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chainofclovers · 3 years

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Ted Lasso 2x6 thoughts

I felt like the physical embodiment of a series of iconic reaction GIFs while watching this episode. I felt like Higgins gagging on air and right and wrong choices. As an invested, non-casual Ted Lasso viewer, I feel quite absorbed in the experience of every episode, but I’m not usually a LOUD non-casual Ted Lasso viewer. At one point last night, I shouted “This is the wackiest show ever made!” at @bristler, and that doesn’t even sound like something I would say. And by “wacky” I just meant “all the emotions are happening at once.”

This episode was absolutely great and I knew that every single Rebecca Welton feeling I have would intensify because of this episode and that is exactly what happened.

This is me bravely writing down my episode thoughts after only one viewing (just like last week) and a bad night of sleep! Copious spoilers and emotions ahead...

This show goes all in on hats! A lot of bad hats for giving bad relationship advice and making bad decisions! Feel like you’re gonna do something correctly? Just put on a bad hat, that’ll snap you right out of it. Just had a revelation that you are almost certainly in an abusive relationship? Your girlfriend is hiding in the parking lot with a terrible hat for you! (I love this show.)

Dark forest dark forest dark forest dark forest.

I truly, truly, truly do not mean this to sound judgmental of any other fan, but it’s taking everything in my power not to just type “dark forest” in the comments of every person who is outraged that LDN152 is not Ted.

Gonna get my initial thoughts on the Sam=LDN152 reveal out of the way. I honestly like this choice.

First, I like this choice because of who LDN152 isn’t. I think about how awful it would be if she’d matched with Rupert and realized she’d been manipulated by him and charmed by him all over again, and how, when she gets the same reveal the audience already has, she would end up retraumatized by having been charmed and taken in by Rupert all over again. I think about her matching with Nate (if he’d redownloaded the app) and the inadequacy of her assertiveness advice and how Nate is one of the only non-Rupert characters who’s used sexist language against her and how Nate’s insecurities would be like water trying to co-exist with the oil of Rebecca’s insecurities. Nate and Rebecca are fond of each other and seem to want to be in each other’s lives, but a romantic squishing together via dating app would set them both back lightyears. I think about her matching with Ted, a man currently on a parallel-to-Rebecca trek through a very painfully dark forest, a man swinging wildly between performative attempted wit and utter panic. A man she trusts with her professional and personal challenges. [Her challenging mother comes to town and Keeley and Ted are the people she wants with her at lunch.] Ted and Rebecca, with all their current limitations, and with all the ways the forest obscures the view, are trying to be there for each other in their real, non-romantic comedy versions of their lives, and the discomfort of matching on an app seems like the kind of thing that would make them rear back from each other instead of bringing them even closer together. It is not time. It is so profoundly not time that I would have been furious if the writers had continued the “maybe it’s Ted?” line of thought for another second longer than they did.

Second, I like this choice because of who Sam is. I know. He’s not an appropriate match for her. The power dynamics are all messed up and their ages are all wrong. But this does introduce a potentially interesting parallel between Rupert and his younger women and the scrutiny Rebecca would risk herself and Sam experiencing if she goes for it. Rebecca seems to have tried to put away her Rupert-related trauma, but the specter of Rupert is lurking, and I do see that being a good person making an ethically complicated decision with another good person is very different from being an abuser setting out to take advantage of multiple people...but there are parallels she might have to reckon with. Also, Sam is a kind person with a strong ethical center and a well-documented interest in Rebecca. He and Ted helped each other feel more at home in London during a time of deeply missing other homes, and Sam has internalized a lot of Ted’s ways of living in a way that might genuinely appeal to Rebecca even if she doesn’t fully realize why. The writers on this show don’t write messes for the sake of drama. They write messes because life is painful and complicated and also very funny. I’d be shocked if, however this Bantr thing plays out, it isn’t painful and complicated and also funny.

(I am already a little worried that whatever happens next is going to activate some very ironic fan reactions given this is a show whose thesis statement is about withholding judgment. This fear is based not on Ted Lasso-specific knowledge but on unfortunate patterns of fandom, but...you can fear the impact of racist, sexist, and ageist tropes on two beloved characters without embodying those tropes as a viewer. You can watch characters make decisions that could subject them to harmful scrutiny without performing that harm yourself.)

Ted Lasso is a fictional character who tweeted about the joy of eating out (you know...at the Crown and Anchor) the day before 2x6 launched and during 2x6 Rebecca invited him to eat out at the Crown and Anchor. (I love this show.) I am so, so, so fond of all the little lunch-y things in this episode. Ted can’t bring Henry his lunch because he’s “at work” aka living in London. Ted and Beard surprise each other with secret sandwiches on Fridays. Rebecca is overwhelmed by her mother’s visit (her mother’s performance of a harmful pattern) and wants Keeley and Ted there. The scene at the Crown and Anchor, as painful as all the divorce/separation feelings were, was also so homey and lovely in terms of these characters being friends, being at home in a place despite the very not-at-home feelings emanating from Deborah. The Bake-Off viewing! Ted being the designated driver (probably a good thing on this particular day)! Rebecca feeling discomfort but not shutting down! Also cute British pub feelings. Evidence that Rebecca has talked to her mom about Ted! About personal things about Ted!

Naaaaaaate. His bursts of confidence and insight. The pain and insecurity and anger almost literally bubbling under the surface.

I cannot say enough good things about Higgins. He’s grown so much, and his decision to be honest with Beard regarding his concerns about Jane was absolutely impeccably done. Many, many trusted people in Higgins’ life told him not to do it. They are all good people, and they were all wrong. Sometimes one human being’s honesty makes the difference for someone who is struggling, and that’s exactly what happened here. Beard truly heard Higgins. And of course he didn’t immediately break things off with Jane. But he heard Higgins, and when Jane showed up Beard’s face looked different than it ever has, and Higgins words are with him as he walks off into the night with Jane and that might save him. And Rebecca witnessed it.

And I’m so glad she witnessed Higgins’ choice in the midst of this very difficult experience of a) trying to find Ted because she knows he’s in pain and being unable to and b) watching her mother repeat a pattern that Rebecca herself was able to break. It taught me so much about Rebecca. The way she was punished (and described the experience using the language of punishment) for having an honest reaction to her mother’s decision to leave her father the first time. The way she was taught that love is conditional, that love and reconciliation are things you can purchase with gifts. The way her mother uses the language of self-help without internalizing what it would take to heal, and probably has little use for actual therapy. The way her mother drinks alcohol as a way to feel free.

I don’t even know how to think, much less write, about everything with Roy’s coaching and his image and how Ted feels about it and all the fatherhood things Jamie brings up and all the fatherhood things Ted is missing w/r/t Nate and everyone except for Rebecca taking at face value (or willfully deciding to take at face value) the idea that Ted’s panic attack is actually just him needing to go barf up a fish pie. Ted hugging his backpack in Sharon’s office. Rebecca trying to find him, and Sharon being the one who does. The words “I wanna make an appointment” being the words that conclude the episode at the exact midpoint of the planned-for show. Halfway through the middle season. The moment Ted realizes he’s never going to be okay if he doesn’t give therapy a try.

I also can’t say enough good things about the moment with the team and Sharon, the way she agrees to one drink, the way it’s clear that she adores them all. Sharon is exacting and professional without being cold and calculating, and everything she does in this episode is such a gorgeous model of assertiveness, patience, and moderation...three things Ted struggles with the most.

What a dark forest. What an excellent group of humans.

#ted lasso #ted lasso s2 spoilers #ted lasso 2x6 #meta by me #a lesbian watches ted lasso

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lucemferto · 3 years

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what's your take on "did c!wilbur manipulate c!ranboo" debate? i know you just said that he did, but i'm seeing so many different takes and like i see both sides and i'm just a little arghhhh what's the truth - and you always have some of my favourite takes, so i'd be really curious to hear your, like, reasoning for why you think c!wilbur manipulated c!ranboo in that scene (i'm guessing it's when c!ranboo lit the tnt, smacked the windows, and helped grief?)

Oh, yeah. In that scene in particular it’s without a shadow of a doubt that Wilbur is pushing Ranboo into a direction that he knows will ultimately be to Ranboo’s detriment. Even before that, he was sounding him out thoroughly.

I don’t think it’s particularly observant of me to say that Wilbur’s and Ranboo’s relationship is hugely complicated. It’s such an interesting choice, narratively, that Ranboo is being the Tommy counterpart in this situation.

We’ve already seen that Season 3 is willing to look at President Wilbur more critically than before and if they intend to expand on that, I could definitely see them using this new Ranboo and Wilbur dynamic to critically frame and recontextualize Wilbur’s and Tommy’s pre-Pogtopia dynamic (their Pogtopia-dynamic was already examined and portrayed plenty critically).

Within the current narrative, something that I could see happening is Wilbur using Ranboo as his new protégé to try and get under Tommy’s skin and drive a wedge between the two. He knows that Tommy respects Ranboo; Tommy has stood up to him in his protection of Ranboo.

This really touches on what I think could be Wilbur’s main character flaw this season and that is this intense jealously born out of an anxiety of being replaced/becoming obsolete/being overshadowed.

Now, that jealously didn’t come out of nowhere – especially in regards to Tommy it has always been simmering – and because Wilbur is such a masterfully crafted character, it’s naturally interlocking with his abandonment issues, his paranoia, his self-loathing and depression and his perfectionism and possessiveness. It’s just that I think in this Season it could become the main focus of his character arc the same way the paranoia and self-loathing was focused on in Season 1.

I think Wilbur is deeply afraid of Tommy outgrowing and eclipsing him – that Tommy would ultimately no longer need him and in turn make it so that the other people on the server would no longer need Wilbur. “You’re never gonna be president”, constantly trying to pull Tommy down to his level, Ghostbur saying that Wilbur wanted to blow up “Tommy’s L’Manburg” – and that’s all just Season 1.

Almost every interaction between the two has been characterized by this need of Wilbur’s to keep Tommy down, to make him dependent on Wilbur, to make him feel small and alone. Most of the time it doesn’t even seem like Wilbur is doing it on purpose – it’s just him painfully projecting his issues onto Tommy.

So, making Tommy feel jealous and afraid of being replaced would follow this pattern of projection and fostering a dependency between himself and Tommy.

Similarly, this jealously also extends to Ranboo. It’s not a one-to-one from Tommy: Wilbur seems more annoyed by the fact that Ranboo is so beloved despite pursuing what is essentially the opposite philosophy of the one that Wilbur held in his lifetime. Wilbur basically says as much in their talk.

(Which also contained a very genuine moment of Wilbur showing emotional vulnerability, which is very uncharacteristic of him and that I don’t think was something Wilbur did to manipulate Ranboo, by-the-by).

He also just seems to generally dislike Ranboo’s stances on stuff like “Trauma made Tommy stronger/better”. It was after Ranboo said that, that Wilbur went from “sounding him out” to full-blown manipulation.

Interesting here is again this concept of projection. Wilbur expressed that he felt that people were only waiting for one misstep on his part to hate him again – and this last thing that he had Ranboo do, going as far as to implicate the two of them in this crime, is basically forcing Ranboo to make that misstep that Wilbur fears.

(Wilbur was also very much unhappy that Ranboo got away scot-free for the George’s house thing, which seemingly plays into this. Adding an element of revenge as well.)

It very much seems like Wilbur wants to put pressure on Ranboo, again to project his own issues of abandonment. Will people stick to Ranboo even when he isn’t being neutral and uninvolved anymore? What will Ranboo do once people drop him from their lives and abandon him?

In conclusion, I think there’s a lot of extremely interesting facets to Ranboo’s, Tommy’s and Wilbur’s relationship, that I hope will be explored in the future.

#dream smp analysis #dsmp analysis #dream smp #dsmp #dsmpblr #dreamsmp #wilbur soot #dsmp wilbur soot #dsmp wilbur #c!wilbur #ranboo #dsmp ranboo #c!ranboo #tommyinnit #dsmp tommyinnit #dsmp tommy #c!tommy

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swissmissficrecs · 3 years

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Favorite Sherlock Holmes fics from 2020

Usually I put a bunch of explanations and disclaimers on these lists but you know what, it was a weird year and I’m not going to try to justify or apologize for what I read or didn’t read so here are my favorites that were completed last year, in descending order of length:

and your very flesh shall be a great poem by CaitlinFairchild (151K, E, Johnlock) After a tragic confrontation with terrible consequences, Sherlock and John follow Mary as she flees to America.

Drawn to Stars by Silvergirl (107K, E, Johnlock, Sherlock/OMC) After the Culverton Smith case Sherlock is clean, working, and looking for a romantic partner—since John has told him that’s what he needs. Shame John didn’t mention he was interested in that role himself, before Sherlock went off to Rome with a gorgeous Italian copper to try to fall in love and become a complete human being. (This one is very slightly cheating because it was finished on 30 Dec 2019, but it didn't make it onto my 2019 list because I didn't read it until after I'd made the list. And it deserves to be on a Best Of list, so here it is.)

Thermocline by J_Baillier (83K, M, Johnlock) John "Five Oceans" Watson — technical dive instructor, dive accident analyst and weapon of mass seduction — meets recluse professor of maritime archaeology Holmes. As they head out to a remote archipelago off the coast of Guatemala to study and film its shipwrecks for a documentary, will sparks fly or fizzle out?

Do No Harm by Calais_Reno (79K, T, Johnlock) In 1923, Dr John Watson is on trial for the murder of his lover, Mary Morstan, a writer of popular mysteries. If convicted, he will hang. Sherlock Holmes sets out to prove his innocence, but finds himself more and more infatuated with the handsome doctor, and deeper and deeper inside the bohemian world of London's painters, playwrights, and poets. Will he uncover the evidence needed to acquit him in time?

To Be Human by ohlooktheresabee (78K, NR, Johnlock) There is a serial killer on the loose with a penchant for collecting the brains of his victims. Sherlock, John and Scotland Yard are on the case, but something about the chosen victims has Sherlock on edge. While they piece together the clues that will lead to the killer, John begins to realize that the way his best friend thinks may sometimes be more a hindrance than a help….

immediate and inglorious by simplyclockwork (72K, E, Johnlock) Bodies are showing up in back alleys, with no sign of a struggle, no trace of drugs. If not for the strangulation bruises on their necks and the scythe carved into their left shoulders, they could have died peacefully, in their sleep. With New Scotland Yard dumbfounded by the Grim Reaper Killer case, Sherlock is called in to consult. The more he investigates, the deeper Sherlock finds himself drawn into the work of London's newest serial killer. As his views of good and bad begin to blur, he risks losing himself to a darkness he never imagined. And, even more pressing: where does John Watson, grieving ex-boyfriend of the Grim Reaper's latest victim, fit into all of this?

Curtain Rising by tiger_in_the_flightdeck (61K, E, Johnlock) A disgraced television star is the target of a series of death threats just after a theatre production’s adaptation of The Sound of Music is announced with her as the lead. The suspect list is a mile long and growing, Rosie Watson is in the spotlight, and Sherlock might be getting too fond of his time on stage to focus on the case. With opening night approaching, can he and John figure out who wants their client dead before her final curtain rises?

The Fire Finds a Home by fearfully_beautifully_made (61K, E, Johnlock) After Sherlock and John decide to give having a relationship a go, this is how their relationship starts to develop. There a little bit of plot, if you squint, but it was mostly an excuse to write John and Sherlock having sex in a lot of different ways and learning to love each other.

Borrowed Ghosts by DiscordantWords (57K, M, Johnlock) In the aftermath of the Culverton Smith case, John spent one painfully stilted afternoon hanging out with Sherlock. He counted the minutes, finished his tea, and left for home without ever clearing the air between them. And once he'd left, he found it very hard to go back.

You Might Just as Well Be Blind by ArwaMachine (56K, E, Johnlock) When a serial killer starts targeting couples, Sherlock and John must do what they have to do in order to get to the bottom of things. Unfortunately, John already has a girlfriend. Surely pretending to be in a relationship with Sherlock won't pose any problems with his relationship, will it?

The Broken Tether by J_Baillier (54K, M, Johnlock) Maybe he thinks that you only enjoy his company because of the Work, because of the way his dazzling intellect shines when he's in his element, but the truth is this: it is when he is at his most human, most bare, that you feel closest to him.

how the light gets in by subtext-is-my-division (Quill_A) (54K, E, Johnlock) Red wine always makes him tipsier than usual and he finds himself saying, the words slurring a bit. “You know, I’ve got to ask. Do you always shoot cabbies for people you barely you know?” John meets his gaze over the rim of his glass, and there’s something there that Sherlock can’t pin down. “Not for everyone,” he says, meaningfully, pointedly, his smile all teeth.

Erosion by saintscully (53K, E, Johnlock) Sherlock’s father falls ill, leaving the surviving family members broken and rudderless. James Sholto shows up in London unexpectedly, his intentions unclear. John has to navigate the consequences of crime, illness and death and their impact on his frayed relationship with Sherlock.

Hold You Like a Weapon by MissDavis (52K, E, Johnlock) Eurus shows up at 221B Baker Street in labour. Things go downhill from there.

Chances Are by Berty (51K, M, Johnlock) Sherlock is spending some time in his mind palace - so far, so normal. But why is John there, why do things keep changing and why are there only two exits from the sitting room at 221B, neither of which seem to go anywhere useful? It's a case like no other for Sherlock Holmes and John Watson.

Sine Nomine by SilentAuror (45K, E, Johnlock) As Mycroft reviews the footage from Culverton Smith's morgue, he revisits his original question: whether John Watson would be the making of his brother, or make him worse than ever. He's come to a conclusion, but decides to give John one last chance. So he gives him a choice.

Cockaigne by HollyShadow88 (38K, E, Johnlock) When John’s contacted by an old uni friend about problems in his new art exhibition, he doesn’t think it will be worth Sherlock’s time. After a glance of the crime scene, however, they’re both pulled into the project in ways John didn’t expect. Will a week of erotic performance art finally be enough to bring them together in the way they both secretly hope? (Spoiler: it’s a tropey fic, of course it will)

Written in Ashes by 88thParallel (37K, M, Johnlock) Sherlock becomes the prime suspect in a homicide case, and recently unearthed memories of his childhood are complicating matters. It's up to John to track down answers — can he help Sherlock before it's too late?

A Desperate Indulgence by LollipopCop (34K, M, Johnlock) John thinks it's 2012 after waking up with amnesia, having no memory of Mary. Sherlock, exhausted from years of tension and hiding his love, pretends they got married instead.

Inhale With Ease by Vulpesmellifera (25K, E, Johnlock) In the years after Vivian Norbury's capture, life seems to work out just as John planned. He's got that respectable job at the surgery and goes home to his wife and child. He joins Sherlock on cases a couple times per week. It's a rhythm he can live with - just enough adrenaline highs to balance out the drudgery of a normal bloke's life. Until a pandemic, and Victor Trevor, arrive in London.

The House on Rue des Boulangers by Berty (24K, M, Johnlock) After being invalided out of the army and without any other prospects, John Watson has relocated to a small town in northern France. Now he has to decide what to do for the rest of his life. One morning there's a mad stranger in his garden chasing a swarm of bees, and it seems John's decision is made.

High Mountain Tea Leaves by disfictional (23K, E, Johnlock) A mountaintop robbery on a Japanese-occupation-era train where the only item stolen was a small case of mysterious tea leaves in a backpack? An ideal Christmas gift, two days late. Sherlock convinces John to travel for tea.

Detours by saintscully (22K, M, Johnlock, Sherlock/OMC) During the better part of the first year following Mary's death and the events at Sherrinford, Sherlock and John are slowly rebuilding their lives and their friendship. All seems (relatively) well and John takes comfort in once again being a father, a doctor and a friend. An unexplained shift in Sherlock's behaviour catches John by surprise, and he begins to worry about his place in his friend's life. John has to examine everything he thought he knew about Sherlock, himself and their relationship in order to win his rightful place yet again.

hands full of matter by simplyclockwork (21K, E, Johnlock) When Sherlock is captured in Serbia, Mycroft cannot afford to involve the British government in his rescue. Instead, he sends John. After two years spent thinking Sherlock was dead, John finds himself navigating not only Sherlock’s rescue but their fractured friendship as well.

The Victim Experience by J_Baillier (16K, T, Gen) A case takes Sherlock and John deep into the seedy underbelly of the haunted attractions industry. With audiences craving more and more intense experiences, is a real murder the next logical step?

On the Fence by BeautifulFiction (13K, T, Johnlock) The murder of the King's College fencing champion leads to revelations about Sherlock's past. Will it be the point that tips them from friends to lovers, or will they remain on the fence?

Plus bonus ACD era:

"Baker Street: The Sleep of Reason": A Memoir by John H. Watson, M.D. by Gaedhal (98K, M, Johnlock, Johniarty) This is a Victorian Era story in the "Sherlock Holmes" (2009) Ritchie-verse. The main characters are Sherlock Holmes and Dr. John Watson and is from the doctor's memoirs. It was written before "A Game of Shadows" so there are differences in this story and film canon, mainly in the person and backstory of one particular character.

The Taste of Truth by sanguinity (25K, T, Johnlock) Two and a half years after Reichenbach, John Watson discovers the magical tree that caused Holmes to fake his death.

The Adventure of the Vatican Cameos by Garonne (18K, E, Johnlock) How should one behave when waking for the first time in the bed of one's dearest friend? Holmes and Watson solve a case in Catholic London while navigating the turbid waters of their new relationship.

Hot Water by wordybirdy (13K, E, Johnlock, Watson/Gregson) Dr. John Watson's libidinous affair with a respected Scotland Yard inspector abruptly judders to a halt when the former meets a certain Mr. Sherlock Holmes, Consulting Detective, for the very first time. The attraction between the two is strongly mutual, but misunderstandings only multiply and tensions abound, as all three men attempt to deal with the new situation.

#rec list #best

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goldinavonlea · 3 years

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So let’s talk about Prissy Andrews and That Scene.

What I’m fascinated by with Prissy’s storyline the first two seasons is that it’s almost an anti-coming-of-age tale and you don’t (or at least I didn’t) realise quite what they were doing or how well they were doing it until the scene where she runs out of the wedding.

Right from the off Prissy is framed apart from the other girls. One of the first things Diana says to Anne on her first day of school is that they can sit together because “Jane and Ruby may sit together, now that Prissy’s studying for Queen’s academy entrance exams and needs to sit with the older students.”. Notably however we never really see any of these supposed other Queen’s prospectives, certainly not in any detail. Prissy sits at the back of the class, she’s taller than the other girls, she looks older, and we almost never see her specifically with the other girls.

Our first real introduction to her is when Diana and Anne see her and Phillips through the supply room window. Now when Anne asks if they’re married, Diana does respond “Of course not! She’s a student and he’s old”, but the real impact of that age gap is overshadowed both by how Diana’s line is played—there’s a childishness to it, she says old like she means ancient when he clearly isn’t, the same sort of way that as a small child your friends’ older siblings seem like Grown Ups even when they’re definitely not—and by Anne’s immediate following comment of “They must be making a baby” which again they very clearly aren’t. The scene isn’t really about Prissy and Phillips—it’s about Anne and Diana’s innocence, and a clear set up for how the limits of that innocence in Anne compared to her peers are going to get her into trouble. Even the way we see them—blurred through the window, the most obviously charged moment a shot of their hands that excludes their faces—is nebulous, unsharp, tinged with the childlike comprehension of the scene that Anne and Diana have. The way the scene is framed and where the focus is draws attention away from what’s happening: an adult man in a position of authority is conducting a romantic (or supposedly romantic) relationship with a teenage student.

The visual indicators we see of her youth—the shorter dresses and pinafores, the hair worn down—are things which are used consistently through the show, so we Know, but they also don’t resonate to the modern audience with the immediacy they would at the time. We see as viewers that young girls wear their hair down and adult women wear their’s up, but we don’t immediate see Prissy wearing her hair down and think ‘This is obviously a child’ because that’s not the case in the modern world.

Throughout both the first and second seasons the majority of the interactions we witness Prissy having are with adults, and though these are clearly not equal interactions—between her mother and her, between her and Phillips—the fact that these adults are the people we see her interacting with frames her subconsciously in the minds of the viewers as one of them. Even in the scene between Prissy and her mother Prissy is clearly the taller of the two—all of these things which despite our again Knowing that she isn’t suggest that even if she’s not quite on the same level as, in the same position of power as, these adults we see her interacting with, she is closer to being one of them than she is one of the other girls.

Which is precisely how Prissy sees herself: “not a child”.

And because of all this careful positioning I think we, as an audience, kind of buy it. We’re placed into that sort of dazed, half-cognisant view of the situation that Diana and Anne have through the window: of course we know that it’s ENTIRELY not alright for an adult teacher to be pursuing a student, a child, romantically (’romantically’ in descriptor only: it’s not romantic, obviously, its horrific and predatory), but we’re prevented from ever really feeling the full horror of it because we never really see Prissy as a child.

Until. UNTIL that moment at the end of the aisle where she starts to look around. We see a shot of her face, then a shot of Anne. A shot of her face, and then a shot of Diana and Minnie May. A shot of her face, and then a shot of her mother’s. She’s stood there in this elaborate grown-up wedding dress with her hair all up at the end of the church aisle, and it’s in that EXACT moment that the full-fledged wrongness of the whole situation is truly presented to us as viewers. She looks at this audience, at these people, looks at Anne and Diana, and at her mother, and realises herself which of those two groups she belongs too. Suddenly there’s something almost grotesquely farcical about the wedding dress, the hair—it looks wrong, she looks like she doesn’t know how she got there. It isn’t until she’s right there at the end of the aisle that the show really, violently hits us with the appallingness of the situation—she’s vulnerable, frightened, and being married off to an adult man who was able to manipulate her because he had power over her and it hits us exactly when it hits Prissy.

When she runs out of the church it isn’t any of the adults who follow her: it’s the other girls. And then we get those fantastic shots of them all running through the snow—all these bright, candy-coloured girls running after Prissy who’s stumbling through the snow in her mother’s veil and a dress she has to hike up because it’s so long (too long for her—she shouldn’t be in that dress, she’s not ready for it), a dress you don’t realise is actually just a little off-white until it’s contrasted against not just the snow but her bright white petticoats. The white of a wedding dress is supposed to represent purity, innocence, and the contrast here of the dress itself and the petticoats—the cloak of greater experience, of age, even perhaps of complicity in the situation over this underlayer of absolute innocence and youth and vulnerability (costume designer marry me when?)—it’s all this sort of horrifying realisation, this sudden sharp sharp focus of how Not At All Okay this situation has been the entire time as she falls over and collapses into the snow, the other girls gathering round her.

And then she sits up and you realise she’s laughing.

That’s the anti-coming of age moment. That’s the first moment that we’re encouraged to really look at Prissy and go ‘She’s a child’. We’re given all the moments before of that We Know This Isn’t Right feeling that never quite materialises fully, that awful sick horror in the church, this huge sadness for her as she’s running through the snow, but then this sudden glorious, boundless, childlike joy as she starts laughing with the other girls—suddenly they are the other girls, suddenly she is entirely, obviously one of them—as she throws her arms up in the air, and the other girls link arms around her, literally gather her into her circle, start dancing around her.

Prissy Andrews, in a dress that’s too long for her, that suddenly looks like a costume, giggling with friends, dancing in the snow, miraculously and finally a child.

There’s something almost painfully miraculous about it: this girl who was so nearly lured into adulthood much too soon finding joy and fulfilment and the hope and possibility of a future not in becoming an adult, but in reclaiming her childhood—not in growing up, really, but in growing back down again and finding friends waiting for her with open arms and excitement and a love that doesn’t ask her to give up anything at all.

Prissy Andrews, ‘a girl again, half savage and hardy, and free’.

#anne with an e #awae #prissy andrews

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fictionissocialinquiry · 3 years

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FISI’s Favourite Zutara Fics

A lil late for ZFAW’s Saturday prompt, sorry about that! Haven’t had any internet over the weekend. But better late than never!

I’m not gonna lie… a lot of these are angsty af. But I promise you they’re not gratuitous angst! They’re well written, beautiful stories that will make you feel like a better person for having read them. These are my favourite all time fics, ones I’ve read more than once and will continue to read (even though I’m taking a week break from fandom and fic).

Multi-Chaptered Fics

The Sparrowkeet Series by audreyii_fic

To be honest, this story’s summary doesn’t do it justice so I ain’t including it. Originally a one shot, Sparrowkeet is headcanon for me now. Move over canon, this is where it’s at. Audreyii_fic’s characterisation, world building, and writing is exquisite. It’s incredible. She manages to channel the same fun and whimsical energy from the show while allowing the characters to grow and develop to places I wish they had actually been taken.

This one is a fandom Must Read and one I return to regularly.

Clothe Me in Seasons, Dress Me in Snow by sadladybug

It is not the memorial she deserves, nor the one she would want. But it can't be helped. He owns no property in the other nations, and he needed to keep her close. Closer than she was in life, anyway.

Zuko's reflections on a life lived and a life that could have been.

This is one of the best written fics I’ve ever read. It’s tragic and deep and will hurt you in all the tender places but you would be doing yourself a favour if you read this. There’s a real bittersweet feeling to it and the love between them is just… urg, visceral.

Lovable by LadyCharity

Zuko knew that he could not save Azula. He could only try to forgive her. Fittingly enough, those two were one in the same.

I love stories that make Zutara their centerpiece but every now but then a story like this comes along. A story where their relationship builds almost incidentally because the plot and character development straight up hijack your emotions. I got so invested in this story. Zuko is amazingly well characterised and his complicated thoughts and feelings around his father and Azula are incredibly well written!

One Shots

Lunar Ephemerality by @formerlygoldilocks (goldilocks23)

After multiple failed attempts on his life and years of self-set expectations, Fire Lord Zuko is a shell of the man he used to be. But Katara won't turn her back on those who need her.

I really didn’t expect this to hit as hard as it did. This straight up snuck up on me, fly-kicked my feelings, and by the end I had written an 800 word comment that was too big for AO3 and I had to contact the author directly to send it to her. Awkward. I couldn’t help myself. The side to Katara we see here is so good, her empathy and love for her friends are one of the things I love seeing most in AtLA fanfic. I’m a sucker for Zuko having complete breakdowns and having to piece himself back together too. So sue me. I like it when they suffer a lil bit. The writing is absurdly good and I will be keeping an eye out for any new stories by goldilocks23!

31 Minutes by @ifyouwereamelodymeg

It's quite astounding, really, how quickly she's learned to translate him. They've spent a grand total of zero time together outside of training, and he's hardly big on chat so she knows next to nothing about his life.

But she knows him, probably better than she knows anyone at the moment – with every tap of his fingers, every crook of his lips, every turn in his voice, he just...

He makes sense to her. It's weird.

I’m a sucker for fic writers playing with style to make the story pop and boyo does this fic deliver. This is one of the rare times that I’ve been dumbstruck at the end of a story— I just couldn’t accept the ending. Because I’m a sucker for pain, (and this story will bring The Pain) I loved it. The ease of Zuko and Katara’s growing relationship in this bowls you over, it’s absolutely beautiful and you find yourself nodding along emphatically when Zuko calls himself an idiot for waiting… “Life’s short, kids, live each moment as though it could be your last,” says this fic as it pulls my heart out and dropkicks it off a cliff.

i count to five (and life passes by) by @markedmage

Five heartbeats.

I still haven’t forgiven Mage for this one. I think it’s the best thing she’s written to date! I mean, tragic and painful and heart-rending but holy shit is it powerful <3

The Lake of the Dismal Swamp by @thewhiitelotus

Spook af. Spook (horror) is real hard to do well but thewhiitelotus is coming for your goosebumps and those shivers down your spine. She has a way of balancing beautiful, evocative imagery with action (in this and other stories of her) that just keeps you reading!

Calloused by @rideboldlyride

Iroh hadn’t been able to watch. The pure horror of a man - a father- burning their child for a slight infraction... He couldn’t do anything to stop it, but he will stop his brother from destroying entirely the kind boy he knew Zuko could be.

This is a painfully underappreciated fic for how great the characterisation is. I know we in the zutara fandom tend to not read stories that aren’t Zuko/Katara centric as often but do yourself the favour of reading this (or listening to it: RideBoldlyRide has done us the gift of recording a podfic for this and it’s stupidly *good*). This story is Iroh confronting Ozai just after he burns Zuko’s face and it kicks.

four days and three nights by @hinaoyamas (lettersfromnowhere)

Zuko discovers firsthand that nothing is more fleeting than happiness, or more enduring than memory.

Do you like reading stories with a distant, omniscient narrator? The kind that read like a myth from the ancient world? Welp, hit the hyperlink, friend, cause this one’s for you. Not only is the writing exquisite but the characterisation and painful inevitability of the plot is grade A.

For the Fire Nation by tullyblue12

He falls in love with her for his country before he falls in love with her for himself. A Zuko/Katara AU that explores how love and duty aren’t always mutually exclusive.

There are about 40,000 exquisite lines in this story but here is just one of my favourites: “He falls in love with her for his country first. That’s what his people never understand.” This fic says a lot with so few words, which is something I really look up to! In 2,800 words, tullyblue12 does what some 100,000k fics cant: They make you feel.

Guide Me Home by Rashaka

To sleep, perchance to dream. Katara and Zuko find a friendship they never expected in a place that seemed impossible.

This is a one shot I will forever wish for a continuation of. The setup is just… so juicy. There’s a real sorrowful innocence to this story that the unique short, dialogue only scenes really punch home. I know some people don’t like dialogue only fics but when done well like in this one, it leaves you with the impression of something deeper than a 1,185 word fic has any right to!

Other Favourites!

Hopeless by tullyblue12 — Kids grow up fast when a cruel world awaits them. In times of hopelessness, Katara and Zuko grow together. In times of separation, they hope to see each other again.

Speechless by goldilocks23 — Zuko has a medical condition. Or: Zuko speaks in haiku at inappropriate times.

Don’t Follow Me Down by eleventy7 — Katara is the dread queen of the underworld, ruler of the dead, destined to reign her cold kingdom alone. Until a sun god catches her eye. A Hades/Persephone retelling with incredible writing.

I Don't Speak Meow Language by @botherkupo (Boogum) — In which Zuko adopts a cat and Katara just wonders what spirits she pissed off to deserve this fate.

I have the privilege of being friends with some of these authors (they know who they are) and am in near daily awe and gratitude for the works of free fiction they provide us, the fandom. And not just any old stories: Guys... Really good ones!! Can I ask that if you go check out these fics, can you just drop a kudos or a comment their way? If you’re feeling shy just copy and paste this into the comments box anonymously: “WOW! Loved this! Thank you so much for writing it!”

I know it would mean the world to this talented bunch <3

#ZFAW #Fic Rec #favourite zutara fanfics of all time #zutara #atla

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redxblueihateloveyou · 3 years

Note

it's not just kids calling adam/tadashi abusive, i've seen adults say the same thing, even fans of adam, that it's abusive and rapey, i'm not sure how to feel because i disagree but their posts sound very authoritive :/

Meanwhile Utsumi is out there like gushing about these two 24/7 bc they’re her faves and says stuff like “originally Tadashi was supposed to say “Woof” after “You’re gonna be my dog for the rest of their lives”, but it didn’t make to the final cut, I thought about his face expression a lot in that moment, but the only thing I was absolutely sure of is how utterly happy he was about what Adam said.” and explains for absolute morons that what Adam said about framing Tadashi was just a bullshit to test him lmao

I once again do not know why people don’t get that this ships thing is that they’re literally what another needs and despite the fact that they both have their own problems, they’re each other’s way out. Because Adam wants Tadashi to learn to stand up for himself, while Tadashi wants Adam to learn that love should bring happiness, not pain. If you don’t want complicated characters, once again, watch smth with a rating 5+ instead. Complicated and problematic characters are not always villains and some adult relationships are definitely not an abuse, if they’re canonically into power play.

Also I don’t know how a person who so carelessly throws words like “rapey” can be considered “sounding authoritive”, but I highly recommend to try forming your own point of view, based on facts/observations and your own experience. Also in books for example there's always easier to get characters motives, bc they give you to say the whole picture, so depends on how many you’ve read you can learn to detect it without it “being explained to you” pretty easy. If you don’t have such skill or don’t want to develop it, you can wait for the creator’s commentary, you can usually get it to many animes/mangas these days, they will tell you what they meant by some scenes and about their thought process, while creating it, who, why and where. Of course not every creator has that much love and attention to their characters and story, there are some where the creators also know nothing about their character, besides what was shown, but Utsumi is not one of those, so you can always be ready, that if she picked a fave, she thought everything through from the very beginning.

Also this fandom (and pls normal SK8 fans, do not take offense in this, I mean I’m technically also in this fandom, although not really since I had to create just a bubble and don’t go anywhere else, since it’s that bad) is like 90% absolute the most painfully idiotic ppl I’ve ever seen, who can’t even read between the lines and say the dumbest stuff I’ve ever heard, that is so embarrasssing, that they make you embarrassed about even being part of this, and 50% of them are too young to even get stuff, that wasn’t meant for them to get, so just, for real, I’m just suggesting the same thing I did, for your own health, pick ppl for your tl, whose brains are intact and do not even go “out there”, like, you’re only gonna get mad. I mean, if ppl who aren’t even in the fandom get mad about stuff they write, you’re gonna be mad x2 and sadly you can’t do anything about this amount of stupidity, rarely stuff like this do happen to some fandoms. Yes, you can’t enjoy this one, sadly. I tried, but I just felt, like I’m getting more and more mad, until I just sat down and cleaned everything on my tl and was like “that’s it, I’m not in the sk8 fandom, I’m in my own fandom it’s called “his dog by day, his snake by night” lmao

And yes, it did in fact happen after I found out that the girl behind that “concerning adam” absolutely moronically formulated shit that was part of the zine was 23 years old. I think my eyes popped out like in a cartoon, bc everyone who was involved in this drama, wrote stuff like “can i make fun of them or are they 14″, thinking they’re just well, you know, young, but then were shocked too xD. I just wish this person/ppl just wrote “we excluded Adam bc we’re too dumb to get his character we hate him”, at least I’d respect you for your honesty in this case. But no, you had to dig your own grave and become the new official representative of “SK8 fandom is the dumbest”. Congrats really.

I do not know, if ppl lie about their age or not when it comes to those. If not and they’re really adults who think so, it’s fascinating really. Fascinating how this fandom got all the idiots in once. I mean, being a stupid fandom of teens is one thing, being a stupid fandom in general is just sad.

Am I sad that so little ppl got the actual plot and the message creators tried to send? Yes, absolutely. Not the first time tho it happens, with Utsumi’s faves especially, but also in general these days. It is very sad, I agree, but also, I just really started to feel bad, bc I saw some comments and felt like that meme guy, you know: “what you've just said is one of the most insanely idiotic things I have ever heard. everyone in this room is now dumber for having listened to it.” lol

So just find someone who posts the good stuff and doesn’t get involved, listen to VAs, read creator’s interviews and live happily ever after, bc they adore both Adam and Tadaai. They literally told in the last interview what I was telling under my YT vid. This is just also hilarious to me, bc to be honest Tadaai situation wasn’t even that hard to analyse in the first place, even without the creators commentaries. Like we’re not on a Cannes Film Festival here.

And once again you can like or dislike Adam, it’s your choice, ppl have different tastes, but writing the most utterly idiotic things about his character that make no sense whatsoever, considering the canon story, is just plain moronic. Just say that you don’t like him, and pls, don’t embarrass yourself.

#answered #anonymous #anime #sk8 #TadaAi #adam x tadashi #shindo ainosuke #tadashi kikuchi #sk8 the infinity

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exoticarmyofcrowns · 4 years

Text

sing for me | kth

pairing: taehyung x fem!reader

summary: you have been living with your roommate for well over a year and the unresolved sexual tension between the two of you finally comes to a head

genre: romance, smut (VERY 18+ not for the littles), roommates au

warnings: masturbation, vouyerism??, fingering, thigh riding, attempted dirty talk, breath play, slight power play???, excessive use of the word “baby” and other pet names, kinda awkward discussion of feelings thrown in bc my characters never shut up when i want them to get it on sorry

word count: ~6.6k

a/n: hello~ um... i have no explanation for this. i am like half ashamed and half proud of this??? idek man. all i know is that i couldn’t have done it without @sugaerie so thank you so much my queen i love uuuu

You step through the door of your apartment, feet practically screaming with relief as you kick off your shoes.

Work was really kicking your ass lately. Add that together with the stress of grad school and you had a deadly concoction not even your favorite tea and copious amount of ibuprofen could protect you from. Your job as a cashier was pretty easy, you can’t lie, but constantly standing and running around the store did a number on your poor feet. Thank god you had weekends off—a perk of having worked there so long you practically had the manager wrapped around your pinky when it came time for scheduling—so you could sleep in for once.

Tossing your keys on the counter, you spare a glance at the clock above the stove as you walk into your small kitchen. It’s about a quarter to midnight. You figure Taehyung is still out with his friends, hitting up one of the bars downtown.

You sigh heavily at the thought of your roommate. Not because anything wrong with him. Taehyung is nothing short of incredible. He’s sweet and kind, always greeting you with the most adorable boxy smile that makes you feel like the only person in the universe. People gravitate toward him just as easily as he draws them in, a natural warmth that instantly puts others at ease in his presence. He’s generous and thoughtful, never missing an opportunity to surprise you at work with a coffee or just to see you. Those shifts are your favorites and maybe you’re a little spoiled because you often find yourself glancing at the entrance more often than not, trying to see if you can spot his dark, curly head from your register.

Not to mention Taehyung is incredibly stunning. Long dark curls frame his face in the most intimidatingly beautiful way it’s often hard to look away from him. He’s got piercing dark eyes that can stare right into your soul but that also crinkle beautifully at the corners when he smiles. His fashion sense is killer, obscure brands and fabrics lining his closet almost like a museum. You’re not sure how but he can wear just about anything and still manage to look like he just stepped off a runway.

He works as a freelance photographer and has quite the sizeable following on social media. He’s passionate about his work and it shows in the quality of his photos. You know next to nothing about photography but even you can see that the beauty and skill with which he wields his camera is nothing short of magical. Commissions are not hard to come by for him, though you’re more than positive it has just as much to do with Taehyung himself as it does his beautiful portfolio.

No, there is absolutely nothing wrong with Taehyung.

Only that he’s perfect and you have a massive crush on him.

Exhaling tiredly, you run a heavy hand down your face. Anyone else would be ecstatic about having such a wonderful, attractive roommate but you know things like this can only end in disaster. More than anything, Taehyung is your friend—your best friend, you would argue—and involving feelings into your relationship can only end poorly. The whole roommates thing just adds another layer of complication that is better left alone. You don’t shit where you eat, after all.

But it’s difficult. Taehyung is just so nice and likeable it’s unreal. You often find your thoughts wandering to dangerous places when you both are curled up on the couch together during movie nights, blankets and pillows and snacks scattered all over the living room, while he curls his body around you without a second thought. He’s naturally tactile, you try to remind yourself in an effort to calm your racing pulse but then he’ll laugh at something happening in the movie, his cheeks plumping up adorably, and you know you’re a lost cause as you feel your heart melt all over again.

It’s getting increasingly difficult to ignore your feelings for your roommate and you know something has to give eventually. In the last couple of weeks, there seemed to have been a shift in the air whenever you were around each other. Taehyung was still your adorable and playful friend but the hugs seemed longer, the touches more tender and lingering. You even think you’ve caught him staring at you a few times, a strange new darkness simmering beneath the chocolate irises.

Flushing with embarrassment and shame, you bury your face into your hands. Of course not. You’re just being ridiculously optimistic. You pull out a clean glass from the cupboard and fill it with water from the sink, hoping to dampen the butterflies fluttering in your stomach.

Cleaning up, you decide to pamper yourself with a long hot shower complete with a nice sugar scrub and an in-shower face mask. You even spring for a shave, already excited for the feel of your sheets against the smooth, moisturized expanse of your legs. It’s the little things.

You hum lightly under your breath, already feeling the residual tension from the week bleed out as you gently massage your favorite lotion into your skin. Finishing up, you feel much more relaxed and so wonderfully clean you can’t help the smile that graces your lips as you move to head back to your room.

“___.”

It’s faint, so faint you think you imagine it but it still makes you freeze as you step out of the bathroom. Glancing down the short hallway that leads to your room, you blink for several seconds and wait to see if you hear it again. When nothing happens, you feel your heart resume its normal pace before rolling your eyes at yourself and continuing on to your room.

“___.”

This time it’s unmistakable and you can’t help the way the sound of your name makes you jump in fear. Now you’re in full-on panic mode and you anxiously scan the apartment. Your eyes catch on the faint light emanating from Taehyung’s room and you relax slightly. How had you not realized he was home already?

Your relief quickly morphs into confusion. Why would Taehyung be calling for you? Did he need something? Was he hurt? Stifling your self-induced panic, you quietly make your way over to his door. Despite having been in his room multiple times before, something feels off now. Almost like you shouldn’t be there. You can’t quite put your finger on it but something about the whole situation has you on edge…

You shake it off. It’s fine. You’ll just casually peep through the slightly ajar door and make sure everything is okay before marching off to bed to enjoy your evening in. Simple as that, right?

Wrong.

Whatever you thought you were going to see past the small opening of his door doesn’t hold a candle to the image that will undoubtedly be burned into your memory forever.

There, laying casually on his bed, is Taehyung. That in and of itself is not out of the ordinary. Except for the fact that he is naked save for the boxers he normally wears to bed, with a hand pulling desperately at his painfully red length.

It’s suddenly hard to breathe, air catching so violently in your throat you nearly choke audibly. Slapping a hand over your mouth and nose, you will yourself to calm down enough to take in the scene before you. Taehyung’s long legs are splayed almost elegantly across his sheets, deliciously thick thigh muscles clenching and unclenching from his ministrations. His hand glides skillfully over his cock, alternating between slow, languid tugs and fast, unyielding strokes. He throws his head back before tucking his chin in briefly, tongue flicking out to wet his lips before he sucks his bottom lip into his mouth. A hiss of pleasure melts into a throaty groan and heat pools rapidly in the pit of your stomach.

A voice in the back of your mind screams for you to get away while you can. You shouldn’t be here. It doesn’t matter how long you’ve lusted after your roommate, how long you’ve wanted to push him against any flat surface and have your way with him or let him have his way with you. It doesn’t matter that you want to do couple-y things with him too, like hold his hand and kiss those soft, pink lips because you are roommates—friends—and a fling like that could only end in disaster, especially when he doesn’t feel the same way. It doesn’t matter and you have to leave now before—

“___,” Taehyung groans once again, hands caressing up his lean stomach and you’re distracted by the way his muscles ripple with the attention. “Are you just going to stand there or are you gonna come help me?”

Something between a squeak and a cough leaves your throat in that instant and you wish the floor would open up and swallow you whole. You can’t bring yourself to move for a good second but Taehyung lets out another low moan and your feet move of their own accord into the bedroom.

If you thought he was beautiful before, he is absolutely glowing in the soft light of his bedside lamp. A light sheen of sweat coats his skin and you are overwhelmed with the urge to lick a stray bead that travels down his neck. Your breath is coming out in short pants and you try to subtly squeeze your thighs together to ease the ache. This does not go unnoticed.

“Hello, darling.” The words leave his lips in a low purr and a shiver zips down your spine. He’s smirking at you, hands still gripping his length but his pace has slowed significantly as if giving you a show. He seems perfectly comfortable despite the lack clothing, completely unfazed by your blatant staring. Like he wants you to look at him and only him. The thought has your face burning.

“T-Tae, what are you doing?”

“Isn’t is obvious, sweetheart? Surely I don’t need to spell it out for you, hm?” A particularly wet pass over his dick has him sucking in a gasp and you find you can’t look away. Your tongue darts out to wet your lips and Taehyung fixates on the motion, pupils blown wide and darkening further.

“Although you haven’t picked up on my blatant flirting so maybe I should.”

That snaps you out of your reverie. “Flirting?” You hate the way your voice sounds so weak and vulnerable but it can’t be helped.

“I haven’t exactly been subtle, ___. I’ve been—fuck—I’ve been trying to drop hints for the last few weeks now, hell, the last few months but you never n-notice.” He tugs at his bottom lip with his teeth again before releasing a heavy sigh.

Your head is spinning. This Taehyung is so different from the one you’re used to—yes, he’s still the same incorrigible flirt, but where he is usually giggly and playful he is now sensual and downright sinful. You think back over the past few weeks, the lingering touches, the casual hugs. Taehyung has always been touchy but they had felt charged with something else entirely. It’s good to know you hadn’t been making that up.

“I…” You truly don’t know what to say for yourself. “I didn’t know,” you murmur, feeling very very small all of a sudden.

Taehyung immediately stills at your tone and misinterprets it as discomfort. “Oh. Oh god, ___, I’m so sorry.” Wrenching his hand away from himself, he scrambles on the bed, looking up at you with earnest, remorseful eyes. The waistband of his boxers snap shut in his frenzy and you almost mourn the loss of the desire-tinted skin. “I didn’t mean to make you uncomfortable, I just thought that maybe you…maybe you felt the same?”

You’re so taken aback by the complete 180 he’s made that your response gets caught in the whirlwind of your thoughts, This is more like the Taehyung you know, kind and considerate, and you almost forget the situation you’re in. Almost.

“N-No!” you stammer, eager to assuage his uncertainty. “I mean, yes, I-I…” You close your eyes tightly. “I do…feel the same.”

The way Taehyung looks at you after your stunted confession has your heart auditioning for a marathon and goosebumps prickling across your skin. You may as well have just hung all the stars in the sky with the amount of adoration swimming in his warm irises.

“I’m glad,” he grins brightly at you and you can’t help but smile back. You bite your lip out of habit and the smile fades from his face as he watches you.

Swallowing thickly, he rasps, “___, c-can I kiss you? Please.”

The desperation in his voice is not something you expect and a jolt of electricity zings down your spine. Dazed, you nod. That’s all Taehyung needs before he practically launches himself to his feet to grab you by the waist and pull you to him. His hand—the other hand that was not touching himself—cradles your face as he bends down to brush your noses together. A moment passes, Taehyung staring into your eyes to give you room to pull away. When you don’t, he smiles briefly to himself before surging forward to connect your lips.

The kiss is soft and warm, exchanging only the slightest bit of pressure as if you both are worried that you’ll frighten the other. Which is ridiculous, you think, since you have yet to run away. You bounce up on your toes to alleviate the reach for Taehyung and kiss him harder. He hums appreciatively as he nips at you, the sound tingling from your lips and down the length of your body. You shiver in his hold and move to wrap your arms around his neck to pull him impossibly closer. The distance disappears between you two and you feel his arousal poking at your stomach. You break the kiss to look down between you, bottom lip trapped between your teeth.

Glancing up at Taehyung from beneath your eyelashes, you marvel at how positively wrecked he looks. He’s still damp with sweat but his mouth is slightly swollen from your kisses and his eyes are so blown out they’re practically black with desire. You feel yourself clench hopelessly as the blood rushes loudly in your ears.

“Can I—Can I watch you?”

You’re just as surprised as Taehyung is to hear those words leave your mouth but you’re not quite thinking straight, not when he looks like that and you finally have him in a way you never thought you would. It’s overwhelming, to say the least, and you want to savor every moment together.

Taehyung doesn’t seem to be faring much better, the request making his breathing turn heavy as he leans down to rest his forehead against yours. “Are you sure, ___? Are you absolutely sure? Because once we start, I don’t think I can stop.”

Peeking up at him coyly, you respond, “Who says I’ll want you to?”

A beat. Then, Taehyung squeezes his eyes shut and practically growls at your words. His arm tightens around your waist and crushes your body to him as if trying to mold you together. You love it.

“Then sit back and enjoy the show.” His lips quirk into a lascivious smirk before crashing your mouths together once again. This kiss is different than the previous one, not one bit of hesitation lingering now. Taehyung’s tongue licks along the seam of your mouth insistently and your legs turn to jelly as you open up for him.

The kiss is over too soon but before you can mourn the loss of his lips, he pushes you down onto the bed and resumes his spot against the pillows. Tugging on his boxers, Taehyung pulls them down to discard them somewhere behind you. Heat pulses through you at the sight of his exposed flesh and your thighs rub together once again.

Taking himself in hand, Taehyung spreads his legs and begins a torturously slow pace. “You have no idea how long I’ve dreamt of this.” All the air in your lungs leaves you at the confession. You can’t even think clearly, much less think up a semi-coherent response, but he doesn’t seem deterred by your silence.

“I’ve always—shit—I’ve always wanted t-to kiss that pretty little mouth of yours, ravage it until you can’t think. Your mouth, your neck, anything I could get my lips on.” Your eyes eagerly take in the sight of the milky substance beading at the tip of his cock and making his passes even messier.

“Ah, fuck, I-I wondered what kind of sounds you would make. If you would gasp and sigh or if I could make you scream.” He twists his wrist as he glides over the head of his length and he gasps out loud, his breathing rough and ragged and oh so lovely.

“I’ve thought about what it would take you to make you beg for it.”

A whimper escapes your lips before you can stop it and heat blooms across your cheeks. Taehyung stills for a moment before resuming with a smirk.

“Oh? Does my baby like the sound of that? Of me making you beg for my cock?” You nod, stunned and aroused beyond belief. It’s as if your brain has short-circuited and all you can think about is the fantasy that Taehyung so beautifully illustrates for you.

“Dirty girl,” he chuckles, tonguing the corner of his lips. “I should have guessed at what a desperate little thing you’d be. Asking me to stroke my dick while you watch.” He tuts playfully, eyes never leaving yours.

Breathing has become steadily more difficult and you’re acutely aware of the dampness between your legs. You want nothing more than to relieve the ache but you’re so transfixed on the beautiful man laid out in front of you that you can do nothing more than squeeze your thighs together.

“Look at you,” Taehyung’s eyes rake down your form, taking in your lust-darkened gaze and heaving chest before lingering on the apex of your tensed thighs. “I bet you’re dripping, aren’t you? So eager to take my cock that I could just slip right in if I wanted to, hm?” Again you nod, fingers twitching as you grip the sheets beneath you. He laughs lowly and the sound washes over you and settles deep in your stomach.

“God, I bet you’d taste so sweet on my tongue. I would spend hours just buried between your legs if you’d let me. Every time you prance around the apartment in those scraps you call shorts, I just want to bend you over the couch and fuck you until you can’t walk. Would you like that, baby girl? Want me to sink my cock into that sweet cunt of yours? Make it mine, over and over again?”

You’re practically panting now, desperate sounds ripping themselves from your throat as Taehyung stares at you intensely, hand never faltering on his swollen erection. He seems to take pity on you because in the next moment, he murmurs a deep, “Come here, baby.”

Snapping into action, you nearly stumble over yourself in your haste to be close to him. He smiles, fondness flickering in his eyes beneath the lust at your eagerness. You crawl forward until you are settled on your knees between his legs. A feeling of shyness settles over you—absurd, given the circumstances—and you find yourself unable to meet his gaze. A hand winds around your waist and pulls you to him, forcing you to straddle one of his thighs. You feel a finger slip under your chin to coax you into looking at him. When you do, Taehyung offers a sweet smile.

“You still with me, sweetheart?” You go to nod but Taehyung clicks his tongue. “I need to hear you say it, ___.”

“Yes.” You’re proud that your voice doesn’t shake. “I want you, Tae.”

The finger on your chin turns into a forceful grip as he crashes your mouths together once again. It’s messy and desperate and you can’t help the loud moan that Taehyung swallows gleefully. You welcome his tongue into your mouth and when you give it a pointed suck, he lets out an answering groan low in his throat.

“You’re going to be the death of me,” he pants against your cheek, planting wet kisses down your jaw and to the length of your neck. His lips meet the collar of your shirt but before he can even ask, you’re wrenching it off your body and onto the ground.

Taehyung seems at a loss for the first time since you’d walked into his room and you revel in the swell of pride that overtakes you. He can’t help but ogle greedily at the newly-exposed skin and you feel powerful knowing that you have his undivided attention.

Shaking himself out of his daze, Taehyung places a gentle kiss right above your heart before slowly making his way lower. The gesture is not lost on you and you find yourself melting further into his touch as your hand wraps around to tangle in the hairs at the nape of his neck. You can feel two hands ghost up your sides to tease the undersides of your breasts and you inhale sharply, chest pushing up into his mouth. Taehyung breathes a laugh onto your skin before cupping the soft flesh and placing almost reverent kisses upon their stiff peaks.

“Tae, please,” you whimper, eyes squeezing shut at the onslaught of sensations he is inflicting on you.

“Hmm, I like hearing you beg for me.” His tongue flicks against your pebbled nipple and you cry out, unable to hold back anymore. “My desperate baby girl.”

“T-Tae, ah, please don’t tease.”

“Don’t tease?” He punctuates the question with a sharp squeeze. “But you’ve been teasing me for well over a year, no? Walking around the apartment practically naked, with nothing but a t-shirt or these poor excuse for shorts.” Taehyung’s hands leave a lingering pinch before gliding down the length of your torso to the hem of your sleep shorts. Hooking a finger inside, he snaps the elastic back in place and you gasp. “No panties?” He asks in wonder, eyes fixed on your lower half.

Swallowing, you murmur, “I-I don’t usually wear them to bed.”

He lets out a throaty groan. “Fuck, you really—” He cuts himself off with another sharp exhale, head tipping backward as he squeezes his eyes shut as if in pain. Something nudges the side of your thigh and you look down at forgotten length between you, swollen and nearly purple. As if in a daze, you reach for the turgid flesh and let the tips of your fingers graze the head tentatively. Taehyung’s eyes snap open to look at you in shock and you freeze.

“Do that again. Please.”

You can hardly deny him when he looks so fucked out beneath you and your hand begins a tentative pace, stroking his dick like you had witnessed him do earlier.

“That’s it, atta girl,” he groans into your shoulder, kissing the skin almost absentmindedly. “Such a good girl for me.”

Your stomach plummets at his words, inner muscles clenching almost painfully. You’re so turned on your shorts are most likely unsalvageable but seeing Taehyung so wrecked and because of you makes it all worthwhile.

Keeping up the pace on his cock, you don’t even notice your hips begin to lower onto his thigh and rock down against him until he sits up from where he’d begun to slouch in pleasure, leg knocking up into your dripping heat.

“Fuck, baby. Look at you, grinding on my thigh like that.” His words send your heart stuttering in your chest. “Your poor little cunt has been neglected, hm? You’ve been such a good girl for me, stroking my cock and getting me ready. I think you deserve a reward.”

Taehyung grips your hips with bruising force and helps you grind harder onto his leg. The drag of your shorts against your swollen clit is a little too harsh but the sheer dampness of the fabric makes the glide much easier.

“I can feel you dripping onto my leg. You’re soaked, baby.” You’re delirious at this point, incoherent noises spilling from your lips as you work yourself over Taehyung’s thigh. It’s not long before you feel the pleasure mounting within you, hips pistoning back and forth even faster.

“That’s it, baby girl. Use me. Make yourself cum on my thigh. Get yourself nice and ready for my cock.” His hands run soothingly across your skin, sending your nerves on fire. You whine as you feel your orgasm approach with each pass of your hips.

“Come on, babe. Give it to me. Let me feel you cum all over me.”

With a strangled cry, you buck against Taehyung uncontrollably as you finally release all over his leg. You curl into him, hands tangling into his hair and tugging in order to keep yourself grounded. Your hips gradually slow as you ride out your high and you find it a struggle to catch your breath. The two of you stay like that for a few moments, letting the aftershocks wash over you.

“Oh, ___,” Taehyung murmurs in wonder. Almost sheepishly, you peek up at him from beneath your eyelashes to see him staring at you with such unadulterated reverence and want that your heart skips a beat. “You did so well, baby girl,” he rasps, lips ghosting over your face tenderly.

Face warm, you try to redirect the attention to him and begin placing gentle kisses along the length of his neck. Taehyung tilts his head back, eyelids fluttering prettily at your ministrations. Smirking to yourself, you trail your hand teasingly down the length of his chest to make your way down to his dick but he stops you with a firm hand around your wrist. Before you can even open your mouth to question him, he’s already flipped you over onto your back.

“Hmm, still so eager for my cock.” He nips playfully at your bottom lip, laughing when you move to chase him. “Don’t worry, sweetheart, we’re getting there. I have to get you ready first.”

Two of his fingers brush the swell of your mouth and you open immediately to take them in. Taehyung inhales sharply as you give them a pointed suck, eyes narrowing slightly to let you know that you will certainly pay for that later. The thought sends a shot of arousal to your core.

Taehyung removes his fingers and wastes no time in bringing them to the apex of your thighs. He makes quick work of your soiled shorts and suddenly, he’s all you can feel. A single digit swipes the length of your slit to circle around your clit, eliciting a hiss from the both of you.

“Oh, baby, you’re so wet,” Tae groans, in a trance. “All for me.”

He wasn’t really speaking to you but you nod anyway. “Yes, Tae. All for you.”

Eyes snapping to yours, he sinks one finger into your weeping heat and watches your face for any signs of discomfort. You tense slightly before relaxing and sending him a reassuring smile as a signal that he can continue. He pumps his finger in and out, letting you get used to the sensation before gently slipping in another. Scissoring the digits, Taehyung furrows his brows and bites his lip as he forces himself to be patient.

You, on the other hand, are having a much harder time controlling yourself. Soft whimpers escape you with every pump of Taehyung’s fingers. One particularly potent curl has you gasping for air as an animalistic growl tears itself from your throat, hips bucking harshly upwards.

“Gah, Tae—please,” you pant, hands flailing wildly for something to hold onto before settling on his hair.

“Anything, darling.” Taehyung inserts yet another finger and you begin to really feel the stretch, so much that it nearly becomes uncomfortable. A small noise of discomfort makes the man above you pause but he mouths at your temple reassuringly. “I know, baby, I know. But I have to make sure you’re ready for me.”

Right then, he curls his fingers just as he did before and you’re seeing stars again. He places adoring kisses along your jaw before dipping for another taste of your mouth. You eagerly accept him, opening fully to him as your hips roll along with the rhythm of his fingers.

Breaking away, you pant, “I’m ready, Tae.”

“Are you sure?” Looking deeply into your eyes, he must find what he’s looking for because he nods lightly and kisses you breathless. He reaches over to his nightstand and rummages in his drawer. The crinkle of a wrapper hits your ears, making your face warm slightly as the reality of the situation hits you full force. You were really doing this. The fact that the man that you’ve pined after for so long is here with you—actually likes you—is so surreal you’re not quite sure how to process it but you’ll be damned if you didn’t enjoy every second of it.

Once he has rolled the condom on, Taehyung moves upward to cup your face between his hands. “Before we begin, are you absolutely s—”

“Tae, I swear to god if you do not get inside me in the next three seconds I will flip us over and do it myself.”

Taehyung blinks before chuckling. “There will be plenty of time for that, sweetheart. But for right now…” His smile turns sinister, prompting anticipation to swirl deliciously in your stomach. “I’m calling the shots.”

He takes himself in hand and rubs the tip up and down the length of your folds. Your eyes flutter when Taehyung collects your pooling arousal, making a complete mess of you.

When he pushes in, your mouth drops open in a silent gasp. He’s big—of course he is—bigger now that he’s entering you and you can’t deny that the stretch is more than welcome. You glance up at Taehyung’s face and are pleased to see that he looks just as wrecked as you feel. He locks eyes with you, dark irises burning with lust but also something deeper. Something…soft and warm. The thought sends your heart pounding in your chest.

As he bottoms out, Taehyung makes sure to probe your face for any signs of discomfort. He doesn’t find any and tentatively thrusts into you, eyes never leaving yours as he does. You gasp, nerves tingling as a whine tears itself from your throat, soft and breathy.

“That’s it, angel,” Taehyung pants in your ear. “Sing for me. Let me know just how good I make you feel.”

You clench helplessly, reveling in the low grunt it earns from the man above you. He begins to pick up the pace, hips snapping fiercely against yours so that the only sound is the harsh slap of skin against skin mingling with your eager breaths.

“Such a tight little cunt, even after you’ve already cum once.” His voice is even raspier with the force of his thrusts and you practically keen at the sound. “I wonder how many times I can make you lose it.”

You sob, hips rising desperately to meet his. “P-Please,” you cry, unsure what it is you’re asking for but it doesn’t matter because he props himself up to get a better angle, looking down at your writhing form.

“Such a desperate little baby.” He punctuates the pet name with a particularly harsh snap of his hips and your eyes roll into the back of your head. You can already feel your second orgasm rising within you, all you need is a little push.

“You know,” Taehyung begins, concentrating his thrusts to a slow roll, “I’ve always been curious about one thing.”

Before you can ask what it is, you see his hand snake between you, gliding across your stomach, between the valley of your breasts, to settle at the base of your throat. Your eyes widen of their own accord, breath stuttering as you realize the intention. Taehyung’s eyes hold a silent question and you nod, albeit a bit desperately, prompting him to wrap his long fingers steadily around the lowest part of your neck.

“Fucking filthy,” he whispers in awe, gaze alternating between your face and the sight of his hand wrapped around your pretty neck. He thinks he could watch this forever. Squeezing experimentally, Taehyung watches with utter delight at how quickly you fall apart under his grip. Your hands scramble to claw at his arm, not to pull it away but to keep him locked in place.

“Poor baby just wants to be choked and fucked senseless, is that it?” You nod jerkily, pleasure fogging your mind and making you delirious. You couldn’t talk even if you tried but the way your hips buck up into his needily tell him all he needs to know.

“So honest,” he chuckles, increasing the pressure slightly. “Good girls get what they want.” Taehyung pulls his hips back, so far that only the tip remains inside you, before snapping back in full-force. The pace he sets is brutal and you can feel his hip brushing relentlessly against your clit.

“T-Tae,” you gasp, stomach tightening as a particularly well-timed thrust has you seeing stars. “C-Close.”

“Is baby girl gonna cum?” You nod frantically, eyes focusing and unfocusing on his face. “Come on, baby. Give me one more. I know you can do it. My desperate. Little. Slut.”

Taehyung tightens his grip even further and that’s the end for you. A scream lodges itself in your throat as the coil in your lower stomach snaps, sending you spiraling into the most powerful orgasm you’ve had in a while. Taehyung releases his hand from your neck abruptly, the rush of air prolonging your pleasure to the point you think you might pass out.

Above you, you hear Taehyung groan gutterly at the vice-like grip your walls have trapped him in. “Fuck, princess, I can feel you squeezing. You’re gonna make me cum.”

Still breathless, you fight against the fog clouding your brain. “Please, Tae. Cum inside me, please. I-I want it so bad.”

“Such a filthy little thing,” he stutters, breaths sounding labored in your ears as he gets closer to his own climax. “Gonna f-fill you up so good. Make this cunt mine.”

“I’m yours,” you gasp, tightening your muscles one last time around him. That seems to be the end for him because before you know it, Taehyung is moaning into your shoulder.

“All. Fucking. Mine,” he growls as he snaps his hips, once, twice, before stilling inside you.

It seems to last hours but Taehyung eventually collapses onto his forearms, careful not to crush you under his weight. You both take a minute to catch your breath, enjoying the feeling of closeness that follows. Eventually, he pulls back, carefully slipping out of you to tie off the condom and toss it in the wastebasket. You wince but relax immediately after, snuggling further into the soft down of his comforter.

Taehyung smiles adoringly as he makes his way back to the bed, heart flipping at how cute you look in his bed. Almost as if you belong there. He hesitates as he gets to the edge, fearing for a moment whether or not it was alright to join you. Those fears are put to rest as you blink sleepily up at him, arms tiredly reaching for him. Relieved, he snuggles in next to you and gathers you in his arms. It’s silent for a moment as you both enjoy being wrapped up in each other.

“Since when?” you finally break the silence, tracing mindless patterns across his chest.

Taehyung inhales sharply. He knows exactly what you mean. Still, he feigns ignorance. “What?”

You close your eyes for a moment, burying your face further into his chest. “Since when have you liked me?”

“Since when have you liked me?” he shoots back and you pinch the skin on his ribs. He yelps before you both dissolve into a fit of giggles.

“I asked you first,” you whine, risking a glance up at his face. Taehyung is already staring down at you fondly, warm gaze melting into your own.

“Since the very first moment,” he whispers softly. You almost laugh, except his face is deadly serious. It’s suddenly hard to swallow around the lump in your throat. You stare at him in wonder—the delicate brush of his eyelashes against his cheek, the soft sweep of his sweat-dampened hair over his forehead, the gentle curve of his lips as he smiles at you. You clear your throat, glancing away as a pleasant warmth settles over your cheeks.

“That’s not an answer.”

He laughs breathily in your ear and you fight a shiver. “Okay, okay. Well the first time I realized it was the day you had come back from your shift after you had switched managers.”

You balk. “Are you serious?” You remember that day. Management had decided to move your favorite supervisor over to the men’s department while you remained stuck in shoes. The new guy was awful—condescending, incompetent, and downright unpleasant. You had come home that day with three different bottles of wine and all the take out you could afford and practically forced Taehyung to drink with you and listen to your misery. The guy was eventually fired but the whole experience had left you with a bitter taste in your mouth.

Tae chuckles as he thinks back to that night. “Yes, I’m serious. You were about halfway through the second bottle and were practically screaming curses at the guy. It took you all of 30 minutes after dinner to fall asleep right there on the couch, somehow still complaining about that dickwad.” You snort, hand shooting up to cover your face in embarrassment. “As you talked, I realized…I could listen to you forever. And then you fell asleep, cuddling so cutely into my shoulder, and I knew I was a goner. Even though you snore.”

Your eyes, which had started watering at his heartfelt confession, widen before you regain your composure enough to hit his chest. “I do not snore.”

Taehyung winces playfully, knowing full-well that you don’t but enjoying teasing you all the same. “So, yeah. I’ve liked you for a while. And I had an inkling you felt the same.”

“Oh, yeah? What gave it away? The fact that I practically hopped on your dick?” you tease.

“Well it certainly didn’t hurt.” He winks at you and you have to stifle the urge to giggle like a schoolgirl. “But it was little things. Like how you’d blush at a compliment or if I hugged you just a bit too long. I couldn’t be sure though. Not until tonight, I guess.”

“Well,” you shift upwards, his confession instilling a confidence in you that you hadn’t known you possessed, “in case I haven’t made it abundantly clear: I like you very, very much, Kim Taehyung.”

He’s silent for a single, nerve-wracking beat before the most brilliant smile lights up his face and for the second time that night, you find yourself breathless.

“And I like you very, very much, too, ___.”

Taehyung kisses you then, slow and sweet, and you’re left thinking that you never want to be anywhere else.

#bts #bts smut #bts taehyung #bts v #taehyung #taehyung smut #v #v smut #bts imagine #taehyung imagine #v imagine #bts v imagine #kth fic #bts fics #taehyung x reader #taehyung x reader fic #taehyung x reader imagine #my writing

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bl-garbage · 3 years

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to dance is to unshackle

um, okay—how else do i express this buoyant happiness that Gaya sa Pelikula has awoken inside me? i’m in complete and utter awe. i did not expect a drop of what the sixth episode has brought us. more than satisfying, it’s utterly fascinating. this is quite a lengthy post, but if you have the time, please bear with me. and since we’re already here, let’s fucking dissect the shit out of this:

right off the bat, it’s sweet how consistently written Vlad was the entire time of the show. at the start of the episode, for one, he was concerned with Karl’s disposition, saying, “anong iniisip mo (what are you thinking)?” and, later on, as we know, he pops that question again in this episode. what are you thinking? always in limbo. true, it’s considerate, yet more than that, it’s always a sign of waiting for permission. Vlad has been like this since the beginning: observant and willing to reach out, confident on the surface, yes, but always afraid of going overboard.

that is not to say that Karl isn’t. in fact, the whole dynamics of their relationship rest on the fact that they can lean on each other and just be honest. many moments show this: Karl’s desire to shift; Vlad not getting into the film lab and Karl knowing something was up; the entirety of Vlad’s birthday; Karl and Vlad’s reticence to open up to Anna, in contrast with how comfortable they feel with each other. in a nutshell, they’re each other’s homes. more on this later.

the part i was most frightened at with this episode was when Karl finally told his parents his desire to shift. to be honest, personally, i wouldn’t know exactly how that pressure on Karl feels, as i was able to study the degree i wanted. yet, back then, i had already known that my parents, who wholly supported me just the same, would have wanted a degree that leaned on science or engineering. that still sucked to know. Karl’s situation is much more complicated. his desire to shift to another course is to make up for lost time, a sense of hurrying before it really becomes all too late. this was a heavy lot to take in. the disappointment and anger in his father’s face when he dropped the bomb was too much to handle. Karl had expected it, yet its impact still hurled shrapnel that he was not able to dodge, sustaining him with several wounds. it would be curious to see how his parents come to terms with his confession. i am certain that a number of people have connected with Karl here.

which brings me to another point. Gaya sa Pelikula creates these characters with their own agency. it’s touted as a BL series, yes, but our two main characters’ point is actually not to fall in love — but to live, part of which is to fall in love. they have their hopes and dreams and own burdens to carry, and while falling in love takes centerstage here, we see how they can stand alone, on their own two feet. falling in love is central to their growth, but it is evident that love is not the whole point of their existence.

speaking of which: ate judit. ah, yes, where do i even begin to explain the exquisiteness with which ate judit was written? how, after all of five episodes, it was only now did it make sense why judit was overly, unnaturally caring and protective, a mama bear that would not let anything happen to his little Vlad. now we know why: guilt.

imagine that. being told you were the reason why your whole family went into shambles. there is much vindication in Vlad’s line of questioning, “why would you say that to a child?” (god, i’m tearing up even as i write this.) this was a pivotal scene, with a focal point on judit, the likes of whom we cannot entirely fault for not knowing any better. the fact remains that we are still in an era that fails to understand the spectrum of gender identities and the far utopia that we seek, where gender and sex would not be a damning classification anymore. and for true allies, it is in admitting that they “didn’t know then what [they] know now” that their support gains more strength. it is in confessing where they got wrong, how harmful their actions were, and in the commitment to do more, that their promise is made good.

parenthetically, can we talk about Vlad’s mom as well? have you all noticed how her voice broke when she said, “siguraduhin mong hindi ka na itatanggi niyan, ha (just make sure he won’t deny you, okay)?” was that pain, or guilt even? i wonder if we’re ever going to see her. it would be a regret not to. for so long Vlad had thought that he was the reason his father left, and that his mother was mad at his queerness. i wouldn’t want this simple call to be the resolution that the show had for him. at any rate, we have two more episodes to await, so i am not going to strike my gavel on this judgment just yet.

but whereas Vlad found his longtime coming reconciliation with his sister, Karl had no one to turn to. his call to Vlad was a cry for help. it was heartbreaking to see him like this. Karl had always put up a fake smile against any adversity that had come his way. to him, these were trivial matters that would pass, and they did so — until now. after all he was, as we would later come to know, living a script that had been prewritten before he even came to being. that explains his nonchalant demeanor toward life, the seeming discontent behind those dead eyes, and a repeated hinting that he was always yearning for so much more. at the end of the call, Karl instinctively goes to the closet - and his proverbial closet - and sees the skeletons he had hidden inside, drop in a mess.

that it was Karl’s brother who was in the photo shook me. that past was so well thought out. things made so much sense in this episode: why Karl tried to fit in, why everything seemed so fake. why he was so discomforting to watch, even! that made sense now.

and what do you do when everything has become a mess? the once seamless film that had been rolling without any glitches now sprawled on the floor, entangled in a hodgepodge well beyond fixing. when that happens, what do you do? well, you dance.

i have so many things to say about faux masculinity. it is a fact undisputed that in this society, gender roles are still very much pillars that we have yet to dismantle. our genders have been geared toward performativity, and our consolation is the external validation we receive through the acts of fitting in. in the process, we lose sight of what we really want. we blur the lines between what is and what should be, in favor of what society has demanded upon us. Karl took that role and lived by it religiously. yet, those things has gone haywire in this episode. more than his parents, it was to himself that Karl has finally admitted that the act can be dropped now: the fixed posture, those rehearsed lines, that painfully faux masculinity, on guard all the fucking time. all of those things were dropped.

that is not to say that Karl was faking all of it. there is no denying that Karl has been a masculine person most of the time. but the show portrayed before us a discarded femininity that Karl had been trying to bury deep inside him — one that all people who have been and who are still in the closet know by heart. the thing is, all of us have masculine and feminine sides, the expression of which vary at different levels in different situations. sadly, we have been preconditioned to believe that male persons must be masculine, and female persons must be feminine. Gaya sa Pelikula acknowledges this hegemony, and then throws it away all the same. true, Karl may very well be comfortable in his masculine expression, but his femininity must also be allowed to grow. one cannot be complete without embracing the entirety of who they are. many have died — been killed — for simply living who they are. society has long been a vicious environment. but people have also long fought for their fundamental right to perform these things, and through them, we know that things can change. that things are changing.

it is against this context that imprints more meaning, more gravity to when we finally, finally see Karl dance. in every sense, his dance was the show’s climax for me. it is, quite emphatically, freedom incarnate.

when i say i fucking bawled at this scene, you best believe it.

quite important to note: when Karl sees Vlad, he stopped abruptly, only for Vlad to signal to him, in an OK sign, that what he was doing was perfectly fine. that Karl could be effeminate all he wants, and who the hell in this earth should care? this allowance has given Karl all the needed validation he will ever need, at least, for that one night where they could bare it all. it was only the two of them, but the house has never been more crowded, because their feelings have seemingly exploded and have been overflowing in a glorious climax for all of us to witness. in this scene, Karl has unshackled the chains with which he had been bound all that time, and it was Vlad who helped him finally break the last of those chains. in this moment, there was only pure bliss.

(that the song playing here was Ride Home by ben&ben is the perfect giveaway. for non-Filipino readers who have only listened to ben&ben now, check this band out. it’s one of the best bands to have ever come out of the Philippine music industry.)

and, of course, in this waterfall of emotions, it is only perfect to time the moment of their first kiss. they have accepted each other, haven’t they? in a meaningful act (the gravity of which we will only realize in full later when Vlad tells the story of his dad), Karl rumpled Vlad’s hair, but only after Vlad had already consented to it. then, afterward, it was Vlad’s turn to ask, what are you thinking? to which Karl had this—and i know we all expected it, nevertheless—to say: i don’t want to think anymore. then they kissed.

i swear to god. i only watched this for the 92432475781 time.

the denouement was so well put, too: now everything is put back into its own place. Karl’s brother. his death. his parents’ expectations. the substitution. Vlad’s father. his parents’ expectations. the horror of realizing one’s difference. the abandonment. in these stories, it becomes more and more permissible to believe that Karl and Vlad have easily found comfort in each other. to say that they are soulmates (as the creator, juan miguel severo, told on his twitter) is not an exaggeration.

and, make no mistake: Karl and Vlad did not find each other’s embraces out of pity. no. it would be unduly harsh to view them that way. rather, they found solace in each other’s embrace and warmth, but it is still they who will muster the courage to face their own demons. the only difference is, they now have each other to find some sort of release. they are not destructively dependent on each other; instead, they help each other grow into the versions of themselves that they can be proud of.

finally, a couple of small things: look at the way Karl was inviting Vlad to lie in bed with him. that simple gesture harks us back to the early days of their dynamics: Vlad had expressed that it was okay to share a bed, but Karl was adamant that they do not. Karl had once dreamed of Vlad joining him there, and that scared him shitless. in contrast to that, now we have this: Karl himself inviting Vlad, and Vlad accepting for Karl’s wholehearted invitation. the moment this happened, there was a consummation of the expression of their love. if they had their doubts prior to this, those could not have been more obliterated now.

needless to say, i fucking, fucking loved this. as one who has only ever written three fanfics (2gether and History 2!), all of which seemingly related to sleeping (what the fuck, do i have a sleep fetish or something), this ending to episode 6 is just the cherry on top.

their lines by the end particularly strike me. here we have Karl who wishes to create his own stories. on the other hand is Vlad who wishes that he be in charge of the endings, too. how do they do that? who knows? but the certainty that defines their pact is that they shall do it together, unbound and free to dance to the song they have chosen of their own accord. and that simple promise, made in each other’s tight embrace under artificially warm lights amid that early january weather, with no certainty at all of what tomorrow has to bring, has made all the difference.

in 34 minutes, Gaya sa Pelikula has, yet again, done more than we could have ever expected.

i just checked and this reached 2k words. i’m not even gonna attempt to proofread this anymore. anyway, this is all i have to say for now. i just simply cannot let go of the best episode i’ve seen in this show without expressing my own reaction to it.

(also: i’m thinking of writing a fanfic; that is, the morning after. just a one-shot, hopefully a cute one. as usual, an introspection of these characters, and what lies ahead. hope i actually get to write it!)

thank you so much, Gaya sa Pelikula. you are proof that things do change.

#gaya sa pelikula #ian pangilinan #paolo pangilinan #juan miguel severo #fanfic ideas have been brewing inside me #char #bl series #philippines #philippine bl series

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lizziestudieshistory · 3 years

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Books of 2021: The Way of Kings - Brandon Sanderson

I have a few things to acknowledge here before we get into the proper review - this is REALLY LONG and VERY CRITICAL. I promise you I do genuinely love The Stormlight Archive, but if you are someone who doesn’t like to see criticism of Sanderson or Stormlight, then please don’t read this.

This review has spoilers for The Stormlight Archive - you have been warned.

I’ve made no secret of my love for the Stormlight Archive - it’s my favourite ongoing fantasy series. I’ve also avoided reviewing it, and I’ve been putting it off since I first read it back in 2016 (could be 2017? It was a while ago.) How could I review something I love so much? How do I approach reviewing a 1,100 page epic fantasy novel? I just didn’t know. To be honest, I still don’t. I adore this series, it’s become part of my identity - if you asked any of my friends what’s Lizzie’s favourite book they would probably say Stormlight. Maybe Lord of the Rings but that’s a different kettle of fish.

I’ve reread The Stormlight Archive annually for the last five years. I promise myself I won’t reread it and let myself come back in anticipation for the next book. I’ve failed miserably every year. And these aren’t small undertakings - they’re each 1,000 pages and there’s four of them now! For context I usually only read 2,500 pages a month.

So, I’ve finally decided to review these doorstoppers dressed up as fantasy novels. These reviews are mainly for myself, they’re going to be self indulgent, long, and focus on what I want to discuss like characters, structure, and prose - rather than reviewing the things I should probably talk about (like the actual plot…) I want to work through all the things I love about this behemoth of the modern fantasy genre, but also focus on its flaws. The praise for Sanderson is everywhere, so I want to work through my honest opinion of these books, work out why I love them, and I’ll invite you on this journey of self discovery with me.

Structure

I’m yet to work out why I’m starting with structure but we are, I guess it helps with the framing. In case you’re reading this having not read The Way of Kings, each book in the Stormlight Archive is made up of 5 main parts that follow major viewpoint characters, and the parts are split up with small interludes that expand the worldbuilding, follow important secondary characters, or foreshadow future moments. Everybook is centred on a key character - in The Way of Kings it’s Kaladin - who we follow in the present day as a major viewpoint character and explore their backstory through a flashback sequence. Each book also has a prologue which retells the assassination of the Alethi king, Gavilar Kholin, and an epilogue from Wit.

Firstly, this book takes FAR too long to get going and even longer to get into as a reader. I’m not joking when I say there are FIVE introductory chapters: the prelude, a prologue, Cenn’s second prologue (technically the first chapter but it’s a prologue), Kaladin’s introduction, and Shallan’s introduction. It’s too much. We’re jumping around, nothing really makes sense, and we’re not sure how these characters are related. They could be taking place in different worlds for all you know on a first read.

When I first read this book I was a lot more patient with long introductions and multiple false starts - I had the time to dedicate to getting into the story. I could, and did, forgive the THREE false starts to this story before we get to Kaladin’s first chapter. However, the opening structure of this novel is a mistake. If someone gives up in this section I honestly don’t blame them - if I was reading this for the first time in 2021 I probably would too.

The prelude and prologue are both excellent. The prelude in particular is weird and confusing but also sets up a clear mystery and sense of the sheer scope of this story. Szeth’s prologue, the first time we see Gavilar’s assassination, is flawed but still wonderful. The fight scene needed a bit of cutting, for my tastes, and I think the introduction to the magic system is clumsy - there’s far too much obvious info dumping and it needed some serious editing, especially as the complicated use of the magic that Szeth uses is barely relevant in this book. However, I think the Herald’s giving up the Oathpact and a magical assassin is great! They’re a bit weird and you’re not sure what’s going on, but it’s engaging.

Then there’s Cenn. Poor, innocent Cenn. I’m sorry but he’s completely unnecessary. Independently of the rest of the introduction to the Way of Kings Cenn’s chapter would be a pretty good prologue as he’s there to set up our main hero Kaladin from an outside perspective. We love Kaladin and Cenn’s chapter is fine for establishing him as a typical fantasy hero – he’s a warrior, cares about the people, and so forth.

However, Cenn’s chapter in the context bogs down the opening too much. It’s too long, not particularly relevant, and adds yet ANOTHER prologue to this already enormous book. Cenn’s chapter offers nothing to the reader that we don’t learn later on in the text when the content of Cenn’s chapter makes more sense. We even see the exact same sequence of events from Kaladin’s perspective in a flashback! Not having Cenn’s chapter would add more interest to Kaladin’s character and add more weight to the flashback sequence because we wouldn’t have met Kaladin at his peak (sort of…?)

Kaladin’s flashbacks aren’t that engaging as it is, he’s a fairly standard fantasy hero from a small village who ends up leaving his happy family to go to war. So leaving a small mystery around him in addition to ‘how did he become a slave’ would help with my engagement. It would leave me wondering how reliable is Kaladin as a narrator, is he really as good with the spear as he claims? I wouldn’t know but Cenn’s chapter removes all the mystery apart from ‘how does Kaladin become a slave’. It needs to go to make Kaladin more interesting and cut down on some of the unnecessary page count.

While we’re at it… Just cut out ALL the interludes in this book, except for the Szeth through line. I KNOW they are here for the Cosmere connections and to foreshadow things much later in the series. However, new readers and Stormlight only readers don’t know this and, quite frankly, they SUCK. In later books the interludes make sense but here they add so much tedious, pointless crap to an already bloated book. They’re too much and add next to nothing – other than seeing Szeth lose it as he kills people, that was fun (in a disturbing, creepy way… Can you tell I like Szeth?) Either this stuff needs to be relevant to the book we’re in now, or painfully obvious that we’re coming back to this stuff in later books. I still don’t know why we got Ishikk’s interlude with the Worldhoppers, and I completely forgot Nan Balat had an interlude. I’ve read this book 5 times… THAT IS HOW POINTLESS THEY ARE! Sanderson should weave the necessary foreshadowing into the main text, intersperse the perspectives we do need for THIS story into the main sections, or cut them out. When I get to the interludes I physically sigh and sometimes put the book down - now I just skip everything but Szeth - but on a first read they’re really off putting.

To finish up with my complaints about the structure, and this is a big one for me - why do we have huge chunks of this book without major viewpoint characters? I’m biased here but Dalinar is probably the most important POV character in the story because he introduces the real stakes of the story. He has the groundbreaking visions of the past, he is the viewpoint we get into the politics of the war, he is the character who does and continues to have the most impact on the development of the story on his own.Yet, we don’t meet him until we’re 190 pages in…

Sanderson alternates Shallan and Dalinar’s chapters between the five different parts and that means they vanish for 400 pages at a time. Why? I ended up caring about them right as we’re about to lose their viewpoint again for the next part. We needed to see the three major POV characters interwoven together throughout the five parts, not randomly dropped and picked back up again. The structure of this book was a mistake.

Okay, I promise I do actually like this book…

Worldbuilding

Something I do love is the worldbuilding of Roshar, and I usually don’t care that much about worldbuilding. I can really appreciate good worldbuilding, especially on the history side of things, but for most novels it’s just fine? If I roughly know what’s going on with the world then we’re good, I can just get on with the story and not worry about it. However, Roshar is genuinely beautifully built! It takes A LOT to get me to visualise a world as I’m not a visual reader. I can feel the atmosphere, get to know characters, but can I imagine a face or setting? No.

There are three fantasy worlds that have allowed me to actually see the world and it’s landscape: Middle Earth, Discworld, and Roshar. The bleak, storm weathered landscape of the Shattered Plains is so embedded in my mind it’s ridiculous, the only place I can picture more is the Shire – and Lord of the Rings has a film to help it!

Now, to be fair it’s hard for me to separate the worldbuilding in The Way of Kings from the rest of the series, so I now have 4,000 pages worth of worldbuilding in my head… However, it’s certainly strong and I distinctly remember having a vivid image of understanding this world, the atmosphere, landscape, and so forth, on my first read. Although it did take me until Oathbringer to realise that everything, except humanity, was basically a crab… (I think that was just me being dense.)

I do think Roshar needs much more of its history to be expanded on. We don’t have much between the Last Desolation (don’t ask me to spell it's in-world title!) and it shows at times. I don’t expect something on the level of The Silmarillion for Roshar, however, I do think we need to see something more substantial in the period between the Desolations and the present day. We know about the Recreance, the attempted takeover of the Vorin Church, and the Sunmaker? That’s 4000 years! To put it into context it’s the distance between us and Jesus’s birth TWICE, it’s like we know about the end of the 11th Dynasty of Egypt, the Reformation, and the British Empire in our own history... We need to find a balance, especially as we get so much development of science in the later books. More history please - but this is a personal issue and a series wide problem, not just The Way of Kings.

Magic System

Now, this is controversial for Sanderson, but I’m going to skip this for now. This review is already well over 1,000 words long and I’ve not even started on the meat of the novel yet. The magic system isn’t really fleshed out in The Way of Kings, we only really know stuff about the Windrunners (in an abstract kind of way) and the very basics of the Knights Radiant in general. So I’m going to discuss the magic when I get around to reviewing Words of Radiance, Oathbringer, and Rhythm of War, basically whenever I have the energy and more space.

Safe to say I actually really like the magic system in the Stormlight Archive. I usually dislike hard magic systems (I think I’m the only person who dislikes Mistborn’s Allomancy - while very well developed, it’s a bit silly and is far too much for my tastes...) as they often take some of the wonder, mystery, and excitement of fantasy out of the story for me. However, I think surgebinding is a fun system and there is a lot more of it for use to discover, preserving some of that mystery. Oh and, if you were wondering, I would be a Skybreaker!

Prose

Okay if you read the structure section and were wondering - why is this woman still reading these books, you’re in for another head scratcher.

If you’ve ever talked to me about literature you’ll know that there are two things I look for in a really good book: characters and prose. Now characters are something Sanderson does phenomenally well in the Stormlight Archive, but that’s not something you can tell 100 pages into a 1,000 page tome. You have to sit with the characters for a long time and give the author some page time to familiarise you with the people you’re following. If you trust him, Sanderson pulls off some stunning character arcs, especially in the long term and I’ll talk more about characters later on (or you can just skip this section? Up to you really!).

However, prose is something you notice immediately, and Sanderson’s is…utilitarian at best. At worst it’s abysmal. These days I’m very picky about prose, a utilitarian style is fine but a book is unlikely to become a new favourite of mine without good writing. This doesn’t mean I want or expect the writing to be flowery or elaborate, but it does mean I want, and appreciate it when, the prose suits the tone of the narrative and world. I must acknowledge that I’m in a (vocal) minority here, a lot of people either don’t notice Sanderson’s style or like it - I certainly didn’t mind it when I first read ther series - so this is definitely a subjective opinion but one I’m certainly not alone in.

Nevertheless, for me Sanderson’s prose is overly simplistic, repetitive, and very American. Okay so the American is probably only noticeable if you’re not American. However, I’m used to fantasy having a certain Britishness to the writing style, even when the author isn’t British, but to me (as a Brit and fantasy reader) the Americanisms are painful at times… There is no way in hell I’m ever going to acknowledge that aluminium is aluminum no matter how many times Sanderson uses it!

Yet it goes beyond a spelling issue because, let's be honest, in this day and age American English is widely spoken and regularly used in fantasy literature - you can’t escape from it as much as I want to. It’s in the style of writing and construction of sentences. The entire narrative reads like an American has decided to tell me a story using their colloquial, everyday speech. It’s a deliberate choice on Sanderson’s part to make things accessible and digestible, and for some people this works. I do think he has a fantastic style to get readers in, especially readers who are getting to grips with high epic fantasy as it’s one less barrier to entry in an already difficult novel. But it does mean rereading isn’t always the best experience and sometimes the writing can jar me out of the story.

In places it’s too simple and colloquial, so much so the writing becomes clunky, clumsy, and unrealistic to the world he’s creating, especially in descriptive passages and dialogue. It reads like Sanderson could have used more lyrical or formal writing but deliberately chose not to - at the detriment of the prose. This is particularly noticeable with characters like Jasnah Kholin. Jasnah is a princess, brilliant scholar, and political mastermind, she’s known for her poise, elegance, and intelligence. Yet she often speaks like an everyday 21st century American and other characters who haven’t had the same education or training as she has? I can’t believe this for a moment, her dialogue is so egregious in places that it’s like I’ve been hit over the head with my own book! I physically cringe when she says things like ‘“scoot over here”’ (chapter 70, p.1083). WHY is Jasnah talking like this?! It doesn’t make sense to me – Shallan maybe, but Jasnah? No. It doesn’t fit with what we’ve been told about her character.

(Just as an aside, I loathe the word ‘scoot’ – it should be burnt from the English language as an abomination!)

Part of the issue with this is Sanderson usually doesn’t distinguish between the character's voices, both in the dialogue and prose. Most of the time if you dropped me into a random section of the Stormlight Archive with no context I honestly couldn’t tell you who’s speaking or narrating without the signposts Sanderson gives us. This isn’t a huge issue as he’s writing in third person limited, and with context and the chapter icons we know who we’re following. However, it does mean we don’t have any idea of character voice – in the general prose, internal narration/thought, or speech. What’s the difference between Kaladin’s dialogue and Jasnah’s? I have no idea from the sentence construction or speech patterns. Certain descriptions of how characters speak help to differentiate (Jasnah is commanding, Shallan squeaks, Kaladin grunts, etc.) but from their speech patterns I wouldn’t have a clue.

All of this comes back to Sanderson’s overly simple and Americanised style. It’s his choice and it does work for many people, but personally it doesn’t always work with the characters or story. I’m not expecting him to write like Robin Hobb or Guy Gavriel Kay, but some finesse and awareness of character would be appreciated, especially if it helped to differentiate character voices.

I’m also going to throw this out as a very personal issue because I’m not sure where else to put it… Sanderson has the worst sense of humour I’ve ever had the misfortune to read. The comedic moments are occasionally amusing… However, Shallan’s puns are worse than my Dad’s jokes. Every time she says something apparently ‘witty’ and someone else remarks how clever and funny she is I want to hit them... At best she’s mildly amusing, at worst she’s cruel. It’s never funny. (This only gets worse with Lift, I almost DNFed the entire series because of the Lift interlude in Words of Radiance. And don’t get me started on Lopen.)

Characters

At last! Something I genuinely love and the reason I read these books! Sanderson has created some of the best characters in modern fantasy in this series and they are the only reason I’m still going. I like the worldbuilding and plot, but I adore the character work in this book and the series as a whole. The characters are generally so good that, even when I dislike them, it's because I dislike them personally, not that they’re badly written characters! Usually I love Sanderson’s characters though, even when they’re incredibly flawed (looking at you Dalinar!) because he’s particularly good at complex character arcs.

Szeth – I love Szeth, slightly irrationally for how much he’s in both this book and the series as a whole, but he’s one of my favourite “secondary” characters in the series! Szeth is actually the character who made me fall in love with the series in the first place, which feels weird to say because he only has five or six chapters in the entire novel. However, a magical assassin with a strong, if morally dubious, sense of duty and obligations? Sign me up! The opening prologue from Szeth’s perspective is wonderful - it’s far too info-dumpy but it’s highly engaging and one hell of a way to open the series.

What really intrigued me about Szeth was his role as the interlude throughline character for The Way of Kings. His internal conflict between his obligation to follow the Truthless’ laws and his personal morality is fascinating. Szeth’s character development has been one of the highlights of the entire series for me, especially as we explore his personal morality, questioning of power, and commitment to law and justice. This conflict is one of the reasons I love the Skybreakers in general and I sincerely hope we get to see more of this (and their conflict with the theoretically similar, although realistically very different, Windrunners) in book 5. However, Szeth is a promise that Sanderson hasn’t kept yet. So much has been built up around his character and we haven’t explored him properly (as of Rhythm of War) and I’m mad about it! He’s an incredibly interesting character, morally and thematically, and I hope Sanderson can live up to the hype he’s built up around him in the first four books of the series.

Kaladin – Okay the real reason we’re all here, the shining beacon of the Stormlight Archive, everyone’s favourite heroic bridgeman: Kaladin Stormblessed. Confession time – I didn’t love Kaladin the first time I read The Way of Kings. Don’t get me wrong I liked him but I’m generally not a massive fan of underdog superhero narratives. (I’m still not a fan of Bridge Four in general for the same reason, I would apologise but I’m not sorry…)

Kaladin spends most of this novel running bridges for Highprince Sadeas on the Shattered Plains. Unjustly enslaved by a corrupt member of the aristocracy, Kaladin is fighting to keep himself and his bridgecrew alive during one of the most pointless “wars” I've read in a fantasy novel - the pointlessness isn’t actually a criticism. He’s facing systematic oppression and disregard for human life, as well as battling his own depression and forming a bond with a spren named Syl (I absolutely adore Syl! But I want to talk about her in my review for Words of Radiance.)

So… I’ve always been frustrated with Kaladin’s fundamental drive to save people and take responsibility for people’s deaths, even when there was nothing he could have done to save them. This book is probably the worst for it out of the four currently published and I just found it a bit much because I personally struggle to relate to his attitude. This level of personal responsibility is a completely alien concept to me, at least to this level, and it’s Kaladin’s entire thing - his driving personality trait - and I just didn’t get it. Kaladin and I are very different people and for a long time I really struggled to relate to him on the same level everyone else seems to in this book. It also didn’t help that the main plot around Kaladin running bridges, struggling with his depression, and trying to keep his men alive is very repetitive… So when you’re in the midst of it and struggling to connect quite so deeply with Kaladin this book can become a slog - yet, the pay off for his struggles is so satisfying and it is very much worth it for making the end feel earned.

However, my issues with connecting to Kaladin is definitely on me and this is by no means to say Kaladin is a badly written character, I’ve always admired how well Kaladin is drawn in this book. Within a few chapters I understood who Kaladin is, and really loved the conflict he had with his depression and role as a fantasy hero. It's beautifully painful to watch and, even when you’re a bit ambivalent about Kaladin, you really care about whether he and Bridge Four are going to survive the bridgecrews – and the climax sequence with Kaladin becoming Stormblessed again at the Tower is still one of my favourite moments in the entire series!

However, on this reread of the series I had a completely different experience to what I’ve had on previous reads, and a lot of this is down to Rhythm of War. I don’t want to say too much here because it’ll involve spoilers for Rhythm of Warm but having seen Kaladin confront his, as Ron Weasley would say, “saving people thing” and really struggle to keep functioning as Stormblessed, I was so much more on board with this book. Rhythm of War’s much more personal approach to Kaladin really helped me understand him as a person, not just the underdog hero. The struggle with his sense of self, the way his depression impacts his ability to act, and the way he’s moving forward in Rhythm of War let me appreciate the character work for Kaladin in The Way of Kings. The struggle, graft, and determination, especially given his mindset, is much more admirable when I can strip away the focus on doggedly protecting everyone no matter the personal cost.

Kaladin and I are very different people, but that’s okay and I’ve come to appreciate him a lot more in the last 7 months. Now I can happily adore him alongside everyone else, and not just nod along with the rest of the fandom because I understand he’s objectively a well written character. Also Kaladin’s mental health rep is some of the best I’ve seen in an epic fantasy series. However, I would approach this book, and series, carefully if you’re sensitive to depression.

Shallan – confession time round two: I hate Shallan. I really loathe her on a deeply personal level. And I’m still bitter about it because I used to love her, when I first read this book she was my favourite character! This was partly due to relating to her and partly due to my frustration with Kaladin. However, as I read Words of Radiance I grew uncomfortable with her and by Oathbringer it became a full on HATED of her…and it’s never gone away.

I first met Shallan when I was a shy 18-year-old, budding historian and scholar. I got Shallan, I loved her plotline, and found Khabranth a lot more interesting than the endless bridgeruns with Kaladin (sorry Kaladin!) I connected with her because she represented (projected) a lot of what I was at the time - and still am today, just an older version of that person. She was the main character that really drew me into the story - yes I loved Szeth and thought he was brilliant, but Szeth is largely absent from this novel and Shallan is the main female lead.

And then I got hit in the face by the infamous Words of Radiance “Boots” chapter, and I immediately got iffy vibes, then there was the Chasm sequence, and so many other moments that made me uncomfortable. I’ll avoid spoilers and, for now, just say I got hit in the face by Shallan’s innate privilege, her causal abuse of social rank, and complete lack of social and self awareness. To top it off the narrative gives her no consequences for this and even rewards her for her behaviour, rather than making Shallan work through the issues around classism (something I, as a Brit, am hyper aware of and it SHOULD NOT under ANY circumstances be ignored, especially with Kaladin’s narrative running parallel to Shallan.) However, this is later book issues and a major dropped theme that I’m fuming about, but I still found I liked Shallan in THIS book when I reread the series.

Not this time.

There are moments in The Way of Kings where we can already see Shallan’s privilege and complete disregard of anyone who is remotely lower than her in the Vorin hierarchy. The scene with the book merchant stands out. No one in that scene is innocent, and I’m much less annoyed by it than I am at the “Boots” scene, however, it shows an early form of Shallan’s complete inability to reflect on her own behaviour towards those with less power than herself. She’s casually abusive and manipulative, but no one really calls her out on it. The few moments when someone does confront Shallan about it, and the narrative consistently forgives her because Sanderson allows her to come across as the victor in each of the arguments. This isn’t to say Shallan’s causal abuse of the Vorin social system shouldn’t be present in the book. It’s actually very realistic, in our world white people (especially white women) have behaved like Shallan for centuries. However, what does matter is the narrative framing. However, I’ll dig into this when I get to reviewing Words of Radiance because a lot of my planned review for that book is centred around this issue.

I’m also resentful that Shallan’s character in The Way of Kings is a complete lie – we don’t know her at all, but not in the same way as Dalinar? We KNOW something is off with Dalinar, we KNOW he was a terrible person and a warmonger from the way people talk about the Blackthorn – but Shallan’s reveal largely comes out of nowhere in some respects and I HATE that the person I loved so much 5 years ago was a complete lie. I’m a bitter person and I will continue to hold a grudge until Shallan dies or the series ends, whichever comes first.

Jasnah – my problematic QUEEN. Is Jasnah a shitty person? Yes. Do I love her anyway? Yes. Difference is I knew Jasnah was shitty from the start… I like problematic characters, I just hate being lied to (*cue insincere smile at Shallan*)

Jasnah is a difficult character to talk about in this book because we don’t know much about her other than her public persona, however, she’s a large part of why I love it so much. I just like brilliant women who would kill me, okay? It also helps that she's an historian, I have a soft spot for murderous historians. I’ll talk more about Jasnah when I review Oathbriner, hopefully that won’t be in another 5 years…! I just wanted to highlight that I do love a female character in this book!

Actually on the topic, Sanderson is still a shitty author for female friendships – he has included more female characters in Stormlight but why are there no female friendships that aren’t rooted in backstabbing and lies?!

Dalinar – if Jasnah is my problematic Queen then Dalinar has to be the problematic King. Dalinar is my favourite Stormlight Archive character. I could wax lyrical about what a BRILLIANT character he is. You may not like Dalinar, you may not forgive him, but you have to admit he is the best written character in ANYTHING Sanderson has written, and one of the best in modern fantasy. Nevertheless, much like Jasnah I’m going to wait until I review Oathbringer before I talk about Dalinar because I can’t do him justice without his flashbacks. However, I will tell you a story about the time I first met Dalinar Kholin.

So, I first read The Way of Kings on my commute back and forth to Worcester Cathedral because I had a work placement in the Cathedral’s archives. I’d been doing this commute for months and reached the point where I knew when to get off the train by feeling, no need to check the stations (this is relevant).

I was on my commute home, and as I was walking to the train station I started part two. I met Adolin and he was fine. I was a bit confused because this was a whole new perspective and set of characters, but I was doing okay. (Yes I was walking and reading, no I do not recommend this arrangement for health reasons.)

And then I met Dalinar. As I got on the train we got into his own head, with the mystery of the visions just starting, the hints towards his complicated relationship with Elhokar, and the amazing fight with the Chasmfiend. Bearing in mind I was automatically doing my commute through this – I’d become so invested in Dalinar, I missed my transfer on the train. I’ve never done anything like this before in my life. I’m paranoid about it! But I was so engrossed in this aged general, who was potentially going mad, that I missed the stop on my train and didn’t even notice until we hit Birmingham New Street.

I was so in love with Dalinar Kholin that I travelled to the wrong city… And my love for him has only gotten stronger*.

Conclusion

Overall I have a complicated relationship with The Way of Kings, and The Stormlight Archive in general. I love this series, I particularly adore the characters and character work Sanderson is doing as the books continue. However, it is severely overhyped. There are a lot of flaws in this book, especially with the writing and structural aspect of this novel. It’s poorly paced, clumsily written, and lacking finesse. For me Sanderson is an okay writer but a wonderful storyteller. As a storyteller he’s made a huge contribution to the fantasy genre and I’m here for the major improvement he’s made in popularising more complex character work and the inclusion of mental health representation. We’re just seeing the start of this shift in the fantasy genre and I’m excited to see where Stormlight and fantasy are going to go with this movement.

However, as a writer he has a long way to go in improving his craft of writing. These are big books, and I will often forgive mistakes with narrative structure in books of this size because they are so huge. However, this doesn’t mean we shouldn’t acknowledge them when reviewing the novel. Mistakes were made, especially in The Way of Kings, and are still being made but Sanderson has been slowly improving with the later books.

There’s a lot to love in The Stormlight Archive - the worldbuilding is insane, the characters are incredible, and the plots are gripping. I love them, and I will continue to eagerly await the next installments! But they’re far from perfect, and that’s okay. Sanderson has captured the imaginations of thousands of fantasy readers and I would highly recommend you give these books a go, despite my critical review. This is a fabulous time to be a fantasy reader and The Stormlight Archive is one of the most exciting reasons to be reading the genre!

*Dalinar and I are going to be on thin ice if Sanderson continues with his character as he did in Rhythm of War, but again I’ll address that when I review Rhythm of War.

#the way of kings #the stormlight archive #brandon sanderson #cosmere #book review #kaladin stormblessed #dalinar kholin #jasnah kholin #szeth son son vallano #not tagging a certain character because last time I had really nasty comments #i promise i really do love this book #i'm just critical of everything I read these days #especially when I've read it five times

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