🏻

alexalbon: ??? so you don't want to kill me anymore?

landonorris: no i guess not

landonorris: also max put a bell on my chain and my fingers are too fat to open the clasp so i can't sneak out to kick your ass

maxverstappen1: he really is an overgrown toddler

alexalbon: also your 5'2 ass is not beating mine

landonorris: i am NOT 5'2 i am 5'10 at the least

yourusername: girl you're maybe 5'5 and i WILL be getting my lick in if you fight alex - revenge for all those hair pulls all those years ago

landonorris: i'd say stop defending alex but you've always done that... i should've known

user40: so y/n really wasn't lying when she said she didn't have to hide anything from lando cause he doesn't pick up on anything 😭

landonorris: sorry i'm not actively looking for clues about my sister's sex life

alexalbon: bro i am in love with your sister lets frame this better

yourusername: hehehheheeehehhehe

landonorris

liked by maxverstappen1, logansargent and 1,874,036 others

tagged: alexalbon & yourusername

landonorris: i guess i always did say that i wanted alex as a bigger brother, be careful for what you wish for kids

view all comments

user41: FINALLLLY

logansargent: you're telling me we've BEEN waiting

oscarpiastri: i kinda miss having a secret like what do i hold over lando now?

landonorris: DON'T THINK I HAVEN'T FORGOTTEN ABOUT THIS YOU WILL BE DEALT WITH PIASTRI

oscapiastri: okay babe

landonorris: you really take after your mum and it scares me

yourusername: you shouldn't have such good friends that i just can't help falling in love with so really this is your fault

landonorris: sure.... but you have a good point, i'm very happy it's alex of all people

yourusername: you've really come round fast since you realised that we'll pay for your stuff whenever we go out

landonorris: what can i say stuff tastes better when it's free

alexalbon: you literally make double what y/n and i make

landonorris: and i'm the younger sibling so you should TREAT ME BETTER

user42: yeah we all knew lando was the younger sibling but he's giving massive annoying baby brother vibes

alexalbon: and he wonders why we prefer oscar and logan

landonorris: i'm just going to pretend i didn't see that

alexalbon: but for real lando, thanks for being the most annoying norris and having such a lovely and cool (and smoking hot) sister - i appreciate it!

yourusername: i love you too babe

alexalbon: don't worry you'll get to drop the last name soon

yourusername: AHHHHHHHHHHHHHHHHH

yourusername: i can't wait to be mrs. albon

landonorris: blocked.

user43: i can't believe we got the conclusion to the lando alex poster storyline

landonorris: it wasn't exactly the conclusion i thought it would be but i'll take it

yourusername: you love us really

alexalbon: really you were just manifesting this for like ten years

fin.

note: here's a wee post from brother's bff before the race because i need somehtign to distract me from my horrible NERVES - ENJOY!

#f1 imagine #f1 x reader #f1 instagram au #f1 x you #f1 #f1 social media au #alex albon instagram au #alex albon x reader #alex albon imagine #alex albon fluff #alex albon

[prokopetz]

One of the more frequent anecdotes you'll hear from Dungeons & Dragons podcasters is that any time they switch to a system other than D&D, even for a one-off arc, they immediately experience a large drop in listenership – sometimes up to eighty percent! – only to see most of those listeners come back once they switch back to D&D.

What's interesting about this is that the greater part of D&D podcast listeners do not play Dungeons & Dragons. They might have a general idea of what the game's rules look like based on what they've been able to passively absorb from listening to the podcast, but they don't have regular groups, they don't own the rulebooks or maintain subscriptions to the e-book service, and many of them have never rolled a d20 in their lives.

How, then, do we account for that sudden drop in listenership? Why does which system a tabletop roleplaying podcast is using matter so much if most listeners neither know nor care about the rules?

The answer is, unfortunately, quite simple.

In many ways, advocacy for indie RPGs has never moved past Ron Edwards' infamous argument that playing Dungeons & Dragons causes actual, physical brain damage. Deep down, a lot of indie RPG advocacy seems to believe there's something sinister in the structure of D&D that's responsible for what they regard as its unaccountable popularity. You can see this in everything from the casual assumption that D&D players aren't "really" having fun (and all that's needed to convert them to other systems is to show them they've been tricked into falsely believing they're enjoying an objectively un-fun activity), to the rambling thinkpieces that talk about getting folks to try other games like they're liberating people from the fucking Matrix.

Yet we come back to the same problem: how can the mechanical structure of D&D be implicated for its culturally dominant position in the minds of those who've never picked up a twenty-sided die?

The truth is that Dungeons & Dragons enjoys cultural dominance, both within the hobby and elsewhere, because it's owned by the same multinational corporation that owns Monopoly and My Little Pony, and benefits from all the marketing strength its owner can bring to bear. The problem, in brief, is brand loyalty. The aforementioned podcasts lose listeners in droves whenever they give a non-D&D system a spin because all most of those departing listeners care about is whether the thing that they're listening to is called "Dungeons & Dragons". The structural particulars of the mechanics are irrelevant.

The bitter pill we've got to swallow as indie RPG authors is that we can't fix brand loyalty in tabletop RPGs by fucking around with the shape of the dice. There are lots of productive causes we can support to help address the problem, but they mostly have do to with intellectual property and antitrust regulations and such, which are areas where our finely honed ability to debate the correct way to pretend to be an elf is of very limited utility.

Like, I enjoy an abstruse argument about the ideology of dice-rolling as much as the next nerd, but let's not fool ourselves that we're speaking truth to power here. The gamer who just wants to roll dice to hit the dragon with their sword is not your enemy.

#gaming #tabletop roleplaying #tabletop rpgs #dungeons & dragons #d&d #hasbro #marketing #capitalism #violence mention #swearing

[stagefoureddiediaz]

Costume Meta 7x01

Aaaaaaannnnd we're back!!

OMG I cannot tell you how good it feels to be back writing costume meta - I have missed it so very much and this first episode has given me lots and lots to talk about so lets crack on with it shall we!

Where to start?! Firstly - Its amazing to have Alayna Bell-Price back in the driving seat and she is a genius because she knows the characters better than anyone and I have to say from my perspective there is a pretty clear difference between this episodes costumes and the ones from season 6 - not that s6's costumes were bad, just that you could see the shift of having a designer who didn't know the characters to the same level. I’m going to go in order of character appearance in a non uniform capacity for this one I think so we’re going to jump around from character to character a bit. There is no Maddie or Hen this week, as we don't see them out of uniform, but every one else is accounted for and I've included Norman and Lola as they've got a multi episode arc and their costumes are interesting and playing into a colour theme!

putting it below the cut as its a long post and I on't want to overtake everyones dashes! Enjoy!

We start off with Athena in this pale pink high neck ribbed sweater with large bell sleeves. I've spoken a fair amount about pale pink over the last couple of seasons of costume metas and how, in clothes its representative of childish and immature behaviours or thoughts. That holds true here - the pale pink is playing into Athena's childhood - when she developed her fear of cruise ships - its creating a connection between her childhood experiences and the woman sitting in Franks office.

We get a flashback that shows her in yellow and orange - the yellow for communication and the orange for transformation. A literal moment where we see Athena transform from the innocence of youth to her developing anxiety and fear around cruise ships. Its really clever visual storytelling connecting adult with child and shows us her fear is genuine and founded in something that she may not have been able to articualte fully as a child, but she can as an adult, even if she doesn't actually articulate it to Bobby.

Our next non uniform costume is Chimney. The lighting is really low in this scene, so it's kind of hard to be 100% sure of the colouring, but he seems to be wearing either a dark navy or black button up shirt under a dark green and black bomber jacket. The use of really dark green in combination with black, Back is a colour that can be about hiding ones vulnerabilities - concealment and masking, but it is also a colour associated with magic (generally dark magic) as well as pessimism. The green is growth and renewal, and the hope for a better future. to use them in combination i this way is playing on Chimneys insecurites and fears, his desire to keep the 'magic' alive in his relationship with Maddie, but it also speaks to his growth, that he goes home and talks to her about it (even if he does come up with an insane plan to 'date forever').

Eddie in the locker room - aside from being shirtless for much of it and pulling some epically good faces - was a super interesting costume choice. Especially the use of his watch! first though - Denim shirt time! We don't actually see Eddie in a denim shirt all that often and we've seen him in the super washed out one far more than dark denim shirts. I've been laughing a little bit at a few people (on twitter mostly) claiming its the same shirt he was wearing at the hospital during and after Bucks coma and it being a play on bringing Buck back to life. While I like the theory, its actually a very different shirt - the one in the hospital was black with a grey wash out and was made of velveteen - so different colour and fabric.

This shirt, is however one we have actually seen Eddie wear before and its far more telling than if it were the hospital shirt. You need to bear in mind that this scene is about Buck and Eddies respective girlfriends (or lack there of) and the fact that Christopher has a girlfriend now as well. This shirt is the same shirt Edie was wearing when he (re)introduced Ana to Chris in 4x08 (breaking point my beloved! the gift that keeps on giving!) and this puts a conversation about Marisol and things going well with her into the same category as Ana - suggesting she is ultimately destined for the same fate as Ana. the other thing that plays into this narrative is the use of the watch.

Eddie does not put the Christopher watch on until after he has found out that Buck has broken up with Natalia - so during the entire conversation about their respective girlfriends, he is only holding the Christopher watch, rather than wearing it.

In the picture below from 4x08 you can see that Eddie is wearing his black 'work' watch rather than the brown strapped 'Christopher' watch. Remember that the first time we see the Christopher watch is when he goes for his first date with Ana in Jinx, so he already has this watch and in theory should be wearing it in this scene. The fact he isn't is pretty telling and I'll go into that a bit more later when we get to Chris's (and Eddies) date scene.

Then we have Buck in his outfit of many colours! The white trainers, continue to play into my theory of Buck wearing them when he is in key points on his journey to discover his self - her it is about showing his growth - that he ended the relationship with Natalia - this is a massive thing when we saw how long it took for him to end things with Taylor - The man who clings is growing and getting out before it drags him down!

The jacket is similar in style to many of the ones we've seen him wearing in season 5 and 6, but this one is much brighter and more colourful. I know I go on about white meaning bad things for Buck, but that isn't relevant here - the white bad things happen to Buck theory is much more about t-shirts, jumpers and shirts rather than jackets - its an under-layer rather than a top layer that = danger. So i'm not thinking of its relevance here for this scene. What I am going to say is that this (according to my spreadsheet!) is the first time we've seen Buck in a white jacket of any description. To me, it's playing into the idea of purity and rebirth which is what white is often associated with. This plays into the comment Eddie makes welcoming Buck back to 'the land of the living' but also implies that Buck is starting a new chapter and making a fresh start - the check patterning suggests it might not all be plain sailing though.

The check pattern is an interesting one, obviously check pattern theory comes into play here, but whether its only in relation to the reveal that he split with Natalia, or if its also foreshadowing Buck getting himself into danger/trouble down the line, remains to be seen.

I'm going to quote myself again because I did predict that this scene may be about his relationship with Natalia when we got the stills dropped - the costume department never let us down!

The only thing I can do is scream into the void about check theory because check does't bode well for people - they always end up in the middle of the drama (see my check theory posts linked on my pinned post for more) and while they come out the other side (99% of the time) Buck in check for that scene in 6x18 pretty much doomed his relationship with Natalia (its specific to her and not C&K's baby as Buck wasn't wearing it when he delivered it!) and as that shirt in the still is very un Buck like, has not only yellow ochre in it, but also its a white base (and we all know buck in white is a bad sign!!) and its check patterned - my theory is that this scene is connected to Natalia in some way - either Buck is not being true to him self in more than one way - that things are going to/have come to a head for their relationship (my kingdom for a reverse of Buck to Eddie about Ana in 5x03!!!) and lead to a pretty big change in some way (fingers crossed for Buck to end it and then finally break down and deal with his trauma!!!) Some other things about that shirt - the colour combination - the green blue and yellow ochre are giving me call backs to coma Buck (another reason I think it might be connected to Bucks unresolved trauma around his death and Eddies absense in his dream)

In the quote above, I was also referring to the blue and white check pattern shirt he was wearing when he and Natalia got together, but there was also the fact that in the balcony scene at the end of 6x18, we also saw her in one of Bucks white shirts. I wrote in my 6x18 meta about how those two things combined didn't bode well for that relationship going forward, and thats what leaves me unsure about the check pattern on this white jacket being purely about something that has already happened. If I put my Buddie goggles on, I would perhaps suggest that the troubled times ahead may be more connected to Buck and Eddies relationship, and this would fit in with a couple of the things Oliver and Ryan have said. The thing with check theory though, is that generally speaking if it's on one of the mains, they come out the other side of the dram/trauma stronger than before. So if it is connected to Buck and Eddies relationship, then we can expect it to be in an even stronger position on the other side of whatever goes down (and at this point you can't strengthen their relationship any further and keep them as just friends imo!)

Chimneys forever dating proposal to Maddie, connects with his outfit when he's talking to Hen - it's the same jeans and black shirt, so the meanings of black, can be continued on into this scene - the idea of magic and hiding his vulnerabilities. The addition of the jacket with this brickwork pattern in its weave is a fun choice, it's playing into the idea of building something, but also plays into the idea that Chimney has his walls up - again fitting in with the black meaning of hiding his vulnerabilities - because instead of expressing his fears to Maddie ad then them talking it thorough, he comes up with his insane forever dating concept. the fact that much of this scene is a contrasting parallel with the scene from season 1 when he is pretending to be someone else entirely for Tatiana all ties in perfectly with this costume. The fact that he reverts to wearing blue (ran out of picture spaces so I couldn't include one) later on - when he's realised his plan isn't realistic, talks to Maddie and they end up back on the same page is really good to see - the blue being a signature Chimney colour and is indicative of him being true to himself.

Bobbys blue suit and blue check patterned shirt. The brightness of the blue is a really important choice - it's the only time we see him this brightly coloured on the cruise until he ends up in the bright red at the end. This is important because this is the moment when he's still all excited and hopeful for his honeymoon cruise - everything is good in Bobby's world at this moment in time - the check pattern is telling us that it's not going to stay that way for long. From her on out we see the colours of Bobby's costumes slowly beginning to dull and take on a washed out tone, but here in this moment all is good.

Athena's bright yellow dress is all about making her stand out - communicating with the audience, she is the brightest person in the room (in more ways than one!!). The thing with yellow, apart from the communication aspect, is that it can also be a symbol of anxiety and fear, so this dress plays rather nicely into the theme of Athenas fear of being on that ship.

The colour does have other good traits too - its fresh and bright and is a colour of happiness in its more jewel like tones and I think we can see all of these meanings in these scenes - Athena might be anxious about being on the ship, but she is also happy and enjoying herself with Bobby in that moment.

Lola and Norman. Lola is the one we need to focus on in her very bright very check patterned Victoria Beckham dress. Obviously the check pattern plays into check pattern theory, but the red also acts like a neon sign to the audience - highlighting that Lola is in danger - the ga won't pick up on check theory, although they might connect the dots about the fact this check patterning looks very like a cage - foreshadowing her being held captive later on, but also as a nod to the fact she was incarcerated previously.

The red is also a nod towards romance and love - playing into the rekindling of their relationship and romance in the aftermath of the freeway 'see me Norman' incident.

Ok so Christophers date night and by extension Eddies date night! This is where this meta is goingto get a bit messy and I'm goingto jump around a bit becasue I need to talk about the way colour theory is at play in all the scenes in Christophers bedroom, so we're going to talk about Christophers bedroom as one big thing rather than the two separate scenes that it actually is. They are extensions of one another and build on so much of the groundwork we've already seen in previous seasons.

Chris in plaid check yellow and red check plays perfectly into check pattern theory - it’s a signifier that something is about to go down with him - namely that the fact he’s dating multiple girls at the same time. 

He’s also wearing a white shirt which is not a colour we see on him all that often - in fact, the only times we’ve seen him in a completely white shirt is with his suit in 5x01 when suit shopping and again in 6x08 for his school dance. He did wear a white vest when dressed as wolverine for halloween  So as you can see its not a common colour for him, but the times have seen him wear it as a solid colour have been connected to school/girls and dating (i’m including the suit shopping in this because Ana was there and it was kind of a Eddie and Ana date of sorts - in that it was suppose to be for this Christening - meet the family - date type thing).

The most interesting thing is the plaid hooded shirt though. It was such an interesting choice to go with for a couple of reasons. the colour way is especially loud - we tend to see Chris wearing greens and blues and greys, with the odd other colour thrown in occasionally. So red and yellow are not common colours for him to be wearing.

On the red front we see him in it a couple of times - the adapted skateboarding scene and the scene in 4x10 when he joins Eddie and Ana on the sofa - getting in the way of their date night. We do also see him wear red in Christmas related episodes (so I don’t tend to count them in the same way as the Christmas colour theming will nearly always override any other colour theming intention - the use of stripes or check or other patterning is more important in those episodes!). 

On the yellow front things are even more clear cut - the Tsunami arc, the aftermath of him falling off the skateboard, Mays graduation party and 5x03’s Eddie Ana break up! These (apart from the tsunami shirt) were all bright almost neon yellow.

This new plaid shirt is more into the yellow ochre part of the yellow spectrum, therefore tying much more to the tsunami arc, which is actually really fitting if you think about it in a little more detail - its a connection, not only to Buck, but also to loss and grief. Eddie might have been using his secret weapon (Chris) to get Buck out of his moping (read mourning) over not being able to go back to work, but Christopher is also still grieving the loss of his mother at that point as well, so its not just about cheering Buck up, its also about giving Chris a chance to do something fun and distract him from his own grief. That is why the use of yellow then ties in so nicely with its use on Chris now.

The other thing that really grabbed my attention about this shirt though is the fact that the two times we’ve seen Buck have a conversation with Chris in his bedroom, he has sat in the same spot and has been wearing one of those two colours - post shooting in maroon and this episode in the yellow ochre - if you watch those two scenes side by side, you see that they’ve used almost identical camera angles as well to film Buck.

I've spoken a lot about the use of maroon as a colour connected to parenthood - especially fatherhood , which is how its intended to be read on Buck - connecting to Eddie and his being shot, pushing Buck into a parental role in Eddies absence.

That alone is a pretty loud reference to Christophers connection and relationship to Buck, but then we have the yellow ochre of it all.

I feel a little bit insane about how close my prediction was on what the Buck Christopher scene was going to be about - this is from the meta I wrote when t he stills dropped;

Whatever this scene transpires being about, based on what we've seen with Buck wearing yellow ochre, we can assume its going to continue to play into this idea of Buck not being fully truthful with people and fitting into the role he thinks people want him to pay rather than being true to himself. I do want to add to this theory by looking at Christophers shirt as well. The grey/ yellow combination is a bit reminiscent of Breaking point (the episode that really is the gift that keeps on giving) because we get Chris in grey and Eddie in tan - that is yellowish toned whilst not actually being yellow There isn't a good screenshot of them together, but the placing of Chris and Buck in the new one has echoes of Eddie and Chris in that scene (one that is interestingly enough playing into the idea of changing family dynamics, but also the moment before and the one that happens afterwards at Bucks loft, directly placing Buck into a parental role (as an aside the idea of Buck being a miracle worker plays into the theme of Eddie looking for magic, just saying!))

Indirectly this scene was about Buck not being true to himself with people and fitting into whatever role he thinks people want him to fit into, only this wasn't an active situation - this was a scene where Buck could draw on his experience of having done that in the past to help Christopher - the line from Eddie 'you didn't end up being like you' is such a call to this and actually shows how valuable Bucks own experiences and learnings are in helping Chris (we've all been joking about Eddie choosing Buck to help him with this Chris's issue, but in actual fact he was the perfect person for the job - not just because of his being a 'reformed player', but also because of his relationship with death and the death of a loved one where you are reliant on others for their memories of a person rather than having your own)

The thing with the Yellow ochre (this meta here that i've already quoted from above is the place to go if you'd like more detail on its use on Buck more widely) isn't just its about it's connection to Buck, his place in Christopher's life and more loosely to the will of it all, (the fact that Buck and Eddie are both wearing the same colour ways as in the hospital bed will reveal scene and are both on the same sides of the screen in both scenes is a stroke of genius and is meant to connect these two scenes together) its also its connection to Shannon.

The first time we meet Shannon, she sits on Christophers bed in more or less the same position as we see Buck and Eddie sit, and looks at where Christopher has been positioned in all these conversations, and she is wearing a burnt orange top thats pretty close to the dark yellow ochre we see Buck wearing. Shannon wears a lot of yellow - as in it there are only a couple of times we don't see her wearing something yellow or with yellow in it and those are key scenes (which I will talk about later on).

Shannons appearance in Christophers room to read the letter she wrote him had her in this black top with a floral patterning on it. She was also wearing green trousers (which can be seen in the still below but aren't actually seen during the scene.

I actually really loved the green trousers and black top as a choice because the top is very Shannon - it sits perfectly with the floral patterns we saw her wearing when she was still alive. The green trousers are a bit of a departure for her, but I think its very intentional for two reasons .

The first is that they are very much in the Eddie trousers wheelhouse, especially in combination with black - he wears green khaki trousers a lot. The inference being that the black and green combination is an echo of Eddie.

The second ties to Christopher. Green is also a colour we've seen on Christopher a lot, it's probably the colour we see him in most. It's being used as a reflection of the fact he is growing and transitioning from child to teenager. But having it here in this scene - on Shannon connects a Christopher growing up without his mom.

Both of these combined really connect into Shannon in this scene, tying the three of them together and on Eddies efforts to keep her alive for Christopher - the underlying implication that his growth into who he is so far is as much to do with Shannon as it is to do with Eddie.

Her necklaces were not identical to the ones we saw her in in season 2, but that's most likely because they don't have them any longer, so they've replicated them as best as they can. The other little nod that I enjoyed is the brown bracelets on her right wrist - the same place Eddie wears his brown strapped Christopher watch!

But the top they have her in plays into a couple of other things - the prominent yellow flowers make an obvious connection to Buck from the previous scene, but they also tie into the 'I want a divorce' scene from 2x17 where she is wearing a dark blue dress with bright yellow ochre flowers all over it. the dress is not especially close to the top in the wider sense - blue dress with white squares v black top with florals in a variety of colours, but the yellow flowers are the prominent aspect of both items of clothing and play into the yellow theme connected to Shannon and then to Buck.

This is espeically relevant when you remember that Eddie is in a black suit in that scene and he's wearing black when he gives the letter to Christopher.

The black for this sequence of scenes is such a poignant choice - its Eddie mourning all over again, not for his loss, but for Christophers loss. I did find it telling that again in this scene, we have the absence of the Christopher watch. Eddie has very rarely not been wearing a watch in his scenes, so the times when we don't see him wearing one are very telling.

For me, in this sequence of scenes, it's about the fact that they are not about Eddies relationship with Christopher, but about Shannons relationship with Christopher. The watch is much more about Eddie and Christopher, so to have it absent from this story arc makes total sense and is symbolic of Eddie being a good father

Then we have Christophers grey shirt - I said when we first got the stills from that scene, how it was likely to be connected to complex family relationships - a la when we’ve seen Buck wearing his grey shirt. And what do you know - the scene was about complex family dynamics/ relationships.

It wasn’t perhaps in the manner I was expecting, but that series of scenes played with the full scope of Chris’s complex family relationships - from the relationship he has with Buck -not only as Christophers friend, but also as more or less Eddies co-parent (the way Eddie asked for Bucks help screamed co-parent rather than friend imo - that whole burnt out car scene was two co-parents discussing their child!) to the relationship he has with his dad - which is a pretty great relationship, but it is a complex one.

The relationship he has with his mom - or the fact he feels he doesn’t have a relationship with her despite Eddies best efforts, because as he grows up she feels further and further away. 

Eddies 'date' night with Marisol. Again I ran out of pictures (30 is not enough!) so you're going to have to use your imagination or go back and rewatch the scene for yourselves, but trust me when I say that Eddie is wearing the same shirt he was wearing for this date night as he was in 4x10 - when Christopher interrupts because he can't sleep!

It's also a similar tee to the one Eddie wears when he has his breakdown and trashes his room (that one was more green when this one is much browner). Its slouchy and has cut and stretched raw edges at the sleeves and on the pocket - in the same way his breakdown shirt did. there is an element of being in familiar surroundings and being comfortable at home, but stretched out raw edges and Eddie generally tend to mean not so great things.

Of course there is the element of his parenting skills being tested by Christophers having more than one girlfriend, but if that where the only reason, then it would've made more sense to have him in that shirt when he's listening in to Chris talking to Buck, rather than when he's on a date with a new girlfriend.

This is especially true as the screen time for that tee has more connection with Marisol than it does with Chris. Combined with the fact that once again, like in the locker room scene, he is not wearing his Christopher watch in this scene and that speaks volumes.

If we are to read the scene as being about Christopher soley, he should be wearing his watch because that watch is a physical embodiment of the importance of Christopher in Eddies life - that he puts Christopher first in all things.

Got to say I was a bit shocked to see Marisol in his bright magenta silk spaghetti strap top when you consider the costumes we saw her in last season - mostly dressed down, t-shirts, jumpers and dungarees so this is a complete 180 for her character.

There are a few interesting things connected to her outfit, firstly it low key ties into Natalia - we saw Natalia in a red version of this top for her first proper onscreen date with Buck (when they go to the badge and ladder joint) so there is an interesting low key parallel to draw there. There is also the fact that her bracelet is a chain one - much like we've seen on all of Buck and Eddies previous girlfriends - although those have been necklaces, so I'm undecided if this chain bracelet is paying into the same trope as those.

Then there is the pink of it all.

You see Eddie and Pink on his girlfriends doesn't bode well for Marisol.

Both Shannon and Ana wore pink. Ana wore it a lot - there are two examples below, but generally speaking its her most commonly worn colour - including on her first date with Eddie in Jinx.

The first example below is from the first time we see her in the Diaz house. the shades are different, but the fact that the first time we see both characters in the Diaz house they're both wearing pink, speaks volumes.

The other key use of Pink is when Shannon is at the beach with Eddie and Christopher and she tells Eddie she's pregnant - Eddie takes it as the sign he has been looking for - the chance to effectively start over with their marriage, but this is the beginning of the end for their relationship, even if she hadn't died a short while later. She is wearing pale pink in that scene and it's the only time we see her wear the colour in the show.

The fact we can also contrast the use of pink with when Buck wears it is telling in its own right - we see the relationship between Buck and Eddie strengthening when Buck wears pink - May's graduation party, the tsunami, the Hildy coffee machine - all moments (big and small) that show the development of various aspects of their relationship and its ability to endure.

Essentially all this use of pink on the women he has had previous relationships with, doesn't bode well for Marisol and the longevity of her relationship with Eddie. How quickly it will end I can't say, just that it will end.

I spoke earlier in this post about colour theming for the episode and this is where I talk about it!

Pink - and in particular the very bright pinks we saw scattered across the episode. Marisol above wearing it, isn't just about connecting her to Ana in costume terms (especially as at this point that costume is a departure of her costumes from s6) it also connects her to the other characters we see wearing bright pink in this episode - Lola and Norman.

At this point in time I'm not sure if we're going to see it play out as a theme across the season, but its use in this episode was very loud on characters that are going to be around for more than 1 episode. It suggests that there is some underlying theme that connects them (by this I don't mean that they're gonna meet and hang out I mean that personality traits are going to be similar)

Magenta and bright pink in colour theory means a few different things, and like with all colours, has positive and negative traits. Generally speaking its a loud and brash colour thats designed to stand out and draw attention to it's wearer.

Things that are considered positive traits for this shade of pink are; intensity, acceptance, kindness and it's supportive and uplifting nature. It's connected to naive love (as in lust rather than the passionate and enduring love of red) can also be considered a nurturing colour.

Negative traits are; intensity, volatility, arrogant and impatient, irritability and irritating and frustration. it is also said to be a stress inducing colour and is said to be overly emotional.

Theres a clear and fairly loud connection between Lola and Norman getting into danger - Lola is in magenta trousers when she is kidnaped. Norman also has bright magenta flowers on his shirt at this point as well. My guess at this point is that we're supposed to lean into the stress inducing element, and also the irritating nature of the colour (On Athenas part at the very least!) and we'll see if those are the themes that play out for Marisol as well down the line.

Norman is in bright pink when he's lying and claiming she's unwell from being outside or too long. We also see that he is wearing pink in the ditsy print shirt later on (again I ran out of picture spaces!)

Athena's black top in this scene is much like the use of Chimney in black in his scenes. It's all about power and authority but it's also about her hiding her vulnerabilities. The other thing it does is creates a huge contrast with Bobby and all of the other passengers - she is the only one in black in the scene and it contrasts her with the underlying white of Bobbys shirt - juxtaposing them and visually putting them at odd with one another.

Like I said above about him becoming increasingly pale - here we see Bobby in a sea-foam green shirt - its the palest and washed out colour we've seen him in on this cruise (grey pyjama shirt not being included as its blink and you miss it and a pyjama tee!!!). Sea-foam green doesn't really play into the traditional meanings of green - there is still the element of renewal about it (the sea washes the sand etc)but its mostly a self-conscious and uncertain colour - both things that perfectly sum up how Bobby is feeling in this moment.

The other fun thing about this outfit is the palm tree shorts the patterns Bobby has worn in relation to this cruise, up to this point (and that includes the shirts from season 6) have all been tropical themed but on his shirts, the fact that they've now slipped down onto his shorts is a visual representation of him becoming increasingly dissatisfied with the way his honeymoon is going - that the tropical vacation vibes are slipping away.

Athenas red and white shirt, in my opinion is showing her cross purposes - its the duality of investigating and being on a cruise in a shirt. The bright red ties into the red and blue first responder colour way the show uses (for obvious reasons) while the white and the palm fronds, the lei flowers and the watery theming of the pattern fit into the troipical cruise they're on.

Bobbys red shirt contrasts with the lavender that we see on Athena - its not a colour we see on Bobby all that often and that makes its use all the more important. Especially considering the entire cruise thus far we've seen him in blues and greens - especially pale closer to pastel tones.

This red is bright snd bold and unlike his usual choices. Red is a colour of cross meaning - there is obviously the connection with love and the heart, which is absolutely at play her - his love for Athena is spurring him on and is part of what is pushing him in to investigator Bobby mode - and its representation of love is what is going to be the key player in the up coming episodes on the ship - when he is looking for Athena during the evacuation etc. But the other meaning of red is war, courage and anger and that is very much present here in this episode, and will (i'm assuming) be later on in 7x02 and 3.

The other thing I think its worth pointing out at this point (which is pure conjecture on my part at this moment in time but that I think will become relevant in the next two episodes rather than this one) is the foreshadowed parallel with Buck in season 5 when he broke down Eddies door. The bright red we saw him wearing then was an uncommon colour for him, in the same way it is for Bobby here. It's paralleling the way Buck was prepared to go into battle for Eddie, with the way Bobby is prepared to do so for Athena - going to war for your closest person, your loved one and doing what you need to do to save them.

Putting Athena in lavender the moment she gets to go into cop mode was a choice that had me giggling! Lavender is a colour of relaxation and order so for her to start wearing it the moment she gets to start being a cop again - speaks volumes for her state of being - it shows that her fear of being on the cruise ship and of being alone with bobby, has been overridden by her need to do her job and start investigating things. Its the perfect colour for this moment and for the impeding trouble brewing on the ship - Athena will bring order to things as order has been restored to her inner world.

Hopefully you've enjoyed this little canter through the costumes of 7x01 we're back in business and I can't wait to read your comments in the tags and comments 🥰

Tagging for those who've asked to be tagged - drop me a comment on this post if you'd like to be added to the list for the next meta 😎

@theladyyavilee @mistmarauder @xxfiction-is-my-realityxx @mandzuking17 @spotsandsocks @loveyou2thecore @wanderingwomanwondering @oneawkwardcookie @leothil @copyninjabuckley @nathleigh @shammers86 @crazyfangirlallert @missmagooglie @inandoutoffocus @katyobsesses @radiation-run @gayandbifiremenofmine @lemotmo @bi-moonlight @satvojihusana @crazyaboutotps @princesschez75 @mongreloer @alliaskisthepossibilityoflove @sherlocking-out-loud

#911 abc #I hope you enjoy! #its good to be back #I can't remember my costume tags 😂 #911 costume meta #season 7 #s7 costumes #7x01 #Kym costume meta #Kym colour theory #911 costumes #long post #the costume department never fails #still feeling feral about so much of the stuff I got right and the new stufff I've spotted

[y0imiy9]

HOLD ON since mizu is entering london without her katana, we're most likely gonna see her wield an english style sword in the london arc!!! using an english style sword requires (i assume) a different set of skills so she may need to train a different style of fighting in order to be able to defend herself while navigating through london since it's very unlikely (personally) that she would want to use a gun.

since mizu is more accustomed to wielding a sword, it's easy for me to assume she'd get the hang of weilding an english sword fairly quickly since her end goal is to kill the last 3 white men as soon as she possibly can. but her learning how to use a firearm and having a pistol strapped to her hip as a precaution is doing some things to me ouuuuuh 🤒 like.. just imagining her pulling out a pistol in the last minute and the white men not expecting that is sooooo 🧎

thank you to this tiktok account that gave me the idea!!

#gun slinging mizu you'll be famous one day #mizu #blue eye samurai #bes #mizu bes #mizu blue eye samurai #mizu headcanons #does this even count as a headcanon #it's more of a prediction tbh

[boyfhee]

⌕ TAKE TWO ━━ n. riki

PRECIS. while riki constantly assured you that him being an idol under a different label wouldn't be an issue in your relationship, you start getting second thoughts when fans start shipping him with his co-mc at music bank. COMPLETED

GENRE. fluff, humour, major angst

WARNINGS. mentions of cheating, lots and lots of insecurities, arguments, kys / kms jokes i'm sorry, do not expect a lot of humour tbh + tba in respective chapters

BEFORE YOU READ. ok so the reader is initially a trainee and will debut later as the plot proceeds ( in first 2-3 chapters ) this takes place after the iconic jangkku mc era, riki and reader are in an established relationship. slow / irregular updates

NOTE. i see my jake smau straying further away from me and the readers but i can't help bc it's plot doesn't feel right to me :( like i have a rough chapter plan but it sounds so lacking, i'm afraid i'll encounter some major plot hole after posting and will have to put it on hold / discontinue it, which i don't want to happen :")) have fun with this smau till then, i'm trying my best to come up with a solution for my jake smau ^◡^ happy reading !

SEQUEL : LAST SHOT ( tbr )

PROFILES . . . !

one | two

CHAPTERS . . . !

all the pictures used are only references and are not supposed to depict reader's appearance in any way ! the chapter titles and number of chapters are subjected to change accordingly !

01 : bitchless, 22 and counting

02 : our secret romance

03 : delulu engenes

04 : third person

05 : the art of ignorance

06 : deleted instagram account

07 : breaking up on the tl

08 : fuck shit up

09 : the line between friends and more

10 : miyaki tag

11 : do what you can

12 : riki redemption arc

13 : unauthorized investigation

14 : last chance

15 : silly little feelings

16 : we're in this together

17 : good at this

18 : media left and right

19 : all you want

20 : who's the real cheater

21 : how are you so sure

21.5 : extra ! the miya scandal

22 : no regrets

23 : leaving for good

24 : an odd solace

25 : take two — epilogue !

SERIES TAGLIST. ( open, please note that permanant taglist won't be added in every chapter ) @mosinterlude @tnyhees @bigtoewinwin @chaeryoungsredhair @lockburn-castle @potaeto-writes-on-wp @highlightsonmyheart @gothhyucks @softiegukk @lcv3lies @cosmicwintr @prettysung @luvdokja @w0nnielov3 @indelicate-macalino @enhasengene @faelyncore @yooonz4u @binsoomi @wondering-out-loud @jihyoscrown @captivq @meiiiwa @myjaeyunn @jeongintwt @seventeeneration @nomurahayami @ilovewonyo @duolingofanaccount @notdrunkbutdazed @luredher @artstaeh @moremilkforkags @lalalalawon @mylobae @stevesdick @arizejkt19 @lix-freckle3 @arusio @iamminnie @yongboksfreckles @sd211 @strwberrydinosaur @sunshine-skz @anik-4 @m1kotsu @kokoiinuts @stopeatread @adajoemaya @nyfwyeonjun

#—approved. #@ : tt #by twice ( real ) #kflixnet #ficscafe #enhypennetwork #enhypen imagines #riki smau #ni-ki smau #enhypen smau #enhypen scenarios #enhypen drabbles #enhypen fluff #enhypen angst #enhypen reactions #riki imagines #ni-ki imagines #riki x reader #riki x you #riki scenarios #riki reactions #riki fanfic #ni-ki fanfic #enhypen fanfic #enhypen au #enhypen social media au #enhypen x reader #ni-ki au #riki fluff #riki angst

[reashot]

We're Just Shower Buddies, that's all...

Jaune: *whistling in the shower* 🎶

Ruby: Hi there shower Bud! Room for one more?

Jaune: For you Ruby, of course. Come on in the water is warm.

Ruby: Yay! *Glomp*

Jaune: Hey, what's gotten into you? You being extra clingy right now.

Ruby: That's because something really good just happened to me.

Jaune: You do? That's great. Tell me all about it Rubes?

Ruby: Well guess what? I asked Weiss out on a date and she said yes!

Jaune: Oh My Oum!!! That is good! Heck it's Great even! We should go out and celebrate! *Tightly embrace Ruby*

Ruby: Yeah! Where do you think we should go?

Jaune: Well, where do you want to go?

Ruby: Wait you're asking me. Oh geez, I don't know where do you like to go?

Jaune: Oh, you want me to choose... Well how about we go to that firearms show you been wanting to go to?

Ruby: Really!.... Uh, I mean. Can we go somewhere else?

Jaune: But why. I thought you been dying to go there?

Ruby: Yeah... But that's where I want to go. I like guns but you don't. I want you to have fun too. I want for the both of us to have fun together.

Jaune: Ruby you don't have to force yourself not to have fun on my account. I'm happy with whatever you choose.

Ruby: And that's why I want us to go place we both can enjoy. Jaune you would be "happy" with anything I choose. But its not okay Jaune. You need to be selfish once in a while and put your happiness first. On this issue I'm putting my foot down.

Jaune: Really? Okay fine... Let me think. Well, There is an amusement park where I been wanting to go for some time. Do you want to go there with me?

Ruby: Oh! You mean the brand new Montyland amusement park. 🎡🎠🎢 Oh My Oum! That's the same place where Weiss is asking me out on a date too.

Jaune: Wow. What a coincidence... I guess it's true that great mind does think alike after all.

Ruby: *giggle* Why Jaune. I think all these hot shower is starting to get inside your head. Cause I'm pretty sure you're full of hot air right now.

Jaune: And I guess it's true that a genius is never appreciated in their lifetime... 💡Hey Ruby. I just had an idea. Why don't we treat our celebration as pre-date for your real date with Weiss?

Ruby: *gasp* You mean like a practice date?

Jaune: Yes. That way you will be prepared on your first date with Weiss.

Ruby: Ah. You really are a genius Jaune. *presses her soft chest on Jaune's hard one*

Hmmm?

Jaune: What's wrong?

Ruby: Jaune, have you been working out?

Jaune: I see you finally noticed it. I been working out with Pyrrha for a while now. And the result you can see for yourself.

Ruby: Wow. I can tell. Look at how fit you are right now.

Jaune: Let see Weiss call me a noodle boy now. 💪

Ruby: You still a dork you know. No matter how much of hunky beefcake you are right now nothing is ever gonna change that.

Jaune: Okay. That's it Ruby you've awaken the dragon. *nibble on Ruby's neck*

Ruby: N-no.... S-stop it... You big j-jerk... Aahhh! (Inaudible moan)

Jaune: So ready to apologize yet?

Ruby: *gasping for air* O-okay, okay I give. I apologize. Jeez, you jerk I was only kidding.

Jaune: I'm only kidding too Ruby. Learn to take a joke why don'tcha *giggle*

Ruby: *playfully punch Jaune in his hard chest* N-O-T F-U-N-N-Y.

Jaune: Okay I'm sorry too... *hug Ruby*

Ruby: *whisper in his ear* Jaune now that I finally asked Weiss out when are you going to ask Pyrrha out?

Jaune: M-me. A-asking Pyrrha out. I-I don't know whatchu talking about?

Ruby: Oh, for crying out loud. Jaune I know you have a crush on Pyrrha.

Jaune: You knew! A-anyway I can't just ask her out, okay. She's clearly way over my league. And if I do what if she said no?

Ruby: Jaune Arc! If I can ask Weiss out on a date. A girl that's clearly way-way out of my league. You can definitely ask Pyrrha out. And Jaune trust me on this she clearly have a crush on you too. She will definitely say yes if you ask her out.

Jaune: R-really? *shakes head* L-look we better get back on track, okay? We can deal with my dating life later. For now it's all about your date with Weiss.

Ruby: Speaking of Weiss... D-do you think she's gonna kiss me on the first date?

Jaune: A kiss with Weiss I don't know Ruby, but isn't it a good thing?

Ruby: But what if I messed up? I mean it's not unheard of that a great date can be ruined by a bad kiss... D-do you think we need to add a kissing practice on our not date?

Jaune: As much as I would like to help you. I have to say no on that... I mean the entire point of a first kiss is that you supposed to be bad at it. So don't worry too much about it Ruby. I bet you'll do "great" on your first kiss.

Ruby: I-I just want the entire thing to be perfect...

Jaune: That's what our practice date are for... And Ruby this might not count as a practice kiss... *tenderly kiss Ruby's forehead*

Ruby: *blush* You sly! Oh Jaune, you are so lucky that we're friend. If you kiss any other girl like this she might get the wrong idea.

Jaune: He, he... That's why I kiss you. And enough talking about date for now. I'll help you wash your body. Here, let me lather your body first. Now, turn around Ruby I'll do your back.

Ruby: Okay... *moan*

Jaune: C'mon Ruby why do you always making that sound every time I do this?

Ruby: I-I don't know why. It just felt so good that I automatically make that noise, when you touch me.

Jaune: Well thank you for the great review, Rubes. But it's distracting when you made noises like that. Now let me do your front...

The sound of soap slapping and rubbing accompanied by the sounds of Ruby's moaning starts to envelop and fill the shower room. Not realizing that someone has been there overhearing them this entire time.

Ren:

If anyone asking they're not doing what you think they are doing... They're just really good friend that's all.

#jaune arc #lancaster #ruby rose #rwby #lancaster rwby #jaune x ruby #ruby x jaune #rwby lancaster #whiterose #rwby whiterose #ruby x weiss #weiss x ruby #jaune x pyrrha #rwby arkos #arkos #i can't believe this is not smut #they're not dating but c'mon #theyre just friend #lie ren

[genericpuff]

Can you call Tina Belcher driving through a parking lot at an anxious snail's pace a driving "style"? So why do we try to use "style" as a defense for LO's pacing problems?

There's something about how Lore Olympus engrosses people within its weekly doses of H x P content and cliffhangers that makes people not realize just how long Lore Olympus takes to get to the point of, well, anything. Many plotlines are setup, and then go untouched for weeks, sometimes months at a time, before seeing any sort of progress, much less a resolution. In this, I'm going to actually give you time ranges on some of the more egregious payoffs and continuations of plotlines that were setup - some that are now resolved, others that have yet to see the light of day.

CONTENT WARNING: I will be discussing the SA plotline, and there will be spoilers for Episode 265. I will also be showing pictures of some rancid ass tattoos, I know that sounds random for what we're discussing, but trust me on this one, I have a point to make. Also there's a Junji Ito panel from The Enigma of Amigara Fault... yeah, that one.

LEUCE

Let's start with an easy one that's not exactly tied to the main plot. The Leuce plotline. She was first introduced in Episode 201 as a 'bargaining chip' from Zeus to Hades, in a misfired attempt to get Hades to call a truce over the embargo between the Underworld and Olympus.

At the time of this episode's release, by all accounts this seemed to be a cut and dry reference to Hades' first wife, Leuce, unfortunately reduced to a mail-order bride who Hades, of course, turns down, because he doesn't want the "I can't believe it's not butter" Persephone, he wants overpriced, tastes-the-same-but-costs-more-because-of-the-brand-name Persephone.

But then she came back, 36 episodes later - in real time, this was roughly 38 weeks for free-to-read users as the series went on a 2 week hiatus near the start of S3 - only to be used as a cliffhanger leading into a recycled Minthe plotline, in which she attempted to seduce Hades in Episode 238, only to be shot down for the second time.

If you're having a tough time wrapping your head around how long 36 weeks really is, that's nine months. If you got pregnant when Leuce was first revealed, you'd be entering the final window of pregnancy by the time she returned, assuming the baby didn't come pre-term.

Another 7 weeks later, enough time to actually get pregnant again following that first baby, we got the sudden continuation of that plot, with Persephone invading her home and filling it with barn animals, with a not-so-subtle threat to Leuce to stay away from her husband.

"But what about the text messages? Were they really from Hades?" Well, if you were someone reading this comic in real time, you wouldn't have this question answered for another SIX EPISODES - that's a month and a half in real time - and the answer would ultimately be "she made it up, she was 'manifesting', none of it's real, they should call her Deleuceional!" Six weeks for a nothingburger answer to wrap up a nothingburger sideplot, all in the pursuit to 'prove' for the 1275903729 time that Hades and Persephone are truly meant to be together.

EROS AND PSYCHE

This is a big one. The Eros x Psyche plotline was one of the most popular romance subplots, second only to Hades and Persephone, throughout the comic. And yet, despite people holding their breath to see what would become of the star-crossed lovers, a mortal and a god-

-readers in September 2021 would not find out how their recent skirmish with Apollo in Episode 171 would resolve itself until Episode 218, A YEAR AND TWO MONTHS - ROUGHLY 60 WEEKS AND A MIDSEASON HIATUS - LATER, and even then it would only show us Eros, who quickly summarizes what happened to him during the entire trial and Kronos arc that his anticipated romance storyline got sidelined for - he got married and now he has a child.

And it wouldn't be for ANOTHER six weeks that his wife and the mother of his child would actually show up, not alongside Eros, but Aphrodite and Hephaestus, in Episode 224.

What happened to her after finally having her 'true form' revealed to Eros? Well, that's not shown for another three weeks in Episode 227. During this a bunch of info about how Psyche got out of that sticky Apollo situation is dumped on us and we just have to go along with it as she becomes a goddess, not because she earned a place among the Olympians, but because Zeus needs her to spy on Apollo, which was actually shown one episode prior in 226.

So let's say you got knocked up again after that Leuce baby, when Eros and Psyche were shot out of the sky. Welp, in the time it took for Rachel to get around explaining what happened to the both of them, now you just had your second baby and for all we know, you could have gone for a third and already be well into or near the end of your first trimester, if you really wanted to get busy. You'd have a Dionysus, a Melinoe, and maybe even a Demophoon. Congratulations.

And speaking of Melinoe-

MELINOE

Turns out the interloper and the child in Tartarus were one and the same, or at least that's what I'm assuming, because otherwise that would mean there's some whole ass other baby to worry about that we haven't even been introduced to yet.

Melinoe, or "the child deity", was first established in Episode 218.

But as per LO tradition, the child would only mentioned in passing every now and then until finally being revealed as Melinoe in Episode 252, a whopping... THIRTY EIGHT FUCKING WEEKS LATER.

And that waiting is still ongoing as Melinoe is, of course, still trapped in Tartarus, with no end in sight. Since then, Hades and Persephone have gotten married, kidnapped a child, Persephone has terrorized a nymph and caused yet ANOTHER genocide, and they've resurrected a child that was suddenly revealed to be Demeter's. Thirty eight weeks and counting of dragging on a plotline that we're supposed to believe is dire while the characters do sweet fuck all.

What was the name of that other dream baby that Rachel referenced from some obscure non-legitimate source?

Riiiight, Brimos. Congrats, there's pregnancy number 4. But can we find a way to make a fifth happen?

KASSANDRA

We're first introduced to Kassandra, another implied victim of Apollo's, in Episode 226 when a photo of her is found on Apollo's pen drive which was conveniently left on the ground for Psyche to swipe.

In Episode 227, they theorize on how they could track down this mystery woman, using either Eros or Aphrodite's abilities to find her through the power of

✨love✨

How will that actually work though? Has anyone ever been in love with Kassandra, or has she ever been in love with anyone else?

Any bets on how long it would be until we'd get our answer?

Episode 251. The same episode where we're finally told about Leuce's delusions, we suddenly skip to the reveal of Kassandra being Apollo's personal oracle.

And it still doesn't end up answering our question as to how Kassandra was tracked down, by the way. Eros and Psyche sorta just conveniently find her at the same time Apollo happens to be there when he's getting her to deliver her big prophecy to him.

That's twenty four weeks, meaning you're now near the end of your second trimester with child #4. Whoever the child is remains to be seen but I'm sure Rachel will find a way to shoehorn another helpless baby into the plot for Hades and Persephone to rescue who we can use for this metaphor.

But none of these come close to the greatest unresolved plotline of them all, the one plotline that has outlasted even the main H x P plotline of Lore Olympus' story-

APOLLO

Or more specifically, the SA. Rachel has tried so hard to twist Apollo into a villain of Disney proportions, through his sudden involvement with Ouranos, while also using him as a mouthpiece for her own critics by having him literally dish out word-for-word the criticisms that have been made towards Rachel's writing of Persephone-

But the core foundation of his plotline goes all the way back to 2018, when he assaulted Persephone, a plotline that has yet to resolve itself or show any progression beyond Rachel's half-baked attempts at speedrunning Persephone's healing process, while Apollo is still at large and hasn't been brought to justice.

We've seen her in very poorly-written therapy where her assault was addressed once. We've seen her grapple with the potential consequences of the SA through a gynecologist scene that, as I've discussed before, does more harm than good in helping the discussion around women's sexual health. And of course, Rachel will pepper in vague references to the SA every now and then when she's bothered to remember that it's a plotline she wrote and still hasn't resolved:

And judging by how the story has been progressing, Rachel seems far more intent on simply using Apollo as a mouthpiece for criticism and a puppet for Ouranos rather than focusing on the bigger issues, all while Persephone has helped more people cope with the assault that happened to her rather than receiving help herself.

What's really telling is that despite half of the Olympians at this point knowing what Apollo did, not one of them even tries to convince Persephone to come forward, or say something themselves. Daphne has more than enough reason to come forward. Artemis, Hera, Eros, Hermes, and Hephaestus all know what he did, and yet none of them say a thing, even when those of them who haven't been conveniently shoehorned out of the plot are still in the same room as him-

The assault scene happened in August 2018. It's been five and a half years since it was established, and while there have been small efforts made to resolve it - from Hera and Hephaestus having the photos deleted to Persephone seeking therapy - there's less reason now than ever for it to not be addressed, especially with so much at stake. I could side with Persephone not wanting to say anything in the beginning, when he was blackmailing her with the photos and her TGOEM scholarship was on the line, but now that she's a Queen, rich, and married to Hades, living in the Underworld where he can't get to her, without any schooling or scholarship or job to worry about or the photos hanging over her head, it comes across as flat out irresponsible that not a single person thinks it's worth mentioning. Even the narrative itself seems to be trying to undo the SA entirely.

At this point, I'm not confident it will be mentioned at all, and that Apollo will be conveniently dealt with as a pawn of Ouranos rather than as a perpetrator of violence towards women.

A FINAL ANALYSIS OF LO'S PACING

There are certainly far more examples of this weekly edging happening throughout LO, but I hope the ones I provided get across the point I'm trying to make about its pacing.

Of course, none of these gaps in time are happening back-to-back-to-back. This is Lore Olympus' writing "style", if you can call it that - constantly bombard the reader with separate plot points so that they'll either not remember the ones that were left behind, or so that Rachel can buy herself time to get herself out of the corner she wrote herself into. It's the equivalent of clickbait, constantly grabbing your attention with shiny new things that will replace whatever you just saw in your brain, on a constantly repeating cycle. It's the writing process of inexperienced amateurs, like what you'd see in short stories written by fifth graders - "and then this happened, and then this happened, and then this happened", with no theme or overarching meaning tying them together; and if you were to ask them why a certain thing happens, especially if it logically doesn't make sense, the answer is just, "well, because it does." There's no rhyme or reason, they just thought it was cool.

And I say "style" because while fans of LO have definitely defended the story's pacing as just a writing style, the actual execution of what they're implying is painful to watch and not what any experienced writer would call a legitimate style. It's not uncommon at all in long-running series like this to jump from plotline to plotline, often times longform stories like these have to balance multiple side plots at once to keep things engaging and to bulk up the plot with more actual content.

But in most cases, the reader will expect the speed of a plot's resolution to be relative to its urgency. If a casual B plot with low stakes is introduced, it's not necessarily doing any harm if it just sits there for a bit before finally being resolved. After all, it's low stakes and no one is being hurt by it existing on the sidelines. It might feel a bit like pointless fluff, but there's nothing necessarily wrong with fluff and it can offer fun and relaxed reprieves from the overarching narrative, assuming you integrate them well so they're not drawing attention away from those more urgent plotlines at the worst possible times (looking at you, Stranger Things S2 Episode 7-)

But when even the high stakes plots are being hung out to dry and treated like distractions and fluff, it comes across less like a decisive writing "style" and more just directionless pantsing from an inexperienced writer who's gotten themselves in way too deep.

And that's what really separates Rachel's writing problems from "style". Style is decisive. Style is the act of referencing over a set period of time, crafting what you like and what you've learned into something new, with rounds and rounds of fine-tuning. Style is experience put into action.

And, while I don't typically like using my own work as a comparison, LORE | REKINDLED is meant to try and recapture the original magic of Lore Olympus' art style and writing foundations - and even then, you can still see the clear difference between Episodes 14 and 44, which use the same panel from the same scene, but look vastly different due to the improvement and refinement that's happened over time.

Same style, but different levels of experience and skill, which is to be expected after weeks and weeks of fine-tuning and deliberate practice.

If you're lacking in your fundamentals, whether in art or writing, you can't equate that lack of skill to "style" because you're not choosing to be inexperienced, you just are. And that's okay! But to try and pass it off as 'style' implies that you're choosing to be inexperienced - when in reality, if you tried to put out anything beyond your skill level, you simply wouldn't be able to, because you haven't gained those skills yet. Like fifth graders writing short stories with the "and then this happened" model, "it's just my style" is often used as an excuse by young artists and writers who don't understand that style is not exclusively an end result of inexperience.

I'm gonna go on a tangent here, but there's this controversial but trendy style in tattooing called 'ignorant', and it's best defined as "tattooing badly on purpose".

These tattoos are regularly praised for their simplistic ingenuity and visual aesthetic but equally criticized for being the opposite of what many artists have worked to overcome - being "bad at art". After all, who would willingly pay for a bad-looking tattoo? It's because it's the style that's in demand. I would argue that it takes a lot of confidence and mastery of the craft to be purposefully bad at it and make it look good, as contradictory as that sounds.

As much as the lines may be wobbly and the anatomy poor, ignorant style tattoos are done purposefully by experienced artists who still know how to properly tattoo. As much as they may look like they were drawn by a middle schooler, they will still heal properly, the lines will hold up, and the client will not (or at least, should not) experience any excessive scarring or unhygienic practices as one would experience from an actual inexperienced artist-

In a genuinely poorly-done tattoo, the evidence of the inexperience is literally written all over the body. The skin swells, the ink bleeds out, the lines are inconsistent in their depth, and there's clear signs of trauma to the skin that will undoubtedly result in a poorly-healed tattoo (and that's not even getting into the larger health risks such as contracting blood diseases due to a poorly kept space). It's not hard to see the difference between a bad tattoo and a tattoo that's intentionally bad.

It's the age old saying in a different medium - only once you learn the rules can you properly break them.

Rachel never learned these rules in her writing and it's evident to anyone who knows these rules and is viewing LO through a critical lens - or in my case, experiencing it on a week to week basis. It's a regularly occurring problem in the medium of webcomics as a whole - thinking that knowing how to draw is enough, and that writing comes dead last, if at all. When in reality, comics are a marriage of art and writing, you can't simply do one really well and allow the other to drag behind. That's not to say there aren't comics that succeed at having bad art and good writing, if anything a well-written comic can save bad art-

But if you have a comic with good art and bad writing, that's when a comic opens itself up to harsher criticism. As much as art may be the visual forefront of comics, if you want to keep your audience along for the long road that stretches ahead, you need to have a strong foundation in writing, or at least, enough of a plan to ensure you're not driving in the dark. The art can be as gorgeous as you want it to be, but if the plot is weak, then no one will have any reason to check back in week to week.

And such is Lore Olympus' biggest weakness. Much of what we praise LO for back in its first season was simply its foundation. It's very easy to praise a story's writing when it hasn't had to payoff what it's setup. Having ideas is easy, and early LO is rife with good ideas - but many of those ideas have since fallen flat, even the ones you wouldn't expect.

Ideas are a dime a dozen, but actually executing them in a way that can be engaging from start to finish and resolve itself in a way that's satisfying is a whole other challenge that many creators, including Rachel, find themselves unable to tackle; and nothing is a greater example of that than LO's third season, which is now fumbling its plotlines that have failed to resolve themselves properly after 5 years, while introducing new ones that serve as mere distractions, as if they were a laser pointer aimed at a cat.

I hear the argument, "LO is a better story if you binge read it" a lot, which - while I can certainly understand in today's culture of content that's churned out to be binged - I still fail to see how it actually makes LO a better story. Binge-reading LO doesn't remove the pointless plotlines. It doesn't fix its blatant timeline problems, its retcons, or its inability to stay focused on one topic for more than 5 panels. All it really fixes is the waiting, the ritualistic toiling over each and every cliffhanger that caps off the weekly episodes just for them to either be resolved in the next week or left behind with no in-between. And while having all that waiting removed certainly makes the reading experience a lot smoother, it doesn't make the story or its writing better.

The relationship between a story's writing and how the audience experiences it shouldn't be overlooked. Many stories depend on how the audience experiences it within the mind to succeed and leave an impression.

Junji Ito utilizes the dreaded page turn to scare his audience, an effect that can only be truly gained and appreciated if you read his books in traditional print.

Marvel spent years meticulously building up its Avengers franchise, culminating in a once-in-a-lifetime cinematic event through Avengers: Endgame, which is truly the epitome of "you had to be there", because if you watch Avengers: Endgame in 2024 in your living room, you're likely not going to experience the same level of hype as audiences experiencing it in the theater in 2019.

The same can be said for James' Cameron's Avatar, which entranced audiences with its innovative motion capture CGI and immersive 3D effects, an experience that could only be lived to the fullest if you saw it in 3D in IMAX theaters back in 2009. Without that experience, most people in 2024 find the movie to be pretty generic and uninteresting, a reverse Pocahontas with blue people in space, but when it first released in IMAX theaters in 2009, it was a cultural and technological phenomenon due to how advanced it was in its VFX. I can't even share with you clips of it, because obviously it would just be proving my point to try and show you how groundbreaking Avatar was in theaters through a bad shaky cam Youtube upload of its IMAX release on Youtube, but let's just say that it wasn't uncommon for people to brag about how many times they'd gone back to watch the same movie just to feel what they felt from the first showing all over again.

All that's to say that while Lore Olympus may offer a 'better' reading experience when binge-read - regardless of whether or not it actually helps the story's pacing problems - the reality is that LO is still being written exclusively with the weekly format in mind, and its been very much to its detriment, both in the short-term and in the long-term. Readers are often left in the dark on plotlines for weeks at a time, Rachel loses track of what she has and hasn't addressed, and the extended waiting times trick readers into believing that weeks have passed in the comic's story, when in reality it's only been a day or two, sometimes as little as hours depending on the sequence; meanwhile, if you binge episodes that had those problems in hindsight, you'll likely be a lot more quick to notice how many plot beats are either retconned or abandoned entirely, because you don't have the weekly waiting times artificially inflating the pacing of the story and causing you to forget what was established weeks before, because when binged, those weeks are reduced to hours and minutes.

And worst of all, with the assumption that you're reading on a weekly basis - as it wants you to do - Rachel tries to pull clever stunts by matching up LO's episodes with real life dates and holidays, which often just makes the story beats feel rushed or random in their execution - because to the vast majority of readers who haven't caught on to this or are reading the episodes through the physical books, they are rushed and random, and they can't exactly explain why.

Binging these episodes doesn't solve the problem, if anything it exemplifies them because, as a shining example, Hades and Persephone suddenly get married right in the middle of an ongoing issue, which isn't exactly the best time to wrap up the story's main plotline. Since then readers have become less and less interested in their story, and can you blame them? By all accounts their story is over. Everything now just feels tacked on to give them something to do in a story they no longer fit into.

There's an episode behind the FastPass lock right now, Episode 265. It unlocks for free on February 17th, three days after Valentine's Day. Guess what episode it is?

Ah yes, the episode where Hades' initiates sex without consent with his wife who's suffering from panic attacks, who also happens to be a rape victim. Happy Valentine's Day, everyone.

I actually made this particular discovery while writing this essay, so that was a very unwelcome surprise, but it explains the sudden random shift from Persephone being so stressed over the ongoing situation that she's passed out to Hades just deciding for the both of them that now's the time to have sex. As much as the fans will defend this as a husband and wife's last chance at intimacy before diving into a dangerous situation, they'll also still conveniently forget - just like the narrative and Rachel herself - that Persephone is a rape victim, and Hades initiating sex with her after nearly having a panic attack isn't exactly a good look.

This is why our theories as to when LO ends are so firmly cemented in one specific time range, because the story's pacing and distractions seem only intent in one thing - getting the story to last until spring, when the series will most likely conclude. It's basically been all but confirmed by Rachel, from her stating the series would be ending in early 2024, to Inklore - an imprint that seems designed specifically for Rachel and LO - launching officially in spring of this year, undoubtedly just in time for Rachel to wrap up LO for good.

(and boy, do I have some words about Inklore and its plans for "Rachel Smythe Presents", but that's another essay entirely.)

At the end of the day, LO's pacing is equivalent to paint drying on the wall, but it relentlessly convinces us to keep watching because the paint is blue and pink and maybe, maybe it'll turn into a piece of art. But as is evident in the comment sections of the newest episodes, even the fans are starting to realize that paint will not magically turn into the final piece of art they've been waiting to see if the hand that wields it doesn't know what it's doing.

Though style may be gained as an accidental side effect of one's influences and experiences, what Lore Olympus' intent is remains to be seen, and the longer the story goes on, the blurrier whatever intent it could have becomes. Unless it somehow manages to pull off a twist of Attack on Titan proportions that thoroughly explains and ties together the plotlines that have been left in the rearview mirror, the vehicle that is LO will continue to trudge along at a snail's pace, until it inevitably either crosses the finish line or crashes - but by that point, anyone waiting for it could very well be gone, their good faith left behind at the starting line when there was still plenty of time to change its trajectory or stop.

Such a time is long, long gone.

#lore olympus critical #anti lore olympus #lo critical

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

#dead boy detectives #edwin payne #the case of the very long stairway #im sorry this really IS the short version of my thoughts i swear #i didnt want to get long and rambley backing everything up and mentioning everything else this forces me to reconsider #i just feel like i've barely interacted w this fandom and still seen quite a few odd duck takes on this moment imo #i dont think he wouldntve got the nerve to say it otherwise #(he was already going to! & if anything his new experiences in hell only cement that being the right choice) #and as much as i get what fear can do to a person i still definitely dont think he was resigned to staying in hell if charles reacted badly #i truly think he just couldnt keep it to himself any longer #the show is upfront about his escaping hell being a testament to his own strength rather than a lucky break of some sort #so i think even being on the receiving end of a rescue mission getting out still must take a lot of strength in this universe #and telling charles that definitely made him stronger/in less pain #so yeah totally necessary it happened where and when it did in my book #also i hope it doesnt sound like im being dismissive of anything charles says in this scene #but the way i see it those were all things they both already knew #so reaffirming them just adds to the idea that the act of Telling Each Other Things is what's so important here #rather than counting as a truly separate thing this conversation achieves #just my two cents

[thorias]

So I've been thinking about how the "Saving Gambit" story is going to play out in season 2. Not much else to do right now but speculate since it doesn't look like we'll be getting any new information for a while; hell, at this rate, they probably won't even let AJ acknowledge that mid-credit scene in the finale until we've at least got a trailer to sink our teeth into.

Anyway... ideally, I'd like there to be more to it than just Rogue telling Deathbit that she loves him and then he's back to normal like magic. That's okay for Rogue, I guess, but Remy needs an arc too. And it would feel anticlimactic if it's that easy, especially after we got so gipped with the lack of Romy content in season 1.

I'd like them to build a real story around this, with the X-men trying a bunch of different ways to get through to Remy, but none of them work. I want to see Rogue try to drain the evil out of him like she did with Archangel in XTAS, only for her touch to have no effect because Apocalypse has accounted for that this time. I want to see Jean try to shut down the Deathbit persona telepathically, only for it to force her out of his mind.

I want to see them try everything they can think of to bring Remy back and fail every time until it all seems hopeless... and then hope arrives from an unexpected place.

We're getting into fanfic territory here, but it's not like there's much else to do right now, so here's how I'd write it...

Archangel shows up to help the X-men with Apocalypse/Deathbit, giving them some new insight to go on. He explains how Apocalypse turns mutants into Horsemen; what it feels like and whatnot. Maybe it's a psychological thing where Apocalypse burrows his way into a person's subconscious and plants a seed that grows into something dark and twisted, which warps how that person thinks and perceives the rest of the world.

I see Archangel describing it as Apocalypse sifting through every memory and experience a mutant has ever had, looking for their absolute lowest, most vulnerable moment, when they feel utterly alone, hopeless and are most in need... and in that moment, Apocalypse appears to them (in their subconscious) like a savior and offers them a hand.

Them taking his hand symbolizes them surrendering to his influence and allows him to set up shop in their head, so the Horseman persona can take over. So if the X-men want to save Remy, they're going to have to deprogram him by getting inside his mind and finding that moment, so they can stop him from accepting Apocalypse's offer.

So maybe the X-men have to fight Deathbit to immobilize him. This gives Xavier an opening where he'd use Cerebro to boost his telepathy enough to get through Apocalypse's mental defenses, so he can take Rogue, go inside Deathbit's mind and start poking around in Remy's memories.

This is where Remy's arc can come in because they can do a lot of cool character stuff here. They start by looking at his childhood. Maybe they see him as a little kid in an orphanage (pre-thieves guild) with the nuns who run the place calling him "le diable blanc" and trying to beat the devil out of him. Then, after the beating, Apocalypse appears to child Remy and offers his hand... but Remy turns away.

They see teenage Remy having just run away from Belladonna and the thieves guild, having to leave his home, his first love and the only family he ever had. He's alone, miserable, heartbroken... again Apocalypse appears and offers his hand... and again Remy turns away.

They see Remy in Paris with Genevieve Darceneaux and her winding up dead simply because Remy Lebeau entered her life. As he stands over her grave, feeling guilt-stricken and heartsick, once more Apocalypse appears, offering him salvation, to free him from his self-loathing... and once more Remy turns away.

You know where I'm going with this, right?

Finally, they end up at the Genoshan gala on the night of the attack. A heartbroken Remy watches Rogue dance with Magneto, but can't stomach it and walks out. He sits alone outside, feeling utterly desolate, wondering if everything he thought him and Rogue had meant to each other was all for nothing.

One final time, Apocalypse reaches out... extends his hand... and in his despair... Remy takes it. That's the moment they have to stop.

The rest pretty much writes itself. Rogue jumps in between Remy and Apocalypse. Maybe there's a psychic battle with Xavier keeping Apocalypse at bay while Rogue tries to get through to Remy, finally telling him what really happened, that she'd actually rejected Magneto, realizing that Remy was right about what they have being "deeper than skin," but his self-loathing rears its' ugly head and he refuses to listen to her.

So finally, Rogue does what fans have been waiting for for 6 seasons, across 2 different cartoon series and 3 freaking decades: She finally tells him that she loves him... and she kisses him (they're on the psychic plane, so they don't have to worry about her powers hurting him here).

Maybe Rogue has gotten through to Remy and maybe she hasn't. His reaction is ambiguous, he still seems confused...

Xavier can't hold Apocalypse back anymore. Apocalypse confronts Remy and offers his hand again. It looks like Remy is reaching out to take it... but instead, he hands Apocalypse the Queen of Hearts card, which explodes in his face.

Apocalypse's hold over Remy is broken, the Deathbit persona is gone.

If they wrote something like that, I'd be pretty happy. But given how season 1 turned out, I'll probably have to lower my expectations.

#x men 97 #gambit #remy lebeau #romy #rogue #anna marie lebeau #rogue x gambit #they owe us since we got stiffed on romy content in season 1 #and it better be damn good after making us suffer through that awful love triangle shit