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#which toph learned from sokka

melzula · 2 months

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well since requests are open i wanted to request a zuko fic?

zuko x waterbender reader in which someone from team avatar walks in on them kissing?

i feel like it’d be funny idk lol 😂

a/n: i love this trope it’s so funny. also it’s like subtly mentioned reader is a water bender since i didn’t wanna just shove it in there awkwardly. anyway hope you enjoy!

summary: a private moment between you and your boyfriend is interrupted by your unsuspecting friends

“Are you sure no one saw you come in here?”

“Yes, I’m sure,” Zuko says with a huff after closing the flaps of your tent. “You know, I’m starting to think you’re embarrassed to be seen with me.”

“You know that’s not true,” you argue with a frown. “I just enjoy having some privacy. I know those guys are going to make a big deal about us being together, and I just want to enjoy our relationship without having to deal with any prying eyes.”

“I know,” he admits with a sigh. “I’m just tired of sneaking around. Do you know how difficult it is not to kiss you or check on you after a fight with my sister? It’s torture.”

“It’s just until the war is over. There’s a lot at stake right now, and it would be a weird time to come clean. It’ll be over before you know it.”

“I hope you’re right,” Zuko murmurs with a frown, one that immediately melts away at the feel of your arms wrapping around his midsection. It’s hard to be upset when you’re smiling up at him with the purest look of adoration in your eyes. Despite everything, all of his flaws and mistakes and cruelty, you love him, and it fuels the warmth inside of his heart knowing he has someone like you. Maybe he would have joined the Avatar and his friends sooner if he knew it would lead him to you.

“At least we’re finally alone,” he notes with a faint smile before leaning down to press his lips against your own in a long awaited kiss. He hasn’t been able to give or receive affection all day, and it isn’t until now with your chest pressed against his own that he’s finally able to truly feel relaxed.

Unfortunately, you’re both too engrossed in each other to notice the rustling of your tent flaps as Sokka and Toph let themselves in without a second thought.

“Hey, y/n, Toph and I are gonna head into town, do you want to- oh, gross!” He cries after catching Zuko and yourself mid lip lock.

You both jump at the intrusion, knocking your head together on accident and groaning in unison at the impact.

“Sokka!” You cry out in embarrassment. “Monkey feathers, don’t you knock?!”

“It’s a tent! There is no knocking!” He yells back defensively, equally as upset as you are. “I can’t believe you guys were kissing!”

“We weren’t kissing,” Zuko argues, his face red with embarrassment. “We were… hugging… with our… mouths?”

“Oh, spirits,” you groan, your palm hitting your forehead in embarrassment at Zuko’s horrible attempt at lying. For a Prince, he has a terrible way with words. You’d think all that time spent with his Uncle would make his vocabulary more eloquent.

“If Toph could see she’d be very upset right now!” Sokka scolds, but the girl beside him simply shrugs.

“Actually, this works out great for me. Katara owes me five gold pieces now,” she says with a grin.

“You guys knew they were dating and didn’t tell me?!” The water tribe boy says in offense.

“I had a hunch, but Katara disagreed, so we made a bet.”

“Enough already! This is mortifying enough as it is,” you groan impatiently. “Sokka, we’ll talk about this later. For now, I need both of you out!”

After getting the two to leave the tent, you shut it closed with an irritated sigh. You’re absolutely humiliated, and you don’t think you can show your face to your friends ever again.

“So much for keeping it a secret,” the fire bender mutters.

“You,” you say with an accusatory finger pointed at the Prince, “need to learn how to lie better.”

“I know,” he admits meekly, awkwardly scratching the back of his neck. Sighing, you open your water pouch and tend to the growing bump on his head from your previous collision. You can’t stay mad at him when he looks so flustered and sweet, so instead you merely throw your arms around his neck and pull him back in for another kiss.

You can focus on coming clean later. For now, you just want to enjoy your moment of peace with the boy you love.

| zuko tags: @thebluelcdy @royahllty @the-firebender-girl @ilovespideyyy @yiyibetch @eridanuswave @lammello @a-monsters-love @knaite-solo @taeeemin @lora21

#zuko #zuko x reader #zuko imagine #prince zuko #prince zuko x reader #prince zuko imagine #atla #atla x reader #atla imagine #avatar the last airbender #request

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justthoughts1310 · 2 months

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Sokka may not be a misogynist, but the Netflix live action ATLA is:

There really is no cartoon/anime for female empowerment like the OG ATLA and LOK cartoons.

The creators of ATLA wrote the manifesto on how to create a masterful series on female empowerment and equality that is not cheesy or hocky.

In this show, women and girls are not a monolith but immensely diverse. There's no correct way to be a powerful, talented and bold woman or girl within the avatar universe.

You can be hyper-feminine like Ty Lee and Asami.

You can embody more traditionally masculine qualities like Korra and Toph.

Or you could just be a typical woman or girl falling more in between like Azula, Mai, or Suki.

You see the exact same thing for the male characters. There's no right way to be a man. There's many ways to be a man, and this idea flies in the face of patriarchy.

I say that the Netflix version is misogynist, because it's not enough to be a powerful woman. One must be allowed to be unapologetically, unabashedly and boldy powerful.

Which is what happens in the OG ATLA. Sokka's misogyny was actually a part of his character arc, because every time he was misogynist his misogyny was met with the answer that women and girls are phenomenal, that women and girls are living their lives and largely unconcerned with the opinions of men.

If you read the Kiyoshi novels, you learn that surprisingly enough, the least patriarchal amd misogynist nation in all of Avatar is the fire nation, and the misogynistic nation in all of Avatar is the northern water tribe.

The reason I say that the women in these shows are unabashedly powerful is because aside from Sokka and the master from the Northern Water tribe, no one ever questions why or how they are powerful. They expect it.

Zuko is Ozai's first born son, yet Azula is his pride. When Ozai imagines the future, he imagines it with Azula as the fire lord. He names her after his father. He trusts her to go find the avatar once he knows the avatar has returned.

Sokka and Katara effectively lost both of their parents, but Katara the youngest steps up as the mother and becomes the glue of the group. She's the one who becomes both an immensely powerful bender and healer.

Suki loves Sokka, but when we are introduced to her. She is unconcerned with him. Her and the other Kiyoshi warriors are the protectors of the village who go out into the world to do good into the world.

We see the revseral of all of these tenants in the Netflix show.

Ozai has hope for Zuko at the expense of Azula who he sees as a nuisance. She is no longer am obvious prodigy.

Katara is seen as a child who will not grow up by her brother who is now behaving as a father figure.

Suki is infatuated with Sokka and she follows him around Kiyoshi island when he arrives.

These woman are powerful but restrained and undermined in this power. Suki becomes concerned with the opinions of a man, and a random man at that.

What the OG ATLA taught to all women, girls, boys and men is that you never have to apologize for being powerful, intelligent, kind empathetic.

This is a very critical point that cuts to the heart of the OG ATLA that Netflix has missed.

#atla #netflix #avatar the last airbender #aang #suki #sokka #katara #ty lee #mai #azula #zuko #norther water tribe #fire nation #kiyoshi #korra #asami #feminism #mysogyny

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sanrielle · 9 months

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Amazing fanart by Joanacchi! Posted here on tumblr with their blessing. Each one is based on a style that reflects a particular ancient culture's art history. (See below for descriptions provided by the artist!)

Store (buy these prints!) Twitter Instagram

Aang: Tibetan Thangka

"Thangkas are traditional Tibetan tapestries that have been used for religious and educational purposes since ancient times! The techniques applied can vary greatly, but they usually use silk or cotton fabrics to paint or embroider on. What you can depict in a Thangka is really versatile, and I wanted to represent things that make up Aang as a character."

Zuko and Azula: Japanese Ukiyo-e

"Ukiyo-e is a style that has been around Japan between the 17th and 19th century, and focused mainly in representing daily life, theater(kabuki), natural landscapes, and sometimes historical characters or legends!

Ukiyo-e was developed to be more of a fast and commercial type of art, so many drawings we see are actually woodblock prints, so the artist could do many copies of the same art!

I based my Zuko and Azula pieces on the work of Utagawa Kuniyoshi (1798-1861) one of the last ukiyo-e masters in Japan! He has a specific piece which featured a fire demon fighting a lord that fought back with lighting, and that really matched Zuko and Azula's main techniques!”

Toph: Chinese Portraiture from Ming and Qing Dynasties

"Ming Dynasty (1368-1644) was one of the longest in China! It was also a period where lots of artistic evolutions were happening, especially when it comes to use of colour! There was not a predilection for portraits during this time, but there are a lot of pieces depicting idealized women and goddesses from the standards of the time. For this portrait of Toph, I imagined something that maybe their parents commissioned, depicting a soft and delicate Toph which we know is not what she is about ♥️

Qing Dynasty (1644-1912) was the last Chinese Dynasty to reign before the Revolution. One of the most famous emperors of this period was Qianlong, and he really liked Western art! He commissioned a lot of portraits of his subordinates, and I chose a portrait of one of his bodyguards as a reference for the second Toph portrait, which I believe is much more like how she would want to be represented! The poem on top talks about the bodyguards' achievements during a specific war. I had no time to come up with a poem for Toph, so I just used the same one for the composition!”

Sokka and Katara: Inuit Lithograph

"For a long time, Inuit art expressed itself in utilitarian ways. The Nomadic lifestyle of early Inuit tribes played a huge part in that: most art pieces are carved in useful tools, clothing, or children's toys, small and easy to be transported, and depicted scenes and patterns representing their daily lives!

That changed a lot during the colonization. Since the settling of the Inuit tribes, many art pieces began to be created in order to be exported to foreigns, so they started to sculpt bigger and more decorative pieces.

Lithography, which is a type of printmaking, was introduced to Inuit people by James Houston, that learned the technique from the japanese. The art form was quickly embraced by the inuit, as part of the process is very similar to carving. Prints that are produced by inuit artists are still being sold today!

As lithography is not an old art style and it's still commercially relevant to the Inuit communities, since creating these in 2021 I have been donating regularly to the Inuit Art Foundation, not only all the money I get from selling some prints of these but a bit more, at least once a year. Hopefully, I can increase donations this year!”

#avatar the last airbender #atla #atla fanart #fanart #asian history #inuit history

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wilcze-kudly · 7 months

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The Gaang being 'bad parents' didn't ruin their characters.

I've seen this argument tossed around a couple times and it's honestly one of my least favourite criticisms of lok.

Katara (and Sokka but we have no confirmed kids for him, which seems unrealistic with how much game he had) lost their mother as children and their father was forced to abandon them when they were barely starting their teens. They were raised by their grandmother with little to no peers of their own age.

Aang did not know his parents and a huge chunk of his childhood was him being groomed into taking up the mantle of the avatar and mastering airbending. He also was isolated from other kids his age. His closest parental figure was Gyatso who was more of a teacher than a father. Also the Air Nomads were literally wiped out so that adds to the trauma pile.

I really don't think i have to talk about Zuko's family life here, but at least he had relatively positive parental figures in the form of Ursa (though i do have a burning personal dislike of ursa) and Iroh. Despite this his struggle around the subject of his family and his trauma relating to his upbringing was a focal point of his character arc.

Toph was raised in isolation by her asshole abelist parents who did not listen to her, sent people to capture and bring her back and then disowned her. (If my cursory understanding of 'the rift' is correct, I need to actually read it because i am unreasonably obsessed with the Beifong family.)

Where, pray tell, were they supposed to learn proper parenting skills? On their brief stint as child soldiers? While fighting a war as literal children?

There is the argument that they must've matured later in their lives, of course. But you can only recover so much from copious amounts of childhood trauma.

Being a bad parent doesn't necessarily make you a bad person. Sure it makes you a failure in an incredibly delicate and important aspect of human life but it doesn't make you a bad person. And saying that it does takes a lot of nuance out of the conversation.

Like, do you know how easy it is to fuck up a child?

Especially that the ways the members of the Gaang 'fucked up' as parents feel mostly in character.

Bumi was going to face some struggles with self worth due to being the firstborn child of the Avatar and arguably one of the most powerful waterbenders in history, while being a nonbender himself. That much was unavoidable, no matter how his parents approached the issue.

And Aang was obviously going to be over the moon when Tenzin was born. Think about it. He's literally the last of his people. He has no one else 'like him'. No one else to pass down the traditions, the teachings that Gyatso and everyone else he cared about and who were horrifically murdered to. Aang is getting older and he feels like his culture and history and his entire life before he got trapped in that damned iceberg will die along with him. And then Tenzin is born and Tenzin can take up the mantle that had been thrust upon Aang.

I'm going to withhold my judgement on Izumi and Zuko, since we barely know anything about them. She seems well adjusted but that's all i can say right now. But Zuko has also been shown to be extremely, painfully aware of how fucked up his family is and has clearly been putting in a lot of work to unscrew what his ancestors have screwed up.

Toph situation feels very tragic to me,because it's obvious that she thought she thought she was doing better than her parents. She gave her daughters the freedom to do what they want, to not feel opressed and trapped like she had. How was she supposed to know that she was making her girls feel like she didn't love them? (Here's another post of mine about the Beifong family and how they just feel like they're cursed or something at this point.)

TLDR; I get annoyed by people saying that the Gaang being 'bad parents' ruined their characters, because to me it felt like it actually enhanced them.

Neither Aang nor Toph acted out of malice or a lack of love. On the contrary, Toph was trying not to repeat her parents mistakes, accidentally committing a bunch of her own. While Aang probably didn't even realise that he was neglecting Kya and Bumi.

But just loving your children doesn't always make you a good parent.

I think these flaws only add to them as characters. It makes them feel more real.

It's unrealistic and, frankly, just plain boring to go 'oh the Gaang were all good people so they would be good parents too.'

The Gaang were a gaggle of traumatised children forced into saving the world, because the adults around them failed them, that then grew into traumatised adults who have no idea how to be good parents.

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deadghosy · 21 days

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🌊⛰️🔥🌪️

MODERN! READER WITH GAANG

𖤓PROMPT: you fell inside your comfort show.

✧ ೃ༄*ੈ✩it was during book 2, you were happy to see toph show her father that she can take care of herself. You had wished to see it in person. And booom! You were suddenly in the show where you can see Aang get busted free from the metal cage.

✧ ೃ༄*ੈ✩after the whole fight scene, toph noticed you and pointed you out. You knew there was no chance in running, so you outed yourself out. By calmly saying you are from another world. As much as you sounded crazy, they laughed while Toph knew you weren’t lying by your heart rate. You showed them your phone and that’s when the main Trio stops laughing and got curious

✧ ೃ༄*ੈ✩Sokka most definitely will ask if the ladies back in your time era are attractive, you said yes and this boy was asking to see what they look like on your phone 😭

✧ ೃ༄*ੈ✩and that’s how you got into the gaang. You were the therapist of the group, always listening to their troubles and helping them with all the knowledge you knew about their characters.

✧ ೃ༄*ੈ✩katara always likes to rant about her day to you, and you don’t mind which makes her feels comfortable around her. Book 1 katara was very open on making friends. Book 2, I’ll say the same. If you had meet book 3 katara, YOU BETTER HAD PRAY FOR MERCY LMAO.

✧ ೃ༄*ੈ✩aang likes to play with you with his airbending, and you enjoy the hell out of it. Literally you would smile with the brightest smile, and Aang smiles with you along. Just two sunshines having fun.

✧ ೃ༄*ੈ✩toph likes how you taught her swear words. You and toph curse like sailors😈 lmao. Aang accidentally got influenced and that make katara step in and shut shit down 😭😭.

✧ ೃ༄*ੈ✩you love appa and momo! These furry cuties love you too as appa always licks your face when you show up. Momo sometimes leaps on your shoulders, maybe even trying to share a fruit with you.

✧ ೃ༄*ੈ✩Aang steals your big shirts, and you would try to match with him which makes him even like you more as a friend. You turn into his best friend right there and now.

✧ ೃ༄*ੈ✩with you being a non-bender..protectiveness is to the roof! Literally even if you can fight. There’s still bending that can take you down without a single thought. The people who at your body guards are Aang, toph, Katara, and Zuko. The four powerful benders. But the ones who stick the most are Zuko and toph. Toph because she likes how fierce your personality is. Zuko, Zuko is just himself. Plus he needs more friends.

✧ ೃ༄*ੈ✩Zuko awkwardly ask you a lot of questions from your generation. Like a lot to the point you grabbed his lips shut. That’s when Zuko knew, you weren’t playing games.

✧ ೃ༄*ੈ✩headcannon on zuko and you just being awkward teens not knowing how to start the conversation so all he starts off is, “so, is war a thing in your world?” The way you gave him a wild side glance.

✧ ೃ༄*ੈ✩I can see you making the gaang learn slangs LMAO. You made katara understand the wordings of “What you being messy for?” And she started to use on toph and Sokka 😭😭 you’d probably give Aang a short ass but wholesome slang.

✧ ೃ༄*ੈ✩if you had curly hair, and not some katara curly hair iykwim. I mean like 4c ass hair that I possibly have 😭. I can see katara just amazed and ask in g to comb it which you quickly say no to. Toph, just stands there but probably does touch it when bored. People who ask to touch it is suki, Zuko, and Aang. Those three are people who I can see ask before doing it. Sokka will ask, but will touch it as it ask after 🧍🏾

✧ ೃ༄*ੈ✩big headcannon Sokka training you on sword fighting, but then Zuko comes in because Sokka is apparently “showing” you the wrong way lol.

✧ ೃ༄*ੈ✩suki most definitely would love to teach you her ways of fighting. Plus chi blocking. Once you mastered it, she would take it up a notch and have you spar with her. In honor of her teaching, you agree. You had the upper hand until she practically cheated by distracting you. Making you lose your focus, she nailed you down. But in all warfare, it was full of laughter and friendship.

✧ ೃ༄*ੈ✩imainge you showing them that “car” comercial..(of course toph can’t see it lmao) 😭 ZUKO PROBABLY BURNT YOUR PHONE 😨 ALL BECAUSE HE GOT SCARED

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zalrb · 2 months

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I guess I'm not done, it's just that one of the most elegant aspects of the OG ATLA is the construction and development of the characters and how that relates to the various dynamics in the show. What I mean specifically is for me at least, part of the spirit of the original is seeing how the characters mirror each other in certain aspects, how in slightly different circumstances, they each could be in each other's shoes or how radically different their upbringing made them from each other.

The most prominent example is the mirroring of Aang and Zuko and how the show spent two and a half seasons showcasing the parallels between these characters through action and story, allowing the viewer to draw comparisons between the two of them that the characters themselves weren't ready to confront or address head on with one another until Zuko went through the metamorphosis needed to make that possible for them as characters.

But there's also Zuko and Sokka and the influences of their fathers, which directly relates to their respective drives to prove themselves and their ideas of honour

Even Azula and Aang and the pressures put upon them by the adults in their lives and how they reacted to the weight of that'

Or how Toph being raised in an overbearing household where she was treated as fragile and helpless vs Katara having to step up and take on an adult/maternal role in the wake of her parents being gone

It's the reason why I hated the dialogue scene between Aang and Zuko and the subsequent talk Aang has with Katara and Sokka about what he learned from Zuko in episode 7 (?) and doesn't bode well for future episodes/seasons. Let us see it! And I just don't think repeating that an adaptation is going to be different than the original is an excuse for less nuanced, less thorough, less detailed writing. Idk.

#avatar the last airbender #atla #natla #aang #zuko #katara #sokka #azula #toph

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the-badger-mole · 3 months

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Aang was a kid who was the sole survivor of a genocide. Why doesn't that factor in your opinion of him?

I've talked about this before, but his age and tragic backstory are irrelevant. ALL of the main characters are children with tragic backstories, and they are more empathetic, have more growth, and their tragic backstories...actually matter.

Listen, for all people whine about how often Katara talks about her mom (which isn't really that often), it's clear how her mother's death shaped her as a character. It's clear how witnessing her mother's death formed her worldview, and Kya sacrificing herself for Katara made a mark (she never turns her back on people who need her? COME ON! That is obviously her trying to save people the way she couldn't save her mother). Even her wanting to learn how to fight and not heal (which is an insane battle advantage, btw) speaks to her trauma around not being able to defend her mom.

Even Sokka's trauma around the loss of his father and not being deemed old enough (big enough/ strong enough/ smart enough) to go with Hakoda and the other warriors come through in his recurring need to prove himself (coming up with the big battle plan for DoBS, breaking his father out of prison, learning swordplay, etc.). It's woven so neatly into the narrative. His trauma matters to his story.

Toph is the least developed of the Gaang, and her issues with her parents have more impact on character than the destruction of the Air Nomads have on Aang. Heck, Zuko's entire arc hinges on compound traumas.

Meanwhile, Aang's trauma....? What trauma? Yes, the loss of the Air Nomads is a tragedy, but we, the audience, only know it's a tragedy because we have real world knowledge telling us so. Personally, I was in 3rd or 4th grade when I began learning about the Trail of Tears, and in kindergarten when I began learning about slavery (I was born in Harlem. The kindergarten I went to taught us accordingly). When I saw ATLA, I had a frame of reference for the genocide of the Air Nomads. But it didn't really seem to bother Aang all that much. Oh, sure, it did come up when it was convenient to the plot, but it mostly seemed to be a way for Aang to expound on the superiority of Air Nomad philosophy and society to whoever he's talking to. Aside from that, and his first rush of feeling when he found out what happened to them, the loss of the Air Nomads doesn't seem to effect Aang all that much. If he doesn't care about his tragic loss, why should I?

Aang is a fictional character. I don't have to extend the same pathos to him that I would to a real life person. It is the writers' duty to make me feel for him, and they did not. The way he's framed is the issue. And here is where I really start retreading things I've said before, but I think it needs to be repeated (again and again and again). Aang is not framed as someone who has a lot of growing up and learning to do. I could give him a pass on his worst traits because he's a child and still growing, but the show doesn't frame him that way. The show wants me to see him as a precocious imp who's wise-beyond-his-years but still has a cheeky lil' mischievous streak. It's not trying to frame his lying to the quarreling tribes in The Great Divide as a bump in his journey to becoming an effective leader bridging different people together. It wants the audience to laugh at him getting one over on the foolish tribes who absolutely went back to fighting as soon as Appa was out of sight. The show isn't framing his desperation to get the village in Avatar Day to like him as a foolish pursuit he needs to get over if he wants to be strong in the face of adversity. It wants us, the audience, to feel bad for him because his charm isn't immediately bringing the people over to his side. It wants us to be indignant that the villagers don't see how important Aang is and wont' support him. The show isn't framing Aang's non-con kisses with Katara as bad because it hurt her. It isn't making a point to that Aang needs to care about her feelings. It wants the audience to feel bad for Aang and hope for Katara to come around because he's A Nice Guy™️©️®️. Aang is never shown to be a particularly good friend to any of the Gaang, let alone him being kind to strangers just because that's his heart. All of that I would allow to be just him being a dumb kid with growing to do if the show hadn't made it clear that Aang was perfect and didn't have to change, and in fact the world should change for him.

Aang's age and tragic backstory are irrelevant because the show made them irrelevant. All they left us with was a Gary Stu character who hides his selfishness under a thin veneer of cheerfulness. It's not good enough.

#atla #anti aang #anti kataang #when people stop thinking of aang as a literal child and start thinking of him as a character with a role in a narrative #things in this fandom will get SO much better

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wileycap · 2 months

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Further Excerpts From The Fire Nation Royal Palace Servants' (Unofficial) Handbook

Or: More Revisions To Normal Protocol After The Ascension Of Agni's Exalted Flame, The Dragon Of The Sun, et cetera, Fire Lord Zuko

Part 1:

7. If His Majesty offers you advice regarding martial arts, camouflage, theatre, or any other subject which he is commonly known to be well-versed in, accept it gratefully. If His Majesty offers you advice on emotional matters, listen politely and then disregard it.

7.1. If His Majesty uses the phrase "silver sandwich", you are entitled to a longer lunch break. So you can take a longer bite out of your silver sandwich.

7.1.1. Please do not vandalize the handbook, even if you think it's funny.

7.1.2. Especially if you think it's funny, Chikao.

7.2. If you share something tragic with His Majesty, and he replies "that's rough, buddy", it means he empathizes with your situation.

7.2.1 Alright, maybe he did need to learn that it's not a great way to respond to tragedy. But "rough like the boulders that crushed my father?" was a bit much.

8. Prince Iroh has advised the servants not to reveal to His Majesty what the meat in turtleduck dumplings is. Apparently, he thinks the name comes from their shape. The dumplings are not shaped like turtleducks.

8.1. Now that His Majesty knows, be ready to recite the names of all the turtleducks in the palace at a moment's notice, and also to reassure His Majesty that they are all safe, accounted for, and uneaten.

9. His Majesty should be kept apprised of any "sightings" of the Blue Spirit. The Blue Spirit is an entirely fictional creature. However, his belief in it is entirely benign (and as far as eccentricities go, we've all seen worse) and likely something he will outgrow with age.

9.1. Do not lie about any "sightings". If His Majesty is told that the Blue Spirit was sighted near his window, he will be extremely distraught for the entire day. The Fire Lord has too many real assassins to worry about already. There is no need to add imaginary ones to the mix.

9.1.1. And whenever he is distraught, his footsteps are even quieter than they normally are. It is hard enough to keep track of his movements as it is.

10. While His Majesty has approved the "Kick Ozai Retreat" for servants who were mistreated by Ozai of the Fire Nation (titles rmvd, dishon.), it will never be organized. Please suggest other activities for the Servant Wellness Day.

10.1. Yes, that is because Avatar Aang found out.

10.1.1. Specifically because of the very heartfelt and very long speech he gave on the matter. And the fear that he might give one again.

10.1.2. And no, we can not "simply tell the Avatar to shut up." He is the Avatar. And he is also a 13-year-old boy. His dragonling eyes are very effective.

11. Princess Azula is at the stage of her treatment where she will take regular trips to the palace, dividing her time between her island and here. We're all terrified, but there's nothing we can do.

11.1. Lady Beifong has offered to act as protection, should the need arise. On an unrelated note, the kitchens will now be serving a number of delicacies from the State of Gaoling.

11.2. At the specific and undeniable request of Master Toph, The Blind Bandit, her titles and styles have been updated and they will be enforced effective immediately.

12. If Avatar Aang is seen on a rooftop with no apparent purpose, that means that Fire Lord Zuko is also on that rooftop. Get him down.

12.1. If Master Katara appears to be discreetly looking for someone, that usually means that one or all of His Majesty, Avatar Aang, Master Toph, the Honorable Tribesman Sokka, or the lemur Momo are in some kind of trouble. Assist her. Before one of those idiots gets themselves killed.

12.2. Do not vandalize the handbook, even if it's true. Also, please do not call our Fire Lord, the Avatar, Master Toph, or the Avatar's beloved pet an idiot.

13. Any senior officials who wish to challenge Fire Lord Zuko to an Agni Kai should be directed to the Fourth Scribe's office. They should also be told that there is a waitlist.

13.1. If the Honorable Tribesman Sokka wishes to challenge the Fire Lord to an Agni Kai again, he should be denied. No matter what he tells you, he has not developed Firebending abilities by means of "Spirit World shenanigans" or by Avatar Aang "just giving them to him, Energybending style, like best buddies do, you know."

13.1.1. The Matron has made it known that if the Honorable Tribesman Sokka offers to demonstrate his so-called "Firebending abilities" again, servants are allowed one free kick. The last time he did it, the stench from his blubber bombs lingered for three weeks.

#avatar the last airbender #atla #zuko #prince zuko #atla spoilers #crack fic #fire nation palace servants' handbook #toph #sokka #iroh #azula #ozai #fire nation #katara

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comradekatara · 1 month

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Ok we should talk more about sokka and aang because these two dumbasses are adorable together! Underrated relationship

The gag with Katara and blind Toph in season 3 is still the funniest scene in the series lol

yeah their friendship very cute. i like how when they're left to their own devices their respective adhd tendencies combine, that feels very true to my relationships with my friends who also have adhd lol. it's also just really adorable how through aang's sheer lovability, sokka learns to loosen up a little and appreciate life (somewhat, sometimes) in a more relaxed, content way. aang is a really good and highly valuable influence on everyone around him, especially as he counteracts the logic of war and its necessity for violence, which is an ideology sokka not only heavily subscribes to, but to which he attaches his very personhood. aang reminds sokka that he is still a child (he reminds katara of this too, but it happens in the literal pilot, whereas sokka's journey to literally enjoying himself ever is far more gradual and grueling). aang reminds sokka that he is human.

that said, i do think that people tend to be reductive when talking about the value of their relationship. not to single you out specifically, but i do kind of take umbrage with the notion (perhaps unintentional) that all their dynamic is good for is being adorable and funny. calling them "dumbasses" because they can be silly and goofy sometimes, or scatterbrained and absent-minded. i genuinely think that aang and sokka constitute one of the most interesting foils in the entire show. normally when we talk about character foils, we talk about characters who are positioned in opposition to each other, but aang and sokka are fascinating because they're allies (and friends) who nonetheless approach the same problem with the same intentions and the same goals but from completely different angles.

in many ways, sokka is aang's most distinct opposite. but first, to address their similarities: they're both victims of a genocidal imperialist project that has burdened them with a responsibility to their people that they are too young and barely equipped to handle; they are both expected to shoulder this burden easily by those around them due to their nature as "gifted" child prodigies with distinctly unique skillset and an unprecedented ability to absorb and apply new information that they learn at a genuinely abnormal rate (remember that aang is not just the avatar, but an incredibly prodigious avatar at that; he mastered all four elements within less than a year by the age of twelve, whereas most avatars take at least another four years to master their elements); they are both the "leaders" of their small guerrilla militia of child soldiers, and they take turns giving each other guidance and trusting and following the other's lead; they both consider katara the central figure in their lives and love her with an almost obsessive devotion; they both repress their grief and other unpalatable emotions through humor and constant distraction, and sometimes even depersonalize entirely when they feel that their goal is more important than retaining their humanity (sokka does this more frequently, but when aang does it, it's more blatant); and of course, they both harbor massive guilt complexes for the devastating tragedies (largely beyond their control) that have shaped their lives, and are constantly replaying those moments of "failure" as that of acute shame to motivate themselves as they strive to rectify and "atone" for their past errors.

so, as you can see, reducing their friendship to "adorable dumbasses" is already not very interesting. to me, the best aang and sokka scenes aren't the ones wherein they are playing and goofing around together. those scenes are sweet and charming, of course, but the best aang and sokka scenes are the ones wherein sokka is positioned as the logical consequence of aang's grief. wherein present-day sokka becomes the worst case scenario for a hypothetical future aang. in many ways, their friendship is incredibly bittersweet, because it is also punctuated by moments wherein sokka threatens aang's entire value system and quote-unquote "innocence" through attempting to mold him into a Man Of War the way he does those hapless toddlers in his village. for all that sokka is remarkably open-minded and receptive to new ideas, he cannot see past the limits of the world he was born into and the mechanisms and assumptions of violence he was forced to internalize and embody. aang is, of course, totally unique in his ability to not only envision a world beyond the war (i would argue that katara has the ability to do this as well), but also to have actually experienced it. and so it is truly a testament to aang's resilience that he is almost entirely impervious to sokka's ruthless, militaristic logic, even as sokka constantly attempts to enforce it.

i have a much longer post in my drafts about how aang and sokka are positioned in "the serpent's pass" (one of their best episodes in terms of their dynamic, also just a highly underrated episode in general), so i'm not gonna get too much into it here, but katara's relationship to aang as paralleled with suki's relationship to sokka is really fascinating in this episode for the ways in which it also positions katara's grief over witnessing aang's attempt to detach himself from his grief to focus on his goals and aang slipping into "sokkahood," and the absolutely devastating implications of what that must mean for katara. i think there's a strong case, in general, for the reading of katara attempting to replace her lost childhood (with sokka) through aang as he represents a vehicle for her overly idealized nostalgia (much like how zuko projects onto aang and views him as a vehicle to return to that site of his overly idealized childhood), and thus, quite literally, replacing sokka with aang. to katara, aang possesses what sokka has since lost, or perhaps something he never got the chance to have in the first place. and that isn't to say that katara views aang as a brother, but rather that katara longs for companionship in any form, and what is aang if not the ideal companion? so aang's grief and rage scares her not only because it pains her to see someone she loves so deeply in so much pain, but also because it reflects her own pain back at her, as someone who has lost so much, including family members (also including kanna and hakoda) who are, ostensibly (at least physically), still alive.

one of the most fascinating scenes between sokka and aang in the entire show is when sokka straight up attacks aang for burning katara in "the deserter." katara is very clearly affected by this beyond simply the physical pain; being burned by the weapon that killed her mother is explicitly triggering for her, and she retreats into herself and sobs like a child (she is a child, but you know what i mean. an even younger child). and sokka in turn is triggered by katara being triggered, because his entire existence revolves around his oath to protect her, and she was just hurt by the one person to whom she stakes all her hope and pride and joy and affection above all. aang obviously understands the gravity of this accident immediately; it of course wasn't intentional, but he nonetheless takes full accountability and apologizes sincerely. but sokka only calms down somewhat once he knows for certain that katara is okay. and instead of going to find katara as she sobs, he spends all his focus on yelling at aang, throwing him to the ground, more furious than we have ever seen him. and in a way, it's clear that he's also furious at himself, for having let his guard down around and trusted aang, and for his failure to perform his primary duty, protecting his sister. the fulcrum of aang and sokka's relationship is, necessarily, katara. she is the force that brings them together, and the person who is most important to either of them, but she also person who connects them in her mind, and so our perceptions of them as the audience are primarily informed by her perception of them as the narrator.

moreover, sokka's advocacy for killing zuko (in "the siege of the north") and ozai (in "sozin's comet") constitute two more fascinating scenes with aang, for the way in which sokka does not even find the act of killing something to flinch at, let alone an absolute betrayal of core principles and values the way aang does. killing is simply not something sokka feels guilty about, despite the fact that he seems to carry guilt over simply existing a lot of the time. and that juxtaposition, between aang and sokka playing together, of sokka learning how to have fun and entertain his little friend, versus sokka chastising aang for refusing to commit murder, is what makes their relationship so compelling. when people reduce their dynamic to its most comedic and innocent mode, they are reducing their roles as they embody two opposing relationships to violence, and how that reflects their ideological positions as someone who has subscribed to imperialist logic insofar as his values have been shaped by war, as opposed to someone who knows through his own experiences to refute that logic by any means necessary. when we talk about aang helping sokka to regain his humanity, it is crucial to understand specifically how sokka lost his humanity in the first place, but also why aang specifically is so crucial in counterbalancing his logic in a way no one else alive actually can.

ultimately, if sokka represents the voluntary auto-dehumanization of the colonized subject, then aang represents the potential of preservation and even reclamation of humanity and the imaginative potential of a world[view] beyond those colonial limits. their ideological conflict is not simply one of what it means to be human within a colonized paradigm, but what it means to exist at all.

#lilith-91 #asks #aang&sokka #analysis #aang #sokka #katara #under a readmore again bc i ended up writing a bajillion paragraphs (again)#also sorry for getting kind of existential with it #again obligatory disclaimer that i recognize that this is a nickelodeon y-7 cartoon #that said. i do think aang and sokka are really deep characters. like truly #and i want to honor that properly #(when i finish that serpents pass essay its over for u hoes...)#anyway. i love them so much. they are so much more than adorable dumbasses.#although yeah they are that too

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sapphic-agent · 15 days

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Why & How Katara is the Strongest Waterbender

The ATLA fandom is funny. Because if there's one member of the Gaang whose skills are continuously doubted, it's Katara's.

No one hesitates in saying that Toph is the strongest Earthbender in the world. Aang has always been maintained as a natural prodigy. Sokka's strategic intelligence and cleverness are never in question. Most people are positive that Zuko would have beaten Azula if she hadn't targeted Katara and hail him as a swords master.

But for some reason, it's always Katara whose proficiency is either called into question or severely downplayed.

Some are skeptical about the legitimacy of her becoming a master in a short time. Others are certain that her victories are due to plot manipulation. Both of these arguments that ATLA is a kids' show which pushed it into giving her the win.

(Funny how ATLA is the greatest piece of media ever read until it comes to anything pertaining Katara's character lmao)

So I wanted to take a minute to talk about the progression of her waterbending skills and how she became Master Katara.

Pre North Pole

The first time we really see Katara practice waterbending is in The Waterbending Scroll when she decides to show Aang her limited very skill set. She noticeably has a difficult time with her bending, whereas he seems to pick it up rather quickly.

As we know, Katara has never met another waterbender before. She has no idea what their bending is supposed to look or feel like. And that's reflected in the moves she shows Aang.

I want to draw attention to Katara's stance here. She's stiff, even a little awkward. She's standing where more like an Earthbender. We see this repeated when she's practicing the Water Whip.

Even later when she does perform the Water Whip correctly, there are still traces of this.

You know how Iroh learned to redirect lightning watching Waterbenders? Well, my assumption (at this point I'm 80% sure it's meant to canon) is that Katara learned most of her bending by watching Aang and the Earthbenders they met around the world.

It makes sense, right? They would have been the closest thing to Waterbenders she could have learned from. She even asked Aang to teach her in the first episode. So the start of her bending began with incorporating the forms of Air and Earth.

And we see the results of that in her fight with Pakku.

Fighting Pakku

Katara's fight with Pakku is a great demonstration of his visually. He's a master, so he's already proficient at "push and pull." Katara is not. She's done it before, but it's not her go-to style when she's fighting. And we can see it in this fight.

Again, her stance is firm. She either blocks his attacks or bats them away. She doesn't reinforce and redirect them like he does hers. She isn't fighting like a Waterbender, she's fighting like an Earthbender.

Not to say this is a bad thing. Pakku himself even admits that she's good even though they both know she can't beat him.

Why am I bringing this up? Because one thing about Katara that's overlooked is her adaptability. When she didn't have a waterbending teacher, she made do with observing Earthbenders. She picked up Pakku's teachings even better than Aang had. And going forward from here it really begins to shine in her bending.

She completely dominates Pakku's other students and Zuko (twice). Why? What makes her so special compared to men who have been training their whole lives?

Because water is the element of change. By being so proficient in adapting (not just in her bending, but openly embracing different things and experiences and people), Katara unknowingly embraced the mentality of her element.

(It's actually a funny twist of fate because you could make the point that the North held its other Waterbenders back by being so bound to and unflinching in their traditions. It would explain why none of Pakku's students even stood a chance against her)

If you think about it, you could draw parallel to Yue explaining the history of Waterbending to Katara to the Sun Warriors explaining fire as an element to Zuko. In both cases, you can see that they're able to see and understand their element in a new light. Although it's more of a realization moment for Katara as she already knew about pushing and pulling and it's more of a lesson for Zuko who was taught something completely different.

Katara vs Azula (Round 1)

You know how I said people attribute her wins due to plot manipulation because ATLA is a kids' show? Well it seems like Katara vs Azula is the scene they focus on the most for that.

But let's be real, this isn't a fluke. The show purposely draws attention to Katara prowess and skills during this fight.

Azula is someone who's always in control. She's someone who goes into fights with full confidence. But she is completely thrown off by Katara's abilities here.

And this is something that persists throughout the entire fight. Katara completely overpowers her. At no point during the fight did Azula have the upper hand against her.

And remember, this is Azula's fight. She's the one who imprisoned Katara and Zuko. She's the one who attacked Katara and Aang to begin with. Sure, she was probably counting on her manipulation of Zuko working and him backing her, but there was no guarantee that he would be able to get away from Aang long enough to help her.

And right after this, Aang really struggles against Azula. He doesn't own the fight nearly as well as Katara does.

So, we know it isn't a fluke. The creators intentionally made Katara outclass Azula here. She's canonically the superior bender between the two of them. And that's not a small feat by any means. Azula at this time is one of the best Firebenders alive, probably fourth (after Ozai, Iroh, and Jeong Jeong (she could possibly be above Jeong Jeong)).

So what was the reason for this? Why was Katara able to outclass Azula so effortlessly?

Well here's where Katara's mastery of the meaning of her element comes into play again. She understands and excels in the concept behind water. Always changing, always adapting. She embraces water to its fullest capabilities (which also includes incorporating other elements into it; water would actually be the best element to do this with). The entire fight, she's switching stances and forms and keeping Azula on the evade. Whatever Azula throws back is dealt with without an issue.

And as we know, Azula (and most Firebenders) misunderstand fire as an element. She uses it solely as a destructive force, but it's also energy, life, and passion. This is also part of the reason Zuko lost so easily in the Northern Water Tribe; he also had the same issue. Katara's proficiency in water as not just a weapon, but an element, gave her the advantage over Azula she needed.

Katara vs Hama

A debate that comes up a lot is who's the better bender between Katara and Amon. To that I have always said Amon was taught Bloodbending, Katara just did it.

Let me reiterate: NO ONE TAUGHT KATARA BLOODBENDING. Hama explained the concept to her, yes, but never actually taught her. In fact, she did not expect her to pick it up without guidance. In her own words, "You should've learned the technique before you turned against me."

This was a technique that took Hama decades to learn. Tarrlok and Noatak were trained relentlessly. And Katara just... Did it. No guidance and no build up. This supports that Katara's adaptability and versatility in her bending is unmatched. She's able to comprehend and perform advance concepts with no training or teaching.

Now that we got that out of the way, this fight is so comprable to Katara vs Pakku. This is the second time she's fought a master and we can see how much she's improved. So much so that she doesn't even struggle against Hama.

At this point, she's mastered "push and pull." She's able to take everything Hama throws at her and send it right back with little to no effort.

But she takes it a step further.

Instead of redirecting, Katara completely stops Hama's onslaught. This undoubtedly is something she picked up from Earthbenders. It certainly isn't a Waterbending technique, yet somehow she made it into an effective move.

Look at Hama's face. She's completely thrown off by this. This was not something she ever expected out of any Waterbender. She was completely unprepared for Katara to be able to outmatch and overpower her.

Katara completely surpassed her, solidified by using the technique she invented against her.

I was going to talk about Katara and Azula's second fight, but there isn't much to add there. I already compared the difference in their skills talking about the first fight, and the Agni Kai is an escalation of that. The outcome of the Agni Kai was already decided and confirmed in the catacombs.

And that my friends is how and why Katara is the best Waterbender in the world

#master katara #katara of the southern watertribe #katara analysis #give my girl her due respect #katara is the greatest waterbender in the world #no i won't be taking criticism #argue with the wall #katara deserved better

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cienie-isengardu · 8 days

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Sokka's sexism

Sokka’s sexism from the earliest episodes is an interesting case, because the Southern Water Tribe, at least from what was presented to us on screen, doesn’t seem to operate that much on gender roles? Especially when compared to the Northern Water Tribe?

I mean, yeah, warriors (men) went to war, while women, children and the elders stayed at home. But as Hama’s story shows, when Fire Nation attacked Southern Water Tribe, both female and male benders were fighting against invaders arm to arm and it seems like they were the actual first line of defense there, not the non-bender warriors.

In contrast, during siege of North Pole, in the final of Book 1: Water, we don’t see any female bender helping defend their home except Katara, who was involved in protecting Aang when he was in Spirit World.

Since all the waterbenders were captured from the Southern Tribe, it makes sense that non-bender warriors stepped in and got involved with war, while the kids and elders were left under women’s care.

Another example comes from “a ceremonial test of wisdom, bravery and trust”, known as ice dodging. As Bato explained, it is a rite of passage for young Water Tribe members and in their village “done by weaving a boat through a field of icebergs.” When a child turns 14, their father was supposed to take them to ice dodging, so they could earn their mark. Though the episode itself was focused on Sokka’s ceremony, Bato never specified it as something that boys alone should do and not only Katara (girl) but also Aang (outsider) is allowed to take part in the ritual. Once Sokka proved himself, everyone of their group got a mark, as a sign they passed the test. Interesting thing to note, since Bato did not specify it is a rite of passage for boys alone, it suggests girls were expected to know how to sail in boats of the Southern Water Tribe. Of course, again, war didn’t allow to continue this tradition as men (Hakoda, in case of Sokka & Katara) left to fight against Fire Nation.

Later, when Sokka and Katara reunited with their father, Hakoda did not try to send away Katara nor relegate her to just a medic job during the invasion. In Northern Water Tribe episodes, we learned that teaching for waterbenders there was defined by gender - women were allowed to learn only how to heal, while men how to use their bending in fight. Hakoda, nor Bato nor other of their warriors even for a moment questioned Katara’s presence on the battlefield nor the presence of women in the ranks of their allies like a blind, 12 years old Toph or the female water benders from Swamps or female(?) soldier from Earth Kingdom

And during battle, Katara did not fight in rank with other soldiers, she first alone secured Appa during submarine attack, then alongside her brother and father took down guardhouses - Hakoda himself told her and Sokka to attack one when he took down the other one

showing how much he trusted his 15 years old son and 14 years old daughter while ordering them attack on Fire Nation adult soldiers hidden in well guarder place.

Later, when Hakoda got seriously injured and Sokka temporary took the command of their forces, we could see that Hakoda relied on Katara to follow his troops and not ever once tried to send her back “to safety” or argued she should leave him behind, as often it happens with heroic (male) figures. Quite the opposite. When Katara offered him to “wait here if you want”, Hakoda firmly said “I want to press forward with the others”, which meant his daughter needed to come with him directly into an already ongoing fight (even if they stayed more at the rear of their army, they were still on battlefield).

She and her brother, alongside with the youngest members of Invasion, were forced to flee on Appa once the battle was lost, but no other adult woman was included. During Zuko’s coronation, when all war prisoners were released, in the background we could again see the female character(s) from Swamps.

And let's not forget how impressive Hakoda was by Suki when she single-handedly captured the warden at Boiling Rock prison and did not try to stop her from fighting against Ty Lee alongside Zuko and Sokka against Azula.

Understandably, we have no idea how the Southern Water Tribe and its culture looked like before the war, even arguably, the characters themselves may not have a clear idea due to growing up in dire times. But my point is, Hakoda and Bato, the two main adult Southern Water Tribe’s warriors that Avatar: The Last Airbender allowed us to know more about, have never shown any direct sexism toward Katara or other female characters. And though Sokka was the oldest boy at their village, there is no reason to think women did not hunt in absence of men, because one person would not be able to provide for a whole community 24/7. Also, as Hama proved, the Southern Water Tribe’s waterbenders were capable of fighting and their gender did not play any vital role the way it happened in their sister tribe at North Pole.

Of course, Fire Nation’s repeated attacks affected residents of South Pole and their living conditions but from the little bits the show gave us, I think it is correct to assume if Sokka grew up with Hakoda around to guide him as he should, his behavior would be different from the sexism and dismissive attitude toward Katara or Kyoshi Warriors. For one, logically thinking Southern Water Tribe’s warriors need to do all the cooking, sewing and keeping their camp clean all on their own during war so it is not a “girly job” but a vital part of a warriors skills to survive and ensure their equipment is in the best condition. But Sokka doesn’t know it, because there is no one to teach him the importance of those skills. All Sokka had was father’s farewell words to cling to - and I’m not sure if Hakoda truly expected his son to be able to protect Katara and the village in his absence, or he just tried to make Sokka feel a bit less depressed about being left behind. You know, by giving him purpose and a Big Important Job to focus on and to feel needed and trusted.

Which leads me to think that Sokka’s sexism is not rooted in Southern Water Tribe’s culture itself, but in his own insecurity and pressure of being the oldest boy in the village. If girls could be warriors - and be better than him - it would put into question all his self-worth, purpose and the trust given by father. Once Sokka met Kyoshi Warriors and later all the skilled girls, it challenged him on a very personal level, but he accepted the truth and moved on and alongside, finally became a true warrior and a man.

And I find it indeed an interesting case, as Sokka’s sexism and dismissal of girls is not necessarily stemming from the culture he is part of, but rather is the effect of not knowing said culture & pre-war history of his Tribe. And of course, from his own insecurity.

#atla #avatar: the last airbender #sokka #hakoda #just some thoughts #because bato and hakoda seems pretty okay toward katara and include her in rite of passage for sokka and invasion battle #like her age and gender doesn't matter #with dad and dad's friend (bato) like that where comes sokka's dismissal?#so i guess this is about sokka's insecurity and growing up without father to guide him #good suki straighten sokka up pretty quickly #i'm pretty sure SWT has some sense of gender roles but not so strict take like northern water tribe #no arranged marriages and no true aristocracy and waterbenders being fighters and so on #sokka though lives in destroyed by war tribe to understand yet what was done to his community i guess?

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oneatlatime · 19 days

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Sokka's Master

pleasebegoodpleasebegoodpleasebegoodpleasebegoodpleasebegood

Strange choice of master but we'll see where this goes.

The meteor shower animation is quite meditative. I wouldn't mind it as a screensaver.

How to describe something exceptional to your blind friend: "You've never not seen anything like this." It's amazing the quality put into even the tiniest of throwaway jokes.

Are meteor strikes flammable?

I love how whenever Sokka's disappointed he gets noodle arms. A surprisingly consistent characterisation.

Momo butt skate.

Iroh. The fuck?

ok. So he's playing a part for the guards. Why?

Pretty.

Funny to think about, but as a former WWE character, Toph's probably had more hero worship than the Avatar.

Lots to say about this! First, I stand corrected! i honestly thought that Sokka would be immune to this specific insecurity by virtue of him not being a bender. I was wrong! Second, I love how, as soon as Sokka expresses that he feels that he isn't as talented as the rest of them, the others respond by listing his actual, invaluable talents, without which the group would be completely at sea. They don't respond with "no you're perfect!" they respond with "no one can read a map like you can" and how he keeps their spirits up with jokes. They're not using false praise. They are using specific facts. I love that an episode that looks like it's going to deal with a character feeling down on themselves establishes from the get go that the character is invaluable, actually. So often, the 'low self esteem stock episode' puts the affirmation of the character's value at the end. Which means the viewer spends the whole episode being convinced that the character in question might actually be useless. Here, we're told from the start that the character is invaluable - the problem is that they do not perceive themselves to be so. Quite on the nose for a show that deals so much with identity.

OMIGOD IT GETS BETTER!!!!!!!!!!

Validating Katara sweeps in and a) validates his feelings, while b) clearly explaining that his self-perception is not in line with how the others see him, which c) doesn't invalidate a) !!!!

Katara has such emotional intelligence when she chooses to use it.

Nuanced intelligent discussion of the complexities of emotions and self-perception in a Sokka episode I am so happy I am blessed the gods are shining on me today I'm sitting here twirling my hair and swinging my feet and doodling hearts on the corner of my journal

SHOPPING!!!!!

btw that's the same face he makes when he says SUKI!!!

"Reinvigorate my battling" this boy. just. this boy.

He lasted a lot longer than I would have with nun chucks.

Aang the Happy Meal toy.

Some say that Halberd is still spinning today.

Ladies and Gentlemen, I present: the 45 degree Sokka.

Some Foley artist had the time of their life with this weapons sequence.

Why thank you for that exposition, Mr. Exposition. Now walk away and we'll never see you again.

Toph does NOT move ONCE this whole scene and it's ever so slightly freaking me out.

Toph tells you she learned from Badgermoles and no one wants to discuss this further?!? We're going to gloss over that?

So this episode has a training montage theme.

Sokka goes freestyle on those door knockers.

That's one hell of a castle. Must be dark in there though. Tiny windows.

Which explains the several hundred candles. This show. Set up with one hand; slam dunk with the other.

This guy's reciting Sokka's s1 introduction on Kyoshi Island.

Sokka: Actually. I am a dumb. The Master: Sold.

The face of someone who is definitely picking up what you're putting down.

It's been ages since I watched the episode, but is some of what the Master saying here about swords an echo of what Zuko says to the kid in Zuko Alone when he's decapitating sunflowers?

A Sokka-less Gaang. Depressing and they know it.

The way Katara's voice actor says "oh everyone's a critic" is gold.

Multidisciplinary education vs. kid who's never been within a mile of the box he's being told to think outside of. Fight!

Yikes that was a meaty hit. Does Sokka have a nose left?

They're wearing beehives on their heads.

Was Sokka always this short?

The greens in this episode are such a delight.

The way he says "I'm finished!" Sounds like "Am finished" and you can actually hear the smiley emoji he throws in.

He's good.

What do they FEED him?

Sokka's voice actor had a great time this episode. All the voice actors had a great time actually.

Sokka invents the La Z Boy

Katara inadvertently invents a fandom war by attempting a joke.

They're all so useless and it's wonderful.

That was all only one day? That's a lot of outfit changes for one day.

"You mess things up in a very special way." Compliment? Let's go with compliment.

Sokka is so very Sokka this episode.

A reason to live is coming!

*thundering herds of shippers in the distance*

That's clever. The inciting incident gets smelted. Haven't seen that before.

This whole Iroh gets buff montage has been completely dialogue free on Iroh's part. Crazy levels of inner peace, that he'd doesn't need to snark back at the guard.

Seriously. What are they FEEDING these children. Also how is that door that shiny.

Sokka really has it in for those door knockers.

Apropos of nothing, the clouds in this episode are all so yummy. All these soft slate colours and misty layers.

Meteoric iron is actually a thing, right?

Ok but aren't mold made swords crappy?

HI YUE

I love how they managed to made a crafting montage where the character who does the least work is the one who looks like he's working the hardest.

"I saw a heart as strong as my garden decor"

"No it certainly wasn't your skills. You had none."

Creativity, versatility, intelligence, meat, sarcasm.

You've known him like two days and you can already tell he's more worthy than any man you've ever trained? Sounds like you had poor taste in students.

"No. This is my fight. Alone." Bro you are going to DIE. The first time you held a sword was two days ago. You might need the avatar on this one.

Guard who never shuts up actually kind of has a point here. He's a dick about as usual, but it's entirely possible that the rank and file of the Fire Nation army view Iroh's actions as a betrayal. Does anyone remember in Star Wars movie number 7, or maybe 8, when that Trooper sees Finn after he's switched sides and yells "traitor!" and it's the best part of the movie? Yeah, like that.

This episode throws the concept of linear time out the window. In two days, Iroh gets swole and Sokka masters sword fighting.

Do you think Sokka's realised yet that this is his final exam?

Yummy yummy clouds.

One in a million pocket sand shot.

One in a million stick placement.

So this master is like a sword spirit or something. He can't be human. There's no way he could get the scabbard to fly on perfectly without seeing.

"Try Lee, There's a million Lees. There's a tea shop in Ba Sing Se that has a super cranky waiter called Lee."

This guy's just this side of committing treason and I love it.

I see this Master is a devotee of the 'Hakoda school of shoving outrageously over the top compliments into Sokka's thick skull in the hopes that 1% of them will stick.' I approve.

This last scene has gorgeous hills and skies but you'll have to take my word for it because I've hit the image limit.

Sokka's been inducted into the super secret boy band!!!

He saved space earth for Toph! He's so considerate! He's fuelling the ships!

Let's compromise and call it space dirt instead.

Final Thoughts

This episode every two minutes: Sokka, you are currently flawless and you're about to get better. Me: Yes. Yep. Yeah. Seconded. I concur.

I like it! It's great! It's 24 minutes of the writers and characters fangirling over Sokka! Of course I like it! It made me criminally overuse exclamation marks! What else can I say?

Hands down my favourite episode is Bato of the Water Tribe. For Sokka's story, this episode is Bato of the Water Tribe part 2. Of course I'm going to love it. This episode was lab grown specifically for me.

Now let's see if I can say something about this episode that isn't poorly disguised squealing.

I love how the characters respond to Sokka saying he's not special with an evidence-based refutation rather than blanket reassurance.

I love how shopping cheers up Sokka. I love how Katara knows that shopping will cheer him up. This must be something she's learned since the show started. I don't think there were malls in the South Pole. So Katara was paying attention when Sokka and Momo went through the bag saga.

I love how much the master is baffled yet impressed by Sokka. He seems almost charmed by this breath of fresh air. I think it's hilarious that, when Sokka first approaches him, he's expecting early season 1 Sokka. He'd better send Suki a thank you card.

I also really like "The way of the sword doesn't belong to any one nation." It seems obvious to us, but in a world where there are weaponisable skills that are quite literally inseparable from the nations their wielders inhabit, it's probably something no one in the Gaang has ever heard before.

Obviously the episode is a little rushed - half hour kid's show and all that - but it's still pretty crazy that you can apparently impart a solid basic knowledge of swordplay in two days.

Toph going all tsundere is funny, and makes Aang and Katara unapologetically desperate for Sokka's company twice as funny as it already is. Toph's like "whatever" and the other two spent the day making a welcome home banner.

I love how Sokka's happiness is always so loud and shameless. It makes it contagious.

This episode highlights what Sokka's actual strengths are, by instructing him in what he thinks his strengths are. If that makes sense? Sokka is brain, which he's finally starting to realise by attending brawn lessons.

He's also heart, and I'll die on that hill.

Iroh getting swole was honestly just a thing that happened. No comment really, except it was interesting to have a reminder from the guard that a character we perceive as the good guy is currently perceived as the bad guy by everyone but us. When the Fire Nation does inevitably get defeated, a whole nation is going to have to reset their worldview and that will not be an easy process.

More like this please!

#atla #avatar: the last airbender #avatar the last airbender #sokka's master

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maniaeofmadness · 19 days

Text

The thing that makes each of the members of the Gaang so good at their respective element is that they are basically the opposite of their element

Water is about balance and flow, but Katara is filled with rage and anger

Earth is about stability and solidness, but Toph is adaptable and swift

Fire is about strength and anger, but Zuko becomes a better firebender when his power is sources is from passion and love

Air is about freedom, but Aang is destin to learn the other elements and then in turn uses his new knowledge for his airbending

Sokka uses a boomerang, club, and sword which are all weapons of force, opposite to the flowing movements of the water tribe

Suki uses fans and her opponents weight against themselves, being quick and swift unlike those of the earth kingdom

They all embody different aspects of each of the elements, setting them apart from those of their own element and those they fight with

#does that make sense?#i love analyzing ATLA #its so much fun #atla #Gaang #Katara #toph beifong #zuko #aang #sokka #suki #avatar the last airbender #avatar #analysis #ramblings

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ticklishfiend · 15 days

Text

A Toy Smile (ATLA)

(lee!zuko , ler!sokka and ler!aang)

A/N : AAAHHH!!!! fixating hard y’all. it's impossible for me to be normal about anything ever. this one's got more story than the last one but i hope u enjoy anyway lolll

Summary : a day off at the abandoned vacation home and zuko has a lot to think about. though, it’s kinda hard to think about your place in the world when your friends are being annoying (and u still love them for that)

Word Count : 5106

hope u enjoy!!

Being back at his family’s old beach house was remarkably strange. Zuko kept getting flashes of bittersweet nostalgia, images of his mother building castles out of sand with him, just for Azula to knock them all down. Running through the halls in shrieks of laughter, getting chased by the tickle monster (his mother always had the perfect balance between her calm and nurturing nature, and her more silly and playful side. Feeling okay with play was something that ended almost immediately after she left his life), always before being interrupted by a stark glare from his father.

Zuko’s father was usually absent in these beach house memories, but that’s because even when he was there during their vacations (which honestly wasn’t often, he was usually off tending to the business of being an up-and-coming Firelord), he always stood with a glare that Zuko could still see in his head clear as day. Looking back on it, he was glad that Ozai was usually preoccupied during those old vacations so he at least has a few good memories left of this place.

Zuko pondered on it alone in the house.

The rest of the group were off at the beach, doing their own things. If he had to guess, Toph was probably practicing her sandbending right now. Maybe she’s teaching Aang, or maybe Aang was practicing some moves Zuko taught him earlier in the week. Zuko felt weirdly proud at the idea. He imagined Katara was probably soaking in the ocean, bending and feeling one with the water. And Sokka…Agni knows what Sokka’s up to right now. Maybe he’s fishing.

All he knows is that they’re probably keeping themselves preoccupied right now, taking the day off to do whatever they pleased. The group needed to keep their minds sharp, but not overworked.

Zuko could sort of relate to that, trying to keep occupied. It was at a much lower scale, sure, but when he wasn’t training Aang, he took to wandering the grounds of this place that felt distantly familiar to him.

Zuko still feels a little uncomfortable with the thought of hanging near everyone during an off day like this. He knows they don’t hate him anymore, but guilt and shame have become chronic pains he hasn’t learned to aid yet. He’s happy to help them, but hanging out on a casual level is something he’s still getting used to.

As he walked through the abandoned home, he couldn’t help but gaze at old photos, taking some out of the frame to burn in his hand. For some reason, watching the memory physically char and fall to ashes from his fire felt like a medicinal release in his system. He sat on beds that had been dressed by old maids years ago, untouched for so long and yet the sheets still had a smell that burned into his sinuses like a forgotten memory.

It was so quiet in the house. Every footstep seemed to echo. It was dark, too. Each flame he set gave light to the entire room and the hall with it. It felt right that this place had been abandoned for so long. Justified. It deserved to lay dormant with the rest of any happy memories his childhood had to offer. That part of his life was laid to rest some time ago, but revisiting it lit something in him he hadn’t expected.

When he suggested they settle here for a while, Zuko hadn’t thought too hard on what it would be like to revisit this place. It was obvious this house, these grounds, the beach itself, would bring back memories he used to try hard not to think about. That was only logical.

What Zuko hadn’t anticipated was the way it would make him feel about the new people he’s surrounded himself with. The last time he was on a beach with people he thought were his friend group, it was a disaster. Fights and arguments, insecurities thrown around like weapons of war. That used to be normal to him. That was just what a vacation was.

But everyone here was having a good time. Yes, stress was definitely high and in the air, everyone was still keeping their guard up for what they knew was to come after they left. But that didn’t mean good times came to an end altogether. Zuko saw how they still played and teased each other, telling stories at dinner and laughing when they trained. Stress was high, but spirits might’ve been even higher.

Walking through this empty house, he realized that’s what this place was actually for. It wasn’t just a house you stayed in away from your home. It was a place built for bringing people closer together.

And here he was standing in it, alone in the dark.

Zuko sighed, dragging a hand down his face. He knew he should probably go out there. They trusted him now, what was he waiting on? He’s allowed…fun. That sounds so gross. But it also sounds like something Uncle would be telling him right now. If Zuko was any good at impressions, he’d give himself a famous Iroh Special about the balance of work and life, the importance of close friends in times like these. But Zuko sorta sucks at impressions, so he’ll just have to imagine how good some advice like that would sound and suck it up.

He should probably go join them on the beach now. Ugh.

As Zuko walked out of the dimly lit house, the sun felt really good on his skin, warm and filling for his soul. He took a deep breath, in and out, as he made his way toward the beach. The sounds of splashing water and shrieking laughter filled his ears as he got closer, his bare feet now warming in the sand.

“Zuko’s back,” he heard Toph announce from her self-made throne of sand, a little umbrella over the top for shade and flavor.

Zuko made his way next to Toph, watching the other three play in the ocean. Sokka had Aang in some kind of hold with his arms behind his back, while Katara stood in front, doing something with the water that seemed to have Aang in stitches. Zuko was utterly confused.

“What are they doing?” he puzzled, sitting down criss-crossed next to Toph.

“Why, do you want in?” Toph teased with a grin, making Zuko blush and nearly start defending himself (for what, he wasn’t sure) before she interrupted his clear stammering, “Katara figured out how to tickle with her water. She can be a little ruthless sometimes, and I really like that side of her.”

Zuko just nodded, really not sure what to say right now. He felt so awkward, maybe this was a bad idea after all. He’d be better off alone back in the house, it was probably good for him to think about his past the way he was before. Maybe he should just turn back, Toph will notice but none of the others have even acknowledged he came back yet so it’s not like–

“Hey!” Sokka called out, “My arms are getting tired! One of you come hold him for me!”

“Nohoho! Just lemme gohoho!” Aang cackled, kicking the water but not doing anything to actually stop them.

Zuko sighed, regretting saying anything before the words even left his mouth. “Aang, just bend the water!” he yelled their way, “Did you forget you’re the Avatar?!”

Aang just kept laughing for a moment like he hadn’t heard a thing, and Zuko nearly smiled at the boy’s blatant silliness. But in a blink, Katara was suddenly lifted and thrown about ten feet away by a small but powerful wave, Sokka getting launched not long after in the opposite direction.

Aang shot a thumbs up Zuko’s way, so Zuko gave him a quick nod back. Real smooth.

“Wooo, that’s right Twinkle Toes! Show ‘em who’s boss!” Toph cheered like she was watching a wrestling match, throwing an excited punch to Zuko’s shoulder. He winced and shot a hand up to comfort the ache, but otherwise said nothing about it.

He watched as Aang launched a tickle attack of his own against the siblings, Katara squealing and using her own water to try and counter or block any of the water she could. Sokka threw his head back in loud laughter, having no way to defend himself and pretty much succumbing to his fate, screaming with his head above water.

Zuko felt weird just spectating like this, so he started fidgeting with the sand in front of him. He thought for a moment on building a castle like he had with his mother so many years ago, but that was so far from who he was now that he chose to keep it to himself. That can just stay a happy memory for the time being.

He looked up to Toph, who seemed content on bending miscellaneous sand shapes in her hand while she listened to them play.

“Why aren’t you out there with them?” he couldn’t help but ask. Zuko didn’t feel as weird around Toph as he did the others. He still felt awkward at times, but not weird. She was the first person here to really trust him, vouch for him even. She was strong and resilient and damn was she stubborn. Zuko really liked that about her, and even though she loved to tease, he felt comfortable having a conversation with her. That was just who she was.

“Eh, water’s not really my thing. I can’t see jack when I’m in the water. Well, I kind of can, if my feet are still touching the ground. But it’s sorta foggy that way and it freaks me out. I like knowing where I am, and in there I just feel all over the place,” she cringed, forming a little sand sea lion in her palm. “Why aren’t you in there with them? Is it a firebender thing to hate the water?”

Of course she’d turn the question onto him, why didn’t he think of that? Ugh, this was not something he felt like getting into right now. “Yeah, sure. Something like that.”

“You are such a bad liar,” she chuckled, chucking her sea lion at his head playfully. He grunted at the impact and dusted the sand from his hair while she grabbed another chunk to fidget with. “I don’t even need my feet to figure that out.”

Zuko sighed, bringing his knees to his chest to lay his arms down and make a makeshift headrest. “I don’t know how to just…play, like that. That’s not natural for me, it would just be weird. It’s better if I just stay up here,” he said, suddenly feeling very weirdly insecure and unsure of his words, “If, like, y’know–if that’s okay with you.”

She laughed openly at his hesitance. “Sparky, it would mean the world. I like your company! You’re funny to talk to,” she said, and her choice of words made him squint.

“‘Funny to talk to?’” Zuko questioned.

“Yeah, you’re always so uptight. And awkward. It’s really funny,” she chuckled, making him deflate a little. He knew she probably meant the best by it, but her bluntness will always take a little blow to his already fragile ego.

“Is that really the only reason you talk to me?” Zuko huffed, not even looking for an answer if not to just air out his insecurities a little.

“No, you dingbat. You’re really different from the others, it’s a nice change of pace. You’re stiff, and your heart rate might be faster than anyone I've ever met which can get pretty annoying. But you’re very real, and I like that in a person. If you have something you need to say, then you say it,” she paused. “Well, most of the time.”

Zuko sat in that for a moment. He’s pretty sure she was…complimenting him? Maybe? It’s hard to tell with Toph, it’s rare she ever gets sweet with her words. But he’s pretty sure that whatever she meant by that, it was supposed to be a good thing. So he’ll take it.

“Thanks…I think.”

“I know it’s hard but…they can be fun if you try,” she shrugged, forming a little sand-Zuko in her palm and handing it to him. He took it gently, worried it would crumble in his hand. But it didn’t. It stayed sturdy and solid, like a real doll. Zuko turned it in his hand, getting a good look at his mini-me.

“How do you…”

“Know what you look like?” she finished for him. “The others described you to me a while back. It’s probably not perfect, but–”

“No, no. It’s…” Zuko stared at the thing in his hand. It was small, pretty much the size of his palm. His scar was there, but that’s not what he was looking at. Zuko couldn’t stop looking at the smile on its face. On his face. How natural and meant to be there it looked. “It’s really good. You captured my essence,” he remarked playfully, sliding the doll into his pocket. “Thanks.”

“Don’t mention it, Sparky,” she smiled. “Seriously. Don’t.” Zuko couldn’t help but chuckle at that, looking up to see Sokka dragging himself out of the water towards them.

“Teaching Aang waterbending was a mistake,” Sokka groaned, leaving puddles of water in his wake as he plopped in the sand next to Zuko. Zuko flinched, some water from Sokka’s clothes splashing on him when he sat down with so much force.

“Watch it, you’re getting water all over me,” Zuko complained, wiping droplets from his face with the back of his hand.

“Oh I’m sorry, were you the one that just got nearly tickled to death by the ocean?! No, I didn’t think so!” Sokka exclaimed, every big movement he made just splashing more water on a frowning Zuko. “I could’ve drowned!”

“Well that wasn’t my fault, so keep the water to yourself,” Zuko rolled his eyes at Sokka’s dramatics.

“You’re such a baby, Sokka,” Toph chuckled. “Aang took it like a champ. You don’t hear him complaining about a couple of tickles,” Toph cooed in a mocking baby voice, making Sokka squint in contempt.

Sokka pointed a finger toward Toph over Zuko, “I don’t wanna hear it from you. You don’t get attacked like I do!”

“Yeah, cause I set boundaries,” Toph grinned, tossing a foot over her knee. “You guys don’t tickle me cause you know if you even try it you’ll never have use of your fingers again.”

Zuko’s brow shot up at that, and he nearly smiled, but made no comment.

Sokka had no smart comeback to give, instead bringing his hand back in to cross his arms over his chest, pouting. They sat in silence for a moment before it seemed like a light went off over Sokka’s head, the boy perking up quickly and whipping his head toward–

“Zuko,” Sokka started with a grin. “You should help me get back at Aang.”

Zuko’s brow really shot up at that, “What?!”

“Yeah, he’d never expect it from you!” Sokka said, his smile wide and excited.

Zuko stared incredulously, “Did that water hit you over the head or something? I am not doing that,” he scoffed, refusing to look at Sokka right now. He is so stupid, what makes him think Zuko would ever do something so childish?

“Oh c’mooon, you said you were here to help us, right? Well…this would be helping me,” Sokka smiled a toothy grin, really hoping to win him over.

“Just ask Toph, don’t involve me in this. I’m sure she can do some…earthbendy thing and help way better than I could,” Zuko said, looking toward Toph for help.

Toph shook her head, “Nope. This is all you, Sparky,” Zuko could see her smile beneath the shade. He growled in frustration, peeking over toward Sokka.

“You can do it yourself then. Figure it out,” Zuko said, staring back off into the ocean. Aang and Katara were bending and splashing water at each other, their laughs and happy voices blending with the sounds of the ocean waves pushing and pulling against itself.

Sokka grumbled, falling onto his back in the sand. “Was just trying to see if you wanted to have some fun before we get serious again tomorrow,” he mumbled, picking at the sand with his fingers.

Zuko tried to ignore him, but felt a poke to his shoulder on his left. He looked to Toph and saw her just staring at him with this look, like she was disappointed. Or, maybe not disappointed. More like she was saying with her eyes, “Didn’t we just have a heart-to-heart about this two seconds ago?” He felt the doll in his pocket jab into his thigh.

Zuko pinched the bridge of his nose like he often did when utterly frustrated. “If I help you, you have to do something for me in return.”

Sokka shot up, his eyes wide like he couldn’t believe what he was hearing. “Yeah! Anything!” he paused, “Or, I mean, almost anything.”

Zuko clicked his tongue, he cannot believe he is doing this. “There’s some spices left over in the kitchen cabinet. They haven’t gone bad, I checked,” he peeked over to Sokka. “For dinner tonight, we are using those spices. No offense, but I’m tired of eating bland stew every night. If you grab those from the house…” he sighed, saying the words like they crawled from the pit of his stomach, “I will help you get back at Aang.”

“Say no more!” Sokka shot up from the sand and strut toward the house with his head held high. He was obviously very proud of himself for convincing Zuko to do something silly for once, and honestly, Zuko couldn’t blame him. He was surprised himself.

Toph dropped her throne back to the ground, the force of it shaking the ground under them as she stuck her toes in the sand. “You really gonna do it, Sparky?”

Zuko dropped his face into his hands. “I think I just dug myself into a hole.”

That made Toph cackle, and Zuko couldn’t help smiling into his palms.

–

The fish stew Katara was cooking smelled amazing. Zuko had forgotten just how much he missed the smell of real, seasoned food until he found those spices in the cabinet earlier today. At least he was getting something good out of this mess he’s got himself into.

In the living room of the beach house, Toph was proudly showing off all the sand dolls she made today. It was mainly weird shapes or animals she was familiar with, but everyone got a kick out of it.

“Oh, oh, can you do me?!” Aang practically bounced on his heels, clutching the Appa doll to his chest.

“Remind me when we go back to the beach, Twinkletoes,” Toph smiled, tossing a solid ball of sand to the ceiling, up, then down. “I made Sparky one, since he didn’t abandon me on the beach like some people.”

Aang deflated in guilt, “I thought you said you didn’t care…”

“I didn’t care, I’m just messing with you,” she grinned, throwing the ball at a quiet Zuko’s head.

“Ow! Hey, watch it–!”

“Show ‘em your doll, Sparks!” Toph said, the ball launching itself back into her palm. Zuko frowned, feeling weirdly embarrassed by it. He just sat there for a second with everyone staring at him, waiting.

“I thought you said not to mention it?”

“Well if Aang’s making commissions, he should probably see what he’s buying,” Toph said, clearly just proud the others were liking her art so much.

A little shy, Zuko reached into his pocket and pulled out the doll, holding it up for everyone to see. Aang immediately rushed over, not taking it from his hand but still looking at it really close.

“Woah, little Sifu Hotman! Toph, this is so cool!” Aang poked at the doll’s face, “Aww, she even made him smile!”

Katara barked a laugh from the kitchen close by, “Really taking some artistic liberties with that one, Toph.”

Everyone snickered at that, and Zuko couldn’t help but frown (unfortunately proving their case). “I can smile,” he said, shoving the doll back in his pocket. “Maybe I just don’t find you guys that funny.”

Sokka gasped, “What, do we not amuse you enough, Your Highness?” He said in a mockingly fancy tone.

Zuko knows he’s just teasing, but Sokka can really be annoying sometimes.

“That’s not it,” Zuko glared. “I don’t know, maybe we just have different senses of humor. But I can smile.”

He saw Aang glance over his shoulder to Sokka, who was lying comfortably on a pile of pillows. There was a weird, silent exchange happening between them that Zuko couldn’t pinpoint, but he was smart enough to know something was up.

Sokka sat up and looked at Zuko, trying a little too hard to look casual. “So…what does make you smile, then?”

Zuko raised a brow. Kind of a loaded question, if you ask him. “I mean, I don’t know. That’s sorta vague.”

“On purpose,” Sokka corrected. “I can think of a ton of things that make me smile off the top of my head. Like, uh…shopping!”

“Cartwheels,” Aang butt in.

“Sea prunes!” Katara called from the kitchen.

“Feeling the enemy crumble to the ground,” Toph said, way too casually.

Zuko felt a little cornered. This was hard for him, okay? Thinking of something like this off the top of his head was difficult when he’s spent the last three years with a resting frowny face. “Um…” he started, really digging into his brain for an answer. “My…Uncle was really good at telling jokes? They got annoying sometimes, but some of them made me laugh. If that counts.”

Aang really smiled at that, moving to sit next to Zuko on the ground. “That definitely counts,” he said, before shooting another look toward Sokka. Hm…

Sokka got up and sat next to Zuko on his other side, throwing an arm over his shoulder way too casually, “I think that’s a wonderful answer. But there’s just one problem…”

Zuko shot him a confused side-eye, almost shrinking away from Sokka’s touch. “Uh, okay?”

“I don’t think we’ve ever made you smile,” said Sokka, giving a small jostle to Zuko’s shoulder.

Toph snorted across the room, getting everyone’s attention. “You can be real smart sometimes, Sparky. I don’t know how you haven’t figured out what they’re up to.”

Zuko shook Sokka’s arm off his shoulder with a furrowed brow, “What are you talking about?”

She grinned, feeling through the floor how both Aang and Sokka were slowly inching closer to Zuko on either side. “I think they’re gonna tickle you.”

Without a second more to think about escaping, Sokka shoved his hands under Zuko’s arms, followed by Aang throwing himself over Zuko’s lap to wrap his waist in a ticklish hug.

Zuko shrieked, the sensation throwing him off guard so hard he nearly toppled over onto the ground. He would have toppled over, if Aang didn’t have such a strong grip on his waist, not to mention those fingers digging into his sides with a terrible, gentle accuracy. He was a cackling, giggling mess immediately.

“Nohoho-! Wahahait! Waitwaitwaitwaitwahahait-!” Zuko cackled, his eyes scrunched up and his smile wider than it had been in some time. He had forgotten just how ticklish he was until those fingers wouldn’t leave him alone, the digging into his armpits and the scribbling at his sides, it was all so…ugh, it was so ticklish.

“Tried to warn you!” Toph smiled, hearing Katara enter the room to watch while the stew finished cooking.

“Woowww, didn’t know you guys had it in you,” Katara remarked as she leaned against the door frame, watching with a grin. She pointed at the scuffle with her spoon, “I really expected you two to wuss out!”

Aang scoffed with a grin, having to use a lot of his strength to hold the very squirmy Zuko in his arms. “He’s not scary anymore, Katara. I mean, just watch this,” he said, before pinching at Zuko’s hips and making the boy squeal.

“Guhuhuys! Ahaha–wahahait! Hold ohohon!” Zuko twisted in his laughter, his arms sealed at his sides to no avail. If Sokka didn’t get his stupid fingers out of his armpits right now he was pretty sure he was gonna keel over and die any second now. From laughter or embarrassment, he wasn’t really sure which.

“Wait, wuss out?” Toph questioned. “Did you guys plan this?”

Sokka snickered, switching to just using one finger under each arm at a time, and somehow that was even worse. “Yeeeeah, I might’ve pulled a fast one at the beach. Sorry buddy!” he said, before, “Well, not too sorry. This is pretty funny.”

Zuko’s face felt so hot he was almost worried it was gonna catch on fire. Quite literally. “I’m gonna kihihill you twohohoo!” he cackled, finally gathering enough strength to push Aang off him, kicking his feet to make sure Aang kept his distance. But Sokka was unrelenting. “Sokka! Cuhut it out!”

“Ohhhh fine,” Sokka pulled his hands out, bringing one up to scruff Zuko’s hair for good measure. “Before you get mad, we only did it cause you looked a little left out on the beach today.”

Zuko wished so badly that Toph would let the floor swallow him up whole right now. “So your solution was to—do that!?”

“Well, yeah,” Aang smiled a little shyly, “It looked like you felt left out when we were playing earlier. I don’t know, maybe I’m wrong…sorry if that was too much.”

Katara had slipped back to the kitchen for just a moment during their conversation, coming back now with a tray of bowls. She handed Zuko his bowl first, which he took while still glaring at Sokka and Aang. (Well, mainly Sokka. He could tell Aang felt bad, and Zuko’s not like, actually mad. Just so utterly embarrassed and shy that he doesn’t know how to express himself right now.)

Katara gave him a sympathetic smile. “They really like you. They just don’t know how to…express it with you, sometimes.”

“Don’t put this on me, it was Aang’s idea!” Sokka looked a little embarrassed himself, like he’d been caught saying something he didn’t want Zuko to hear. He took his bowl from Katara but wouldn’t look her in the eye.

Aang took what Katara said with stride. She always had a way of putting exactly how he felt into words. “Yeah, it was my idea. You’re really cool, Sifu Hotman! But, I don’t know…I never wanna make you mad, but I still want you to feel included, yknow?”

With a mouthful of stew, Sokka chimed in, “Wha’ he said.”

Zuko wasn’t sure what to say right now. He still felt warm up his neck, and all the eyes on him right now weren't helping. But…he also felt really appreciated? These people certainly had a weird way of showing their affection, but they were trying. For him.

Ugh. They’re so sweet it’s almost sickening.

“We won’t ever do it again. Just…know we meant well,” Aang gave a sad little smile before taking a bite of his stew. Well now Zuko had to say something.

“No, it’s okay,” he stared into his bowl. “Affection, and I guess play, are…sorta new to me. I don’t hate it. I don’t…mind,” Zuko cringed at his own phrasing. Telling them that he actually sorta kinda had a little bit of fun just now felt impossible. He sighed, “What I’m saying is, I won’t get mad if you ever do it again. I know you’re not being mean. And it doesn’t bother me. So. Y’know…yeah.”

Sokka squinted toward Zuko over his spoon. “So, you didn’t hate it…” he shot a grin, “...which, in Zuko Speak, means you had fun right?”

Zuko sincerely wanted to singe the brows right off Sokka's face. Because, unfortunately, he was right. Zuko bit the inside of his cheek, “If I say yes will you drop it?”

“Actually, if you say yes you’re just giving me permission to turn that frown upside-down whenever I want,” Sokka wiggled his eyebrows, making Aang laugh beside him.

Zuko could only roll his eyes and take another spoonful in response, which they all knew in Zuko Speak was a definite yes.

“Ahem,” Toph turned the attention back toward her from across the room. “Now that that’s over, can we please go back to talking about how awesome my new sandbending tricks are? I’ll be generous and take free commissions for the next five minutes, but after that you suckers are gonna have to start paying up.”

Aang shot his hand up immediately, “I call a tiny hat for Momo!”

“Ok, but how about a tiny sword for Momo?” said Sokka.

Katara giggled, “We could give him little sand boots.”

Toph hummed with a nod, drawing up plans in her head before pointing toward Zuko. “Sparky? Any suggestions?”

Zuko looked around the room, everyone’s eyes on him once again. It wasn’t a bad feeling, though. They liked hearing what he had to say, even if it was just for a silly game. Zuko was allowed in on the conversation; actually, more than allowed. Encouraged.

“Um…he could use some sand shades. Really bright outside, y’know.”

There was a small beat of silence, and for a second Zuko almost regretted joining in, before everyone burst into giggles.

“Momo’s gotta be beach ready!” Aang laughed, poking the lemur in the belly. “Toph, he needs sandals. He needs them!”

Zuko couldn’t help but smile along as they kept throwing insane suggestions Toph’s way, his cheeks almost hurting by the end of it. Every once in a while, he’d catch himself glancing around the room, taking in how different it looks full of good company. It was somehow brighter, obviously louder, and the air didn’t feel as tight. Even when they circled back to Zuko’s newfound ticklishness later in the conversation, he felt comfortable to tease back about how weak they all were against the spices he had Katara throw in their stew.

Sokka’s threat of future tickles his way kept creeping its way to the forefront of his mind every once and a while. And he wasn’t…not excited about it. It’s not the tickling he’s looking forward to, exactly. Although, every time he pictures that future attack, he feels the ghost of fingers digging into him again and feels a weird smile pulling at his lips. Zuko puts it back to normal immediately when he catches himself, but it was there, and he knows that. But no, no it’s definitely not the tickling. It’s not just the tickling.

Zuko’s glad they’re not scared of him. They aren’t scared to touch him the way they do the others. It’s different for him, and he knows he’ll have to get used to all this newfound affection. But that’s something he’s willing (happy) to do.

When the night was finished and he found himself in that old familiar smelling bed, Zuko pulled the doll out of his pocket. He traced its details with his thumb under the light of fire he lit in his other palm. Sand took another shape with his friend’s help, and made him smile.

At that moment he decided, that’s what he’ll do with this house. It doesn’t have to feel so dark and alone. Zuko can reshape it.

pls consider reblogging if u enjoyed!! love yall, smooches

#tickle community #tickling #tickle fic #atla tickling #lee!zuko #ticklish!zuko #lee!aang #ticklish!aang

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andrea-lyn · 1 year

Text

atla rec post the third! this round basically all zukka recs!

atla recs - part 3

noble blood by lupus (khaleeseas)

The Southern Water Tribe was no place for a firebender...or even a Fire Prince for that matter. And yet here Zuko was, not only in the South Pole’s capital itself but in the Royal Palace, protecting the tribe’s Chief after a failed assassination attempt. Chief Sokka, his old friend and a man who was intelligent and witty, yet kind of a dumbass. A man who was brave and strong and kind. A man who Zuko was utterly failing not to develop...personal feelings for. __

aka: a kind of roleswap AU with Southern Water Tribe Chief Sokka and bodyguard/mercenary Zuko.

it's more about the things that you take with by winterfire22

it’s been a few years since zuko took the throne, and he's doing his best. but there are some things missing.

enter his new ambassador program, and an opportunity to reconnect with an old friend.

before we jump ship, let me teach you how to stay afloat by eurydicees

He doesn't remember when his feelings changed, just that, somewhere between the fires of his homeland and the ocean of Sokka's pirate ship, he fell in love.

In which Zuko learns to swim, Sokka falls in love, and the sun and ocean remain as steady as ever.

in silence; ripen, fall and cease by aiyah

Zuko reaches out with trembling hands and tucks it behind Sokka’s ear.

“A pretty flower for a pretty boy,” he whispers.

- - -

[or: this is the story of an ikebana artist and the man who visits him.]

zing by meteor-sword (vaenire)

“I’ll just put away the rest of the treats for them. Toph, hold this will you?” He hefts Zuko’s bag over to her before Toph can protest, and she has a mind to drop the bag at her feet before she feels something interesting inside the bag. As her seismic sense ran passively through the bag, she sensed something small; it was heavier than the parchment but lighter than the bag of coins-- giving a feedback of vibration somewhere between glass and limestone.

Like usual, Toph sees this coming when no one else does.

gold in the air of summer by leopardfringe

Sometimes, Toph likes to ask about colors. Not often—people generally aren't great at explaining them to her, but her newfound metalbending abilities have left her curious.

(This, of course, has nothing at all to do with how she doesn’t even need her feet to know who's crushing on who in this group. Nope, this is just purely for research, and definitely not because she's sick of them dragging their feet.)

the stars go waltzing out in blue and red by tristanyvaine

Zuko falls in love with Sokka in the Southern Water Tribe. Sokka falls in love with Zuko in the Fire Nation. It spirals from there.

or: (Zuko thinks a lot about blue, words, love, and Sokka // Sokka thinks a lot about red, touch, love, and Zuko)

To Be Named, To Be Known (To Be Loved) by Erisenyo

Zuko needs tomorrow to be perfect, but when one person is so many things to so many people--My Lord, Fire Lord, Nephew, Zuzu, Sifu Hotman--how is he going to find the time to make sure everything goes exactly right?

Or,

Five titles Zuko has earned himself + One more to add to the list. If he can just get through this Very Important International Celebration first...

this ultraviolet morning light by GallifreyanFairytale

“Sokka?” Zuko’s voice is quiet and raspy as he shifts just enough that Sokka lifts his head up from Zuko’s shoulder. The confession Sokka had ready to go dies on his lips at Zuko’s expression - at the red he can just barely make out in Zuko’s eyes. “Sokka, I… need to tell you something.”

Sokka swallows and nods silently, not trusting his own admission to not slip out if he dares to open his mouth. Zuko must be confessing the same thing Sokka wants to. Which, admittedly, Sokka hadn’t actually planned for, but it’s fine. He can adapt to this. He just needs to shift a few words around in his brain, and--

“You’re my best friend, you know that right?”

And why does Zuko’s tone make this sound like a break up?

sokka and zuko break up, make up, go undercover, thwart a rebellion, watch the sunrise, and change the course of fire nation history. not necessarily in that order.

the stars sighed in unison by spellboundrose

For some reason, Zuko can't stop looking at Sokka out of the corner of his eye. It must be something about the way the moonlight reflects off his skin—or maybe how his eyes, such a vibrant shade of blue, glimmer like the stars above them—

Oh.

Oh, no.

(Or, five moments under the night sky and one beneath the sun.)

everything and nothing at once by tristanyvaine

See, everything would be fine if Sokka was here, because if Sokka was here then Zuko wouldn't be thinking about him over and over and over again while he misses him from the stupid ponytail to his weird Water Tribe shoes.

signs of light by beachytablecloth

And now, out of breath from running, Sokka can feel the anxiety beginning to overwhelm him, stitching his sides and pounding in his ears.

“It’s Zuko,” he finally gets out, panting. “He’s missing.”

or,

Zuko gets kidnapped; Sokka falls apart.

A Predictable Story by mindbending

"On this night, you shall share a kiss with a great love of your life!”

That lying, scummy Aunt Wu predicts a grand romance for Sokka. To disprove her "fortunetelling" once and for all, Sokka decides to spend the night with least romantic person he knows.

Zuko.

Boomerangs and Rainbows by mindbending

At Sokka’s behest, the Gaang skips rescuing Zuko during the Siege at the North Pole. Instead they leave him, unconscious, buried in the snow.

In completely unrelated news, Sokka’s haunted by a ghost now.

little taste of heaven by loserlesbian

"His mom had given him a diary.

No, not a diary–– a journal, she had specified. He knows it’s a diary. Zuko thinks she only called it a journal because she thought that Zuko wouldn’t use it if she said otherwise. A diary is for feelings and angst, but a journal was for working through your problems without all that mushy, gushy stuff. It was for writing out simply what was in your head, nothing more, nothing less."

or, zuko through the years, struggling with himself and his sexuality.

#atla recs #zukka recs #avatar the last airbender #fic recs #zukka fic recs #sokka/zuko

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