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#Disney’s wish
artist-issues · 5 months
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If you haven’t seen Wish yet and you love Disney, do not go see it. I am telling you now. It is ripping out the hearts of the Disney movies you love and then waving their corpses around as if celebrating those hearts.
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I’ll explain why, again: the message of Wish? Awful. Anti-Disney.
But they've been doing this for a long time. Saying one thing with their movies, and saying another with their PR and Disney Parks Soundtracks.
I'll explain.
Main Idea of Disney's Wish (and the You Are the Magic theme park song and merch): "The power to make your wishes come true is in you."
Most Disney Movies' Idea on How to Have Wishes: "Do what's right, (trust a higher power) and something even more wonderful than what you wished will happen."
Don't try to argue with me about this. You have to look underneath the slogans and the sweater designs and the song titles to what the stories actually support to acknowledge this.
Because you can’t say “do what’s right” has power unless you answer the question “who gets to decide ‘what’s right?’” (Which, coincidentally, is a question Wish brings up and then doesn’t answer.)
Audiences of Disney used to accept that wishing on a star was much like prayer; there’s something you long for, and it’s out of your hands, but you wish for it and you do what you know is right in the meantime. And you’re not crushed, you’re not downhearted, because somewhere in your mind you trust that the combo of those two things—wishing on a higher power and diligence to do what’s good—will be what makes your wish come true.
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Trust in a higher power—COMBINED WITH:
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—diligence to do what’s good.
The Blue Fairy (higher power) gave Geppetto his wish specifically because he had demonstrated commitment to do good, whether he got what he wanted or not. The Fairy Godmother (higher power) gave Cinderella her wish specifically because she kept on being kind and good to low creatures like mice and wicked stepsisters, whether she got what she wanted or not.
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Do you know why that combo (higher power + diligence to do good) is impactful? Timeless? Important?
Because it’s selfless. You want something, but you’re not going to sacrifice doing the right thing to get it. You’re not going to focus so hard on making what you want a reality, on your own, that you miss out on things that could be more important than what you want. And, you’re not so self-focused as to believe that if you don’t do it, it won’t get done.
Jeez, that’s the whole point of The Princess and the Frog!
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Tiana wishes to have her own restaurant, and she believes that only her own hard work will grant that wish. She misunderstands her dad’s advice before he dies. She isn’t willing to trust a higher power combined with her own diligence to do good—she only trusts her own ability.
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It’s not until she realizes that Ray, the character of faith, was right all along that she learns—what she wished for was too self-focused. It wasn’t complete without love. Something bigger than herself. And getting that was never going to happen just based on her own hard work.
But you know what? It was never going to happen just by a “higher-power” flavored shortcut, either. Because Facilier offers her her wish if she’ll just trust him, no hard work needed. But what does she say?
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Trust in a higher power + diligence to do what’s right = selflessness, and getting more than you could have ever wished for. And if your wish is selfish, doing those two things will change your wish into something selfless.
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More examples? Get ‘em while they’re hot, in case Wish made you forget, just like the current #NotMyDisney executives have forgotten, what real Disney wishes are for.
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Belle wishes to have adventures in the great wide somewhere--but when she's imprisoned and that chance is taken from her it's not reversed because she worked hard to make her wish come true. It's granted because she gave up her wish for her father: she just did the right thing, regardless of her wish. And in the end, she does get what she wished for, which is adventure in an enchanted castle...and much more, because she gets true love, a throne, and a castle full of friends.
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How about the One Who Started It All? The one Wish is failing to pay genuine tribute to?
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Snow White wishes for someone to love her, and he does--but when they're separated, she does not exercise power to make The Prince come back to her. Instead, she loves who she can where she’s at—the Dwarfs. In the meantime, she has faith that he will keep his promise, and that pure trust in a higher power outside of her control is a big contributing factor to why the Dwarfs come to love her, and learn from her...and in the end, even more than she could've wished happens. He does take her to his castle, but she also has seven new friends who also love her, and the Queen is dead. And she didn’t need to use “the power in her” to work harder and get it done. She just needed to not focus so much on herself at all.
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How about a male main character? One who’s wish starts out selfish, but after learning to wish on a higher power and be diligent to do the right thing, gets more than he could wish for?
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Aladdin wishes to be somebody different (somebody he believes Jasmine could love, somebody who lives in a palace and is respected and “never has any troubles at all.”)—but doing everything in his own power for that wish proves that it was selfish all along; so he switches to doing the right thing, regardless of if his wish comes true, and he gets even more than he could’ve wished. He gets real love with Jasmine, he gets his friend Genie, and he gets to be free from feeling “trapped” because he doesn’t have to hide who he is anymore.
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Or Simba?
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Simba wishes to get to do whatever he wants as King—but when Mufasa dies and he’s convinced it’s his fault, it isn’t for that wish that he goes back to Pride Rock to confront his past and his Uncle. It’s because he had an encounter with a higher power—his father—that helped him to realize his wish was selfish all along. He gives up the selfish wish, and he goes back to take his place as king, not so he can do whatever he wants, but so that he can take self-sacrificial responsibility that comes with ruling. And because he just does the right thing, finally, he gets more than what he wished for.
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How about something more recent? Zootopia.
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Judy wishes to make the world a better place by proving she can be what she wants to be and catching bad guys—but when she tries to make her wish happen on her own, in her own abilities, she fails and is forced to realize that she should’ve been looking for help by understanding “bad guys,” like Nick. It’s only after she humbled herself, admits she’s wrong, and changes her wish from “proving I can be what I want and catching bad guys” to “proving that understanding each other makes the world a better place” (much less self-focused) that her wish comes true—and so much more. She does make the world a better place, and she does get to catch bad guys, but she also gets to befriend one who was a good guy all along, and become all-around more effective at her dream job.
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This is how Disney always has been. Because it’s at the heart of good storytelling, and even life (not to get too dramatic.)
The power is not in you. Because it’s not about you. Self-sacrifice, faith, and doing the next right thing regardless of if you get your heart’s fondest desire is what makes more than just your wishes come true. And there has to be belief in a higher power to make that message powerful.
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But Wish?
Not only is it bad at showing instead of telling. Not only is it lazy and soulless.
But it’s characters rip the Star out of the sky and say “don’t wish on this. Wish on yourself, to get what you wish for. You don’t need a higher power. You don’t even need to sacrifice to do what’s good—whatever you do is good, because you are the one doing it.”
That is wrong. That is not true, and it is not powerful. There’s no sacrifice in focusing on or placing your trust totally in yourself, and it undoes every good thing Disney has done up until now.
And it undoes it on the 100th anniversary, and it flaunts Easter eggs of the very things it’s undoing.
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pinkiemachine · 3 months
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HEY EVERYBODY. I’M ABOUT TO MAKE THIS EVERYONE’S PROBLEM.
I am rewriting the film “Wish,” now called “Alicia and the Kingdom of Starlight” to avoid copyright infringement. If you would like to audition for a singing role, or offer to volunteer any artistic skills, check out my YouTube channel for more details. (Pinkiemachine Studios)
Thank you!!!
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emuanon34 · 5 months
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Disney is not slick hiding the fact that the duet between Asha and Magnifico obviously started out as a love song between her and the Star Boy.
We almost had the second coming of Jelsa but without the copyright infringement.
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The lyrical difference between the official song and the demo song is that the demo says “Love” but it’s replaced with “Promise” in the official version.
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faelapis · 7 months
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if anyone’s wondering what i mean by “tangled marketing” in relation to wish (2023): despite tangled mostly being a very sincere, straightforward fairytale with some jokes, the marketing was ALL jokes. the teaser was this weird scene where rapunzel beats eugene up with her hair in a variety of comedic ways. it does not appear in the final movie.
there’s a great lindsay ellis video on how disney saw the mediocre results of their last few 2d animated movies in the 2000s and had a drastic idea. next to a switch to 3d (that had worked great for dreamworks), the idea was also to change the marketing to be more like dreamworks. sadly, that video appears to have been deleted. so i’ll paraphrase: basically there’s more eyebrow wiggle, more “oh, i’m sooo naughty!” humor, more focus on how this is a movie with “jokes for adults” in it, etc. basically, the idea is to be more irreverent, and that will (in their minds) appeal to modern audiences than a sincere, unironic fairytale.
and it totally worked. tangled made a million buckets of money. then frozen (similarly marketed with a heavy focus on olaf and sven the reindeer) came along, and has basically been a constant money printer the last decade.
…here’s the thing, though. i kinda thought we were over this? the last few disney movies have not been marketed like this. even frozen 2 did not have this kind of marketing. it was much more openly “serious.” remember that teaser of elsa fighting the waves? the marketing was focused on the “drama/adventure” aspect, and this was reflected in the full trailer.
and frozen 2 made even more money than frozen! so you’d think this was done. there’s been a real cringe counterreaction to over-the-top “eyebrow wiggle” humor like this, as well as to annoying disney sidekicks. disney seemed aware of this, as they slowly cut out the “shrek lite” marketing.
…yet here we are. in 2023. after basically no hype for wish, disney is kinda pushing the dreamworks panic button. or trying to split the difference. cuz it’s basically a bait-and-switch trailer that devolves in real time, starting serious then descending into full-on eyebrow wiggle. desperately trying to convince audiences (and themselves) that this will always work. that they can always have a character be like “i found it with my butt! 🤪 ” and it will mean success.
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disneyfanatic1993 · 4 months
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🌟Tangled Up🌟
🧶Star learns that it’s harder to play with yarn in his human form, and Asha finds it pretty funny 😂 (And yes, he can still float as a human. And shapeshift back into a star whenever he wants).🧶
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jisreal64 · 4 months
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You know, a lot of people don’t like that I think that we’re in a dark age of indie web animation because of the Kicktoon genre and thinking that stuff like Wish, Lightyear, and Box Trolls should be the gold standard instead. Like I get it, you guys are a bunch of uptight Saberspark and Cellspex-esque snobs who have too high standards and expectations that mindlessly suck off any small scale indie animation project regardless of it’s quality. Well I’m sorry for liking actual art (ie Wish and Lightyear) instead of some Starbucks barista’s coked-up fever dream (ie Hazbin Hotel and Helluva Boss).
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link-alou · 3 months
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Take the magical boys because I think they’d be buddies
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thehumansnail · 4 months
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King Magnifico X Reader
Pt2: The contract: You’ve woken up in bed with The King, now it’s time to discuss business.
Warning: Implied relationship😂 👀 open relationship? idk read on~
You stared in awe of the sleeping king. The way his head rested against the pillow, made a blush grow on your cheeks. He held you close, not tight but snug enough you couldn’t escape his cuddle. You thought he was beautiful before but something about his resting face made you want to kiss him. Suddenly all the memories of the previous night rushed to your head. You had done alot more then just kiss him-
You smiled leaning forward about to kiss him when his eyes opened. The smirk that was instantly on his face gave you shivers as he spoke.
“Good morning,Sweetness.” The king said, placing a kiss to your nose. You stared still a bit star struck. You felt him pull you close into his chest and could hear his soft breath above you. You nuzzled into his chest blushing slightly at the close contact of your naked bodies.
“Good morning my king..” you mumbled to him. He laughed a bit before kissing your forehead. You looked at him, seeing the smile on his face. The way those shiny blue eyes looked at you made you feel like there was no one else in the world.
“you know, I’m surprised your still h-here..” you stuttered out your last word afraid if you said it the king would leave. He chuckled and shook his head.
“If I left you how would I know our contact would hold up?” He said as he now moved to sit on the bed away from the love bubble you had created.
“The contract?”
“Yes! We made a deal after all that you’d be my apprentice. You can’t just leave after having your wish granted after all, you were announced as my apprentice after all.”
The king's words felt heavy as you now sat up. Of course, there was some kind of condition for your wish. “So…what is the contract exactly?”
“Well, you’d study under me and be my actual apprentice. You’ll also have my attention when you wish, whatever type of attention it may be.”
You smiled a bit at the thought of having a king at your beck and call. You couldn’t help but blush at the thought of being with him but it suddenly raised questions. “What about your wife? I’m sure Queen Amaya wouldn’t enjoy you sleeping with your apprentice.”
“Well,that’s another part of our contract. Sweetness, you’ll be talking with Amaya today and she’ll tell you all about her side of the arrangement.” Magnifico smiled as he scoffed towards the end of the bed. Suddenly you couldn’t help taking in the room around you.
The room had a Domed ceiling showing off a lovely painting of the stars and constellations. A The dome was held up by pillars decorated to look like shooting stars falling from the sky above. The details looked to be hand painted and golden foiled.
“This room is so pretty, my house in the village looks nothing like this.” You said gazing around the room and then down to the king sized bed that you laid in. A sigh left your lips as your hands touched the silky fabrics.
“Mi Amour, You’ll have to get used to it. After all this is your bedroom.” The king smiled “as the king’s apprentice you get a room in the palace, a personal chef and your own funds.”
Your eyes widened “so what your saying is I get to learn magic, have amazing sex and live in luxury??”
Magnifico bursted into laughter before he nodded his head. “I guess you can say that yes. Now come on y/n, up and at up! You need to get dressed and ready to meet with the queen.” he said as he placed a kiss on your cheek. He had already gotten himself fully dressed and was now picking up your clothing.
Once you were dressed, it seemed the king disappeared. You exited the room that had now been yours to find queen Amaya talking with her husband. You gulped a bit before approaching the two of them.
She gave you a warm smile “ah! Y/n, you're here! I was wondering when the contract would start.” You looked a bit confused before she grabbed your arm, locking you both side by side. You blushed a bit embarrassed before the king smiled and walked away.
You walked quietly arm and arm with the queen. She noticed your nerves and decided to speak.
“So, I know you slept with my husband.” She said calmly and you felt your breath hitch in your throat.
“Ah- y-yes I did do that didn’t I?” You replied as your voice seemed to shake. The queen laughed a bit at your words before she smiled warmly.
“Don’t worry, it’s perfectly okay. Magnifico and myself have a small deal. Which brings us to your contract.” She smiled and handed a paper over to you.
You took the paper and began reading…
“ Y/N Fletcher, Kings Apprentice.
Y/n , will receive a full suite, royalty card and personal chef in the palace. Along with these terms they will report daily to king Magnifico's study and at least once to Queen Amaya’s maid quarters.”
Report to the maid quarters? You looked up at the queen and she smiled. “Well, if your going to be assisting with Magnifico regularly, I’d appreciate it if you covered my handmaid's place while she is..” she cleared her throat and smiled “well, while she will be busy assisting me; if you understand.” Your eyes went a bit wide but of course you understood.
“So I don’t know if it’s my place to ask but, are you in an open relationship with the king?”
“Yes, we’ve done this for a few years now.” The queen said with a smile. “As long as our lovers are alright with the fact we’re taken.” The queen’s words made you feel a bit guilty. You had gotten so swept away with The King you hadn’t thought about her or her feelings.
“Yes my queen, I will stand by the contract.” You said with a smile and quickly started to scribble your signature.
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universe-of-peoples · 5 months
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I’ve seen a fair amount of criticism for Disney’s Wish that boil down to the op being angry that the movie’s message was about taking your wish/ambitions/life into your own hands instead of putting blind faith into a higher power. Even more posting telling people not to see the movie and to warn others off of it. Honestly, these people worry me.
Look, I don’t like the Mouse any more than you do. Don’t give your money to them if you don’t want to. There are other ways to see the movie if that’s what you want. All I’m saying is you should make up your own mind instead of blindly following someone else. Think critically about what people are saying and why they’re saying it (this includes people online AND Disney and their movies). Most importantly, decide for yourself if you agree with them. But you can’t decide for yourself what you think about the movie without having seen it first.
That’s not to say that you have to see the movie if you don’t want to. I’m only saying that you should think critically and form your own opinions on subjects rather than blindly following others (especially anons on the internet).
The end message of Wish was to take your life into your own hands and that the will of the people is more powerful than one corrupt person. Personally, I would think hard about the people who dislike that message, and why they think that it’s bad.
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Asha concept art by Bill Schwab
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sariaswoods · 4 months
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Spot the difference (you can’t)
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artist-issues · 5 months
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I Saw Wish
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And it was the worst animated Disney movie I’ve ever seen. I have to watch it again before I can get into the nitty gritty details. But I don’t need details to sum it up, because my dad actually said it perfectly as we left the theater:
“It was like someone who didn’t really understand Disney movies tried to make a Disney movie.”
Both the form (the technical arts of filmmaking) and the content (the morals, values, and themes of the movie) were totally horrible.
I don’t know who’s fault it was. Jeremy Spears was in the storyboard room and Mark Henn and Eric Goldberg did some 2D animation. But they must have gotten outvoted, or they must not care anymore.
Because holy cow. Here’s some stuff that’s just off the top of my head.
SPOILERS. Not that it matters, because nothing interesting happens in this movie.
The writing? Terrible. Ninety percent of it feels like the characters are filling time with quirky one-liners that are trying too hard to be appealing, then failing, then taking you out of the movie. The jokes aren’t funny. The characters just respond to each other in conversation to check a one-liner box. The other twenty percent is whole conversations repeating tell-don’t-show exposition that has already been covered, usually twice, in previous scenes. Like if in Tangled, every scene had included some variation of Rapunzel saying to friends and enemies alike, “I have to see the floating lights so I’m sneaking to the castle with this thief who wants a mysterious tiara I hid from him. Don’t tell my mother, she’s a bit overprotective!” Over. And over. And over.
The character motivations are way too broad. Asha? Her dream is just “that everybody around me gets to be happy.” That’s it, in a nutshell. No deeper exploration of that. Nobody asks, “why do you care so much?” Nobody tries to convince her she should look out for herself, and then she proves she was right all along. The King? We are told (not shown) that he doesn’t want anyone else’s dreams to be “destroyed.” But he in no believable way expresses that that motivation is still what’s driving him during the movie—what’s driving him is just a plain old lust for power, no nuance.
By the way, the whole premise of the movie? Undercooked. Half-baked concepts strung together with no definitive meaning. Therefore, it’s not believable. Example: The characters act like the wishes are beautiful—well, actually, no, this movie doesn’t know how to show, so there’s not a lot of meaningful acting—the characters just tell us that wishes are “the most beautiful part of someone,” and that’s why it’s worth going through this adventure to give their wishes back to them. But there’s no proof of that in the movie. In fact, it directly kicks it’s own legs out from under that idea, because it has every character who gives up their wish forget that part of themselves. Asha’s grandfather has forgotten his wish, but that doesn’t make him any less “beautiful.” She, and everyone, still treats him like he’s this wonderful old man who deserves the world, who everyone loves…but why is he so appealing? If he “gave up the most beautiful part of him?” The only character who is changed by their lack-of-wish is the Sleepy-analogue character…who is just sleepy, which is described as “boring.” But nobody else who’s given up their wish in the whole kingdom acts like that. It’s just him. Also, the King acts like it’s so important to protect the wishes from destruction. But what does destroying a wish look like? That actually happens to Asha’s mom. Her wish-bubble is broken, literally, and she just says she feels grief. But like. Why? She never remembered it in the first place; it had been missing from her life for years. Also, what the heck is a wish?! It seems to range from broad concepts like “inspire people” to “fly.” Just “fly,” like a bird. The desire to levitate off the ground is the most important, beautiful essence of one background character. Like, what?! But no character ever has the why behind their wish to make us care.
I could go on and on about that point. Like, think about Disney movies that wrote the book on how to make movies about characters with wishes. If Ariel were in Wish, her bubble would look like “dancing and learning and exploring on the Surface with someone who understands her.” But we believe that that is her real, genuine wish, and that it matters to her, because we are shown why being understood is so important to her. Because it’s missing from her life. There’s a scene where she explores a boat alone, and even her best friend doesn’t get excited about it with her. Her dad won’t listen to her point of view. Her siblings don’t ask her about her life even when they think she’s in love. She wants what she wants because of pieces of her life that we are shown.
We are never shown why Asha’s grandfather is obsessed with inspiring people, so we have no reason to believe it, or care whether he gets it or not. We can’t feel disappointed when his wish is said to “never come true,” like we did when Quasimodo was abused by the people he wished to join. We can’t feel elated when he finally “gets” his wish, like we did when Simba smiles on Pride Rock remembering the same way he used to as a cub and claims the crown with a roar. We don’t have anything to hang on to, nothing to relate to, nothing to grasp and feel with the characters. So we don’t feel, because they didn’t put the work in to help us feel. They just say, “the mom’s feeling grief. Feel grief.” And expect us to do the work ourselves. I have to stop harping on this point and move on.
But The main point of the movie is very broad because of that lazy premise, and it’s barely reinforced by any kind of appealing storytelling. If I had to guess, the point would be “Keep wishing for more even when it’s hard.” But the story they told to communicate that meaning was so unimpactful. Asha doesn’t have a dream of her own that’s such hard work to accomplish! (Neither does her grandfather; his wish is “to inspire people.” And at the end, we’re supposed to see him strumming a guitar and believe it’s inspiring? We were never shown how he worked hard to learn how to play the instrument. Or that he carved it with his own hands, or anything like that. So there’s no meaningful demonstration of working hard for it or achieving your wish even if it’s far out of reach.) And nobody except the king is trying to take wishes away from anyone, and he just does it literally, after they voluntarily give them to him, so there’s not even any impactful demonstration of “don’t let anyone tell you your wishes are dumb or unachievable, or stop you from reaching them.” Even when he takes them away, it’s just because they…could, someday, be used to threaten his kingdom in a vague, really unlikely way. There are so many things you could do with “keep wishing for more even when it’s hard.” For instance; you could say the main character has always been afraid to dream (wish for more), because maybe when she was a kid something wonderful almost happened but ended in tragedy, so she keeps her head down and doesn’t want much because if you don’t dream you’ll never be disappointed. She takes no risks, and has to learn that sometimes trying and failing is worth more than slogging through life all self-protective. I mean, the pieces were right there. She has this line about her dad, and how she wished he would get better but then he died. She has lines about how nobody should have to live with grief?? Then that’s never addressed again! It’s just a throwaway emotion-moment with no buildup or follow-through to tie it to and support that main theme.
The compositions of too many shots were so terrible. Characters got cut off in weird places. One shot has Asha dead center, with her grandfather on the left side of the table and her mother on the right, having a family dinner with a super exposition-heavy conversation that is meant to be emotionally charged. But despite everything else being perfectly centered, half of her mother’s body is chopped off. The movie’s shot like someone’s mom who doesn’t understand technology tried to take a video with her phone.
The charm of the art “style” wears off basically immediately. I know what they were going for. I see the sketch lines and watercolor textures. This is maybe the first time Disney ever failed to accomplish a visual “look” that turned out good. Everything looks dull. Muted. De-saturated. Slightly out of focus, but not in a cool Spider-Verse way. The sets or backgrounds are lazy; at no point does the scenery look complete; big, empty, boring spaces that do not create any kind of “stage” for impactful moments. The rendering looks unfinished. When Asha’s hair moves during her belting of the “I Make This Wish” song, it’s bad. It’s unnatural. It flops in a way that doesn’t make sense for the weight of her hair. The most impactful visual moments come from the villain, and they’re moments when he looks way too unhinged for the kind of line he’s saying.
There is no interesting character development. Asha goes from believing everyone is basically good and their wishes deserve the chance to come true , to….that, again. That would be fine, she could be a static character, if she proved contrast-characters wrong, in a believable way. But she never does. Because no other characters argue with her except the King. And it goes no deeper than “everyone’s wishes are basically good and they deserve the chance to make them true” vs. “nuh-uh, because I get to decide what makes them deserving.” The King doesn’t have any kind of interesting development, either. They don’t expand on his tragic backstory—it consists of one drawing of him near a broken boat, and a few images of the corner burned off of his family taoestry. They never say “King Magnifico wished for _____ and it was taken away!” They literally never tell you what his wish or dreams were, or what motivated him to create the whole kingdom that the movie’s premise sits on. So there’s no convincing sense of progression, how he got this way, why he’ll keep going “so far.”
The pacing is weird. It undercuts every moment that could have any kind of emotion behind it. One minute Valentino is suavely bouncing around, then he’s given a two-second beat to blubber with badly-animated tears that he’ll miss Star—then he instantly gets to have another funny one-liner so we forget he might’ve been sad a second ago. We’re clearly supposed to believe that the King and his wife are devoted to each other, and his turning evil was such a big betrayal, but there’s no time and no impactful evidence for us to believe either of those things. And even if we did, the moment he’s defeated and trapped in a mirror, and begs to be let free, the Queen kind of shrugs it off, makes a forgettable one-liner, and tells them to throw him in the dungeon. And he doesn’t look remorseful. And we don’t even get to assume he’s embarrassed or emotionally devastated that he’s come to this—because the last thing he says is “nooo, the dungeon is so smellyyy!” Like this is a half-baked LEGO short that can’t get emotionally deeper than what an actual 3 year-old’s parents might be okay with.
And that’s the worst offense: The movie is not genuine. It works hard for nothing, and it has no vulnerability. It just uses old Disney standbys to pretend to be vulnerable. Have the music swell and the characters gasp and the songs drip emotion when characters are meant to be saying or doing something emotional.
But truthfully, think of all the Disney movies you’ve ever seen with the hardest emotional moments. The sheer joy of Genie when he realizes he’s free. The anguish when Elsa thinks Anna’s been frozen forever, or when Anna thinks she’s dead. The trauma when Simba loses Mufasa. The longing and dreaming of Ariel when she reaches up out of her grotto. The sense of foreboding when Mother Gothel says “fine, now I’m the bad guy” or the heartbreak in Rapunzel’s eyes when she thinks Flynn has abandoned her, or the shame on Aladdin’s face when Jafar reveals he’s a street-rat, or the horror of cruelty when the stepsisters rip up Cinderella’s dress, or Kala’s tears when Tarzan leaves her in the treehouse, or Sarabi’s tears when Simba comes back, or Mulan’s father tossing aside the sword and token of the Emperor to embrace Mulan, or heck, even just Lilo pushing Stitch in the woods and telling him “get out of here.” This movie has no moments like that. It has moments you can tell that the filmmakers wanted to hit like that—but they don’t.
Because no work is put into building them up. You know how much Simba loves Mufasa, because you’ve been watching their chemistry more than any other character all the way up till he dies. You know how much Mulan wants to please her family because she spends all of Act I desperately attempting to do that. You know Quasimodo believes the world below is beautiful and wants them to accept him because he has interesting things like—talking to gargoyles, convincing us that he’s lonely; building a scale model of the townspeople, convincing us that he sees them in a beautiful way and wishes he were beautiful in more ways than one like them, too.
Right down to the facial expressions, none of them are as anguished, happy, sad, excited, silly, in any convincing way like all of Disney’s other movies. Asha’s “low moment” when she’s afraid her “wish” hurt everyone else (still vague on what that wish ever was) lasts two seconds, she’s not crying, she’s barely sitting with slumped shoulders, and her family barely spend two seconds comforting her. They basically just say, “aw, no, it’s not y fault, it’s the king’s.” And she’s like, “yeah okay” and that’s that. It’s like the animators we’re afraid to animate really intimate emotions on the characters’ faces. The voice actors, too.
And the whole movie is peppered with Easter eggs to past Disney movies. But all that does, if you really know Disney beyond the visuals, is make you think of how hollow this movie is in comparison. How much you wish you were watching Cinderella or The Little Mermaid or something with depth and vulnerability instead of Wish.
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cathy-plus-e · 5 months
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What I personally liked about Wish:
King Magnífico <3
King Magnífico's song
King Magnífico's point of view in general
The references to other Disney movies!
What I personally didn't like about Wish
The mix of 2D and 3D was "Let's make the backgrounds 2D and the characters 3D!", and that's it, as simple as that
King Magnífico is a good guy and the movie treats him like a villain
King Magnífico explained to Asha almost with apples and pears why he doesn't make true every wish
Asha literally wanted to be King Magnífico's apprentice just because of a personal (or selfish) reason, her grandpa, and not because of a good or noble cause
Asha's friends were almost too predictable
This post saying the truth is another reason
The characters literally defeated the powerful villain who was in an amazing power-up by using a song with the power of love and friendship???
After movies with great characters, animation, stories and lessons from movies like Zootopia, Encanto and Turning Red... This movie almost feels inexpensive
The cliché of «I'm good– I'm bad– Oh no I'm good again»
Just by the trailer I imagined (without creativity) the movie... And I was right??? What's the magic of that???
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blackfilmmakers · 5 months
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“Learning more from our cultural consultant Dr. Aomar Boum about the cultural traditions of the Amazigh people in North Africa, including their history of braiding and ornamenting long hair, inspired me to explore a box braids hairstyle for Asha.” -Bill Schwab
So y’all choose to showcase all this “research” by:
1) Ended up not giving Asha any hair ornaments, and a chance to give her a unique and distinct design that helps best represent her culture
2) Choosing micro “box braids” of all afro-based hairstyles to give to Asha, despite the fact that box braids wouldn’t even look like whatever y’all gave Asha. For one thing that particular style takes a lot of time and a lot of hair and a lot of work, all of which Asha would not have, nor do I think that’s even her character. It’s also not a common hairstyle people from North Africa would wear at this time. If they did it’s usually in 2-10 braids
3) Design said box braids in the movie in a way where it’s hard to tell whether they are braids or twists, and honestly I think they do a bit of both. Doesn't help their animation makes everything look muddy, so you really have a hard time telling. And no it's not because of poor YouTube quality, we've seen Disney provide us official screenshots from the movie, it just looks that bad. One side of her hair aren't even box braids, they are clearly cornrows. Not that we don't mix box braids and cornrows into our hair sometimes, but it's obvious yall just didn't care to make the distinction. Here's a hint to recognize box braids: they are parted in "box" sections
4)Making it seem like black hair is stiff and lifeless despite all the movement Asha be doing. There are plenty of references of black girls dancing with their braids yknow, moving. They couldn’t look at any references?
“It’s a fantasy it’s not meant to be accurate” ok then don’t bother consulting with anthropologists on this subject then. Don’t boast how much “research” you guys do only to show that’s not the case and you don’t even listen to the experts. Not that listening to one person is enough. You’re representing a group of people that hardly gets media coverage other than “bad desert brown person”. But I guess that's fitting Disney shows how little they care looking st the genocides they supporting
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drravenblackwoods · 5 months
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Credit goes to open ai chat gpt.
King Magnifico x reader aka Ingrid
Regal Adventures: King Magnifico often takes Y/N on enchanting adventures through the magical realms of Wish, showcasing the beauty and wonders of his kingdom.
Royal Banquets: As a gesture of his affection, King Magnifico arranges lavish banquets for Y/N, featuring dishes prepared by the finest chefs in Wish.
Magical Surprises: The king loves surprising Y/N with magical gifts and trinkets, each one possessing a unique enchantment that adds a touch of wonder to their relationship.
Dancing Under the Stars: King Magnifico and Y/N share romantic dances under the starlit skies of Wish, with the castle's magical lights creating a mesmerizing atmosphere.
Royal Advisor: Y/N becomes King Magnifico's trusted advisor, offering insights and perspectives that help him make wise decisions for the kingdom.
Midnight Strolls: The couple enjoys quiet, midnight strolls through the palace gardens, basking in the tranquility of Wish and each other's company.
Magical Talents: Y/N discovers hidden magical talents with the help of King Magnifico, unlocking their potential in ways they never imagined.
Fairy Tale Library: King Magnifico creates a fairy tale library for Y/N, filled with books that tell the stories of Wish's rich history and magical tales of love and adventure.
Royal Protectors: King Magnifico ensures that Y/N is surrounded by loyal and trustworthy protectors, guaranteeing their safety in the enchanted kingdom.
Eternal Love: The king and Y/N's love is so powerful that it contributes to the overall magic of Wish, creating an everlasting bond that strengthens the kingdom's prosperity.
Seasonal Festivals: King Magnifico organizes grand seasonal festivals in Wish, and Y/N is an integral part of the celebration, bringing joy and warmth to the kingdom.
Magical Creatures: Y/N discovers the hidden corners of Wish where magical creatures reside, and with King Magnifico, they embark on quests to befriend and protect these fantastical beings.
Artistic Pursuits: King Magnifico supports Y/N's artistic endeavors, whether it's painting, music, or other creative expressions, fostering a vibrant cultural scene in the kingdom.
Secret Garden: The couple has a secret garden within the castle walls, where rare and magical flowers bloom, symbolizing the growth and beauty of their relationship.
Wishful Thinking: King Magnifico and Y/N have a tradition of making wishes together during shooting stars, and these wishes often come true, adding an extra layer of magic to their lives.
Inclusive Kingdom: Together, they work towards making Wish an inclusive kingdom, promoting equality and understanding among its diverse inhabitants.
Timeless Romance: The king, using his magical abilities, occasionally transports Y/N to different eras within Wish, experiencing the timeless romance of the kingdom's history.
Floating Lanterns: Inspired by the magic of floating lanterns, King Magnifico and Y/N release them into the sky during special occasions, symbolizing their hopes and dreams.
Enchanted Wardrobe: Y/N has access to an enchanted wardrobe that transforms into the most exquisite outfits for royal events, ensuring they always look regal by King Magnifico's side.
Heirloom Treasures: King Magnifico gifts Y/N with heirloom treasures from Wish's royal history, passing down the magical artifacts that hold stories of generations past.
Starry Nights Retreat: King Magnifico and Y/N have a private retreat high in the mountains of Wish, where the night sky is so clear that they can stargaze and share quiet, intimate moments.
Magical Portraits: The castle walls are adorned with magical portraits that capture the ever-changing moments of King Magnifico and Y/N's life, creating a living tapestry of their love story.
Whimsical Transportation: Instead of traditional carriages, King Magnifico and Y/N travel through Wish in enchanted vehicles that can traverse land, sea, and air, adding an extra touch of whimsy to their journeys.
Harmony Garden: Together, they cultivate a garden where magical plants and musical flowers grow, creating a harmonious symphony that resonates throughout the kingdom.
Dream Weavers: King Magnifico and Y/N encounter dream weavers who help them navigate the dream realm, bringing back tales and inspiration that enrich their waking lives.
Celestial Picnics: Picnics are elevated to a celestial level, with King Magnifico conjuring floating tables adorned with celestial delights, creating a dining experience under the open sky.
Secret Tunnels: The castle holds secret tunnels and passages that lead to hidden corners of Wish, allowing King Magnifico and Y/N to explore the kingdom's mysteries together.
Animal Companions: Magical animals become loyal companions to Y/N, each one representing different aspects of Wish's enchantment and serving as protectors and confidantes.
Epic Ballroom Dances: The castle's ballroom transforms into a magical dance floor during special occasions, and King Magnifico and Y/N dazzle the kingdom with their elegant and enchanting dances.
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disneyfanatic1993 · 5 months
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💫You’re a STAR!💫
⭐️(drumroll) Introducing Star, my humanized version of the adorable little guy from “Wish”! 🥰 When I saw the concept art of his shapeshifting version, and how he was supposed to be a love interest for Asha, I knew I had to create my own version of him!⭐️
🌟So here he is! He reveals this form after the events of the movie, when he realizes he has fallen for Asha. I imagine him still being as energetic, upbeat, and mischievous as his star form (which he can still transform into, btw 😜). Asha is more than a little surprised to see him like this.🌟
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💛So anyway, I hope you like him!💛
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