okay so soren and claudia’s relationship is basically the best character writing the show has, in that it stays consistently good even when the show pulls out the biggest stinkers i have ever seen. i’ve written about this waaay back so won’t go into it again. one detail i really, really wished they had managed to put into the show proper and not only the novelizations is the fact that viren healed a sickly soren when he was very young with dark magic, which in addition to putting a physical toll on him, made his ex-wife spooked out and probably contributed to their divorce.
this actually shines a lot of light on soren’s dynamic with viren. claudia tells ezran that soren immediately clung to viren when told to choose between his parents, and if viren is the one responsible for curing soren, then yeah, that makes a lot of sense. it also makes a lot of sense in terms of viren thinking that he’s owed soren’s loyalty or even his life--viren’s entire Thing is that he frequently faces bad consequences for doing what may otherwise be traditionally heroic acts, and ofc, as in the show (and especially during the events of the show as viren realizes that “all he did was for nothing”), viren *would* resent him for it. it’s completely in-character.
so soren has the double-whammy of not being able to live up to expectations as much as claudia, and also feels like he owes his dad so much, since his dad was willing to do bad things for him. he has a really good reason to think viren loves him even though he’s the clear unfavorite.
and he’s much more loyal to viren as a result in a way that claudia wasn’t initially. he does actually try to kill the princes, even if he’s uncomfortable with it. i mean, surely his dad would do the same for him, right? now i know we like saying that claudia’s just inSaNe because of her s3 stuff, but pre season-3, soren was the more unscrupulous of the two. killing the princes is something claudia at that point in the story would not have done, and something that she refuses to believe viren would even order. the straw in the camel’s back for soren was being betrayed by viren in that little gaslighting scene, not necessarily just the fact that he ordered to have the princes killed. in that moment he learned that the sacrifices viren made didn’t mean he loves him.
this information also begs the question of how he may have felt about being cured by dark magic at the end of s2. if the context of viren healing him in a similar fashion were present while watching the show and the characters were allowed to have feelings about that, his getting-paralyzed-for-five-seconds thing would be more substantial than a “oooh look a claudia moment. look at that dear. isn’t it so cute. feel bad for the deer. focus on the deer. also guys soren’s dumb lol. look at how dumb he is. he barely has a functioning cerebrum lol. and also guys look he’s crushed by his dad’s expectations sadface. but look at claudia she’s all corrupted now!!! see it’s all good winkyface, this is a Big Moment for Claudia!!!” claudia is doing a very similar thing that viren did in his childhood. of course soren may have some mixed feelings about it--and maybe even slightly alluding to this might have, i dunno, meant something to the person who was actually paralyzed. if this scene were written with more of that in mind, this would actually completely transform the writing here while keeping the general event (a cured soren) intact.
this would also make “you’re heading down that path too” in season 3 also be more resonant than just soren being spooked out by dark magic and make his reasons for refusing the lux aurea dark orb that much stronger. it would imply that he’s aware that there’s some sort of “debt” to pay and maybe that he was somehow “responsible” for viren’s divorce (soren is as dumb as bricks but it’s implied many times that he’s more socially/emotionally intelligent than he looks) thanks to dark magic. he may not want to feel that he “owes” viren anything, and may perhaps see a pattern of self-sacrifice and subsequent resentment in claudia. how justified he would be in thinking this isn’t the point, my fellow claudia stans--the point is that he would think it and it would be a natural extension of his character. it also makes him letting claudia go even more meaningful--not only does he not want to “force her to choose” like he did when they were kids, he also doesn’t want her to feel tied down the way he might have been.
this letting her go thing is ironically enough counterproductive, and will likely lead to the same sort of resentment viren has for soren. soren has “broken up the family again.” after everything they’re done for him, he just turns his back on them, from claudia’s point of view. the series would be quite different if soren was more forceful about getting claudia to leave with him or made a stronger case for leaving viren, but there are real reasons why he wouldn’t do this and when it comes to his family he’s actually quite conflict-averse. and like it would make his speech about thinking that viren was a good man more impactful, and like it’s not like the speech isn’t cheesy as hell already.
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he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.
except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?
at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.
except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.
about a decade from this experience, you'll type into google: how to know if a relationship is codependent.
he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.
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whats so fun about the vaccinator (vacc slander)?
You come to my blog and disrespect me like that.
Have some vaccinator propaganda.
Some textless panels that I enjoyed drawing and rambling about the vaccinator medigun under the cut.
Surprise, it's only medic.
I am not saying the vaccinator is not absolutely broken, I 100% feel dirty using it against a badly coordinated team, hence I wouldn't mind if it received a nerf in the future.
A lot of people analyse the vaccinator as only useful against a badly coordinated enemy team, but I think it's much better as a weapon for when your own team sucks ass has bad synergy, since any form of uber is pretty much wasted on everyone (if you can even build enough charge). To compensate for everyone's mistakes, just make sure they stay alive long enough to capture points and push the cart. Everyone will automatically stay with you, and soon you'll have a nice meat shield of 4 people swarming around you. You know it's working, when there's suddenly 3 demoknights and a spy after you.
I love micromanaging my resistance bubbles, and I love micromanaging my team without them noticing that I'm doing it. Pressing the R-button to rotate through resistances feels like such a much more engaging contribution to the battles your patients are fighting.
Vaccinator is busted, but absolutely not boring.
And to close this rambling, here's my fav video about the vaccinator:
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Nico and Percy's dynamic through the series is eternally funny to me, because it's just. like.
Percy's having a constant mental struggle between his fatal flaw of loyalty with a promise he made to Bianca to protect Nico, versus his Big 3 kid desire to maim other Big 3 kids / Poseidon descendant urge to totally maim Nico specifically. He hates Nico so so much. He thinks Nico's annoying and weird at best, and creepy/sketchy when he's older. The only positive thoughts Percy has towards Nico are "He's Bianca's brother and Bianca was my friend and I owe her/He's Hazel's brother and Hazel is my friend and would kill me if I was mean to him," "He's a powerful asset and useful ally (if questionable)," and "He's kinda pathetic and I feel maybe a little bad about it." Percy has multiple occasions throughout the series where he strongly considers - and on one occasionally actually goes through with - throttling Nico.
Meanwhile, Nico is following around Percy like a lost puppy. He explicitly can never bring himself to even dislike anything about Percy no matter how hard he tries. He has a whole bit in BoO where he's mentally going "UGH he's so stupid BUT IT'S ENDEARING HOW DARE HE." He's totally smitten. He's making deals with his dad for Percy. He's making convoluted plans to help Percy stand a chance against Kronos. During the entirety of BoTL it's like he's playing tsundere - "I'm helping NOT PERCY SPECIFICALLY with this quest! Me helping Percy would be SILLY because I DEFINITELY HATE HIM." Then he proceeds to show up to Percy's birthday party to basically ask him on a weird date and spend the entire next book scrambling around trying to help him or protect him or impress him. And Percy could not give less of a shit.
Just. That dynamic is so funny to me. Percy is the founder of the Nico Protection Club in that he's the one they're all protecting Nico from and meanwhile Nico is throwing himself at Percy to the point where the literal god of gay love calls him out on it.
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"I am but a grain of sand in an ocean of stars" 💫🪐✨⭐️
JESUS H. CHRIST
Stardust Cookie's cosplay is finally done _(:3」∠) to tell true this costume was actually pretty quick in the grand scheme of things, but it felt like eons. Which is largely due to the nature of this costume, Stardust has two 3/4 circle capes with multiple layers of trim that I ended up calculating to be around 160 feet of hemming....AND a whooping 610+ LEDs (100 in the wig alone) smashing my previous LED record from Wadanohara.
This costume was a huge gamble since I dont like making big things like capes and Stardust's design was not an easy one to translate IRL (he also took over my entire bedroom). I was griping the whole time on this project BUT I really like how this costume turned out. I'm seriously so happy with the outcome!!
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help my cat maybe!
okay I was told to just do this even though i hate it.
but as some of you know i lost my job a while back and it happened at the same time that my cat began semi-frequent vomitting like once every other week to multiple times a week. he appears fine otherwise but it has continued on for the last few months and at this point I don’t think i can continue pretending like he is alright.
the bill for a proper scan and diagnosis is around 780 total which is sadly not affordable.
If it is possible kofi donations would be greatly appreciated so I can bring him in for an ultrasound and blood tests 🙏 the lnk is in my pinned
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OKAY who wants to hear about why i think nimona challenges amatonormativity? you do! 🫵
one of the main ways this is accomplished is through ballister and ambrosius’s relationship. it’s arguable that it doesn’t necessarily fit the traditional model of romance - not only are they a queer interracial couple, and not only is their relationship ambiguous in the book, but there are certain instances, especially in the movie, that subvert traditional ideas of romance and friendship.
one instance that really stands out to me is when the director asks ambrosius what’s on his mind and he goes on his imagined rant about how arm-chopping isn’t a love language - you know the one. when he mentions ballister, he refers to him as “the man i love, my best friend.” and not just one or the other, but both! the man i love, and my best friend. he places equal emphasis on both the romantic and platonic aspects of the relationship, valuing ballister in both a romantic context and a platonic context without treating either one as more important than the other.
and even moments such as the first “i love you” and the kiss manage to subvert tradition. both of these things are generally seen as a pretty big deal, especially in fiction - if the characters are kissing or saying “i love you,” it’s usually a moment in which everything changes. a line is drawn, dividing the story into after and now. sometimes it’s dramatic and climactic, with fireworks and a swell of music, but even when it isn’t it’s still seen as a turning point of sorts. now it’s official, now it’s real. but this isn’t the case in nimona. both moments are certainly significant - they do a good job of showcasing the character development and where ballister and ambrosius are on their respective journeys, and are certainly important in terms of representation - but neither one follows the path that most fictional romance does.
another way in which nimona challenges amatonormativity would be the emphasis on friendship! in the tavern scene (in the movie) when ambrosius suggests killing nimona, ballister disagrees and says “she’s my friend.” ambrosius replies with “aren’t i more than that?”, implying he’s more important than a friend - thus upholding amatonormative ideas. ballister becomes angry at that and leaves - challenging this idea and prioritizing his platonic relationship with nimona over his romantic one with ambrosius, as nimona is the one he wants to defend.
additionally, a big part of this scene is the way ballister deliberately rejects institute values while ambrosius unintentionally upholds them. and because the story challenges homophobia and transphobia (and other forms of bigotry) through the lens of the institute, it would make sense for it to challenge amatonormativity too! it’s something that’s become incredibly normalized, to the point that lots of people don’t even know it exists, and this is reminiscent of the institute brainwashing, especially when it comes to ambrosius - he’s been manipulated his whole life and probably genuinely doesn’t understand the level to which he’s internalized institute beliefs.
ballister prioritizes nimona many times, actually. when he tells ambrosius she’s “smart, kind, and quite sophisticated,” when he’s overjoyed to see her again at the end, when he refuses to kill her and saves her instead. over and over, he proves how much he cares about her, even when this involves directly going against what ambrosius wants - which, of course, is really what the institute wants. a core tenant of amatonormativity is the false notion that romantic relationships are more important or valuable than other types of relationships, but ballister actively goes against this!
to conclude, as a story that at its core is about identity and challenging societal beliefs, nimona defies expectations and traditional ideas of what it should or shouldn’t be. it’s possible that amatonormativity wasn’t what the creators had in mind, but the story still manages to challenge it with grace and elegance. just like its main character, nimona refuses to conform to what others want it to be.
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friendly reminder that Neteyam is a well-adjusted kid who has a good relationship with his parents, that he tries his darnedest to be a good warrior because he genuinely looks up to his dad and wants to be like him, and that the idea that Jake and Neytiri are "forcing" him to be perfect, that they "stole his childhood" or that he's "not allowed" to be a kid, etc. are all pure fanfiction with little to no evidence in canon thanks bye
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all im saying is ive never seen someone criticize those marylily or dorlily fanart/fics where they’re harrys mothers and theres no james in sight
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does anyone actually hate Mor for reasons related to Eris or is that just some nonsense the pro IC people made up
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I should probably let my thoughts coalesce on this more before posting, but what the hell.
I’m calling death of the author a little bit on Welch regarding Ascended Astarion. I’m sorry, but embracing his nature as a vampire does not make him inherently sexualised. That’s just so gross and I don’t accept it.
The main vampire trope in fiction does indeed seem to be that vampire=sex. If you’ve been alive in the past, oh, entire history of humanity, you may also have noticed that some people think woman=sex. Just the very act of existing as a woman makes you a sex object in some people’s eyes, and it’s an uphill battle fighting tooth and nail to claw back any agency. And then, the moment a woman does anything sexual, dares to declare openly that she does have a sexuality, she is told “See! We were right! You are an object! You want to be an object!”
I don’t know who needs to hear this, but there is nothing inherent about anyone that makes them a sex object. Not big boobs, not a nice ass, not your chromosomes, not your weight, your skin colour, nothing.
Embracing anything about yourself cannot make you an object because you are not an object.
So saying that ascending Astarion — the ending where he embraces his vampiric nature, which he did not choose and cannot change — is accepting that vampire=sex and forcing him to eternally be a sex object is just so fucking boring and uninteresting and in my humble and very articulate opinion, gives me the ick.
His relationship to sex may be unhealthy. It might not. (I’d argue it is, but that’s me.) Spawn might be a healthier ending for him. It might not. (It’s a debate we will never settle because nothing is so black and white.)
But what I will argue vehemently is that from the moment he’s tadpoled, Astarion ceases to be an object. His story is about reclaiming lost agency. It’s about a messy path to healing or redemption or not (or some other mix of it all). But it is not about becoming a slave again. It’s not about him continuing to live for what he can do for other people.
He gets his autonomy back. What is the fucking point otherwise?
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i hate how commodity and capitalism has ruined so much storytelling . i hate how sequels and prequels and whatever else all ring like merch sales; i hate that i as an author have to include any social media following i have as a marketable trait; i hate that everything feels like a xerox of a copy of a dream of a memory.
i hate that my nostalgia has been turned into profit. i hate that companies fear consumer backlash so no real commentary may be made; i hate that companies care more about quantity over quality. i hate that so many artists and creators are being overworked to the point of complete collapse rather than being allowed to tell the story their way. i hate that every point of representation has to be fought for. i hate it i want us all to go back to living in a cave .
when you sit with friends over a bonfire and the night is getting long and people start telling this slow, almost hypnotic story - in this quiet voice, like they don't expect you to listen while they say the most fucked up shit you've ever heard - that is storytelling. who cares if the punchline is car hand hook door. storytelling has always been about community, about us all sitting in the dark, choosing to fill the silence while the last embers are dying. we forgot that storytelling is spellwork. hallucinating together, our breaths held, waiting for the ending we already knew was coming.
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i know i posted a poll but i had vibes and had to draw them out
tried to think 'd1 villain parents' designs for her, where the villains' are very close to the original designs n such
the scribbles are gold embriody or however you spell it
also took a note from a suggestion from @thetimelordbatgirl, she mentioned a white skirt with red painted ends for the 'paint the white roses red' and i loved that idea and so i did it
also cape....cuz i can
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Passing as a trans man is a nuanced and complex topic, but one thing I have been noticing as somebody who is a cis-passing (white) trans man is the way I'm treated when there is conflict.
I've noticed that in conflict, people are almost meek around me, willing for me to try working with them up until a woman is involved. When a woman (or, really, anybody who the other party assumes is one) is part of the conflict, they direct all their anger and rage to them. It's fucking insane the way a woman is treated when there is conflict, even if it isn't her fucking fault. These people are fundamental cowards for seeing my manhood as the only reason they can't be openly hostile to me, but it reveals a lot about how a misogynist thinks on an almost primal level.
I'm watching the women and people around me I care about being torn apart by people, and that's unacceptable. I can't sit around to watch it, and I don't want to do that. I need other people to perhaps read this and remember to not stand by if there is something that you can tangibly do to help, even if it's to lend a listening ear or let the person vent.
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i know im an overemotional, overreactive pathetic little wimp about my hyperfixation, and i dont even mean that derogatory, i think its both my best AND worst quality, im well aware of it, especially in moments when im already stressed i have a hard time to get my brain back into control, im so well aware of it that i HAVE been managing to learn how to deal with it actually
which is why, instead of letting myself spiral any further, i went to bed to let my brain calm down
and it worked!
i still hate the live action zelda thing, i still think it WILL be bad, and it will still negatively affect how i feel about the franchise as a whole, i am not spiraling out of control about it though, which i think is a win in my book, some people hate that i say my opinion at all though, more on twitter than here so hey, im grateful to not be called pathetic to my face bc i said something someone might decry as too 'weird'
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mild suggestive humor ↓
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more funnies.... i cant be stopped
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