#also sorry for getting kind of existential with it

[66sharkteeth]

Weekly thoughts!

Hooboy, the big episode! First off, I think everyone knows by now that you probably shouldn't read these if you haven't read the latest episode, but I ESPECIALLY mean that this week! Talking about some way bigger than usual spoilers.

Phew, this was a big one, both from a writing and drawing perspective. I actually spent a full day on that last panel alone, but writing it took way longer than usual too. Going back and forth between Bell's speech and Jericho's backstory played perfectly like a movie in my head, but it was really hard to portray it as a comic and it was one of the few times I was struggling with the limitations of the format. I think I pulled it off though, since everyone seemed to follow along fine! So while it was probably just a neat scene to everyone else, I'm rather proud of that haha.

As for the actual contents of the episode, I'm also glad everything hit w/ the majority of the audience for the most part. I know a handful were confused about if that was Bell or Jericho who did that, but to those people, I remind you it's been loooong established Jericho can control his extensions (Bell, Charlie, and Claude. Remember, they all took injections of Jericho's blank space?). Also on that note, Bell does not have her own scion... Only Rex and Jericho do. Bell, Charlie and Claude all took injections of Jericho's blank space, thus get to borrow some of his power. I recommend re-reading ep 80 if you need a refresher.

I do consider this ep kind of a big reveal of Jericho's true colors. I mean, you guys have known he's the main villain for ages now, but this is the ep that reveals his "better world for blanks" act is kind of a façade and what he's really seeking is a worse world for humans. The fall of humans benefitting blanks is just kind of a bonus. I'm glad a few people caught onto this with the fact that one of the worst horrors he experienced was having his autonomy taken away from him, then he proceeds to do just that to Bell.

And speaking of Jericho's horrors- Before this season launched, I dropped a bunch of hints about upcoming things. One of them was that the most disturbing scene (in my opinion) was coming up. I was actually referring to what happened to Kallie. I'm not sure if it was as disturbing to everyone else (I totally get like if Claude's leg thing fucked people up more), but being evaporated into nothingness but not dying was an existential dread that really fucks me up haha. If it fucked even a couple of other people up, then I did my job.

I don't have too much else to say about the contents of the episode. It was so hard to bite my tongue for weeks as everyone predicted pretty much every character but Desmond was gonna get it. I'm sorry I don't have too much else to say about him right now given what happened, but I definitely will in the upcoming weeks.

I guess the only other note I have is I might as well address something that bugs me slightly- It's definitely a minority but there's a handful of people who seem done with the series because "too many things go wrong." To which... I'm not sure what to tell ya. I'm fine with critique and criticism to be clear, but honestly, this is one thing I'm actually really confident I'm good at balancing. I'm not sure where people are coming from with "nothing good ever happens in this series" when this season alone has had probably the cutest and fluffiest scenes. Rex has a canon girlfriend, he had his first kiss with her, Desmond was reunited with his sister and learned to accept himself, Lyss learned to move past her trauma and accept blanks, Rex was reunited with Shnee, Rex's scion turns out to be a puppy dog w/ a crush. I'm aware a lot of these got kind of crushed with this latest ep...but that's.. kind of. the. point??? That's how you write tragedy and impactful scenes??

I dunno, maybe this is personal to me because it's ALWAYS bugged me when someone tells me they think a show is bad because it's "too dark." Like no... It's not *bad* because it's too dark, you just don't like dark themes, and that's okay. I TOTALLY get if CoB has gotten too dark for some people- it's definitely hit some hard themes and subjects, but I don't like to accept that as a critique. It just means it's not for you and that's okay. There's a ton of other great comics that are more light-hearted! I think the TLDR of this is it will always annoy me when people say something is bad just because it's not their taste.

Now. That said... everyone is completely valid in their hate of Jericho. I, however, still love him.

#weekly thoughts

[comradekatara]

Ok we should talk more about sokka and aang because these two dumbasses are adorable together! Underrated relationship

The gag with Katara and blind Toph in season 3 is still the funniest scene in the series lol

yeah their friendship very cute. i like how when they're left to their own devices their respective adhd tendencies combine, that feels very true to my relationships with my friends who also have adhd lol. it's also just really adorable how through aang's sheer lovability, sokka learns to loosen up a little and appreciate life (somewhat, sometimes) in a more relaxed, content way. aang is a really good and highly valuable influence on everyone around him, especially as he counteracts the logic of war and its necessity for violence, which is an ideology sokka not only heavily subscribes to, but to which he attaches his very personhood. aang reminds sokka that he is still a child (he reminds katara of this too, but it happens in the literal pilot, whereas sokka's journey to literally enjoying himself ever is far more gradual and grueling). aang reminds sokka that he is human.

that said, i do think that people tend to be reductive when talking about the value of their relationship. not to single you out specifically, but i do kind of take umbrage with the notion (perhaps unintentional) that all their dynamic is good for is being adorable and funny. calling them "dumbasses" because they can be silly and goofy sometimes, or scatterbrained and absent-minded. i genuinely think that aang and sokka constitute one of the most interesting foils in the entire show. normally when we talk about character foils, we talk about characters who are positioned in opposition to each other, but aang and sokka are fascinating because they're allies (and friends) who nonetheless approach the same problem with the same intentions and the same goals but from completely different angles.

in many ways, sokka is aang's most distinct opposite. but first, to address their similarities: they're both victims of a genocidal imperialist project that has burdened them with a responsibility to their people that they are too young and barely equipped to handle; they are both expected to shoulder this burden easily by those around them due to their nature as "gifted" child prodigies with distinctly unique skillset and an unprecedented ability to absorb and apply new information that they learn at a genuinely abnormal rate (remember that aang is not just the avatar, but an incredibly prodigious avatar at that; he mastered all four elements within less than a year by the age of twelve, whereas most avatars take at least another four years to master their elements); they are both the "leaders" of their small guerrilla militia of child soldiers, and they take turns giving each other guidance and trusting and following the other's lead; they both consider katara the central figure in their lives and love her with an almost obsessive devotion; they both repress their grief and other unpalatable emotions through humor and constant distraction, and sometimes even depersonalize entirely when they feel that their goal is more important than retaining their humanity (sokka does this more frequently, but when aang does it, it's more blatant); and of course, they both harbor massive guilt complexes for the devastating tragedies (largely beyond their control) that have shaped their lives, and are constantly replaying those moments of "failure" as that of acute shame to motivate themselves as they strive to rectify and "atone" for their past errors.

so, as you can see, reducing their friendship to "adorable dumbasses" is already not very interesting. to me, the best aang and sokka scenes aren't the ones wherein they are playing and goofing around together. those scenes are sweet and charming, of course, but the best aang and sokka scenes are the ones wherein sokka is positioned as the logical consequence of aang's grief. wherein present-day sokka becomes the worst case scenario for a hypothetical future aang. in many ways, their friendship is incredibly bittersweet, because it is also punctuated by moments wherein sokka threatens aang's entire value system and quote-unquote "innocence" through attempting to mold him into a Man Of War the way he does those hapless toddlers in his village. for all that sokka is remarkably open-minded and receptive to new ideas, he cannot see past the limits of the world he was born into and the mechanisms and assumptions of violence he was forced to internalize and embody. aang is, of course, totally unique in his ability to not only envision a world beyond the war (i would argue that katara has the ability to do this as well), but also to have actually experienced it. and so it is truly a testament to aang's resilience that he is almost entirely impervious to sokka's ruthless, militaristic logic, even as sokka constantly attempts to enforce it.

i have a much longer post in my drafts about how aang and sokka are positioned in "the serpent's pass" (one of their best episodes in terms of their dynamic, also just a highly underrated episode in general), so i'm not gonna get too much into it here, but katara's relationship to aang as paralleled with suki's relationship to sokka is really fascinating in this episode for the ways in which it also positions katara's grief over witnessing aang's attempt to detach himself from his grief to focus on his goals and aang slipping into "sokkahood," and the absolutely devastating implications of what that must mean for katara. i think there's a strong case, in general, for the reading of katara attempting to replace her lost childhood (with sokka) through aang as he represents a vehicle for her overly idealized nostalgia (much like how zuko projects onto aang and views him as a vehicle to return to that site of his overly idealized childhood), and thus, quite literally, replacing sokka with aang. to katara, aang possesses what sokka has since lost, or perhaps something he never got the chance to have in the first place. and that isn't to say that katara views aang as a brother, but rather that katara longs for companionship in any form, and what is aang if not the ideal companion? so aang's grief and rage scares her not only because it pains her to see someone she loves so deeply in so much pain, but also because it reflects her own pain back at her, as someone who has lost so much, including family members (also including kanna and hakoda) who are, ostensibly (at least physically), still alive.

one of the most fascinating scenes between sokka and aang in the entire show is when sokka straight up attacks aang for burning katara in "the deserter." katara is very clearly affected by this beyond simply the physical pain; being burned by the weapon that killed her mother is explicitly triggering for her, and she retreats into herself and sobs like a child (she is a child, but you know what i mean. an even younger child). and sokka in turn is triggered by katara being triggered, because his entire existence revolves around his oath to protect her, and she was just hurt by the one person to whom she stakes all her hope and pride and joy and affection above all. aang obviously understands the gravity of this accident immediately; it of course wasn't intentional, but he nonetheless takes full accountability and apologizes sincerely. but sokka only calms down somewhat once he knows for certain that katara is okay. and instead of going to find katara as she sobs, he spends all his focus on yelling at aang, throwing him to the ground, more furious than we have ever seen him. and in a way, it's clear that he's also furious at himself, for having let his guard down around and trusted aang, and for his failure to perform his primary duty, protecting his sister. the fulcrum of aang and sokka's relationship is, necessarily, katara. she is the force that brings them together, and the person who is most important to either of them, but she also person who connects them in her mind, and so our perceptions of them as the audience are primarily informed by her perception of them as the narrator.

moreover, sokka's advocacy for killing zuko (in "the siege of the north") and ozai (in "sozin's comet") constitute two more fascinating scenes with aang, for the way in which sokka does not even find the act of killing something to flinch at, let alone an absolute betrayal of core principles and values the way aang does. killing is simply not something sokka feels guilty about, despite the fact that he seems to carry guilt over simply existing a lot of the time. and that juxtaposition, between aang and sokka playing together, of sokka learning how to have fun and entertain his little friend, versus sokka chastising aang for refusing to commit murder, is what makes their relationship so compelling. when people reduce their dynamic to its most comedic and innocent mode, they are reducing their roles as they embody two opposing relationships to violence, and how that reflects their ideological positions as someone who has subscribed to imperialist logic insofar as his values have been shaped by war, as opposed to someone who knows through his own experiences to refute that logic by any means necessary. when we talk about aang helping sokka to regain his humanity, it is crucial to understand specifically how sokka lost his humanity in the first place, but also why aang specifically is so crucial in counterbalancing his logic in a way no one else alive actually can.

ultimately, if sokka represents the voluntary auto-dehumanization of the colonized subject, then aang represents the potential of preservation and even reclamation of humanity and the imaginative potential of a world[view] beyond those colonial limits. their ideological conflict is not simply one of what it means to be human within a colonized paradigm, but what it means to exist at all.

#lilith-91 #asks #aang&sokka #analysis #aang #sokka #katara #under a readmore again bc i ended up writing a bajillion paragraphs (again) #also sorry for getting kind of existential with it #again obligatory disclaimer that i recognize that this is a nickelodeon y-7 cartoon #that said. i do think aang and sokka are really deep characters. like truly #and i want to honor that properly #(when i finish that serpents pass essay its over for u hoes...) #anyway. i love them so much. they are so much more than adorable dumbasses. #although yeah they are that too

[mysticalskunk]

you know that feeling when you really like a character but you cannot find any good content for them because people just ... don't really get them.

#thats me with predator hawk and flying frog #from a rchie sonic #people really just forget he is a cannibal #like he says he hunts others views them as prey #and Flying once asked him when they were fighting someone how dinner is going #not to mention all the other issues he has #and was never satisfied #idk i just really love his backstory because he really was dealing with some kind of existential crisis #i will write the predator hawk analyze soon #but also what bothers me is when Flying Frog gets portrayed as this silly lil baby??? #he'S NOT. #he is not dumb as people would like to believe he knows exactly what's going on #even Scourge is scared of him #he kills people #and he views it as a game #sorry was re reading the comics with them and man i love them #people forgot about pred's cannibal side or other issues and then make Flying...dumb? #idk its weird #flying is actually a capable fighter and incredible focused its terrifying

[earmo-imni]

Genuinely concerned and astonished (and also kind of horrified) that “killing people is bad always*, yes, even the people who probably deserve to die for their actions” is as controversial an opinion as it apparently is

*killing people in defense of oneself or others is understandable, not saying people shouldn’t like. Protect themselves or other people. I still think killing should be a last resort but also like yes protect yourself and others obviously

For real though why is that controversial?????? Why do people genuinely think that killing people is fine and good as long as it’s the “right” people???? Do they not realize how easily that is abused? How similar that is to the beliefs of fascists and bigots? What the absolute fuck what is wrong with people??????????????

#i am holding full/metal alch/emist brother/hood and ste/ven univ/erse close and defending them rn #(sorry to screen readers but i don’t want this shit in main tags ill get my ass murdered) #both series are unnecessarily controversial in large part bc people apparently can’t handle the concept of #a justice system that’s rehabilitative instead of retributive. or at least don’t include the death penalty #both series also go very hard on the idea that every person Is A Person. yes even the bad ones. and they should be treated with dignity and #respect no matter their actions bc They Are Still A Person #too many people want to dehumanize anyone they deem sufficiently evil but that’s just not how life works #That Is Still A Fucking Person Now Deal With It You Little Shits #life is not has never been and never will be a black and white moral thing stop trying to make it so #it won’t FUCKING work #im actually very mad about this #auuuuugggggggghhhhhhhh #marijn vents #vent #existentialism is the only correct school of thought in philosophy of ethics actually #fuck all yall bitches who want to ascribe some kind of constant code of rules and shit to everything life dont work that way

[mothheart]

If you want a really unique game experience that'll blow your mind please please play outer wilds. I haven't even finished but it's brilliant

#and go in 100% blind!! i mean it!! #its the kind of game that you just would Not get the full experience out of if you dont go in blind or watch gameplay #its worth it like so genuinely #im obsessed #sorry #also if you like the kind of game that fills you with grief and deep sorrow and existential dread then. this would be your jam #its so good. so good #miles rambles

[tadc-ragatha]

Being Their Friend

TW: Breakdowns/crises (mentioned), knives, swearing, centipedes, bullying, general mental health stuff, Zooble's limbs being (painlessly) moved/stored/body horror

Type: Headcanons

A/N: Hi. These are just for fun; don't get up in arms if they aren't perfect (they can't be anyway, considering how far into the show we are). Requests aren't open (EDIT: they are open now). Spoilers obviously. Includes only the main six because I honestly don't know enough about Caine yet.

Pomni

Being her friend entails a multitude of existential crises. Everyone's trying to find their own way to cope, but expect to be helping her through many a panic attack. She's a hot mess most of the time, and doesn't really know what to do.

As seen in the trailer, she still gets scared of getting hurt, much unlike people like Ragatha who know they can't be harmed by knives or whatever else Caine throws at them. It'd be your job to help calm her down during these situations and help her adjust to not being hurt.

Other than that, I imagine once Pomni gets (semi) used to living in the digital circus you'd spend a lot of time looking for the exit. She definitely wants to get out of there before she becomes abstracted--something she knows is possible with her mental state. She also just wants to get her and everyone else out of there. Even that jackass Jax.

Pomni would take a lot of comfort in the things that connect her to the real world like food. If she offers you some food, you know you're really friends with her. If she had access to drawing/painting equipment or whatnot, I reckon she'd try to draw herself in her real form (if she could remember). She's like to see what you look like, and would compliment you on your appearance.

Ragatha

Ragatha's been in the digital circus for a while, and is much more comfortable with it than some of her other friends (or so she likes to pretend). She's fine with getting hit with knives as seen in her introduction short and likely wouldn't be scared of dying by anything else. As she said, her only fear is centipedes.

Still, it'll be your job to get them out of her room for her. Everyone knows what an arsehole Jax can be, and she sure as hell isn't risking walking into her room to find tens of thousands of them. If you don't do it, she's staying in your room for an indefinite amount of time.

Actually, I think Ragatha would like to have sleepovers anyway. It'd keep her impending thoughts at bay. Even if she doesn't require sleep, it's fun and reminds her of home. Like I said in Pomni's section, I think she'd enjoy drawing or painting. Or any creative visual art really, but especially drawing and painting for the purpose of making pictures of what you look like outside of the digital world.

Though be warned, the sight of her may send her off on a spiral of homesickness. Since Ragatha serves as a kind of rock of stability (as best as her overly optimistic self can), seeing her collapse may cause the others to collapse, too. Except maybe Jax, but it'll be up to you to try and get everyone back together before abstraction happens.

Jax

First of all, I don't know if this is possible. Not only are we so little into the show to really know, but Gooseworx also said he's going to have some really bad scenes. So, I suppose you won the lottery in doing this...Maybe. It really depends on how you look at it.

Because first of all, he's still a massive dick. He's just rude to everyone, so expect nothing different. He'll still be a jerk to you, "prank" you, or really, just straight up bully you. Honestly, half the time you can't even tell this guy is supposed to like you. He doesn't even really say sorry unless it's sarcastic.

The only way you can tell he likes you as a friend is when he gets all up in arms about you being annoyed at him. At first, at least, he's confused as to why you can't just let it go. Over time, though, he gets more in tune with his emotions and starts to mellow out a little.

However, it does come with the perk of having someone who will beat the ever-loving life out of whoever hurt you. Okay, well, not that far--he's got to keep his reputation as someone who doesn't care about other people, so he'll at most just be a bit of a bigger pain in their side. But it's still there.

Things you'd do together include terrorising the other members (or, he tries to get you in on it, anyway), sneaking into people's rooms to snoop around, and all-in-all just being a bit of a pain. But you also do other things; he seems like he's not one for visual arts or theatre, but maybe he could play an instrument and may--very heavy on the "may"--teach you some stuff. Otherwise, I don't think he's an arts guy. He'd enjoy video games, though, if they had those! And going to the digital carnival for thrills along with just exploring the grounds.

Kinger

Kinger would be an interesting friend. I have two routes for this guy based on a theory I saw. Route one follows him actually being on the brink of insanity/abstraction. In this route, you have to make sure he's alright. Just be gentle with him and check up on him every now and then. But don't be in his face all the time. Everyone needs a bit of personal space.

You can still hang out with Kinger, obviously. You can still talk about things you'd normally talk about, whatever that may be. Just don't bring up the abstracted queen (who I shall be calling Queener). It'll bring up some...Bad memories.

Anyways, my second route is this: based on a theory, Kinger is actually one of the more stable ones in the group, and is just pretending to be on the brink of losing it. Basically, if I remember right, he's pretending in order to get out of the activities/shenanigans of the group.

But no matter what his reason for doing it is, he's smart as hell. Having tricked everyone, it'd take a keen eye to figure it out. If you do, he'd be impressed. Once he trusts you enough, the two of you will discuss the other circus members and how to outsmart them secretly. You'll also just hang out, gossip...He feels like a guy who'd be into drama, with his whole being the actual king thing. You two would do some impromptu skits and whatnot to pass the time.

Gangle

Oh, Gangle. What would you do with Gangle? Well, you'd certainly have to be gentle with her. She's a very fragile soul--and also fragile physically--and needs some care. Help her repair her mask, or better yet, stop Jax from breaking it in the first place. In fact, just stop him from doing any mean stuff to her in the first place.

Other than that, Gangle is someone who'd actually enjoy drawing as a hobby and not just a memories thing. She draws anime, and would make you and her anime personas with cool abilities and features like wings and shit. I imagine her art style is very early-mid 2000s anime, with the really big eyes and whatnot.

Anyways, I reckon she'd also write. Mostly fanfiction when she wasn't stuck in the digital world, but since there's no fandoms to write about now she'd start branching out into her own original stories. But don't get me wrong; if anyone was going to write about their friends and fellow members it'd be her. She just hides it somewhere other than her room. Gangle would like to write stories about your sonas going on adventures and saving the world.

Eventually, these stories probably get found by Jax or someone else (but probably Jax). He'd laugh his arse off at them and would run to tell everyone about it. Unless you can absolutely beat the shit out of him, prepare to do some explaining and also comforting for her.

Zooble

Zooble does not give much of a shit about the others. They wouldn't let them die (at least I think so), but they're in no way buddy-buddy with them. In order to be friends with them, you'd have to meet their strict criteria. So, good job on that!

Being friends with them would either involve lots of gossip because they want to talk shit about people and complain, or it'd have no gossip because they honestly couldn't care less about the others. I can't tell. But if you do gossip, I imagine they know a lot about the other members. You'd be filled in on everything they know, too. They've been dying for someone to tell this too.

Zooble's also very particular about their looks, as seen in their introductory short. They have many stored limbs and whatnot to swap around for their mood. Don't mess with their body by switching around their antennae-like things or ripping off their body parts like Jax. They will retaliate.

Going off of this, though, I imagine they're pretty strong. I mean, they choked Jax like that. So, if anyone (him) comes around to piss you off, you best bet they'll be on their way to beat his arse. Though, it probably ends in a tug-of-war with one of their arms.

#amy's writing #not requested #the amazing digital circus #tadc #tadc x reader #x reader #tadc pomni #tadc ragatha #tadc jax #tadc kinger #tadc gangle #tadc zooble #tadc headcanon #the amazing digital circus spoilers #tadc spoilers #breakdown tw #crisis tw #knife tw #swearing tw #centipede tw #bullying tw #body horror tw

[duskyvenus]

Super Blue Moon: What you need to hear right now

This is a general intuitive reading meant for entertainment purposes. Take whatever resonates. I am still practicing my intuitive ability so feedback would be really helpful :))

Pile 1

You might be wanting peace, a quiet life. I'm seeing walks in the nature, consuming healthy unprocessed food, lots of fruits. You might like red or orange colored fruits (could be any). I'm sensing changes in lifestyle. Maybe you will relocate or renovate your home (changing your aesthetics and style). Your soulmate(romantic) or current partner or future partner(whatever resonates) is sending you messages of affirmation. Also they might like to stare at you and admire your features lol. I'm hearing: It's all about the little things. Maybe this is something you believe in or it is about to become a theme in your life in the near future. A short trip or holiday might soothe your nerves a bit, preferably somewhere cooler. Overall, I think change is coming your away; there's this picture of letting things go and relaxing in a lodge in the mountains while sunlight creeps in through the window. Yeah lots of sunshine imagery in this pile. It's about how the sun slowly warms you up. Slowly and surely you will be moving to the next stage.

Pile 2

Similar to pile 1, I think you might be in need of some sunlight lol. I'm seeing something about hobbies, so maybe you need to get back to them? You might not have completed a previous painting, book, blanket or whatever. I'm also seeing cakes which means some kind of celebration. It might be your friend's birthday soon. Yeah I'm hearing about a dear friend, someone you think is your soulmate (for some of you, they are :] ). Or maybe a connection where either person has romantic feelings and the other feels neutral. Some of you might be studying hard and preparing for your future job and you're trying to keep a positive mindset. I see so many drawings and scribbles in a notebook. This is the student pile. I'm also seeing baked food and the aroma of cafes. Maybe you like to do your work in a cafe with a cup of coffee and some cake. Also you might be secretive and like to keep things to yourself. Might be a homebody. You are working to chase a reward and you're feeling frustrated because the path is so long. Don't be too hard on yourself. Set small goals and reward yourself for finishing them.

Pile 3

Whimsical and airy vibes for this pile. I'm hearing that you might have witnessed something paranormal? Or something that just can't be real. Hmm existential crisis? Questioning the universe? Questioning yourself? I'm seeing wings. You might be wanting to just fly away lol. Or they could be angel wings. You might be feeling lonely. Recently you might have ended a friendship or relationship OR you might have lost someone so you feel empty. I'm really sorry for your loss :( A big phase of your life suddenly came to an end so you're feeling lost. Old memories flashing in your head. Though I also feel that someone wants to approach you with hopes of making new memories with you. They seem like a very doting person and also calm. 'Calm'; your head is a mess and you feel like you're not able to think clearly. You might be asking yourself, "Am I seeing/hearing things?", "Why am I not able to do such a simple task?" Maybe your spirit guides or guardian angel want(s) to communicate with you and for that I'm hearing lavender and mint. Meditation may also help you to sort out your thoughts.

Pile 4

This is the happy-go-lucky pile. I'm seeing you have so much fun with your friends! You seem like the type to uplift people's moods. It feels empty when you're not around. You might feel pressured to keep up this cheerful image. Lately someone might have been rude to you or accused you of something or just bad-mouthed you. You might have felt taken aback because of this and tried to reflect on yourself. Don't worry, they're just jealous. Maybe you started thinking about the time when your demeanor was very different from now; you were not a cheerful person to begin with, but you started acting this way because you wanted to be treated differently. Now that there has been a sudden rejection that is asking you to re evaluate your choices, you are considering reverting back to your old self. Or maybe you think a lot about your friendships and just feel overwhelmed by the love :( This is so wholesome. You feel deeply and often wonder about the outcomes of your actions. I think that's why you wanted change, you genuinely wanted to be of help to someone. Your friends really appreciate it even though they won't admit openly (for some of you, your friend is a tsundere lol)

Pile 5

An ethereal energy in this pile. Stargazing and being mesmerized. You know that feeling you get when you look up at the stars and wonder if someone is watching you? I think your guardian angels want you to know that they are always there for you. If not a guardian angel then a deceased loved one. You have big aspirations but you often feel intimidated. You may have doubts about the path you're choosing. I just want to say that you have the star quality and you're blessed. I'm hearing fate and good luck. If you have been manifesting, try using candles or star shaped objects. You can even use them as a lucky charm. "You drew stars around my scars" - this may apply to you and someone you know. Something about light at the end of the tunnel. 'Hope' ; someone or something gives you hope to keep going. You're working really hard, you just wonder if you'll get the results. This kind of reminds me of pile 2 so you might want to check that out. "Funny how all dreams come true"

Pile 6

You might be talking to someone and you don't really know where this is going? You can say it's a situation-ship. Or you're crushing hard on someone. Either way this is making you giddy. You might also be transforming yourself and so all the changes are making you feel giddy. A very new feeling. You're trying to look at things differently. You're trying to concentrate. You're craving some form of affection. The message I'm getting is that self care will help you get that faster. Also I'm hearing that you have a vibe that is easy to mesh with. People often find you attractive even when you're not doing anything. "Aphrodite's blessings" - you may get the glow-up you've been waiting for. Similar starry night vibes as pile 5. You're also really good at giving compliments and appreciating the beauty of the smallest things. You are a very loving person if you are given the space to do so. "Hang in there baby." - your future partner could be very devoted to you.

A channeled message for everyone: Please eat well !! And have some good sleep!! Take your vitamins!!

#pick a card #intuitive readings #psychic readings #pick a pile #pick a card reading #tarot #divination #tarot reading #duskyvenus

[strangelittlestories]

It was in the 6th year of the Wars of the Real that the anti-magicians and their Realis project (that all should act in accordance with certain physical laws) were truly challenged. This was due in no small part due to a singular invention from a family of forest witches.

Their discovery was as ingenious as it was stupid. And it radically changed what a disparate collective was able to accomplish in the face of both overwhelming force and abstract certainty.

It also caused a truly historic amount of epic shitfuckery.

From “I Fought the Spore and the Spore Won: a history of Realis and Resistance”

- - -

“So, you’re the new recruit, huh?” The woman who spoke wore strange armour that looked like it had been grown out of wood. The helmet alone glinted with metal spikes.

“I … uh, I guess? Sorry, I’m kinda new to this whole ‘magical kingdom’ deal you’ve got going on here…” The recruit in question was wearing dull red overalls and a ‘what-the-fuck’ expression.

“No worries, kid. We put out a multiversal call for aid - so anybody with a latent magical destiny or a strong subconscious hero fantasy got pulled in. Very much a ‘To Whom It May Concern’ type of spell.” 

She patted him on the shoulder. Up close he could see that the spikes on her helmet were actually the shards of a broken crown.

“So, uh, do I get any kind of training?”

“You already did, buddy. The spell should’ve planted a ‘potential seed’ inside you. When you’re exposed to trauma, then just in the nick of time it’ll suddenly sprout into the skills you need to survive. Very dramatic.” She paused for a second. “Or you’ll die. Also very dramatic.”

“So … either I’ll be awesome or I’ll die?”

“Well, you would die … unless you have one of these.” She threw him a small vial. He fumbled the catch, but grabbed it on the second try. Inside the vial swirled a glowing grey-green mist. “You catch a mortal wound, drink it. Or smash it on the injury. The fungus inside will patch you up.”

“Fungus?” The man was a pretty even split of horrified and fascinated. He simultaneously wanted to throw the vial away like poison, or guzzle it like forbidden candy.

“Yeah, you ever hear of ‘ophiocordyceps unilateralis’?”

“The weird zombie ant mushroom? Yeah, I saw it on a documentary!”

“Well, a family of witch-mycologists - real wyrd scientist types - they brewed up this variant in their forest. They turned it from a parasite to a symbiote. If it knows who you are, it’ll heal your wounds, get your heart pumping, even move your limbs for you.”

“How do I get it to know who I am?”

“You feed it.” She grinned ghoulishly. “Chuck in some hair, some blood, whatever bits of you are going spare. Anything to sync it up to your DNA. Think of it as your very own cannibal sourdough starter.”

“And people actually use this?”

“Oh yeah. Folks swear by the stuff. They even had an argument over what nickname it should have. The winner was the truly cursed phrase ‘resurrection juice’.”

“...really?”

“Oh yeah. The juice brigade are pretty smug it caught on. Some smart alec tried to give it a mushroom name, but they got one-upped by the juice thing.”

“I’m not sure I’m a fan of sharing my body with a fungus.” He tried to find the right words to articulate the niggling philosophical nuances of the idea and failed. “It feels like, I dunno, a bad idea?”

“Oh, it’s a terrible idea. A real crock of stupid. Pure idiot-fuel. But sometimes, when the world’s against you, the truly bad idea is the only one you have.”

“But, I mean, once the fungus takes over … would I still even be me?” The urge to gobble up the taboo canape had begun to be edged out by the existential dread.

“Look at it this way: you’d be mushroom food anyways, right? Why not let it be mushrooms who think they’re you? I think it’s kinda comforting that when the time comes, I can just relax and let fungus take the wheel.”

The man paused for a second, pondering the nature of life, decay, and resurrection.

“Anyways, they’ll be summoning the portal to pipe us out on our first mission soon. So best get ready.” The princess (for that’s what she was) thought for a second, then asked: “By the way … what did you do before you got sucked up into this particular asscrack, anyhow?”

The man gulped.

“I was a plumber.” He said.

#a long one but hopefully worth it #writing #flash fiction #I realised halfway through writing that this read like a grimdark mario bros fic and I just leant into that #still contains at least two puns for those keeping count

[s0ulryo]

Headcanons for dottore in his time in the academya with a crush who's nice and friendly with him?? Love seeing this loser obsess with someone who showed him kindness for the first time lmao

Il Dottore Having a Crush Headcanons [Sumeru Akademiya Edition] ⋆*.✩‧₊˚

[Dottore x Reader]

Synopsis: Il Dottore having a crush on another student.

Tags: Mostly fluff, a little crackish, soft headcanon, slight cw obsessive Dottore, and slight violence.

Notes: Oocish? Proofreadish??? I love Dottore. I ran out of ideas after the third sentence #igetstuckeasy. Gets really rambly. It's not super great so i might fix it later Also, it’s like 4 am :sobs: ALSO THANK YOU FOR BEING MY FIRST ANON <3333. Please tell me if you enjoyed!!

(Reader is always gn unless otherwise specified.)

Dottore being shunned for being a "monster" and "madman" wasn't anything new – he was kicked out of his home for his scientific experimentation concepts, and now he is being rejected by the students and teachers at the akademiya for the same thing.

However, you are the exact opposite. Most of the time at least. Before you associated yourself with Il Dottore, you were admired and respected by your peers. You weren’t as smart or as talented as the other students, but you were a pleasant person to be around and that’s what the other people at the akademiya liked about you.

The way you met Dottore wasn't the most...conventional. You saw Dottore getting beat up by one student in a classroom, and you were feeling like a menace that day; so you simply hit said bully over the head with a book – hard. He’ll be fine right? A small blackout never hurt anyone anyways.

Dottore was confused. He also was quite concerned, you were standing over him and the other guy with a book in hand. Why wouldn’t he be concerned? 

You handed Dottore the book and left the classroom after that. You didn’t know him that well, you saw him around campus once in a while and you heard the rumors about him, but you never really talked to him. In all honesty, you didn’t care about him or his rumors. ‘Madman’ this, ‘homicidal maniac’ that, he’s passing his classes with higher marks than everyone else so he has to be doing something right. Right?

Ever since Dottore ‘met’ you, he’s been preoccupied with trying to find out more about you. Most people don’t hit a stranger over the head with a book. He’s overheard conversations about you and has been trying to find out what kind of person you are. Most people at the akademiya despise him – do you despise him too? Did you want a favor from him? So many questions about you plagued his mind since that day.

The first time you had a verbal conversation with Dottore was after one of your classes. You were having an existential crisis behind a building because you slept through your lecture and didn’t understand half of the material, and he was trying to hide from other students.

“I’m so going to fail, what does this even mean – maybe it’s not too late to drop out...”

“[Name] it’s halfway through the second semester, yes it’s too late to drop out now.” 

At that moment, you started to realize that you didn’t really like Dottore. He’s not…awful, it’s more like he laughed at you mid-breakdown. Yeah, you can have inhumane experimentation ideas, but laughing at your panicked state was a big no-no. (It’s fine, you started to like him more as you got to know him better.)

You proceeded to try to subtly avoid him after that. You were polite to him because you had to be, but you didn’t want to deal with him too much after that conversation, but that’s hard to do when you saw him almost everywhere. Dottore was like gum stuck to your shoe that you couldn’t get rid of. 

Honestly having him around you wasn’t too bad, and after a little bit, you started to enjoy his presence. You kept the bullies away from him, and he helped you pass the classes that you tended to sleep through. Sometimes you felt sorry for him though, he is a little odd – if you count inhumane scientific suggestions as odd; but they’re just suggestions, right? So no harm done. Plus, his ideas were slightly interesting if you thought about it. 

The more you willingly hung out with Dottore, the more he grew addicted to the feeling. After a certain point, he starts to think of you as a close friend. Seeing how you were his only friend.

Dottore as your friend is a good and bad thing. It’s a good thing because he’s extremely helpful when it comes to your classes and he’s an entertaining person to be around, but it’s a bad thing because he’s such a wildcard.

He’ll bully you and pull pranks on you all the time. Your least favorite prank that he pulled on you was when he hid your Sumeru Akademiya uniform from you. Or when he promised to help you study but spoke in Fontaine/Fontais (French) the whole time.

I think Dottore’s feelings for you kind of snowballed. It slowly built up till the realization just kind of…crashed into him. He confirmed his feelings for you after he received a birthday gift from you. It was something really trivial honestly. He offhandedly mentioned that it was his birthday a few days prior and was surprised to see you with a neatly wrapped package the next day at his front door.

“Why are you here [Name]?”

“This is for you Dottore.”

Dottore looks at you puzzled “A package?”

You sigh “A gift you idiot. A gift for you – for your birthday.”

Looking at you like you're the weirdest thing he has seen he says “A gift for my birthday?”

“Yes Dottore, a gift for your birthday.”

“Why would I need a gift for my birthday?”

“Have you never received a birthday gift before Dottore?”

“...No?”

He was pleasantly surprised to see a mini tool kit inside the package. You knew he liked tinkering with stuff, and he was surprised you remembered that. He just kind of stood there in thought for a bit after that and was like 'wow this is nice, someone cares about my wellbeing'.

I also think Dottore would try to impress you by complimenting you or trying to “flirt” with you. Keyword – try. He’s so shit at it, it’s not even funny. He tries, he really does. He just wants you to feel like how he feels when he’s around you. He’s just not as good with his words as you are, though that could be because he was shunned by mostly everyone in his life for his whole life. 

When he’s complimenting you it either doesn’t make a lot of sense or it’s extremely backhanded, and when he’s trying to flirt with you he either forgets what he was supposed to say or just starts to insult you.

“[Name] if you were a…”

“If I was a?”

“I forgot what I was going to say [Name].”

Dottore isn’t really the type of person to do anything when he has a crush on someone. He won't actively try to seek out a relationship with you mainly because he doesn’t want to ruin the relationship he has with you. He may be bad with social cues, but he understands if you don’t reciprocate the feelings he has for you it could mess up your guys’ current relationship.

On a different note, he’d do anything for you. You were the only person who really showed him any form of kindness, even if that kindness was extremely minuscule at first. He appreciates everything you've done for him – whether that’s getting him gifts, or cooking him meals, he’s really thankful you do that for him. He’s just so whipped for you.

Il Dottore is a man that found an obsession with the feeling of being wanted. A feeling that you have provided for him, and one day he hopes he can tell you how he feels.

#s0ulryo #s0ulryo writes #genshin impact x reader #genshin x reader #geshin impact #genshin impact headcanons #genshin headcanons #il dottore x reader #dottore x reader #il dottore #il dottore genshin #il dottore headcanons #dottore headcanons #dottore #dottore genshin #dottore fluff #s0ulryo + anons #s0ulryo asks

[lvckyyz]

hades cabin headcanon

cabin’s song: rip 2 my youth - the neighbourhood

hades doesn’t really needs an introduction but anyway

he’s the god of dead and the king of the underworld

you’re a child of hades? how does it feel having to deal with problems that are not even your fault?☺️

anywayys, children of hades are so difficult to talk about, because they are all so different from each other

you’re not necessarily introverted and shy to be from cabin 13, you could also be an extroverted person that gets easily tired of social situations🤷‍♀️

night >>> day

you are not the best example of organization but still really good at planning stuff

maybe you never noticed but i’m here to tell you, 🫵 you are controlling af

AND you’re arrogant at times

but that’s not your fault, it’s your father’s

you don’t start friendships with every kind person, you’re only friends with people you trust with your whole heart

and you’re ready to protect your friends at all cost

you have existential crises very often

and you also have a really strange philosophy about life and death

children of hades judge people so much

and they usually don’t know how to hide, or at least be discreet about their opinions so they’d be looking at you with the most disgusted face ever😭

for some reason you never understood, extroverts LOVE you, and somehow a lot of friends are just so sociable

cabin 13 is friends with: cabin 7, 15 and 20

demeter’s kids also like cabin 13 but don’t talk to them very often; i mean we’re talking about two cabins which are full of introverted/ shy/ socially awkward people, and they are also a bit scared their parents won’t like them being friends

if you’re a child of hades, you probably have some trouble to sleep

usually you don’t start fights, only if you’re not really patient on that day, then you could start a real war for silly things like, imagine all children of hades fighting in cabin 13 just because one of them opened the window in the morning

you were born with great imagination, but since you never managed to talk about it, you do it through writing

you are really calm and rarely ever raise your voice to someone

most hades’ children don’t care too much about their appearance

you hide too many secrets

a/n: i wanted to say sorry for everyone who was waiting for cabin 10 hcs (especially for who made the request), i decided to rewrite it and i promise the next one will be better😔

#percy jackon and the olympians #percy jackson #heros of olympus #pjo hoo toa #jason grace #pjo imagine #pjo tv show #rick riordan #riordanverse #headcanon #nico di angelo #cabin 13 #hades #walker scobell #will solace #leo valdez #luke castellan

[yeyinde]

infinity in the palm of your hand (eternity in an hour) | reincarnation AU

Johnny "Soap" MacTavish (OG) x Reader | Johnny "Soap" MacTavish (Remake) x Reader

You're grieving for something, someone—a man with kind eyes and a soft smile like the valley in spring: fresh rain over the boscage in bloom—that you've never met before.

And then you find him.

MATURE | 18+ —TAGS: AU, canon divergence: reincarnation; fluff; tagging as fem!Reader due to usage of "bonnie" (not a name—Reader is not named), and mentions of a dress but no other descriptive imagery is used —WARNINGS: grief, loss, unhealthy coping mechanisms, existential crisis, allusions to smut; cosmic horror (but??? it's a romance????) —WORD COUNT: 11,9K —NOTES: I like the idea of fated pairs, soul mates, but I can't write this concept without somehow diving into the cosmic horror of something, someone, controlling you from behind the scenes. So. Um. Idk what to call this abomination. It leaks horror but is meant to be quite fluffy. It's romance. It's a love story. But it's also kinda eldritch. Oops.  This was also originally a request I got back in November (I'm so sorry!). I have since lost the request, but Reincarnation Anon, this is for you!!! 🖤

In Greek, there are two words for time: 

Kronos—chronological, the clock: fixed—measured in seconds, minutes, hours, days, weeks, months, years. The world runs on Kronos. On its merciless rigidity, it's apathetic, unending trek forward. It is cruel, sometimes, but it cares little for you, or anyone else who exists inside its unforgiving realm. Time is linear. A steady March. 

And then there is Kairos. In its essence, and in utter simplicity: timelessness. 

It's often found in grief when the world around you shatters and implodes. When it lapses into pain and agony. Into how and why and—

Nothing makes sense. Nothing matters. 

You've never experienced any such loss. Gran, grandad, friends, family—all alive and well. And yet—

You're grieving for something, someone—a man with kind eyes and a soft smile like the valley in spring: fresh rain over the boscage in bloom—that you've never met before. 

And then you find him.

Or, rather, he finds you. 

(Over and over and over again—)

It starts in university. 

Start, of course, is an operative word. It's an incipient event: a slow burn in the back of your head that gets hotter and hotter, but you can't quite discern why. You just feel wrong. Shaken. The foundation in which you walk wobbles. Crumbles. 

There is an unseen precipice under your feet covered by cobblestone. You know it's there—are aware of the yawning chasm that wants to swallow you whole, but you don't know where it is. 

And then—

There is no phone call, no blunt condolences for any particular loss, just—

A knock on your door. It's just your flatmate, but the rhythm cuts through your head, right down the middle. 

Agony. The world around you flips, topples off its axis, and just keeps spinning, spinning, spinning—

It hits you with the force of a tsunami. A deluge of biblical proportions that uprooted everything you'd ever know, casting you out into a frothing abyss, ravaged by mountain-tall waves that left you asunder. Awash in a tumultuous sea.

It would make sense, you suppose, had you lost someone, but you haven't. 

The most you've lost was a pet. 

And yet—

You sob, scream, and claw at your chest until your skin is torn and shredded, trying futilely to get to where it hurts the most. It's agonising. Brutal. They sedate you—no choice is given when you're so frantic, so desperate. The world slips away. The pain abated. 

But it doesn't stop it. 

They call it grief, and you don't know why. You haven't lost anyone. Mum, dad, gran, grandad. All alive and well. All there, standing clustered around your hospital bed (admitted when you wouldn't stop screaming) looking quite bewildered by you. By the things you say—missing something, someone, gone, just gone—and the way you're acting. 

And it scares you just as much as it does them, but you can't just push it aside, let it go. There is a gaping hole in your chest, one punched straight through your sternum. It's gangrenous, and rotting; the stench makes you dizzy, makes your head spin. Your heart is necrotising between your ribs and spine, but no one knows why. No one understands the agony you feel because everyone is alive. 

They all say the same: we don't know. Depression, perhaps. You just need time. 

Time does nothing to heal the wound. You can't run from the hurt—it's never-ending—but you get better at hiding it, at dealing with pulpy remains of your still-beating heart that slugs on despite the mouldering wound ripped open in the centre. 

They tell you it's Thursday, now. 

Before you'd throw something, thrash, and scream yourself hoarse because what does it matter when your heart is dying, decaying inside of your chest. 

Now, you just nod. Thursday, is it? 

Time doesn't exist to you anymore. It's just an endless stream of days and nights that get easier to withstand as the foreign clock on the wall ticks down the seconds you don't feel. 

The world is a murky haze of confusion and pain. You move on only because you have to. 

Things—

Well. They don't get better, but they get bearable, and you suppose that's the same thing, isn't it? 

And then you dream. 

They come in flashes. Snippets. Little moments of a place and time that doesn't exist, that isn't real. This life was not one you lived. The taste of elderberry has never graced your lips, but you think of the sweet, tartness like it's an old comfort. 

It makes you ache. 

Simplicity bleeds into familiarity into love into—

—you should… you should sit for this—

Crushing heartache. It carries the flavour of gunpowder, and is soaked in charcoal; the soot stains the tips of your fingers when you reach out, curling them in the rough lapels of a gunmetal grey jacket still carrying the scent of ichor, and loss. 

—i… i can't promise you forever, but i can promise you now—

You dream of a man. Of hands on your body. Eyes gazing at you—an alluvial fan in hazel, green, and gold; the shadows cast in the shallow valleys make you yearn for something. 

Something, something—

You wake up, hand to your splitting chest as the agony rips it into pieces. Heartache, grief. It drapes itself over you like a storm cloud. Looming there, ever-present, and ready to chisel open a deluge of pain so visceral you weep. And weep. And—

Your pillow is wet. Nose stuffed, eyes gritty. You've been crying, sobbing, in your sleep again. 

It's a cycle. Memories flood your head until it's splitting apart at the seams, making room for that life it wants to force you to remember, acknowledge, and pretend exists, and one you're in now. 

It breaks something inside of you. Cracks the levee. In the midst of crumbling concrete, and a roaring deluge, you hear a voice. 

(You stare at the bottles lining the shelves in your vanity, and tell no one.)

—excuse me? You dropped this—

HERE

There is a tavern on High Street. 

It's nothing special on its own. Just a building, just a pub. You pass it twice a day on your commute to work, and it should be background noise. A blur of scenery and objects as you stroll through the streets. A melding of the world around you, an inconsequential smear of cobblestone and brick. 

And yet—

Your eyes keep finding it, seeking it out. It's involuntary. Automatic. You pass the grocer and the pharmacy, head angled down toward the grey stone below, and then, like an unignorable force, a gravitational pull, your head lifts. The fairy lights are strewn around the outside coruscate in the gloom. You nearly trip. 

It's strange. Odd. 

It's just a building. Just a tavern. 

—got some of the best brews in town—

But you remember it. Are familiar with it in a way that makes absolutely no sense. You've never gone inside, never heard anyone speak about it. It's a building on a street of many. Ordinary. Plain. Nothing about this place should stand out to you. It isn't eye-catching or garish. It's—

—cosy little spot—

It's an anomaly. Much like—

Well. Much like everything in your life. 

There is a gnawing in the pit of your stomach, one that's so achingly familiar that your head swims from deja vu that shouldn't exist. It fits inside like an augur. A portant. 

How can the unknown be a comfort to you? How can it blister your heart with such ferocity that you find yourself pawing at your face to stem the deluge of tears that cascade down your cheeks in rivets? 

Whatever it is, it's calamitous and entirely unignorable. 

Your life is asunder, in shambles because of it yet each hiss in your ear addles your thoughts until you become overwhelmed by it all. Until the echoes that tell you to wander down a random side street, sign a lease for an apartment you can't afford, to leave the safety of your home country, and—

On a whim, you packed your things up on the behest of that strange, Eldridge feeling eating you alive that made you cut ties with your old, peaceful life, and book the first plane ticket to Elgin. No plan, no money. 

(You'd call it an afflatus had it not been so drenched in the unknown.)

It's paradoxical: you cry when you see that stupid church in the distance, your feet drag you to places you've never been before, and now. 

Now: 

You can't stop staring at a nondescript pub in a sea of many. 

Ignore it. Leave it. You take another route, head down, hands shoved deep in the pockets of your jacket to keep them from trembling. It'll pass. It'll go away. 

It doesn't. 

It pools in the pit of your stomach, noxious and rotten, until you wake up drenched in sweat, hands grasping for a phantom who no longer exists—

—wanna come with me?—

You break on Saturday. 

—i like when you wear that dress—

You wear it, and hate yourself a little bit for it. It's stupid, and out of place, but you do it, anyway. 

—booth in the back is where i always sit, want to come join me—

The inside of the tavern is just the same as you remembered it—

No. No. 

You've never been here before. 

You smell malt in the air; the same amber that spumes in your veins. You dance in circles between the tables, giggling at the people who smear by in a haze of gold and red. 

A hand reaches, snags your waist. "Where are you going, pretty thing? Wanna come sit with us?"

It makes you laugh, and laugh, and—

"There a problem?" Heat against your bare back. Ironclad arms around your middle. His voice is a rumble. A thunderclap. "She's with me. Go on now. Get."

You pull away from him, smirking, and—

The air is punched from your lungs. Longing sits in your throat, heavy and thick. It aches. God, it aches. A phantom pain that never quite dissipates. A raw wound left to fester; exposed and open to the elements. It never heals. Never scabs. It oozes grief and headache into your bloodstream and makes you feel lost. Dazed. Confused. 

It's silly. 

Stupid. 

The warm blends of burnt umber and gold make you tremble. Everything inside is—familiar, in all the ways it shouldn't be. 

You can't be here. Can't—

Something quivers inside of you. The sting of a guitar being plunked by indelicate hands. It snaps, breaks. You turn, eyes wild, wide—

—hey, where are you—

"...goin'—?"

A chest. Warm. Familiar. 

Your neck aches when you jerk your chin up, hands beaded against the hard, firm flesh of a stranger who feels all too familiar, too—

Hazel. A boscage in spring. Warm milk—

"Honey…"

It's out before you can stop it. 

Green and golden widen until they're drowning in a sea of arsenic white. An island of bloom, spring, carved in the middle of a barren, icy land. Lids fall, lashes dust across the shadows of the valley smeared beneath the red seal of his lower lash line. 

Your breath catches when they slide open, a slow crawl over a varicoloured plume of witch elm and wheat. 

—dark eyes, a furrowed brow, long nose, a dusting of charcoal stubble along his cheeks and jaw, and full pink lips—

No. No. 

It's different. This isn't the man who haunts your dreams and whispers sweet nothings into your ear. This is not the cut of a man who once curled his fingers over your hips, lips glued to your pulse as he spent himself inside of you—

Heat sears your cheeks. 

His mouth opens, and closes. Opens again. No words spill out. His confusion is an oppressive silence. 

You swallow down the bitter tang of panic that pools on your tongue, nails digging into the soft fabric of his shirt. 

This isn't that man. 

He just—

"Sorry," you think you say, but it's all a blur. There was a blue ravine in his eyes, one with shallow shores, and crystalline waves that rippled with the breeze. You're sinking in those waters, now. Dragged down to the murky depths of blue, blue, blue that once made you see samsara with just the brush of his lips. Everything sounds distorted. Hollow. 

—you make me crazy. make me want things i shouldn't. Riley thinks i'm whipped. kinda agree with him, but i can't let you go. i can't get you outta my head, and i don't want to—

"Sorry—," you choke, the words a crumpled piece of paper lodged in your throat. Papier-mache seals over your trachea. 

You push away from him, stumbling out of this paroxysm. Flames lick at your heels, carrying you further from the laps of blue that flicker over beige. 

He chases after you. A warm hand around your wrist stops you on the corner outside of a pharmacy. The streets are dusted in white. It trickles from the sky in a thick hail of cosmic dust. 

His breath plumes in front of him when he breathes, pure white tendrils ghosting into the midnight blue silk that covers the town. 

"Hey, you alright? Can I—call someone for you, or—"

"No." You gasp, shaking your head so fast, you're nearly sick with it. 

"Hey, hey." His hand moves, perches itself against your cheek, eyes brimming in the flushed lamp overhead. His brow is drenched with concern. With confusion. And anger. Anger—why, why—

"Did someone drug you? Did you drink anythin'?" 

It rips a bark of laughter from your chest. "Drugs? No. I'm just—"

Spiralling. 

You make a vague motion with your wrist, and hope it's enough to convey the absolute travesty of your life. It meets the mark. 

The divot in his forehead softens, eyes creasing in the corners. Full pink lips knot to the side. Something passes his expression that looks a little too much like understanding to ever sit well in the pit of your stomach. 

You swallow down the acrid residuum of panic, and nod. Why—who knows. It just feels appropriate. 

"I need to go—"

"—I like your dress."

The words tumble over each other, barely coherent amid the amalgamated syllables, but ring with distinct clarity in your head. Your dress. Your brows knot, eyes dropping to the stupid little thing you'd picked out in a shop you had no business being inside. Led by the nose. A puppet on strings. 

You scoff. "I hate it."

You don't. You'd have picked it out yourself if you had that funny little thing called freewill; that precious little something you'd left behind in a dorm on a university campus you haven't thought of in years. 

"It's, ahh—," he rubs the back of his neck, eyes skirting toward the bar you fled from. "It's pretty."

Pretty. 

"Oh…," you say, quite intelligently. "You can have it if you want." 

It's only when his brows buoy to his hairline do you realise the innuendo within that. 

The fire inside dies. Doused with the waters of Acheron.

"Sorry—"

"—'dunno if it'd look as good on me as it does you, bonnie."

Bonnie. Your veins crackle with ice. Bonnie. 

"What—what did you call me—?"

He blinks. "Oh, it's not—," his hand slides away from his neck, scrubbing over the stubble on his jaw. He looks bashful, almost. The man in your dreams is—

Reserved. Cool waters. A rock. 

"It's just a nickname, it's not—it's not anythin' weird, I promise."

A nickname. You should have known that, you suppose; but like many things, it slips, silken and liquid, through the cracks wrought by paradox. 

"Right." Your nails dig into your palms, cutting the flesh until your fingers puddle with something warm, wet. Tacky. The breath you suck in between clenched teeth is a sharp hiss. "I should go."

"Ah, yeah," his brows tighten again, jaw ticking. He looks uncomfortable, unsure. Concerned. His arms come up, folding over his broad chest. And that—

That is familiar. 

You swallow down mildew and honeysuckle. Heart lurching in your chest, a painful crescendo that echoes to the whispered beat of soft words in your head. 

—you should stay, bonnie. stay with me—

"Can I at least make sure you get home safe?"

You can't. You can't—

There is a tavern on High Street that you've been to before in a dream, where you are taken to by a man with a distance in the crook of his smile; a degree of separation that makes you yearn. It pulled you in, gravity and magnetism and that primal something that they often talk about in wordy biology papers you can't understand. 

Maybe it's the chemical slurry in your head—dopamine, serotonin, oxytocin—all mixing together, and polluting your rationale, but it made a shade of roseate fall over your eyes; veiled like a Magellanic cloud. Through the startling nebulae and cosmic radiation, he loomed. Your fingers reached out, latching on to him, and you pulled him into your orbit. 

The reservations slipped, dulled by the way you fit against him. A missing piece. A complimentary artefact. His edges softened until he looked at you with nothing but warmth, affection. 

And then—

Then:

Three knocks in halted succession. Military precision. Boom, boom, boom. 

A man stood before you, achingly familiar in his mutton chops and hat. The gleam of his metals—chest candy—caught in the setting sun. Ochre, gold. You think of him, and you smile. Was smiling when you peeled back the curtain to greet him. 

It wavers. Your heart aches for that person standing in the doorway; you from a dream. 

It drags in slow motion. He takes his hat off, and cups it on his chest. 

—look, i don't… i don't know how to tell you this—

Then—

"—don't." The word startles you as much as they do him. You baulk. "Just… no thank you."

Something rings in the cognitive dissonance that shrouds you. 

It's your turn to walk away.

And so, you do. 

(He doesn't follow. You don't know why you expected him to.)

—be patient with me, Bonnie. my job is my life. my everything, but you–you're my—

It doesn't rain—a rarity in Elgin—but the scent of wet soil, petrichor, clings to the air. 

It isn't raining, but it feels like it should.

You don't expect to see him again. 

And why would you? There are so many people in Elgin, so many men. The chances of finding him again—shaggy mohawk; kind, amber eyes—were nearly impossible. Infinitesimal, really. 

So, you push him to the far reaches of your mind, and try not to dwell on the stranger that smells so strongly of coumarin that your head still feels dizzy from the scent of golden wheat fields in the spring and sycamore when you breathe in some mornings.

Out of sight, out of mind. 

A familiar stranger in a foreign land.

But you should have known better than to expect anything in this strange purgatory you’ve slipped inside where dreams are sometimes a reality, and you can’t stop comparing a hazy figure in your mind, someone you might have loved in a distant life you have no memory of, to a stranger who slots himself into your path like he was meant to be there all along. 

It starts three days later. 

You tuck a book under your arm, and walk the unfamiliar path to a small cafe you’ve never dreamed of, have no lingering sense of recognition in the small building. 

Safe, you think. 

And then—

Blooming honeysuckle. The heady scent of coumarin. Salt, amber. 

He crashes into your life again, and again, always with the same expression of happy surprise when recognition bleeds into wheat-tinged eyes. 

He offers a wide smile, a little wave, and seems unbothered by a dizzying sense of unease that sweeps through each uncanny meeting, each strange divergence of paths always, always, leading to each other. 

In the produce section of the grocery store halfway across town, he holds an unripened apricot and grins at you over the yellow sign above (30% off!). The colourful anchor in Cooper Park, where he stands with his hands in his pockets, eyes listing toward the swans in the background, drifting idly over the dark water. At the counter in a Turkish restaurant, laughing at something the waiter says as he takes his bag of takeout. 

You turn down a random sidestreet, trying to navigate the tight, claustrophobic streets of Elgin, and he's there, suddenly, at the end. Legs thrown over the seat of a sleek motorcycle, fingers toying with the clasp of his helmet. Wander into a shop, and he's already sat at the table. Reach for a carton of eggs in Tesco's and his hand bumps against yours as he tries to grasp the same. 

You hear his voice crackling through the concrete. A whisper in the back of your head. The grit, the cadence, is so different from the man you dreamed about, the hazy spectre who haunts you, that you know, instantly, that it's him. The man whose only resemblance to the ghost latching onto you is his eyes, the hairstyle. The scent. The familiarity blooms in his proximity. Two strangers sharing the same essence of a soul. 

He drives past you on his motorcycle, wanders down the same alleyway, boards the same train, and gets off at the same station. 

A living phantom. 

It's always the same, too. His eyes always shift, somehow catching yours. Easily, effortlessly, finding you even in the midst of a crowded shop, a bustling park, or a loud eatery. 

Each time, you run. And keep running. 

And then once, you catch him. 

He leans with his forearm resting on the railing of a mezzanine at dusk. His wrist resting on the iron, fingers gripping the nozzle of a lagger that dangles over the edge. 

Behind him, music spills out from inside the flat. French doors spread wide open, leaking the whisper of a party into the warm air. 

No one joins him. He doesn't look back. 

His chin is pointed up toward the varicoloured sky streaked with lavender and pink and blood orange. Eyes glowing brightly in the darkness. A field of wheat against the midnight blue gloom of an approaching storm. 

It's mesmerising. 

Despite the urge to run, you stop. Can't help yourself, really. Not when your heart cracks at the expression on his face, eyes drawn tight, brows pinched. Full of—

Longing. 

Like a magnet, then, his gaze drops to the ground where you stand, clutching your book so hard, your joints ache. 

His hand lifts, fingers still curled in a loose fist, and he gives you a lazy wave from above, lips pulling back into that same wide, infectious, grin. Happy—for some inexplicable reason—to see you, his own little poltergeist. 

You hesitate for a moment, burning the image of him in your retinas where he'll stay, a permanent scar, in the black puddles for you to see again when you close your eyes, or look into a mirror. Another ghost. 

And then you turn. Run. 

(He doesn't try to stop you. He never does.)

It is almost clockwork.

The same soft hazel eyes creased lightly in the corners. Broad shoulders are hunched as he gazes down at his phone resting on the countertop. His brows are furrowed today. Irritation bleeds in the crevasse. 

Your fingers itch. You want to smooth it out. 

(It doesn't surprise you that you can feel the phantom warmth of his finger under your flesh.)

It's strange. All of this is. Paradoxical, really. 

You know him. You don't. You've never met him before. You know he'd taste of honeysuckle. 

There is a war in your mind. A long, drawn-out battle. 

(No victor in the carnage.)

You should walk away, leave, like all the times before when you'd spotted him, and ran, but:

Frozen. Paralysed. 

You can't move. Can't—

—maybe, you're just tired of running—

—maybe, i'm just waiting for you to catch up—

His head lifts, and he catches sight of you before you can run. Hazel flashes in recognition. Spotted, you think; but it doesn't matter, it doesn't. 

He isn't waiting for you—

His chin lifts, a smile crooking on the corner of his mouth. 

—you'll be waiting a long time, Bonnie—

You want to run, but you can't. Can't. All you can do is watch as he slides out of the booth, hands shoved into his pockets, and makes his way to you. Tucked into the corner near the counter, away from everyone, everything, but he still spotted you. Still noticed. Still—

"Hi," he greets, low and cautious, like he's trying his best not to startle you. His eyes crinkle. "Didn't expect t'see you again."

You shouldn't be here. "Yeah," you say, instead, huffing. "I, uh… life is pretty funny that way, isn't it?" 

His brow furrows together at your words, eyes darkening with something you can't place. An unknowable emotion, hidden from your prying eyes. You think of him, then, and see the similarities you tried so desperately to ignore each time you saw him. Each time you ran. 

"Aye, it does." 

You should leave him here. Turn around, flee. Forget this place, this microcosm that blooms, and spreads over parts of Elgin you know so intimately; sure, somehow, that you'll find your fingerprints smeared across the ruins despite never having been there before.

Little pieces of yourself. Shedded skin, hope, dismay, peace. Longing. Laughter. It echoes through the tight webs of cobblestone buildings, bouncing playfully off of the pilasters and balustrades, the wrought iron fences, the fanlights, forever embedded in the grout. 

If you go there now, in that beautiful divisional line between new Georgian and old Baronial, you'll hear it whispering through the alcoves, a tantalising sound that rents the air in two. 

But it shouldn't. Can't. 

You've never been there, or here, or anywhere else that wasn't the winding path from your rented flat to the tavern, and the place you eked out from stone to support the vagary of moving to a whole new place for a dream. A feeling. 

And yet—

You taste malt in the air. Smell the barley, the sickly sweet scent of wet dirt on the slick pavement. 

It's familiar in your olfactory senses. Petrichor. Loam. Humus. It congeals in the slick mortar, clinging to the moss that weaves over the old concrete. 

If you looked down, you'd find a little weed growing through a crack beneath your feet, and so, you fix your eyes up, ahead, and try not to weep when the swooping sense of deja vu nearly knocks you off your feet.

But the only thing ahead of you is him. Expectant, curious. He looks at you like he knows you, like he can peel back the skittish layers that cling to your skin until you're shiny and new again. 

It's too much. Intense. Hazel. 

Your gaze drops, fixed on the rounded points of your shoes. There is no pavement beneath your feet—just scuffed linoleum. 

"Do I, uh, know you from somewhere?" 

His voice carries that same heft, that same weight, as the look in his eyes. A strange approximation of wariness and steeled scepticism, blanketed together by intrigue. Curiosity. Concern. 

"No." 

It sounds uncertain. A white lie that crackles in the air between you, nestled amid the sound of chatter muted in the background, as if someone turned the radio on in a different room. Everything seems to contort, and shift around you when he's near. 

A little microcosm eked out inside a cafe you've never been to but know, innately, what you'd order, and what you would recommend. 

"Well," he dips his head like he's trying to catch your eye, and when you lift your chin, the flash of teeth nearly makes your knees buckle. He's softer when he smiles. "How 'bout lettin' me get t'know you then?" 

It's a bad idea etched into the cold marble of a headstone.  

Your mouth opens, but the word that chews through your teeth isn't no, but yes. 

And fuck—

Something in his gaze shifts. Noctilucent eyes widen, staring down at you like he somehow didn't expect a yes at all, and was bracing for the harsh impact of no. 

"Well—" he starts, but the words fall into ash when you duck your head to avoid the crevasse of hazel washed out in flushed gold. "What's your number? I'll call you when m'free next, and we can—"

"Sure," you cut in, hand sliding into your pocket. The cold metal of your phone burns the tips of your fingers when you pull it out. It feels a little bit like a mistake when you hand it over, but he says nothing about the way your hand shakes when he takes it from you. 

His brows draw together in a childish concentration as he taps away at the screen. The artificial light, dimmed as low as possible, brightens the craggy ravines that cut across an emerald tinged boscage; sunlight splitting a lush valley of yellow and green. His puckered lips, the flash of a deep red tongue swiping across his sun-chapped mouth, seems designed to appeal to your baser desires. The one that knows how he'd taste if you pressed you let your tongue grace the tip of his, and can feel the weight of his hands on your flesh. 

He'd hold your hips like he was anchoring you to the earth: tight, warm, and a little bit desperate as he devoured you whole. 

You shiver, and try to ignore the way his pupils bloom into pits of black eclipsing lightened hazel when his gaze settles, hot and heavy, at the brief brush of skin when you reach for your phone. 

"I'll call you," he says, low and strained, like he was choking on the words he wanted to say. "I'll call you as soon as I can, bonnie." 

You nod. It's all you can offer with your heart scrambling up your throat, pulsing furiously against your trachea. 

His nails scrape the skin of your palm when he curls his fingers into a fist, and pulls away. 

"I'll see you around." 

It's not a choice, you want to say. You nod instead. Choke out an equally strained, yeah, and fight the urge to follow him when he finally pulls away. 

"Are you ready to order?" 

The world bursts back into sound, colour. You blink rapidly against the light that seems harsher now than that it did when he was blocking out the sun. 

"Uh, yeah—"

The taste of freshly poured coffee blooms on your tastebuds. 

You order tea instead. 

(It tastes like defeat.)

You only stop running when you can't anymore. When the murmuration in your head turns into screams, and the white-hot agony of grief, of yearning, threatens to make your knees buckle and your bruised heart give. 

You stop, letting him finally catch up. 

(Somehow, somehow, you feel lost and found at the same time.)

His name is Johnny MacTavish. He tells you this over dinner at some upscale restaurant that feels out of place on the old side of Elgin where the walls bleed history, and stink of old bones, and funeral dirt. 

Over a steaming dish of shrimp scampi and burgundy wine that makes your head spin and belly churn, you wonder why it doesn't feel new to you when he murmurs it. 

(A bit late, you find, since you've been texting rather infrequently since you gave him your number three days ago.)

Names never mentioned. Somehow, they didn't have to be. Until now. Until there was emptiness at the end of his question when he posed it, hazel eyes bright and blooming under the hushed yellow glare of the coruscating chandelier hanging above your heads. 

It feels a touch too late when you share your names over dinner despite already knowing he's in the military—opinions clenched between aching teeth and a strained smile that doesn't reach your eyes—and that he normally adorns a Mohawk when he's on missions, but grows it out, rather haphazardly, when he's home. 

Everything between you and him seems to happen in reverse: fears, wants, and worries are known before his given name; the touch of his skin on yours, the taste of his lips, the brush of his tongue, the weight of his palms holding your hips as he buries himself as deep as he can go in a haunting sequence of memories that bare their teeth at the starkness of reality holding them at bay. All of this before you've ever even touched him with your bare hands. 

There's a strange listlessness that envelopes you—a tangled web that spools around you, trapping you in this realm of hypnagogia. The lines between reality and dream blur until they're indistinguishable from each other. Knotted threads married together. Parallel. Concurrent. Where one begins and the other ends is as lost to you as the unfathomable uncertainty of the unknown universe. 

It's not meant to be this way, you think, watching as he feigns not knowing the name that slips between your numbed lips in the same manner you had only moments ago. Traps surprise in the tilt of his chin, but the display is largely done out of some unspoken agreement that this paradox does exist, and the emotion is fleeting. Temporal. He cloves it down the middle, and discards the excess as soon as you look away. 

(Your name fits in his mouth better than it ever did your own, like it was made for his mouth, preordained to play with the soft coil of his tongue.)

He knows more than he lets on, but you don't begrudge him his secrets—not when you have to turn your gaze back to the curled shrimp on your plate to avoid reminding him he prefers fish over crustaceans when he makes a face at the steamed scallops, and should have ordered the Maple Crusted Salmon instead. 

Like he didn't before, in a life you've never lived. In a place that mirrors this world. 

(It isn't something you should know, but you do. You do.)

You know more than that, too: whispers late at night when he couldn't sleep—internal clock still stuck halfway around the world—and urges you into playing a dangerous game of asking questions of each other when pieces of truth buoy in the dark like bobbing for poisoned apples in a barrel. 

You have to erase the words when you type them out, preemptively answering questions he'd never asked yet, and filling in the blanks to ones you posed yourself. 

Odd, you think. Strange, and weird, and macabre in that way that only deja vu gnarling between the broken crevasse of your grey matter can imbue. 

People don't just—

Know each other. 

And yet—

"They call me—"

"Soap." 

Your eyes snap up. A misstep. A grievous one. You've both been content to ignore this paradoxical magnetism that draws you together like eager poles, unable to stay away (not by choice or freewill, but some design that has no place in rigid structures of reality), and you broke it. Trampled over the unspoken rule left to linger in the foreground while you navigated around it like some misshapen elephant in the way. 

He tries to hide the suspicion, the surprise, but it falls between the empty space of his plate (food he only ordered because he's never been here before despite the familiarity that bleeds from the walls like condensation in June) and the ledge. A proverbial precipice that you leaped down; the steep incline filled with detritus and broken shale sharp enough to carve skin, muscles, from shattered bone. 

You want to swallow the words down, but they sit—innocuous and damning—between the salt and pepper shakers where his hand twitches, curls into a tight fist, knuckles bleaching under the strain of reeling himself in. Joints, cartilage, bulging through translucent skin. Reddened around the angry peaks of distrust and wariness; a summit you're not sure how to descend from now that you've crossed the arching tops. 

(Stuck, forever, at the peak.)

"How—" his voice is gravel, lavascape. Jagged rocks. Lakes of sulphuric acid. "How did you know that?" 

His accent thickens when he's angry. You wonder if he knows that. 

"I—" 

Excuses float like moots in front of you. You reach out, grasping for one, but it dances away in the turbulent wake you leave behind. You bite your tongue until it tastes of oxidised pennies, and then shrug. Nonchalant. Indifferent. Fear curls in your gut. Military, right. You wonder what you'll say if they arrest you for treachery. That you dreamed about him? Stupid. Stupid.  

"You told me," you murmur, eyes downcast and heavy, fixed on the bloody cup of wine you don't like, and trying to find solace in your downfall. "I think. I just remembered it from somewhere." 

It makes no sense, and the weak explanation would crumple like damp papier-mâché if he pressed, even just slightly, against it. A single touch, and the house of cards you built from the ground up on nonsensical lies will come crashing down around you. 

He shouldn't entertain it. Shouldn't let it go. 

"Yeah." But he does. "I must'a, huh?"

When you look up, you catch keen hazel eyes, sharp and pointed like the curved talons of a hawk. Johnny MacTavish is many things, you learn, but stupid, guileful, naïve is none of them. 

"Yeah," you echo hollowly, and give another shrug. "Guess so. It's, ah, an interesting nickname."

The clumsy barb seems to break the surmounting tension, and the pieces fall around you like poisoned raindrops, staining your skin. 

A reminder, then, when it crawls down your throat, that this balancing act can't last forever. That, eventually, your excuses will run dry. Empty. They'll be picked at and poked until they burst like a waterlogged, bloated corpse drifting aimlessly down the Nile. 

"Not the only thing that's interesting about me, bonnie," he says in a way that bleeds boyish charm, but his grin is wide, wild, and untamed. White teeth, sharp canines. You think of a wily fox on the prowl, and reach, reflexively, for the glass of wine, swallowing it down like a lifeline. "But I'm beginnin' t'think y'know that already, don't ye?"

It's a threat. A warning. 

You stare down in the half-empty glass of burgundy, the same colour red as the papercut on your index finger, and try to read the beads of crimson that run down the glass in a bloodied rivulet as if the answer could be found somewhere in the liquid. 

(Crystal Ball. Crystal glass. It's all the same, isn't it?)

"Not really," is what you eventually settle for, hedging through the murk that swims before you, an unsettling fen of unknowns and praeternatural happenings that you no longer than chalk up to happenstance. 

Kismet. 

Horror. 

Some cosmic merging of the two. 

It's all—

Absurd. 

And when you politely whisper to him that he should have gotten the salmon, you can't help but notice the ravines in his eyes widen slightly, the chasm growing and gaping, and taking on new shapes in the boscage that blooms like a familiar friend. 

(Kismet, indeed.)

He tries to pretend he doesn't know what the maple salmon tastes like, but slips up when the waiter passes by, and says it was good the last time. 

You fight the urge to chew on your glass like rock candies between your teeth. 

He stands with his hands in his pocket, rocking back and forth. The uncertainty in his brow is swallowed by the tendrils of pleased excitement that knot over his expression, unable to hide his glee when the hazel of his eyes glow brighter than the sun. 

Isn't this strange, you ache to say, words painted with the aftertaste of brine—sea, salt, and sand that are so uniquely him—but they, too, are swallowed down. 

The urge to lacerate the bubbles of complacency, feigned normalcy, are eclipsed by the raw shock of seeing him happy. Of wanting to make him happy. This stranger in a strange land. 

So, you offer some facsimile of a smile when he asks, words pushed out through a wide grin; infectious, if you had a good time. 

"Yeah," you say, and know that this word, this blase affirmative is quickly becoming your faultline through this mess. The thread keeping you sane, keeping you steady. 

It's at the curve of the word when everything else in the world is devoured by the shadow cast under his magnetic glow. The bright yawn of the sun in shades of white teeth catching on some ephemeral magic still dancing within the aether. Atoms spark. 

You try to run from it, ignore it, but your core teeters on the edge of instability. You think of neurons. Protons. Criticality. Something inside of you heats to almost half of the degree of the sun, sweltering and unrelenting. Pulsing, blue-hot. 

"That's good," he husks, eyes lidded and heavy. "I did, too. Whaddya think about doin' it again w'me?" 

It blooms. A great, scorching mushroom cloud plumes in midnight black in the milky white of your eyes.

You shuffle through the darkness, the artificial, comic night, and try to pat at the walls until you find something familiar in terror, the gnawing sense of loss that permeates through your pericardium, thrumming like a mourning toll. 

Sightless, you nod. "I'd love to."

And you mean it, too.

(Damn you. Damn you—)

Despite that tangled web that snakes around your jugular, twinning threads between the two of you, Johnny MacTavish is relentless in his pursuit. 

Where someone else might have shivered at the ghosts that brim in the tenebrous of your pupils, lurking in the untouched corners where your fingerprints stain the sediment, he lingers. Stays. Fixes himself in your path, and refuses to acquiesce to the whims of the world that keep stringing you along like reluctant puppets to some unseen, unknown marionette. 

It's almost charming in its own right, and really—when has a man fought so hard just to simply coexist in the space you deign yours? When has he torn nails from their beds, clawing at the walls that stand tall and proud, a protective tower of ashlar and dread around you until it starts to give. Until the stone crumbles away under his bloodied fingers. 

But as potent as his statement is, it gnarls inside your stomach like a poisoned seed. 

Bending to the demands of whatever this paradoxical realm goes against every fibre of your common sense that you recoil, almost, for just allowing him the scant space he occupies in your proximity. 

It's a deranged pantomime with some unseen force at the helm, conducting the madness with fingers drenched in whimsy and fate. Notched between its knuckles is the mockery of freewill and choice as it pulls you around a soundstage set in a place you've never been. It makes you dance. Amused god, eldritch horror. It takes pleasure in your discomfort, and glee in your fickle humanity. Weaving webs of tangled kismet until the silken threads are pulled taut and there is no more room, not a single atom, between your body and his. 

A nameless, faceless playwright with you as its shining star. 

Hapless leads stuck in an unending beat, a cantastoria, waiting for the shoe, the curtain, or anagnorisis to drop. 

You want to run again, but your feet are glued to the floor. Tangled in webs, threads of abstract concepts your mind threatens to come undone at the mere thought of. A cosmic sense of surrealism: crushing helplessness. 

This is horrific and terrific in equal measure, but the ache, the agony, of distance hurts more. And so, you stay. Watch as the curtain shudders over his eyes. As the etchings of complacency seem to gnarl in the tussock that line the expansive valley. He looks at you and doesn't see the awful truth nestled in the scant distance between your flesh, unable to be apart for too long. He sees you, somehow, and for him, that's enough. Enough. 

Johnny smiles at you, seemingly unbothered by the precariousness of this dance you're caught inside. In this strange equinox where you can answer questions he hasn't asked, and know things he hasn't said. Where you catch yourself leaning closer, starved for a touch you haven't forgotten despite never experiencing yourself. 

He's content, then, chasing the whims of a ghost, reaching for a fantastical dream in the head of another. 

But as content as he is, Johnny MacTavish is a hard man to catch, you think, noting the distance in his eyes, the arm's length of space he keeps between the version of him not haunted by the wants of ghosts, but such an easy man to love. To fall for. 

He balms the panic—that world-ending sense of uncertainty that nips at your heels—and makes you forget, sometimes, that there is more to him, and more to you, than anyone else could ever know. 

He's kind. Charming. 

A little space inside of your head is eked out just for him, and you find yourself hating that person for falling for some version of him first. Loathe them just a little bit more with each effortless grin he sends your way for tainting the experience of knowing him yourself. 

But you wonder, when he turns away, hiding the shadows in his eyes, and the pinch in his brow, if you really, truly know him. 

Or if the face he's wearing belongs to a phantom.

The dance continues. 

Your feet move to a soundless beat, steps preordained in a sequence lived world's ago. Nothing can feel surprising when you know a man so intimately without more than a touch, when you feel the burn of winter's chill in the middle of summer, and long so desperately for someone you just met. 

Nothing is new, and yet everything is novice. A paradox awakening with each gravitational pull to him, this man who looks only vaguely like the phantom who lives in your head, and tastes of longevity between your teeth. 

An arranged romance. Possession by ghosts who want to drive your bodies until they can live again, and love in tandem, vicariously through your living flesh. 

It makes sense to you, then, to call for an exorcism. 

(It just surprises you that Johnny does it first.)

Johnny has his secrets, just like you have yours. A small morsel of agency after autonomy has been stripped from the bone. 

You see the shadows of those hidden things etched in the topography of his valley-filled gaze, crevasses and canyons that pitch themselves in the tenebrous, uncrossable to even you. 

He reaches for you through the murk, fingers threading through your own, hands trembling with the shock, the electric current that sizzles through your blood at the brush of bare skin against quivering flesh. His hands are rough—worker's hands—and chock full of callouses and cuts, multitudes of scar tissue packed tight on top of each other, a thick layer of a life you will never know. Don't want to know. 

He seems settled when you touch, finally, thumb brushing your skittish pulse point as if he could somehow calm the acrid panic in your chest. 

(And damn him, damn this, he does. He does—)

Magnets fixed together, locked tight. You feel like a conduit to his frenzy, his hidden mania, and feed your own through the line, the red string that ensnares you both in a tangled web, until it's buzzing with shared panic and serenity and joy and helplessness. A feedback loop of emotions too extreme, too flighty, to catch. They run in droves along the lines, weaving into your skin, your chest, your head, and then pulling away to do the same to him. 

His eyes are heavier than steel when he gazes at you, expression caught between relief and longing and fear and—

Something, something. You can't pick it apart. Can't undo the tight knot until it spools, open and known, in the palm of your hands. Some unseen distance. It feels like standing at the highest peak of the valley and trying to make sense of the men in the tussock who look like mere ants from this high above. 

Is it happiness, you wonder. 

(Or maybe it's the same reluctance that wraps it's boney, gnarled fingers around your neck—)

It becomes too much. Too soon, too sudden. In the back of your head, you see images and flashes of a life not yet lived, a world still taking shape. You see him and you and a clock above some blue, broken bed. You see his smile, wide and elated, caught on the dawning sun spilling from the open curtains before it disappears under the covers, taking your laughter with it, stuck between his teeth. 

You see the past, the present. 

And your future. 

Cold. Barren. Three sharp knocks echo in the emptiness of your head. A man, a familiar stranger. You don't know him. You'd die for him. He rents the air in two. Your world in cloves. They fall to the ground, leaving you stranded and alone in the middle.

Future. There's no future. 

Your chest twists. You let go of his hand and find bloody crescent moons embedded in a ring along his flesh, knuckles whitening under your harsh grip. He said nothing about the pain. The flicker of worry across his face is genuine, you think. Real. Current. 

You smell funeral dirt in your nose. The mud is called under your nails. 

You pull away. He lets you go. 

"I, uh," he breaks off into a soft huff, injured hand lifting to scratch at the back of his shorn nape. His eyes slide away from yours, listing seaward. Avoidance undercuts the arch in his brow, the sheepishness in his mien. It's his turn to run, you realise. 

"Glad I met you," he says instead, and it's a confession and a curse. 

A bonfire burns in the river that runs through the valleys in his eyes. It's pitched on the sandy shore: an ochre flicker in the cobalt hue that saturates the land. You see the dark peaks of the rolling hills in the distance, black shapes in draped blue. 

The river is calm. The fire burns a smear of orange across the tranquil surface, meeting the milky white glow of the moon. 

It makes you think of those nights in the zenith of summer, the ones that feel neverending. Timeless. A piece of your history etched in balmy melancholy. Alone in the great expanse with nothing but the trill of cicadas, and the echoing chirp of the crickets hidden in the lush grass below. 

The sky shifts. His eyes plume with lavender-tinged stratocumulus. 

"I really like you, bonnie." It's whispered in your ear, and you wish, oh, how you wish, you couldn't hear it. That you could block the words, and the world, out so that it never reaches you again. 

Sweet longing. Beautiful agony. 

Your heart races, and you wonder how an empty space can beat at all. Can feel anything when it's just a hollow chasm. 

A heat blooms under your skin, desperate and aching. This, this, is everything you've been looking for since your heart split free from its fleshy prison, and ran away to find him, tucking itself in the boscage that glows in the flame on the shores. It's hidden somewhere. The palpitations sound like a song. You could follow it, you think, and find its lovelorn shell nestled amongst the grass that sways to its beat, and tuck it back into your empty chest where it belongs. 

(But it belongs to him, now.)

And you—

You hesitate. 

The words well on your tongue, but you think of fate, of choice, and swallow them down. 

The flames in the distance flicker, growing dimmer and darker as the moments stretch on, unbroken and barren until it's snuffed out. Gone. 

What can you say? What could you say? 

Instead, you say nothing at all. 

Johnny leaves a piece of himself on the table when he walks away. 

(You don't pick it up.)

Johnny doesn't say anything at all when he brings you home, when he stands outside of the archway to your flat, eyes lidded and pensive. A smile snakes across his face, but it's brittle and full of uncertainty, and your fingers ache to smooth the rugged lines in his brow, in the stress in his shoulders. You push it down. Smile for him instead. 

"I'll see you later," you say, and wish the ghosts wailing in your head would drop dead. 

The valley is drenched in ink when he nods, catching your gaze. 

All black, black, black. 

No sounds escape. 

"Sure, bonnie." 

You dream, and when you dream, it's of him. 

He stands at the top of a hill, and when he smiles it's full of starlight so bright it could eclipse the sun. 

In his hand, you see a pair of shears. Your mouth opens, but no sound escapes.  

He says just one word—your name—and then he lifts his hand, and cuts the rope. The sutures knit your bodies together, the string that holds him to this mortal plane, falls in swaths of golden thread to the ground where they're devoured by the earth, dissolved into nothing. Gone, forever. 

There's distance now, and separation. Nothing ties you to him except space. 

You wake up with the ghost of a scream on your lips, and the feeling of silken threads dragging over your flesh. You reach for them, and catch nothing but air. 

Palm pressed to your chest, you feel the rapid pulse under your fingertips, and know that it's back. Back where it belongs. 

Belongs, but doesn't want to be. 

You think of Johnny. 

And you weep. 

He sends a text message, and for the first time since you've met him, it surprises you. Nothing should shock you with him, anymore. You know everything, anything, about him. 

Gonna be away for a bit. Should talk when I get back. 

You reach for answers but they slide like mercury out of your hands. 

You don't dance, and you don't dream. 

You wander down the streets of Elgin, and for the first time since you woke up screaming in your bed with ghosts wailing in agony inside of your head, you get lost. 

Johnny comes back a week later, eyes heavier than you'd ever seen them, and shoulders drawn tight together as he asks you why—

"Why'd'ya keep runnin'?" He asks, words pitched and heavy with something lour and aching, a phantom pain you know all too well. There's desperation in his eyes, a low keen settling in the depth of his throat, echoing with the clamour of his despair. "If you don't want this—;" don't want me: "—then just say so, bonnie, 'cause I ain't forcin' ya t'be w'me, I ain't gonna make you stay. You wanna leave, you can just go—"

Can't. Can't. 

"Johnny—"

"No, none o'that, now. You make up your mind, 'cause I ain't makin' it for ya. I ain't makin' ya do somethin' you don't want to, and I ain't—"

He's pleading, you think. Begging—

For this, this strange thing. This awful, broken calamity, this abomination in the face of free will and autonomy. Despite the rage that hums in your veins at the idea of being controlled, manipulated, he finds something worth chasing. Worth running for. 

Why?

And what?

And—

It comes in flashes, snippets. Fragmented pieces of bright eyes—brighter, maybe, than the sun—and warmth, one hot enough to burn but it doesn't, it won't, it soothes instead. Eases coiled muscles, and absorbs the lactic acid that leaks from shredded, knotted fibres. Hands on your body, on your skin: the press of rough fingertips over prickling flesh. A whisper of curiosity, the slow descent into affection, adoration. Plush lips pillowing sharp teeth, too reverent to ever leave a mark behind—part in fear of marring fragile skin, and—

Letting the ghost of permanence fester, take root, inside his chest where his heart beats—

Jus' f'r you, bonnie. Jus' you.

For once, the phantom touching your body isn't a dream, a half-lived fantasy in another world where a man-made you whole and then ripped you into pieces, letting the scattered fragments blow with the sharp winds howling through the highlands. You know the touch, remember it. Felt it. New, and tangible. A touch that never lingered, too afraid of letting something, something, stick. 

For once—

The snaps flashing, blindingly, through your synapses are not made of dream dust and kismet. 

And—

All at once, it shatters.

—you know, i never thought i'd say this before, but i—

(You were lost in Elgin, but when you see his face, you feel found—)

THERE—

There is a lot to be said about Johnny MacTavish. 

Good things—kind, dedicated, driven—and bad things—bold, stoic, dogmatic—but one thing neither have in common is tardiness. Broken promises. 

So, when Johnny calls you in some distant land you've never heard of, and says: 

Things got bad. I might not—I might not be coming home.

You believe him. 

But the thing is: there's a difference between believing the words being said to you, and understanding their meaning. Your mind is not equipped to latch onto devastating blows with the same swiftness you do ignorant bliss. 

So, when you hear I might not be coming home, you think, instead, of tardiness. Of a missed anniversary dinner. 

(Of all the ones that came before it, and will come after it.)

And you smile. Smile into the receiver with your heart drifting down Lethe. 

"Okay, Johnny," you say, and those words will come back to haunt you three days from now, when John Price shows up at your goddamn door, stupid bucket hat tucked tight to his chest, and rips your heart into pieces. 

But for as much as you are blissfully ignorant, your mind still understands nuance. They used to call it foresight, a sixth sense; hindsight. 

You add, softer than you've ever said the words: "I love you." 

His breath stutters through the line in response. A brief pause. And then—

"If anything happens—" you hate him a little for even saying it; you really do: "just know that I love you, too. And that I hope—ah, Christ, bonnie, you got me all stupid, now—but, fuck, I hope we meet in another life."

It knocks something loose inside of you. Some primaeval thing that nestled in the safety of your ribs, moulting along your moon-white bones and glueing to the soft tissue that pulsed around it. It's shaken. Dislodged. 

It feels a little bit like your soul is being scraped off of bone. 

"Johnny—"

"—gotta go. We haven't heard from Roach or Riley in a while. I probably won't call tonight. So, don't wait for me, bonnie." 

The line clicks before the words I've been waiting for you forever fall from your wobbling lips.

You hate Johnny a little bit for this. For digging his roots deep into the soft chambers of your heart where it gnarled around your pericardium. A perfect little knot. A bow tied nice and pretty just for him. 

It makes it so much harder to bare when John fucking Price knocks on your door, stupid fucking bucket hat tucked tight against his chest, ghosts in his eyes, blood on his hands, and rips your heart into pieces until nothing but the rotten, dying roots remain. 

"I hate you so much right now," you hiss at the tombstone—the only thing you have left of him. "I hate you and I miss you and I wish you were here so I could—"

John finds you with your forehead pressed against the brass plaque, cheeks raw from the rivulets of tears that feel endless—a baptism in grief; in your tear ducts, Noah battles the biblical flood, and loses. 

Eyes that can't see past a shimmering hinterland of death and abject dismay are fixed, broken, against speckled granite. 

It's agony. The kind that makes it feel as if the marrow in your bones turned into a corrosive liquid, molten and devastating, and burst through brittle, hollow bone. 

Price, you've come to realise, seems to know things beyond what you tell him. Always picking up the shedded skin that falls from the people around him. Little pieces of them that he shoves in his pocket to ruminate on when he's trying to put together the puzzle of who they are. 

Words won't penetrate through the haze in your head. It filters in like water through a rhyne, back out to the open sea. 

(He knows this, of course, because you've been shedding pieces of yourself around him for years.)

It doesn't surprise you, then, when he says nothing. When he just falls to his aching knees in the soft humus, resting beside you as your world crumbles into ash and heartache. 

You sit in numbed silence until the sun is swallowed by the dusk that creeps across the sky. The moon itself seems to mourn along with you, hiding her eyes behind a nebulous veil of gunmetal. 

Price, without a word, helps you stand when the gravekeeper comes and ushers you out. He shepherds you into his Jeep and brings you back to the place that reeks of loneliness and dinners for one. A place that still carries the ghost of his presence around every corner, tucked away in each alcove and nook.

He might be gone, but his shadow still lives and breathes the dank, funeral air that clings to your sallow skin. A miasma of loss that tangles itself in every atom around you. 

Price seems hesitant to step inside, but you'd rather sleep on the patio with the chirping crickets and the weeping moon than be inside where the echo of his voice whispers through the halls, and he knows this, because he knows you, and so he brings you in before you can entomb yourself in grief, lost to the elements. He sets you down gingerly on the couch, body now more fragile than fine china, brushing your tangled hair from your forehead. It catches on his weathered hands. You barely feel the pull. 

He looks at you like you're a battle that can't be won. 

"Take care'a yourself, yeah? It's what—" he chokes, then, and you feel the hiccup like a white-hot knife to your gut. "It's what he would've wanted."

What he wanted is gone, and it's dead—just like him.

You don't say these words, but you wonder if he knows them, hears them, anyway. He must, you think, watching as the ashy, smoked cedar of his beard twitches. His mouth gnarls to the side in grief, uncertainty. 

He says your name. You know this because you know the shape it makes of his mouth, but don't you hear it. All it sounds like is a nail scraping over waterlogged, mossy wood. 

Price leaves.

A part of you goes with him.

You rest your forehead against his pillow, the one that smells of him still—warm milk, honeysuckle—and you wish so hard on broken promises, unfilled dreams, to see him again, to hold his face in the plinth of your palms, that your heart feels like it might burst—

—break. 

But it's already broken. There's nothing left to shatter. The pulpy mess he left behind beats not because you want it to, but because it has to. A biological failsafe that does not care about your human emotions even as it quivers and shakes at the loss that tipped your world upside down. A gaping hole sits in the middle in the shape of his smile, and your stubborn heart pulses around the wound. 

Sometimes you think it would be easier to feel nothing at all. To shed the agony like a rotting limb, cutting it as close to the bone as you can, and watching it fall, blackened with decay, and postulating with infectious spores that bud, devouring unblemished, unhurt, flesh until you're a pristine corpse. 

Grief twists you into the living dead. Breaks your head in two, cloved clean down the middle of unrelenting panic and anger—anguish so severe, you can easily convince yourself nothing at all is real. 

But it is. 

And then there is only denial and abject horror at that unimaginable nothingness that looms, blooming in your insides until they turn into a gaping, festering maw. One that makes you feel like you could swallow the whole world and still feel empty. 

No longer a human on the inside but a chasm. The person you were before died the moment his heart stopped beating. Irrevocably changed with three, stark knocks against the door he painted yellow because it reminded him of the way you looked standing in a field of sunflowers. Gone. Gone—

A barren void with its insides scraped out. Hollow. Wind rattles through your chilled bones. It sounds like his voice when it ghosts over your ribcage. 

You chase the sound. 

Running, running, running. Going so fast, it barely feels like your feet touch the ground. A wingless bird soaring across the valleys that gleaned in his hazel eyes. 

Running, running—

Your feet slide against marshy peat. A hidden bog gurgles beneath your soles. 

You don't scream when you sink. 

(The bubbles sound just like him—)

You smile.

—NOW

Eldritch machinations, some fanciful god playing a chaotic game of matchmaker, a dizzying sense of folie a deux—you haven't quite determined what the reason for this is, who or what might be behind it, but one thing you do know is this:

Something might be aligning your paths until all trails lead to him, but when you wander down those Wonderland roads, your heart beats for him. 

A second heart pulses under your skin. One slipped inside when you cupped his cheeks in your palm, and told him when you looked, you saw only him.

It might not be a choice you've made in this lifetime, but it's certainly one you can't bring yourself to regret. 

You run, but this time, it isn't away from him, but to him. 

He tastes of coumarin when you press your lips to his, a kiss met in the middle. 

You're lost, now, in the swell that gusts across the boscage. A breeze dances over your ears. A thousand starlings coo in the clear blue aether above. You feel the tickle of barley against your knees. Rasping tussock sedge curls over your ankle, weaving together until you're tied to the ground. Anchored against the stalks of wheat that shiver in the wind. 

His hands are warm, solid, on your skin. One hand braced on the small of your back, keeping you pressed firmly against him. The other cups your chin like you're made of fine china, polished crystal full of precious gems and rare metals. He holds tight as if he's afraid you'll drift away when he lets go. 

Your head is blooming full of sunflowers. They germinate in your thoughts until the petals burst through, lifting high to the heavens where the sun burns half as hot as his body angling against yours. 

His atoms sing, calling to yours. A buzz, a hum. You feel them stretch, shifting from the prison of you until equilibrium is reached when they merge, tangling together. A new being, a new entity is born from the collision—a person made of two with lungs and hearts that breathe and beat in the same cadence as it's ghosts. Woven together with marionette strings. 

It feels like coming home and getting lost all at once. 

Etched in the delicate flesh of your heart sits a kairos moment. A brief period of nothing that runs as deadly and tumultuous as the Swillies. An upheaval. 

Time is tenuous. Broken. Fragmented. 

An arm stretches out, anchoring across your waist. His mouth presses a kiss to your bare shoulder, eyes glossy in the mid-morning sun. 

"Wha' time's it?" He slurs out, words thick with sleep. 

Your eyes cut to the alarm clock on the end table. A slow, languid smile curls across your kiss-bruised mouth. 

"Eleven-fifteen," you breathe, eyes fixed on the red lines. Your heart stutters when it flickers. "Eleven-sixteen."

"S'too early," he moans, lips rubbing over your flesh. "Stay in bed with me." 

You peel your gaze away from the clock ticking down the seconds (minutes, hours, days, months, years), and turn to him. Hazel in bloom. A boscage in spring. Your eyes mist a little from the morning dew. 

"I love you, Johnny." 

His breath ghosts over your skin. You hear the hitch in his voice when he speaks. 

"Been waitin' a long time t'hear you say that, bonnie."

"Sorry to keep you waiting." 

—don't wait for me, Bonnie. i'll come find you—

—THEN

"Excuse me? You dropped this."

It's raining. Pouring, really. The droplets are the size of pennies and pelt the top of your umbrella with an unforgiving force. It sounds like the clatter of a mourning bell, and drowns everything else out. 

But it catches. Clear. Low. 

You turn, blinking through the thick fog that congeals around High Street in a dense, white blanket. 

"Sorry?" 

A man. He's towering above you, cut off at the chest by the fine points of your umbrella. You lift it, and—

Your wallet is the first thing you see. Wet, covered in grit from the cobblestone. It's clenched between a thick thumb and forefinger, held delicately together. You baulk. 

"Oh, shit—," it's snatched out of his hand, and pulled into the sanctuary of cover. You can feel it already. The mess inside. Still. You hope—

The leather peels back. Mush. 

You groan. The meagre bills you'd pulled from the machine are now wet, sticking together in a papier-mache square. Useless. No one is going to accept sopping wet bills. 

"Alright?" 

"No, I—," you glance up at him, irritation cutting across your brow. No, you're not alright. You're shit out of luck, and stranded here, now. And—

And—

Hazel. It's the first thing you see. Mountains of brown slope into a lush green valley. A cool blue lake cuts through, splitting off into a ravine. 

Your breath catches. 

"Sorry, umm. Yes. I'm—"

Attractive is the first word that springs to your mind when you stare at him—dark eyes, furrowed brow, long nose, a dusting of charcoal stubble along his cheeks and jaw, and full pink lips. Kissable is the second one. 

And then—

Oh, God. 

"Sorry," you murmur again, cheeks heating despite the chill. "I'm fine. Thank you, I'm—"

"You're not," he says, and it's uttered so assuredly that you can't find it in yourself to lie. As if he is somehow able to chisel into your head, and rifle through your problems with ease. "It's all wet, isn't it? Were you heading home, or—?"

It's cliche. Stupid. Your belly rumbles.

Mortifying. Absolutely—

His lips quirk up. A soft, almost secretive smile. Reserved. "Well, I know this place around the back. I could use the company, if you wouldn't mind."

You should say no. No, thank you—because you were raised proper. But all you can think about is the deep, brassy tone that tickles your ears when he speaks. The distant, almost careful way he regards you, as if he's putting himself at arm's length so you aren't scared off by his brawn. 

Hazel is dusted in gold. You want to bask in his warmth for just a moment longer—

"I'll pay you back, I promise."

His brows raise. Hazel framed in white. A soft huff leaves his full mouth before his lips pull up in a slow, genuine smile. 

"Y'alright, bonnie. I'll hold you to it."

(And so, it begins.)

#john soap mactavish #soap x reader #Johnny MacTavish x reader #og soap x reader #og soap #john soap mctavish x reader #john soap mctavish x you #cod fanfic #AHHHHHHHHHHHHHHHHHHHHHHHHH #this took me forever #idk why #i just?? expected more fluff but instead we get horror and grief and eventually fluff #kinda #like #sorta #idk #enjoy

[a-998h]

I’m so sorry if I’m like bothering you😭 But like I just have so many questions-

So what if in the same scenario where (Reader) is like really strong and kills monsters like the ask from before

And once they find out that some of the Archons/other people are really old they’ll make soo many jokes about it-

Like if Zhongli was like “Please (Reader), I don’t mind if you see me as a father-figure, I won’t be mad if you call me Dad,”

And (Reader) who’s like 12-14 years old is like “You’re too old to be my Dad, you’re more like a grandpa.” And then they just walk away, and Zhongli just lays on the floor, heartbroken

And if (Reader) beefs with Wanderer, and he’s being mean they’ll be like “Shut up old man!” Or like “Your still this immature at your grown age?”

And for Nahida, they would just hold her in their arms, she would be the only few people that (Reader) doesn’t actively make fun of, and they’ll show genuine interest on how she’s so old but looks so young, and they would like sit with her and talk about their world

But suddenly everything takes a turn when (Reader) is sitting with a character (One who’s thousands of years old) and (Reader) just turns to them and’s like “Y’know, I realized if I stay in this world, that means you and a lot of the others are still gonna be here when I die” and then they’ll just calmly turn back to look up back at the starry night-

You pick which ones would be bawling their eyes out or how each character would react-

And then reader would go up to characters who aren’t thousands of years old and would assume they are and they would be like “You look old” or like “I feel like your actually an old person”

Like they would say this to Itto, Cyno, Diluc or any other characters of your choosing (Hopefully those three aren’t thousands of years old from what I know💀)

Have a good day!

-🍉Anon

🍉 Anon you never fail to inspire me and my devious little mind, and for that I thank you. I'll start with the mocking age headcanons then move into the existential dread the Creator inspires.

(Included characters: Venti, Zhongli, Ei, Nahida, Itto, Wander, Diluc, Cyno, Xiao, Neuvillette, and Xianyun)

Age jokes

Zhongli

“Please (Reader), I don’t mind if you see me as a father-figure, I won’t be mad if you call me Dad,”

“You’re too old to be my Dad, you’re more like a grandpa.”

Your response/ jab at his age makes him pause

At this point no one in Teyvat besides Traveler and Paimon know that Zhongli is Rex Lapis

Is not surprised the great Creator knows things, but he wasn't expecting you to know that

Uses the jokes to mess with you in small ways

Whenever you ask to do any monster killing he'll pull the deaf old man bit, just to annoy you

Will also make you do harder chores by pulling the old man = bad back

It's funny... to him, he also uses this as a teaching moment

Venti

Laughs it off

Another that uses your jokes to mess with you

When you ask him to do something, he'll hold his hand to his ear and say "I'm sorry little windblume, I didn't hear you. My hearing must be going at this age,"

But jokes on him, you use his perceived old age to try and limit his wine drinking

That fails, but you tried kid

Whenever you run around Mondstadt or do monster killing, he sighs and talks about when he was young

You both annoy each other and it is glorious

Ei

She is shocked

She knew you liked to joke, but she didn't think she was that old

Because you're talking to the Riaden Shogun puppet most of the time, you don't get a reaction

Your jokes don't get turned on you

It's kind of boring

Nahida

Only one who doesn't get age jokes

You are genuinely curious about how she looks young but is really hundreds of years old

You both talk about the advantages and disadvantages of being physically young but mentally older

Still unnerved by your monster killing and has her friend Wanderer watch over you

Furina

Huffs of annoyance

she then scolds you herself before snitching on you to Neuvillette

In the ends she'll forgive you, once you bribe her with sweets

Wanderer

“Shut up old man!”

How dare you!

His face turns shades of red no one knew were possible

Will respond by calling you brat and saying how cute you are in a teasing tone

Will be petty

“Your still this immature at your grown age?”

Turns even redder

You both beef with each other and it makes other worried

Will granny pinch your cheeks

Still smug about your monster killing, if bribed he'll help you

Your beef is both worrying and entertaining

Xiao

Silence

He doesn't really understand the ages jokes

Thinks that you're just being mean

He'll snitch to grandpa Zhongli

Once it's explained to him by Zhongli

He just is confused

Why are you joking that he's old?

Just a really clueless when it comes to these jokes

Itto

Tears

He thinks it's because his hair is white

Now, he'll try his best to be the cool young uncle to you

He also doesn't want to think about how old he is

Will try and go monster killing with you

When he sees your strength... proud

Will carry you around and be like "Look at my awesome friend!"

So yeah, like a grandma showing off pictures of her grandkids

Cyno

Is surprised

It's probably his grumpy face and his voice

Whenever you make ages jokes he tries to scold you about it

Whenever you run into the desert to do monster killing he'll chase after you to stop you

Try and pull this in the rainforest and he'll have Tighnari case you do to stop you

He thinks you make jokes about his age because of his hair color

Proud of your strength but still worrys about you

Diluc

This is the face he has on the inside

His voice and resting bitch face is probably what makes you think he's old, at least he thinks so

Think Kaeya is the one who is telling you he's old

He canonically 22 so this hits him hard

Tries to keep you in the manor at night

When he sees you sneaking out to kill monsters.... dad mode ™️

The more he scolds, and tries to act like a dad the more you call him old

You'll be the reason he ends up with grey hair, eyes bag, and wrinkles

Neuvillette

Grandpa number 2

He already deals with Furina, so he's prepared

Whenever you poke fun at his age, he'll scold you for it

He'll never say it in public but you and Furina are his grandbabies

Your monster killing worries him, like a lot

So much that he has the melusine spy on you and report back

You often get scolded for reckless behavior

He is the more strict of your grandfather figures

Glares and scolds you whenever you call him old

He thinks your jokes are very disrespectful

Would be upset if they started rubbing off on Furina

Xianyun

Considering she tells Paimon to "respect your elders" when Paimon made her mad

She doesn't really care

To her, age = experience

She will act unaffordable by you monster killing, but it scares her

When you joke about her being a grandma, she plays into it

It's not to annoy you either, she just thinks she's your grandma

Will do standard grandma things

Whenever you try and get her to stop, she just responds with "nonsense!"

Now time for existential dread

“Y’know, I realized if I stay in this world, that means you and a lot of the others are still gonna be here when I die”

Crying on the outside and the inside

Nahida, Itto, Venti, Furina

Cries on the inside only

Neuvillette, Zhongli, Diluc, Ei

Doesn't know how to properly talk to you abut it

Cyno, Xiao, Wanderer, Xianyun

#genshin fanfic #cult au #sagau #creator!reader #sagau lore #genshin x reader #genshin impact x reader

[aprocessionofthoughts]

Calling All Bats

ai-less whumptober 2023 day 26- came back wrong fandom- dp x dc TW- none summary- Jason starts looking for Danny

ao3 ailesswhumptober23 masterlist part 5 of DLM

Danny found himself pleasantly relaxing with this strange liminal. Which he figured was why Gotham had directed him to that apartment. He had been surprised when he reached Gotham’s border and immediately felt the city’s presence. He had never encountered a living city before even though he knew they were possible. He had hesitated at first, not wanting to intrude on what felt like a haunt. But Gotham had assured him with feelings of temporary protection, she couldn’t do much. She was too weak from constantly being surrounded by corrupted ectoplasm from all the disasters. But she could offer temporary asylum and let Danny know when the GIW entered Gotham’s border. 

Of course Danny hadn’t known that Gotham would be sneaky and direct him to a liminal’s apartment. Danny had not expected a liminal to come in, usually he could sense a haunt, but with Gotham as contaminated as she was, he figured the criminal's presence was hidden. It was also probably because Jason’s ectoplasm was also corrupted.

He wished he could have stayed longer in that apartment. He might have even been able to help Jason. But when Gotham whispered to him that the GIW had come, Danny knew he had to leave before the agents found Jason. Hopefully Gotham’s corrupt ectoplasm would help hide Jason. It might even make it more difficult for the agents to track him down as well.

But he couldn’t risk it. He wasn’t sure where he’d go next. At least he had gotten his bandages changed and eaten a few cookies.

-------------------

Jason didn’t know what to do. The kid was just gone.

How was he supposed to look for him? Where even did he go?

And these GIW agents or whatever were clearly after him. Jason wasn’t about to abandon the kid.

Leaving behind his hot chocolate and cookies he walked over to his room and put his uniform back on. 

The kid was like him. They both came back wrong. Jason grimaced. He’d always described himself as coming back wrong, but thinking about the kid like that was wrong. The kid was fine. Who cared if he’d died before. And maybe, Jason wasn’t messed up either? Danny acted like all this was normal. And maybe it was. 

Whatever. Existential thought could wait till after he’d found Danny and beat the GIW to a pulp.

He left through his window and made his way up to the roof. He paused. He wouldn’t be able to search the whole city by himself. 

That meant he’d have to call in reinforcements.

Ugh. What a pain.

He activates his comm. “Hey, Oracle. Anyone out tonight?”

“Hood, I thought you were ending your patrol early today?”

“I did. Then I found something. I need anyone out to help me out with the situation.”

“Red Robin’s out right now, but Nightwing is still suited up if you need him too.”

“Go ahead and patch them both to my comm.”

“Will do.”

A moment later Dick’s voice came through. “What’s up, Hood?”

“I need your help looking for someone.” Jason said, grappling over to the next roof. “Who are you looking for?” Tim asked.

Jason hesitated before answering, “He’s a kid about fourteen or fifteen, he’s some kind of meta. I was talking with him and he just disappeared. But he mentioned he has government agents trying to hunt him down to experiment on him.” 

“What’s he look like?” Dick asked, voice serious.

Jason paused before getting it over with. “He was wearing jeans and had a black hoodie on. And he has black hair and blue eyes.”

There was silence for a moment before Dick started cackling. “I’m sorry, I’m sorry. I know this is serious, but really Little Wing? You’ve found us a new brother?”

“Shut up. We need to start looking for him.”

“Of course.” Dick said, sounding serious, but Jason could tell that the man was still smiling.

“Do you know what agency is after him?” Tim asked.

“A group called the GIW. I don't know anything else.”

“I’ll look into them. I’ve also got my systems looking for any black haired, blue eyed kids.” Babs said.

“We’ll find him, Hood.” Dick said.

Jason hoped so.

#ailesswhumptober2023 #ailesswhumptober #day 26 #came back wrong #jason is liminal #Jason todd #Danny fenton #dpxdc #dcxdp #dp x dc #dc x dp crossover #fanfic

[iamalivenow]

alive can i have new podcast recs please i want new podcast recs please please can i have new podcast recs please horror and also gay

so tma ended, now what? horror podcast recommendation list part 3 oh my god they made more of these things

malevolent - i think people are already turned on to this one because its slowly becoming the new big thing imo. malevolent is about a guy named arthur who fucked up and got his eyes stolen by an eldritch abomination that is also now physically tethered to him and they dont like each other enough to just live like that so they go on an adventure to try and unstick themselves from each other. its a lovecraftian mythos story, so thats the type of horror you're getting. it's not a comedy and its not a romance but it both is a comedy and is a romance you know what i mean? 10/10 can you believe its just one guy doing all of these voices

red valley - red valley is about a guy named warden who works in a weird government agency tasked with trying to find a seed vault that very quickly becomes not a regular seed vault. the characters in this one are all so well written and the gut punches kill me. this is a bit more near future(ish) scifi than regular horror, but while you're listening to it turn into a road trip you're going to be like "alive this isn't scary" and right around that time is when they're going to introduce truly what is one of the most fucked up concepts i've ever heard. 10/10 the british people made me cry again

out of place - okay so stop me if you've heard this one before. there's a british guy working in an archive where he gets weird kind of scary things and his archive institution is shady and there are tapes and its not mag again i swear. out of place starts much the same but instead of getting scary bullshit, andrew starts receiving historical artifacts from different alternate history realities. its fantastic world building, good story telling, and just like. existential dread nightmare after existential dread nightmare. 10/10 i can't listen to this in the grocery story because i will just stare of into space and sigh for twenty minutes at a time.

they're all ongoing and at around 20ish episodes right now and i love them. i only do these rec posts when i can find at least three shows so sorry for how long this ask took to get to <3

#tma #the magnus archives #wtnv #malevolent #red valley #out of place #malevolent podcast #podcast recommendations #podcast recs

[jigujellee]

(gif creds: kimlipz)

YOUR VOICE IS MY FAVORITE SOUND -> while helping yunjin write her new song, you realize that there's more to her than her loud goofball self.

yunjin x 6th member!reader FLUFF >> word count: 1.4k warnings: none bc fluff is meant to be soft and gushy

a/n: here's me apologzing for the yunjin angst <3 to avoid any confusion - this is NOT a prequel to "love the way you lie" nor is it related in any way; this is its own thing where reader and yunjin are happily together bc they deserve it; enjoy soft and whipped y/n while i try to get angsty again

even with the water running, kazuha and eunchae could be heard in the background, giggling at whatever they were watching on the older girl’s phone.

“i’m sorry i couldn’t help you tonight y/n. i’ll do the dishes tomorrow okay?” your leader says as she magically emerges from her bedroom and immediately snakes her arms around your waist, leaning her head on your shoulder.

“i don’t mind cleaning up unnie, it’s really okay” chaewon hums in response while you place the last bowl on the dish rack to dry.

“where’s yunjin unnie?”

“in her room. i think she’s writing again”

you smile at the thought of your girlfriend trying to write a song. you could easily imagine the way she scrunches her nose while trying to figure out a chord progression, or the way her tongue slightly pokes out as she writes down lyrics in her notebook.

“maybe you should go help her instead of standing here and smiling like a creepy idiot” chaewon interrupts.

“for a moment, i forgot you were here” you joke as you playfully wipe your wet hands on her face.

“ya y/n!! i just did my skincare routine!” she yells while aggressively wiping her face on your shirt, which earned chaewon a playful slap on the shoulder.

once you finish wiping down the counters and tucking in eunchae’s chair (she swears her new year’s resolution is to push in her own chair), you walk towards yunjin’s bedroom. her door is ajar and from where you were standing, you could hear her hum a melody and attempt to strum a few chords. her back is to the door so she’s unaware that you’re leaning against her doorframe, admiring the art that is huh yunjin herself. you watch as she puts her pen down and clears her throat before singing;

it’s kind of shitty isn’t it? not the way we pictured it feels like an existential crisis or am i being dramatic? i wish the world would shut its mouth

“give me space to… sort all this shit out? no that doesn’t sound good” she grunts, and yunjin drops the guitar pick to replace it with her pen, scribbling out what she previously wrote. she sings the same line over and over, and just as she’s about to give up, you finally break your silence and offer a suggestion.

give me space to fucking sort it out?

yunjin’s head immediately turns around, you’re worried it might have given her whiplash. as soon as your eyes meet, you watch a smile grow on her face and you return the gesture with a smile of your own as you walk towards her bed.

“give me space to fucking sort it out,” yunjin tests the way it sounds before continuing on;

like i’m fine, just leave me alone i’m great on my own

you can’t help but stare at yunjin, watching the crinkles on her forehead when she sings and listening to how soft and melodic her voice is.

“honey, you’re staring”

“am i not allowed to admire you, my love?”

“it’s making me shy,” she admits, pink blush slowly painting her cheeks resulting in another smile on your face.

it's rare for yunjin to openly admit when she's shy. though her mbti says she's an introvert, you'd believe she's everything but that when you get to know her. she was a loud goofball most of the time and you absolutely loved her for that. but you also loved her in moments like this; when she’s quiet, focused, and vulnerable. yunjin always felt shy whenever she showed you the songs she wrote, and you’ll never forget about the time she admitted that it feels like she’s naked and bare in front of you when she presents her own creations.

you then realize you don't need to physically touch her to feel close to her - you feel her heart and soul in every word she sings, and you believe it’s the closest you’ll ever be to yunjin.

“helloooo anyone there? looks like someone’s staring again”

“well i think it sounds like an amazing song already” you say, finally breaking out of your daze.

“oh stop it, you’re just saying that because i’m your girlfriend”

“i’m saying it because it’s true. now sing some more, i’ll help with the chords”

now it’s yunjin’s turn to stare as she watches you take her acoustic guitar out of her hands, and grab her electric guitar instead.

“now look who’s staring” you say while plugging the guitar into an amp and start tuning it.

“i’m just lucky to have a girlfriend who’s talented like you”

you never liked to brag about your talent, but yunjin wasn’t lying. you’ve always loved anything and everything to do with music, and you would beg your parents to get you any instrument they could get their hands on - piano, guitar, drums, bass, and even violin. at some point during your trainee days, you even learned how to produce and mix songs. by definition, you were indeed an ace but you didn’t like admitting it and you’d playfully roll your eyes whenever the other members called you their ace.

“just sing darling” yunjin momentarily gushes at the pet name prior to singing, just as you requested.

i don’t know what i’d be doing without you you love who i am cause i don’t care as long as i’m with you i’ll reach for your hand

you couldn’t even bring yourself to try and come up with a chord progression; you wanted to hear that voice over and over for the rest of your life.

along with her heavenly voice, you also admired yunjin’s penmanship. you could tell her lyrics always came from the deepest parts of her heart and after hearing what she just sang, you feel your heart swell - you were just so amazed and proud at what she was capable of doing.

“go again,” and so she did. you asked her to sing about 3 or 4 more times before she realized you weren't even strumming anything.

“baby, are you gonna play or what?”

you chuckled and asked her to sing once more, with you actually playing the guitar this time.

“how was that?” she asks as you two wrapped up the song, and you notice her fidgeting with the corner of the page of her notebook. hearing her ask for feedback brought you back to the days you’d spend by her side while she’d practice before her monthly evaluation. it's a bittersweet memory for they were the moments you cherished the most but were also considered some of the toughest times in your career.

you don’t answer her and instead lean in to kiss her soft lips. of course, she enthusiastically returns the kiss causing her to drop her pen and notebook to wrap her arms behind your neck.

“ew,” says the leader from outside yunjin’s door. “close the door next time, eunchae might see you two,” and you look at yunjin before bursting out into laughter with her.

-

“3, 2, 1!” the staff counts down and the 6 of you blow the candles on the cake they prepared for you.

“happy 100 days to us!” eunchae yells while taking pictures of the cake and the decorations surrounding you.

after posing for pictures, the staff begins to play yunjin’s song through the speakers. everyone, including you, cheers and congratulates her for the release of her own solo song. you make your way towards her and embrace her lovingly, ignoring the sound of your other members fake gagging.

“you made a wonderful song, mahal”

“no, we did” she chuckles.

“you know what i think? we should write another song together and perform it on our wedding day”

yunjin feels her heart burst at the mention of your wedding. although it wouldn’t happen anytime soon, it brings so much excitement and leaves her to wonder what else was in store for the two of you, and also for the group.

she tries to lean in for a kiss but unfortunately, you're torn apart when chaewon and kazuha pull her away to take pictures while eunchae and sakura invite you to start eating the cake. yunjin's song comes to a close as you stare at your members and staff, and you smile as you think about all the memories you’ve made together while looking forward to the future of le sserafim.

but raise your glass, to the story of us.

#kpop scenarios #kpop imagines #girl group scenarios #girl group imagines #kpop #le sserafim #le sserafim scenarios #le sserafim imagines #le sserafim fluff #huh yunjin #yunjin #yunjin scenarios #yunjin imagines #yunjin fluff #yunjin x reader #6th member of le sserafim #fem reader #jigujellee

[turtleinsoup]

all the fuckedupness of the lemonade leak aside, the others are going to have to realize that leo's actually a genius. your characterization of the boys is a bit different from the show (not bad or incorrect!) but in the show and movie they underestimate leo like all. the time. its kind of the whole point of his character. but in the lemonade leak leo is actually so scary. and hes s o smart to the point where hes practically an unstoppable force. in some epilogue of the story (hypothetical or otherwise) it would be neat to see the others sit back and just take in how intelligent their brother is and how little they might have understood about him before (because im on the edge of my seat hoping for a happy ending cause shits lookin pretty scary the way its going now ksgdhsdjdhfjfj) sorry if this interpretation is completely incorrect i just reread the lemonade leak and its eating my brain (/positive) no pressure to respond or anything!!

Oh!! :D Thank you sm for your kind ask!!

Leo's probably smart enough to know he's better off letting people think he's dumb. Because he doesn't just outwit his enemies, nope, he strangles a spider with her own strings.

I think Donnie doesn't really give a fuck about how genius and terrifying Leo is, because - just like Leo - he thrives off outsmarting an opponent. If the stakes weren't his twin murdering him to death until he's dying, Donnie would probably be having a normal saturday evening.

Like: You could be a coldblooded mob-boss! You could kidnapp & tie Donnie up! You could bring him to some uncharted island in the middle of the night with a bag over his head, and Donnie would probably go: "At least try to put effort into your pranks. My hands are free since Brooklyn, Nardo." I also bet Donnie sometimes just tapes Leo to a chair & treatens to perform the most horrific inhumane experiments on him, to which Leo goes "Dude, just tell me you want to hang out. Look I swear I'm not gonna speedwalk away again... If you put pictures in your powerpoint this time." I hc the twins just vibe with each other's bullshit. Like, Leon doesn't mind being taped to a chair in the name of science, and Donnie doesn't mind being kidnapped to remote islands in the middle of the goddamn night. Because they know exactly that if they get fed up or just want to leave, there'll be zero power struggle about it. (They just let the other go, bc they secretly respect each other, but shush) It's legit just how they communicate "Gimme your attention rn", because they are SHIT at talking xD

Raph probably doesn't care how terrifying of a genius Leo is either, because that's his brother who licks chocolate off his own foot.

Mikey would probably care, from the angle of "Leon, beloved brother, I need you to sit through so many lessons of Doctor Morality, your butt will be fucking square. :D <3"

(Betcha Intelligence is all situational friction anyway. It's a bag of marbles: Not about who has the brightest, but who rolls them across the existential playground best. It's about how many you can fit up yo nose at once.)

So like, yah. There definitly will be a scene were they realize how terrifyingly smart Leo is!

(But also, they won't be scared of him. That much. :D <3)

#thank you for your kind #ask #!!! #<33 #rottmnt #rottmnt lemonade leak #rottmnt donnie #rottmnt leo #rise of the tmnt #tmnt 2018 #rottmnt fic #tmnt #rottmnt au #rise tmnt