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#90's post grunge
alchemisoul · 4 months
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Maynard James Keenan of Tool, A Perfect Circle, and Puscifer performing with Zach De La Rocha and Rage Against The Machine @ Lollapalooza 1993
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Tom Morello watching his high school friend Adam Jones of Tool playing a show in 1991.
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slugrag · 1 month
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Thing have been so pretty lately...
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kellymagovern · 5 months
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Everclear - "Heroin Girl" [x]
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unhingedmess0exe · 1 year
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The Crafts Nancy Downs being a fashion icon
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dankalbumart · 4 days
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Dude Ranch by Blink-182 Cargo / MCA 1997 Pop-Punk / Punk Rock / Skate Punk / Pop-Rock / Alternative Rock / Post-Grunge
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randomvarious · 1 year
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Today’s compilation:
Now That's What I Call Music! 6 2001 Adult Contemporary / Pop-Rock / Alternative Rock / R&B / Teen Pop / Pop / Boy Bands / Post-Grunge
Here we go, folks. Another dispatch from the most pervasive compilation series to ever grace US shores: it's the triple-platinum-selling,  #1-spot-on-the-Billboard-200-album-chart-achieving, sixth installment from the king conglomerate of repackaging contemporary chart hits itself; the one and only Now That's What I Call Music!
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Lots of fun stories behind this eclectic set of pop songs that, overall, feels like turning on your favorite top 40 radio station sometime between 2000 and 2001, but let's start with what was probably the most popular tune in the entirety of those two full years: Shaggy's "It Wasn't Me." If you've ever wondered why or how a song on which Shaggy himself doesn't really do that much came to be the signature hit of his whole career, it's because it wasn't actually ever intended to have been released as a single in the first place! Presumably, this was just a song that was to be included on his 2000 album, Hot Shot, that would serve as a showcase for another budding vocalist, Rik Rok, who sings the song's long pre-choruses, choruses, and bridge. Now, nothing substantial ever ended up materializing for Rik Rok after this song, but the story behind its global takeover started with a radio DJ in Hawaii who downloaded Hot Shot from a p2p network, like Napster, and then decided that his favorite track on it was "It Wasn't Me." He then played it on the air and received numerous requests to keep playing it, and that clamoring audience response then persuaded MCA to release it as the album's lead single, three months after the LP had already dropped.
Also, Shaggy became known as something of a heavy sampler and interpolator, with his follow-up single, "Angel," revitalizing the melody from Juice Newton's country-pop classic, "Angel of the Morning," and a popular remix of "Boombastic" using Marvin Gaye's "Let's Get It On" (I actually wrote about how we should be taking that Marvin song off of our collective sex playlists earlier this week). But something that probably slipped under some people's radar is how he just pretty much took the intro from a song that’s a bit more obscure in order to make "It Wasn't Me": "Smile Happy," by War, the band who became famous in the 70s for songs like "Low Rider" and "Why Can't We Be Friends," all of which are from the same album. Listen to that song's opening! It's basically the same!
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I don't think War or any of its members ever received a songwriting credit for "It Wasn't Me" either, but they did when One Direction's Liam Payne made his solo debut with "Strip That Down" in 2017, which interpolated Shaggy's song. So, nice to see that War finally started to accumulate some scratch from those few bars!
Next, *NSYNC's "Bye Bye Bye," the lead single from No Strings Attached that served doubly as a dynamic teen pop breakup anthem and possibly as something of a middle finger to their former manager, Lou Pearlman, as well. It's an early 2000s pop masterpiece that comes from the famed Cheiron Studios in Sweden, which gave us the brunt of all those teen pop hits that use similar production techniques and lyrics that don't always quite make sense 😅. The most iconic producer from that teen pop haven was Max Martin, but he actually wasn't directly involved with this one. Instead, other guys from Cheiron produced and wrote it: Jake Schulze, Kristian Lundin—who was also behind "Tearin' Up My Heart"—and Andreas Carlsson.
And it's Carlsson who actually first took the song to UK boy band 5ive, who had previously charted Stateside in the top 10 with "When the Lights Go Out," in 1998. Carlsson's original conception of "Bye Bye Bye" had a rap chorus on it, and 5ive ended up really despising it, so much so, that one of the members actually called security on him 😂. Apparently, 5ive had decided that they wanted to be a "rap band" and sound like Eminem, so this "Bye Bye Bye" song, despite its chorus, was very much not for them anymore. So, the tune was then later retooled for *NSYNC, who would end up taking it to #1 on Billboard's Hot 100 chart, and it then summarily became one of the most memorable songs of the early 2000s and the boy band/teen pop era as a whole. And as a result, 5ive would never chart again anywhere after 2001 😬.
OK, now for Creed’s “With Arms Wide Open.” Did you know that this fucking song, the band's only single to top the Billboard Hot 100, which also contains some utterly incomprehensible choices in enunciation from lead vocalist Scott Stapp, took home a Grammy for Best Rock Song? Unreal, right? And what might be even more unreal is the fact that notoriously cool dude Dave Grohl actually genuinely loves it, having called it one of the most amazing songs he’s ever heard! What, Dave?!
And then there's U2's "Beautiful Day," a simply epic song to buy shampoo to that marked a departure from the electronic dance experiments that the band had become known for in the 90s, and began their transformation into the most ubiquitously annoying and insufferable act in the world for the next 15 years or so. Brian Eno, Daniel Lanois, and Steve Lillywhite's production was really stellar on it, but a writer at NME wrote that John Lennon's assassin should be let out of prison so he could shoot Bono for making this one. And I mean, that's certainly a drastic measure, but then that other album wouldn't have ended up invading all of our iPhones in the 2010s, so... 🤷‍♂️....actually, I'm just kidding. Wanting people shot for making songs you don't like is unethical. Don't do that!
And lastly, I totally forgot that K-Ci & JoJo's "Crazy" even existed before I gave this album a spin today. Those guys were probably the most iconic vocal male R&B duo of the Y2K era, and were known especially for their super soulful adult contemporaryish slow jam-ballads, like "All My Life" and "Tell Me It's Real." But I don't think I'd heard "Crazy" once since it came out over 20 years ago, so, that was a total jolt of nostalgia for me, personally, right there. And I really wasn't cognizant of it at the time, but that song's also one of the first big hits to use a considerable amount of autotune on it too, long before people like T-Pain would go on to define their career with it towards the end of the decade. So, it's sort of a trailblazing song, I guess, but it was also K-Ci & JoJo's final appearance on the Hot 100 as well, so also bittersweet. And there’s another song with some autotune on here too, an early 2000s R&B classic, “No More (Baby I’ma Do Right),” by 3LW. It doesn’t use the autotune to the same extent, but it’s there in the first verse. Fantastic throwback.
So, this album was a lot of fun. Always love taking these trips down memory lane and re-experiencing, evaluating, and learning all these backstories behind these songs that I grew up with years ago 😊. Now was probably something of a nuisance when it arrived in the US because all it did was cash-grabbingly gather big chart hits onto CD, but now it's just a great collection of artifacts that document the music of bygone eras.
Highlights:
Britney Spears - “Stronger” *NSYNC - “Bye Bye Bye” ATC - "Around the World (La La La La)" Jennifer Lopez - “Love Don’t Cost a Thing” Destiny's Child - "Independent Women, Part 1" Shaggy - “It Wasn’t Me” 3LW - "No More (Baby I'ma Do Right)" K-Ci & JoJo - “Crazy” R. Kelly - “I Wish” Backstreet Boys - “Shape of My Heart” Evan and Jaron - “Crazy for This Girl” Coldplay - “Yellow” Lenny Kravitz - “Again” Fuel - "Hemorrhage (In My Hands)" Creed - “With Arms Wide Open” Incubus - “Drive” U2 - “Beautiful Day”
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Taylor Hawkins
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cleopatrachampagne · 2 years
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se7en, 1995 (dir. david fincher)
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marbledmoonthreads · 2 years
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Since this is my first post, I figured I'd use this as an introduction.
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pixeldustgallery · 5 months
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Smokes Quantity
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adrianoesteves · 1 year
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crispysinnsawwce · 1 year
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ℕ𝕖𝕨 ℂ𝕒𝕣𝕥, ℙ𝕠𝕥, & 𝔼𝕕𝕚𝕓𝕝𝕖𝕤 💚🥴💚🥴💚
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charlestillman · 2 years
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Digging in the crates and unearthed this cassette tape gem 💎 from the summer of 1993.
This is a boombox recording of me with some old friends, Black kids from my old ‘hood - Hamilton Hill, Schenectady, New York, and they’re clowning me for starting to play guitar at the time.
You can hear one of my boys bashing on my acoustic guitar while doing this amazing rap-rock freestyle. Haha. The early 90’s were a blast!
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unhingedmess0exe · 1 year
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90's Marc Jacobs, goated af
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dankalbumart · 3 months
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Actual Re-Enactment by Treepeople C/Z Records 1994 Indie Rock / Grunge / Alternative Rock / Pop-Punk / Post-Hardcore
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randomvarious · 8 months
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Today's compilation:
Now That's What I Call Music! 8 2001 R&B / Pop / Teen Pop / Alternative Rock / Pop-Punk / Post-Grunge
Welp, folks, it looks like we're nearing the end of the earliest days for this beloved flagship series that's known for constantly delivering reproductions of the day's biggest pop hits, but I still have a couple more of these albums in my queue to enjoyably sift through. And just like the other seven installments that precede this one, Now That's What I Call Music! 8 also makes for a pretty great trip down commercial radio memory lane as well 😍.
But before we dive right on into it, how about we have some nostalgic fun with the ad for this release first? See, If you had placed an order for Now 8 by credit card or with check-debit, you'd also receive a free limited edition collector's box that you could store all of your other Now CDs in too! Wow! How considerate! Thanks Now! 😎💖
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But we actually start off on a few somber notes here... 😔
Now 8 was the first dispatch from the main series to be released after 9/11, and so, I feel like the inclusion of its final track, U2's "Walk On," which never even made it onto Billboard's Hot 100 chart, was done solely in order to try to console an American psyche that had been deeply wounded at that time. "Walk On" was released as a single in February of 2001, and was actually about the plight of Burmese peace activist Aung San Suu Kyi—who, years later, would despicably do nothing as Myanmar's head of state to address the genocide of Rohingya Muslims that her own military was perpetrating—but in the immediate aftermath of 9/11, the song found itself resonating with a lot of Americans, serving a sudden and newfound purpose as an anthem of perseverance for them.
And that's pretty much undoubtedly why Now chose this song to close out the album. Had 9/11 not happened, this comp's last track would've probably been a song that had actually charted on the Hot 100. But because this album was slated to release in November of '01, the Now brass probably thought it best to end with a song that could acknowledge that then-current moment of anguish and turmoil, rather than awkwardly and tone-deafly just loading up their CD with fun pop hits from the summer that had just passed.
But less than three weeks before 9/11, R&B star Aaliyah had also tragically passed in a plane crash after filming the video for her beautifully soft and sensual, final single, "Rock the Boat" too. So Now not only included that song on this release, but they dedicated the whole album to Aaliyah's memory, and also donated part of the proceeds from the triple-platinum seller to her memorial fund as well.
And last with the sadness, rest in peace to the great Steve Harwell. I absolutely despised your band's cover of The Monkees' "I'm a Believer" when I first heard it (which appears on this album), but I still genuinely dug your work more than most are willing to admit, and really also loved the critique you had about the commodification of social movements in "Walkin' On the Sun," which is something that many people probably overlooked because they had nothing nice to say about your band that, unfortunately, became a Shrek meme. At the end of the day, Smash Mouth made a bunch of fun music, man 😞.
OK, on to the rest of this album...
So, the album cover for this release says it comes with 20 chart-topping hits, but in reality, only three of these were actually Hot 100 #1s. There's Destiny's Child's "Bootylicious," which, to go with their Survivor album's theme, intended to use the opening guitar stutter from "Eye of the Tiger"—by the band *Survivor*—but had to settle for Stevie Nicks' "Edge of Seventeen" instead; Usher's "U Got It Bad" ballad; and Joe's "Stutter," which isn't actually the most famous version of the song, but is the "Double Take Remix" instead, that was done by Allen "Allstar" Gordon Jr., and sampled both the iconic west coast alternative rap classic, "Passin' Me By," by The Pharcyde, as well as the song that that song itself sampled, Quincy Jones' "Summer in the City." And it also features now-canceled rapper Mystikal, which represents his third overall appearance in this series.
And speaking of remixes and samples, the famous Murder Inc. remix of J.Lo's "I'm Real," featuring Ja Rule, doesn't appear on here, but instead, it's her underappreciated and poppier original version that sounds nothing like the remix, and samples from classic Japanese electronic group Yellow Magic Orchestra's digi-chirping "Firecracker," which ends up naturally giving the tune a sweet 80s throwback kinda vibe.
Other songs worth mentioning are the brilliantly produced and super light and smooth Janet Jackson jam, "Someone to Call My Lover," which sampled from folk duo America's "Ventura Highway;" and a terrific tune that was actually originally released in 1998, but rose to US fame because of its inclusion in a 2001 Mitsubishi ad: "Start the Commotion," by UK duo The Wiseguys. That one's very much in that Fatboy Slim-helmed UK big beat vein; gotta love the blaring and swingin' sampled horns on it! 🤩
And there's a solid handful of other songs on this CD that I could devote some space to as well, but I think this post here is already long enough as it is.
So, another terrific nostalgia rush to be had in this trip all the way back to 2001. And I only have one more of these Now comps left in my queue, but I think I'm gonna save it for later.
Highlights:
Destiny's Child - "Bootylicious" 'N Sync - "Pop" Jennifer Lopez - "I'm Real" Joe feat. Mystikal - "Stutter (Double Take Remix)" Janet Jackson - "Someone to Call My Lover" Christina Milian - "AM to PM" Aaliyah - "Rock the Boat" Usher - "U Got It Bad" Gorillaz - "Clint Eastwood" The Wiseguys feat. Greg Nice - "Start the Commotion" Sum 41 - "Fat Lip" Blink-182 - "The Rock Show" Fuel - "Bad Day" U2 - "Walk On"
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