#Crowley: just say goodbye to me now Angel I just want to see your face before I die | Explore Tumblr Posts and Blogs

via-l0ve · 9 months

Note

piggy backing off of the second to last anon,- how would the guys react in the acting au where reader died in supernatural verse but their actor visits set so they see them how would they react?

“it’s you.” (SPN pref!)🩷

a/n: this is so sad omg. i loved writing this. i didn’t do preferences but more of a little blurb for each boy <3 (not crowley i’m sorry x7)

warnings: angst, mentions of death

Dean:

when he sees you, his world stops spinning. He knows it’s you. your hair, your eyes, your lips. the same ones he remembered kissing so many times. it’s you, and dean knows it. but it can’t be. how could you be back.

he’s so zoned out that he dosent realize you’re now standing right in front of him.

“hey.” you smile

and god, that smile. the one he never got to see again - it was almost enough for him to break down right then and there. but he had to talk to you.

“h-hey.” he said, his voice barely audible.

“you okay?” you asked him, looking into his eyes and seeing the anxiety and distress.

he was quiet for a moment.

“uh… weird day.” he said shakily.

you frowned and moved closer, embracing him.

your scent. your body. your face tucked into his shoulder. he got to hold you again. he got to see you. it’s you. he can’t hold back the tears. soft sobs come from his mouth as he holds you against him.

“i’m sorry.” he whispered.

“hey it’s okay. don’t apologize. it’s okay to cry.” you whisper back, rubbing his arms.

but that’s not why he was apologizing. he was sorry he let you down. he was so so so sorry that it was you and not him that had to go.

he shook, his grip tightening on your clothes.

“i miss you.” he uttered.

“aw. you do?”

“so much.”

but then you’re called to set, to observe a scene. and he has to let you go for the second time. he has to say goodbye.

—

Sam:

sam dosent move a muscle when he sees you. he just looks. admires. he sees you laughing with one of the directors and he knows it’s you.

He walks the other way. even though he knows how badly he wants to talk to you, hear you, feel you again, it would just hurt him more. he watches you from a distance, smiling when you smile.

you’re full of life again. the same shine in your eyes, the same excitement in your voice… the same y/n. but he knows it’s not you. he knows he can never have you.

Before you leave set for the night, Sam calls you over.

“hey… can i talk to you?” he asks you, choking back tears.

“yeah of course! what’s up?” the same smile he always loved.

“i just… i miss you.” he whispers.

you give him a look.

“miss me?” you ask with a smile. “you see me every day.”

if only, he thought.

“yeah, i know. it uh… it just feels more than that.” he said, eyes studying your face.

he pulls you into a hug.

“i’ve just been having a hard time.” and it wasn’t a lie. losing you in his world was life altering. and now, seeing you but not.. you, just made all the pain come back.

“i’m sorry jared.” a sting of pain goes through him. he couldn’t even hear you say ‘Sammy’ for a last time.

“i’m here for you. always will be.” another sting of pain rushes through him, because you won’t be. as soon as he goes back, he’ll have to learn to live without you again.

you pull away, smiling.

“i’m gonna go home. i’m exhausted. text me if ya need me.” you smiled, letting go of him and walking out.

he just watches, silent tears falling again.

—

Castiel:

Castiel goes into shock. why would the angels bring you back? which angel did it? it wasn’t him.. he couldn’t have even if he had the chance.

he watches you from a distance. is this a dream? where was he? how are you back?

he watches you talk to another woman with curious eyes. he can feel the pang in his heart overflow and he knows he wants to talk to you. but if he does.. will this be all a dream? will he awake from this obvious hallucination?

he walks over to you, slowly and timidly.

you look at him and he finds himself looking at your lips. the same smile lines he remembered, the same soft freckles that were only visible if you looked close.

it was you.

he walked faster, engulfing your body in a hug. neither of you spoke as he felt your body in his arms again.

“you okay?” your voice breaks him out of his trance.

“yes..yes i’m fine.” he says, pulling away and studying your face again. his hand reached up and cupped your cheeks in both of his warm palms.

you put your hands over his.

he feels the familiar feeling of you again. god.. he couldn’t let you go.

“are you sure?” you ask him softly.

he nods.

“are… are you okay?” he asks you, choking down some tears.

“yeah. i’m okay.” you smile.

even though he knows it’s not you, it fills him with a sense of peace. you, in this universe at least, are okay.

“i…i am missing you. at home.” he whispers again.

and even though you have no clue what he’s talking about, you hug him again, rubbing his back as he lets the tears fall.

he has to start from square one all over again. leaving you. getting over it.

#love u mwah #thank you sm for this request #dean winchester #dean winchester x reader #sam winchester #sam winchester x reader #castiel #castiel x reader #i’m crying wtf #this was so sad to write #i hope you like this #i liekd it

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mimisempai · 5 days

Text

Not the same goodbye anymore

Summary

Aziraphale and Crowley have said goodbye many times in the past, but today, as he watches the Bentley drive away, the angel realises that now every goodbye will be different.

Notes

50 Types of Kisses - Writing Prompts

Kiss #46: A lingering kiss before a (long) trip apart.

On Ao3

Rating G - 902 words

Crowley glanced at his watch and sighed. There was no point in putting it off, it was time for him to go.

He said quietly, "Angel..."

Aziraphale nodded and replied, "Say no more, it's time for you to go, isn't it?"

They stood up at the same time and walked side by side to the door of the bookshop.

The demon turned to the angel and, taking her face between his hands, said softly, "The longer I delay, the harder it will be. Don't be sad, it's only a few days, you won't even have time to miss me".

Aziraphale replied in a slightly wry tone, "I know, you're only leaving for three days and yet it feels like a trip around the world."

Crowley stroked the angel's cheek with his thumb and replied softly, "I know, Angel, believe me, I know. I feel like I'm going away for a long time too."

Aziraphale had done his best not to show the melancholy he had felt at the thought of the demon's absence. He had told himself that he should be happy that Crowley was so passionate about his work at the planetarium.

It was just for some days.

They'd been apart for much longer, with no certainty of seeing each other again, which was not the case now.

But despite all this good reasoning, now that Crowley was about to leave in a few seconds, the angel found it hard to put up a front.

He wanted to put his hand over his mouth to stop the words coming out, but Crowley still held his face in his hands and the Angel's mouth was running faster than his brain so he couldn't help but blurt out, "Will you miss me?"

The demon gave a small smile and replied in a low voice, "I miss you already, Angel.

Then he leaned forward and pressed his lips to the angel's in a tender kiss.

When he tried to pull away a fraction of a second later, he could not because Aziraphale's hands had caught his face and were pressing against him to make the kiss last. The demon didn't struggle, of course, and the kiss lasted a few more seconds.

When they finally broke apart, Crowley ran his thumb over the Angel's lips and said sheepishly, "I really have to go now, Angel.

Aziraphale, his throat tightening, nodded and walked out with the demon to accompany him to the car.

Once in front of the Bentley, Crowley planted a light kiss on the Angel's temple before getting behind the wheel.

Aziraphale waved at him through the window and, seeing his sad little smile, the demon couldn't resist and rolled down the window.

Poking his head out, he said to the angel with a half-smile on his lips, "One last one for the road?”

Smiling, Aziraphale leaned over and, after one last kiss on the demon's lips, said softly, "Have a good time, my love."

They looked at each other in silence for a few moments before the Bentley decided to take matters into its own hands and sped away.

Aziraphale, chuckling slightly, followed the car with his eyes until it disappeared around the corner.

"Hard to let him go, isn't it?"

The angel, who didn't really have the heart to deflect, replied softly to Nina, who had just arrived beside him, "You have no idea."

Nina nudged him with her shoulder and replied, "Oh, I think I have a little idea, you know, when Maggie decides to go on one of her trips in search of rare records. I may know she'll be back, I may know it'll only be for a short time, this little place she's got here..."

Nina tapped her chest before continuing, "remains empty, and the emptiness is felt until she's back. So, knowing your story, I can imagine... how it is for you."

Aziraphale nodded without answering, for Nina couldn't have described what he was feeling more accurately.

But at the same time, today was different from all the times he'd watched Crowley leave, not knowing when or if he'd see him again, not being able to say how he felt, never knowing how the demon felt.

Everything was different.

Crowley loved him and he loved Crowley.

They both knew it.

He knew that Crowley would be back in three days.

He knew the demon would miss him, just as he had made no secret of the fact that he would miss the demon.

So, sure, that little void Nina was talking about was there, in his chest, but it was bearable because he knew Crowley would be back soon to fill it again.

So instead of focusing on that void, he decided to focus on the perspective of the demon's return.

He turned to Nina and asked with a smile on his face, "So, Nina, what sweet treats are you serving at the cafe today?"

Nina threw on that little smile she always had when she understood a situation, put her arm around Aziraphale and led him to the coffee shop, giving him a detailed list of the day's pastries.

Three days later, when she saw the Bentley parked outside the bookshop, she thought that it was unlikely that the bookseller would be coming in for a pastry today, as he probably didn't need any comfort food.

His beloved was back.

The emptiness would be filled again.

_________

Still not beta'd

Still not my native language

Still hoping you'll enjoy this story 🥰

Still thanking you for bearing with me 😝

Ineffable kisses series : here

Ineffable Husbands masterlist : here

Ineffable Growing Love - Series post S2

Part 1 Story 1-99

Part 2 Story 100-?

#good omens #aziracrow #ineffable husbands #ineffable boyfriends #aziraphale #crowley #good omens fanfiction #aziraphale x crowley #crowley x aziraphale #50 kisses

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grimdragon13 · 3 months

Text

Angel

My take on what Crowley would say to whom he used to be

The windshield wipers moved lazily in their futile struggle against the raindrops. It was light, not unusual by London standards, but it still made it difficult to see the road clearly.

At least it was empty. That time of night, the time of year and the weather, were not appropriate for someone to be driving, let alone in such a hurry.

As if he wanted to escape from something.

"Would you be so kind as to slow down?"

The soft voice tingled on Crowley's nerves. As if this was the first time he'd heard it, even though they'd been on the road for several hours now, under that black cloud that seemed to perpetuate the rain no matter how hard he tried to drive away.

"At least you could answer me. I know very well that you can hear me".

Of course he could. Why else would he be so anxious?

"I'm not going to slow down, if that's what you want, and I'm not going to stop," he finally replied.

The angel, instead of taking offense at the dismissive and rude attitude, smiled. Crowley rolled his eyes under his glasses, so that the other couldn't notice, before turning up the volume on the radio. Not even Freddie's familiar and beloved voice managed to calm the demon's nervousness, and at this point he doubted there was even a chance, because all he could think about was the presence beside him.

On top of that, he kept looking at him, as if he had something very interesting to show him.

"Are you going to tell me where we are going?" asked that co-pilot of his, cheerfully.

"I already told you".

He was beginning to think that he was simply asking questions because he wanted to hear him talk. To his surprise, there was a prolonged silence as Mercury finished Somebody to love and started Love of my life, at least until Crowley turned off the radio. He didn't need to hear that song again. He'd spent years trying to fade the bitter memory of his goodbye, and just when he thought he was a little better, he'd come across this. He certainly didn't need it, he thought, for he had enough of his own problems without carrying one more.

Although, if he thought about it, that was also a problem of his own.

"Why did you take the music away? I was really liking it. What did you say it was called? Do you have any more?"

Questions and more questions. Crowley gave a sigh.

"You don't listen to music".

"But I liked that one. Besides, it's natural for me to like it, isn't it? After all, you heard it for the first time at some point, too. What's your favorite?"

Crowley didn't answer. He was too busy, pretending to pay attention to the miles of wet asphalt that lay before them, endless and dangerously tedious.

"Crowley, tell me," his annoyed co-driver insisted, after several minutes.

"What?" he growled.

"What happened?"

Crowley's brow furrowed.

"What are you talking about?" He wanted to know, though he was sure he would regret it.

"You. What happened to you?"

"What kind of stupid question is that? What the fuck do you think happened to me? Well, I fell, isn't it obvious? I'm a demon, you idiot".

The edge of his words didn't seem to have any effect.

"Yeah, but, that wasn't all, was it? I mean, how did you go from this," he said, pointing to himself and then to the other, "to that?"

And, for the first time in all those hours they'd been on the road together, Crowley turned to look at the angel. Creator of galaxies and stars, in charge of designing and crafting nebulae, of giving galaxies names. The freckles on his face were a clear symbol of his sacred work. Like an artist getting dirty with paint, a couple of particles of stardust had remained on his face, taking the shape of those pretty clear spots. His own had disappeared with his fall. That, and the clear honey-colored eyes, full of hope.

That was where the similarities ended, for even the red of her hair was lighter than his, less intense.

Crowley had planned to tell him everything. To explain to him how it was that he had fallen and how it was that he had ended up looking so deplorable in those last years. That had been his plan all along, because he thought maybe he could warn him, and spare himself so much grief.

Maybe he could save him, save himself, and in that way he could stop all the pain that came from that instant.

He could even, he thought, spare himself the grief that came from falling in love with Aziraphale.

He could start over. He could remain a naive angel, happy in his ignorance, and continue with the work he loved so much.

"Has anyone ever told you that you ask too many questions?", he finally spoke.

The angel cocked his head to one side and then shook his head.

Crowley gave a sigh. He returned his gaze to the road, an exact copy of the rest they had left behind, lonely as it should be at that time of night. The rain was still as heavy as it had been for long hours.

The demon snapped his fingers and the radio played again. This time, strangely, Tchaikovsky's classical music filled the air.

"Well, keep asking them".

#good omens 2 #good omens #anthony j crowley #crowley #crowley good omens #good omens fanfiction #angel crowley #demon crowley

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lovemesomeyelloweyes · 9 months

Text

He knew when he returned.

The air changed, the world felt right again, and yet he didn’t go look for him.

There was no reason to, not really, after everything.

He was, after all, just a demon, just one of the bad guys.

Why should he bother a supreme archangel?

Crowley got into the Bentley right after, shaking with the thought of his angel actually in the world again. The ache in him built, his very essence filling with pain, and yet he just closed the door and said, “Drive.”

The radio came to life with, “How Do You Talk To An Angel,” and he turned it off with a snarl.

“DRIVE!”

There was almost a fear in the ol’ girl as the Bentley drove forward, a worry, and he placed his hand on the dash stroking lovingly.

“Not mad at you, Darling,” he sighed, his voice shaking, “Not you.”

The connection between him and his car felt right again, though their shared melancholy was palpable. They both wanted something they couldn’t have, and really despite everything Crowley wasn’t about to put himself in the midst of the good guys when he wasn’t one of them.

He went to his flat, now even more barren than it had been before his departure. He’d spent most of the time just wallowing in his own misery, not bothering to share it again with others, and despite how angry he still felt there was a calmness there.

He had always made him more calm.

“Not that it matters much.”

Crowley sat, legs spread, and felt his body ache to just feel him in close proximity.

Just for a bit.

Just a taste.

Funny that he had thought him the one tempting an angel to sin, and here he was a demon desperate to just be near the angel who’d tempted him to love.

He thought of just changing himself again, becoming a snake and throwing himself in the wild to not have to feel as much as he did. It would be dangerous, surely, but he had power enough he supposed.

The idea had merit, more than, and he was nearly ready to just go say goodbye to the car when he felt it.

Him.

He felt him.

Crowley froze, stock still, and the sound of footsteps got closer as a knock came to his door.

He didn’t dare move, or make a sound.

“Crowley?”

It was a visceral reaction, his own name from his voice, and he hissed curling in on himself ready to disappear.

So simple, to run off to Alpha Centauri, not even say goodbye, and yet he couldn’t move.

“Crowley, dear, it’s….I know you’re upset with me. I…I would very much like to see you.”

The tears he’d not let himself shed came in abundance then, filling his eyes, and he wanted to throw off his shades but he hadn’t since he’d left.

He couldn’t even more now.

“I know, I….I’ve hurt you deeply, and I didn’t….I need your help, you see, and…”

Ah.

That was it then.

Help.

That was what the bad guys were good for, in his eyes.

Help.

Crowley felt an intense anger fill him, and he growled out.

“FIND SOMEONE ELSE’S HELP I’M FRESH OUT HERE!”

His hands shook when he gripped the chair, his voice ready to shake, and he waited with bated breath for the feeling of him to go.

But it didn’t.

“But I….I don’t want anyone else’s help, Crowley, I….I want yours. I want….I know I hurt you, and I know….please can we just….”

Crowley stood, his shoes tapping as he rushed to the door, and he opened it ready to scream in his face.

But one look at Aziraphale and he froze.

“Oh,” Aziraphale said, his eyes wet with tears, “You…you opened the door.”

Crowley’s hand shook as he gripped the door, words failing him, and the concern on Aziraphale’s face worsened.

“Are you alright? You…you look….”

He moved to snatch off his shades, and Crowley hissed, rearing back in fear.

“Don’t. Don’t touch them.”

“I….”

Crowley sighed. “What do you want, Aziraphale?”

The upset in Aziraphale’s eyes made his whole being ache.

“I just….you see the world is ending again, and I….I don’t know how to stop it. I thought perhaps…”

“I can’t help you.”

“I…I see.”

Crowley looked down. “Maybe it should,” he mumbled, his voice shaking, “Maybe…it would be better, wouldn’t it? If all the bad was gone, and the good took over?”

He heard Aziraphale gasp, and the sound of his steps back had Crowley’s lip curling.

“You…you really believe that?”

“Why shouldn’t I?” he said, his voice a hiss, “Aren’t I just another one of those bad things?” he looked up, tears in his eyes, “You’re one of the good ones, aren’t you? You can get rid of me now and be done with it. I’m sure that’ll earn you some good points in her favor. The second coming…”

Crowley froze when Aziraphale suddenly began to cry, his tears spilling, and he nearly doubled over as he covered his mouth.

“A…angel?”

He threw himself at Crowley, hugging him, and the feel of him so close made Crowley shudder.

“Angel, why…why are you crying?”

“You…you truly believe that I would harm you now? That I….that I despise you that much? It’s been far too long, I know but I….” he sobbed, “I….I would never…I….I….”

Crowley put his hand on Aziraphale’s back, his chest aching, and backed them into his flat, the door shutting on its own as the plants all shivered when they walked by. He brought him to the chair, ready to move, but was pulled half down still holding him close.

“I…you said…you left.”

“I…I know, I…I thought that….I tried, I tried so hard, Crowley, and I…I just missed you, so very much and I hated all of them. I hated it there, and I could not stop thinking about you, and your…” he looked up at him with tears still on his face, “The way you’d looked at me.”

Crowley was shaking when he reached up, pulling the shades off his face, and he closed his eyes tight.

“Crowley.”

“You should…you should go, I…”

He turned away, gasping, and was ready to move when he was pulled down, landing in Aziraphale’s lap. Crowley stared at him, eyes wide, and when he touched his face he let out a whimper as he closed his eyes again.

“Crowley, why…please I want to see your eyes. I….”

Tears fell down his cheeks.

“Angel…I can’t. I…”

It was infinitesimal, he knew later, a small tiny kiss on his cheek, but he felt it was if he’d been swallowed whole, gasping for breath when he looked up at Aziraphale in shock.

“Crowley.”

“You…you kissed me.”

Aziraphale blushed. “Yes, I….I’m not as bold as you were, obviously, but…I wanted you to know I care for you, very deeply, and I wasn’t…I was unsure if you’d open your eyes again for words without action.”

He smiled. “It was a bloody shit kiss, angel, really.”

Aziraphale frowned. “Was it? I mean, I don’t quite know much about kissing, not unless you can say my reading habits of romance or the many many humans I’ve seen kissing over the last…”

Crowley cut him off, kissing him quiet, and the feel of him kissing back made him ache. He hissed as Aziraphale pulled on his tie, moving them in closer, and his body felt hotter than the fires of hell when his angel’s hand moved down his chest. They stopped, both staring with eyes open for what felt like the first time in existence, and Aziraphale’s smile brought tears to his eyes once again.

“Was that…better?”

He laughed. “Of course it was, angel,” he said, touching his cheek, “I did it, so obviously it was much better than your horrid attempt.”

“Crowley, I…I missed you. I….I….love you.”

“Angel…”

“I know it’s far too late for me to say it now, but….even if you want the world to end I want to be with you till then. Can I be? Will you….is this….”

Crowley pressed their foreheads together, mouths close enough for another kiss but he didn’t attempt one.

They didn’t need it.

“I love you, Angel,” he said, “I….I’ve missed you too, Azira—”

He was kissed quiet then, much to his surprise, but he didn’t care.

The world might end, truly, but they were together.

Everything felt right again.

As it should be.

#ineffable husbands #azicrow #good omens spoilers #aziraphale x crowley #good omens fanfiction #i'm new at this be kind I don't know them yet *blushes*

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mlobsters · 6 months

Text

supernatural s11e1 out of the darkness, into the fire (w. jeremy carver)

i'm feeling very dispirited about my ability to watch the entire series, gotta say. i'd been kind of looking forward to s11 because i have some vague notions of a few of the episodes. ah well. tally-ho

dean sucked up by the darkness straight away, great (scrolling through my internal rolodex of ladies i very vaguely know of from fic. amara??). turns out our nice boy is just taking a nap with the flowers

sam's hair situation looks improved, looks like they let it grow out so it's uneven in the back and flipping up in parts again instead of a shaped smooth bob situation

they're getting a little more creative with the effects with rolling in the flashbacks, which is neat. though using the same effect (differently but similar enough) for dean and sam's recollection, less neat

cas has progressed to rabid wet kitten i see

JENNA Rebar. I sought cover. I fell.

😬

all right so. just the moral calculation of culpability in all the rando human deaths at scale due to ye olde brothers. letting lucifer out i think is zero sum, they were pushed by heaven and hell to make it happen. sam saved a lot of people by jumping into the cage to lock lucifer (and michael and poor adam) back up, that's gotta add a good number in the black. (cas has got some big negatives with the whole god-stint and releasing the leviathans i wager. oh and the whole angels falling business). choosing for sam to live instead of closing the gates of hell forever, well that is less definable but seems like a big fat red number on dean's tally, but probably less than would have died with lucifer and michael duking it out? so if we consider them one (ofc) they're still in the black. this business with the darkness though, is a lot more definable and in your face if we're seeing this hospital full of dead people on their first jaunt out post evil!twister. curious what kind of guilt they're gonna lay at sam's feet. he gets squirrely when it's people in the way of having dean. anyway. i think y'all might be the bad guys 😔

moving on, finally.

oh funny, the deputy was the original fen in the magicians which i've definitely mentioned before while watching this. aha, she was in 7x22 with rick worthy (dean fogg on the magicians, spn alpha vampire). those light eyes and dark hair are very striking and memorable

did they scrimp on the makeup budget or something?? looks like he's sewing up a vulva and not even bothering to lift her shirt. UNSANITARY, BRO. hope she's up to date on her tetanus too. and gets some antibiotics to boot

that's some weirdly lit cleavage. also, dean already lied to sam about what went down with her? SIGH. so. tired.

this lighting got him extra haggard looking. why didn't he just kill the zombie whatever, especially after hearing the baby crying? wtf is going on.

the little yawn 🥺

MARN’S HUSBAND You just sit your tush down, okay? Just let me get this out. I've been thinking a lot about what you said -- and -- and I know, I lost my chickens when you put it out there. But it's not every day that your wife tells you that she wants to watch you get a party started with your best friends. I mean, am I right?

this whole interlude is... something. aaand straight to maternal death. sigh. and dad's gonna die too. great

giving 2x9 croatoan slash 2004 dawn of the dead vibes

DEAN And how long is that? And when they infect others, how long is that? No, we stay here, that baby dies. We did this, Sam. Okay? We broke it, we bought it.

indeed. why don't you tell sam about the dark cleavage lady then

CASTIEL Sam, Dean... goodbye. It may be some time before we see one another again. DEAN Wait, Cas. Cas!

LOL okay. couldn't squeeze in any details i guess

MINION 1 It's just, you barely escaped assassination. You're arguably on the run from the most powerful witch on earth -- not to mention an angel of heaven and uh... CROWLEY And? MINION 1 You didn't call for help until after the orgy?

come now, minion 1, do you truly expect otherwise

sam's talking big picture logistics and dean's just like wtf is the other option right at this moment

DEAN We have a plan, okay? It's the same plan as it's always been. In order to get out, we go through. SAM And? How's that been working for us? DEAN We can't save Cas if we're stuck in some hospital, okay? Just like I can't strap on a time machine, go back, and tell Cain to shove that Mark up his ass or stop you from releasing the darkness. Now, have we made mistakes? Yes. Hell, yes. And we can analyze each and every one of them over a couple of frosties when we're old and farting sawdust and out of this room! Right now, all I can do is I can gear up, I can head out, and I can save that freaking baby, which is exactly what I'm gonna do.

when they get old. together. right.

SAM Dean, if we don't change -- right now -- all of our crap is just gonna keep repeating itself. DEAN Okay, I-I don't even -- what?

i'm with you on this one, dean. what

SAM There is always a cure. You just have to want to find it. DEAN Yeah, how are you gonna find it if you're dead? And around and around we go. SAM Saving people means all of the people, Dean. Not just that baby. Not just each other. I unleashed a force on this world that could destroy it... to save you. DEAN And I told you not to. SAM And I'd do it again. In a second, I would do it again. And that is what I'm talking about. This isn't on you. It is on us. We have to change.

(i hate that my thought process legit is, take yourselves off the board, go to heaven, do not pass go)

so i guess sam's guilt caused a come to jesus moment about killing the people (rabids??? zombies) who we've seen already have an inherently short shelf life even without intervention. guess that's why he refused to shoot one despite the crying baby. this doesn't make a whole lot of sense to me. i can see sam having this thinking, but not in this situation and moment.

poor woman stuck watching their messy drama play out. i hope they're packing her a big ass duffel of formula and diapers. did you know when you give birth in a hospital, you can take all that stuff you don't use in your room with you? stock up, folks

SAM Get Jenna to the car. Get her and the baby somewhere safe. DEAN Without a shot. And what are we gonna do about those things on our tail? SAM They won't be on your tail. DEAN No way. SAM You said it, Dean. We broke this. DEAN Yeah, we broke this, okay? We did. SAM I heard it in your voice when you agreed to take that child. I get it. You do what you do. But you've got to let me do what I do, too.

be bait?

quelle surprise sam locked himself in with a zombie. oh and got zombie juice in his mouth. STELLAR PLAN, SAM

MIKE Her name.. is Amara.

okily dokily. so we think the baby's named amara but it's actually dark cleavage lady? do i get a gold star?

and lucifer slash michael is all riled up in the cage, even greater

DARKNESS For the same reason that you'll never hurt me. (She pulls aside her dress to show the Mark of Cain on her collarbone) We're bound, Dean. We'll always be bound. You helped me. I helped you. No matter where I am, who I am... we will always help each other.

great great. it's like a neverending fucking romcom where an ever growing percentage of sam and dean's problems are caused by lack of communication. but we don't even get the catharsis of a good kiss at the end. i am so tired of it

i need to lower my expectations again so i can stop being so disappointed

#supernatural #spnwatch #spn 11x01 #gore #laci j mailey #jeremy carver #sam's hair

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bing-bang-bingo · 3 years

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- 4x3: c. 40:00 Cas comforts Dean after Mary makes a deal w/ Azazel

- 4x7: 15:50 Dean stops Sam from shooting Cas, then Sam mentions that he’s “heard a lot about him”

- 4x7: 39:00 Cas tells Dean he prayed he’d save the town, then he tells him about his doubts and Deans future troubles

- 4x10 & ???: Dean calls “last night on Earth” his best line. He uses this line on Cas

- 4x10: 27:15 “Castiel has this weakness. He likes you.”

- 4x10: 32:50 Cas looking jealous and sad when Dean kisses Anna

- 4x16: 7:30 Cas tells Dean he got in trouble for showing emotion and getting to close to Dean. 8:20 “I would give anything not to have you do this”

- 4x16: 39:00 Cas warns Dean to be careful while Dean is in the hospital, they discuss the first seal and saving Dean from hell

- 4x18: 31:30 Cas tells Dean how to save Sam from Lilith even though he’s not allowed to interfere

- 4x20: 38:00 Deans face when Cas tells him he “learned his lesson when he was in heaven”

- 4x22: 30:40 Cas considers rebelling for Dean. 33:00 He does. 35:20 He fights multiple Archangels for Dean

- 5x1: 5:45 Dean denies Cas’ death 8:25 “I learned that from my friend Cas you son of a bitch”

- 5x1: 31:00 Cas saves Sam and Dean from Zach

- 5x3: 6:10 Cas-“I need your help because your the only one who will help me”

- 5x3: 10:20 Dean fixes Cas’ tie and jacket

- 5x4: 38:50 “Don’t Ever Change”

- 5x8: 38:20 Dean makes Gabriel bring Cas back, then makes sure he’s okay

- 5x13: ?:?? Cas won’t let Dean meet with Anna because it’s not safe

- 5x17: 30:30 Cas and Dean discuss what it’s like to have a deadbeat dad

- 5x18: 25:15 Cas kicks Deans ass for trying to sacrifice himself

- 5x21: 3:50 Cas and Dean bickering like and old married couple then Cas gives Dean a heartfelt apology.

- 6x17: 18:55 “No you’re confusing me with the other angel, the one in the dirty trench coat who is in love with you.”

- 6x17: 38:00 Sam: “So you killed 50,000 people for us?” Cas: *looks at Dean*

- 6x19: 25:20 Bobby reassures Cas that they’ll be back soon, Cas acts like a worried and disappointed wife.

- 6x19: 36:25 Cas yelling “Dean!” when Eve bites him

- 6x19: 40:00 Dean is the only one who doesn’t think Cas is working with Crowley (he’s wrong but it’s sweet)

- 6x20: 4:50 Dean v v worried, “But Cas you’ll call right? If you get into real trouble?”

- 6:30 Crowley implies that Cas is distracted by Dean and tells him he reeks of the Impala.

- 7:20 Cas says that Dean taught him how to care and what to care about. Then Cas saves Sam (for Dean)

- 13:15 Cas says that the worst part of working with Crowley (basically his sworn natural enemy) is that it hurt Dean and that he hated lying to him.

- 25:20 Cas refuses to ask Dean for help because he has “sacrificed too much” even though it means Cas could die.

- 26:00 Crowley tells Cas he has a way for everyone to get a happy ending “with all possible entendres intended” while Cas stares longingly at Dean.

- 33:00 Dean is close to tears when he learns that Cas is working with Crowley, Cas says he did it to protect Dean.

- 35:25 “Dammit Cas we can fix this!” “Dean it’s not broken!” He then tells the boys to run from the demon cloud and Dean gives him the saddest look in the world before being forced to leave him behind.

- 38:00 Cas watches Dean sleep. “I’m doing this for you Dean. I’m doing this because of you!”

- 6x21: 22:40 “I do everything you ask. I always come when you call and I am your friend. Still despite your lack of faith in me and now your threats I’ve just saved you yet again. Has anyone but your closest kin ever done more for you?”

- 6x22: Dean to Cas- “Don’t make me lose you, too.”

- 7x2: 5:35 Dean nearly cries on screen when he thinks Cas is dead

- 7x17: Cas says “I remember ~you~” as soon as he regains his memories.

- 7x17: Cas ask why Dean didn’t tell him all the horrible things Cas did. Parallels the conversation Karen and Dean had about telling Bobby she remembered him killing her and her telling Dean that he had never been on love before.

- 7x21: The face Dean makes when he sees Cas again plus the prolonged eye contact when Cas says Deans name.

- 7x21: Hester telling Dean that when Cas first saved him from Hell he was lost- parallels- Lucifer/Jess saying she was dead the moment she met Sam.

- 7x23: 8:50 “Go ask him. He was your boyfriend first.” Meg to Dean about Cas

- 7x23: 32:45 “I’m sorry but I’d rather have you, cursed or not.”

- 7x23: 36:50 Cas steps in to protect Dean despite spending the whole season avoiding fighting and saying he won’t fight.

- 8x2: 25:00 Cas ran away to keep the Leviathans away from Dean. Dean refuses to leave purgatory without Cas.

- 8x7: 20:30 Deans reaction to seeing Cas all cleaned up.

- 8x7: Dean convinced himself that it was his fault Cas was still in purgatory because he’s a sweet idiot boy who hates himself

- 8x7: 35:00 The whole Dean and Cas conversation about purgatory and Cas doing stuff that puts him in danger.

- 8x8: 12:30 Cas just casually going through Deans stuff and Dean not saying anything.

- 8x8: 13:00 Cas offering to watch over Dean while he slept

- 8x8: 15:15 Dean talks to Cas about feelings and heaven even though Dean hates talking about feelings.

- 8x17: Cas fights Naomi’s mind control for Dean

- 8x23: 22:50 Dean and Cas sadly discuss Cas closing the doors of heaven and say goodbye

- 9x1: Dean prays to Cas and tells him he isn’t mad about the angels falling.

- 9x1: Cas’ first instinct is to explain himself to Dean then to come help him.

- 9x1: Dean begs Cas to “for once, look out for yourself.”

- 9x3: 36:45 Dean to Cas after Cas came back from the dead “Don’t you ever do that again!”

- 9x6: Literally just Dean trying desperately the whole episode to hang out with Cas

- 9x10: 26:00 Dean and Cas talk about how Cas is doing and Dean offers him a rare sincere apology. Plus the “I prefer the term ‘trusting’. Less dumb, less ass.” dialogue

- 9x18: Cas’ little smile when Dean makes a joke about Honor Bars and Cas is just so happy to hear his voice.

- 9x18: Metatron’s illusion of Gabriel calls Cas Dean’s boy-toy

- 9x18: Cas can tell something is wrong with Dean, then Cas yells at Dean about getting the Mark of Cain

- 9x22: Cas chooses Dean over all of Heaven once again

- 9x22: The Cas and Dean conversation about the three of them being enough when an army wasn’t and Cas giving up an army all for Dean

- 9x23: “I’m blaming you for taking Cas’ grace.”

- 10x1: 5:00 Cas about Dean- “I miss him.”

- 10x2: 9:00 Cas’ reaction to learning that Dean is a demon

- 10x3: The conversation between Dean and Cas at the end of the episode. “You look terrible” “You on the other hand, your looking good.”

- 10x5: Deans reaction to Cas and Dean actors hugging and holding hands

- 10x5: “Put as much sub into that text as you possibly can.” *looks directly at fake Cas*

- 10x9: 15:00 Cas tells Dean he’s a good role model. Then asks him if he’s okay and when Dean lies and says he is he pushes it further. Dean makes Cas promise to kill him if he goes Dark

- 10x22: Dean and Cas fight and parallel Cain and his Wife.

- 10x23: Dean sees Cas’ bloody face in the mirror

- 11x1: Cas being more worried about Dean than himself even though Cas is under a spell that will kill him.

- 11x2: Dean calling Cas and stressing out when he doesn’t answer

- 11x3: Dean trying to coax Cas out of the attack dog spell, refusing to fight back when Cas was attacking, freaking out when Cas took a minute to wake up, refusing to let Cas heal him (because he “had it coming”), and refusing to let Cas apologize (because “there’s nothing to apologize for”).

- 11x10: “Dean, I came as soon as you called.” Also: “Stick your tongue out.” Dean-*does*

- 11x11: Dean realizing that something is wrong with Cas (while he is possessed by Lucifer)

- 11x11: Mildred says that Dean is pining for someone else(probably meant to be a reference to Amara, but she told him this after he had seen Cas for the first time in a few days.)

- 11x14: The sadness on Deans face when he realizes Cas is Lucifer and then his determination to save Cas

- 11x15: Dean getting kinda dark when he talks about what he’s willing to do to save Cas and he prioritizes saving Cas over bearing Amara.

- 11x17: Dean once again prioritizing saving Cas over saving the world. Sam reassuring Dean that they’ll save Cas (even though Dean didn’t say anything about what was upsetting him)

- 11x17: The camera zooming in on Dean after Michelle says that there is no normal after losing the man you love.

- 11x18: Dean refuses to put Lucifer in the cage or let him fight Amara while using Cas as his vessel.

- 11x18: The difference in the way Dean looks at Lucifer vs at Cas

- 11x18: Dean about Cas: “Lets go find that idiot and bring him home.”

- 11x19: Dean has been looking for leads non stop for a week since Amara took Cas

- 11x21: Amara uses Cas’s heart to find Dean, then shows Dean images of Cas beaten and bloodied to convince him to turn against Chuck

- 11x23: Dean’s face when he realizes Cas is back and Lucifer is gone.

- 11x23: Dean tells Cas he isn’t stupid and that he always helps

- 11x23: Cas: “Dean are you okay? How do you feel?”

- 11x23: Cas hugging Dean super tight before he goes off to die. Dean entrusting his life’s purpose (look after Sam) then thanking him for everything.

- 12x1: Cas seeing that Dean is alive and hugging him while his voice breaks.

- 12x1: Cas taking the job Dean have him very seriously

- 12x2: Dean adorably venting to Cas about his mommy-issues

- 12x3: Dean- “Morning sunshine want some coffee.” Cas- “No thank you.”

- 12x7: “Well at least I don’t look like a lumberjack.” They are such husbands

- 12x7: “Engaged in what Cas? killing you?”

- 12x8: Cas being so worried about what happened to Sam and DEAN that Kelly escaped.

- 12x9: Mary-“You left them!” Cas- *voice breaking* “Dean told me to go!” Also, just Cas looking so hard for them.

- 12x9: Cas blaming himself for Sam and Dean being taken

- 12x9 Cas knowing how long the boys have been gone down to the hour.

- 12x9: Cas’s voice and eyes when he hears Dean’s voice on the phone.

- 12x9: Cas killing Billie because “You mean too much to me” and “The world needs as many Winchesters as it can get.”

- 12x10: Poor Sam having to deal with Cas and Dean while they fight like an old married couple.

- 12x10: Dean immediately telling Ishim to go to hell when he insults Cas

- 12x10: Sam telling Dean to go to Cas when Dean thought Cas was in trouble

- 12x10: Cas immediately believing Dean about Ishim even though they’re mad at each other. Dean about to let Ishim kill him to save Cas.

- 12x10: Ishim comparing Dean and Cas’s relationship to Ishims relationship with his human lover, then saying he was going to cut Cas’s human weakness

- 12x11: “And Cas is my best friend.”

- 12x12: Dean about Cas- “My shy but devastatingly handsome friend here...”

- 12x12: Dean stressing out and voice breaking as he tries to comfort poisoned Cas

- 12x12: LITERALLY TOLD DEAN THAT HE LOVED HIM WHILE CAS WAS DYING

- 12x12: *looking at Dean* “I love you.” Then adds “I love all of you”

- 12x12: Cas- “Run.” Dean- “Cas, no.”

- 12x12: The look Dean gives Cas when he won’t stop staring at him after he’s healed.

- 12x14: Dean says some very harsh stuff to Mary after finding out the reason they Cas almost died at the lake house was because Mary was working for the British Men of Letters

- 12x15: Dean could tell something was up with Cas after talking to him for less than a minute, over the phone.

- 12x18: Sam trying to make Dean feel better about not hearing from Cas.

- 12x19: Dean literally always acting like a scorned wife when Cas comes back after long periods of time

- 12x19: Dean made Cas a mixtape

- 12x19: Cas- “I ~needed~ to came back here with a win for you.”

- 12x19: Cas- *gesturing between Dean and himself* “You mean... we?” Dean- “Yes, dumbass, we.”

- 12x23: Dean screaming for Cas when he attacks Lucifer and trying to chase after him forcing Sam to drag Dean back through the rift. A direct parallel to Dean pulling Sam away from Jess and the fire in Pilot

- 12x23: Dean kneeling next to Cas’s dead body looking up at the sky completely devastated.

- 13x1: Dean couldn’t bring himself to say dead when referring to Cas

- 13x1: Dean PRAYED to GOD to bring Cas back

- 13x1: “We just lost ~everything~. And now you’re gonna bring ~him~ back.”

- 13x1: Dean personally wrapping Cas’s body and giving him a hunters funeral.

- 13x1: The look of complete devastation on Dean’s face when he burns Cas’s body.

- 13x3: Dean refusing to help save Jack because he blames him for manipulating Cas and getting him killed.

- 13x4: The Empty to Cas: “I know what you love, what you fear. There is nothing for you back there.” He loves Dean and Cas fears that Dean doesn’t love him back.

- 13x5: Sam being worried about Dean who has given up all hope since Cas died.

- 13x5: Dean being so distressed thinking Cas is gone forever that he tries to kill himself

- 13x5: Dean seeing Cas alive again and they both have tears in their eyes.

- 13x6: Dean hugging Cas and saying he’s been gone for “too damn long”

- 13x6: Dean being immediately happier and nicer to everyone once Cas is back

- 13x6: Cas saying “Yes. Yes, he does” (in response to Jack saying Dean really likes cowboys) with the tone of an exhausted spouse.

- 13x6: “I told you, he’s an angry sleeper. Like a bear.”

- 13x6: Dean made Cas watch Tombstone with him.

- 13x6: Dean and Cas dresses like cowboy husbands.

- 13x6: Cas saying “I’m your huckleberry” to Dean in a deep accent and Dean looking away.

- 13x6: Their undercover names are Russel and Kilmer

- 13x14: The whole scene where Cas and Dean fight Gog/Magog and act like an old married couple.

- 13x14: The angry, dark look Cas gives Donatello when he tries to kill Dean

- 13x16: “Dean has him by the thigh!” Cas, jealously: “He ~what~?”

- 13x16: “and that includes the Cartwright twins.” Cas, again jealously: “what did you do with the Cartwright twins?”

- 13x19: Cas angrily confronting Naomi about forcing him to kill a bunch of Dean clones.

- 13x21: Cas secretly sliding Dean more pizza when Mary and Sam left the room.

- 13x21: Cas having to hold Dean back from going after Sam. Dean would have beat the shit out of anyone else who tried to stop him.

- 13x23: Cas trying to stop Dean from giving himself to Michael even if it meant losing Sam AND Jack

- 13x23: Cas sitting alone in the bum jet with tears in his eyes after Dean left

- 14x1: Demon: “How is it you lost Dean. I thought you two were joined at the... everything.”

- 14x1: Dean trying to save Cas from Lucifer then vs Cas trying to save Dean from Michael now

- 14x3: The look that Dean and Cas give each other when Dean comes home.

- 14x9: Cas almost being happy seeing Dean happy. And then having to force himself to not be happy so he doesn’t die.

- 14x12: Cas being phased at Dean for wanting to put himself in the box with Michael forever

- 14x14: Cas is the only Dean will let talk to him about Michael and be honest about how Dean feels

- 14x14: “No, it’s on us.”

- 14x14: Cas’s voice breaking when he talks about the possibility of Dean dying one day.

- 14x18: The pure self loathing in Cas’s eyes when he feels like he failed Dean by not telling him about Jack’s soul.

- 15x2: “You asked ‘what about all of this is real?’ We are.” THE MOST ROMANTIC LINE EVER. (Plus later Eileen and Sam have the same conversation but they get to kiss because homophobia)

- 15x9- 20:00 Dean said that they lost everyone they cared about, then added Cas specifically. Then he says “I had to bury him” not “we”

- 15x9- 23:00 Dean cries when he can’t find Cas. Then he prays to him and apologizes for letting him go. He falls to his knees praying to him and fully crying

- 15x12: “I created the world.” *shows Destiel*

- 15x15: This time when Dean sees Cas leaving the bunker, he stops him. (In reference to Cas saying “you didn’t stop me” when Dean got mad at him for leaving)

- 15x16: This is the the only version of Cas that rebelled for Dean. This universe is literally being saved repeatedly because of Cas’s love for Dean

- 15x18: CAS CONFESSES HIS LOVE TO DEAN then goes to mega hell for being gay

Anyway, Cas loves Dean and Dean LOVES HIM BACK, OKAY?!?!? Feel free to add more

8K notes · View notes

fuckyeahgoodomens · 3 years

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Ineffable Con 2020 Fun Facts

Fun facts from the Ineffable Con 2 (2020) guest panels :):

Neil Gaiman, Douglas Mackinnon and Rob Wilkins

David G. Arnold (the music composer)

Claire Anderson (the costume designer)

Peter Anderson (Peter Anderson Studio created the opening title animation and in-show graphics)

Paul Adeyefa (Disposable Demon)

Jeremy Marshall-Roberts (the owner of Mary the Bentley)

1. Neil Gaiman, Douglas Mackinnon and Rob Wilkins

What do they have from Good Omens:

Rob has the statue from St. Beryls, all four motorbikes from the four horsemen, Crowley’s Devon watch, box signed by David Tennant with Crowley’s sunglasses and Aziraphale’s cocoa mug with Michael Sheen’s DNA :).

Douglas has the playing cards from Episode 1 and heavily annotated Good Omens book they used for filming with inscription by Neil: ‘For Douglas, make us love, make us cry, 3rd August 2017’.

Neil has Aziraphale’s chair from the bookshop that he bought from the BBC and he uses it for Zoom meetings.

What is their favourite thing that was not in the book and was added to the TV show:

Neil: all of the first half of Episode 3 - an absolute joy.

Rob: also the beginning of Episode 3.

Douglas: David Arnold’s music and Peter Anderson’s front titles.

Could Aziraphale get out of the Bastille easily if he wanted to?

Neil: if he could: absolutely. Did he have any conception of the mess he was in: probably not. It’s one of Neil’s favourite pieces of acting - the absolute delight on Aziraphale’s face when he realizes that Crowley’s there and then he turns around and rather petulantly, grumpily goes oh it’s you - that moment of joy on Aziraphale’s face when he realizes that he’s been rescued is one of Neil’s favourite things.

Neil and yoghurt starter: I had this slightly mad thing where I would explain to everybody that fans were yoghurt starter. And I said, ‘Basically you start out with yoghurt starter and you put it into your warm milk and you leave it, and the yoghurt starter goes off and turns the entire thing into yoghurt.

Neil realized that there was a cat in his house (Neil doesn’t have a cat :)). After the panel Neil said that he was going to look for the cat with a can of sardines and Douglas joked that he would find Michael Sheen in a cat costume.

What was the best and worst about making the series:

Douglas: the best - the camaraderie, getting to know the people, the cast and crew.

Rob: the best - realizing that the book could be translated to the screen and watching it happen. The worst - coming to the end of the shoot and saying goodbye to everybody.

Neil: the best - the amount of love from everybody, the worst - fighting budget battles (producers wanted gone all of the cold opening and the death of Agnes Nutter).

Did they expect that Good Omens would attract so many LBGTQ+ people and how they feel about that:

Neil: Yes, absolutely. There are definitely people out there who seem to think that I accidentally wrote a love story with all of the beats of a love story including a break-up halfway through, without somehow noticing that I’d written a love story. And I may not be the brightest candle on the candelabra, but as an author who’s been doing it for a long time, I’m very well aware of when I’m writing a love story, thank you very much. And so from my perspective I knew that the love story would be one of the driving things that would get us from the beginning to the end. And I also made a bunch of decisions about our angels and our demons in terms of casting, in terms of gender that everybody backed me up on, which I loved. You know, the idea that the archangel Michael is played by Doon [Mackichan] is something that is... or Beelzebub is Anna Maxwell Martin, whatever, there’s... it’s not like we are going: these are women, there are men, we are going: these are demons, these are angels. They... this is not a thing. And also doing something like Pollution, where you go in and go: okay well if we were doing this in... if 1989 was now, if there were they pronouns, we probably would have done that. We didn’t think of it at the time but that’s no reason why we can’t do it now. And we did and I remember having a... not exactly a battle, but a... my very tiny skirmish with one of our execs who was very nice and very bright and was like: ‘Why are you saying they?’, and I’m like... and I... explaining, and he’s like: ‘Well I’ve never heard of that before.’, and I’m like: ‘Oh, okay, but trust me, just trust me, it’s all fine, just trust me.’

Douglas: And you know I have to say, just following on what Neil’s saying, I’ve been directing for quite a while, and I tend to notice if characters are falling in love, I tend to notice a love story happening in front of me, and I think it’s there, and everything is meant, guys, everything is meant.

Neil added: I would just say, there are some things that you do while you’re writing a script intentionally. The fact that... I wanted to do this, well, it was a thing I did that I really enjoyed doing... where whenever people accuse them of being a couple: they don’t deny it, they don’t argue, there’s no flustering on their part. They absolutely… you know, everybody… what I’m trying to say is: yes, other people in the story are perceiving them as a couple too. And here is Uriel perceiving them as a couple, here is wonderful Dan [Starkey, playing the passerby] …and you know, you do scenes like that because that’s... you are trying to make a point here and you’re trying to make a point on how people are perceived.

Season 2, yes or no [fiends, all three of them!]:

Douglas: What’s that?

Neil: Of what?

Rob: Is it muted for me as is for everyone else?

Neil confirmed that they are going to be Funko Pops. [yay!]

2. David G. Arnold (the music composer)

He didn’t read the book before he was approached to do the music. He was asked to do it by Douglas Mackinnon he knew from the Victorian episode of Sherlock and he said yes before even knowing what it was about because he wanted to work with Douglas again.

The first piece of music he wrote for the show was the brass band doing the Lazing on a Sunday Afternoon [Episode 6, in the park before the kidnapping].

The second piece of music he wrote was the lullaby that Crowley sings to Warlock. He always liked the lullabies like in Mary Poppins so he said to Neil: Why don’t we do it like Walt Disney, but if Walt Disney was possessed by Satan? That was about 7 months before he needed to write anything again while they were shooting and it kept going round his head the whole time - the melody stuck with him and when it came to the Opening Title of the show, this became the middle bit.

The original opening title was Everyday by Buddy Holly and each episode was supposed to be closed with a different version of it: a death metal version, an angelic choir version, a carmina burana version... and he actually made all those. But he likes to find the musical identity of the show and put it in the opening titles because it’s important and it tells you: ‘This is the word you’re going to experience’, so he wrote his own opening title with the lullaby in the middle and played it to them [probably Neil and Douglas] with Buddy Holly as the backup and: Neil just turned around in his chair and said, ‘That’s Good Omens.’. From that point the instructions were with no rules, just to create whatever he wanted: the further you can go the better, the weirder and the stranger you can think the better. It’s a rare thing to be shown a world like Good Omens and be let free to run around in it.

His favourite ending title is the Queen one in Episode 1.

One of the reasons he didn’t do a theme for Crowley and a theme for Aziraphale is that the theme of the show is theirs - it’s theirs and they share it and it’s both of theirs and there is no separating in that regard.

About Aziraphale and Crowley’s relationship reflected in the music score: It’s interesting isn’t it, because the relationship changed in a way slightly frequently and majorly infrequently. It seemed right from the start that their relationship was somehow seeded and planted and had begun by the time we saw them even though they may not have realised it themselves, you know, with the pair of them on the wall, considering one is a demon in the Garden of Eden and one is an angel. They act very charitably towards each other and they act with a lot of things you might not expect. And underneath that there is a sort of sense of togetherness and support even though they both know that their paths are going to diverge and they have different responsibilities. So I always felt like, right from that moment, when the wing came up on the wall, that there was something special about their relationship. Three moments that stuck with him: in Episode 3 saving the books in the church when they completely rely on the other for survival in the way that they were very open about, one in the car outside the nightclub in 60s Soho - the Holy Water, you go too fast for me, that genuinely tearing, that there was reluctance in those words that he spoke and that sort of things as a composer is gold, it’s about making those moments more, and in the last episode in a scene they’re not event in when we see Adam and Dog in the fields and Anathema that music there which celebrates Crowley and Aziraphale’s music which is the theme of the show - their shadow has passed over everyone’s emotional journey, and everyone’s emotional journey is theirs as well. The argument in the bandstand was important as well.

His favourite leitmotif from the series is the lullaby.

About the scene in the car in episode 2 when Thomas Tallis changes into Queen: Terry’s favourite piece of classical music was the Thomas Tallis piece [Spem in Alium] so Neil asked if they can go from Thomas Tallis - a choral piece from 16th century - to We Will Rock You, and: ‘You never say no. You don’t say that you can’t do it. What you have to do is to be the first person who solves the problem.’ In the end it was a two-days work just for this little bit and he mentioned that he never had these sorts of challenges anywhere else before.

His favourite non-musical detail in the show - the crucifixion, how the scene was shot, how it was upsetting, and how it was made more effective by Aziraphale and Crowley’s inability to stop it, that they had to observe and watch it, that it had to happen. I remember seeing that at the time and thinking, I wasn’t expecting that level of brutal honesty, in terms of the pictures that I was looking at and what they chose to show. And I think all the more effective for it.

3. Claire Anderson (the costume designer)

When creating the costumes for the characters she started with mood boards.

Aziraphale - she knew that he needed to have something winglike in his collar so that’s why there are sweeping lapels very often. Using velvet [for the waistcoat] because that was nice and soft and had all the appropriate qualities. His watch and fob that has little gold wings hanging from it and other tiny bits of symbolism. Tartan bow tie. Beautiful cashmere checkered trousers - not quite tartan but a nod to it. A mid to late Victorian coat, Michael only made his decision on the coat a couple of days before the filming. Aziraphale in the present settled on a ring with angelic symbol and harp cufflinks, earlier his ring in ancient times has got a much more roughly hewn set of wings on it, so before jewellery making became sophisticated he modernised slightly - he magicked it up to be a bit more modern, more gentleman signet type of ring, but he never modernises entirely. His heart is much more in the past.

After they began to define Aziraphale they started to look at how the Heaven army of angels might look - the element of tartan came sort of from Aziraphale and the angels have a not-tartan kilt with a semi military type jacket and a military band across that might hold arms or not, because they are not really violent. She used spats to make them look quite neutral and genderless so hiding fastenings and concealing little details like that seemed a way to do that.

Gabriel doesn’t wear spats because he’s on Earth such a lot. His shoe has a cover with two buckles on the side giving the same neutral element. He wears a cashmere light-as-air suit.

The other angels are all in bastardized versions of what era they may have died in, so they could have died in the 1930s or the 1800s and the costume would have an element of that era about it - though of course as an angel you can change things.

The Quartermaster Angel - the costume is a combination of slightly Indian type military, maharaja pants, longer spats from another era, all combined pieces of military tailored to be magical and slightly nonsensical, as Heaven might be.

Crowley - she felt that he wrapped around like a snake sheds its skin so she wanted something double breasted because that seemed to envelope his snakey charm. David wanted to be more casual than wearing a suit. Under his collar he always has a flash of red like the snake that he comes from - the red belly. They put a red seam into the sole of his boots so always there is a hint of where he came from. The red tie in the blitz. He was more rock and roll than Aziraphale and modernised more to a snakehipped rock and roll star really. His present jacket - the fabric there is quilted, they found an 80s jacket that had elements of things they enjoyed - part of that was that it had a slightly quilted quality to the fabric which was like a textured snakeskin. It took quite a long time to create the fabric and then to make the jacket from that - they quilted some fabric and washed and whooshed it repeatedly to create a bit of puckering in it. He has a snakey scarf around his neck like a chain mail linked scales of skin scarf that he wore that complemented his neck chain. The trousers he wore in Victorian times are the same he wore in the 60s when he meets young Shadwell. His present trousers - slightly waxy denim - we just were looking for a slithery finish. Crowley’s neck chain - there is only one in the world - her tailor has a Gothic church full of interesting stuff like busts and drapes with old things, this chain mail scarf was there and David was looking for something to complete his costume and liked it.

Hastur and Ligur are her favourite characters - they were so enjoyable to create. She had an amazing book of 1920s and 30s criminals and they used that as a starting point, because they were all quite worn out and bedraggled and poverty stricken and like hell might be ideally. They burnt and decayed the bottom of them as if they were rotting from the Earth and rotting back into the ground - all demons have sort of gators as if they were rotting from the ground up.

One of the most difficult things was the demons - when they realized they had a few days to create hundreds of demons in South Africa (4-5 days for almost 200 demons). It was as if I had been dissolved in holy water when they asked me for another 150 costumes.

The sleeves of Anathema’s coat have been inspired by a Victorian cycling coat.

The historical costume that Newt’s ancestor wore influenced his and Shadwell’s costumes - they used elements of the historical costume to put a little cape on Newt and Shadwell and their wax coats to give them the quality of that look. Newt's costume has a lot of mustard to make him feel a bit awkward and uncomfortable - it's not the most flattering colour on a northern European complexion.

The nuns’ headdress needed to look a little bit demonic - she bought a whole book on nuns’ headdresses for research. They also used the V in the nurse's apron because that was nicely demonic. The nurses' watch has got this Satanic symbol at the top - a little take on the medical since old nurses’ uniforms used to have watches.

For Madame Tracy she went back into the 70s, slightly Biba-esque makeup and a cape. They had only one pair of her goggles so it was always a nightmare to find them.

Which part of the cold opening is her favourite: I love ancient Rome because there is at least 6 to 12 metre of fabric in a toga and that was quite fun wrapping that around the boys and creating those., and her favourite was the Globe.

The lapels represent wings in every way and every shape and every form. Wings are very important.

4. Peter Anderson (Peter Anderson Studio created the opening title animation and in-show graphics)

The first thing that the director Douglas Mackinnon (with whom he worked on Doctor Who and Sherlock) said to him was: for all the graphics, for all the title sequence, for everything, I want you to promise me one thing, and that is very, very simple, promise that you send me emails that say: ‘this might be absolutely nuts, but my idea is...’.

The opening title it’s full of easter eggs - it’s a type of sequence that’s been designed to watch a thousand times, for example: on the escalator down to Hell there is one character running up deciding that he doesn’t want to go to Hell or the sea is full of plastic bags because we don’t look after the planet.

Every single face in the title sequence is either Crowley’s or Azriphale’s, they are repeated all the way through - inspired by Neil saying that there’s good and evil in all of us, so there is a grand procession of people of all the characters from the story - marching towards Armageddon - but all the characters have been taken over by good or evil. And along the way our two heroes are kind of playing tricks on each other, doing good, doing evil

The opening title combines multiple elements - two dimensional animation elements, three dimensional animation elements, CGI and live action (the people in the procession were created by live action on a travelator). So the result is a kind of strangeness - such as 3D figures with 2D animated tracked heads - which makes it unique.

Their first idea and version of the opening title was based on tapestries of old, subverting them, but then they wanted something more new and fresh.

Both Douglas and Neil were an important part of the opening title creation process.

The opening title sequence took about a year to make from the creative start with four intensive months towards the end.

One of things that inspired him was a Bauhaus theatre image from 1930s.

Question if the hand-drawn font for the graphics will be a purchasable font: no, because it was original and it’s unique and it was created just for this - it was for the love of the show and the story and it will be kept there.

In the scene where there are three photos of witchfinders - Neil and Douglas revealed in the DVD commentaries that two of them are their grandfathers - the third one is Peter’s great uncle.

Originally the signs telling us things like ‘Thursday’ or ‘Mesopotamia’ - were done as if somebody (who was living inside the television screen) ran up close to the screen and showed us the sign. In the end they simplified it, only showing the signs. The one time that it was sort of left in the show was when in Episode 5 a little demon in the video game shows a sign ‘GAME OVER’.

Outside of his work on it, what was his favourite thing on Good Omens: spending time with Douglas and Neil, and also working with Milk VFX - I think I can honestly say it's the best job I've ever worked on with the nicest people.

5. Paul Adeyefa (Disposable Demon)

He first read the book when preparing for the audition - the character wasn’t in the book but he got into it, loved it and couldn’t put it down.

He didn’t know about the name Eric until the script was published and people started calling the demon that, he really likes the name and thinks it fits.

There was a version of the script where the demon was going to be dressed in different costumes each time he was discorporated (for example one in long hair wearing a dress) - they would be all the same but different incarnations, in one version they had different accents.

The first scene he shot was the one where the demon goes to Heaven to deliver the Hellfire (and also wants to hit ‘Aziraphale’ which was cut). That first day was also his favourite moment of shooting because there was an immediate welcoming atmosphere and everyone was lovely and in love with the production.

Disposable Demon is like a permanent intern, running errands for the higher ups in Hell.

His favourite part of the costume were the eyelashes (though he loved the whole costume).

If he could change anything about the costume he would also want cool contact lenses - some brightly coloured ones.

Question what animal (like other demons have on their heads) comes to mind when we see the Disposable Demon: he didn’t think about it at the time, but later he saw people talking about his horns as bunny ears and found it interesting, and also the facts that there are so many of him and that he is quite happy and friendly for a demon so the bunny makes sense, so he might be a sort of a rabbit. Or perhaps something goat type because of the horns.

Question if there is another role in Good Omens he would have liked to have played: he always thought that the four horsemen were very cool and Pollution was his favourite so probably Pollution (also was the most jealous of Pollution’s contact lenses).

If there were a season 2, he would be there in a heartbeat.

Question about Eric’s feelings on Crowley, if he’s a bit of a Crowley fan: I think he might be. There is something about Crowley and how he is somehow a little bit different from the rest of the demons. - and the Disposable Demon has, much like Crowley, interest in the human world. He could well be 6,000 how many years old, the same as everyone else, but he seems to have this younger vibe and I think he thinks that Crowley is quite cool.

Good Omens fandom is his first experience with a fandom of this scale. It speaks a lot, the fact that this kind of very, this minor character, a character who is only on screen for a very short amount of time gets any kind of attention at all, it's quite amazing really, it goes to show how big and enthusiastic the fans are. I never experienced anything like that.

6. Jeremy Marshall-Roberts (the owner of Mary the Bentley)

When Crowley used a miracle to switch off the Bentley lights in Episode 1 at nuns manor it was done by: there was actually a very small guy called Louis turning on and off the switches quickly.

David Tennant was allowed to wear the snake eye contacts for only 3 hours a day otherwise they could damage his eyesight.

For Mary, the Bentley, it was the second time she was ‘blown up’ on film - first being in the Endeavour with Inspector Morse about three years earlier.

He was a bit nervous during filming the bookshop fire scene because the Bentley was so close to a real fire - not wanting the paint to blister. The car was moved off after a few minutes of filming but still.

About the damage to Mary: Unfortunately, we overran, and Rob my stunt driver had already booked a holiday and off he went and so when he returned in January, on the 10th of January, I had this new driver who really had no clue how to drive old cars, so I showed him around, I showed him to go around corners. He came around the corner, the door was not closed properly for some reason and the door flew open as he went around. And instead of slamming on the brakes which is extremely efficient and would stop him straight away he kept on going, hit another car and really smashed the door quite badly. It did take the car off the roads for 10 months. The door was completely remade because of this accident and it cost the total of £24 000 to rebuild the car to get it back to running as it is today.

The Bentley’s part most difficult to maintain and service is the engine.

Would Mary be available for a potential season 2: definitely!

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lottiethroughthelookingglass · 3 years

Text

15x20 Coda

Can’t believe it’s the year of our Lord 2020 and I’m writing Supernatural fix it fics at 3am.... This truly is the bad place. Anyway here’s what happened immediately after the credits rolled on whatever that was...

“Sam and Dean stood, arms around each other looking out towards the vista. Heaven. Their heaven. United again, after everythi-“

“-Is he for real?”

“That’s what was saved on my computer. Supernatural – Final Draft.”

“This is bullshit.”

Becky shrugged, taking her laptop back from Sam as his face twitched uncomfortably.

“Who did I even marry? Like, it wasn’t even Eileen?”

“I don’t know man but you named your kid after me. I’m holding you to that one.”

“I don’t even want kids. Our lives are crazy. Why would I do that to a kid?”

“Well I’m just glad Chuck didn’t get to go ahead with that one.” Becky said, sitting back down with her laptop, “I mean all of his drafts were honestly terrible but that one… I mean it didn’t even make sense considering your character arcs. Dean literally died like he thought he would at the beginning of the series and Sam, grows old with a random woman and doesn’t do anything with his life and not even mentioning Cas even though he was right there in heaven-“

Becky looked up to find Sam and Dean staring at her.

“I’m sorry, not that you guys are just characters or anything. But just, when I came back and I found that I was really worried you’d actually died in barn because you fell on a nail.”

“Yeah well I will be avoiding all barns from now on.”

Thunk. The three of them looked up to where Cas had knocked over a Funko Pop Sam.

“Sorry,” Cas readjusted Funko Sam so he could go back to back to fighting Funko Crowley.

There was an awkward moment of silence as the group processed the revelation of Chuck’s ending. Becky sipped her tea as Cas sat back down next to Dean. Dean looked over to him, their eyes met briefly and they shared a small smile.

“Did I never even ask about Cas?” Sam shook his head breaking the silence. “Like, you come back from fighting Billie and say he’s dead and I just… never question it?”

“Well, none of you seemed very upset about my death in that story.” He turned back to Dean, “You were far more concerned with the pie and the dog.”

“To be fair that was probably the only thing that felt right there – pie is more important.”

Cas rolled his eyes and picked up another biscuit from the tray Becky had brought them. Ever since becoming human again he’d picked up a real sweet tooth. Dean was silently waiting for when Sam would start having a go at him too about healthy diets.

Like hell I’m going because of a rusty nail in a barn, Dean thought, I’m getting killed by a heart attack and Cas’s gonna die of diabetes. Sammy’ll still get to outlive us both though.

“It’d be nice to think Jack is doing that with heaven though.” Sam said, “You know, rebuilding things, making it actually good.”

“I guess we’ll have to see when we get there. Which will not be soon, we fought for a bit of peace and I’m intending to actually enjoy mine.”

“We can just ask him next time he’s home.” Cas added.

Dean shook his head stifling a laugh with his hand, “Can you imagine if we’d made him God I mean- He’s three for crying out loud. He made me buy him a Marvellous Marvin the Talking Teddy three months ago.”

“You bought him that?”

“Wait so Jack didn’t become God?”

“God no, no he’s not God.” Dean plucked the biscuit Cas had just picked up out of his hand and started to eat it, “I mean he is up in heaven, but he’s just helping Michael get things running again with all the angels back from the Empty.”

“I’m confused, so you didn’t kill Chuck?”

“Noash fukind matr-“

“Chuck’s gone, but he’s not dead.” Sam interrupted the garbled explanation Dean was trying to make through a mouthful of cookie. “We found a way to umm- bind him I guess? In his own mind so he didn’t even know it was happening. Rowena and I did the spell and Dean set the trap.”

“I was still as useless as in Chuck’s version.” Cas clarified taking another biscuit to make up for his stolen one.

“Hey, if you hadn’t saved me from Billie we’d all have been toast. You were key.”

“Wait so Chuck’s not human and he’s not dead?”

“No- God I can’t believe he made himself human. I can’t believe we made him human and then said that was a punishment – sorry, no he’s kind of in a uhhh…”

“Alternate universe.” Sam added, “but one just for him. It’s more like an alternative plane of reality inside his own mind where he can write whatever stories he wants and think they’re real but they’re not. They can’t hurt anyone.”

“But he’s God so…. They might be real? He could be making them real.”

Sam twisted his mouth thinking, it was something he’d considered but didn’t want to dwell on.

“Well it’s not us.” Dean declared, “And honestly, if he makes another world with other Sams and Deans and Cas’s and Jacks then they’ll defeat him some other way. Like Inception, but with God!” He grinned at his reference even as the rest of the room ignored him.

Becky leant back in her armchair letting out a sigh of relief. “I’m glad you guys are ok. You too Cas, he was really adamant about killing you off.”

“Dean was very adamant about bringing me back.” Cas looked over to Dean, a soft smile and look of adoration of his face.

Dean blushed, trying to cover it up with a cough. “Yeah well, I had some stuff to say.”

Becky grinned, taking a sip of her tea as Sam suddenly started to find the wallpaper very interesting.

“So, what are you guys going to do know?” Becky asked after the moment had become sufficiently awkward. “I mean no Chuck, no apocalypse, no world to save. Are you going to keep hunting, or…?”

Sam, Dean and Cas looked at each other.

“I don’t know,” Sam said.

“Honestly, I’m thinking Chuck had it right with the pie festival.”

Becky and Sam laughed at that.

Cas took another biscuit

***

Dean closed the boot of the Impala with a soft thud. Becky had given each of them one of her dioramas she sold on Etsy. It was always a bit weird being reminded that their life was a story that some people liked to collect stuff from for fun but he had to admit the miniature scale replica of Baby she’d given him was awesome.

Sam stood at the door giving Becky a hug and thanking her for the lunch. She hadn’t quite explained to the rest of the family who these three strange large men were that were randomly joining them for lunch beyond “They’re just some Supernatural fans I know from the internet.” Her husband had spent the entire time struggling to believe that lie even moreso after Cas had slightly traumatised one of the kids with an in-depth description of the dangers of invasive wasps to honey bee colonies.

Dean wandered over to where Cas stood beside Sam and Becky.

“Thanks again for checking on us Becky.” Dean said, accepting the hug she gave him.

“Of course, I always knew you’d beat him but it’s good to know for sure.”

“Sure is.” Dean took a step back, “Well I guess we’ll be seeing you?”

“Next Supernatural convention?”

“Absolutely not.”

“Even if there’s a ghost?”

“You do know we’re not the only hunters in America.”

Becky bit her lip.

“What?”

“Nothing,” she paused, “it’s just, this is exactly how I would have written it.”

Sam raised his eyebrows in surprise, Dean brows knitted as Cas tilted his head.

“I don’t- not that you had to go through all that. Just that now you can actually take a break. Be normal, do your laundry-“

“-Sam and Dean have always done their laundry. That’s how they clean their clothes.” Cas piped up in confusion.

“-Be happy. Get to actually enjoy living in the world you saved. Have free will and be at peace.”

Dean chuckled, “I mean I’m personally good with never doing my laundry. But you’re right, it’s weird but good.”

“We’ll stay in touch Becky.” Sam said.

“I’ll hold you to that.”

They waved their goodbyes and walked back over to the Impala. Dean got in behind the wheel, Sam in shotgun and Cas in the back.

Turning the key the Impala revved to life. The radio began to sing, the opening chords to Kansas’s Carry on Wayward Song filling the car.

Dean slammed the radio off.

“God, I think Chuck has forever ruined that song for me.”

Sam laughed, in the back Cas even let out a chuckle as he leant his head against the window ready for the long drive home.

It wasn’t their heaven. Not yet anyway. And that made it so much more.

#spn fic #spn spoilers #supernatural coda #destiel #destiel fic #deancas #spn #supernatural #spn 15x20 #as you can see i'm not impressed #also becky's gonna be real mad when she gets back from being thanos snapped and runs into sam ten years later at the mall #only to find out that dean died ages ago from a rusty barn nail #that will be her villain origin story #my fic

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pinknatural · 3 years

Text

(ao3)

Sometime after Cas gets his grace back, but before Dean knows that the angel riding his brother’s meatsuit is Gadreel, not Ezekiel, Dean finds himself in a pawn shop. Generally, he finds himself in pawn shops pretty often--not as often as like, someone who deals in pawns, but more often than the average person, Dean thinks.

He’s there to see if they’ve got any guns for cheap, since he basically always needs more guns. None of the ones at that shop strike his fancy, so he walks around and looks at the other things. Browsing. Just in case--he has a house (well, a Bunker, but same thing) now, and maybe he should decorate. Maybe.

Dean passes by the jewelry without much more than a cursory glance, then he doubles back and stares. There’s a ring--a twisted band of white gold and silver, and something about it… It’s not something Dean would wear. He’s not sure what about the ring compels him, but he feels like Gollum as he looks at it and knows he needs it. What for, he has no idea.

Dean buys it. He doesn’t wear it, but sticks it in a flat little box originally meant for a bracelet and slides it into his jacket pocket.

And he carries it, jacket pocket to jacket pocket, for years. He doesn’t tell anybody about it, but he gets into the habit of patting his chest to make sure it’s still there. Even when he’s a demon-- Crowley goes through Dean’s clothes one day, when Dean’s laying on the motel room bed naked, and he finds the box.

“What’s this?” Crowley asks, and the First Blade is in Dean’s hand before he can process the movement. The First Blade is in Dean’s hand a lot, these days.

“Open that and I’ll kill you,” Dean says, looking at Crowley dead in the eye so he knows that Dean isn’t fucking kidding, and Crowley stares back for a minute before he tosses the box aside and goes back into Dean’s pocket. He pulls out a condom, and the box is quickly forgotten.

Anyway. The ring is there, in Dean’s pocket. It stays there. It’s there when Dean kills the Stynes, when he meets Amara, when he hugs his mom for the first time in thirty years. It’s there when he goes to the Apocalypse World, and the Bad Place, and Purgatory (again).

And it’s there in that fucking dungeon, when Cas puts his hand on Dean’s shoulder and looks him in the eyes, smiling and crying. Dean feels it, burning a hole in his pocket, as Cas says things like most loving man in the whole world and you changed me and and one thing I want is something I know I can’t have and I love you and, worst of all, goodbye, Dean.

And Dean sits there, sobbing into his palms, and he knows what the ring was for.

Dean wraps one hand around an angel blade and curls the other into a fist. He nods at Sam, then Eileen, then he leaps into the dark pit on the wall that haunts his nightmares.

The Empty is dark and, well, empty. His footsteps echo like he’s on a marble floor, but as far as Dean can tell there’s no difference between the walls and floor and ceiling. It’s just black.

Dean tightens his grip on his angel blade, and he finds the first body.

It’s a man in a grey coat. Dean doesn’t recognize him, and he keeps walking.

Dean sees a woman in a leather jacket, a man wearing a torn polo shirt, and a woman dressed like a lounge singer. He sees a child in a pink dress and a man in a black sweater. Then there’s a fan of red hair, and Dean falters.

Anna lays in the Empty, hair scattered around her head. Her eyes are closed and her chest moves slowly, as if in a deep, deep sleep. Dean swallows, heavy, and keeps walking. Next time, he thinks. Next time he’ll wake everyone.

The next body he sees is another unknown--old man in a brown blazer--but the one after that is someone familiar. Dean squints, decides it’s one of the douche angels he or his brother has killed over the years.

The body after that one is Ruby, and Dean gives her a wide berth. Then it’s Balthazar and Lilith and Hannah. Uriel and Raphael, Hester and Samandriel. Dagon and Ramiel. Azazel.

Alastair.

Dean keeps walking. For every body he recognizes, laying in a coma-like sleep, there’s four or five more that he’s never seen before. Some of them look vaguely familiar, like a demon he ran into once or Background Angel #5.

Dean walks by Ishim right before he walks by Meg, and the next couple are random demons Dean vaguely remembers from his own time as one. Dean nearly trips over his own face, then he hustles to keep away from the alternate Michael.

He’s not sure what he’ll do if he runs into Crowley. Not sure at all. But--

in the distance, a trench coat.

Dean sprints, slides to his knees. Cups Cas’s face with his hand, leans in close.

“Wake up,” he murmurs. “Wake up, Cas. Come on.”

Cas doesn’t stir.

Dean shakes him.

“Wake up, man,” he says.

“Yeah, that’s not gonna happen,” a voice says, and Dean looks up to see a vaguely humanoid shaped black blob of goo. It crosses it’s arms. “You can’t be here.”

“I’m getting him back,” Dean tells it. “I’m taking him home.”

“And how do you plan to do that?” the Shadow asks. “He’s mine.”

“No, he’s not,” Dean says.

“What do you mean?” the Shadow asks, tilting its head. Dean considers throwing his knife at it. “We had a deal, and now he is here, and he belongs to me. Fully and completely.”

“Fuck you,” Dean says. “He’s not yours, he’s mine, and I’m taking him home.”

And with that, Dean presses the tip of his angel blade to Cas’s throat. His grace spills out like smoke, spreading through the air, and Cas’s eyes open and he gasps. The Shadow shrieks.

“No!” it wails. “You can’t do this!”

“I already did, asshole,” Dean spits, and then the last of Cas’s grace evaporates, and Dean grabs onto Cas’s arm, and everything goes white, then black.

Then Dean’s on the library floor, and he stares up at the Bunker’s golden lighting for a moment before turning to face Cas.

“Cas!”

“Dean,” Cas says. He’s still laying on the ground, and he props himself on his elbows. “What happened?”

“I got you out,” Dean says. He laughs. Cas is looking at him with wide blue eyes, and Dean feels like he might start to cry. Instead, he throws himself at Cas, tucks his face into Cas’s neck, holds him tight. Cas falls back to the floor, wrapping his arms around Dean, and for a moment they breathe together. “You stupid son of a bitch,” Dean breathes. “You can’t fucking do that again.”

“I won’t,” Cas says. His voice is rough and deep, right next to Dean’s ear. Dean thinks he might cry.

“You have to stay,” Dean says. “You have to stay.”

“I will,” Cas says. Cas promises. “Oh, Dean.”

Dean pulls back, just a little, and cups Cas’s face with his hands. “Cas,” he says.

“Hello, Dean,” Cas says, eyes bright and sparkly, and Dean kisses him.

He kisses him, and Cas kisses him back, and Dean thinks--well, if he had an Empty deal that would take him when he felt true happiness--Dean would be dead right now.

He pulls back, drops his forehead to Cas’s. “God, I love you so fuckin’ much.”

“You do?” Cas asks, and Dean hates himself. Cas should know that he’s--he’s Dean’s favorite person and Dean’s best friend and Dean loves, loves, loves him. He reaches into his jacket, into the inside pocket.

“Yeah,” he says, and he presses the ring box into Cas’s hand. “I do.”

#supernatural #deancas #destiel #dean winchester #castiel #writingtag

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poohkeepsee · 3 years

Text

I was going through my AO3 bookmarks, and I wanted to organize them a little bit. These are my Dean/Cas canon-ish fic recs.

season 5

canticles by 2street2car Words: 10,311 Chapters: 1

“But you know something? If I couldn’t get you laid, at least I gave you a good first date.”feat: footsies at a Ruby Tuesday, stargazing, the recreation of an iconic "Dirty Dancing" scene (no, not that one—the other one), and practicing for When You're With A Girl.

FTBYAM MY BELOVED

post season 6

Someone Who's Feeling For Me by ellispark Words: 45,876 Chapters: 1

Dean sees her for the first time in nearly six years in some no-name town in Idaho, and it's panic at first sight.

Lisa Braeden, the one woman Dean ever actually had a shot at a real life with, back from where he buried her in his mind. And her hand is on Cas's arm like it's no big deal, like it belongs there. Cas, Dean's dorky, sweet, badass, angelic best friend, and he's just standing there next to Lisa and not moving her hand away.

Dean feels the jealousy rising, and it's not directed where he expected it to be. Because it takes this exact moment for Dean to realize he's in love with his best friend. He's in love with his best friend, and Lisa is looking at Cas like he's the best thing since automatic rifles, and Dean is utterly fucked.

post bunker

Sun Can't Set Until Nine by LeverDrift Words: 67,939 Chapters: 16

Cas moves into the bunker as his powers start to fail. Dean doesn’t know if the arrangement is as permanent as he wants it to be. He's also not sure why he keeps dreaming about his friend. All he knows is that he wants Cas to stay. Overall warnings: canon-typical miscommunication & Dean having self-hatred issues.

Life Skills by ilovehowyouletmefall Words: 26,052 Chapters: 3

After Metatron steals Castiel's grace, and Cas comes to live in the bunker, Dean spends a lot of time with him, sharing all of his favourite things. Dean can't help it if sharing things with Cas just makes everything better. Besides, it's Dean's job as Cas' friend to introduce him to the joys of human life. To teach him how to be human. And if one of the experiences they end up sharing is sex with women, well... that's just part of Dean's job as Cas' friend too, right? The desire is triangulated, the rituals are intricate.

Sam Stole My Boyfriend by sobsicles Words: 8,445 Chapters: 1

“Dude, you’ve been staring at me a lot lately, like even enough that Sam noticed. More than usual. So, like, what’s up?” Dean pauses, purses his lips and reconsiders. “What did I do?”

Cas knows that would be a perfect time to confess to Dean what exactly happened and what he was thinking. Maybe, Dean had some insight into the situation or even some kind of comfort to offer. But, the longer that he sat there, he realized that he could not tell Dean absolutely anything. So instead, for the first time, Cas fumbled.

“Um,” Cas mutters and abruptly stands. “Freckles?”

Dean blinked up at him as Cas pivoted and left the room. There was only one remaining option he had and unfortunately, it involved Sam.

Aching in the Absence of You by sobsicles Words: 95,090 Chapters: 10

Brittle and battle-worn, Cas looks at him over coffee one morning and says, "I need to go," and Dean instantly knows that he's not coming back.

He's not really sure how he knows it, but he does. It settles into the pit of his stomach, curling hot and tight like something he instinctively wants to tear out with his bare hands. He takes a breath, and it gets stuck in his throat, hitching there. It hurts, hurts, hurts when he finally exhales.

"Yeah," Dean says, "of course you do," and he nods jerkily as he looks down at his phone. He doesn't say goodbye. He doesn't look up from the screen when Cas gets up and leaves the room. He doesn't finish his coffee, or move for a long time.

By nightfall, Cas is gone.

'Communication' by JustAnotherSamlicker Words: 11,656

The same story told from two perspectives.

Dean bought a house and he and Cas fix it up.

Is Dean moving out? Is Cas moving in?

Should they just talk to each other already? (Yes they should)

Build a Home by domesticadventures Words: 20,102

After they save the world, Dean expects Cas to come back to the bunker with them.

He doesn't

season 10

The Most Important Thing by NorthernSparrow Words: 94,462 Chapters: 14

Jimmy Novak remembers nothing of the last six years. Reunited with his troubled daughter Claire, he's struggling to raise her on his own. The most important thing is to make Claire happy. But why does he keep having these dreams of wings, and of two men in a black car? (Canon-divergent from S10E11, when we first met Claire again and Dean was still struggling with the Mark of Cain. Takes places several months later).

season 12

Heroes for Ghosts by pantheon_of_discord Words: 42,922 Chapters: 7

Canon-divergent from 12.08

After Sam and Dean are arrested, Castiel is left alone and scrambling to find them. He knows they’re locked away in a government facility, and he’s still able to hear their prayers, but no matter how he tries Castiel can’t seem to track them. He chases leads and even attempts to hunt on his own, but Mary is AWOL, Crowley refuses to help, and Castiel’s options are running out.

Weeks pass, Castiel’s hope dwindles, and through it all Dean prays, keeping them connected. His voice is comforting, frustrating, and occasionally annoying, but in his solitude Castiel comes to cherish it. But then one day, without warning, Dean stops praying, and Castiel is forced to confront some uncomfortable truths about his feelings.

season 13

i want to do with you (what spring does with cherry trees) by sobsicles Words: 74,173 Chapters: 8

Dean keeps going back.

When he arrives, it's always to blooming flowers and a windmill in the background, not too far from a brook, the sun painting the plains.

He likes it there. He likes to stand in front of the makeshift urn and check that it's still where he put it, switching out the flowers when they wilt. He likes to listen to the sound of birds chirping, insects singing, the faint sound of water trickling in the distance. He likes to turn his face up and feel the sun on his skin, wondering if Cas would do the same if he were here, somehow knowing that he would.

He likes to talk.

There's never a response, but Dean feels the breeze rustle through his hair and watches the flowers bob when bees come to them and stares as the windmill keeps turning, turning, turning. And he imagines that Cas is replying—the windmill is the tilted head, the bobbing flowers are a gentle smile, the breeze is whatever words Dean wants to hear at the time.

Sometimes, it's almost like he's there.

Trial and Tribulations of Raising a Nephilim by Sickandtiredofyou Words: 14,910 Chapters: 6

Dean has far too much on his plate, losing his mom, his best friend and now being a single parent to a newborn nephilim.

In which Jack is an actual newborn instead of a teenager.

post season 13

dumbassery, denial, doing (the three d's to the destination) by sobsicles Words: 108,427 Chapters: 4

Freedom is just one adjustment after the next.

Cas hums again. "I think you already have. It's been months since everything settled. All that's left to do is...get used to it, and perhaps—" His voice stalls out, uncharacteristically, and his gaze roams Dean's face with intensity. When he speaks next, his tone is a little raw. "Perhaps what one does with peace is...whatever they want."

"What if I don't even know what that is?" Dean grumbles, arching an eyebrow in challenge. "'Cause I know damn well you don't just mean good food and a good bed and time in Baby, not simple wants like that. You mean—ya know, the big things, the wants we didn't get to have before."

"Yes," Cas agrees. "If you're not sure, figure it out."

"Easier said than done."

Reasons to read this:

Dean reads a story that ends like despair and his reaction is FUCK THAT

Cas wears Dean's hoodie

Jack is a toddler

The Jack and Claire sibling energy we deserve

Eileen being awesome and pulling pranks with Dean while Sam thinks she's an angel

Sam knows

YOUR HONOR THEY'RE IN LOVE

First Date by aeli_kindara Words: 8,968 Chapters: 1

“We should go on a date. You and me.”

Castiel wishes he could see Dean’s face. He wishes he had any idea what to say.

“I’m asking you out, Cas.”

Also known as the Dean Winchester makes the first move fic.

season 14

Broken Road by thegeminisage Words: 109,629 Chapters: 7

A 14.13 Lebanon rewrite. When Dean uses a wish-granting pearl to try and kill the archangel Michael before he can escape the cage in Dean's head, they instead wind up with a newly-resurrected John Winchester.

It's been more than a decade since John died, and a lot has changed: Mary is alive, Sam and Dean have what passes for a proper home in the Men of Letters Bunker, and they're living with angels. John doesn't know angels are real, he doesn't know about the fragile new relationship between Dean and Castiel, and most of all, he doesn't know that Dean said yes to Michael, or that Dean's plan to defeat Michael would send him to a fate worse than death.

Now Dean must contend with both his father asking questions he can't answer, and his loved ones learning about the darker truths of his childhood, all while constantly battling the archangel trapped inside him. But Dean coming to terms with his history may be the difference between this being the beginning of a journey—or the end.

post season 15

fools and pilgrims by lagaudiere Words: 31,904 Chapters: 2

Claire shows up at the bunker a day before Dean was planning to leave, with her hair cut short and a fresh tattoo on her left arm under a bandage. Chuck is dead, Jack has given up his godlike powers, and Cas is back from the Empty, which doesn't make it any easier for Dean to talk to him. Suddenly finding himself in a world without monsters, supernatural forces, or any need for hunters, Dean's solution is to go on a road trip. Claire tags along.

Dean-Claire mirror fic post Despair

what's missing is found (our souls can exhale now) by sobsicles Words: 27,403

It's not the first time Claire has ever gone missing. It is, however, the first time Kaia panics about it. Dean's dragged into the mess, but he soon finds that it's the best thing that could have happened to him.

canon(?) au (Hunters and Men of Letters)

Dean Winchester's Secret (Angel) Boyfriend by reluctantabandon, Winter_of_our_Discontent Words: 11,191 Chapters: 1

Dean Winchester isn't exactly a team player. So when he starts mentioning a new Hunting partner, Ellen and Jo Harvelle aren't sure whether they should be worried or relieved.

But they're starting to get the feeling there's something important Dean's not telling them about Cas...

Shot Through The Heart by peanutbutterjelly-pie (Aleakim) Words: 11,191 Chapters: 1

Dean is a hunter.

Castiel is a Man of Letters.

And even though they have to work together on a regular basis, there is not much sympathy between them. Castiel thinks Dean too brash and reckless while Dean in return sees nothing more in the other man than a rude asshole with an obsessive love for books and a truly terrible fashion sense.

But fate clearly has a funny way of throwing those two together over and over again.

And somewhere along the way feelings change into something neither of them would have expected.

#destiel #deancas #fic recs

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seenthisepisode · 3 years

Text

"What... What broke the connection?", Dean asks and Castiel is speechless.

He knows. He knows, he knows, he knows; he can't name it though. He is still way too new at this, he is still too overwhelmed, and he still doesn't know what is going on.

"I don't know", he stutters eventually, and disappears before they have a chance to begin a real conversation. He rests his forehead on the bus' window and he does something angels aren't allowed to do.

He daydreams.

“I am sorry I kicked you out of the bunker”, Dean says, and it looks like he truly is sorry and feels bad and Castiel wants to brush it off and forgive him; no, actually Castiel would gladly pretend it never ever happened.

But there is something bitter in his mouth. He wants to scream at Dean, because he is hurt, because the one person he would bet everything on, that one person betrayed him when he was at his lowest. Castiel feels sick but in a twisted way he understands. There was never anything more important to Dean than Sam. And it was never Dean’s choice or fault.

And it’s a whole conversation they should have, or at least Dean should have with someone, and Cas wants to talk to Dean, to really get to speak with him, but something stops him.

“It’s okay”, he manages to say eventually, “You were stupid for the right reasons.”.

"I love you. I love all of you", Cas says, bleeding out and dying in that barn.

Cas, don't you dare die on me, not like that, not so sudden, not like... Just don't, it can't be happening, it's not how this ends, not before you know, not before you know how much you mean to me- to all of us, Cas just please, don't, I promise, I swear, I will be better, and I will find a good, no, I will find the best moment to finally say what you deserve to hear, but just. Don't die. God, please don't let him die-

The sound of Crowley breaking the spear in two brings Dean back to reality. Cas is alive and okay again. Dean lets out a deep breath. He still has time.

He feels like Desmond in that show he used to watch in the motel rooms years ago. He finally understands the relief he felt when the hieroglyphs turned into 0:01 once again.

"Cas, you just gave up entire army for one guy", Dean says, jokingly, but this is not a joke. Castiel doesn't know what to say again.

When Hannah gave him a choice, the words came easily.

"No", he said when he chose Dean, again. But now? He doesn't know what to say.

Yes. I chose you over an army of angels. I would always choose you over Heaven.

But he knows, for some reason, that these words are tricky. They could potentially lead to another conversation. And he wasn't ready for it.

"What about all of this is real?!", Dean yells, angry, so angry, and he takes that anger out on the wrong person, again, and he knows it, and he hates it, but the words just come out of his mouth

(why the other words, good words never do?)

and he is even more angry at himself, at God, at his father, at everything, because his life? Was never his to begin with, it belonged to others and he had no say in anything. He just had to play the part.

So he takes it out on the only person who sees through that anger.

And Castiel takes it, as always.

"We are", Cas says bitterly as he leaves the room. Even though Castiel was an angel, he was far better with words than Dean is ever going to be. Dean wants to scream but he is speechless.

"And why, when something goes wrong, it always seems to be you", Dean says it and Castiel suspects that he regretted it instantly, because he knows him, but the words hurt like a bitch anyway. Dean feels dead inside (was he ever truly alive? what does it even mean?) and everything's wrong.

So he takes it out on Cas again. He hates it but he does it anyway.

The look on Castiel's face makes Dean want to go back to hell, because this guilt is worse than hell, hell was easy in a way, this? This is complicated and delicate.

"I think it's time for me to move on", Cas says slowly and rightfully so, and Dean wants to scream, to beg him to stay, to fall to his knees and beg, pray, for forgiveness, but he can't speak. The words are stuck, and he is stuck, and the world seems to have stopped turning. But it still does, and Cas is gone.

"I love you", Cas says again and Dean's brain can't respond. "Goodbye, Dean".

Those last words echo in Dean's mind for days, weeks, months. Years. He hears them when he is awake and he hears them in his dreams.

In his dreams he doesn't stay silent. In his dreams he pushes through whatever was holding him back, and he speaks. He finds his voice and he says, he finally says what he wanted to say since what feels like forever.

He says "I love you, too, and I am sorry. I am sorry for everything. But it can't- it won't end like this".

In his dreams he finally asks Cas to stay.

In his dreams he kisses him.

The Empty always takes Cas anyway.

These unspoken words are always with him, wherever he is. They are with him when he aimlessly drives the Impala through the States. They are with him when he finally finds Castiel in the Empty and drags him back to Earth, back to life.

As he holds on to the angel, he finally lets these unspoken words out. Everything he never said, I want you to stay, I want you, he whispers frantically as he kisses Castiel's face, Please never ever leave me again, he says as he presses his forehead to Castiel's. I will do better, he promises, as he holds Cas as close as he can, I will be all that you want and thought you couldn't have. And more, he promises.

And he keeps that promise.

And Cas is happy. They both are.

______________________

@emeraldcas , we don’t talk a lot but I saw your prompt for today (words unspoken) and I was like. THIS is the reason why I was listening to Precious by Depeche Mode all day. So. please accept this humble ficlet that your prompt inspired. Ily and congrats on 1k followers!!!!!

#uhhh destiel fic #emeraldcas #destiel fic #my fic

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ambiguousdisorderken · 3 years

Note

in your expert opinion what are some of the most destiel-heavy episodes of spn? i stopped watching around season 7 and have no interest in engaging w the plot of the show at all but i’m in the mood for some gay yearning ykwim

Hi anon! Thank you for reaching out to me about this, I’m, no-joke, very flattered. I’d seen a couple posts on this same question, very thorough and detailed lists on Destiel-centric episodes, but at the moment I cannot find any of them, that would’ve answered your request much faster. So, in advance, sorry, my reply is probably coming in extremely late, but I did write this from scratch, so yeah.

Even though storylines in SPN can be very shitty and hollow, I do feel that to get the full Destiel experience -that long-drawn yearning- one would have to watch the entirety of the show, even if Cas isn’t in the episode or if there’s no explicit mention of their relationship/bond because it gives you a better understanding of them as characters and of how their relationship affects the narrative.

Now, you mentioned you stopped around S7, which is completely understandable and justified given the Dick plot game was very weak and, in my opinion, annoying (so little Cas!). I’m going to start listing from S7 in case you want to refresh your SPN before jumping straight into unseen episodes. Also, since you mentioned no interest in the plot and are specifically craving those sweet crumbs of gay yearning, I’ll skip most one-sided / too subtle episodes and cut to the chase.

Lastly, I hate spoiling things, but you’ve probably seen it all on Tumblr. I tried to keep the episodes’ descriptions short, as it might come in useful. Stuck to key words, quotes and/or little comments.

Season 7

7x01 – Meet the New Boss: Godstiel, sincere apology. Cas: “I'm gonna find some way to redeem myself to you.”

7x02 – Hello, Cruel World: Mourning. Trench coat melancholy. The heart-wrenching eulogy: “Dumb son of a bitch.”

7x17 – The Born-Again Identity: Emmanuel!Cas, reunion, longing, hurt.

7x21 – Reading is Fundamental: Honey!Cas, hug, hurt, reunion, that painful SORRY (board game) scene.

7x23 – Survival of the Fittest: Honey!Cas, forgiveness, adorable, wified Cas. Dean hits us with: “Nobody cares that you're broken, Cas!" but also “I'd rather have you, cursed or not.”

Season 8 (this season is so good and Destiel is the driving motor of it, I swear. If you can, watch it complete.)

8x01 – We Need to Talk About Kevin: Dean in Purgatory looking for the angel. Cas is referred to as “your [Dean’s] angel.”

8x02 – What’s Up, Tiger Mommy?: HUG!!!, Purgatory reunion, face touch, very romantic. Monster: “ You'll find your angel there.” // Dean: “Let me bottom-line it for you. I'm not leaving here without you.”

8x05 – Blood Brother: Cas vs. Benny cat fight lol. Dean: “Cas... we're gonna shove your ass back through the eye of that needle if it kills all three of us.”

8x07 – A Little Slice of Kevin: Cas comes back from Purgatory, but before that Dean starts seeing him in places. Very tragic; hallucinating your dead significant other trope. Has That boner scene. Dean: “I did everything I could to get you out! EVERYTHING!” Cas helps Dean see what truly happened in Purgatory and not his self-altered memories. PACKED!

8x08 – Hunteri Heroici: Hilarious, romantic, intimate. Dean and Cas have an heart to heart. They actually communicate. Cas “I’ll watch over you.”

8x10 Torn and Frayed: They work a case together, and when I say heart eyes…

8x17 – Goodbye Stranger: THIS. EPISODE. Dean “I need you.”

8x19 – Taxi Driver: Separation. Naomi to Dean: "You're hoping Castiel will return to you. I admire your loyalty; I only wish he felt the same way."

8x22 – Clip Show: Lack of trust, hurt, tense interactions. Romantic too (basically, Cas gets Dean an apology basket).

8x23 – Sacrifice: Meaningful conversation and a gay couple hit by Cupid parallel. Dean “So this is it? E.T goes home?"

Season 9

9x01 – I think I’m Gonna Like it Here: Dean prays to Cas IN.A.CHAPEL. Worry, longing, separation. Dean “Please, man, I need you here.”

9x03 – I’m No Angel: Human!Cas and jealous!Dean.

9x06 – Heaven Can’t Wait: Human!Cas TEXT-BOOK LONGING. GAY AS FUCK. Gazing, touching, they even TALK (for real).

9x09 – Holy Terror: Adorable Cas, flirty vibes, happyish, funny. Cas: “Cas is back in town!”

9x10 – Road Trip: Cas comforts Dean, Cas and Crowley bitching at each other, overall protective!Cas.

9x18 – Metafiction. Cas finds out about the Mark of Cain.

9x21 – King of the Damned: Hug, strong boyfriends vibes.

9x22 – Stairway to Heaven: Cas gives up an entire army, for Dean. Metatron about Cas “He's in love………………………. with humanity.”

9x23 – Do You Believe in Miracles?: At this point, it’s canon stated that Cas will do anything and lose everything if that means saving Dean. Metatron to Cas “You draped yourself in the flag of heaven, but ultimately, it was all about saving one human, right?”

Season 10

10x01 – Black: Demon!Dean and sick/brokenhearted Cas in a slutty robe missing his man.

10x03 – Soul Survivor: ICONIC. Angel on Demon action! Cas turns down Hannah because he’s too gay and in love. Intimate Deancas talk.

10x05 – Fan Fiction: No Cas, but Destiel references.

10x09 – The Things We Left Behind: That.Lunch.Date. Deancas introduction to co-parenting.

10x14 – The Executioner’s Song: We get Daddy Murder aka Cain. This is a Pivotal episode to understand Dean’s character development. Plus, it has Deancas interactions.

10x16 – Paint It Black: No Cas, but Dean opens up in confessionary; repressed BISEXUAL AS FUCK.

10x18 – Book of the Damned: Charlie meets Cas. Gay energies everywhere. Cute domestic little scene.

10x20 – Angel Heart: PARENTING! Essential to understand Cas from this point forward.

10x22 – The Prisoner: Just… just watch it. One of THEE Destiel episodes.

10x23 – Brother’s Keeper: No Deancas interactions but it’s the finale, and I recommend watching it because next season takes off literally right from here. No time jumps.

Season 11

11x02 – Form and Void: Could skip to the very end which is when Cas comes back.

11x03 – The Bad Seed: Cursed!Cas. Dean takes care of him, even wraps him in a blanket. He also cradles his face. Extreme Hurt/Comfort. Jacting joices rejoice.

11x10 – The Devil in the Details: Could skip but has Casifer in it. Interesting to see his dynamic with Dean.

11x18 – Hell’s Angel: Casifer. Dean "It? It's not an it, Sam, it's Cas!"

11x23 – Alpha and Omega: Huggg! Cas willing to go on a guaranteed suicide mission with Dean. Very tender and sad.

Season 12

12x02 – Keep Calm and Carry On: ANOTHER HUG! Dean presents his boyfriend to his mom<3 Soft and romantic.

12x09 – First Blood: Reunion hug<3, Cas pining… as in he counts his every minute without Dean.

12x10 – Lily Sunder Has Some Regrets: Direct parallel with canon couple. Crystal-clear mutual affection. One of the best. Angel Ishim to Cas about Dean “I'm gonna help you. I'm gonna cure you of your human weakness same way I cured my own… by cutting it out.”

12x12 – Stuck in the Middle with You: A dying Cas confesses his love. “I love you. I love all of you.”

12x19 – The Future: We find out Dean gave Cas a MIXTAPE!!! Very romantic and full of yearning, also worry and what could be seen as a betrayal (ish…).

12x23 – All Along the Watch Tower: Hands down, one of the most distressing Destiel episodes. Cas dies.

Season 13

13x01 – Lost and Found: This is the worst because you have Dean trying to assimilate Cas’ death. Core of Dean’s widow’s arc. Jack introduction, that’s their new kid.

13x02 – The Rising Son: Widow’s arc (you could skip it, but why would you?).

13x03 – Patience: Widow’s arc (you could skip it, but why would you?). Dean to Sam “He manipulated him, he made him promises, said, ‘paradise on earth’ and Cas bought it and you know what that got him? It got him dead! Now you might be able to forget about that, but I can’t!”

13x04 – The Big Empty: Continuation of widow’s arc and Cas wakes up in the Empty. The Empty to Cas: "I know who you love. There's nothing for you back there." // Dean to Sam “I need you to keep the faith, for both of us. ‘Cause right now, I… Right now, I don’t believe in a damn thing.”

13x05 – Advanced Thanatology: Suicidal and hopeless Dean gets his win. Cas comes back. Gives me the chills.

13x06 – Tombstone: COWBOY BOYFRIENDS!

13x14 – Good Intentions: Happy and fun Destiel scene. So Very Married.

13x23 – Let The Good Times Roll: Season finale, Dean talks about retiring (plans include Cas of course) and just very nice to see them interact.

Season 14

14x03 – The Scar: Reunion.

14x08 – Byzantium: Deanand Cas dealing with their child’s death, then bringing him back by Cas making a deal with the Empty. IMPORTANT EPISODE.

14x09 – The Spear: Cas uses the royal We – married behavior.

14x10 – Nihilism: Dean is stuck in his own mind, and Cas and Sam try to bring him back. Cas “Please, you have to -- you have to try to remember, because the people in your life -- in your real life, out there -- we need you to come back.”

14x12 – Prophet and Loss: Dean gets his very own Dr. Sexy, aka Dr. Cas.

14x14 – Ouroboros: Basically another date (their kid tags along) and They TALK. Very intimate and established marriage vibes.

14x18 – Absence: Shits starts to go south. [ Dean: “Who cares what Jack said? We don't know what happened! But I swear, if he did something to her, if she is -- (points to Castiel) Then you're dead to me. (Castiel looks crushed after Dean says that).]

14x20 – Moriah: Tense and very upsetting. Relationship very damaged.

Season 15 (I would advise watching the entire season because it relies heavily on Destiel. They’re the heart and the emotional motor leading the plot onwards.)

15x01 – Back and To The Future: Deancas’ in the aftermath of their kid’s death. Tension gets worse.

15x02 – Raising Hell: Tension rises, this is very intense. Cas “Dean. You asked, "What about all of this is real?" We are.”

15x03 – The Rupture: Breaking point ends in divorce.

15x06 – Golden Time: Painful phone call which speaks volumes about the current state of their relationship at the time. Also, good to see where they’re standing and how they’re coping.

15x08 – Our Father Who Aren’t in Heaven: Strained relationship so obvious they’re offered couples’ therapy.

15x09 – The Trap: MASTERPIECE. Back to Purgatory. Can (and is) taken as Dean’s love confession (because it is).

15x12 – Galaxy Brain: So married. Little domestic date, you can see LOVE written in their faces.

15x13 – Destiny’s Child: AU!Dean and Sam. Not a yearning episode per se, but AU!Dean? SO GAY.

15x17 – Unity: God reveals that the only act of free will in any universe he ever created has been Cas choosing Dean.

15x18 – Despair: Cas confesses his love to Dean.

#Anonymous #thanks for coming to my ted talk #im posting this at 2:30 am so i'll most likely reblog it at a more reasonable hour ..in case anon is closer to my time zone #why am i even saying this..im sleepy #destiel #answered #destiel episode guide #there might be number/name mistakes because again sleepish.forgive me #long post

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ijustwant2write · 3 years

Text

Stalkers-Aziraphale x Reader x Crowley

(GIF credit to @fuckyeahgoodomens)

Requested by anonymous: ‘Would you do a platonic Good Omens imagine where Aziraphale & Crowley become close to human graduate student and they follow her on a date (and she notices them) because their protective (you can decide if the date goes good or bad)?’

Characters: Aziraphale x Reader (platonic), Crowley x Reader (platonic)

Meanings: (Y/N)=Your name

Warnings: Mentions of break ups and cheating, FLUFF FLUFF FLUFF

*~*~*~*~*~*~*~*~*~*~*~*~*

(Y/N) strolled around the corner of a book shelf, arms swinging with a book in one hand as she approached the till, where Aziraphale was waiting with a customer. She held out the book to him, a big smile on her face.

“(Y/N), that’s the wrong book dear.” Aziraphale awkwardly said.

“Oh!” the young woman gasped, looking at the cover. She was meant to find a novel about a dystopian future, with conflict and struggles of hierarchy. Looking at the cover, she realised she had picked up a romantic tale.“I am so sorry, I will go and find the other one-”

“No!” Aziraphale blurted out.“N-no, don’t worry. I’ll go find it.”

“OK, sorry again.”

Once he had finished with the customer, Aziraphale went to find (Y/N), who was stacking books on the shelves. She smiled at him as he approached her, and he copied, but it was clear to see that he was uneasy.

“I just want to talk about what happened earlier.” he started.

“I’m really sorry about that again. I didn’t mean to embarrass you.”

“It’s not that, I’m not concerned about embarrassment. I’m more worried about you.”

“Me?”

“You know this bookshop back to back. You’ve worked here since you started university. It was just a shock that you picked up the wrong book, and took so long to get it.”

“I wasn’t that long was I?”

“You took fifteen minutes.”

“I mean, people make mistakes.”

“Of course they do, nobody is perfect. But it’s so out of character for you. Are you feeling well?”

She nodded, returning back to her job.“Absolutely fine.”

“Because you know you can tell me.”

“I know.”

“If anything is wrong, I am always here-”

“I’ve got a date tonight.”

He hadn’t expected that answer.“A-a date?”

She nodded.“Yeah, uh, it’s with this guy from one of my lectures. We’ve been friends...well, sort of friends for the last year, but he asked me out the other day and obviously I’ve said yes. So I’m freaking out a little bit.”

Aziraphale was shocked by her quick rambling, stumbling over his own words as he processed everything.“O-oh, well, that is very exciting! Why are you worried?”

“Because I haven’t been on a date since...well you know.”

“Oh, of course. You are going though, aren’t you?”

She sighed.“I was-”

“You should! This is great news!”

“But what if I’m awkward? If I’ve forgotten what it’s like to date?”

“Tell you what,” he started to take the books out her her hands,“you take the rest of the day off. Go relax, get ready for tonight, and enjoy yourself!”

“Aziraphale, I really shouldn’t-”

“I won’t take no for an answer. You need to relax and calm down before tonight. I think you’re going to be surprised with how much fun you’ll have.”

“If you’re sure...I mean, I am a bit excited.”

Aziraphale grinned at the sight of his friend blushing.“Good! Keep in high spirits and you shall have a great evening.”

(Y/N) put on her coat, saying her goodbyes to Aziraphale as she slung her handbag over her shoulder before putting her earphones in. The angel kept the smile on his face until the door shut, then his true feelings were unleashed. Panic struck him, mumbling to himself as he stressed over his friend. He knew he needed help on this, instantly calling Crowley to the bookshop.

Crowley had been bored out of his mind that day, so when the phone rang, he answered far too quickly, having to put on a reserved attitude as he spoke. Hearing Aziraphale’s tone made him agree to come straight away, even though he didn’t know what the problem was. Bursting into the bookshop (thinking another Armageddon was approaching), he called out for the angel, who popped out from nowhere, his eyes wide.

“Oh thank God you’re here.” Aziraphale sighed in relief.

“Well, I wouldn’t be thanking him-”

“It’s (Y/N).”

Crowley didn’t care about his smooth persona anymore, not when it came to (Y/N).“What? What’s happened?”

“She’s got a date.”

Crowley stared at him, mouth open. After a few seconds, he spoke,“That’s what you called me here for?”

“Yes! How are you not worried?”

“Because it’s a normal thing for young adults to do?”

“But this is (Y/N)! You remember the last relationship?”

Crowley softened at that.“Oh, you have a point.”

(Y/N) had not been attending university for long when she first applied for the bookshop. She was just eighteen when she started, much quieter and shy back then, but Aziraphale decided to take her under his wing (no pun intended). He and Crowley had become friends with her, watching her grow as she studied hard, not without stressing herself out at times of course. However, they had also been there when the first boyfriend came onto the scene. (Y/N) had been so excited, infatuated with this boy. They had dated for a year and a half, it had been so lovely at the beginning. Even the angel and demon liked him; until he made the fatal mistake of breaking her heart.

That boyfriend had all but ripped her heart out of her chest, torn it to pieces in front of her face before stamping on it. After all the dates, the presents, the studying together, supporting each other through their studies, the cute pictures and talks about their future, he randomly decided to sleep with someone else. The man (Y/N) thought she could see a future with had never showed any signs of leaving her, or no longer having an interest. He flat out admitted it when she confronted him, suddenly expressing how he didn’t find her attractive anymore and that she had been a waste of time. It broke (Y/N), and although she wanted to believe that someone would come along and cherish her just as he did in the beginning, it was extremely hard to imagine such a thing after those harsh words.

“I know I shouldn’t judge others, especially since I don’t know the man...” Aziraphale said.

Crowley removed his glasses.“Well, how did she look when she told you?”

“Happy, she was nervous but giddy. She’s worried that she’ll embarrass herself, though I could see the excitement in her eyes.”

“Well that settles it then.”

“What?”

“We have to follow them.”

“How did that make you think of following them?”

“(Y/N) has mixed emotions, she may not think straight because she’s overwhelmed.”

“She’s a smart young lady, she’ll be able to tell if she likes him or not.”

“Still, we don’t know this guy. I think to be on the safe side, we should tag along.”

“A-a double date?”

“What? No! We need disguises, we need to follow after them.”

“So, stalk them?”

“Stop making it weird. Come on, let’s figure out what we’re wearing.”

(Y/N) couldn’t stop staring at her reflection. She had spent more time than needed on her hair and makeup, picking out her jewellery before putting on the outfit she decided on (which also took a while to pick out). Although she always presented herself well everyday, she hadn’t dressed up in a long time. It was almost refreshing to see herself like this, she felt beautiful. Smiling at herself, she was broken out of her trance as her phone buzzed. Quickly grabbing it, she saw her dates name pop up, stating they were on their way to the restaurant they chose to go to. It was now or never.

Crowley and Aziraphale waited down the road from (Y/N)′s student house, seeing her leave and head in the opposite direction. Crowley was more confident sneaking around, purposefully walking quickly so Aziraphale would keep up with him and not think about backing out of this. For disguises, they decided they needed to dress young, blend into the crowd; Aziraphale wore an oversized jumper with an equally long striped scarf, his usual bow tie still on, as well as jeans and converse. Crowley had on a black denim jacket with a black and white patterned silk shirt, black jeans with boots definitely meant for hiking, as well as blacked out circular glasses and a beanie. Aziraphale felt ridiculous, hating how people stared, but Crowley was too focused on the mission to notice.

They followed her to the restaurant, casually leaning against a building across the road as they watched the man and woman embrace. He kindly held the door open for her, gesturing for her to go ahead.

“He seems gentlemanly.” Aziraphale pointed out.

“No, this is their game you see. He wants her to think he’s a gentleman, when he’s the total opposite! I’ve seen it happen many times before. They’re all ‘Mr Nice Guy’ just so she’ll go home with him.”

“That’s a little extreme, don’t you think-”

“Come on!” Crowley grabbed Aziraphale’s wrist, dragging him across the street.

(Y/N) thanked her date as he tucked in her chair for her. It wasn’t a high end restaurant, and it was only late afternoon, but this is how they wanted it to be. They were already friends, it would be awkward if they were properly dressed up in a posh place. He had already complimented her, making her blush, and they were able to slide into a conversation. It was like any other time they had been hanging out, except there was a romantic element to it all.

“There they are.” Aziraphale whispered to Crowley as they entered the building.

Not waiting to be seated, Crowley guided the pair towards the couple, finding a table close enough that they could watch their every move without being spotted. Sitting down, Crowley shoved a menu into his friend’s hands, holding it in front of his head with his eyes peering over the edge.

“He tucked in her chair for her, that’s sweet of him.” Aziraphale smiled.

“Remember what I said.” Crowley frowned.

“Perhaps we’re being a tad dramatic. I was paranoid this morning, but seeing them together has calmed me.”

“I’m not sure. He could be pretending.”

The squabble was disturbed when (Y/N)’s laugh rang out, along with her date’s. Her friends turned to see her covering her mouth as she continued giggling, her eyes still on the man across from her.

“That doesn’t count.” Crowley quickly protested.

A waitress came over to their table, surprised by how quickly the men ordered their food and the lack of eye contact. What shocked her the most was when she tried to take the menus away, but they gripped onto them with their lives. It was the only way they could hide from (Y/N). She backed away, not too phased because when you work in this sort of service, you do get your weirdos.

“Maybe we should just leave...” Aziraphale felt less stressed, he had a good feeling about this man. She looked much more calm, more natural with him than she did with her ex, and this was only the first date.

“But we’ve ordered.” Crowley moaned.

“I feel like we’re imposing. I know we wanted to check on her, but (Y/N)’s an adult, she knows how to handle herself.”

“Let’s at least wait for our food-”

“But what if they spot us! We can take it to go.”

“It’ll be cold by the time we get back, and we’ve ordered drinks!”

(Y/N) tried to concentrate on her date’s words, she had been invested in his story until a couple on another table started bickering. It was just human nature to pry, and she had glanced a few times over at them. They were an extravagant pair, wearing clothes that made them stand out. It wasn’t a bad thing, people were allowed to express themselves.But there was something about them that made her keep staring.

“Hey, I’m just going to quickly pop to the loo.” (Y/N) said, smiling at her date just as he did, before she stood up, heading towards the odd couple.

Aziraphale and Crowley were too caught up in their argument to notice that (Y/N) had left the table, and was headed right towards them. She suddenly appeared at the table, crouching down on the other side so her date couldn’t see her.

“What are you two doing?!” she harshly whispered.

They were shocked by her, flinching in their seats. Aziraphale sighed.“I knew this would happen!”

“Are you two following me?”

“It was Crowley’s idea!”

“You were the one who called me!”

“Enough you two!” (Y/N) quietly exclaimed.“Do you know how much you’re invading my privacy right now?”

Aziraphale had a calm tone to his voice.“We just wanted to make sure you’re alright. And how did you know it was us?”

“Have you seen your outfits? You stick out like a sore thumb.”

“I thought these were very on trend?” Crowley said.

“In 2013 maybe.”

“We’re sorry. We were only thinking of you, your safety, your happiness. And we were going to leave, but Crowley is complaining about the food-”

“It’s good food here!”

“As long as you two don’t interfere with my date, you can stay. Just don’t stare, or watch.”

“Are you enjoying yourself?” Aziraphale smiled.“He seems like a lovely gentleman.”

Crowley groaned.“Stop calling him that.”

(Y/N) relaxed a little.“He’s...he’s a sweetheart. I feel comfortable with him, happy too. I’m having a great time...was having a great time.”

Aziraphale placed a hand on her shoulder.“We promise we won’t do anything. Honestly, I’m quite hungry and parched now that I’m thinking of our order.”

(Y/N) pondered for a moment.“Fine. You’re right, the food here is pretty good, I can’t take that away from you. But next time you do a stake out, try to blend in, yeah?”

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postmodernmulticoloredcloak · 3 years

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I would love for you to talk more indepth about the montage. To me it feels so off and weird. Almost like a parody? So many scenes in it are "funny" moments that just don't make sense in the context of an emotional overview of the road so far... (Like all the scenes where Dean is eating, Donna with donut dust on her face, Sam getting hit during the game show.) I don't know. Isn't the montage supposed to make me nostalgic, teary-eyed? This one definitely doesn't do it for me!

Here I am! Yes, I absolutely agree. The montage is Weird(TM). It’s kind of a tone rollercoaster. It’s very full of funny/silly moments, with some serious moments smacked in. And it definitely looks like... there’s something about it.

For an easier consultation I will reference the gifs I have made of the montage sequence here.

[Gif 1] It starts pretty much like I’d expect a Supernatural goodbye montage to start. The two brothers meeting for the first time in the pilot, a reminder of their childhood with John, their banter still from the pilot, a couple moments of them driving in the car in the first seasons, Dean saving Lucas in 1x03 which is the first Dean-heavy episode and also an extremely symbolic moment for Dean’s entire journey - just think at how Lucas as a mirror was still relevent during the “drowning” Michael possession arc. Everything feels normal so far. We’re starting from the beginning! Now--

[Gif 2] Interesting and weird choices start here. Them pretending to be high school teachers from After School Special 4x13 - actually a very iconic moment for the fandom, remember that post of Dean in shorts from that episode that you had to reblog when it came on your dash? (Actually I’m not sure if I ever reblogged it lol.) Dean celebrating getting young again from The Curious Case of Dean Winchester 5x07 (and Jensen showing off his agility). The two of them showing their FBI badges to Jesse Turner’s biological mother in 5x06. Dean mowing the lawn of Mary’s house in the Djinn dream and immediately after Jess and Sam kissing also in the Djinn dream, from What Is And What Should Never Be 2x20. Then Dean after killing the witch when he was under the memory loss spell, in Regarding Dean 12x11. Sam happy when they celebrate Christmas in A Very Supernatural Christmas 3x08. Them being “lucky” under the effect of the rabbit’s foot in Bad Day At Black Rock 3x03. Sam also happy in Baby 11x04.

Again the present, then the montage starts again with the water-related ghost from Red Sky At Morning 3x06, a Bela episode, and then Bela herself from her first episode, 3x03 again.

What do these moments have in common? Not all of them, but for many of them I’d say reality being manipulated. The Djinn dream, the rabbit foot, Dean’s aging, the Antichrist... and it’s not over yet. Also, them pretending to be teachers, agents etc - not “real”.

[Gif 3] The tone suddenly gets more serious and relevant to current events: Chuck in The Monster at the End of This Book 4x18 (eh). Death in Two Minutes to Midnight 5x21 (the first appearance of Death, while now we’ve had Billie’s last and a very short-lived new one), and then two major moments from Lazarus Rising - Dean emerging from the grave and finding the handprint on his shoulder. Crowley’s first episode, Abandon All Hope 5x10. Zachariah’s death in Point Of No Return 5x18. Anna from The Song Remains The Same 5x13, where she is the antagonist having been brainwashed successfully by heaven. Michael burning and Sam jumping in the cage with Michael in 5x22, then another moment from 4x01 (the brothers hugging after reuniting). A moment from The French Mistake 6x15 (reality fuckery again!). Sam in Frontierland 6x18.

[Gif 4] Reality fuckery continues with Becky marrying Sam in 7x08. Funnily enough, this is the peak of Becky’s obsessive behavior which she went to therapy for and grew away of - it definitely emphasizes how far Becky has come. Donna’s first appeance in 9x13. That iconic shot of Dean in Bloodlust 2x03 because he’s pretty. Charlie’s first appearance in 7x20 while she dances to Walking On Sunshine (relevant?), Kevin’s first appearance in 7x21 when he becomes a prophet (lots of firsts). Abaddon’s first appearance in As Time Goes By 8x12. Then there’s the first appearance of the bunker, in the next episode, a couple shots in fact. Then more 4x01, Ruby pretending to mistake Dean for the pizza man (eh). Then more present...

This section seems to be mostly “first appearances” - including Ruby’s s4 meatsuit, i.e. Genevieve’s first appearance.

[Gif 5] We suddenly jump to more recent events with Kelly and Jack in heaven in Byzanthium 4x08. Jack’s iconic hello from 4x16 Don’t Go In The Woods. Dean teaching Jack how to drive in 14x07 Unhuman Nature. But then we suddenly go from Jack things to something completely different on the surface: two consecutive moments from Changing Channels 5x08, including the iconic Nutcracker scene, and Sully from Just My Imagination. We are actually back to the previous theme: reality fuckery. Gabriel’s episode was about placing them in “television shows”, Sully, while real, is literally a child’s “imaginary friend”. And then... a moment from the cartoon part of Scoobynatural! It doesn’t get more reality fuckery than that. Oh, wait! Charlie and Dorothy going to Oz in 9x04. That’s a pretty strong contender. Dean being hit in the face by a fairy in 6x09 - also about a realm Dean briefly went to. And, in case we felt like we hadn’t gotten enough 4x01 yet, Pamela’s first appearance (her last, albeit a hallucination, was about the whole “How come you only want what you can't have?” thing).

[Gif 6] We continue again with a mixture of firsts and weird things. Ellen’s first appearance in 2x02, Dean and Cas in 4x18 (we saw Chuck from that episode earlier), Jody’s first appearance in 5x15 Dead Men Don’t Wear Plaid. Rufus in 6x04 Weekend At Bobby’s (not his first but a good episode...), Garth in 9x12 Sharp Teeth (not his first but the first in which he is a werewolf and is married... relevant to recent lamp events??), Missouri in 1x09 (her first appearance).

Then Gabriel from 13x21 Beat The Devil (an episode where he plays a trick on Lucifer) and Rowena from the same scene (in fact a scene where they’re flirting). Then Eileen coming back to life in 15x06 and smiling at Sam. Jo flirting with Dean in 2x02 - her first appearance, again. Funnily enough, she had been introduced as a love interest, but ended up being repurposed as a sisterly figure. Tempted to say it’s relevant in an ironic way. Mary in 14x11 Damaged Goods, when Dean has a goodbye mother-son moment with her. Amara in 11x09 Oh Brother Where Art Thou when she was looking for her brother. Then Lucifer in two different vessels (12x07 Rock Never Dies and 12x21, when Lucifer regains control over the vessel).

Then Metatron doing the find a wife make babies speech to Cas in 8x23! Relevant??? Dun dun dun. Then Ketch for some reason (the first episode where we see his face, 12x08 LOTUS).

[Gif 7] Then Jo/Anael in 13x13, another first appearance. (I cropped these horribly I should have cut them when the present happens lol.)

Sandwiched between two shots from the present, Dean Sam Mary and John having dinner together in 14x13 Lebanon.

Then we start again with Dean riding Larry in 12x11, Dean and Cas dressed as cowboys in 13x06 (mini pattern here...), Asmodeus with the archangel blade in 13x13 (insert meta about Asmodeus in Christian lore here), and the really intriguing “Intermission” shot from the play in 10x05.

[Gif 8] To continue a certain pattern we might be tempted to see, Dean eating piecake from 14x06 Optimism (an episode about a distorted version of romantic love), then Dean eating noodles from 10x13 Halt & Catch Fire (the ghost is a husband that passes on thanks to his wife). Dean after his dentistry session with Garth in 15x10. Meg from 6x10 Caged Heat (the episode with the pizza man porn). Dean and Sam investigating in 4x12 Criss Angel Is a Douchebag (an episode about growing old poorly). Crowley in 10x16 Paint It Black (that episode). Dean playing that game in 14x17 Game Night (the episode Cas calls for God, and when Mary dies - the one playing the game was God...). Sam and Dean getting out of the car in 13x05 when they visit the traumatized kid (peak mourning Dean episode...). Then we go into reality fuckery territory again with 14x15 Peace of Mind, Sam under the psychic’s control and Cas disgruntled about it.

[Gif 9] Mick Davies from 12x16 Ladies Drink Free, when he learnt a lesson about monsters. Dean geeking out about the Hatchet Man - so heavy with mirror significances - in 14x04 Mint Condition. Belphegor - Jack’s dark mirror - in 15x03 The Rupture, the break-up episode. Donna’s first episode again, this time Dean and she eating donuts. Dean, Sam and Mary hugging in 12x22 after the confrontation in Mary’s head. Kaia in 13x09 The Bad Place, when Jack uses her to find the way to where Mary is (Mary pattern?). Claire&co rescuing Jody and Donna in 13x10 Wayward Sisters. Dean in 1944 dresses as a sailor in 11x14 The Vessel. Baby nyooming in 15x11 The Gamblers...

Aaand more Changing Channels, the genital herpes ad. It’s almost like reality fuckery is a theme. Followed by Sam drinking the anti-cold concoction at Garth’s in 15x10 and the two of them outside the monster fighting pit in the same episode. Then Cas, Dean, Sam and Jack on a video call with Ketch in 14x09 The Spear when they talk about the egg to trap Michael.

[Gif 10] We stay in the same episode with the four of them heading to Michael. Then the four of them celebrating Jack’s return to life (after Cas’ deal with the Empty). More present, and then the iconic “we’ve got work to do” [trunk closes] moment from the pilot.

So: some of these moments seem like genuine moments you’ll want to put in a montage, but there’s a weird predominance of characters smiling and looking happy or goofy. It’s kind of... not exactly representative of the show as a whole, you know? There are moments that fit as, you know, iconic steps in the story, but surprisingly few, and many moments you’d expect to be in a “final” montage are blatantly not there. Several moments with, let’s put it like this, suspicious meta connotations. Moments that, well, we don’t know what happens in the finale yet, but smell like they might be relevant to future developments. (Metatron’s speech to newly human Cas anyone?)

What really strikes me is the amount of moments connected to reality being manipulated or distorted in some way. Lots of Changing Channels, fantasy elements of various kinds (the Djinn dream, Scoobynatural, Oz, the imaginary friend Becky’s wedding to Sam, the fairy, ...), them acquiring luck (s3) or losing it (s15), and so on. It’s almost like the sequence is telling us something...

Thoughts?

#anon #my spn thoughts #spn meta #spn 15x19 #spn

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verobatto · 4 years

Text

Destiel Chronicles

Vol. LXXXIV

It was a love story from the very beginning.

I Love You

(12x12)

Hi my beautiful friends, I will talk in this meta about the episode in which Case confessed his love. Did he? Or didn't he? Heheh let's see.

Dean Jealous and his contra-macho cool friend reaction

Oh yes, I'm gonna talk about that scene. I saw so many memes because Dean's dimples of discontent were loud. So get this...

MANDY: And how ‘bout you, handsome?

Gif credit @faramaiofnerdwoodforest

Dean's face here can't be taken by other thing than JEALOUSY, he is not amused with that girl throwing heart eyes to Cas. And he shows his dimples of discontent. Not amused at all. So, he post-reaction to this, with his mom on the table and that tough hunter too, he does what society waits for a friend to do when a girl is showing signs of flirtation to one of his friends...

But he overreacts and says a couple of silly things. One of them, Sam won't let go easily.

Gif credit @angvlicmish

This is the lie, because Dean doesn't want to teach Cas to conquer women. But he has to pretend he does. Because he wants to show the supportive friend he is. 'We've been looking for teachable moments' like 'We?' Sam and him? Sammy doesn't look as if he was waiting for this moment, besides, he knows what Dean feels for Cas, so... Dean is almost reaching the ridiculous line in here. Trying so hard to sound one thing, he is not.

Look at this...

SAM: The internet here sucks. I downloaded all the bunker’s files to a new archive, but we’re not getting any signal, so I’m j–

DEAN: [makes snoring noises and pretends to sleep] Nobody cares. Cas, here’s the thing you need to know about waitresses, okay? They get hit on all day long, so you gotta bring your A game. But, upside? [clicks tongue] They always smell like food.

WALLY: [nodding along with Dean, then pointing at him] They always smell like food.

First: Sam immediately changed the subject dragging them to the case and a difficulty he is having to get more info, and Dean! Dean just cut him off! He just can't let a waitress hitting on Cas' alone! Because is VERY IMPORTANT to him, to pretend he is helping him, because he is the waitress experienced friend, and try to low Castiel's expections into venture to do that!

Because... He says 'They always smell like food!" As if that were something sexy!

And Wally is just affirming that premise, and then Sam... Because he was interrupted by his brother's fake show, and because he knows what's the behind the scenes, he engages revengeful ...

SAM: Is that really an upside? They smell like food?

MARY: Okay– okay...

DEAN: Right? It’s great.

SAM: Why would you want them to smell like food?

Dean can't lie to Sam, because Sam knows the truth, he knows Dean is trying to kill every interest Castiel could ever have in hook up with any waitress in the world. Because he is jealous! And I believe Mary noticed that too, and just scolded their boys. Hehehe.

Then this?

Gif credit @angvlicmish

Okay, leaving to a side that his face is out of control, because he really thinks Cas is devastating handsome, he keeps with the cool friend that helps his friend, and the only one believing that story in that table is Wally, because he didn't live the Destiel drama. Dean is pretending like a good, because Wally is there. But Sam know, Mary knows, and even Cas knows.

Gif credit @angvlicmish

Dean is like 'I helped you, buddy, did you like that? I'm a cool friend.' and Cas is like 'Do you really want me to date this female, Dean?' just because the poor guy put so many effort on that. Geez. Dean is a mess... Heheheh.

I Love You

I will try to focus the meta in the 'I love you' scene, because before that, we have a very distressed Dean Winchester trying to save his angel. Dean is nervous, and in denying. Because his head can't process the fact of loosing Castiel for ever. He can't handle that lost, that's why he denies it.

Now, let's go to the famous scene. Did Cas said I Love You to Dean?

Gif credit @angvlicmish

If you rewatch the scene, previous to this confession, Castiel is looking at Dean straight in the eyes, then he drops his gaze and says these words, with a hint of shame.

But Dean's reaction can only been explained as someone who's hearing his best friend saying goodbye and giving up. And also, because in english language, this I LOVE YOU, could be sayed to a singular person of more than one. So, Dean thinks this I Love You was for them (Dean, Sam and Mary) that's why that face, is a face that says : ' Come one man, don't say it, you won't die, this is not the goodbye.'

I know a lot of people thinks Dean's reaction is because he wasn't prepared to receive a love confession, but I don't really think that. He is not prepared to say it. And in this take, he thinks this goodbye confession if for all the Winchesters in that room. Why do I think this? Because his reaction is very different when he sees Cas saying this to Sam and Mary.

Gif set credit @princessknoblauch 👇

Cas averts his eyes to Sam and Mary and Dean's face is of realization here.

He realizes the first I LOVE YOU was for him.

Why would Cas make that difference? Because the meaning are different. Even when he previously confess they are his family, he chooses to look at Dean first a confess one exclusive I love you for him.

Is platonic? Is romantic?

I truly believe is romantic, because there was shame in Cas' face, and he dropped his eyes before saying it. And I think Dean knew this deep inside.

But it could be taken otherwise, that's why it stays like a grey zone between them.

When Crowley comes and saves Castiel, Dean's face of relief is priceless, and there's this little finger touch Cas made over Dean's hand before left his hand go. They were close to be separated, what they don't know is, this is a foreshadow of Castiel's real death at the endo of the season, but also, Dean saying: "Let's go home" is foreshadowing too his own words in episode 13x06, when Castiel comes back to him.

To Conclude:

Episode 12x12 has Jealous!Dean, inside a hilarious scene, but it also has a sad foreshadow of Castiel's death.

Cas said confessed his love for the Winchesters as a family, but it was a special and exclusive confession he made to Dean, because the hint of shame and the dropped gaze, it meant more than just a platonic confession.

Dean's reaction is different to the second confession, because he realizes the first one was just for him.

I really hope you enjoyed this meta, see you in the next one!

Tagging @magnificent-winged-beast @emblue-sparks @weird-dorky-little-deana @michyribeiro @whyjm @legendary-destiel @a-bit-of-influence @thatwitchydestielfan @misha-moose-dean-burger-lover @lykanyouko @evvvissticante @savannadarkbaby @dea-stiel @poorreputation @bre95611 @thewolfathedoor @charlottemanchmal @neii3n @deathswaywardson @followyourenergy @dean-is-bi-till-i-die @hekatelilith-blog @avidbkwrm @anarchiana @dickpuncher365 @vampyrosa @authorsararayne @mybonsai1976 @love-neve-dies @dustythewind @wayward-winchester67 @angelwithashotgunandtrenchcoat @trashblackrainbow @deeutdutdutdoh @destiel-shipper-11 @larrem88 @charmedbycastiel @ran-savant @little-crazy-misha-minion @samoosetheshipper

@shadows-and-padlocked-hearts @mishtho @dancingtuesdaymorning @nerditoutwithbooks @mikennacac73 @justmeand-myinsight @idontwantpeopletoknowmyname @teddybeardoctor @pepevons @helevetica @isthisdestiel @dizzypinwheel @jawnlockwinchester @horsez2 @qanelyytha

@destielle @agusvedder @spnsmile @shippsblog @robot-feels @superlock-in-the-tardis @superduckbatrebel @2musiclover2 @nickelkit @anon-non2 @cea1996

If you want to be added or removed from this list just let me know.

If you want to read the previous metas from season 12, here you have the links:

Vol. LXXV, LXXVI, LXXVII, LXXVIII, LXXIX, LXXX, LXXXI, LXXXII, LXXXIII.

Buenos Aires, October 18th 2020, 7:35 PM.

#destiel #destiel chronicles #destiel meta #supernatural meta #season 12 meta #vol. LXXXIV

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