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#AND CHARACTER B IS THE ONE WHO SAYS NO!!!!! only a few episodes later!!!!!!
spacedkey · 2 years
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been binging a show that is bad (both dated and handles some episode topics poorly) good (characters are fun) confusing (shoehorned religious [read christian] element that doesn't mesh with the scifi plotline [or like isn't done well enough to work]) but am enthralled enough to have made it to the final season (so many different plot points crammed in out of nowhere because they were trying to get another season approved) and it's bad in the way i can't reccomend it to anyone i know but has a good enough premise that i want to rip things to shreds over what it could've been if it were better
#i only started watching it cause it was on the front page of the website#which i think is cause there's a reboot/sequel that literally just came out.#but AAGUHHHH i am so mad about little things in the autism way.#i keep having to do my jogging stim. esp over the second to last and last season.#''oh character a won't remember this at all. so sad. oh well it's for the better''#AND CHARACTER B IS THE ONE WHO SAYS NO!!!!! only a few episodes later!!!!!!#and. like the confusing characterization of one guy. he's a good character and like says he's been to protests and stuff for good causes#but like make him homophobic. like i kno i'm not putting detail here but. it's not congruent with what his character should be.#yea yea it's a show from late 80's early 90's. but still!!!#one episode that has a plotline involving a gay guy in the military. the character starts the episode not wanting gay ppl in military.#main char is like. not cool with that. and end of ep guy says he was wrong. ok character development? i guess? but only for that ep??#BUT IN LIKE ONE EPISODE B4 THAT THERE WAS A LESBIAN THAT NOTHING WAS SAID ABOUT. NOT EVEN A ONE LINER.#(which is relevant bc he says a lot of one liners.) but that ep was from s1#and s1 is fairly different from the rest of the seasons#also they go back on him having character development in that one ep anyway later because he makes an ew noise when some ladies are#gossiping abt a guy who left his wife for a dude.#GUH I'M FRUSTRATED but mostly i'm stalling going to sleep rn bc i have something i need to wake up for tomorrow.#please please please talk to me about this (if u know what it is. or can deal with the problems and want to see it. ur life.)#also i'm tired. biggggg issues in my life am i rite? (i am blowing this out of proportion. or not. i only exist right here right now)#key's lockbox#pomegranate rant#tag got erased bc of using a quote mark oopse#char a remembered event and asked char b if he remembered it
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percheduphere · 5 months
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It troubles me when fans find Loki in his own tv series "out of character". Since the first Thor movie, Loki has shown a certain sweetness, protectiveness, and level-headedness that was overcome and eventually self-suppressed by rage and tragedy. He didn't have an environment in which he could thrive and, in Frigga's words, succeed at being who he truly is.
Loki desperately needed a support system outside his immediate family. That support system simply couldn't have been built on Asgard because of:
1. Odin's political machinations, including the intentional creation of an environment rife with sibling rivalry and blatant favoritism.
2. The racist if not xenophobic views of Asgardians.
3. The inherent masculine-dominant, warrior society culture of Asgard.
To break Loki out of his self-destructive patterns, it took the empathy of 1 brainwashed and memory-wiped TVA analyst to rightly recognize that Loki as a person has incredible potential and that he could actively do something about it. That Mobius uses this reasoning for the advantage of the TVA (then under HWR's helm) is a plot point I'll discuss later, but the fact still stands: Loki was given a second chance to be who he really is because of the choice Mobius made to intervene. Loki would have been pruned before he would have had the opportunity to meet Sylvie, B-15, Casey, and OB. This is fact.
Mobius literally drops everything--the case he's actively investigating--to intervene. The fact a minuteman immediately reports the variant of Loki he is most interested in has been taken into custody suggests that Mobius has been planning this intervention for some time.
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Some fans hate Mobius for his treatment of Loki in the first episode. It is, indeed, manipulative, condescending, and to a certain extent, emotionally abusive. I'm not denying any of this, but from a narrative perspective, Mobius, to be a fully well-rounded character, necessarily must have his own flaws and personal conflicts to battle. Loki's evolution as a character, and thus his positive impact on others, would be missing an emotional beat of mutual reciprocation otherwise. That emotional beat pays off in every episode of S2, culminating in the final scene of the final episode. This is to say nothing of the likelihood that Loki would not have been receptive to any form of gentleness at that point in time to begin with.
Crucially, Mobius gets Loki to admit that his villainous persona is exactly that: an illusion constructed in a bid for control. Some viewers might interpret this scene as a shortcut for getting Loki to behave "out of character" by S1E2, but Thor 2 proves otherwise:
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This scene with Thor demonstrates that Loki has a high pain tolerance and is adept at hiding pain. His need to mask his vulnerability, and how that vulnerability is intrinsically tied with the misplaced shame of who he is, resonates deeply with queer, people of color, immigrant, colonized, and adopted fans, many of whom have intersectional lived experiences (including myself). I believe it is for this reason that so many of us are desperate for blatant representation in mainstream entertainment, and to shame us for the sin of hoping is disturbing.
But I digress. Frigga, Thor, and now Mobius are among the few who can see through Loki's deception. That deception has the unfortunate effect of hurting not only innocent civillians but his loved ones and himself (closeting, internalized racism).
Once Loki is able to drop that persona through admission, however, he is able to relax and be himself in the TVA. And in being himself, Loki is consequently able to love himself, which manifests through loving Sylvie. S1 shows Loki holding her up on a romantic pedestal: he chases after her, he sings a song for her, he wants her to be okay. He loves her, yes, and though it appears she does not reciprocate (in my opinion, your mileage might vary), Sylvie does love Loki enough back to buy him a drink and counsel him about what he really wants. This scene is critical in Loki's development in the same way Mobius sheds light on his potential to be whoever he wants.
Both Mobius and Sylvie are integral for Loki to arrive at his turning point, his ultimate sacrifice. Loki loves Sylvie. He therefore chooses to not kill her. Killing her, moreover, would not solve the issue of free will. Sylvie is right in believing free will, and thus the multiverse, is right and necessary. Sylvie's moral question and Loki sparing her life, answers Mobius's belief that Loki can be whoever he wants.
On the other side of this coin, watching Mobius in the final scene, hearing Mobius whisper, "Let time pass..." answers Sylvie's question of what Loki wants, and what he want more deeply than not being alone is for his friends, most especially Mobius (whom he also loves and cares for most, to LIVE.
The series ends with only 2 characters heartbroken with the outcome of Loki's heroism, which Mobius knew existed within him from the beginning. He saw those little but important moments: Loki comforting his brother, Loki protecting Jane, Loki giving up his life to buy Thor time, and so much more, he saw and he knew Frigga's words were right.
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marley-manson · 1 month
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The wolf license at the end of Diefenbaker's Day Off is such a good Ray/Fraser thesis statement moment.
Fraser asks if Ray can get him one early on in the episode. Ray is like "Yeah, yeah, sure, leave it to me," while distracted by a basketball game at a bar, and Fraser's request isn't even entirely clear with the way he phrases it. Fraser can tell Ray's distracted and clearly thinks Ray's response is perfunctory rather than genuine.
The plot of the episode unfolds and this isn't brought up again until the end of the b-plot where Dief is caught by the dog catcher, and Ray presents the license right in time to save Dief. "Well he's mine now, because you sure as hell don't have a wolf license." "In fact, he does." <3
And Fraser's sheer delighted disbelief is just perfect. "I only asked you once, and you got it." "Of course I got it, you asked me for it, right?" It's not even a question for Ray, Fraser asked him to do something so it gets done. He 100% meant that "yeah yeah leave it to me" at the bar even if it didn't sound like it.
Like in terms of setting up their characters and the dynamic between them it's perfect. Ray is someone whose actions belie his words and tone. Not only will he do anything for Fraser, it's obvious to him that he would. He pays attention even when he doesn't seem like he is, he cares, and if Fraser asks him for a favour, that favour gets done, like basic cause and effect.
And Fraser is someone who's never had a person who was there for him the way Ray is. He's largely defined by the way his father put his job over his family and was never there for him, raised by his strict grandparents even though his dad was alive and well. As an adult he's a loner and a fish out of water, not just in Chicago but even back in the Canadian north, where his colleagues still saw him as an oddball.
He asks Ray for this favour not actually expecting it, especially not after one conversation. He expects to have to cajole Ray for a wolf license, or get one himself. But Ray gets it for him after one off-hand comment, and the framing of the license as episode bookends, as well as Fraser's reaction, make it very clear how deliberate this dynamic is as a significant aspect of their relationship and sets it up for further exploration down the line in episodes like North and Vault.
Honestly it's almost like Fraser starts making up for lost time in being able to depend on someone, the way he asks Ray for things after this, and relishes Ray's responsiveness lol. Like there's a joke about it in Chicago Holiday a few episodes later, when Fraser slyly says, "Sometimes when you stand still the world comes to you," as Ray brings him something he'd forgotten. Fraser takes to Ray's unwavering support like a duck to water.
Honestly it's no wonder I was immediately hooked when I happened to catch the last five minutes of Diefenbaker's Day Off way back in the day.
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vyl3tpwny · 10 months
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why it ourple
ok.
i'm going to tell you the story of how purple became my favourite colour. and then, where the name vylet pony came from.
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ch.1 the mace windu incident
once upon a time. I really liked star wars. i kind of still like star wars i guess. but when i was a kid, i REALLY liked star wars.
in my room, i had a mace windu poster.
i still can't find the exact poster. it looked something like this
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mace windu was my fav star wars character for an inconceivably long time. with that, i also became fascinated with his purple lightsaber. nobody else had a purple lightsaber. i loved it. staring at that poster constantly made me really like the colour purple. ever since the poster started exerting its technicolour pressures and whimsies upon me, i became fixated on the colour purple. forever.
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"hai!~ im mace windu and i loveee Videos!" - mace windu, star wars episode iii: revenge of the sith
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ch. 2 the viny scratch era
fast forward like 7 years. i am in the my little pony fandom now. i am 13 years old. i really like vinyl scratch. she is pictured here:
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my first online presence in the mlp community was as a vinyl scratch / dj pon3 roleplay account. for a good year, people called me vinyl and "vy".
however when it came time to start releasing music in the fandom, i couldn't go by vinyl scratch at the time. this name was already being used by the artist who currently goes by Scraton!
this is still one of my favourite songs by them:
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anyway. i actually held a really insane, irrational grudge against scraton for being named "vinyl scratch" as a music artist before me. i got past that after a while, because i had to stop being 13 first. i stopped being 13 and eventually fell in love with their music and we became friends later after!
but it's 2013 and i can't be vinyl scratch anymore. people already called me "vy" because of being a vinyl scratch persona.
so.
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ch. 3 it's vylet time-wait is that can opener? CANNI?
it started on december 28, 2012. i posted to my then-instagram account this image:
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you may recognize this as my oc canni. here's their reworked look in the 2022 album (10 years later) can opener's notebook: fish whisperer (illustrated by @astroeden):
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can opener's original name was "ultra vylet". their colour scheme was originally intended to be the inverse of vinyl scratch's, as a sort of strange protest to not being able to be vinyl scratch. i was like ok. well if i cant be vinyl scratch, i am going to make a character that swaps the main colours. within a few months of "ultra vylet" existing, i discarded the design in favour of a completely different one:
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this would be the only time vylet consistently had purple in her design until 2018 or so.. lol.
then. on april 15, 2013, i posted this to my instagram:
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i had essentially combined three things:
The fact the people called me "vy'
The fact that my favourite colour is purple (violet)
The fact that I wanted to be vinyl scratch (dj pon3) before
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ch. 4 vylet pony ≠ vinyl scratch
that is to say, i never really put a lot of thought into "vylet pony" as a name. i just made it when i was 14 and now i am going to be 25 soon. will i keep vylet pony as a name forever? not sure. do i take great pride in its insanely snarky origin? absolutely.
after i had decided firmly on "vylet pony" as a name — after dropping the "3" from it — i made a new instagram account. the very first thing i posted to it was this:
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illustrated by my friend, shade.
now that looks slightly vylet-like, design-wise, oc-wise. oh. but now she is grey and black? ok.
she stopped being purple from 2013-2018.
here is how her design progressed through the years:
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the first one is by my then-partner sara. this is when vylet's cutiemark was still an upside down music note, reflected from "ultra vylet" / can opener's original design. i'll show how it became a puzzle piece next.
the second one is by shade
the third one is by chibadeer
the fourth one is by astroeden
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ch. 5 the puzzle piece
to this day, i still cannot find the fanart in question. but over instagram, someone asked to draw fanart of my pony. in doing so, they misconstrued the shape of the upside down music note as a puzzle piece, like this:
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i've been looking forever for the original fanart/fanartist that made this mistake. because ever since that art, i just stuck with it anyway. i like puzzles and puzzle games. i'm also a puzzling and enigmatic person. and the puzzle piece can go into so many different things. all sorts of problem solving is like a puzzle. music fits neatly into that category in my opinion. so because of its intrigue and ability to mean so many different things, i just went with it. i never looked back.
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ch. 6 that is the history of the colour purple and vylet pony character design
i hope this answers the question "why it ourple"!
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butterflydm · 7 months
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wot deeper dive 2x8: what was meant to be
So excited to take a scene-by-scene look at this epic episode. This post will be dealing only with show spoilers and there will be another post later on that includes spoilers from the books.
I really loved season one, but season two has been richer, deeper, and so emotionally powerful. Have loved it so much. Posts that I'm planning to do in the next few weeks: I want to do a post covering each main character's s2 journey, I'm gonna do some speculation for s3, and I've got some posts planned on the imprisonment/control themes and the 'alone-vulnerable; together-shieldwall' theme that was so beautifully realized in the finale, and more.
But that's for the future.
For now, let's get into the show-only deep dive!
I don't think I really talked about the opening scene in my previous posts about the episode, but I really enjoyed it! I hope that future seasons continue the theme of having the final cold-open of the season be something from the Age of Legends.
2. What they did with showing the close relationship with Lews Therin and Ishamael really plays well with how Ishamael feels a kinship with Mat and thus believes that Mat is vulnerable to the same kind of philosophy and influences that Ishamael fell victim to -- he sees that Rand and Mat are close in the ways that he was close with Lews Therin, and thus believes that Mat being Rand's downfall is what is most likely to tip Rand over to the dark (alongside Egwene, who is our modern-age Lanfear counterpart imo). I really love what they've done with this relationship and with how Ishamael essentially tricked himself into believing that he understood Mat when he was really projecting himself onto Mat, just as he's been projecting Lews Therin onto Rand.
And we get the symmetry of Ishamael asking for death here and being denied, and then Rand killing him at the end of the episode, like he wanted.
3. We get confirmation here that LTT sealed the rest of the Forsaken first and Ishamael is last. This is where we get another name drop: Sammael. So the names that we have for sure are: Moghedien, Graendal, and Sammael (plus Ishamael and Lanfear, of course).
4. It looks like the other Aes Sedai here are all men, which ties us into the discussion/argument that Lews and Latra were having in the 1x8 cold open.
5. "They say this seal is so strong, not even I could break it." And while the seals do appear to be weakened by this modern point in time, we saw the effort that Ishamael went to in 2x4 to break out Lanfear. He did that six more times in this episode before he went to confront Rand. He was worn out, y'all.
I do think it's interesting the ways that Ishamael's nihilism interacts with his behavior with Rand. Once he realizes that Rand is here, he knows that his plan for turning Rand to the Shadow has essentially failed. Because Rand's friends have come to help him, and because of Lanfear's betrayal, Ishamael knows that it's over. And part of him is grateful when Rand kills him, and relieved. He doesn't really believe that he's going to reach Rand on that tower and turn him to the Dark -- that's why he sets two back-up plans into motion: a) releasing the Forsaken and b) trying to get Rand gentled.
6. Lews Therin's resigned apologies to Ishamael here for trapping him into a Fate Worse Than Death vs Mat's frantic apologies to Rand after he accidentally stabs him with the dagger from Shadar Logoth -- Lews Therin has been forced into this because of Ishamael's choices, while Mat was tricked into hurting Rand (both here and back in 2x6, when he 'abandons' Rand).
And I love the pan-up and the reveal that the "Eye of the World" was the place where Rand and Moiraine were tricked to go in 1x8 to free Ishamael from his seal.
7. I missed the credits! Though I absolutely understand the team prioritizing getting a little more screen time in each episode, since they were forced to choose. The golden threads bursting out when Josha's name appears always give me chills.
8. Our episode proper starts with the Whitecloaks planning their attack on Falme. The way that the Whitecloaks get introduced with that fade-in from light is very intriguing. I'm not a military expert but Bornhald's strategy sounds pretty solid to me: non-military expert, lol. We can see that they're hiding in the jungle for now, and they plan to make the assault as quick as possible because they have to take out the 'witches' first or any assault is doomed.
The Whitecloaks estimate there are 28 damane with the Seanchan at this time.
I really like how we see the Whitecloaks' ranks shown by how their armor is designed. The costume design on this show has been so striking, this season even more than s1. There's an almost stained-glass quality to the bands on the armor, which helps enhance that 'church/inquisition' vibe that we are going to also get with the children swinging incense.
9. "But we have something they don't."
haha, you don't know how long it took me to realize that Bornhald was implying "we have the Light on our side". Which, funnily enough, the Seanchan ALSO believe! Both sides believe that they are the ones fighting in the name of the Light, not suspecting that here comes Rand al'Thor with the steel chair (of the Light).
But I really love how drenched this episode is in light, after a season that has been very dark (emotionally and frequently literally).
10. "The Watchers on the Waves called for help, letters to every queen, every king in the world, to the Amyrlin Seat herself, begging, but no one came."
This 100% explains the reaction of the people of Falme at the end of the episode, imo. They have been begging for help and no one has come, so they gave up hope and are just doing their best to survive each day. And then the Seanchan are driven out in a matter of hours and they see that huge-ass dragon on the tower (and this version of the story does have people knowing what a dragon looks like -- the book that Rand looks at in season one with the Karaethon Cycle has a dragon sketch in the pages (at 17:38 in episode 1x5 -- there is SO MUCH subtle lore in 1x5, y'all) -- so they know what it means when they see the dragon on the tower). They know exactly who saved them from their recent oppression.
It also ties into a theme from the books, where the different nations are so wrapped up in their own problems that they don't see the big looming apocalypse that is coming for everyone. Everyone was so busy with their own problems that they ignored the messages from Falme.
11. "These strangers are slavers and murderers. We fight them because we must."
Where's that "Heartbreaking: the worse person you know just made a great point" meme? lol. honestly, that's something that the show has been doing really well! Even people who are doing terrible things are not 100% terrible and are capable of making genuinely good arguments. And they believe in themselves and their cause. The Whitecloaks and the Seanchan are both scarier when we are seeing the True Believers in the cause.
12. And Dain brings up the prophecy here that "in Falme's greatest moment of need, the Dragon will return to us" which really gives me "King Arthur" vibes (which is fitting! one of the cool themes in the book is heroic archetypes and how the wheel turns myth into legend, and we also see the Heroes of the Horn bringing that theme into the show in the major way in this episode). So, once again, the people of Falme are going to know exactly who to credit for their big rescue and seem pretty primed to become strong supporters of the Dragon Reborn, given the information that we've gotten about the city.
Bornhald dismisses prophecy in general as "the lies of long-dead witches" and we intercut into Lanfear leading Rand & co through the Ways, which is a beautiful transition. That was excellent.
13. A lot of characters have mentioned the Falme prophecy but I don't think anyone has mentioned it to Rand, specifically. He's not coming to Falme to fulfill prophecy -- he's coming to try to save Egwene. Much like Mat's reaction to Rand was very much colored by how he abandoned Rand at the Waygate, Rand's reactions with Egwene are colored by how he abandoned her at the end of s1. We know why Rand made that choice, of course, but now he's seeing the unintended consequences of that choice.
14. Lanfear's full plan gets revealed over the course of this episode, not in a super in-your-face way, but clear enough to put all the pieces together of exactly how long she's been planning to screw over Ishamael and the rest of the Forsaken (... since the moment she woke up and learned that LTT's new incarnation was around). Some of the details of this plan go into spoilers, so I'll put it in the later post but, in brief: she's manipulated various pieces on the board to use Ishamael's own plans against him -- trapping Egwene and Nynaeve in Falme was an Ishy plan, but Lanfear was able to use Egwene's presence in Falme as a way to get Rand motivated to want to go there to rescue her and, incidentally, fulfill a teeny-tiny prophecy. After Rand killed Ishamael and was proclaimed the Dragon, she was planning to have Doman dump the rest of the Forsaken in the ocean and then she would have plenty of time to manipulate seduce her dearest Lews Therin Rand into loving her again.
And it almost worked! Well, I don't think seducing Rand a second time would have gone as well as she was hoping, but most of the plan really worked out for her.
15. It looks like the show just revealed here that Lanfear also has the Talent of being able to see fellow channelers even when they aren't embracing the Source. ("I can see it in you.")
I love Lan protectively trying to step in front of Moiraine even though he has zero chance against Lanfear. It's giving real "bless him, he tries" vibes.
Lanfear just yeeting them out onto the beach cracks me up.
It also was really great in terms of how it set Moiraine up not as one of the main players fighting in the battle, but as support from the side, smoothing the way. When Rand and the rest of them come down from the tower and are greeted by the grateful people of Falme, none of those people will know that Moiraine and Lan had anything to do with Rand's success. It feels like such a natural progression of her role -- in s1, she was the driving force that led them all to the Eye of the World... and that ended up being a massive screw-up. This time, they all find their own ways to Falme, and none of our main six young heroes are there because they're planning on fulfilling prophecy or fighting the Last Battle. They're there to save one of their own (first Egwene, and then Rand). "Think not of glory but of salvation". They didn't quote it, but the thought is there in the action of what happened in the episode.
16. "How can you think I'd ever trust you again?"
"I'm the only one who actually cares about you, Rand. Everyone else -- Ishamael, Moiraine -- they just care about what you can do."
Lanfear attempting to use her manipulating wiles on Rand. Of course, at the end of the episode, he's going to get a big reminder that she's incredibly wrong and there are a bunch of people who care about him for who he is, but even in this moment, he doesn't look like he's falling for it. And Rand didn't walk away from his friends at the end of s1 because he believed that they didn't care about him. He walked away from them because he believed that he was dangerous to them.
(and she tried to use this tactic on Rand in 2x6 as well, but she failed there too, though she may believe that she succeeded, because Rand does still extend trust to Moiraine in 2x7 when she asks him why he was leaving Cairhien and he tells her everything that he knows/believes, including very much implying that he thinks Lanfear wants to kill him after he's been proclaimed Dragon)
Lanfear lost Rand's trust when he found out who she really was and that she had been manipulating him for months. And I think she's massively underestimating what she would need to do in order to earn any of that trust back.
17. After the Maidens warn Perrin that they are getting Bad Vibes and are pretty sure that today is going to be filled with people getting killed, Perrin asks Hopper to stay behind, trying to keep him safe. Oh, Perrin, that never works. And Hopper has just as much right to be in the fight as you do.
18. Lanfear accidentally screws over her own plan because she can't bring herself not to gloat before her future husband Rand kills Ishamael. This is the big moment when we see how much Ishamael and Lanfear's plans are diverging from each other (and Ishamael sees it too). Ishamael had been planning to play the long game with Rand, keep him away from Falme until he was ready to be turned to the Shadow. Now Lanfear has jumped the gun and brought Rand at a time when Ishamael only has two of Rand's friends in hand (Egwene and Mat) and even those two have not been broken yet. He's not ready for Rand to be here! There's still so much work to be done!
19. After this conversation, Ishamael is aware that he's potentially fighting a losing battle. But he doesn't give up -- he sends in Fain to try to accelerate Mat's corruption; he prepares Suroth for the possibility of gentling Rand. He won't give up without a fight.
Ishamael does sound so intense when he talks about how Rand isn't going to "choose us".
20. ...is Lanfear wearing a dragon earcuff? I think she might be wearing a dragon earcuff/earring. That is not subtle.
I like that it seems like Lanfear believes that she's tricked Ishamael, at least in part, just like she believed that she'd tricked Rand a lot more successfully than she had (since he was very much still lumping her together with Ishamael when talking to Mat and Moiraine).
21. ...I don't ever really have much to say about the fighty-fight part of battles. The image of the Whitecloaks galloping out of the incense/fog was pretty cool.
22. Nynaeve really does have a very rough go of it in this episode. While she does manage to help, that help is in the realm of "get Elayne to the tower so that Elayne can do something". And while I understand the frustration from her fans... her block needs to actually be a problem for us to understand why she wants to get rid of it. This episode made her block a problem, one that she wasn't able to overcome at the last second when it was desperately needed. Much like Mat's low ebb this season was intentional so that we could get the amazing high of the Horn scene, Nynaeve is entering a low ebb. At the beginning of the season, she was showered in praise and special attention that she didn't want. Now she wants the power that had earned her all that praise and she can't reach it (this is similar to how Rand's lack of training needs to actually be a problem so that we understand why he needs to get some training).
23. Oof, it's hard to watch Renna with Egwene. We do get clarification that the dark facepaint is for going into battle.
Renna cutting off Egwene's braid... much like the tree she forced Egwene to burn down, she's trying to attack something that she knows brings Egwene comfort.
Egwene's eyes when she's feeling at her shorn braid. Baby!
24. I've been finding it interesting to think about What's Up with Padan Fain. So far this season, he's stayed within Ishamael's orders (to our knowledge) but when Ishamael orders him to give the dagger to Mat, we hear the whispers of it calling to him. Once Ishamael is dead, does that free Fain to follow the call of the dagger? Because when Mat was under the influence of the dagger, he still was not a fan of the Shadow. Different kinds of evil. The evil of Shadar Logoth scared the Trollocs enough that they weren't willing to chase our people into the city. I will keep an eye on future developments!
25. Poor Mat has been having a Fucking Time of it. First, he has to watch Rand leave, knowing that he's apparently fated to kill his best friend with an evil dagger. Then he gets hit on the head and wakes up across the continent? With a scary lady who insults him? Then ol' flame-eyes is here and his eyes aren't flame anymore and Mat is just so exhausted and tired and he takes this tea that gets REAL trippy and depressing and tells him that he's destined to be awful forever. And then he's locked up alone in a room. And then... Padan Fain shows up???? With the dagger from Shadar Logoth?????
The one Mat is destined to kill Rand with?
Like... he has been having a time of it.
26. Oof, hard to watch Nynaeve torturing Seta. I understand why Elayne needs to keep looking away. Nynaeve wants so badly to find Egwene and save her. We actually get a lot of ruthlessness from the ladies in this episode -- Nynaeve with Seta; Egwene and Renna; and Moiraine's willingness to "kill a thousand innocents if there's even a chance [Rand] will live". But I think the show did a good job of showing you why each of these characters is driven to be so ruthless at this moment in time.
27. Rand confirms with his own eyes that Egwene is here in Falme, as he sees her and the other damane being led out of the kennels. And he sees the gag in her mouth -- I wonder if part of the reason for that part of the costuming was to make it easy for Rand to see from far away part of the indignities that are being forced on Egwene (obviously, he also saw what horrible conditions she was enduring in her cell back when Lanfear showed him Egwene, but now he knows for certain that what Lanfear was showing him was true).
28. Mat and Fain's conversation with Fain here is interesting because I think Mat is figuring it out -- so many people keep telling him over and over that he's destined to do the stupid thing; that he's worthless; that he's going to be like his dad; that he abandons his friends. Padan Fain is saying the exact same thing that Liandrin was saying (you abandoned your friends for the dagger). Having his old peddler from back home showing up to say the same things that the Aes Sedai who had kept him captive for months had said... that's kinda suspicious, bro. That kinda seems like someone else is supplying the script, bro. Because Mat is not in the same kind of despair here when he's listening to Fain as he was when he was listening to Liandrin. He's paying attention to who the messenger is (and who sent the messenger), not just the message itself.
The first time through watching this scene, it can feel like Mat is trying to convince himself when he smiles at Fain and tells him that he's not going to touch the dagger. But... he doesn't touch it. Instead, he inspects the room and comes up with a plan to escape that doesn't involve touching the dagger. It wasn't just bravado, when he was talking to Fain. He meant it. All these people, they keep telling Mat that they know him better than he knows himself. That they are the ones who really know his inner darkness. That they can guess what he's going to do next.
And Mat... he decides right here, I think, that he is going to prove them wrong. Maybe he WAS always terrible in his past lives? Well, then he'll fucking do better in this one. He makes the decision to do better BEFORE he learns that his past lives weren't rotten, and I think that's so important.
29. Moiraine and Lan's scene here is very sweet. I think this was a really sweet capstone to Lan's journey through the season and an affirmation of Moiraine trusting and allowing Lan and Rand to help her at the end of the last episode. Though the main culmination of the "alone we are vulnerable, together we are a shieldwall" comes in the fight against Ishamael, Moiraine has been very much a parallel with Rand this season in how she's been pushing people away so that she can face the danger alone, so her literally allowing Lan to share in her burden is a lovely little illustration of that same point. Plus the weaves and music here are just gorgeous. I really do love the intimacy here, between a man and woman who are fundamentally connected but not in a sexual or romantic way.
Meanwhile, Lan's journey goes back to a similar point as Mat's, I think, in that he accepts the idea that Moiraine views him as inferior and says he wants to help her anyway, before he gets rewarded with learning that she sees him not as an equal but as better than her. "Okay, what if this horrible thing, this thing that I don't want to believe could be true... what if it IS true and then I keep on doing the right thing anyway?"
Though I've never had the issue with Lan's storyline that I feel like I've seen some other book readers have. The only time his story felt 'slow' to me was through my first watch of 2x4 and even that changed when I did my rewatch and saw how much we were getting told about Alanna & her Warders and how it was leading up to Alanna getting folded into all the big plans. But, yeah, my main interest in Lan was never how many enemies he could kill per minute and the show has made him a much more interesting character to me than the books did.
30. I suspect all this 'getting the Horn' stuff might have been expanded on if we'd gotten ten episodes but there's enough information there to make it clear that Lanfear (as 'Selene') gave them the Horn so that her future devoted husband Rand would get his special toy before he fought Ishamael. Heists can be fun but we did get the info a couple of episodes ago that the Horn was barely being guarded, so that also tracks with it being easy for a 'slave' and a 'guard' to be able to sneak in and grab it.
...the Seanchan uniform actually looks really hot on Ingtar.
31. Perrin finds out here that Egwene is in Falme, and he instantly pivots to that information -- Egwene has been captured by the Seanchan; we have to help Egwene. We know that Perrin has been worried that all of them being isolated away from each other makes them vulnerable and here is proof! Obviously, if Egwene is here, then she has to be the priority over the Horn.
"The Horn of Valere summons the dead heroes of the past. It's the key to the Dragon winning the Last Battle."
Yeah, the show was very clear about what the Horn does. Even if you miss Ingtar's line on an initial watch, a rewatch would instantly clear it up (especially with the knowledge of what it does when Mat uses it). The fascinating thing is that Ingtar NEVER SAYS that the Dragon needs to use it, but that's clearly what Perrin assumes (and a lot of show-only reactors assumed it too, and were surprised by Mat being able to use it).
I like Loial's little speech. He shames Ingtar right out of his determination to leave the city with the Horn.
32. The way that Renna and Egwene's power struggle comes to a head in this episode was really effective I think.
We see Egwene not being able to bring herself to attack until she sees the Whitecloaks, and she takes care to place her fireball where it will only hit Whitecloaks and not any cilivians.
33. I have to admit, the view that certain book fans have that Rand did nothing in this episode are baffling (Nynaeve didn't do 'nothing' either, but both she and Rand ARE going to, I'm sure, seek ways in the new season to do more because they were both clearly frustrated by being 'blocked' from what they wanted to do). Rand did less than he wanted to do, because he got shielded -- motivation for him to want to search out some training next season, because there were several moments this season when his lack of training has been pointed out! -- but in both the Turak scene and the Ishamael scene, Rand ends the fight almost effortlessly (once he's free to do so, in the Ishy scene).
Turak and his guards stood literally no chance against Rand -- he raised his chin and looked, and over a dozen people died (but only the ones with weapons, not the Voice who wasn't a threat). I'm sorry, that is power. The idea that Rand indulging in a sword fight would have shown more power than what he actually did is ridiculous. He would have been a cat playing with a mouse instead of just killing it (and every show-only reactor that I've watched so far has had a BIG reaction to Rand doing this).
We've been shown throughout this season with the Forsaken that the less effort channeling takes and the more casual that you are with it, the more powerful you are. And that's exactly what Rand shows in this scene. Not only does he create and send the projectiles, they are precisely aimed to only target combatants.
Which means that Rand gets to see another aspect of Seanchan culture here -- the main slaves of a High Lord kills themselves when their lord dies. It really does show how deeply the brainwashing goes in Seanchan culture. And you can see that Rand is disturbed by the violence that he just did, but he has to move on, so he does.
34. I really do love how Josha embodies the physicality of Rand's channeling. He does move to channel but it feels very natural, like an extension of himself. It was that way in s1 as well. Rand channeling just... idk it hits different for me than any of the other channelers we've seen, as beautiful as the weaves can be.
35. "The Forsaken fought amongst themselves as much as they fought the Dragon," feels like a very important note for s3 -- the six Forsaken that Ishamael released are not going to be going after Rand together. Just as Lanfear ended up undermining Ishamael's plans, with the goal of killing him, getting rid of the other Forsaken, and living happily ever after with Lews Therin Rand, the other Forsaken will each have their own agenda too. So it's not complete doom and despair that they've all been released.
36. So even as Lanfear is making plans to dump the rest of the 'Chosen' in the ocean, Ishamael is busy at work releasing each of them, one by one. We learn here that Lanfear has been manipulating events in Moiraine's storyline from the very beginning of the season.
Ishamael brushing the dust of the remaining seals from his hands as he talks to Suroth: a+, lol. But to make matters even worse for him, he learns here that Turak is dead and the Horn has been stolen. And everything was looking so rosy for him before Lanfear showed up!
Ishamael's "shit, Lanfear betrayed us" back-up plans:
step 1: free the rest of the Chosen
step 2: get Rand shielded ASAP
step 3: Maybe seeing Mat and Egwene in dire straits will be enough to turn Rand to the Shadow? (it's confirmed here that Ishamael made sure to have Egwene ordered to the tower where "the whole city can see her")
*fails*
step 4: okay, we'll gentle him and then work on breaking him once he's less dangerous
*fails*
step 5: maybe I just kill him?
*fails*
step 6: well, guess I'll die. At least I screwed over Lanfear on my way out. The rest of the Forsaken will have to handle things from now on.
37. I love Mat working out a way to use the dagger without touching it. Also it kinda cracks me up that he ties the dangerous thing to a bedpost because... um... Lanfear tied Rand to a... I think that's maybe only funny to me. lol
We see here that Mat understands how the dagger works, probably a lot better than Ishamael did or Fain does. It nearly killed him last season! He's aware of how dangerous it is... but also how useful it can potentially be at the moment.
And I love that Rand's stubborn 'ACTUALLY, Mat is amazing and one of the best people who has ever lived, so jot that down' attitude from 1x7 gets proven correct here. Rand knew Mat better than anyone else, from what we saw at various points in s1, and now his certainty that Mat Is Good, Actually gets to be proven (including, very importantly, Mat himself... until the Accidental Stabbening gives Mat a brand-new guilt complex).
38. We can see here that the fireballs coming down from the damane in the tower are hitting ordinary citizens as well as the Whitecloaks -- not everyone is being as careful as Egwene.
She sees it too -- that's what makes her spit out her gag and refuse to help anymore. And this moment (among some others) really sells why this addition to the costuming works because Egwene actively and literally reclaims her voice here.
And the Whitecloaks attack on the tower work, killing many of the damane and sul'dam at the top of the tower.
39. While earlier, we saw that some of the Whitecloaks were helping pull civilians out of the way, once again, not everyone on their side is being that careful -- the Whitecloak archers shoot Seta, dressed as a damane, but they also shoot Elayne, dressed as an ordinary citizen. Both the Seanchan and the Whitecloaks are causing innocent people to get caught in between them and die.
And I do think it's clear here that Nynaeve is overwhelmed and scared, not angry. That's why she isn't able to reach the power. Her block is now officially a problem for her, one that she has a very good reason to try to get it fixed next season. This is a similar lesson to what they've been showing us in Rand's storyline: raw power isn't enough. You also need control, or other people will be able to control you.
40. And that ties into what Egwene does too -- both Mat and Egwene think outside the box in order to find clever solutions to their problems in this episode and not be limited to what their captors thinks they're capable of. They both choose an unlisted option.
She seizes control over herself and her situation, because she understands her power now. Egwene, Mat, and Moiraine all reclaim themselves after having gone through a long, rough period of being put in a situation where they feel inadequate and broken down.
And Egwene figured it out by being clever and putting together the information. We also get more confirmation here that only channelers can see weaves.
41. Reunions! Mat and Perrin's reunion here is very sweet. It's also much more straightforward than the more complex and fraught (though just as sweet) relationship between Mat and Rand. Perrin and Mat share a good long hug! Mat holds his shoulder for a moment! But when the hugging is gone, they pull away from each other and don't constantly stay all over each other like Rand and Mat were in their initial reunion scene in 2x6 (or like Rand and Mat will do in their upcoming scene, post-stabbening). So I love that we see that Mat and Perrin are very good friends and they love each other and... and it's not quite the same as Mat's friendship with Rand.
42. Poor Egwene really is so burnt out, emotionally, by her experiences and so traumatized, and we can really see how exhausted she is by everything that happened. She needs some real processing time.
I'm glad that we got Rand's apology to Egwene here, even if I think she's maybe only half-processing it at the moment.
43. I love how quickly Mat gives out the info of "Rand is alive, he's here, he's headed to help Egwene" to Perrin here. And that he takes another dig at Rand's hair, lol. When Rand regrows his hair, Mat gets the credit for it, lol. I also miss Rand's curls, Mat! You are not alone!
44. Ishamael is talking here like he's knows that it's over. He does not expect his appeal to Rand here to work -- like he told Lanfear, it's too soon. Egwene isn't broken. Mat isn't broken. He doesn't even HAVE Nynaeve or Perrin in hand. "Maybe next time it'll be different," Ishamael says, because he already knows that his primary goal of turning the Dragon to the Dark has failed.
I love the echoes of this scene to the one from the cold-open.
45. "You're his only hope" vs "betrayer of hope". I talked about this in one of my earlier posts I think, but the contrast still hits me hard.
Here we have Ishamael, blaming Lews Therin for his fall to the dark (and the stories say that it was LTT's 'fault' that Lanfear turned to), but it wasn't LTT's fault. It was Ishamael's choice. And it's Mat's choices that make him different from Ishamael.
But, yeah, this is another of those things that just gets extra weight to Mat and Rand's friendship vs Mat and Perrin's or Rand and Perrin's.
46. Dain and Perrin meet on the battlefield and get to fight back-to-back for a moment. I think everything with Perrin & the Whitecloaks & Hopper is well-done, but it's tough to talk about. Hopper does get a lovely send-off, as he see him leaping the way that he did when he told Perrin his name. Also, the tension between Dain and Perrin the next time they see each other (narratively, they have to see each other again, with all this set-up) is going to be fantastic.
Hopper's last sending to Perrin is so beautiful. And it's so easy to understand Perrin's rage here, just as it was easy to understand Egwene's need to kill Renna.
47. I like how Elayne (in agony!) is doing her best to help Nynaeve get to a place where she can help Elayne. She really takes charge of the situation and is able to bring a level of calm to it, even when she's under significant distress herself.
Nynaeve is trying so hard to channel here and she can't even embrace the Source. I do think that her 'block' probably got some reinforcement when her most recent use of the Power directly led to Ryma's capture.
(speaking of Ryma, since we don't see her in the tower or on the ships, it's entirely possible that, as a brand-new damane, she was still in the kennels and can get freed after the battle here is done; I would like that for her very much and - if they do decide to have the Wondergirls go back to the White Tower, Ryma could be the one to take them there, as she delivers the news about the Seanchan. That's one of the few reasons that I can see for the Wondergirls to think it will be safe for them to go back to Tar Valon, after they hear Moiraine's news, tbh)
But, yeah, I'm glad that Nynaeve can't just Bruce Banner "I'm always angry" at her problems. That her block is now something that is causing her distress in times when she desperately needs to be able to channel.
48. Mat blowing the Horn is such a beautiful moment. Time slowing and the music changing and the effects of how the Heroes appear. This is a moment of intense despair for everyone and Mat blowing the Horn here turns everything around. I think they did a really good job in making this the turning point of the episode. Mat blowing the Horn did bring back the hope of winning. It didn't win the battle, but it gave back hope. Instead of Mat being ~just like~ Ishamael, he is instead Ishamael's opposite. Instead of betraying hope, he creates it.
And it's such a joyous moment. Mat gets to have his self-worth affirmed by an outside source, gets to feel connected to something bigger than himself, after feeling alone for most of the season. It's really beautiful.
Just... gorgeous. And when Mat remembers and is able to get that validation that he is not destined to be a 'damn prick', just like his father, that he isn't rotten to his core... witnessing him going through that moment is so lovely. Cannot say enough good things about it, A+ television.
49. We also see that, after Mat says that he 'remembers', that he's handling his weapon differently, more familiarly, and he can now speak the Old Tongue. So we can see the impact that remembering his past lives has on him.
And, of course, we see here that Uno is one of the Heroes of the Horn! It's a nice hint to viewers who maybe weren't listening to Ingtar earlier that the Horn brings back the dead. Because we definitely all saw Uno die.
50. And, of course, being magically-fast ghost warriors, the Heroes absolutely can make sure that they only target active combatants and that no civilians get caught in the cross-fire.
Uno saving Perrin. <3 And then lending him a magic shield! Useful! I'm guessing it probably also fades away after the Heroes do.
And once the arrow is out of Elayne's leg, everyone is on their way to the tower.
51. Rand is able to push himself to his feet, despite the effects of the shield on him, and tell Ishamael, point-blank, "I will never serve him. In a thousand lives, I never have. I'm sure of it."
Ishamael knows that his main plan is a bust. It's only back-up plans and failsafes from here on out.
52. Mat's throw is a really good throw! Unfortunately, Ishamael is a trickster too, and it goes right through the illusion of him. This moment is incredibly traumatizing for Mat who only literally just now regained his sense of self-worth -- while we are going to end up with our heroes triumphing over Ishamael and the Seanchan and saving Falme... they all end up damaged and traumatized by it.
Mat just clutching onto Rand here in the wake of accidentally stabbing him. Oh, wow, it really gets to me. And Rand's anger is 100% (and very appropriately and accurately) focused on Ishamael.
And Ishamael is so distracted by this moment that he doesn't realize that Egwene has gotten up from where he threw her.
53. I love how delicate Elayne's healing weave is. And the wound left behind looks very nasty. And Rand getting healed by Elayne and then seeing the sun shining in her hair. What a way to be introduced to someone for the first time! They save your life like that and are literally wreathed in sunlight.
54. Moiraine and Lan getting on the same (ruthless) page when it comes to supporting Rand/the Dragon. And we get to really see Lan let loose with his fighting as Moiraine lets loose with her channeling.
55. I was honestly a little nervous about the idea of them actually doing a sky battle because I could not possibly picture how that would not be cheesy. I trusted the show's team but... I was nervous. What the show did was not at all cheesy. It was heartfelt and epic, but not cheesy.
I love how everyone works together to make it work. The team did such a good job of playing out this theme of having the characters be isolated and showing how that made them vulnerable, and then rewarding us with this beautiful coming together. They can be there for each other and protect each other.
And I'm confused about anyone feeling like this takes away from Rand because... they all contribute so that Rand can strike the final blow -- because Rand is the only one who could have done that part. Moiraine freed Rand from his shield and Elayne healed him, Egwene and Perrin were able to block Ishamael's attacks, but Rand absorbed Ishamael's attacks into his own weave to strengthen it, and then he wove the One Power directly into his sword and we can see the results -- instead of getting back up again, Ishamael crumbled to dust.
Ishamael himself was aware that he had lost as soon as Rand was unshielded, imo. He makes another attack after that, but it's clear that he knows that he lost. There's a reason that Ishamael's first big move in the scene with Rand is to get him shielded by the damane. That's the only way he even has a chance in this fight and he knows it. Egwene isn't able to go on the offense against, Ishamael in any way and we can see what a toll it's taking on her to hold up her shield against him - holes develop in her shield before Perrin shows up.
Minor Cauthor note: I love how after Rand gets rocked by being unshielded and he realizes that Mat got pulled away from Mat, he grabs Mat's hand again. Cute, even in the middle of a pitched battle.
56. Our poor traumatized babies! Let's count up the trauma:
a. Rand felt shielded and helpless for much of the fight and now has a wound in his side that Elayne wasn't quite able to heal. He's also very aware that his lack of training is causing big problems. And he's got a heron brand on his hand now.
b. Egwene is deeply traumatized from her time as a slave.
c. Nynaeve spent this entire battle feeling helpless and her only contribution was bringing Elayne here so that Elayne could heal Rand. Nynaeve may even blame herself for the state Rand's wound has been left in, wondering if she could have healed him fully if she'd had access to the Power.
d. Perrin just lost his new wolf BFF in a traumatic way.
e. Mat stabbed his best friend with an evil dagger (after spending months being psychologically tortured).
f. Elayne has a pretty nasty leg injury. Also, she has to be the most confused person here, by a mile. She likely knows about the prophecies and the Dragon Reborn as general concepts but had absolutely no clue that she was accidentally stumbling into the middle of them. She's gonna have so many questions.
57. But this whole section really is beautiful. Just... I love the fire-illusion dragon so much. Moiraine is always So Extra, all the time.
58. This is the first time any of them have seen Rand channel! Even though they can't see the weaves, they can see Rand walking through Ishamael's attacks without flinching, they can see his sword glowing red, and Ishamael turning to dust. And they heard Ishamael call him "Lews", probably.
It's also another incredibly intimate stabbing, though in a different way than Mat 'stabbing' Rand was. He looks directly into Ishamael's eyes the entire time and, afterwards, he stays focused on Ishamael until he's turned to dust.
59. Yeah, Falme looks pretty all-in on the Dragon Reborn. He saved them from the Seanchan and (given what the dude in Atuan's Mill said) he also saved them from the Whitecloaks. At their greatest hour of need, the Dragon really did come to save them. We also get the confirmation here that these Aiel Maidens, at least, believe that Rand is the Car'a'carn that they've been searching for.
60. At this point in time, Lanfear is feeling pretty damn happy with herself. Step one of her plan was a complete success! Ishamael has been taken care of. Lews Therin Rand has been publicly proclaimed the Dragon! Her happy ending is within her grasp!
Then, as Lanfear is basking in her victory... she discovers that Ishamael took action when he realized she was betraying him. We meet "softly, softly from the shadows" Moghedien and see her stand toe-to-toe with Lanfear. All of the Forsaken are now loose.
Love the vibe they've given to Moghedien.
We can see here that those conflicts that Moiraine talked about between the Forsaken are clear and present. Lanfear and Moghedien are definitely not on the same page when it comes with how to deal with the Dragon.
Moghedien says that "him" and "all five of them" are now the other Forsaken's business and that Lanfear is to stay away from Rand in particular.
And she vanishes before Lanfear is set free and our last words of the season are Lanfear saying, "Light help you, Rand al'Thor."
Interesting in two ways! Acknowledgement of him as Rand, not Lews Therin, and calling upon the Light to aid him. I feel like it does a good job of setting up some very clear issues for the next season.
Hope we have a shorter wait this time!
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gilly-moon · 3 months
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PERCY JACKSON TV SHOW REVIEW
(SPOILER ALERT! I Did Not Like It)
It has been 16 long years since I first picked up The Lightning Thief, and once again...I am faced with an adaption of one of my favorite books that is so painfully disappointing. And now that the tv show is completely out, it's time to purge the collection of thoughts I compiled on it:
Starting on one of the (few) positives, the cast was incredible. I know for a FACT that they are all wonderfully talented individuals, and I aim all of my gripes with their acting at the directors and writers.
So much telling. So little showing. Stop explaining the plot and the mythology to me. SHOW it to me. Explain later only when necessary.
And yet, some things weren't explained at all! I know, as someone who read the books, what blue food means to Sally and Percy. But the show never explains its significance. To the unknowing watcher, it's just a weird quirk, not a small rebellion between a woman and her kid against the life they're stuck in. It baffles me what the writers chose to over explain versus under explain. There's no clear reason for either behavior, and it permeates the writing in a bad way.
There's also a lot of the kids just being dragged from point A to point B by an outside force, rather than their own actions. They never really felt alone or even in danger on their quest, because gods kept showing up to help them along. I did not like that.
These kids aren't allowed to be kids. I stg you could make them teens or young adults and the dialogue/their actions would be the same. That's not good.
Why do they always have all of the information!!!?? They immediately know it's Medusa. Echidna introduces herself and they immediately know who she is and that it's a Chimera in her bag. They immediately know what the Lotus casino is. Why? It makes the stakes feel so low, rather than the mad dash scramble in the books that happens a lot when characters have to remember the myths and how to beat a monster mid-fight. And it makes all these scenarios so boring!!!
Also so many of the fight/chase scenes were boring or anticlimactic. The only good ones I can think of were in the first two episodes, and then one with Ares. Someone actually slipped in some good choreo in those few fights, but completely forgot to add it in to....the rest of the show....
There's very little about the show that feels magical. CG is used, obviously, but at times it feels like they should've gone further with it, or used it even more, and they just....didn't. The visuals end up feeling clunky and not very cohesive, with zero whimsy. Hate to make this comparison, but the Harry Potter movies were VERY good at showing the lines between the magical world and the muggle world, and the tension that occurs when the two interact. There is....none of that in the PJO series. Zip. Zero. And the mythological CG that is there is more often than not static or boring.
Break for a positive! I actually really liked that Percy was learning mythology from Mythomagic. The show wasn't really consistent on that point - saying it was his mom instead most of the time - but that was such a fun and clever way to work in the card game and make it plot-relevant. As someone with ADHD, I can confirm I would also learn mythology WAY better if it was for my favorite game.
Ok back to the negatives - Wtf is up with the portrayal of the gods? For one, they're boring to look at. Nothing about their designs makes them feel 'godly' and while that's ok with some gods (Hermes for one, tho I have issues with his weird beige sweat suit look) why is Ares just some regular ass biker dude? Where are the flaming eyes?? And radical skin-leather bike?? He couldn't even have a CUSTOM bike with red bloody paint and boar heads and chain link handles or something???
And the gods are way too fucking nice. Sorry. I don't have an issue with Hermes being nice but. Ares having a heart-to-heart with Grover? When his presence is supposed to stir everyone up into a rage? And Hephaestus sees Annabeth refuse to give up on her friend and just goes 'awww, ok, you and Percy can go, and take my rival's shield back to him too cause I'm just so nice.' Sorry, no. I'm fine with gods being helpful - Hephaestus helps (reluctantly) in the later books. But it was at a price! A favor for a favor! Not a 'get out of jail free' card just because he was moved by normal ass human compassion!!
Hades gets his own bullet point because who the fuck was that. As a child of Hades, I'm offended that this sweet fruity guy just wanders up and goes 'hey, how's it going, wanna snack?' like, that is NOT my dad. My dad had skeleton soldiers filling his halls and a garden of jewels and a voice so loud it rattled the whole Underworld. Whoever that was in the show was a pathetic imitation.
The point of the first series is to work up to Percy throwing it in the gods' faces how awful and neglectful they've been of demigods and specifically their own children. Demanding that they do better. But if they're already showing compassion and 'humanity' in the context of the first book/first season of the tv show....Percy starts running out of ammo against the gods. There's no coherent story progression where Percy spends years seeing the worst of the gods and the best of them at very distinct, important times of his life and his story. It no longer feels like a massive change they have to make in the system, something that deserves a godly favor for Percy to demand of them. Luke no longer feels like his fury at the gods is wholly justified. The whole series begins to crumble because the gods already have a good reason for being how they are, rather than being thoroughly selfish assholes who only dote on demigods when they do something really cool. And the exceptions are presented at intelligent moments that prove to Percy when he most needs it that the gods can be better, they just need a forceful push to get there.
That being said, where was Percy getting the info that the other gods were feeling scared and abused by Zeus? I love the balls on this kid, but like...when did he make these assumptions and why? That whole scene felt really unearned.
Also Olympus was BORING. And EMPTY. And DARK. It looked like we were just back in the Underworld. Which. The Underworld was fucking boring too. Some neat visuals, sure, but put that in some high fantasy show. Not this one.
One last positive before my final point - there were some pretty good jokes scattered around. Not nearly enough, but I did really enjoy the Dionysus introduction and a handful of lines from Percy. Also releasing the animals in Vegas - Grover being like 'oh, you were worried about the humans' got me good.
The final word that kept spinning through my head after finishing episode 8 was: Pathetic. Luke's betrayal was pathetic. No deadly scorpion. No commitment to that period of time in the books we were convinced he really was evil. And Gabe just stumbling on the package with Medusa's head in it? PATHETIC. Percy outright asked his mom if she was being abused in the book, and she took fate into her own hands to statue-ify that bastard. But no. The show was through-and-through just a pathetic, watered-down version of an incredibly fun, emotional, brutal, exciting series of books. I know there was a lot of heart behind this production, but I did not feel it at all. But what else should I have expected from modern Disney?
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emmafreakecreations · 4 months
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When ever I think about Rhys saying "Both sides did bad things." It just reminds me so much of Americans who like to wave away that the confederates in the Civil War were fighting to keep slavery and/or spew The Lost cause Mythology.
For those of you who are not American or maybe never learned this but the Lost Cause mythology is basically lies and rewriting of history that confederates did themselves starting soon after the end of the war to mask their true intentions of the war. Things like, "it was all about slave rights and taxes! The north was being aggressive; during Sherman's march they burned, pillaged, and raped! Slavery wasn't actually that bad and if anything black people needed it!" All of it lies. The real reason they succeeded from the Union was slavery; they wanted to keep slavery and expand it into future states. They wanted to keep it so bad they written it into the confederacy constitution. The fight over slavery started very soon after the revolution ended and then built and built with every compromise on which new states would be free states and which would be slave, the rise in abolitionism, and more laws making it harder for slaves to escape. It exploded when Lincoln was elected President. He wasn't even inaugurated and states had already succeeded. The founding fathers didn't do anything about it because a) some owned slaves b) they believed it would die out because it was expensive, it became super profitable once the cotton gin was invented.
And while the Union initially wasn't fighting for the end of slavery but to keep the union, it only turned to ending slavery because Lincoln recognized as the only way to keep the US together and the Union soldiers who marched through the South who had never been there before saw how awful slavery was and wanted to end it. Yes General Sherman lead a campaign in the South and burned things but the things he burned (from my understanding) were the plantations and a few cities. Slaves who had escaped followed the union army as they moved through the south. I even learned that some point some union soldiers killed the dogs of a plantation that the owner used to hunt down escaped slaves and let his slaves beat him. I'm not going to deny that there probably was stealing and rape happening but there was also reports of confederates stealing too.
The point I'm trying to make is that while the Union wasn't perfect you also can't ignore the fact that the other side was fighting for slavery. That's why it feels similar, both Rhys and some people say, "that side did bad things too." while completely ignoring the fact the other side was fighting to keep the right of enslaving human beings and keeping them like cattle. And in the case of the humans of ACOTAR they were fighting for their freedom as some black union soldiers were fighting for theirs and the rest who were still enslaved.
Feel free to correct me on my facts about the Civil War, it's really only in recent years that historians are trying to fight against the years of lies the Lost Cause created in the American public's conscience. Like it is so pervasive that in the 21st century media has 3 vampire characters that fought on the side of the confederacy and paint them as not that bad. Vampire Diaries in a later season had an episode explaining that Damon didn't want to fight in the confederacy he only did it because his dad forced him. And the only one who questions and confronts Bill in True Blood is Tera and her white friend tells her to stop being rude. Abraham Lincoln vampire hunter is the only one I have seen making wealthy plantation owners vampires and the bad guys. If you want know more about the American Civil war check out Atun-Shei Films and his series called checkmate, Lincolnists on YouTube. He goes through a lot of misconceptions and lies about the civil war while being very honest, down to earth, level headed, and not show favor towards the union or confederacy because he does also talk about each of their faults.
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amazingmsme · 7 months
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A Gift, No Strings Attached
AN: Tickletober is finally upon us! I'm so excited for this, I can't wait to see what everyone makes! Hope you all enjoy day 1: anticipation with Miguel & Peter B! Everyone seems to think a certain spiderman needs to be introduced to a certain belt, as seen in episode 17.
Miguel was a skeptical person on the best of days, so when Peter B. waltzed into his office declaring he had "got him something," he was rightfully wary. Peter hopped up on the platform as it lowered, seemingly too impatient to wait for it to lower fully.
"MJ and I went to the mall yesterday, and when I saw this I just knew it had your name all over it," he rambled before Miguel could question him. He had a small shopping back hanging off his arm and Miguel resigned himself with a sigh.
"Oh yeah? What is it?" he asked, deciding to play along.
"It's a utility belt!" Peter exclaimed, feeling only a little disappointed when he didn't share his enthusiasm. He just stared at him, a single brow raised.
"Y-you know, for tools and stuff! Thought you'd appreciate something useful," he felt the need to explain himself, growing more nervous by the second. Maybe Miguel saw through the act, or maybe he hated belts, or maybe-
"Wow, uh, thanks. This'll actually come in handy," he said, accepting the offered gift. Or maybe he wouldn't suspect a thing.
Peter hadn't expected this to be so easy.
While he really had gone to the mall with MJ, that wasn't where he got the belt. He had been watching tv with Mayday when the villain escaped from his frozen prison, now capturing his attention as well as his daughter's. He was sure that SpongeBob and Patrick would be in deep for letting the worst villain escape, chuckling when they resorted to "rehabilitating" him instead. His interest was piqued when they activated the character's iconic belt, sending him into a fit of ticklish laughter.
"Heh, Miguel could use a belt like that, huh Mayday?" he cooed before gasping at the revelation he just made. He set her in her baby jumper in front of the screen, leaving her to bounce and giggle to her heart's content. He left the door to his office open so he could still keep an eye on her as he began to draft the blueprints for Miguel's "gift."
A week later, it was finished. And of course he had to run a few tests, curtesy of his loving and very patient wife. Though when she found out who it was for, she didn't really mind testing it out, especially seeing as she always got her revenge.
Peter wanted nothing more than to activate the belt right then and there, but in a monumental show of self restraint, he held back. If he did this now, then only he would get to see the outcome, and this was too good to keep for himself. Unfortunately, he would have to be patient. Wait it out for the perfect moment to present itself.
Honestly, Peter didn't expect anyone else to know what it was supposed to be. Clearly, his universe wasn't the only one with SpongeBob.
"Gonna go out on a limb an' say he has no idea what that belt really is. Right?" Hobie questioned from behind. Peter jumped, not because he didn't know he was there, (spidey senses and all) but because of what he had said.
"I-I have no idea what you're talking about!" he bluffed, but crumbled when Hobie leveled him with a knowing look, cocking an eyebrow in mild amusement. "Okay yes, it is what you think it is, and hell no he doesn't know, are you crazy? You think I'd be standing here talking about it if he did?"
Hobie shook his head with a slight chuckle. "I doubt you'd even be breathin' mate," he teased, playfully smacking him on the back. Peter let out a slightly nervous laugh.
"Heh, yeah me either. He'd probably superglue the damn thing to my suit if he knew," he joked.
"Yeah well, keep me posted. I wanna know the second you plan on using it," he said, saluting him as he left the room.
Hobie made sure to spread the word to his friends, swearing them all to secrecy in the hopes that they could be lucky enough to witness Miguel's giggly downfall.
Too bad Miles was out sick and didn't get the memo.
He was back at the Spider-Society, catching up with his friends in the cafeteria when Miguel spotted them and decided to check in.
"Miles, glad to see you back," he greeted with a nod. "How're you feeling?"
"Oh, hey! I'm glad to be back sir," he replied, still unable to shake the urge to keep things formal between them. "B-but I'm feeling good! Much better now," he assured. He looked down at the burger in his hands, ready to take a bite when a new accessory caught his eye. He froze just as he brought it to his mouth.
"I've told you, just Miguel is fine," he assured, a soft smile gracing his features. He noticed Miles's gaping mouth and wide eyes, looking him over with a puzzled expression. "You uh, you sure you're okay?" he asked just to double check.
Miles shook himself out of it and nodded. "Yup! Never better!" Gwen shot him a look from across the table, undoubtedly wondering what had him acting so weird. She followed his line of sight and things suddenly fell into place. She locked eyes with Hobie, sharing a subtle nod as Miles continued on, "But is that a new belt? I don't think I've seen you wear it before..."
"Oh yeah, Peter gave it to me. Said he wanted to give me something useful for once," he explained, and it all suddenly clicked for Miles. "It's a nice change of pace from all the useless knickknacks. Don't get me wrong, they're fine in small doses but he seriously overestimates how much free space I have," he said, but Miles wasn't paying attention. "To be honest, I'm just glad he picked something that matches my suit."
"Heh, yeah. 'Cause that's the worst that could happen- ow." Miles wasn't sure who kicked him, but judging by all of their looks, he was clearly out of the loop on something.
"Riiiight," Miguel said, noticing how weird they were all of a sudden. "Well, you know where to find me," he said and walked off. Miles waited until he was out of the cafeteria to speak because you could never be too careful where Miguel's concerned.
"So were you guys just not gonna tell me Miguel got a tickle belt?" he blurted out as soon as he deemed safe.
"We were going to! We just... forgot," Pavitr said, a shy smirk tugging at his lips.
Miles scoffed, "You don't just forget something like that!"
"I was gonna tell you as soon as I saw you, but then we were on a mission and it really wasn't a good time, and I did forget to tell you. Sorry about that," Gwen explained.
"Nah it's cool. I just can't believe he's still wearing it," he said in awe.
"Oh he doesn't know," Gwen said, causing Miles to whip around to look at her.
"What?"
"Peter hasn't used it yet. Figured he was waitin' on you or somethin'," Hobie said, dipping a fry in ketchup.
"Wait so you guys haven't said anything to try and warn him?" he asked, a little shocked. He was met with a chorus of no's and furious head shakes.
"And ruin the fun? As if!" Pavitr exclaimed, appalled that Miles would even suggest such a thing.
"Look, Miguel is the fiercest, most stoic spider in all of HQ, and he's chewed my ass out more times than I can count. I can't wait to see what happens when he's trying to choke back laughter and you sure as hell aren't gonna ruin it for me, got it?" Hobie said, pointing a threatening finger in his face. Miles nodded.
"I won't! I won't!" he promised, hands held up in surrender.
"Good. 'Cause I honestly don't know why you'd wanna help the bastard," he teased, grabbing him in a headlock and giving him a noogie. Miles laughed, shoving him off and punching his arm.
After lunch, Miles immediately set out to find Peter. It didn't take long until he bumped into him.
"Miguel is gonna kill you," he said in way of a greeting. Peter spun around in a panic
"What? I didn't even do anything!" he froze upon seeing Miles and relaxed. "Oh, I'm guessing you saw the belt," he said nonchalantly.
"Uh, yeah! Are you crazy? I was serious, he's gonna kill you!"
Peter waved him off. "I appreciate the concern, but I'll be fine. Worst that'll happen, he'll tickle the shit outta me. But I'll avoid it as long as I can. Trust me, I've weighed my options and it's worth it to see the look in his face," he rambled, falling into step with Miles. He shook his head in amusement.
"You won't be acting so cool when he gets after you," he gave a playful warning.
Peter laughed nervously. "Hey, why do you think I haven't tested it out yet?" He smiled to himself, shoving his hands in his pockets. "Honestly, you all act like I don't already know I'm a dead man walking."
"So... why'd you do it?" Miles asked, genuinely curious. Peter shrugged.
"Eh, it was kinda a spur of the moment type thing. If I remember correctly, he kinda snapped at me for wasting his time, and I was a little ticked off, I'll be honest. Got the idea while watching tv with Mayday when I got home."
"SpongeBob?"
"Yeah."
"Nice."
"I guess I just thought he could use one, y'know?"
"Oh, you're absolutely right with that one," Miles agreed with a chuckle. "So, when do you think you'll try it out?" he asked eagerly.
"Well, I've kinda been waiting for him to piss me off again. I think that's when I'd get the most satisfaction," he decided.
All in all, it didn't take long for the man to get on his nerves. Ha, and Miguel said that he was the annoying one.
He was in one of the many break areas, letting Mayday crawl around with Pav, Miles, Gwen and Hobie. She really liked getting to see them, and they loved playing with her, so it was a win win. It gave Peter a chance to let his guard down, thankful for the extra sets of eyes watching over his daughter. It also gave him the chance to get a plethora of new adorable videos of the light of his life.
Miguel however, thought it fit to hunt him down and interrupt his break. (Yes, he knew it was going on three hours, but Miguel was trying to get him to file paperwork! He couldn't let that happen!)
"Peter, there you are." His voice alone made Peter groan. "Where the hell have you been? You went on lunch hours ago, you said you'd do that paperwork."
"Actually, I never said I'd do it. You told me to do it," he corrected. Miguel rolled his eyes.
"Whatever, it's the same thing." Peter muttered under his breath something along the lines of "no it's not." Miguel cocked his head to look at him, "What was that?"
"Oh nothing," Peter said, reaching into his pocket and pulling out an innocuous remote. He started fiddling with it, and the teens started whispering amongst themselves. Nothing super obvious, they didn't want to give themselves away.
"Just drop her off at the daycare when you're ready, you work better when you're not attached at the hip," Miguel said sternly before turning to walk away. Peter scoffed at the notion, clicking a button and cranking a dial. He stopped in his tracks, squirming where he stood and rubbing his waist in confusion. Peter smirked and turned it up, causing Miguel to double over and bark out a laugh.
He turned around, fighting off giggles as he leaned on the wall for support. He glared them all down, though the wide smile and deep chuckles that slipped out really diminished the effect. "W-whahat the hehehell is going ohohon? Ihihi know you guys hahave something to do with it," he accused through grit teeth, unable to contain his giggles as he twisted back and forth, knees buckling as he wrapped his arms around his waist, allowing himself to laugh freely.
This was what they'd all been waiting for. Phones were taking videos and snapping pictures all while Miguel cursed and writhed on the floor, tugging at his suit and the belt, unable to get it off. The wait had well been worth it. Even better, the only one to suffer any subsequent consequences was Peter.
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putnamcapital · 2 months
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s1 ep 6 rewatch notes
[yeah i am still doing these essays, everyone copes differently OKAY]
I wish i had the words to convey my love for the Simon-Rosh-Ayub dynamic when they’re sitting on his bed trying to talk about his video, not the Kim K. video. it’s an instance of one of the things i ADORE about YR, namely, the importance of the love and support of friends - “the gang is back together”. contra a lot of the teenage and adult movies that put romantic love on a pedestal and everything else goes to the dogs.
That shot of Wille set against the sky when the Queen leaves = is it the apocalypse or is it heartbreak and i'm not the only one seeing the religious imagery right?
“we haven’t done anything wrong.” Simon’s moral clarity, his unbreakable backbone - it’s a moment where it’s obvious the Court has no idea who they are dealing with. I’m not sure Wille even knows then.
Frida doesn’t get enough praise for her acting. that side eye of August as they cross in front of him loafing on the picnic table: sublime.
Another parallel I hadn’t seen before: Sara dresses up before dinner; she likes the image she sees of herself in the mirror. She is “someone she is not”, according to Simon (later that night), but she wants that false countenance. In S2, that same move will devastate Wille. But we have another Sara-mirror scene, in S2. Leaning on the Wille-Sara parallel, there’s something being done here about becoming who you are through artifice (dressing up ‘in costume’) or through love (revealing your true self). August (as opposed to Simon, i think …) ends up being a false or traitorous ‘coming into self through love’ for Sara.
Related … when Sara went to see August to confront him about the video, i have retrospectively imagined her as having planned what happened. But if you look at the scene as it happens, both Sara and August seem to just be playing the situation as it arises. Sara starts off by not even intending to tell August, I think that was honest. When she then confronted him about the video, she first asks why did you do this to Wille and then, how do you have the right, you destroyed Simon? none of it is about her. it’s when August asks her ‘what do you want’ - that i think the idea comes to her. And i think that explains her face after she kisses August - her revulsion at herself. it seems like a situation that spiralled out of control very fast.
i can’t really talk about the Sara-Simon fight scene because it’s my Point of No Return in terms of “This is a nice program to watch of an evening” and “These characters have become my entire waking and sleeping existence, is there treatment for this.”
in the scene that starts with them sitting on the floor in Wille’s room, there is that tender moment by the door, and one of the top two kisses and hugs in the whole of season 1 and 2 combined, punctuated with the forehead tap. and i’ve always thought it so lovely until this time i saw the “red flag” - the towel hanging on the hook - and it reminded me of the red ‘flag’ we see in the locker room every other time things go south.
the scene with kristina and wille in the car starts simply with him saying, “WHAT?” which a) comes straight out of fanfic; b) is hyper-realistic adolescent approach to dialogue but also c) actually shows that they are really close. as in, Wille might loathe his mother by the end of this episode, but also he knows exactly what she’s thinking and they can just skip all the usual staging aspects of conversation. it links, i now see, to the book scene, where wille admits that he can’t just throw out everything he’s been taught, b/c he’s internalized it so well
when K is lecturing W about all the public attention he’s going to get now, and how it will be even worse, it’s the same shot of him looking out the car window wishing he could be literally anyone else as in the first few minutes of s1ep1, after the club fight. and we see his reflection in the window, so we get him 'in double' - who he is IRL, and who he is seen to be by the viewer. very clever. very clever.
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duhragonball · 8 months
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Dragon Ball Super Movie 2: Super Hero (2/5)
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This line might just encapsulate the entire movie. "Yeah, sorry, folks. They made me the star of the movie this time, so it probably won't be as good. Why are you all cheering? Did Goku walk by or something?"
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Last time, we set up the main villains of the story. Now, it's six months later, and we find Piccolo sparring with Pan near his house. Yeah, Piccolo has a house now. I remember when they revealed the house in an early promotion for the movie, and everyone was nuts about it. Piccolo has a house! What's inside? Look, he has a mailbox! What kind of mail does he get? What a time to be alive.
So Pan is three years old, according to this movie, so I think the idea here is that this is set just before the 25th Budokai and the finale of Dragon Ball Z. So Super Hero represents a turning point for the franchise. Up to now, every story told under the Dragon Ball Super brand has been set during the ten-year-gap between DBZ Episodes 288 and 289. But now we're at the end, which means the next movie, anime, or manga arc has to make a big decision:
A) Set the story after the 25th Budokai, and work around Goku's decision to train Uub at his home village.
B) Ignore the "End of Z" continuity altogether and just keep trucking along like it doesn't matter.
C) Just keep telling stories in the small time interval between Super Hero and the 25th Budokai and hope no one calls attention to it.
D) Jump back to the beginning of the ten-year-gap and tell stories out of chronological order.
I think A or B is the most likely option, since they wouldn't have jumped this far forward in time for Super Hero if they were worried about staying inside the ten-year-gap. I also suspect that they'll try to respect the "End of Z" lore, if only because they've mentioned Uub a few times in the DBS anime, and Uub actually had a cameo appearance in the manga.
But no matter what happens, Things Are Going To Be Very Different. In theory, Toei/Shueisha can do just about anything with the franchise now. They could kill Bulma, or give Majin Buu a whole new transformation. I guess they could try to steer the storyline towards the events depicted in Dragon Ball GT, but I'm pretty sure that ship sailed when they turned the Pilaf Gang into children. The point is that anything is on the table.
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But back to the matter at hand. Pan's whole deal now is that she trains with Piccolo at his house every morning, then runs off to attend preschool until 1pm. Piccolo thinks she's showing great promise as a martial artist, even more than Gohan did when Piccolo first trained him, and Gohan was a year older back then. Pan thinks that qualifies her to learn how to shoot energy blasts like Goten and Trunks, but Piccolo says she has to master the fundamentals first, which means Pan has to learn how to fly, among other things.
This is Pan's character arc for the movie. She's not a major player in this story, but she still has an obstacle to overcome, and by the end of the movie, she succeeds. This is a big leap forward from the Pan we saw in GT, who remained static through the entire series. I guess she sort of learned a life lesson in the TV Special, but she was 110 in that story, so I think the implication is that GT Pan was a bossy twerp for a full century, which isn't exactly satisfying.
The weird thing is that we saw Pan fly all the time when she was a baby. In the DBS anime Baby Pan flew out into space, and she'd float around the house and such. I guess she forgot how to do it, or it got harder as she grew up and gained some weight.
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Pan asks if it's true that her dad (Gohan) could be even stronger than her grandfather (Goku) if he tried. Piccolo says that used to be true but he isn't so sure anymore. Pan says she's never seen Gohan in action, and Piccolo explains that he hasn't had to fight, but if the need arises, Gohan will fight when necessary. Then he sends her off to preschool. A short time later, he gets a phone call from Pan's mom, Videl.
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Okay, so let's unpack all of this. Piccolo has a cell phone, but he just leaves it in his house while he's training outside, because his Namekian hearing can pick up the ringtone from hundreds of yards away. Also, he holds it like a weirdo, dangling it from his fingers like he found it at a crime scene. Also, the case looks like a cartoon character. This is Penenko, an in-world fictional character that seems to be very popular. Its like a cross between a penguin and a cat, and it has a green tie like Yogi Bear, which I think is a classy touch.
As for Videl, she needs Piccolo to swing by the preschool this afternoon to pick up Pan. This is because Videl teaches a combat sports class, and they're having a tournament today, so she can't make it. As for Gohan, he's too busy working on a scientific presentation, and he hasn't come out of his study in days. Piccolo is annoyed with this, but he agrees to pick Pan up. Videl offers to buy him lunch, but he reminds her he doesn't eat food, so Videl considers buying him a Penenko plushie instead. Piccolo doesn't want one, though, because he already has a pile of them in his house. Presumably those plushies represent a whole bunch of past favors he's done for Gohan and Videl.
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Okay, more importantly, let's talk about Videl. This is her only appearance in the movie, save for a still image in the closing credits where she comes home to find the house has been damaged. Still, this conversation tells us a lot about what Videl's been doing ever since she and Gohan got out of school. She's teaching a "combat sports class". This makes sense to me, as she must have given up the vigilante work around the time she was pregnant with Pan. But teaching students how to fight would be easier for her, since she could set her own schedule and arrange for the students to train independently when she's not available. It's the perfect career for the new mom with a talent for whippin' ass.
The thing is, Videl's not just any martial artist. She knows basic ki techniques, but besides that, she's the daughter of a world famous celebrity buttkicker, and she earned a reputation of her own as a crimefighter. So this can't just be any old "combat sports" class. I mean, they're participating in a tournament for goodness sakes.
So this is my Videl headcanon: She's teaching people to fight crime. And not just any crime, but the rocket-launcher-weilding maniacs she used to fight when she was in high school. Videl stepped away from that life to focus on her family, but she's still got one foot in that world. It started as a self-defense class for women, and then she decided she could show them more advanced techniques, until eventually she had a cool stable of badasses.
The tournament she's talking about isn't some fun little romp, although to her it would be, and it's barely beneath Piccolo's notice. But to everyone else, it's some kind of hardcore mixed-martial-arts event. Videl brings her students in and they're all wearing kick-ass uniforms to represent their school. What kind of uniforms? Here's a hint:
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GTH. That's the name of Videl's dojo. The Go To Hell Combat Club, so-named because you have to go to hell to learn the combat style of Mr. Satan's daughter. Imagine going to some indy wrestling show and instead of wrestlers out comes a bunch of MMA guys all dressed like Pan from this movie. It probably looks cooler on grown adults, which is why Pan likes to wear it.
So what's Videl wearing when she leads her squad to the competition? Oh, we already know the answer to that question, because we saw her return home from the tournament.
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I mean, it makes so much sense when you think about it. remember, we saw Videl wearing regular clothes when she called Piccolo. She must have changed into her Battle of Gods red-devil dress specifically for the tournament. She might have a different outfit for fighting, but this is what she wears when she's in the corner for her students. She's like a sexy ECW manager, which explains the red leather dress, black tights and white go-go boots. She's so over-the-top with this thing that it makes the Great Saiyawoman outfit look dull by comparison, because she's trying to get over this image of smash-mouth combat supremacy. It's the same reason Mr. Satan wears the cape.
This is a weird tangent, I know, but for so many years I've heard fans lament the way Videl was depicted in Dragon Ball Super, and they're absolutely right, but I'm a "yes and" kind of guy when it comes to this stuff. There's nothing wrong with having Videl be a housewife as long as it doesn't preclude some other, cooler lore from happening off-screen. And Super Hero seems to be holding out an olive branch to the fans. Yes, Videl has a life outside the home. She teaches martial arts, so she clearly hasn't given up fighting altogether. How and how much she fights is left to the viewers imagination, and I can imagine a lot.
Anyway, I need to commission some art of the GTH school looking cool. Videl's in the center of the group with a riding crop or something. Gohan's in the background with a snack tray. He made Chex Mix for the whole class because he's a sweetie.
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Back to business, Piccolo decides to head for Gohan's house and confront him over this. He knows Gohan won't answer the door, so he just flies to the window of his study and scrapes the glass with his fingernail to get his attention. This fucking rules.
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Gohan's working on a study of a newly discovered ant species that glows yellow when threatened, like a Super Saiyan. Piccolo isn't even a little impressed, but he agrees to pick Pan up from preschool anyway. He asks why Gohan never trains anymore, and Gohan gives the stock answer about how nothing bad will happen, and even if it does, Goku and Vegeta will surely deal with it. I mean, that is what happened in the last movie, but they cut it pretty close in Resurrection F. Piccolo uses his clothes-altering powers to make Gohan wear his old training outfit, but that's about all he does.
I don't really understand this constant back-and-forth about whether or not Gohan trains enough in DBS. Obviously, Gohan let himself go in Res F, and then Gohan asked Piccolo to train him again to get him back in fighting shape. Then they made it look like he'd slacked off again leading up to the Tournament of Power, except he did really, really well in that arc. And now it's like he's slacking off a third time.
I mean, there's time for that. We're talking about a five or six year period here. It just seems odd to me that no one mentions we've been through this cycle before. I think the disconnect is that Gohan trains, just not often enough to satisfy the likes of Piccolo or Vegeta. He'll stop training for months or years at a time, so that he can concentrate on his biology career, and then he whips himself into shape when he has the time. This movie pretty much confirms that pattern, but each time it comes up, the characters always act like we haven't been here before.
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Gohan offers him another Penenko plushie as thanks for picking up Pan, and Piccolo insists that he never liked them. I think it is very likely that Gohan and Videl do this to him on purpose. I mean, Videl knew this tournament was coming up, and she could have made other arrangements, but this way Piccolo feels obligated to be involved with their family. If they just invited him over to things, he'd probably decline, but this way he feels like they need him and he can act all put-upon, but he still gets to spend more time with Pan and such. Also they might be trying to fix Piccolo up with Pan's teacher, but we'll get to that later.
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So now Piccolo just has to get in as much training as he can until 1pm, right? Wrong, because as soon as he sits down to meditate, some new guy shows up and attacks him. He refuses to identify himself, but the Red Ribbon pack on his uniform pretty much gives it away. Plus, this guy has no ki signature, so he must be an android or cyborg like Gero's creations.
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So they fight, and it doesn't go well for Piccolo. At one point he asks why he can see words appear whenever he gets his. I thought this was a cute fourth-wall-breaking joke, but in fact this new guy has a holographic projector that makes the comic book sound effects appear behind him.
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The mysterious attacker only refers to himself as a super hero, and after he blows up the butte Piccolo is on, he flies back to his base, thinking Piccolo is vaporized. But Piccolo escaped unseen, and he decides to trail this guy and find out who he's working for.
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This leads Piccolo to a secret base inside what I believe is a crater. It looks like the crater is full of lakewater, but it's actually a holographic illusion. Piccolo finds a goon in his size and swipes his uniform.
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Inside, he finds the bad guy command center, where the new android reports to Magenta and Hedo. Piccolo learns that his name is Gamma, and there's actually two of them. Hedo already watched Gamma 2's attack on Piccolo via a remote feed from 2's eyes, and his only feedback is that 2 should have done a cool pose after killing Piccolo. Gamma 1 is more concerned that Piccolo might have survived because 2 was too sloppy to check for a body.
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Sure enough, 1 reviews the footage and discovers evidence that Piccolo escaped. And since Magenta insisted that the Gamma's wear RR patches on their costumes, there's a real risk that Gamma 2 tipped their hand to the enemy. Gamma 2 isn't worried, though, because he still overpowered Piccolo, and the end goal is to defeat Dragon Team, so if this escalates the conflict, then so much the better.
And that pretty much sums up the Gammas' characters. They both play the superhero role they were designed to resemble, but 1 is more cautious and responsible, while 2 is more carefree and funloving. Earlier in the film, we see pictures of Hedo at some sort of autograph signing, and there's a character who looks almost exactly like the Gammas there, so I assume he designed his androids to look just like that character. Hedo doesn't seem too concerned with originality.
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Carmine agrees with Gamma 1's concern. Their enemies have the combined power of Goku, Vegeta and Majin Buu, not to mention Mr. Satan. Apparently, the Red Ribbon Army still isn't clear on how powerful he is. If they find out about the Red Ribbon too soon, it could jeopardize everything, no matter how powerful the Gammas might be.
Hedo disagrees. Once he collects enough combat data from 1 and 2, he can simply upgrade them and create even more Gammas until they have enough power to tip the scales.
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Apparently, Hedo doesn't think it would take very long to get more Gamma's manufactured, which is why they have these two booths already set up. This makes me wonder if Gamma 3 and 4 are already in there, just waiting for Hedo to activate them.
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As for Magenta, all he wants to talk about is Hedo's other project-- Cell Max. This leads to a heated discussion over the value of the project.
Basically, Magenta considers Cell to be Gero's greatest creation, and while the RPC has Gero's notes on how to make Cell, they were too complex for anyone to reproduce the experiement. This isn't much of a surprise, since Gero never finished Cell the first time. When Gero learned that it would take decades to complete the work, he turned it over to his computer and moved on to working on his other plans. That computer never finished, because Krillin and Trunks destroyed it and the embryonic Cell back in DBZ Episode 145. However Magenta got the data on Cell, it must have been sent to him before then, but it would have only represented the earliest stages of the project. No wonder his own scientists couldn't get very far with it.
The only reason Magenta even considers it worth pursuing is because a completed Cell showed up to menace the world. Magenta thinks that Gero must have pulled it off somehow. What he doesn't know is that this Cell came from an alternate future where Gero's computer had time to complete the project. So Magenta knows what the finished Cell is capable of, but he doesn't have a complete recipe to make a new one.
But Dr. Hedo is even smarter than Gero, which is why Magneta hired him. The Gammas are fine machines and all, but what Magenta was really hoping for was that Hedo could take the notes on Cell and figure out how to build a new and improved model. And to his credit, Hedo was able to do that, but not completely. He created Cell Max's body and made him far more powerful than the original Cell, but he's still not done because his brain takes a long time to develop. I don't know if this is like a programming thing or Cell Max needs time for his brain matter to grow complex enough to support his mission.
At any rate, Magenta just wants to turn Cell Max loose right now, because he's so high on the prospect of unleashing such a powerful weapon. But Hedo warns him that they won't be able to control Cell Max the way he is now. If they activate him now, Cell Max might easily run wild and destroy the world, which defeats the purpose of using him in the first place.
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Hedo's argument is that they don't even need Cell Max, so instead of wasting time on him, they should focus on the Gammas, who are more than powerful enough to carry out Magenta's plans. They can defeat Dragon Team, then the rest of the world will fall to the Red Ribbon Army, and then Magenta can reveal Cell Max to show off his power to the world. Magneta seems to buy into that idea, at least for now.
The thing is, we really don't know how long it would take for Hedo to finish Cell Max. It took Gero's computer decades to finish the original Cell, so maybe most of that time was spent developing his brain, and yet that Cell never did follow his programming completely. So maybe Cell Max would be uncontrollable too, no matter how much Hedo tinkered with him.
Then again, Hedo built the Gammas in just six months, so he's demonstrably smarter than Gero ever was. It's possible that he could finish Cell Max's brain in a matter of weeks and make him fully obedient. He just doesn't want to spend the time because it's busy work and Max doesn't look like a super hero, so he's not very motivated to complete the project. It kind of makes you wonder what Hedo could have accomplished if he'd given it his full attention.
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Needless to say, all of this freaks Piccolo out, so he excuses himself and finds a quiet spot to make a phone call to Bulma. She tells him Vegeta has been away for three weeks now, training on Beerus' planet. And Goku went along with him, so they're both unavailable. Piccolo asks her if she can use that device Whis gave her to call him, and she says she'll see if she can reach them that way.
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I just want to pause here to admire Bulma's yellow jumpsuit. This is definitely one of her hottest looks, perhaps because it's so workmanlike and unsexy. She just makes it look cool because she's Bulma. She just got done welding a quantum computer to a ham radio or something.
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In the meantime, Piccolo leaves the RR base to go to Korin's Tower and get some senzu beans. He's still in the mindset that Goku and Vegeta will be the ones to take care of things, but he has to do as much as he can in the meantime to improve their chances.
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As he flies through the holographic lake, we get a nice exterior shot of the base. So yeah, it does look like a couple of craters, although I'm not sure what the use was in disguising the inside when you can see all this stuff built up around the outside. I guess they have some sort of phony mining operation set up if anyone snoops around.
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And that'll about do it for now. I've still got a couple of image spots for this post, so let's show off the photos on Gohan's desk. Pretty cool.
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And here's a cool shot of Cell, since he came up in conversation.
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Submission messagefor Merlin and Arthur: merthur (merlin and Arthur from the BBC show merlin
Submission message for Steve and Bucky: Does Stucky count? Steve and Bucky from Captain America
Additional propaganda: I refuse to shut up about this. Merlin is not queerbait!! At no point during the show is there a genuine possibility of Arthur and Merlin to be in a romantic relationship. They are queer coded but they do not create a false impression of their relationship. See Sherlock for good example: they constantly bring it up in the show itself and dangle it in front of the viewers, only to not follow through. The show Merlin does not set them up. There are no offhanded remarks, comments, or jokes that they’re more than friends. There is simply no chance in the show that they will get together. They are queer coded, which is not the same. Coding says: this character displays some traits and characteristics that ___ people may relate to. Baiting says: oh you want these two together? hmm, you wanna see that? wouldn’t that be nifty? what if they talk about it and act like it? aren’t you gonna keep watching to find out if they really do? Then follows up with: SIKE! Wow we got you, of course they’re not together! All of that was meaningless! Let’s please stop confusing these two entirely separate concepts!
Merthur is just gay I don’t have to explain merthur on the merthur site. They’re talking to each other at night and giving each other flowers and shit— things Arthur NEVER does with his canon romantic love interest and if I’m not mistaken I think Arthur like goes to sleep for a hundred years and Merlin is like. Still waiting for him? Let them kiss, damn!
Stucky: "Of course, this is still a rollicking adventure tale and no adventure is complete without a love story.....the longest, most tortured one in Marvel history" - Christopher Markus and Stephen McFeely (writers of Captain America movies + Avengers Infinity War and Avengers: Endgame)
"from the meet cute to the tragic separation, their bond has all the elements of a classic romance." - Christopher Markus and Stephen McFeely
"Just as Jeph and Tim’’s earlier Daredevil: Yellow, Spider-Man: Blue, and Hulk: Gray all dealt with the major love interests in, the heroes’ lives, so too does Captain America: White. Steve and Bucky are each other’s soulmate." - Christopher Markus and Stephen McFeely
“So you have a character in Captain America who is searching for the only thing that he has left from his past that has any meaning to him, and that’s Bucky; and people have interpreted that relationship all kinds of ways and it’s great...we will never define it, as filmmakers, explicitly." - The Russos (Captain America: Civil War press)
"You mean, aside from Cap and Bucky?" - Anthony Russo (co-director of Cap 2 and 3 and Avengers: Infinity War and Avengers: Endgame) when asked about romance in Captain Amierca: Civil War
"Moderator: But you already had a romantic B story with Cap and Bucky, right?
Anthony: We sure do
Joe: We still do
Moderator: Did you ever had to dial down the sexual tension on set?
Joe: Why would we?" - Anthony and Joe Russo (directors of Cap 2 and 3 and Avengers: Infinity War and Avengers: Endgame) at a screening of Captain America: Civil War
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Just a few examples directly from Marvel and the writers and directors.
merthur totally should win for so many reasons but mostly. most because the show writer, when advertising the last episode, said it was “a love story between two men” and then arthur just died in merlin’s arms for 42 minutes. on the day before christmas.
I put the first episode of Merlin, because I heard it was such a great show. I knew nothing about the ship at that point. I only put it on because i love shows like that. Before the first episode was over I was like OMG those two are gayer than later seasons Destiel. There is no way it was not intentional. NONE. Big time homoerotic vibes. It was great
I get the coding critique, but I think I disagree with the person who said they never teased a relationship with Merthur. If we’re talking “offhanded jokes that they’re more than friends” (or that other characters thought they were together a la Sherlock), I think the poetry and pants scenes fit that.
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pixiedust-poppers · 27 days
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you know funny enough, I feel like Jake and the neverland pirates would actually do really well as a Disney channel show for older kids (like say Gravity falls) instead of a preschool show. You’d be able to get more into lore and emotional stuff. Maybe even plot?
I don’t know, if they ever did decide to reboot the show it’s a neat idea.
*grabs your shoulders and shakes you excitedly*
THAT'S WHAT I'M SAYING!!!! LIKE!!!!
Ok, I think there is something to be done with Jake and his crew and his dynamic with Peter and Hook. Like for example how do the kids feel that Peter is only here for a day or a few hours, just enough to help with their issue? I'm sure the kids have a bit of an unhealthy attachment to him as he's really the only guardian figure they know, and as shown in Peter Pan's return, they all crave his attention so bad that they fuck up the mission trying to impress him! Like sure they can call him to bring him back to Neverland, but they don't perhaps he implemented a rule that they can only call him for emergencies. Which is also kinda hm. But you know he doesn't completely neglect them.
Word vomit incoming
Now let's take this a step deeper; what about Peter's relationship with them individually, it's clear he has a favorite, and it's Jake like that isn't a contest. Even if the show tries not to portray it in that manner it's obvious (I mean for fuck sake his name is in the title lol). His item(s)? A wooden sword personally hand-carved by Peter himself. After completing the Forever Quest, a golden sword called the Destiny Sword (towards the end of season 3) turns him into Captain Jake after giving the others a rousing speech about teamwork and how they can all get together to defeat Fathom with it. So it's clear he's the chosen (I'll touch more on that pressure later) by Neverland. But what does that mean for Izzy and Cubby? I mean sure they got items from him and he does care about them, but they're not as special as Jake. And they're never going to be, I mean god, Disney didn't even bother to make them Birthday episodes yet gave Jake two, then gave Skully and a minor character one. So it could develop into them realizing that while they are well-liked they aren't loved by Peter, Cubby is in denial about this revelation as he has gotten more gifts than Izzy. Izzy, the only girl in the main cast, is grated by this knowledge, she KNOWS and she has known for a long time. Enough to the point where perhaps she deserves a villain arc (then a redeemed villain arc) with the help of Captain Hook, who sees this opportunity to manipulate her for his gain.
Ok so jumping, let's go back to that Captain Jake issue. I personally didn't like Season 4, I thought it was shit BUT this new Captain Jake in a reboot could bring up an interesting little angst point called, "The pressure of being forced to be THE responsible one when you're only still a child." You might have all these other well-established Captains around you but, they depend on you to think of ideas, and come up with solutions to save the day, if you fail then it's on you but you're only 8 or 10 years old!!! A user mentioned this before but Jake could develop an entirely new personality as a Captain to make himself seem smarter and more capable than he actually is! This can go two ways A) he burns out and he burns out REAL bad and rather fast. B) The apple doesn't fall far from the tree, and the realization of how much power he holds makes him realize he can almost do whatever he wants because he IS the 2nd most powerful person after Peter. This then comes his Power-tripping arc and the consequences of Peter not dividing this power between the trio, and being gassed up everyone, which raises his ego through the roof. This can only end badly obv and it does, how? idk but just know it does.
As for Captain Hook, because this is New Disney he can't be 100% back to his OG self but he can absolutely be raised to be more of an asshole in a Disney channel show and probably a bit fucked up. But you also would have to thread carefully on how you do these things, because one wrong move and Disney will have you rewrite the whole thing and tone it down more than need be. I also think there would be more to explore with the kids and their dynamic with him, since they also would have more nuance to them. They could have more stakes with him, and could honestly do more messed up shit with them he could make them have an inner conflict, he could manipulate one to join his side temporarily. Put the kids in more life-threatening situations that they don't come out unscathed from. Hell, you know what, I want him to win some episodes and get his way with Jake and his crew being powerless to stop it. It would teach a lesson that some days, you just can't win, someone who is nasty will win and get away with it and you have to be ok with that! (if you have resourced all your options first) Life will not always go your way. As for him and Red Jessica, show a toxic relationship, I mean come on do you REALLY think she has a thing for hook lol, it was shoehorned Hetero-shipping bait and it worked now can we do something else with it? As for smee, sharky and bones? I guess they can be less friendly to the sea pups, it would be more of a loyalty thing rather than a personal thing.
Also, the show could bring back the lost boys, to make the island seem less empty than it is, and maybe a different set of kids to replace the Native Americans.
Finally, to end this word vomit, the relationship between the kids. I really beg it be explored more. Now don't get me wrong they can have a wholesome and loving bond but not everything has to be peachy-keen. Like sure Jake is their captain but do they, not envy or resent him in some way? For example, they're all bright but Izzy is shown to be the brightest she has more knowledge about Neverland and its artifacts, so why is she not captain? Is it because she isn't naive enough? She isn't as nice or forgiving as Jake? She has no issue snapping at you when she's fed up? Then there's cubby, does he even have the real guts to be cut up for this type of thing? The classic "why him and not me?" type of deal. Then there's Cubby, does he hate being just stuck as coconut boy by his peers and other pirates? Will he ever break out of his shell, does he have a breaking point with his friends? Then Jake gets annoyed that they're not as in sync as they once were, he kinda hates that they're developing on their own and steadily gaining more and more independence. They're willing to talk back to him, be rude, and do less trio activities. Which leads to more conflicting ideas, possibly fights, and less "what I say goes!". He is scared of them changing and becoming their own individuals, he's scared that they might be growing up.
Sorry this is so so so long and rambly, I just have a lot to say about a reboot for this show that I cannot help myself.
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spaceorphan18 · 5 months
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Your segment of the podcast was wonderful! Honestly I got emotional. I’m so glad they talked to you.
SNARKY!!?! I'm so glad you listened and got emotional. Did you catch my shout out to you? ;)
If you don't mind, I'm going to just give some little tidbits about doing the zoom call with Kevin and Jenna
There was no intro with me. The only person I talked to before the call was the producer and that was through email. I had no idea what to expect, and I was really nervous going in. I made a few small notes of things I'd like have said, and I think most everything got covered.
I didn't think it was real until Kevin and Jenna popped on screen.
I was a little shocked when Kevin was so enthusiastic about me A) being an OG glee fan and B) about my real job.
I was taken aback, a little, by how very good looking Kevin was.
(I tried to look nice - but I looked ultimately like me and not like someone who has a lot of money, lol)
The conversation felt mostly like it was me and Kevin, who seemed to be driving it. I had to remind myself to look at Jenna as I talked, too.
(I'll talk more about Jenna later in another post)
I tried to be polite and professional. As the convo went on, it felt really easy to do the conversation. It felt both longer and shorter than I expected.
Funny thing about when I started writing fanfic -- I lied a little, but I didn't want to go into the biggest reason that I was held back so long from writing fanfic is due to my severe social anxiety and the scariness of the glee fandom. But I felt like that was too complex to get into.
Also did you notice Kevin's insulation that I started writing after the show started getting bad after season 3? After the convo was over -- I was really bummed I didn't defend the later seasons in that moment.
I felt really bad when I said fanfic isn't for you, and I hope my reasoning was clear. They seemed to be understanding, though?
Kevin just beamed when I brought up that I wrote Office fanfic. Btw, I COMPLETELY forgot that he was on an episode of Office while doing the interview.
There was one point that I thought, maybe, Jenna had snapped with me -- and it was when she mentioned that they were fans of things, too. Mom (who told me she noticed Jenna's oddness and apathy) said she didn't notice that moment, so it may have been just me.
(Mom did say that I should not have said Kurt was my favorite character - but I reminded her that she already knew since the producer had already asked me that as a vetting question)
I was a little surprised when they didn't ask me about my favorites like they did with a lot of the other fan guests they have. I did mention Kurt in the episode. But I was a little bummed I didn't get to do the usual. (Apparently, they didn't with the first woman either?)
The ending was super, super awkward, and I believe, the only point that was edited. At the very end - Kevin asked for my goodreads account. I was so stunned that all I could say was that it was my full name. I kind of wonder (now) if he was trying to get me to plug some kind of social media? Anyway, the producer jumped in and said she'd get him the info.
It kind of then ended abruptly, as they were saying goodbye. They shut down and the Kevin popped on again to say goodbye again. I could also hear Jenna going straight into asking about what they were doing next.
Fwiw - Kevin never did slide into my Goodreads DMs, which is fine. I didn't really expect him too.
The producer then sent me a message a half hour later saying that Kevin and Jenna 'genuinely' liked talking to me and that I was an awesome guest. (and that she'd be in touch).
I really liked how the conversation went (mostly) but afterwards, I was kind of bummed that that was it. I have so much more I wanted to say --- and there was a part of me that kind of wanted to speak up about a lot of things that we always talk about here. But I'm glad I didn't get off topic, and that I did have a professional, honest, and hopefully education conversation about fanfic.
Fwiw - the producer sent me one last message letting me know that the podcast had aired. I did send a thank you email back, but have not yet heard a response -- so I'm guessing that is that.
I am grateful for the experience. Everyone has been so lovely about it, and people even in my real life have had a lot of good things to say. I suppose it's my little fifteen minutes of fame.
I hope people listening got something out of it, too. I haven't listened to it myself - but I just feel awkward about it, and don't really want to.
It does make me want to podcast again, though, and really dig into all the things that Kevin and Jenna don't get into. Maybe someday I can talk Snarky into another podcast when we both have time.
Thanks dear for supporting me and helping me. <3
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c0ntr0lledchaos · 11 months
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oh god the brain rot.
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generation loss brain dump under the cut as I go back and analyze the vod
so, my first thoughts are the set is very different in this episode, and we see that the more gl!ranboo moves around. The first episode was very much a stage-like set while this one was set in what looks like a mall. if that has anything to do with this episode showing more characters becoming aware of their situation and it not being just a show anymore idk.
It's fairly obvious that while looking for the key in gl!Charlie something happened so that the act was dropped for a couple seconds and what was 'really' happening was shown. I wonder if that was due to the person who has been communicating with gl!ranboo (I'm assuming they're 'the savior') trying to hack in.
that last point also makes me wonder if at the end of this, we will see clips from the first episode shown in a 'new light' and see what was actually happening. I already saw someone point out that the bowl of slime looked the same as the guts. was gl!charlie covered in blood actually? Were some of the ingredients not what they seemed?
Mr squiggles saying 'Hey new friends!' to a group of people tied up with bombs around their necks was just the start of all the creepy vibes I was getting from them this episode
THE HAT. Mr squiggles did not like the hat. the hat is defiantly the one gl!Sneeg wore in episode 1 but it is also implied it was planted in this episode since Mr. Squiggles says 'Who put that there.' (That is later confirmed by the savior as he was trying to save gl!Sneeg as well) as soon as gl!Sneeg put the hat on he immediately started freaking out and his eyes start darting around the room. we already saw that the slime was guts but what else did he see I wonder
the chills I got when the showfall masks came into view
gl!Sneeg gets back in place, the mind-control mask is removed, a new hat is put on his head, and the person doesn't even bother to handcuff him again before leaving, confident that he wouldn't try to escape. then everything goes back to normal and gl!Sneeg is notably using his 'streamer voice'
in that scene the camera also focuses on the puzzler's face a few times, showing a look of what I believe was confusion. he didn't know what was going on but was aware of what was happening unlike everyone else
Mr squiggles also goes on as if this is the first time they are acknowledging gl!Sneeg
again, Mr squiggles with a cute little animation saying 'I like them all, I wish they could all live' just unsettling now
The puzzler seems to have just a little bit of knowledge about what is actually going on, hinting to Chat being in control of helping during the choosing of who gets to live and also when gl!Sneeg and gl!Niki are about to go through the tunnel
shout out to @twilight-trix who translated the winding:
"Ah it's simple you just have to find the cage"
"The cage that's in Charlie remember?"
"Another piece is in a jar of something sweet"
"The last one comes at a price :/"
the fact that all the other victims were kept alive means they planned for all of them to die in the games and puzzles. for gl!Niki's death even though Mr squiggles had already said a price needed to be paid, the puzzler still acts surprised that she had to die even though he was the one who killed her
also, I scanned the QR code, it just takes you to the genloss website. buy their merch, this shit is fantastic
this fucking screenshot has no business being that creepy
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so showfall grabbed the back of the mask and the light on the logo came on but what exactly did that do? did it just up the filtering considering what was 'really' about to happen would have been pretty gruesome. EDIT: so I didn't notice before but the mask flashed and turned off as Ranboo went to leave the room. maybe the mask only works for so long before it has to be turned back on?
again, the puzzler seems as if he is talking about chat, saying that someone is saying his puzzles are too easy and 'is this one too easy' before another pipe puzzle shows up on the screen. he even finish the puzzle for us
gl!ranboo said a few things threw out the episode that sounded like generic videogame protag dialogue but it felt strange having the prompts like 'where should I search?' but not giving us the option to actually choose. I wonder if that is due to the first episode being a point-and-click style while this one was more dedicated to puzzles. is he still stuck on point-and-click mode? or are the other NPCs searching before we even get the option?
speaking of protag dialogue, gl!ranboo says 'It must not be the way, maybe there is somewhere else' in the same tone while staring hard at gl!Ethan, the next person to die. I've been thinking about how much control showfall has over everyone in this episode since they seem to have at least a little control over everyone except the savior trying to help gl!ranboo. I don't think gl!ranboo knew that gl!Ethan was next to die but I also don't think he is the one talking when he says stuff like that. just like a game's dialogue is supposed to prompt the player in the right direction, I think showfall is using him to prompt their show in the direction they want it to go. not all the time but at least sometimes
he also does not react at all to gl!Ethan dying or the pool of blood, speaking again in the same tone
and now that gl!Ethan has died, gl!ranboo is the first to say the other door is the exit even though he had just said that it must not be that door. he even volunteers to go first! I wonder if in the next episode, gl!ranboo will feel guilt over the deaths he was forced to help cause
the puzzler is fiddling with the detonator, working on it for some reason. why?
'I hope he's ok' gl!ranboo says in the same unfeeling protag voice. there is a chance he is just doing it whenever to drive home the fact of he is a protag but whatever
gl!ranboo solves a freaking Rubix cube in less than a minute then immediately says that he doesn't know what to do. yes, it might have been just an excuse to flex his Rubix cube skills but him saying that after makes me think. Gl!ranboo is a really smart person but is being controlled by showfall to forward the plot whenever they see fit. just how much of the actual gl!ranboo have we seen and how much has been showfall speaking through him?
I think this is further proven when he declines to solve the other cube in favor of looking around more even though we saw how fast he could do it the first time
the puzzler says he had been prototyping toys that go on people's heads, could he have helped make the mask gl!ranboo is wearing? what if he is an ex showfall employee and that's why he seems to know a little bit about chat
I think the fact that the camera remains on the empty chair for so long means that showfall was not prepared for us to go into that room. gl!ranboo was not supposed to go in there
the puzzler knew he was going to die but didn't know how. he knew that showfall was going to kill him
the puzzler tells gl!ranboo to go, to be set free, and gl!ranboo ignore it. once again showing how he is under Showfall's control
even while the savior talks Mr squiggles is trying to tell gl!ranboo and us not to trust him
gl!ranboo looks at all the cameras, looking at the one that was following him just as it fades out
closing thoughts:
the cast is made up of npcs, gl!ranboo (who is the only playable character), and the savior who is not under showfalls control.
the 'vilians' are not actually villains, seen as gl!charlie (and I do mean gl!charlie and not cc!charlie) played a random person this episode and also the villain from the first episode. the npc's are random people who have had personalities programed by snowfall to help push the protagonist forward, like most story. I made a joke to my partner about gl!sneeg being 'factory reset' when the mask was put on him but I think that is more true than I realized.
the puzzler is still an npc but is special, he was on showfalls hitlist for some reason. I am going to go ahead and guess he was a former employee and because of that he has managed to retain some of the information even after being put in the show. that is why he knew he was going to die and spoke to chat a couple times.
finally, gl!ranboo, the only playable character but not to us. I belive it is showfall who is 'playing' gl!ranboo and is simply letting us make a few choices along the way. that would explain why we didn't get to control gl!ranboo as much as we did in the first episode. we are the viewer's, not the players. why we get to control him at all? I'm sure that will be discovered in the next episode now that the fourth wall is gone.
also, the mask is definitely who gl!ranboo is being controlled so storywise it would make sense if at the end of this, when he truly brakes free, he takes it off. while I'm not entirely sure if that is going to happen I have two guesses on what might happen if it does.
he takes the mask off and this is the biggest fucking face reveal ever that will be extremely difficult to beat
or he has some really cool gory sfx makeup under it that will be horrifying.
I will not be disappointed no matter what happens though so until then, we will just have to wait for the next episode.
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erikiara80 · 10 months
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Theory: Jancy’s first lie scene is also about Jopper and the curse
I was rewatching Murray scenes in S2 and S3 and I noticed something in this one I never did before. This could be a big evidence that young Jopper, or at least Hop, are really cursed and that they probably were together in the og timeline.
I talk about the possible hints that they were married and are Will and El’s parents here
So, I think the first parallel/connection is when Nancy and Jon mention the theory that El is russian (later they also drink vodka)
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This is foreshadowing of Jopper’s storyline in S4, not Jancy’s. Hopper is in Russia, Joyce gets a doll from him but Murray suspects it might be pregnant with an explosive device. Something Owens compares El to a few episodes later. And interestingly the doll is actually “pregnant” with the message that Hopper is alive.
Then the first lie scene. If the vodka and the mention of Russia are foreshadowing of Jopper’s storyline in S4, this could be about their past
After Nancy and Jon say that they're just friends, Murray laughs. "You told me a lot of shockers today but that... that is the first lie.”
That reminded me of the First Shadow. In my defence, I couldn’t make the connection before they announced the prequel, lol.
And @chirpsythismorning noticed something very interesting. The song that plays when Hopper is stuck in the tunnels in S2 is Shadow in the tunnel. That doesn’t mean that he is the shadow, but that he is associated with it. 
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Nancy insists: "It's not a lie." Murray: "No? You're young, attractive, you've got chemistry, history. Plus, the real shit. Shared trauma." This could be about young Jopper too. Because we know that something bad happened way before 1983. In 1959, the year Hopper said he started to feel cursed.
Murray continues and tells Jon (our Hopper here): "Trust issues, am I right? Something to do with your dad." 
"No, I mean, my dad is..." 
Nancy: "An asshole." This is about Lonnie, but it could also be about Hopper's father, who thought his son was a piece of shit.
@shippingfangirl013​ I have to quote you here:  And the “my dad is…” “An asshole” Paired with the “well they must have gotten married for some reason” in S1. “I wasn’t around for that part” = Jonathan’s parents being in love.
Yep.
And then Murray mentions a curse: “It's a curse to see so clearly."
First lie, First Shadow, and a curse...
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Hopper is the only character who’s been saying since S1 that he feels like he’s cursed. In S4 he even says that HE is the curse. And Jo pointed out that episode 4x02, Vecna’s curse, starts with Hopper apparently dying, only to reveal that he’s actually alive. Hm, stuck in a loop, maybe? I’m working on a post about Hopper and the curse, but I’ll just say that after he wakes up in 4x02, we see Max wake up too, from a Vecna nightmare, we see the poster of The Endless Summer and hear the clock-bike sound effect. Here the video.
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But back to Murray and the first lie. It’s Nancy’s turn. Murray tells her that she wants safety (like Joyce)
Then another big parallel with Jopper. The We like Steve (Bob) But we don’t love Steve (Bob) 
Murray calls Nancy out. Saying that she loves Steve (Bob) is the second lie of the evening (and so is Joyce not being with Jim, the man she loves)
As Kayla says: Safety = Bob = MK Ultra manipulation, because of the flashbacks she has in S3 after being around Hopper.
Then THIS poster. It never made much sense to me when I thought about Jancy. But it makes a lot of sense if the scene is not just about them, but a parallel with Jopper and Hopper, the cursed one.
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Here another parallel. Murray tells Nancy and Jon to have sex. The same thing he tells Joyce and Hopper in S3.
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(red and yellow here, El and Will’s colors)
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And I think this is important. That night Nancy and Jonathan GET together, and we don’t see the poster when they kiss, because they're not the ones that are cursed. Hopper and Joyce Maldonado are. The part with Murray is the parallel with Jopper’s past. Someone has been watching them for a very long time.
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Note: The poster is a Big Brother poster. Brother, The lost brother, the original title of The Lost sister, an episode with tons of references to One and the lab (here, here and here)
Kayla also made another great connection with the song at the end of S2, Every breath you take. Maybe it’s not just about Will or El. It’s about their family. They’re all there. Will, El, Jonathan, Hopper and Joyce.
And the last words we hear before the last shot, the Mind Flayer looming over the school: Oh don’t you see? You belong to me
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(Water is always involved too, right? Sorry, just wanted to point it out)
So, in conclusion I think that this Jancy scene is Jopper coded and maybe it tells us what happened to them. 
The question is: why is Hopper cursed? Were he and the others there, Joyce, Bob, maybe Scott Clarke, when the exorcism happened and something went wrong? Or maybe they stopped Betty, who wanted to help Henry, because they wanted to protect her (if she's really Bob's sister it makes sense) But without her help, something horrible happened. Or maybe something bad happened to her.
I feel like Hopper did something that changed everything. Maybe he thought he was doing the right thing but he was wrong and made things worse. We’ll see!
Anyway, I really like this theory. Tagging you too @lilitblaukatz​ 
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bulkhummus · 1 year
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I'm so glad you asked! (cw for discussions about unreality)
A. It's been a minute since we had an actual villain. Most bad guys/conflicts get resolved in an episode or two, and it seems like Janet Lubelle and the University are here to stay. She is being worked into everyday life on the show and is directly effecting the narrative every episode. You can't ignore her actions because they're encroaching upon the town. It's new! It's different! And most of all, it's a villain that I can envision coming to a small town and disrupting the status quo < more on that later.
B. Stories get boring when there are no stakes. Welcome to Night Vale is known for its unconventional plot structure (ie. vague continuity and plot from episode to episode lol) because it supports the happenings that are occurring in the show. A problem with this structure can be the inability to create tension or suspense, or have choices mean something within a narrative. I'm so happy to listen to the comings and goings of my little favorite podcast town, and I genuinely enjoy the silly episodes, don't get me wrong, but it's not fun for a writer or a listener when the same stuff happens over and over and everything is resolved and happy. The mini arcs they write are amazing. The time to build up the space around them is equally interesting. Conflict is interesting. Drama is interesting. Making smart choices that hold weight/ value to them is interesting, and the show would not still be running if the writers were unable to create that impact in spite of a more freeform narrative structure. Why isn't Carlos helping? Why is Lubelle so concerned with doubles? How is this all placing strain on Cecil's relationship to his husband and his town?
C. The show has been running for 10 years and they are cashing in on that time and commitment. The impact of Carlos' backstory after all this time (equal, might I add, to his time in the DOW) is immense. The killing of characters we have loved for over a decade is harsh and feels unfair and heart breaking. Patterns we are accustomed to in the show are being altered. Things we have been led to believe are changing before us, and it's almost like we are experiencing them and these feelings in real time with the townspeople of Night Vale. We watched a love story centered around the fact that a man was new to town, and we, along with the town, were tricked into thinking not all strangers are there to do harm, until it was too late. There has never been a villain that has been sustained for this long without turning into a joke (ie. Huntokar, The Distant Prince, etc.) other than maybe Strex, and even that was not so encroaching upon every show. Suspense is building, who or what will be explained away next? What will that mean for the town and for the story?
D. Lubelle is a fucking villain. I have seen a few people say they dislike her character and while I respect that this post is about why I love her haha so stay with me there. You aren't supposed to like her, but not liking a character is different from thinking the character doesn't do anything for the story. She is endlessly interesting to me because of what she represents. She has stated her intentions, clear and clean and is operating under her own moral code. That's such a tasty place to be narratively speaking. So far, she is a well written villain. Not to mention her past relationship with Carlos not even being touched yet, and that whole can of worms ( the only thing being the implication that Carlos used to be her right hand man). To me, the best kind of villain is the one who truly believes they aren't doing anything wrong. She is cold, she is condescending and she is out to do her fucking job, and no one is going to get in her way. She is not there to take over the town, or end the world. She is there to explain things. That is her motivator, and she is literally feeding off of the town. She is the embodiment of normalization, of conformity, of categorization. She is looking at something that is weird and unexplainable, a big gray area, and demanding black and white terms from it. Maybe it's just the queer in me, and the queerness that is Night Vale, but god isn't that horrifying?
E. The characters and dynamics Lubelle is explaining away are still leading to more questions. The monstrous Station Management is no longer a horrifying monster behind closed doors, but we are left wondering just who has been managing the station for all these years (40 years, from 1983 to be exact lol they're so good for this one) if no one was ever in the office to begin with. There are layers to the unreality that is occurring in Night Vale. Time is still weird. They are still sectioned off in some way. Cecil is still caught amongst these intersecting time frames and realities. Shit is still weird. Not to mention Lubelle being there is coinciding with doubles, Cecils parents and childhood, Carlos' backstory, and time/reality weirdness. It's also so DENSE right now and I'm loving it. How is she gonna effect all that? Is she gonna propel any of it?????? She is as much of a tool to spur the stories onward as she is to disrupt them.
F. Cecil is being directly effected. Do you understand what it means to question the narrator? It's so easy to forget that Cecil is an unreliable narrator because we don't often hear other townspeople question him. Janet looked directly at Cecil and told him that he is disturbed, that his reality is fractured. We as listeners all know that, and Cecil sure as hell does, but he does his very best to avoid it. One of the main new sources in town, and the narrator of a show we let tell us biased opinions and stories as fact, is suddenly ripped out from beneath us like a cheap rug. His credibly is at stake here and this began the moment people started questioning why Carlos wasn't speaking out against the University.
G. She's so fucking hot. this arc and its potential is so. so so fun.
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