The Betty Supernaw Hells Angels & POBOBs Archive
There is plenty of lore and legend, with in the Hells Angels MC, and the story of a female patch maker is one of them.
In June of 1951, months before starting the Hells Angels MC, the clubs founder Dick White went to S & W Sports Lettering, in San Bernardino, to have the first set of Hells Angels colors made. All he could show the shop’s owner, Betty, was his tattoo, of a winged skull and flames, that his friend used to draw over and over again.
This would mark the beginning of America’s biggest antihero subculture movement exported to the rest of the world. For the next 50 years Betty Supernaw was the go to patch maker for the Hells Angels MC. The Chapters in Northern California eventually found their own patch maker(s), but whenever a new charter was issued, by Berdoo, the patches were chainstitched by Betty. She didn’t stop at just MC’s, she eventually became the go to patch maker for many car clubs, and local street gangs, never judging a customer, or group of customers, for who they were or what they did.
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Kote’s House
Kote’s first house is a pathetic thing, and he is incurably proud of it. The twi’lek he purchased it from very evidently could not make up his mind what to do with a man that grinned while he haggled, but it was the first time Kote had haggled over a purchase of his very own. He had thoroughly enjoyed it.
The house is built for one being, and a compact being at that, but Kote doesn’t have much. Moving in is quick, and most of his efforts during the next few days after go into attempting ambitious repairs for things he doesn’t know the first thing about.
His plumbing is an issue, he knows. Something is getting blocked up. Somehow while trying to fix the kitchen tumbler, his fresher spout explodes.
He hadn’t kept his new house a secret from anyone by any means, but it is still surprising when Fox barges in through his jamming front door. He finds Kote on the floor in his cramped kitchen while the fresher rains water in the adjacent room, laughing so hard and so crippled with delight that he can’t get up.
He tries to explain how wonderful it is —
“I-I have to fix my plumbing on my own, vod—”
—but judging by Fox’s single raised eyebrow he knows it doesn’t translate.
Fox, it turns out, is moving into the neighborhood. Kote doesn’t ask about the house Fox already has — the house he has visited, which is very nice and fancy — or point out that Fox’s contract there cannot possibly be up, which begs the question of why he’s here in Kote’s neighborhood — except that Kote already knows the answer to that question. So he doesn’t ask.
Fox doesn’t show him any grace or forbearance, though.
“Don’t even know how to fix a damn pipe, front lining show-off—” His brother snarls, but it is muffled; his top half had to go down beneath the floor they’d pried up to get at the plumbing issue.
“So that’s what they had you doing all these years.” Kote says, because he really is in a criminally good mood. He barely ducks the foot-long pipe Fox throws at his head, feeling giddy.
He makes dinner that night in thanks. Fox stays, ostensibly because now that he’s fixed the fresher he intends to use it, because his new house isn’t hooked up properly yet to all the supply lines and power grids.
They choke on homemade tiingilar (vode-style; Kote can’t pretend at the real thing yet) so heavily spiced it’s got grit to it that sticks between the teeth. It’s disgusting, but Cody had bought fifteen different spices and while usually he likes to keep his approach to the unknown more cautious, more methodical, he couldn’t think of anything he wanted to do more than use them all at once for the first time.
Wolffe joins them not long after; brings a few others along by recommending the apartment he picks out, so that soon most of the complex is taken up by vode, Kote hears, but he doesn’t visit yet. Everyone’s too busy coming over to his house, it seems; filling up his kitchen and asking why he hasn’t fixed the trash disposal yet, why he doesn’t have a couch, doesn’t he know they’re all the rage among civilized folk?
Kote fixes the trash disposal with Rex, who is better at it than he is but says it’s only due to Skywalker’s influence on managing all things mechanical.
“How is Skywalker?” Kote asks, and gets more than he bargained for over the next hour. At first he’s a bit off-put, because he’s trying to get dinner sorted again and he’s not been very fond of Skywalker at the best of times, but Rex is snorting out a story and laughing and it’s contagious, so Kote just resigns himself and settles in to enjoy.
Skywalker has little ones, now. Obi-Wan is the only one that can get them to sleep. Ahsoka is distressed; she knows better, but every instinct in her is apparently in agony over the little ones’ inability to eat meat yet. She obsesses over nutrients in their diet — which, given what tiny natborn humans primarily ingest in the early stages, makes for some slightly awkward conversations.
Rex helps with dinner afterward, and they take turns being incredulous over natborn baby facts, shoving around one another in the tiny, uncomfortable kitchen.
“What’s your next project?” Rex asks at one point, glancing sidelong with a cheeky look, and Kote levels his vegetable knife at him (he’s got a vegetable knife. Specifically for vegetables. It’s a very new concept).
“I make everyone’s dinner on Tuangsdays.” He says. “I’m productive.”
Rex’s sharp-toothed grin turns thoughtful. “Yeah” He says. “Everyone loves coming here, you know. You could be the new 79’s.”
Kote knows. He plans and plots, and puts more work into researching recipes than he’s put into any research whatsoever in months. It feels a bit like coming out of a shore leave; his thoughts quicken and his excitement grows. He hunts down a market. He brings a bag. He shops, bargains, and returns victorious.
He sends out a few comms., and can’t help but shake his head and grin at how different the responses are.
What a marvelous idea, Cody. His general — ex-general — says.
Yus pls, Ahsoka sends back, with some sort of strange tooka vidclip that dances with wiggly gyrations Kote can only assume indicate excitement.
Where is your house, Anakin says, blunt and to the point, and Kote can appreciate that.
He sends the address. He cooks all day. The sun sets, and Fox and Wolffe arrive, already bickering, Rex trailing behind with a long-suffering look sent to Kote, begging commiseration.
“Ugh, don’t you ever stop smiling, now?” He gripes when Kote just grins at him.
“Nope,” Kote says, unrepentantly.
He leaves the soup on the stove, simmering, and takes his cup of caf to the window. He leans on it, breathing in cool air, and just listens — listens to the squabbling as Wolffe gets on Fox’s case for not washing Kote’s dishes correctly the last time they visited. Hears the soft thumps of Rex sneaking into the cramped room Kote has set aside for plants and the sole pet he has; a pastel goullian, fins swaying ever so gently, permanent scowl in place. Thinks he catches, distantly, the sound of his remaining three guests (Padme couldn’t attend, and had made him feel very awkward by how thoughtfully she apologized for it) plodding up the hill.
“Cody!” Ahsoka cries, coming into view and waving.
Kote’s cheeks have stopped aching from all the smiling he’s gotten used to, so it’s easy to let another through.
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Look for etched brass pieces, with enamel inlay called “epone,” and signed “Andy.” The pieces came out of California between the 1970s and the 1990s, and most pieces are dated, as well as numbered. Andy was a unique artisan craftsman,whose real name was Robert Andrus. Andy lived in North Hollywood, Studio City, Laurel Canyon, Carson, Yukaya, Ventura, and Bakersfield / Oildale (which is where he died in 1992).
“Andy” made custom zippo lighters for many celebrities, and friends, which he dubbed “Andy’s Underground Pipes,” because the zippos transform into pipes. The mouth piece for the pipe telescopes out from the lid of the Zippo lighter, and the “bowl” to put your weed in, is the Zippo lid as well (Self contained). A “coke spoon” folds up and slides into the bottom of the Zippo on the right hand side, and what looks like a key chain comes off of the Zippo, which has a Roach Clip that unfolds and telescopes out of a piece of brass. The key-chain comes off of the key-chain, in order to pass it around a circle, using a home engineer pull mechanism that Ive never seen before. The Swiss Army Knife of Zippos, if youre a stoner. Each lighter was custom designed for the buyer, and was signed “Andy” with a date, and a unique # for each one.
Andy also made custom jewelry boxes / stash boxes, folding and non folding buck knives, belt buckles, key fobs, pendants for necklaces, etc. Each item is signed “Andy” with a date and a #.
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