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becca-e-barnes · 8 months

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Bucky pinning you down so you can’t squirm and he’s just sitting inside you while he tortures your clit feeling you clench around him. He makes you cum over and over until he finally cums.

Overstimulation + super soldier stamina = …

- 🍯

Dear God, I know I just don't have it in me to behave during cock-warming. When it comes down to it, I genuinely have no patience at all 😵‍💫

"You..." Bucky begins, pressing you down onto the bed before gripping your ankles and forcing you to flip over onto your front. "Have a problem with control."

With your face turned away from him, you can't help but smile to yourself. No one has ever said it out loud but you know he's right.

Being in control is where you're most comfortable. No hands are safer than your own. Except maybe his. You know he won't fuck this up.

"And you..." He continues, gathering your wrists behind your back, holding them tightly with one hand. "Need to learn how it feels to have control taken from you. Do you understand?"

As soon as you begin to nod your head, you feel him start to tape around your wrists, holding them together behind your back. Once he's content they're secure, he sits on the edge of the bed, facing the mirror before he pulls you onto his lap.

"Legs spread over the top of mine." He orders and you do as you're told, not because you have to but because you want to.

You notice the way your cunt is already glistening in the mirror and you're almost embarrassed because he hasn't even touched you yet.

"Fuck, you're made for this." He groans, lining his cock up to your slick entrance and you wonder if he's holding his breath too while he slides into you, as deep as your bodies will allow.

You're obsessed with the sight in front of you; your own naked body, with your legs spread so far apart you can see how your cunt is stuffed full of him.

Being shorter though, your feet can't touch the ground like this. There's no way you'll get enough leverage to fuck yourself on him but as soon as you start to tell him that, he silences you with two thick fingers between your lips.

"I'm not letting you fuck me." His free hand roams over your body, squeezing your breasts, pinching your nipples and then settling between your spread thighs.

"I'm going to play with you. I'm going to see how much you can take. I'm going to work out exactly how you like your clit stroked and I'm going to do that until your legs are shaking and your body won't let you cum any more. Maybe then I'll fuck you but sweetheart, that will be hours from now." His breath is hot against the side of your face, his fingers slipping from your mouth to your waist while he starts to flick gently against your clit.

"I'm going to start slowly. I'm going to do everything I can to drag this out as long as possible. I can feel every clench and flutter of this pretty little cunt and I'm going to enjoy it until you're dripping over my balls." At this rate, it won't be long until you're dripping onto the carpet, never mind over him. You dreamed he'd want to take control like this but you never imagined the way your body would respond.

"And then, when you've cum more times than you can handle, I'm going to tell you that I love you while I fuck you like I don't."

Update: Part 2

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lunamugetsu · 2 months

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Danny is an ao3 writer

Hear me out!

Y'know how there's a running joke that ao3 authors/writers will put in the author's notes that they're sorry that they took so long to update and their reason is because of either they got into a horrible accident/ life threatening health issue/serious personal issues/ their life went up in flames figuratively or literally, or somehow a combination of all of those scenarios. And they're all like "Well enjoy the chapter! tee-hee!" and everybody who's reading it all collectively go "are you okay?!" (aka the ao3 writers curse)

So I want to take this, and add Danny

Danny begins taking a liking to the classic literature that Mr. Lancer talks about during class and decides to writes a fanfic about it along those lines. It all starts for when he writes a Pride and Prejudice fic where Charlotte gets a better life where she's both happy and comfortable. And when he gets pretty supportive comments about it. He starts writing fics for other books as well (and it never stops)

During that time, who else but the Jane Austen fan, Jason Todd reads this fic. Yes he reads fanfic (do not ask him about his ao3 history), he yearns for more Jane Austen, but unfortunately she's not exactly able to write more books for him to read. So he turns to ao3 where there are some people who have incredible talent for writing pretty good regency era romance.

So what happens when he finds a couple of Pride and Prejudice stories written by " HalfDeadHalfAliveWriter

And when reading through the stories and looking at the author's notes.

All with very weird scenarios happening to the writer that he can't be sure that if it's a joke or if it's an actual thing he should be very worried about.

Author's notes such as:

Sorry it took so long for me to update this I was being shot at by my parents and ended up getting a burn on my hand and couldn't use my computer for awhile.

Sorry the chapter's so short, all the people in my town are being possessed by a hoard of angry ghosts because somebody had a bright idea to steal an artifact that belongs to an ancient civilization. So I had to get this out quick before they ruin my wifi connection

Sorry I haven't updated in awhile, I had to fight off a crazy guy that is obsessed with killing my father so he could marry my mother and become my new stepfather.

Sorry for the wait I got sent back to Ancient Egypt by my mentor to hunt down a runaway ghost that was messing with time.

But honestly the most recent author's note on a fic that hadn't been updated in week is what makes Jason really worried.

Sorry for not updating for a couple months guys, I was taken by a government agency that started vivisecting and torturing me. Thankfully my sister and friends busted me out and now I'm working on healing up. Anyway here's the Great Gatsby fic where Nick and Gatsby kiss.

After reading that author's note, Jason just sits there thinking only one thing.

What the fuck?

#dp x dc #dp x dc crossover #dp x dc au #dpxdc #dp x batman #Jason just sitting there not really knowing how to react to these authors notes #I imagine that Danny is completely chaotic when writing author's notes but completely professional when writing his fics #Imagine the downfall of the GIW starts with Danny writing fanfiction #that's something he'll never let anyone forget

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inkskinned · 3 months

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crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.

i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.

in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.

i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.

i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.

plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.

the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.

we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.

i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.

a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.

today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.

loved beyond thinking.

#spilled ink #writeblr #personal #please don't ask me to talk on my experience on the spectrum lol. i hate how ppl talk to me about it #i really try not to write so specifically about it #bc inevitably someone talks to me like im a child #i think this is the first time i've ever openly identified with it but i've been hinting for years #i might delete this. feels big.#the thing is that being on the spectrum actually IS a spectrum #and if u say ur autistic #inevitably someone makes an assumption about ur needs/symptoms #please do not treat me differently than u usually would. like.... we can tell when you do #and like i mention. i do appreciate the effort. i do truly appreciate the effort.#but it still feels like...#when i was blind. sometimes people kind of did the same-ish thing.#they'd find out i was blind and start talking really loudly?#and while i KNOW they're just trying to help. it would be like. i'd be trying to find #the right way into a building (sometimes only 1 door is unlocked and i couldn't see the signs posted about where to go)#and ppl would be like ''OH UR BLIND? YES SO THIS IS A DOOR. IT OPENS INTO THE BUILDING. IT IS LOCKED NOW."#''A DOOR CAN BE FOUND IN MANY LOCATIONS.''#and it feels like. when i admit to being autistic #someone comes screeching into my life being like THIS IS A DOOR.

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satelliteduster · 1 year

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oh my god i forgot to post my absolute favorite strip from gay comix (issue #2, 1981)

#this collection is full of so many hilarious vignettes #between the fictional and biographical they range from hilarious to saddening but theyre all candid looks at #lgbt life in the 60s 70s and 80s #id recommend it if you're interested in older underground work #edit: for ppl who notice the opening blurb i will say this:#1. Many artists in the underground comix scene (yes the lgbt ones too) delighted in being overly provocative for the sake of it #hence the cringeworthy 'political unity is not the goal' line #2. i worried abt this too when i started going thru the issues but there are quite a few strips and comics focusing on the trans experience #that said. there are unfortunately not a lot of transgender artists involved in this collection #3. given the preceding two points i think its fair to say that a good chunk of the strips in gay comix just. Suck #but like they actually said it's important that we're capable of recognizing that a full 40 years down the line #so we can actually learn something from the life experiences the mistakes and even the lack of perspective tht sm of these artists displayed #nocturnal writings

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novelconcepts · 2 years

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The defintion of hell is knowing a show is incredibly well-received in its first season, but if people don’t become machines churning out tweets, content, and rewatching 24/7, there’s no likelihood it’ll get a chance to tell its whole story. This shit is madness. Shows in different genres shouldn’t have to pit-battle for dominance. First seasons are MEANT to be baselines establishing worlds and characters, not complete storylines. The idea that this golden age of television has turned into “get it done in one or get out” is revolting.

#the sandman #paper girls #some of the hot takes on Twitter are breaking me #‘why don’t we know the whole story? it’s bad writing if you don’t have a complete story in the first season’ girl WHAT since WHEN #how many excellent shows were weak as fuck in S1?? and here we’re getting shows with incredible first seasons fighting for their lives #like fuckin Christ dude the idea of long form storytelling is allowing your story time and space to spread out #otherwise we would only make movies #i am so sick of this edge of my seat fear that any new show I fall in love with will get axed because the higher powers don’t care about art #this has to be a bubble right? this has to pop at some point and go back to shows valued on what they are #and don’t even get me started on creators having to beg for good reviews to balance out review-bombing from shitheads #if every one star review is clearly bigoted from the comments? why is anyone taking them into account??#why is there no way to manage this shit aside from creators being like ‘please help us”’

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thestrongestjewel · 2 months

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eepytale part 3

eepytale part 3! and the start of me losing my mind because originally i did NOT want to add plot to it, however i think it will be funny if...yknow...i make the silly slice of life au have something else :3

ALSO FROM NOW ON ALL THE COMICS WILL BE ON GRAY SCALE!!!!!!

previous part

part 1

#eepytale #ut au #frisk #sans undertale #undertale #me when i start a coming as a joke but now i am invested and need to write a plot for it

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crimeronan · 10 months

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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

#thebibliosphere i apologize for tagging u when we don't know each other at all i just want u to get credit for the initial discussion #given that it is so much more thoughtful and clear than anything i'd think to write.#i did NOT mean to spend multiple hours on this but once i started writing i was like #oh god i actually do have like a lot i can tell monogamous people about writing poly people & the poly perspective #anyway. i mention it in the post but people can send me (respectful. obviously) asks if they have questions #i cant promise to answer all of them bc i am bad at this. but if i'm well enough then i'll try #polyamory #non-monogamy #ethical non-monogamy #writing #my writing #writing advice #relationships

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stevebabey · 8 months

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Eddie is beginning to wonder if he’ll ever reach a point where Steve couldn’t reduce him to this state.

This state being… transfixed. Eddie is sure he must look like a lovesick cartoon. In fact, if he could manage to drag his gaze away, he’d probably find red hearts circling around his head in a halo, popping like little bubbles.

But Eddie can’t move his eyes. Can’t even close his mouth either.

Steve’s talking to him too, which is most definitely worse — he’s totally missing every word. He can see Steve’s lips moving, pink plush lips wrapping around words but fuck, that was a total trap because now Eddie is just looking at his lips. He tries to refocus, to listen. His eyes just wander back to what he was staring back at the first place.

Was Steve like this all the time? Just a walking around looking so damn delectable?

Or is it Eddie, just a starved man who’s been living off stolen glances, for as long as he can remember? For once, he’s learning, he’s allowed to look.

And by God, is he looking.

Steve’s not even doing it on purpose either, which probably makes the whole thing funnier. Eddie knows what his boyfriend (boyfriend! he thinks giddily in his mind) looks like when he’s cleaned up to impress. He can spot the way Steve preens beneath Eddie’s lingering gaze.

This is not that. Today, Steve is just cleaning, a usual Sunday morning ritual.

He’s got some old sport shorts on and he’s clearly grown a bit since he first got them— unless Hawkins has always been giving out slutty little shorts to the basketball team (They haven’t. Eddie would know if they did.)

He’s wearing one of his wife-beater singlets too. It’s a little on the scrappy side though, considering it’s nearly see-through with how worn it is.

Honestly, in Eddie’s humble and gay opinion, it’s stupidly hot. The dark hair dusted across of Steve’s chest is visible beneath it, the shirt showing off the shape of his broad chest. Even better, his happy trail is visible and goddamn, if that doesn’t make Eddie happy, he doesn’t know what will.

But it’s not even that.

Quite frankly, Eddie’s rather embarrassed that he’s basically blue-screening because Steve is pulling out the cord out from the vacuum cleaner.

But… but he’s yanking it up towards his chest, slow and strong repetitive motions— that take enough effort to make his biceps bulge with every tug.

Eddie can’t stop watching. The cord must be several metres long and he’s not sure if he should be cursing it or thanking it for the view he gets; Steve’s tan arms flexing and rippling. Try as he might, Eddie can’t help imagining how they must look when Steve’s got his hand aroun—

“—hello? Are you even listening to me?”

Steve’s voice cuts into Eddie’s dangerously side-tracked thoughts and he pauses his tugging at the same time. It’s the thing that finally allows him to break his lustful stare at Steve’s arms. Oh God, he just got all hot and bothered over his boyfriend doing the vacuuming.

“Hello.” Eddie says back, because that was the first word to register in his brain. “I mean- yes. I’m—”

Eddie decides mid-sentence that he’s not getting away with the lie. He pivots. “Okay, no, I didn’t hear that. Would you please tell me what you just said, oh lovely sweet man of mine?”

Ever the butterer-upper, he was. Thank God it works on Steve. He rolls his eyes a little but there’s an adoring grin on his lips.

“Man of mine,” Steve mutters amusedly under his breath. He drops the vacuum cord on the carpeted floor and leans down the grab the handle of the vacuum. “You just kinda froze when you came in. I was asking if everything was okay? I’m just doing this room then I’ll be done, if you don’t like the noise.”

Eddie adores that Steve’s taken his silence as though he might be afraid of the vacuum cleaner or something. He nearly snorts aloud at how far from the truth it is.

“Uh huh.” Eddie nods, not bothering to correct him. He jerks a thumb behind him, pointing at nothing. “I’m just gonna…”

He spins on his heel and exits left stage, fast as he can while still looking normal (he’s unsuccessful, as he leaves a baffled Steve behind him.) As he enters into the kitchen and decides to fix them both a pot of coffee, Eddie lets himself giggle over the pure absurdity of what just happens.

It’s mortifying. It’s hilarious. He can never tell Steve.

Except, when Steve comes to find him in the kitchen and trades a kiss for some coffee, Eddie can’t help it. All he ever wants to do is make Steve laugh.

He decides it’s worth the embarrassment when Steve laughs so hard coffee comes out his nose.

Steve teasingly promises that he’ll to try be less distracting, then rescinds his words at Eddie’s abject reaction (“Don’t you dare.”) looking far too smug— in a delighted sort of way. Preening, in that way Eddie loves.

Their first kiss, as Eddie slides onto Steve’s lap and loops his arms over his shoulders, fingers dancing on those tasty arms, tastes a little bit like coffee. Their mugs grow cold, untouched.

Eddie doesn’t mind — he’s too busy finding out that the rest of their kisses taste like something between sunlight and Steve.

#have; the thought i’ve been having every time i vacuum #i’m one of those bitches who just like pulls out the cord the whole way when i start #and now i say so is steve #just a lil ficlet to get my writing brain up again #ruby writes steddie #steddie #steve x eddie #steddie fic #steddie ficlet #steve harrington #eddie munson #fluff #it’s always just fluff with me innit #<3 #i dunno how active we all still are…… 🧐#guess i’ll find out

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suja-janee · 4 months

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Redraw for my blog’s 4 year anniversary! (Ignore the fact that I accidentally erased echo’s arm oh shitttt)

Old ver.

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secretmellowblog · 6 months

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Another reason I dislike Les Mis adaptations that make Jean Valjean constantly openly angry/violent is because they miss that Jean Valjean is not allowed to be angry. The fact he is forbidden from expressing anger is, I argue, actually a very important part of his character in the novel!

One of the subtler political messages of the story is that some people are given freedom to express anger, while others are forced to be excessively meek and conciliatory in order to survive.

Wealthy conservatives like Monsieur Gillenormand can “fly into rages” every five minutes and have it treated as an endearing quirk. Poor characters like Fantine or Jean Valjean must be constantly polite and ingratiating to “their superiors” at all times, even in the face of mockery and violence, or else they will be subjected to punishment. If Gillenormand beats his child with a stick, it’s a silly quirk; if Fantine beats a man harassing her, she is sentenced to months in prison.

(Thenardier and Javert are interesting examples of this too. Thenardier acts superficially polite and ingratiating to his wealthy “superiors” while insulting them behind their backs. Javert, meanwhile, is completely earnest in his mindless bootlicking. But I could write an entire other post on this.)

The point is that….Jean Valjean has to be submissive and self-effacing, or he puts himself in danger. He can’t afford to be angry and make scenes, or he will be punished. The only barrier between himself and prison is his ability to be so “courteous” that no one bothers to pry into his past.

Jean Valjean is excessively polite to people, in the way that you’re excessively polite to an armed cop who pulls you over for speeding when you secretly have a few illegal grams of marijuana in the your car trunk. XD It’s politeness built on fear, is what I mean. It’s politeness built on a desperation to make a powerful person avoid looking too closely at you.

It’s politeness at gunpoint.

Jean Valjean has also spent nineteen years living in an environment where any expression of anger could be punished with severe violence. That trauma is reflected in the overly cautious reserved way he often speaks with people (even people who are kind and would never actually hurt him.)

So adaptations that have Jean Valjean boldly having shouting matches with people in public and beating cops half to death without worrying about the repercussions just make go like “???”

Because that’s part of what’s fascinating about Jean Valjean to me? On one hand, he is a genuinely kind compassionate person, who cares deeply about other people and behaves kindly out of altruism. But on the other hand, he was also “beaten into submission” by prison, and forced into adopting conciliatory bootlicking behaviors in order to survive. And it can sometimes be hard to tell when he is being kind vs. when he is being “polite” — when he is speaking and acting out of earnest compassion vs. when he is speaking and acting out of fear.

The TL;DR is that I think it’s important that even though Jean Valjean is very (justifiably) angry about the injustice that was inflicted on him, his anger is harshly policed at all times— by other people, and by himself. He has been told his anger is wrong/selfish so often that he believes it. His anger takes weirder more unhealthy forms because he has no safe outlet for it. His rage at society becomes a possessiveness towards Cosette and silent hatred of Marius, but primarily it becomes useless self-destructive constant hatred of himself. And while I might be phrasing this wrong, I think that’s what’s interesting about Jean Valjean’s relationship with anger— the way his justified fury at his own mistreatment gets warped into more and more unhealthy forms by the way he’s forced to constantly repress it.

#les mis #les mis letters #jean valjean #don’t mind me just Valjeanposting #you know I’m doing okay when I’m Valjeanposting #but yeah I can’t remember the first person who started talking about this concept with me #(it was years ago)#but now I think about it constantly #when you read the book looking through that lens #of certain charcaters being forced to act conciliatory and polite ‘under threat of violence’#you notice it constantly #it’s such a running Thing #and you could write tons of posts about it on www.tumblr.com

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foldingfittedsheets · 1 month

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I had this friend I was living with when I was getting my associates degree in my early twenties. Wait, hang on. So the first thing I need to convey about that time in my life is that I was as full of anxiety as it was possible to be.

I was working, taking classes, and living on my own for the first time. I was drowning. I was a bubbling kettle of stress and responsibilities all waiting to boil over at any moment. Bodies are fickle things. They all react to stress very differently. My body decided that the best possible way to deal with stress was to puke about it.

This was extremely unwelcome not just because throwing up is a violently uncomfortable experience but also because I struggled most of my life to maintain a healthy weight. I’d eat enormous portions but even when my food stayed down I burned through calories like a hummingbird. I tended to hover right around a hundred pounds, desperately trying to gain weight.

My friends were all aware of my struggles. They’d keep granola bars on them for when I suddenly got so hungry I was sick and made me calorie dense meals. They knew the face I made when I realized I was going to be sick and usually had water and back rubs for me afterward.

So that’s where I was. Throwing up generally at least once a week, working and school full time. I was living with three friends. Let’s call them K, D, and E. K and I had been friends since middle school and she and I shared a bedroom with our own bathroom. The boys D and E shared a room, and had the public bathroom.

The last thing you need to know is that D was a sex addict. He was always horny, masturbated several times a day, and made no secret of his proclivities. It was a running joke within the friend group. (As an aside he once had his car broken into while transporting his duffel bag of sex toys to and from a liaison, and the thief ignored everything else in the car to take the toys. It was probably over a thousand dollars of used sex toys but the thief still wanted it more than his iPod)

One night I was doing homework and dinner was sitting poorly. I hadn’t fully developed my brain yet to make a connection between my paper was stressing me out to the fact that I suddenly felt really sick. But to my dismay K was in our bathroom.

So I jumped up, frantically ill, and ran across the living room to the boys toilet to barf.

The walls were thin.

Within a few minutes D came in with a cold wash cloth. He put it on my neck and rubbed my back. He’d brought a glass of water for me, too, which was all very lovely.

When I was done we sat in the miserable aftermath of this latest episode in stomach violence. He finally broke the silence to comment, “I’ve never lost an erection as fast as I did hearing you start puking.”

#ramblies #ffs foibles #funny #I stopped puking shortly after meeting my beloved actually #I had started eating better on my own but they have a lovely calming presence and things improved a lot for me when we started dating #writing #story #real life #cw vomit

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