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#what if you lose it
just-spacetrash · 3 months
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the 'what if you played it a little risky' post literally Changed my life but i cant fujkign find it in my blog because its. a tiktok screenshot
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Uh-
just found out my cousin (who lives in England) is in the art department of a bunch of shows??? And she worked oN DOCTOR WHO? AND HAD LUNCH WITH DAVID TENNANT???? and she just told me so casually because she's interested in the art, not the show? I mean, excuse me? She worked on SHERLOCK???? FOR A WHOLE SEASON?? She worked on Peaky Blinders and Lord of the Rings and Game of Thrones??? And probably other things because she has a shitty memory and according to her everything is a blur?? AND AT ONE POINT SHE WAS LIKE: "oh and have you ever heard of Neil Gaiman?" And I was trying not to scream, because yes, of course I've heard of Neil, he's only my favorite author, I've only read like all of his books multiple times, and if you say you worked on Good Omens or the Sandman I'm going to lose it completely. So I said "yeah I've read a couple of his books," -you know, like a liar- "what about him?" and she goes "well I worked on one of his shows and he's brilliant i just can't remember which one" and i go "w-what do you mean he's brilliant? You're.. you're talking about his writing... his writing is brilliant, right?" And she cheerfully says "oh no I don't read books, I ment he was really nice and brilliant when I talked to him" and i go "WHAT DID YOU TALK ABOUT WHAT DID YOU TALK ABOUT" and she thinks for a moment and goes "oh! BRICKS" WHAT IN THE WORLD YES NO THAT MAKES SENSE YOU GET TO WORK AND TALK WITH NEIL FUCKING GAIMAN AND YOU TALK ABOUT BRICKS? NO THAT'S TOTALLY NORMAL I'M NOT MAD ".... it was what I was designing at the time, I needed to know what vibe the bricks should have. Anyway want to see the spinning fireplace I made for doctor who" WHAT THE FUCK.
@neil-gaiman do you remember any brick conversations by any chance
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ando666detonao · 1 year
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don't you ever read a piece of fanfiction so good you just
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quecksilvereyes · 4 months
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oh my god do not click links in emails that tell you to verify your data or your bank account gets locked or click links in messages telling you your safety protocol is ending, like, tomorrow, you will get SCAMMED SO BAD AND YOU WILL LOSE A LOT OF FUCKING MONEY never ever let anyone pressure you into giving away login information especially to your online banking by creating a sense of urgency oh my GOD
some things to look out for
1. spelling mistakes. do you know how many rounds of marketing and sales experts these things go through? if theres a spelling mistake dont click it
2. not using your name. if an email adresses you with "dear customer" or, even worse, a generic "ladies and gentlemen", it is most likely not actually targeted to you
3. verifying or login links. even IF your bank was stupid enough to send these to customers, dont EVER click those. look at me. they can legally argue that youve given your data away and thus they dont have to pay you anything back DONT CLICK THAT FUCKING LINK
4. creating a sense of urgency. do this or we lock your account next week. do this or your ebanking stops working tomorrow. give us all your money in cash or your beloved granddaughter will get HANGED FOR MURDERING BABIES. no serious organisation would ever do something like that over email or sms. ever. hands off.
5. ALWAYS CHECK WHO SENT YOU THE EMAIL. the display name and the email adress can vary a LOT. anyone can check the display name. look at the email adress. does it look weird? call the fucking place it says its from. you will likely hear a very weary sigh.
6. if its in a phonecall, scammers love preventing you from hanging up or talking to other people to have a little bit of a think about whats happening. there should always be a possibility to go hey i wanna think about this ill call back the official number thanks.
7. do not, i repeat, do NOT a) call a phone number flashing on your screen promising to rid your computer of viruses after clicking a dodgy link and b) let them install shit on your computer like. uh. idk. teamviewer.
7.i. TEAM VIEWER LETS PEOPLE USE YOUR COMPUTER HOWEVER THEY WANT AS LONG AS THEYRE CONNECTED. IF YOU DONT KNOW FOR FUCKING SURE YOURE TALKING TO ACTUAL TECH SUPPORT DONT GIVE ANYONE ACCESS TO YOUR COMPUTER.
fun little addendum: did you know a link can just automatically download shit? like. a virus? an app you can't uninstall unless you reset your entire device? dont click links unless youre extremely sure you know where they lead. hover your mouse over it and check the url.
thanks.
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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moonilit · 1 year
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He got some fact checking to do
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chimaerakitten · 2 years
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if fantasy genre reincarnation were real (ie, the kind where everyone always reincarnates as human and can recover most if not all previous-life memories) humans would use it for such DUMB SHIT you guys. like every other week you’d get headlines like “20 year old cave diver vanishes down This One Fucking Cave for the 5th life in a row.” and the body of the article would be like “His last words were ‘This time I'm going to find out what’s at the bottom of that crevasse!’ We’ll see you when you get your memories back in 16 years Dylan, the scientific community can’t wait to find out what was at the bottom of that crevasse.”
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bonksoundeffect · 11 months
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Have you heard of the tragedy of the Champion of Kirkwall?
+ Bonus
The og post that made me go insane
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Love a self-inflicted time loop. The main character isn’t trapped.  They can stop whenever they want.  But how can they when things aren’t perfect yet?  They can do better than this.  They need to try again.  They can get it right this time.  They just need to try again.  They can stop anytime they want.  Just one more time.  They can fix this. They just need to try again.  There are still things to fix.  They just need to try again.
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knifearo · 5 months
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being aromantic is like. hey btw you're going to live a life that is the culmination of most of society's worst nightmares. sorry lol ✌️ but then you turn around and take a really good hard look at it and it turns out that living in that nightmare is fucking awesome and you get to wake up every day and take that fear that other people have and laugh and hold it close until it's a great joy for you instead. and being happy is a radical act that you define instead of someone else. and you're sexy as fuck that's just a fact of life i don't make the rules on that one
#aromantic people are just sexy i'm not making the decisions here it's just facts#course ur hot as fuck. it came free with the aromanticism#being sexy is just default settings for aromantic people 👍#hope this all helps. anyway i'm on my 'i hope i die alone <3 i can't wait to die alone <3' kick rn#i think the existential fear that people have of Not Partnering specifically is so. well.#obviously that shit is strong and it is SO awesome to be free of it.#realizing you're aro and you don't Want a partner can be such a hit to the solar plexus#cause society says that's the only thing that'll make you happy. so either you go without that thing or you force yourself#into doing something you don't want which would make you unhappy anyway.#so you think it's a lose lose situation and you have to come to terms with what amatonormativity presents as the worst possible situation#but then! whoa! turns out personhood is inherently valuable in and of itself and romantic partnering is just a construct!#and that nightmare is now your life to do with as you please... define as you will... structure as you want...#best case scenario. is what i'm saying.#every day i wake up ready to spit all that amatonormative rhetoric back in life's teeth by being alone and being happy#and it's so fucking satisfying. every day.#fucking JUBILANT being by myself. and i love being a living breathing 'fuck you' to the romantic system#you need a partner to be happy? oh that's sooo fucking crazy guess i'll go be miserable then. in my perfect fucking dream life lmao#yeah obviously it's the worst possible outcome on earth to die without a partner. so terrible. can't wait for it :)#aromantic#aromanticism#aro positivity#aroace#arospec#sorry to bitches who are sad about not having a partner. i could not give a fuck though get better soon#you couldn't EVER pay me enough to go back to a mindset in which my inherent value wasn't enough by myself.#FUCK that shit. absolutely miserable and a bad life outlook in general. like genuinely do the work w/ amatonormativity and get better#life is something that can be so fulfilling whether someone wants to kiss you or whatever or not#i'm on antidepressants and i have people i care deeply about. what the fuck would i need a partner for lmao
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undertheredhood · 6 months
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the rest of the justice league: hey man, we get that he’s your son and all, but shouldn’t you do something about him?
bruce ‘that’s my precious baby boy’ wayne: i’m sorry, did you have to hold your son as he was dying in your arms? did you almost k*ll yourself trying to follow him to the afterlife? i don’t think so.
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eerna · 5 months
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it's coming home!!!
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wily-art · 1 year
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confessedlyfannish · 7 months
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DP x DC Writing Prompt #5
Damian does not glance back at Bruce when he knocks on the door. Instead they both wait in silence.
After a moment, the door opens.
"Hello," Jasmine, Jazz, Fenton greets politely, unsurprised to find the Waynes on her doorstep. Damian's expression grows ever darker at this revelation.
"Hello Ms. Fenton, are your parents home?" Bruce asks, placing a firm hand on Damian's shoulder, to ground as much as to restrain. To his credit he does not shake it off.
"No, they're out of town for a conference," the eighteen year-old says, opening the door wider. "But I think you'd better come in."
Bruce would normally decline, but Ms. Fenton is a legal adult and he has already, even unknowingly, waited 16 years. Damian makes the choice for him, striding past the threshold.
"Please take a seat," Jazz says as she leads them to the living room. She ignores Damian's swinging head as he takes in the home. It is deceptively large, a 90s style house filled with modern furniture. The walls are bright, with purple and green accents that would normally feel garish but somehow work. The stairs leading to the second floor are lined with family photos that Bruce yearns to take a closer look at. "Can I get you anything? Coffee? Water?"
"No, that's alright, thank you," Bruce says, taking a seat on the long plush couch. A men's windbreaker lies haphazardly thrown across one of the arms. A closed container of Oreo cookies sit on the coffee table next to a physics textbook open to chapter 16, half covered in highlighter and filled with sticky notes. There's a child's painting framed next to the tv, a handprint made to look like a thanksgiving turkey in bright blue.
For the home of experimental scientists, it is cozy and well lived-in.
Damian repeatedly glances at the stairs through the doorway.
Bruce clears his throat. "We were hoping to--"
"I've texted--oh, I'm sorry," Jazz says, having spoken at the same time. Bruce gestures for her to go on.
"I've contacted Danny, he should be here soon. He was out with some friends." Jazz explains. As she hadn't pulled out a phone in their presence, Bruce can only deduce they have some sort of camera at their front door. This also explains Ms. Fenton's complete lack of surprise at their appearance.
"So you know who we are." Damian says, the first words he's spoken since they arrived at the house and the longest sentence he's spoken since they arrived in Amity Park.
"I do," Jazz says, calm in the face of Damian's clearly simmering anger. Bruce trusts him not to attack Ms. Fenton, but he still watches him carefully.
"He told you about me," Damian says. It is the same question, but it is also not.
"He did," Jazz says.
Damian swallows. "I see," he grits out.
Jazz's neutrality slips and her face softens in sympathy. "Damian," she starts hesitantly, but before she can say anything else the front door opens.
A moment later Bruce's son walks through the doorway, and Damian is on him.
This is what Bruce hoped to prevent, but despite his numerous checks of Damian's luggage his son has still managed to smuggle a small dagger, which he now produces and swings in a calculated arc at Daniel Fenton's jugular.
Danny dodges cleanly, and dodges every swipe thereafter in a manner that speaks to continued practice long after his time at the League. Damian is a perfect product of his training, but it is up against Danny his flaws come to light. He is just as good as he always was, but Danny is better.
In a matter of seconds Damian grows frustrated and sloppy in his attacks, completely atypical for him. Danny takes Damian out at the knees and pins him down with one arm, pressing his face into the carpet.
"Calm down," he orders. His voice is deeper than Damian's at sixteen to his twelve, the accent that still traces Damian's words completely gone from his speech. Damian growls and thrusts his head back into Danny's face, meeting it with a sharp thunk. He rolls up as Danny recoils, putting distance between them. Danny glares at him from several steps away, hand to his forehead. Damian tosses the dagger into his other hand as he charges, and to Bruce's surprise Danny does nothing more than turn his face to the side, allowing Damian to draw a sharp line down his cheek.
Damian stops dead in his tracks.
"Are you done?" Danny asks, blood beginning to pool at the seam of the cut.
Damian's expression is stricken, eyes stuck on the blood starting to drip down his brother's face.
"I said, are you done, Damian?" Danny asks. His voice is cold.
Damian hears him this time, and he flushes red. "I--you--"
Danny sighs. He looks at Jazz, whose expression is back to carefully controlled.
"Are you alright?" he asks her. She nods.
"You left me," Damian accuses, standing there holding his bloody dagger limply.
Danny turns back to him, raising an eyebrow.
"You left me," Damian repeats louder, rapidly blinking.
"Yes. I did." Danny provides no excuse nor any explanation. His stance is unyielding.
Damian's eyes bounce wildly, shifting to Jazz and Danny slides smoothly in front of her, protectively. He looks at Damian warily, not as if he is his brother, but as if he is a danger. Damian flinches.
Hope is the last to die, Bruce thinks, watching as that last bit of hope Damian had is extinguished, the knowledge working its way through every inch of his body like ice in his veins. His eyes darken. He turns and runs from the room, the front door slamming shut not a moment later.
Jazz stands up, pulling a few tissues from the box on the coffee table. She presses them to Danny's face, cupping his cheek until he holds it himself. "I'm going to go get the first aid kit," she says gently. It is a thinly veiled excuse to leave them alone, and Bruce is grateful for it as she heads for the stairs.
They both wait until her footsteps have faded, taking each other in. Bruce looks at his mother's eyes and the sharp turn of Talia's nose. Damian's everything, four years older.
"You shouldn't have come here," Danny says, throwing himself on the armchair Jazz has just vacated.
"You know who I am," Bruce says carefully.
Danny glares. "I've kept your secret. She nor my parents know."
"I know," Bruce says. "That's not what I meant. You know who I am. And who I pretend to be. So you know I am familiar with masks."
"And?" Danny asks, looking vaguely bored.
"And so I can recognize when someone is wearing one. Damian will too, once he's calmed down."
Danny's expression sharpens. "No, he won't. Because you are going to go to back to whatever bed and breakfast you're staying in, pack up, hop in your private jet and fly him back to Gotham immediately before the League realizes you've gone. If they haven't already," he mutters.
"This is about the League then," Bruce says. "Do you not believe I can protect you?"
"I don't need your protection," Danny snaps, and watches Bruce actively extrapolate with a dawning resignation. "So this is the World's Greatest Detective at work," he says, slumping bonelessly into his chair, the first teenager-y thing he's done.
"Damian's in danger from the League," Bruce says. Danny glares from his slump. It's almost cute. "And as long as the League doesn't know about you, he's safe."
"Draw your own conclusions," Danny says, baring his teeth. Damian often makes the same face. "As long as you leave."
"I can protect him. I can protect you both," Bruce says. "Let me help you."
Danny closes his eyes. He centers his breathing in an exercise someone has clearly walked him through in the past. Bruce would bet money on the adoptive sister waiting patiently upstairs.
"Mr. Wayne. You are not my father," he says. "My trust in you extends to the point that I left Damian in your care, but that is where it ends. And that was when it was sanctioned by the League. By coming here you have endangered those sanctions."
Bruce disregards the sting, doubling down on his analysis. Talia had left Damian with Bruce well after Danny had left the League. But Danny speaks as if the decision had been his.
Or perhaps, Bruce realizes, it is not that Danny decided upon it, but that Danny allowed it to continue.
Bruce takes a second to review what Oracle had gone over with him before they left for Amity. Daniel Fenton had by all accounts, since leaving the League, lived a fairly normal life. His adoptive parents were eccentric scientists dabbling in the occult but their findings that bordered pseudoscience circulated a very niche community of like-minded eccentrics. The bulk of their income came from alternative energy, a more viable source of study that they'd veered harder into in the past year or so, a government contract with the EPA currently in the works. This had in part funded a vacation to an all-inclusive resort the family had taken that past summer.
Danny received average grades in school, above average in science and mathematics, declining sharply in his freshman year and sophomore year before evening out around the second semester. He had gotten into fights repeatedly with one student in particular, suspended for two weeks following an incident that resulted in a the student receiving a black eye. Teachers reported him to be highly intelligent but distracted and removed. They had recommended he be evaluated for an attention-deficit/hyperactivity disorder. He had no social media. He had missed multiple picture days. The ones he had attended he was sneezing, or a blur of movement, even going so far as to fall off his stool, legs flailing. Bruce had drank up every last one as Barbara had waited patiently.
A normal life. A family vacation to Bermuda. Average grades.
His freshman year, distracted and removed. The same year Damian had arrived at Bruce's home. Masks upon masks.
"You have informants within the League," Bruce says. Danny, to his credit, has no discernible tell. But there is no other explanation. "What will you do, if they find out you are alive?"
"That is none of your concern," Danny says, but he might as well be saying whatever I have to.
He never stopped practicing, after all.
"If they go after Damian, it is my concern."
"And that is why you need to take Damian back to Gotham before they do." Danny says. "I will take care of it."
Damian had barely spoken since he had realized Danyal was alive. But Bruce had seen the reverence in his eyes as he looked at the file.
"الوريث الصحيح" he had murmured. The rightful heir.
"You are proposing going after the entirety of the League with no backup," Bruce says. "Even if you think they won't kill you, you won't win either."
"Maybe they will," Danny says lightly. "Kill me. That would also work."
Bruce inhales sharply. "Danny," he starts.
"Go home, Mr. Wayne," Danny says, pushing himself up with one hand. The other still clutches the wad of tissue to his cheek, partially soaked with blood. "Go take care of your son."
"I'll go," Bruce says, "I'll take him to the Watchtower. And then I'll come back."
"Mr. Wayne-"
"I should've come for you," Bruce interrupts. "Sixteen years ago. I should've come for you."
Danny's brow furrows. "You had no idea I existed."
"But if I had. I would've come. I never would've left you there. And now that I know, I am not leaving you now."
For the first time Bruce watches Danny be completely caught off guard. He openly gapes at Bruce.
"You would've died," Danny lands on, voice thin. "They would've killed you."
"Unlike you, I would've brought backup." Bruce says, mimicking Danny's lightness.
He's lying. Sixteen years ago he would've thrown himself at the League to save his newborn son without a plan, without a thought beyond rescuing his baby.
Danny barks out a laugh. "You would've laid siege to Nanda Parbat with The Big Blue Boy Scout?" he looks wistful. "That would've been rad."
Bruce sees his opening. "Danny," he stands, eye to eye with his son. "Let me help you."
Danny evaluates him. "The Batman," he says softly. "I didn't want you to come, then. I didn't need one more person I had to prove myself to. All I wanted was to live amongst the stars, in the quiet of the cosmos."
"You want to be an astronaut," Bruce says. At Danny's cocked head, he says without shame, "I read your essay on personal heroes. You wrote about Edward White. Ad Astra Per Aspera."
Danny smiles slightly, sadly. "It is a rough road."
"You can be whatever you want to be," Bruce says. "I won't stand in your way."
"Even if I want to be Danny Fenton?" he asks.
"Even then."
Danny sighs. "I don't need your help Bruce," he says. "No," he says as Bruce opens his mouth. He pulls the wad of tissues away from his cheek. Underneath the splotches of dried blood the gash in his face has cleanly knit itself together, a faint white line now all that remains.
"I don't need your help," he says clearly. He holds a palm forward, and a green fire grows from its center, until the flames are licking delicately up his fingers.
"I know The Batman does not kill. But I am not a Robin. I am something else entirely," Danny says, his eyes reflecting the green of the flames. Or not, as he looks up at Bruce, his eyes green all on their own. They are sad. This is why he stayed away, Bruce realizes. Not out of fear. Danny is not afraid. Danny is tired.
But for his brother, Danny will wake up.
"And If the League takes one step towards Damian, I will raze them to the ground."
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sleepyminty · 1 year
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Something incredible just happened on twt right now
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nonasbirthday · 5 days
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Tbh? I don't like Paul. I don't want Paul. I understand that Paul serves an important narrative function and that Paul is the best possible ending for Camilla and Palamedes given their situation, personalities, and relationship. However what I really want is for Camilla and Palamedes to attend the ATN wedding as two individual humans and for Pal to be a lightweight who loses his tie in the garden fountain after three drinks and for Camilla to do exactly one shot with the group, keep Gideon from ripping the sleeves off her dress shirt, and absolutely kill it at lawn games during cocktail hour. Since this scenario is a wild tonal mismatch for the series and also Palamedes was already dead, this was unlikely to ever happen. However Paul is the final nail in the coffin for the theoretical existence of this scene and I can't help but resent them for that
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