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anominous-user · 11 days

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Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton.

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff | Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine | Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on.

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives.

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair.

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another?

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her."

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first." • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

#honkai star rail #double indemnity #veritas ratio #aventurine #golden ratio #ratiorine #an attempt at analysis by one a-u #relationship analysis #you know what‚ i guess i can tag the other names of this ship #aventio #raturine #you could make a fucking tierlist of these names #um‚ dynamics (yk what i mean) dont really matter here in the analysis just fyi if youre wondering its general enough #also if you're wondering about the compilation thread - its not done. it'll take a while (a long while.)#this post was so long it was initially just a tumblr draft that i then put into google docs. and it ended up being over 2k+ words long #is this a research paper‚ thesis‚ or essay? who knows! this just started as just a short analysis after watching the movie on may 5 #final word count according to docs (excluding alt text): 13013 - 43 pages with formatting #i wish i could have added more images to this‚ 10k words vs 30 images really is not doing me any favours…#plus‚ i hit the character limit for alt text for one of the images.#if you see me mixing up british and american spelling‚ you probably have!#oh yeah. if any of the links happen to break at some point. do tell. i have everything backed up #there also may be multiple links strung together‚ just so you know.#I link videos using the EN and CN voiceovers. Just keep that in mind if the jump between two languages seems sudden.#I had to copy and paste this thing from the original tumblr draft onto a new post because tumblr wouldn't let me edit the old one anymore.#Feels just like when I was finalising my song comic…#(Note: I had to do this three times.)#I started this at May 5 as a way to pass the time before 2.2. You can probably tell how that turned out.#Did you know there is a limit to the amount of links you can add to a single tumblr post? It's 100. I hit that limit as well.#So if you want context for some of these parts... just ask.#I'm gonna stop here before I hit the tag limit (30) as well LMAOO (never mind I just did.)

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iliveinyourceiling65 · 2 months

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SoC incorrect quotes

part 8 :)

Kaz: How did none of you hear what I just said? Jesper: I’ve been zoned out for the past two and a half hours. Wylan: I got distracted about halfway through. Nina: Ignoring you was a conscious decision

Jesper, pointing: May I sit there? Wylan: That's my lap Jesper: That doesn't answer my question, Wylan.

Matthias: You really put aside everything and came all this way to break me out of Hellgate? How did you even get here so fast? Inej: Several traffic violations. Kaz: Three counts of resisting arrest. Nina: Roughly thirteen cans of energy drinks. Jesper: Also, that’s not our car.

Kaz: I just ended a four year relationship. Inej: Oh, I’m so sorry. Are you okay? Kaz: Hm? Oh yeah, I’m fine. It wasn’t my relationship. *Nina and Matthias fighting from across the room

Random person :How many kids do you have? Colm : Biologically, emotionally, or legally?

Nina: Good responses for being stabbed with a knife? Wylan: Rude. Kaz: That’s fair. Jesper: Not again. Inej: Are you going to want this back?

Matthias: Nina... How do I begin to explain Nina? Inej: Nina is flawless. Jesper: I hear her hair's insured for $10,000. Wylan: I hear she does car commercials... in Ravka. Kaz: One time she punched me in the face... it was awesome.

Nina: *Gets down on one knee* Kaz: Oh my god, it’s finally happening. Nina: *Falls over* Kaz: The poison is kicking in

Matthias: Nothing in life is free. Nina: Love is free! Inej: Adventure is free. Wylan: Knowledge is free. Kaz Everything is free if you take it without paying

#inej ghafa #jesper fahey #kaz brekker #nina zenik #wylan van eck #matthias helvar #six of crows #soc incorrect quotes

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cup-and-chaucer · 8 months

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Really the problem with these BookTok books like Romantic Comedy is that...they are commodities. The answer to Fran Leibowitz's brilliant quote, "A book is not a mirror, it should be a door." is that, with advent of a literary social media, we are not reading to engage with a story or an idea but to attain an ideal. Marketing is built on the tension of relatability and aspiration. We see commercials set in clean, pristine suburban homes with happy, well-behaved children because it feels like it something we could attainably be if only we had the right brand of cereal or peanut butter or dish soap or life insurance. We want to see ourselves in those places that feel within our grasp. With the rise of books as a commodity to be marketed, rather than as art or entertainment, we increasingly want to see ourselves in the books we read. We want to see aspirational versions of ourselves either reading the book (aesthetics bloggers like Dakota Warren) or within the pages of the books. This why so many of those romance books feel so...conflict-avoidant. Don't get too close to reality or imperfection.

As the idea of a corporate morality (think: rainbow capitalism) emerges, it comes out in books too. Books have to have queer or PoC characters...not because those characters are essential or interesting or natural parts of the landscape or have their own purpose in the books but because the people reading the books want to feel like they are reading diversely and want to believe they are the type of people who also have queer or PoC friends. It doesn't matter if these portrayals are sanitized or feel tokenish.

A book like Romantic Comedy, where the characters mouth literal Facebook think-piece memes I saw during the height of the Black Lives Matter protests in 2020 as their political beliefs, without much self-reflection on the fact that these are two culturally powerful white people who are saying those things to signal that they are good people. It feels like a distraction and a benediction so you can support them in their rockstar fantasy romance, white guilt free. They are saying you are a good person for liking this book because the people in it are good the way you want them to be good and in the way you also want to be good. And they don't have to mean a word of it, they don't have to examine themselves any deeper, if the box is checked and disclaimer signed.

It's also why I think there is so much moral puritanism in reading now. We can't read Lolita because most of us don't want to be associated with its content and what we read, because it is now synonymous with what we buy and own and identify with, is a mirror to who we are and what we aspire to be. The problem is that books are not material things, not really, not the way jeans or furniture or cooking utensils are. They aren't forms of self-expression for the reader, the way fashion or make-up or paint is, they are simply a collection of thoughts from the imagination of an individual put into the world to tell of an experience or make an argument for us to read. That's all.

And all of this, all of this, all of this fucking capitalism is going to get conflated with the very real need for representation in literature and media, for more equitable publishing, for uplifting marginalized voices and experiences.

*sighs*

#booktok #anti-intellectualism #books #publishing #curtis sittenfeld #romantic comedy

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vaguely-concerned · 2 months

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A Stitch In Time First Read Reactions & Thoughts Monster Post Part 1

Basically exactly what it says on the tin! I kept making notes while I was reading and somehow it grew into this sprawling monstrosity that had to be split into three parts haha. In short: I loved this book, 10/10 incredibly gay and full of yearning Garak is there the whole time would recommend.

Quotes from the book in normal text, my reflections, reactions and self-indulgent bits in italics :) Please, please only click on that read-more if you're ready for some truly long-winded nonsense, I fear I have gone and been extremely myself about this and I can only beg your forbearance for it while I get it out of my system lol

Part 2, Part 3

- My dear Doctor:

Forgive my delay in responding to your kind communications. I wanted to give this modest chronicle I’ve enclosed a modicum of organization and update it before I sent it on to you. Thank you for your concern. I have thought of you often since our last meeting, and I am pleased to hear that your life on Deep Space 9 remains challenging and productive. Considering all the changes that have taken place I would have expected nothing less. And I’m certainly not surprised that your research proposals have been accepted. You’re a brilliant young scientist—even if you are genetically enhanced. As for my life here …

This is such a deceptively innocuous and normal-sounding beginning to what is about to be an extremely unnormal and unhinged thing to send a friend as a letter. He made it all of one paragraph of keeping it chill and I honestly think that’s pretty impressive all things considered. Thankfully Julian Bashir — who, let’s not forget, gave Jadzia his fucking diaries to read after much shorter acquaintanceship than what what we’re operating on here — is possibly the one person in the galaxy with the unhinged energy to take it.

(‘I have thought of you often’ he says. And how., as we shall see)

- Yes—I’m afraid you weren’t expecting this response to your kind inquiry; it goes a bit further than “Greetings from Cardassia—Wish you were here.”

Fhksjdfhasdkj well. In spirit that is exactly what you’re saying tho garak fhdskjaas. It’s just that you’re also pathologically incapable of shutting the hell up and for this I love and treasure you.

- So why Captain Sisko is so upset with me because I accomplished the goal (which he established!) of getting Romulus into the war against the Dominion baffles me. And it’s not because of the few lives that were sacrificed. Federation expansion has taken a toll in countless life-forms—about most of which they are blissfully unaware. The moment you step into a garden and begin to cultivate and prune, you become a killer. Perhaps the captain was upset because he had hesitated to do what was necessary to insure the integrity of his garden. Sentimentality is another trait that makes humans dangerous.

*Garak voice* Julian please tell me why your boss is so mad at me I literally solved all his problems for him. for which he’s wELCOME btw

Eyes open for recurring metaphors about gardeners, Tolan is haunting this narrative and it’s only polite to say hello whenever he shows up

- Indulge me, if you will; I need you as a witness.

Can I just say how fucking wild it is in terms of character development for Garak to openly admit he needs someone interpersonally. Incredibly fucked up that he writes both parts of this directly to Julian, though — both the part where he’s pretty sure he’s going to die trying to free Cardassia from the Dominion, and the ‘now’ timeline on post-war Cardassia where he seems to be dazedly coming to the realization that he might live, actually, and what that means to him.

- As a child I would go to the Tarlak Sector with Father, and while he supervised his crews I’d play by myself amid the black-and-white angularity of the monuments, imagining myself a great gul or legate giving the funeral oration for a fallen comrade.

Already we are starting to spot the thread, if you’ll excuse the expression, of why Garak might be Like That

I also came to admire Damar’s idealism, which led him to renounce his allegiance to the Dominion. If he had one weakness it was his propensity for long-winded speeches. But given the fact that none of us are perfect, the man would have made a fine leader.

As I stood at the memorial service, I thought about all the grand affairs I had witnessed here when I was a boy. None of our famed heroes and statesmen has ever had such a humble service—and none of them, from Tret Akleen on, deserved more than Corat Damar.

You are a species of long-winded speakers and Pythas Lok

- Dr. Parmak, the unit leader, worked furiously to stabilize the little girl, and when she was evacuated by the transport unit he broke down. He’s a very good man, this Dr. Parmak; he reminds me of an older version of you, Doctor.

Introducing Dr. Kelas Parmak, last seen in the then-noodle incident mentioned in The Die is Cast. Quite possibly the chillest person who has ever lived, considering he gets over the whole thing where Garak like tortured him pretty fast. (To be fair Garak DID say he was sorry. Between this case and Odo’s, that apparently goes a surprisingly long way lol)

- But Garak, you’ll say, there’s no excuse for killing a defenseless woman. And there isn’t… unless you’ve been brought up in our system.

I love that he keeps a little Julian around in his head to talk to at all times. That’s one of the most freakishly intimate things in this whole book of freakish intimacy. Garak has a little Tain on one shoulder and a little Julian on the other shoulder and they have heated debates as to the validity of murder as a solution to any given problem that’s put before him

- I also thought about this Cardassian sense of duty and how it is largely responsible for bringing those of us who are left to these current circumstances. I asked Dr. Parmak how an entire people can come under the sway of this duty and blindly give allegiance to a state that goes mad and murders its own children.

“Poisonous pedagogy, Elim,” he replied. “We believe what we are taught.”

Poison/Disease contagion is a metaphor that will wind through this whole thing,and different people mean different things by it. Parmak means it about The Facism, which is the right one. You’ll be unsurprised to hear that Dukat Sr. has a rather different spin on it, and that he’s wrong!

- But Tain at home was anything but mysterious. It was not unusual for Uncle Enabran to appear and take me away on some excursion that involved a long walk through a section of the city. During these walks he’d test my awareness, and challenge me to describe a house or a person we’d just passed. If I hadn’t been paying attention and couldn’t remember the details, the walk was over and we’d silently return home under the oppressive weight of his disapproval. He also seemed to know how I was performing at school, and if he wasn’t satisfied with my progress or behavior he’d punish me. I was a hard worker but I had a mischievous streak, and I enjoyed getting others involved in questionable activities and arranging it so they were found out and took the blame. On those rare occasions when I was caught, Tain would somehow find out and punish me—not for my misdeed, but for having been caught. And after he discovered my fear of small, dark spaces, his favorite punishment became keeping me in one until I had convinced him that I had analyzed and fully understood how my mischievous scheme had gone wrong. I found it odd that Mother and Father never had anything to say about these punishments.

. . .

At first I thought I was in trouble, and my face must have reflected this fear because Father attempted to reassure me with a forced smile. But the uncharacteristic falsity of his behavior and his barely concealed agitation only made the situation worse. I had never seen him like this. Mother’s face was a mask; it revealed nothing. She spoke as if I needed to clean off the day’s work before we ate.

Garak treats him and Bashir ‘drifting apart’ the same way he describes his young self being trained by Tain to go over his ‘mistakes’ — what did I do wrong? You also see it (almost most heartbreakingly to me) from Tolan when he gets sharper out of worry at the end of the scene where the agent comes to take Garak away to the Bamarren Institute:

I was stunned. I wanted to ask more, I wanted to ask about the dedication ceremony that afternoon, but I didn’t dare. Father had that look when one of the workers didn’t get it right the first time. But what had I done wrong?

Oh buddy. He’s so fucking confused. The only thing you’ve done wrong yet is having been born with some connection to Enabran Tain, Elim, I’m so sorry

- We were the “missing pieces”—and in order to find our place in the mosaic of civilized society, we had to be broken down and reconstructed from the bottom up.

Keep your eyes open for ‘broken down and reconstructed’ too, it will be on the final test lol

- The good captain gave me one of his bemused stares.

Sisko ILU. He’s not in this book a lot so I’ll take the chance to say it here, because I do.

- It was explained to us that until we became disciplined in our relations with the “complementary gender” we would make better progress this way. When I asked One Tarnal how we would learn this discipline without interaction between the sexes, he blinked and mumbled something about “distractions.” When I asked what that meant I was told that I had a loose mouth and given five days of hygiene-chamber maintenance as punishment.

“You don’t know enough to ask so many questions.”

Elim 'Genuinely & Guilelessly Too Deeply Pansexual To Be Able To Follow This Logic’ Garak

- Pythas/Eight descriptions because this is a bad mutual crush situation:

- Unfortunately, the only student left was quiet Eight Lubak, who kept completely to himself. He agreed to accompany me and quickly moved to the door. He was short and slender, and his dark eyes and long lashes made him look younger than the rest of us. He was almost too delicate for a Cardassian. I was not encouraged … but I had no choice.

‘Dark eyes and long lashes’ huh lol

I started to follow him, but he made it clear that I should stay where I was and wait. All during this, Eight was quiet and controlled—and as sure of himself as if he’d done this many times. How did he know where he was going?

. . .

His face was dark, intense with concentration; his brow ridges, which were unusually pronounced, cast shadows over his eyes. My heart began to pound when I realized what Eight was planning. These were certain to be older students, but he expressed no hesitation, no doubt.

. . .

I didn’t know then if I could ever call Eight a friend. Something about him was strange and impenetrable. But it didn’t matter. At least I knew there was one person in my section I could trust. How I had misjudged him. It was obvious that Eight had what Cardassians call a ferocious spirit—and that I could learn a great deal from him.

. . .

Eight also came from a “service” family background, and it was soon clear to everyone that he should have been designated One Lubak, a fact not lost on the actual holder of that designation who, judging from his behavior and speech, came from the highest echelons of our society.

. . .

Five was an athlete who also did well in class. I could see that he was attracted to Eight. As indeed I was.

Big round of applause for Andrew Robinson managing to sneak the skywritten subtext into the text like this, it’s an exceedingly rare gift to get to have from the media of this time

. . .

But by then the group had passed. What murk? Me? Have all the others been captured? Surely not Eight. I couldn’t believe that was possible.

. . .

The only member of my group who performed as well in all areas was the taciturn Eight.

. . .

The truth, of course, was that I didn’t know how to forge those kinds of bonds. I wanted to be closer to Eight, and to a lesser degree Five, who besides being one of the great Pit strategists Bamarren ever had was fair in all his dealings.

. . .

Eight remained for a few more minutes. I had the feeling that he wanted to say something more to me. Suddenly he turned and disappeared behind a barrier. The air was filled with whatever went unsaid. He was as shy as anyone I had ever known.

The boys are being useless lesbians at each other omg……… what must this whole mess look like from Pythas’ POV tho. He’s been keeping an eye on his friend/crush so he doesn’t get himself killed by running his mouth off too much to the wrong person and before he knows it the guy is embroiled in an inadvisable bisexual sandwich of betrayal and savage intrigue. I wonder if anything would have been different if Garak and Pythas had managed to actually talk to each other here.

- Eight was the only person who deserved number One as much as I did—maybe more. My solitary behavior was not always in service to the group. Eight and I exchanged encouraging looks. The support of my one constant friend was all I wanted. I sat there and shut out everything else.

*Garak whenever someone prefers Pythas over him* understandable honestly I’d do the same thing he’s the best have a nice day

End Pythas/Eight teen crush corner

- My mind wandered. I was sure that I heard sounds of the women students gusting with the winds. Suddenly mother materialized … she looked like she was apologizing. I wanted to tell her how much I missed her, but her image dissolved and … Father took her place. I knew he was telling me something very important, but I was growing dizzy and afraid that I’d join Six on the ground … his words were carried away by the winds.

Suffering and agony

Some assorted 'Just assure me that I'm not going mad, Doctor'/Garak's ever-tenuous grip on his mental health moments:

-I don’t know why I wasn’t surprised that he knew. Instead, I was grateful; it told me I wasn’t going mad.

A recurring worry for him I’m sure it means nothing! I feel the same fellowship with him as I do with Harrow in The Locked Tomb series, which I’m sure says even less, don’t worry about it.

And how do we even begin to rebuild a world that doesn’t exist anymore? A world that exists in my mind with the same arid bitterness as the dust in my mouth. I have never lived with despair, Doctor, the way I live with it now. It’s almost like a phantom companion that shadows me and casts doubt on whatever I do.

“Why save him?” it asks, as we remove a young boy from the rubble of a school. “You’re only keeping him alive for a future of privation and chaos. Wouldn’t it be more satisfying to join the burial unit?”

I want to scream at this phantom, to shut it up. Once I turned around suddenly and raised my hand to strike it. When I realized it wasn’t there, it was too late. Everyone in the unit was looking at me; I’m sure I must have looked like a madman. Dr. Parmak tried to send me home, but I refused—alone it’s even worse.

I’m just imagining Julian arriving on Cardassia like ‘hey yeah I got your letter and we should fuck about it right now but first of all have you told Parmak you’ve been having vivid hallucinations again because that’s very relevant medical information Garak!!!’

- But it was in the Pit and my work with Calyx that I suffered the most. My dreaming made me “an air man.”

“You have no grip, no focus. How can you find your strength if you can’t hold your place? Living in your dreams is like living in exile.”

*whisper* pls don't...

- As I tried to put faces on the shadowy children, they began to approach me. They became more distinct as they moved through the rain and haze. Can you believe it, Doctor? They weren’t my schoolmates; they were the Cardassian orphans from the Resettlement Center on Bajor we once visited. The orphans left after the Cardassian occupation forces withdrew. The same young girl was their leader and her lips formed the same question.

Have you come to take us home?

I jumped up. I felt the shed closing in, threatening to swallow me. I ran out into the rain and gloom.

“There is no home anymore! Can’t you see that? Look around you! It’s gone!” I screamed at them and fell to my knees in the sodden waste. They continued to stare back with that same look of fragile trust that I would somehow relieve them of their fear and bring them home. I couldn’t look at them anymore and dropped down into the muck. My despair was no longer just a voice; it was this monstrous world the evil had created, and it surrounded and overwhelmed me.

I don’t know how long I remained curled up in the mud. I felt myself being lifted and half carried, half dragged back into my shed. It was Dr. Parmak. He cleaned and changed me as best he could. He prepared a cup of Tarkalean tea, which made me think of you, Doctor. How ironic, another doctor pulls old Elim out of the muck of his despair, but this time he’s a Cardassian.

The fact that in the episode itself, Garak (in a haze of endorphins and practiced dissociation) is barely like ‘yes yes I’m sure we’re ALL very upset about the orphans. Or whatever. Well what do you want me to do about it Doctor it’s just the way of the world’ and then it just haunts him horrifically for the rest of his life forever and ever the end! Very on brand.

Garak does seem to genuinely like and care for children in general, which makes my heart all weird and sad

Also Parmak making Tarkalean tea and Garak being like ‘oh. Like Julian :’(‘ about it my HEART. The fact that he’s a serial befriender of very patient kindhearted doctors willing to put up with his nonsense is probably the only reason he’s still alive lol. Thank u Parmak

- A difficult move under pressure against strong physical resistance from an opponent … and something would snap. A painful blow might set it off, a whispered insult, perhaps just a thought or a feeling of hopelessness, and I would suddenly lose control and lash out like a madman. I became suffused with a raging, crimson anger that poured out from some black hole somewhere deep inside me.

I feel like we see the outlines of this still in him by the time of the show — more tucked away and harnessed, but definitely still there. He’s got an instinctive Fight response a mile wide, it’s just that these days he mostly expresses it by becoming incredibly fucking MEAN when he feels threatened rather than outright physical attack.

- And there was a soothing quality as it spoke of dry legal definitions. It acted as a balm for my bruises and bitterness. I began to feel such longings. It was like hearing music that you love when you least expect it. How I missed Mother, and working with Father in the flower beds. How I longed for home. I dropped my guard and surrendered to the voice. The tears I was determined never to shed accompanied choking waves of shame and relief, sadness and joy. I finally was able to admit to myself how unhappy I was.

*me with my magnifying glass studying the Palandine/Bashir parallels* listening to Bashir talk about Federation nonsense things presumably fills much the same niche in Garak’s psyche as this haha

- “I assure you, I am not in the habit of attacking people I don’t know in public places. We got our feet tangled in the crush, and he went down—just as, moments before, I nearly wiped out the scent display when he ignored the fact that I was standing in his path. I trust he’s not hurt.”

“I expect more from you, Garak,” Odo lectured. “We’re all under a great deal of strain.”

“As am I, Constable. Please, sit down at least. I feel like a schoolboy being disciplined by the docent.”

Odo sighed and awkwardly perched on the barstool next to mine.

Their dynamic is. Everything to me. Also we learn later that the guy Garak picks a fight with here because he’s upset Julian is hanging out with Miles (lmao oh… buddy) isn’t just anyone or on impulse, but is one of the most hostile-to-Garaks Bajorans on the entire station with a small gang behind him, and Garak knows exactly who he is. Which lends it a certain… something. Almost an edge of very roundabout self-harm.

“I can’t stay long. I have to finish dealing with this …”

“ … situation,” I finished. “You’re very fortunate, Odo.”

“How so?” he asked.

“These people have come to trust you. They rely upon you. You’ve made a real connection here.”

Odo merely grunted. I was careful not to mention Major Kira, knowing how reserved he was on the subject.

“Do you still want to go home?” I asked.

The question startled Odo, and for a moment the mask of official reserve dropped from his face. This was the first time I had brought up the subject since his admission to me during the “interrogation” in the Romulan warbird and Tain’s ill-fated attempt to destroy the Founders’ homeworld.

“ I … can’t say,” he replied ambiguously.

“Well, I can. There’s certainly nothing here to keep me.”

“I never told you how sorry I was about Ziyal’s death.” Odo could be quite sensitive in such matters.

“You did, actually,” I nodded. “But thank you.”

“Still, you and Dr. Bashir have created a strong bond.”

“Not really,” I answered quickly. “I’m afraid that what I have to offer has run its course. It’s certainly no match for darts.” I heard the bitterness of my tone, and so did Odo. We sat in silence for a moment.

“I understand you’ll be involved in the invasion. You must be pleased.” Odo steered us away from the heaviness that had descended.

. . .

“When do you want to schedule your consultation?” I asked. Odo—no doubt influenced by his budding relationship with the Major—was about to branch out sartorially. But it occurred to me that Quark was the last person he wanted to know about it.

“We’ll talk,” he replied, nodding to Quark as he briskly marched back to the Promenade.

AHdorable all around. Hilarious that Odo picked up on trouble in human/lizard paradise and, with the vigor of a person who has freshly had love work out for them for the first time, going ‘not on my fucking watch you’ll talk to each other if it’s the last thing I do’. Also the sheer readiness with which he expects Julian to be Garak’s safe place. What on earth does this relationship look like to outside observers. Especially to Odo, practiced observer of humanoid folly, who completely nails Garak’s whole deal in Improbable Cause to the point that Garak lashes out defensively over it.

- My solitary confinement was agony. The only way I got through it was to rethink all my attitudes about the Pit and the Wilderness and to focus on how I could make my stratagems more effective. Just as I had learned to do when Uncle Enabran locked me in that suffocating closet. Was this the universal torture for failure, I wondered?

Going through the whole book it is so stunningly awful that this IS the logic his inner world is shaped around for the vast majority of his life, right up until the ‘present’ part of the storyline where it’s being slowly deconstructed and reassembled.

- I apologized to the others for disrupting their family; I explained that I had great need of this creature. Not only was Mila (as I eventually called him) the answer to my current problem, he was as important as any of the docents at Bamarren, with the possible exception of Calyx.

;_______________________________________________________________; there’s no part of this that isn’t crushing

Unlike the last time, I had preparation and an ally.

Tain really had to work at deadening Garak’s ability to form loyalty to anything else but him, because left to his own devices and natural instinct Garak will clearly packbond with ANYTHING. He’s so desperate to belong to someone and be loyal to them.

- As the sun came up, the otherworldly beauty of the Wilderness was gradually revealed by each succeeding gradation of light. I was deeply moved by the presence of so much color in what had initially looked like a dead world to me. Beginning with a cold pale gray, the dawn flowed through a range of blues and into the softest rose and pink and then to a hot red that soon gave way to the merciless bleached bone-white of midday. I was able to see how much territory I had covered the previous night.

Can I just say how unspeakably tender it is that he takes the time to write this out in this. It serves literally no purpose in this narrative but sentiment — to be beautiful. He saw something beautiful once that moved him and he wants to share it with someone. What the fuck.

- I became increasingly concerned; the sun was getting higher, and the overhanging ledge was now my last source of shade. At one point I took Mila out of his wrapping to check on his condition. At least that’s what I told myself. I was afraid that if I was honest and admitted that the real reason was to solicit help from a regnar, the slide into total insanity would be swift and sure. I was getting desperate.

The funniest and saddest thing I’ve ever read fhdskjfas emotional support regnar that he names after his fucking MUM hours. There are things going on with Garak no psychologist could ever hope to get to the bottom of

- Three more members of the Furtan group were on the other side of the rock formation, but Mila had found a hidden depression that required some quiet digging to get into, and we avoided detection. We settled in and resealed the opening with sand and loose rocks. After an indeterminate period, the Furtan hunters left. As we waited for nightfall I fell into a deep sleep.

BB!Elim and regnar Mila like ‘OUR secret hiding spot’. (Seeing how much garak both craves and thrives on getting to have that sense of ‘we’ and fellowship tho. And knowing that’s going to be not only deliberately kept from him but made psychologically impossible for him for a very long time. We should bring Tain back to life so we can kill him again and more painfully actually. Mercymorn acid jail for a thousand years time.)

- While I understood that I would have to watch my step with One Charaban, I also acknowledged that I had never been in a manlier or more attractive presence. It was like encountering an ideal that I’d only dreamed about. As I walked back to my section and accepted the congratulations of my mates, I was baffled not so much by the appearance of this new and commanding person in my life as by my recognition of his strong connection to me. But what connection?

Baby pansexual disaster at his finest

- The other day, the Doctor, Odo, and I were at the Replimat having lunch, an event that Odo, after our conversation, had taken it upon himself to organize.

. . .

“But what about you, Doctor?” I asked, returning to the business at hand. “It seems there’s a movement afoot to have you replace Captain Sisko.” The doctor winced.

“Is this true?” Odo asked. We both looked to the doctor for confirmation. He sighed.

“There’s a group of … genetically enhanced people who feel that one of their own should be guiding the station during this emergency, and they’ve petitioned the Federation Council, but it’s Jack and his group, and no one takes them…” Exasperated, he broke off. “Garak, how did you hear about this?”

“My clientele talk and I listen.” This was also true: an idiot savant who wears his presumed genetic superiority like a badge of privilege walked into my shop and never stopped talking. Of course I encouraged him, and by the time he left I had heard all about some organized attempt to elevate Dr. Bashir to the leadership position. I could see that the doctor was upset that I’d divulged this information. Clearly this genetic business was not his favorite topic of conversation.

“Is this something we should keep an eye on?” Odo asked, studying us carefully.

“No, not at all,” the Doctor assured him. “It’s just Jack’s people. This was nearly a year ago, and I’m afraid they have too much time on their hands—like some other people I know.” He pointedly looked away from me as Odo continued to study us, trying to decode the undercurrent of this last exchange between us. No wonder he was such a capable security operative. Odo registered every change in tone and temperature and tracked the change down to its cause.

“Tell me something, Garak.” It was clear that he had found an opening for one of those deferred questions he kept on a prioritized list somewhere in his changeling head. He was still a basically shy and tactful person, especially when it came to other people’s business, but lately he’d become more openly inquisitive. I wondered if it was Major Kira’s influence.

Matchmaker/self-appointed and woefully under-equipped marriage counselor Odo……….you are Everything to me you dumb beige bitch. Garak goes a bit aggro in return when he tries to get too close to something tender but honestly odo buddy gooey friend of my heart maybe you shouldn’t barge into this particular glassware shop like a rampaging elephant huh someone’s going to get cut. Also Garak could have refrained from pressing on Julian’s bruises for attention here and we may not have had the rest of the scene, but alas.

This must be the lunch where we deal with uncomfortable subjects.

“But if Cardassia is liberated from Dominion control …” Odo went on.

“When Cardassia is liberated,” I interrupted.

“Would you return?”

“Would you return to the Great Link?” Odo reacted with sharp annoyance to the question.It wasn’t a fair one, because although we were both exiles, we were in very different circumstances. With the humanoid shape he was still learning to live with, and his deepening relationship with Major Kira, Odo was discovering a new mode of existence, a new link. He had an alternative, however difficult the choice. I didn’t.

“Yes, I know. You can’t say.” I was sorry I had asked again. It was a question he was obviously struggling with.

The feeling Garak seems to have towards Odo in this period where like… you know when you have a friend who has a lot of the same mental health issues as you do and you see them get better and start to flourish and you are genuinely so happy for them but also feel just how deep in the muck you yourself still are with no prospect of getting out. And the way Garak consistently wistfully includes Odo’s romantic relationship to Kira when he observes how he’s coming out of his shell and why he has reasons to stay.

“Would you return to the same Cardassia?” the doctor asked.

“What do you mean ‘same’?” But I knew perfectly well what he meant.

“To a Cardassia containing the political and social elements that made the current situation possible.”

“My dear Doctor, that’s also the Cardassia that made me possible.” I half-hoped my joke would end this conversation … but I knew better.

Julian baby please read the room and take this up some other time somewhere private maybe (and yet I understand how you wouldn’t think of that until later once Garak’s had a rare public freakout)

Absolutely heartbreaking in every way that garak seems so convinced he must have done something wrong or simply doesn’t have anything more of interest to offer julian and that’s why they’re drifting apart, when a just as likely reading from what’s actually on the page here is that julian feels he keeps getting it wrong and hesitates in case he makes the damage worse. Garak have you considered who this man is before you decided you must have fucked up and resigned yourself to the dark closet of self-isolation tain put in your head. I’m in shambles.

Also Julian is saying a lot of very true things about Cardassia in this scene that Garak needs to hear and that he’s clearly processing all through the rest of his time on DS9 and beyond, as angry as it makes him, and the good doctor means so well but he IS being incredibly condescending, and he keeps pushing even as Garak is signaling he’d rather not go in depth on this, especially in such an exposed public setting. (This is a conversation they SHOULD be having in private, both for emotional reasons and b/c Garak’s position on this station is a lot more vulnerable than I think Julian realizes, as the hostile comments he immediately starts getting during this convo show.) I mean I guess it’s not this man’s fault he is fundamentally British and autistic what can a bitch do fdjslkfhasj (I say this with all the love in my fellow autistic heart, please do not misunderstand me here). But it’s a very Julian well-meaning but flawed thing to do — he’s focusing on the principle and intellectual side of it, but he’s not taking into account that just maybe having to deconstruct the entirety of your worldview and belief system and then feel responsible for implementing them to create a better world afterwards could be an emotionally fraught process that requires not only reasoned political debate but personal, emotional support from a friend. He isn’t getting that Garak isn’t so much categorically resistant to the basic ideas he’s setting forth — it’s that he wants to be convinced on a practical level that it could even work, because otherwise it’s just a useless pretty picture.

(Which is a big part of their dynamic on many levels, I’ve always felt. All those times he challenges Julian’s more hopeful and idealistic world view — ultimately he doesn’t do that because he wants to break Julian’s faith down until he agrees with him, he does it because somewhere deep down Garak wants to be convinced. He wants there to be hope somewhere in the world, even if he won’t buy the quick and glorified ‘it’s easy to be a saint in paradise’ Federation version of it. And Julian’s version isn’t that, in the end; it gets tested again and again and he really, genuinely means it, even when it’s hard. Which is one of the most healing things about his presence in Garak’s life overall.)

Ironically I also think Julian believes so much in Garak and his capabilities that it simply doesn’t occur to him that Garak as a private person might just be like. Too scared and overwhelmed to even contemplate this, at least until Garak is upset enough that he can’t gracefully hide it. (“With your background and experience, Garak, I’m certain that you could serve as a liaison between a new Cardassian government and the Federation.” The Doctor paused and waited for a response. None was forthcoming. “I once suggested that you visit Earth as a member of the Cardassian government-in-exile….” oh so no biggie then Julian that sounds easy and painless and I’m surprised no one has thought to do this yet, this Obsidian Order wilted leftover sandwich of a guy is surely going to be welcomed with open arms wherever he goes among his people fhsdakjfas!)

I feel like this is one of Julian’s less sympathetic traits that he would probably feel such intense self-loathing about once he realized it’s one he shares with his father — this instinct to try to shape someone into a ‘better’ version of themselves. I think Julian’s version of this primarily comes from a much, MUCH kinder place than in his father; he has the will and ability to see the best in the world and in people, and he can’t help but want them to live up to that once he’s seen it. He fundamentally believes people can be better, can be good, when given the help and tools they need, and that’s such a beautiful part of him. BUT along with that there is also a danger of that tipping over into becoming paternalistic and controlling, of overly privileging the ideal you see over the person who is actually there right now, and trying to forcibly change the one into the other ‘for them’.

Considering Garak’s past experiences of being shaped and controlled by someone else’s idea of what he should be, I’m if anything surprised he doesn’t react worse to this, honestly! I think it speaks to the basic trust and goodness that exists between them that he doesn’t. Julian is clumsy but not malicious, and even here Garak does recognize that on some deep level.

(Probably because he’s also been touched by Julian at his best, in The Wire — where his support and acceptance is absolute and unconditional, free of the instinct to control anything.)

My voice had risen to an uncharacteristic pitch. It was still ringing in my ears as the Doctor stared at me as if he were studying a baffling microbe. I, too, was baffled. I had no idea where this outburst came from. I know that a distance has widened between us during the past year or so and I know that the holosuite program incident and the revelations of his genetic enhancement are the symptoms of this distance rather than the cause. It’s only natural—we’re very different people. I also know that he had only the best intentions in suggesting that I use the Federation model in order to influence the future of Cardassia. Misguided, yes, and somewhat patronizing and arrogant, but hardly sufficient to elicit this embarrassing and public loss of control.

I mumbled some sad excuse which the good Doctor and Odo were kind enough not to challenge and left the Replimat to return to my shop. As I passed Quark’s I caught his eye and we nodded. Why I included him in my outburst also puzzled me; I rather admire his industry and resourcefulness. I especially admire the way he consistently bends Federation rules so that they work for him.

That’s such a fair evaluation of Bashir’s intentions and personality honestly. Even this upset and feeling that distance between them, Garak still has complete trust in the Doctor’s basic good intentions and nature. (Are you really such very different people at the end of the day, though, Elim. Should the genetic enhancement arc maybe be telling you something here.)

Also such a hilarious element of the Garak-Quark relationship.’Sorry to get you caught up in the crossfire bro I’ve never thought of you as anything but an avaricious opportunist (complimentary)’

What is important is that I feel that I am necessary, that I function with all my faculties in the service of a greater cause. And while I wait for this invasion, is making Odo more attractive to Major Kira a greater cause?

It is in fact nothing but the greatest cause Garak. Getting Kira happily lovingly laid is priority one at all times.

- I had no real friends to speak of, and told myself that loneliness was the price I had to pay for success. I considered the games and behavior of my mates to be childish, and that any unnecessary interaction would only distract me from my work. The truth, of course, was that I didn’t know how to forge those kinds of bonds. I wanted to be closer to Eight, and to a lesser degree Five, who besides being one of the great Pit strategists Bamarren ever had was fair in all his dealings.

(I feel like this whole part is going to hit Julian in some kind of way lmao)

Literally just. Put me in a little box on the bottom of the ocean and leave me there forever I can’t go on. Also he’s SUCH a clever-but-socially-inept teenager in this part around the people in his group he doesn’t like fhdkjsa. Ugh they’re all so annoying and fake just leave me alone *eyeroll emoji* I didn’t want to be included in their idiotic conversation bb elim… I would die for your lightly insufferable but entertainingly snarky teenage butt in a way that actually makes me feel more kindly towards my own inner idiot 16 year old.

Also it’s no wonder he’s so out to sea when it comes to interacting with his peers — by all accounts he didn’t play much with other kids as a child and then he’s dropped straight into a social Lord of the Flies piranha tank shot through with Class Shit.

Inspired by my guide Mila, I would experiment at withdrawing my presence when I had to remain in the same room with people I didn’t like.

Honing his future customer service worker smile

Here follow some Bamarren and beyond observations I’ve elected to call ‘Sex Stuff’:

- Oh ok so garak gets some sexual Thing out of being beaten to a pulp after mouthing off through the same mechanism that made spanking known as the ‘English Vice’ across Europe when that was the go-to punishment in British boarding schools. I see. Many things are revealed to me

I looked from the pale, frozen face of Three to the others. They all looked like statues commemorating fear. And I was pleased. I realized at that moment that they were in my control, and that I would no longer have any trouble with them. Especially Three. I felt the power like a drug surging through my system.

And then, of course, the other side of the masochism/sadism scale smoothly coming in, he contains those multitudes. In Garak’s defense idk if you could go through a psychosexual development that wasn’t deeply, deeply weird in this sort of environment

“What do you want me to do?” I was trembling as if my body were chilled.

Well, I mean. You know fhkdsjha. And he’s rewarded with the first non-aggressive physical contact he’s had here, you say. (For reference he’s talking to Barkan, of the aforementioned ‘manliest presence’.) I’m sure this didn’t awaken anything in him or anything.

“Elim, why do you think we have these ridges?” She stroked the scalloped cords of cartilege and bone that ran along her neck and down her shoulders with a delicacy that stopped my breath. The energy had turned into molten liquid that was now flowing into my groin. The rest of the world was swallowed by complete darkness and I was back inside the tunnel.

“Because … we do,” I replied stupidly.

Fhdjskfhsdjkfhadskjfhas he’s so easy fdsjkfhas. And what a one-two punch of sexual confusion he got there. That one afternoon did irreparable damage to the libidinous development of this poor man and now he has to live like this.

For the second time tonight I was spellbound by another’s passion. In very different ways, Charaban and Palandine held me in their orbit, like powerful suns.

I was learning something new about myself—an emerging desire for power, but a power that had less to do with mastery over others than it did with connecting to them. The way I felt the connection to Charaban … and especially to Palandine.

And, I’m so sorry to have to break it to you like this, your biodad. I’m sorry Elim you’ve got something truly unfortunately Freudian going on here. It’s not your fault.

“I love the Blind Moon,” Charaban said softly.

“Why is it called that?” I asked, deeply relieved by the mysterious change that had come over us.

“It’s the time for lovers’ assignations,” Palandine answered. “The moon will give them enough light to meet, but not so much for them to be discovered.”

“So if you and Elim were true lovers I wouldn’t have been able to find you,” Charaban teased.

“That’s right, Barkan,” she said with a direct look. I shifted position in the ensuing silence and tried to hide my disappointment with Palandine’s reply, but at the same time, the pleasure I felt in the company of these two people kept growing.

“See?” Palandine suddenly addressed me. “You can do it.”

“What?” I was startled by her delighted burst.

“Smile. Look at that, Barkan. Wouldn’t you tell someone with that smile everything he wanted to know?” she demanded.

“The first time I met him—well, the second…” he corrected himself, “he had a smile that I wanted to wipe off his face.” He was referring to that early morning in front of the Central Gate.

“But it wasn’t that smile,” Palandine insisted.

“No,” he conceded. “Definitely not that one.” And the truth was that I could feel this smile throughout my entire body.

Noooo this is about to go so wrong…it’s all fun and games and bisexual poetry recitation under the blind moon until someone gets stabbed in the back like the Caesar (well caesar notably got stabbed from many many directions but you see what I’m trying to get at here)

- [The Klingon] looked up, and I immediately knew two things about him: he was inebriated beyond reason and he was one of their shock troopers, a callused veteran of hand-to-hand combat. I took a deep breath; as dolts go he was quite impressive. My spirits were suddenly and immeasurably lifted.

“You spoonhead!” he growled at me. I hated that word.

“And you … a great warrior who brings down dabo girls with a single blow,” He looked at me trying to decide if I had insulted or complimented him.

“P’tak!” I shouted, “I mean that you’re the biggest coward in the Klingon Empire,” He released the dabo girl, and as he moved to the narrow stairway I thought that he was also the biggest Klingon in the Empire.

I looked for my advantage. This was not an equal match, and my gigantic friend was in the full flush of a berserker blood lust. I sighed. I’m too old for this, I thought.

. . .

“Get security, Chief, and tell them to prepare the biggest cell they have … or a smaller coffin for me,” I said as I moved into the alcove and squeezed through the opening where the panel had been.

Listen I would apologize for including this here but he’s clearly getting off on this and I couldn’t do anything about it if I wanted to.

I cannot convey just how much my already intense enjoyment of canon is enriched by the knowledge that Garak is up to these kinds of hijinks constantly in the background when the camera isn’t on him. In his defense he was left unsupervised. O’Brien’s fond mildly exasperated help is just the cherry on top. ‘Well I GUESS Julian would be upset if I let you get beaten to death by a drunk Klingon so fine I’ve got your back’

(I made for the upper Promenade—and wondered if Calyx might be enjoying this spectacle from wherever he was. ;______; I like how much of an impact Calyx has on his development, considering how briefly he was actually in his life. Plus: Calyx; the Aiglamene of Bamarren? Locked Tomb/DS9 fandom overlap people, Let’s Discuss.)

“Help me,” he croaked. I was touched by the giant’s childlike surrender. I knew the feeling well.

“I will,” I replied and immediately wondered why I had agreed. I��m getting soft, I thought.

The greatest joy to me of a lot of this is, like… idk if these are all exactly the things that happened at every turn. In fact I’d say they very likely aren’t, Garak’s entire character taken into consideration. But they are certainly the things he wants someone — someone he trusts as far as he knows how, someone he earnestly wants to be closer to than anyone else, and also wants to see all of him — to know about him, to share in. This could just have easily been a story he told Julian in person over lunch to make him laugh. It’s silly and frivolous and fun, and as much at his own expense as a ludicrous person as to show off. To a true lying liar who lies connoisseur, unreliable narration tells more than it obscures etc. lol

- (About Barkan) It was the appearance of warmth that made his charm so attractive. A part of me wanted to tell him everything, to challenge the duplicity of his negative evaluation, but the clarity I found in the Lower Prefect’s office was still with me. Looking at him, I was reminded how Palandine had taught me to smile when I asked questions.

Apart from Pythas, who gets his own little twink corner, most of the people Garak is attracted to throughout this are his height or taller and slender but athletic. I’m just saying that when he spotted Julian in the Replimat for the first time he really saw a young man with the face of an angel who is exactly his type fhdjskah maybe he should have seen this coming for himself. Too high on endorphins and hubris to think this would awaken anything in him irrevocably and now he’s stuck with the consequences.

Why? I asked myself. Why?! For the life of me I could not understand why it was important to her that I respond. Why should she—so beautiful, so alive—be disappointed if I didn’t return her … what? What did she want from me? Friendship? Why me?

I was in turmoil. Her grace and manner, the way she tilted her head and half smiled when she listened, as if everything amused her … it was like a forbidden dream of the unattainable. The attraction was painful because I instinctively knew that while my life would be simpler and more controllable without her, it would also be as drab as my Bamarren uniform.

. . .

“Are you making fun of me?” It was at that moment, when I asked the question, that I realized just how afraid I was of being the object of her ridicule. She stopped laughing and for the first time she was speechless.

Losing my entire fucking MIND about how Garak is basically taking Palandine’s place when he approaches Julian at first. Odo and Garak ‘I love you so much I want to become you because it’s the only way I can imagine really being close to you’ handshake meme

Sex stuff end. For now.

I was about to leave when Odo asked about the designs for his “new” sartorial look. I could see that he was masking his concern, so I assured him that the sketches were some of my finest creations, and would be ready within the week. He grunted his thanks and I stepped out onto the Promenade. Love does make fools of us all.

I’m clawing at my face with emotion. Odo… And Garak did finish those sketches even after his moment of existential ennui over them before.

- Please for the love of god stop putting Six out in the merciless sun T_____T how many times must a poor lil nerd boy pass out before he can rest in the sand etc.

- “It’s not every evening we find Barkan Lokar strolling with a murk through the Grounds.”

“Lokar? My father buried the Legate, Turat Lokar,” I said without thinking.

“Did your father kill him?” Palandine joked. But I didn’t laugh. The Lokars were a legendary family, and the old man’s funeral was the largest I had ever seen.

Why is this so funny. Garak you are so fucking weird. ‘Oh yeah I know that guy my dad did the flower arrangements for his funeral’

- A spirited dabo game involving several Klingons and a serious-looking dabo girl I hadn’t seen before caught my attention. If Quark had been present he’d be giving her one of his congeniality lectures. I truly sympathize with the young woman; if I had to spend all day with these drunken dolts….

Literally so hilarious that’s his first thought. First impulse: ‘surrounded by idiots’ solidarity. Garak what were you doing day drinking at the devil’s sacrament/quarks at midday girl…

- Rom soon appeared with a small container of kanar. He was wearing an outfit I had made for him.

“H-here you are, Garak. I hope you enjoy it.” Ever the gracious host.

“Thank you, Rom. And please, try not to let your collar lie there like a dead targ.” I adjusted the offending fabric, and Rom sweetly tolerated my fussing.

I’m fucking crying what the HELL. Surprise wholesome dynamic that keeps going through the whole narrative. Garak just uncomplicatedly likes and appreciates Rom, with no particular ulterior motive. Plus: fussing is also how we see Mila express affection, like mother like son.

- I realized as I took a sip of my drink that I was in a dangerous mood. Drinking in the middle of the day. The Doctor would be quite disappointed with me. When I’m unable to immerse myself in work my mind becomes occupied by an invading army of thoughts intent upon conquering all equilibrium and peace. Kanar is a valuable if unreliable weapon I employ against this army. The pills the Doctor gives me are a poor substitute.

Julian, severely unimpressed: uh-huh

‘Would Julian want me to do this to myself? No. However he’s too busy playing soldiers with O’Brien to tell me so, apparently, so that can’t stop me.’ You petty lil bitch garak (affectionate)

The fact that he’s doing the The Little Julian Who Lives In My Head thing already here, where the real Julian is actually around but not engaged with him. I’m so sad. He’s managed to discover shrimp colour spectrums of loneliness and pining.

- Ever since the Romulan business and Captain Sisko’s near breakdown (outside of the Doctor, whom I told shortly after the incident, no one knows about this, but one recognizes the symptoms), I’ve been obsessed with memories of Bamarren.

The fact that he tells Julian about that. Presumably partly in a practical way to make sure Sisko doesn’t fall to pieces completely but he doesn’t seem to have any shame about it or expect Bashir to react too badly over it either. The trust…

- I must admit that I was quite taken aback. Evidently there is honor among dolts.

I’m genuinely impressed by how enjoyable it is in this book to be party to Garak’s inner voice. It’s so fun in here, among all the horrors.

- Nine approached me as I sat alone in our quarters reading the first part of Cylon Pareg’s Eternal Stranger, a saga spanning several generations of a Cardassian family during the early and middle Union.

*whisper of agonized affection* between this and his happy place being studying wormhole theory… he’s such a little nerd.

Nine swallowed again, an even more bitter taste, and marched off to a life of diminishing returns.

LMAO burn. And, as we shall see, not necessarily inaccurate.

- As I walked away I heard the custodian ask Tarnal what it was I had done to deserve this punishment.

“Nobody told me. But I know he’s got a mouth on him,” Tarnal replied.

The more things change I guess fdhsakja. Known across the school for being a) a sneaky lil bastard and b) never ever shutting the fuck up when he really really should

- “And you have to use that wonderful smile of yours more often, Elim.”

“What’s that got to do with listening?” That was the subject, and Palandine had typically made a jump in logic I couldn’t follow. She also forgot that I was a Cardassian male and smiling was not one of our strong features.

“If they feel comfortable with you, people will tell you stories about themselves that will reveal their deepest secrets.”

“But what if the stories aren’t true?” I challenged. “I could smile till my cheeks hurt, and you could tell me any kind of story you wanted—and what would I know about you except what you invented?”

“You would know, if you were truly listening, the kind of story I use to define myself,” she asserted.

“But it’s not the truth!” I maintained.

“Why not? Because it’s not what you believe? Or it doesn’t fit a definition of the truth that someone taught you? Look at people, Elim.” Palandine gestured as if the enclosure were filled with people. “Observe them. The way they walk and talk, the way they hold themselves and eat their meals. That’s what they believe about themselves. Is it the ‘truth’? Are they really that way? I don’t know. Perhaps it is a lie. But what people lie about the most are themselves, and these lies become the stories they believe and want to tell you.”

“As long as I’m smiling,” I mumbled.

. . .

“Truth, as we’ve learned to define it, is not only overrated,” she went on with a controlled passion, “it’s designed to keep people in the dark.”

This last statement stopped me.

“You mean the way we’ve been taught?” I asked.

“Of course.”

“What about our government?”

“They tell us the stories that we need to know in order to be good citizens,” she replied carefully.

“They don’t tell us the truth, is what you’re saying,” I concluded.

“There you go again. They tell us their truth, Elim, and we are here to learn how to listen.”

. . .

“Let the ones without power scowl and make fierce faces.You smile. It’s an invitation to connect with another person. And once the invitation is accepted, relax and listen … you’ll come to know as much as you’ll ever need to about that person,” she said with a smile that I greedily accepted.

“You would know, if you were truly listening, the kind of story I use to define myself,” she asserted.

“But it’s not the truth!” I maintained.

“Why not?”

SO when I was saying he’s taking Palandine’s place in this dynamic with Julian early on I was not kidding and I was not wrong hahaha. And it’s also what this entire book is, in the end. Trusting Julian to ‘truly listen’ to the story under the stories is maybe the biggest show of trust and vulnerability Garak could ever extend to anyone. Extremely The Wire-core once more.

The idea that tiny Garak was too outwardly glum and serious is. Amazing and brainbreaking. People feeling uncomfortable under his gaze b/c he’ll just like scowl distrustfully at them. Palandine I don’t know if you fixed him or made him worse but you certainly did something fundamental to him and committed him to the bit and for that I cannot thank you enough

- I no longer had Palandine to myself—but surprisingly, I didn’t mind, in fact I was pleased that Charaban was here. His stillness, like everything else about him, had grace and strength. I sneaked another look in his direction and marveled that this was the same person I had first encountered in the storeroom. He returned my look, and in the next few moments a bond grew between us that I had never thought possible.

You know if Barkan was really smart or had the capacity for extended self-control he would have just kept stringing Garak along as the third in his disastrous marriage. Garak is used to subsisting on the merest scraps of affection and consideration, you’d barely even have to feed him. (Ala Daisuke Jigen with many an evil ex, for the Lupinheads out there lol) A threesome here and there and maybe gently stroking his hair afterwards and you’d have him for life, probably. Alas or perhaps thankfully Barkan is ultimately just an asshole and not that smart.

- A Bolian client came down the steps outside the door and was about to enter the shop, but for some reason he stopped at the threshold. He looked at us, turned, and went back the way he came.

LMAO that guy was like ‘something really fraught and homosexual is going on here and that is frankly none of my business, as you were gentlemen don’t mind me.’ A real ally and a bro.

“I’m keeping you from your business.” Bashir stood up. “I won’t take up any more of your time.”

“I’m pleased you stopped by.” I was about to escort him to the door.

“No, you’re not,” he said quietly.

“Excuse me?”

“Garak, I come from a culture that has perfected the ‘stiff upper lip,’” he explained with the same faint smile.

“What does that mean?” It was a genuine question; there was a change in his attitude.

“It means that we never complain, never admit to our feelings, never ask for help. It’s just not done,” Bashir explained. “And those people who lack character’ and insist on airing their needs—especially in public—are subject to ridicule… and worse. Does this sound familiar?”

“Perhaps,” I replied softly.

“But I’m also a doctor, Garak. And I know which group of people suffers the most. I really won’t take up any more of your time.” He extended his hand, which he rarely did, and I took it. “Thank you for the tea.” He turned and went out the door.

I stood there for a long moment, deeply upset. I felt trapped within myself, knowing what I had to do to get out but unable even to begin. Yes, Doctor, it does sound familiar. But as to the question of which group suffers the most…

. . .

After Charaban’s betrayal I became as withdrawn and solitary as I had been when I first came to the Institute. I tried to spend time with Palandine, but it never quite worked out; between her regular duties and the recruitment and planning for the female Competition, she had little time for anything else. But there was something else, a distance that had crept between us that I didn’t understand. I felt ashamed, that somehow I had failed and it was my fault, but I found it difficult to discuss. This was probably the loneliest I had ever been.

1) Going NUTS over the fact that these are separated by ONE paragraph. Andy Robinson staring directly into the camera making parallels between the main love interests in this book like ‘Am I making myself clear here. Do you get it yet’. Also really interesting to make this relationship pattern a, well, pattern in Garak’s life, and not a unique element of his and Bashir’s thing (which Doylistically was basically a byproduct of cowardly 90s standards for tv writing more than anything else lol)

2) But there was something else, a distance that had crept between us that I didn’t understand. I felt ashamed, that somehow I had failed and it was my fault, but I found it difficult to discuss. This was probably the loneliest I had ever been.

The Palandine/Bashir parallel train barrels on, scoring a deep trail of heartache into my soul. Also in that case it’s so sad because he really hasn’t done anything wrong or anything to be ashamed of, Barkan and Palandine are the ones who fucked him over :’(

3) I stood there for a long moment, deeply upset. I felt trapped within myself, knowing what I had to do to get out but unable even to begin. + Tolan’s grief at seeing Garak after Bamorren: “He’s hard, Mila,” Father said. . . . “But to the point where he’s unreachable?” Father asked. “Where nothing penetrates? How can he express even his basic needs if he’s trapped inside a shell?” + Just as I had learned to do when Uncle Enabran locked me in that suffocating closet. Was this the universal torture for failure, I wondered?...........................................................................

4) More proof to my eyes that Julian’s side of this whole thing seems to be more about thinking Garak doesn’t actually want him to be there. He doesn’t think he’s welcome here or that he’ll be able to help more than he hurts with whatever’s going on for him. ‘I really won’t take up any more of your time’ AUGH

Garak buddy… every time he tries to get closer to you or extend some care, you bristle like a hedgehog even though you’re trying to do it in as polite and decent a way as possible — what is the poor guy supposed to think beyond a certain point lmao. (Though on the hopeful/beautiful side… what is this entire book but Garak actually taking the advice/suggestion Bashir gives in this scene to reexperience his past and put it in context — not in the holosuites, but in his own way by writing it all out in a way that makes sense to his Cardassian brain and then sharing that with Julian directly. Like. The last line of the book is ‘You’re always welcome, Doctor’. Elim ‘I will become emotionally healthy enough to ask Julian to come visit with an open heart if it fucking kills me’ Garak)

I’m so soft for how careful they both are with each other in this scene, though. Even in this difficult place where there’s stuff they don’t understand about each other and they are having difficulty connecting for… several reasons, they are trying so so hard to be good to each other. Which is why I think they have every chance of working out brilliantly long-term; once you’ve got a mutual respect, willingness to keep working to understand and communicate with each other even when it’s difficult, and that fundamental ‘I don’t want to hurt you’ good faith in a relationship you’re a good chunk of the way there, from what I have observed.

Julian cares that Garak was upset, much more than he cares about being right, and this time he shows it in a more private setting where Garak can take it in. They’re trying!

5) The implication in But as to the question of which group suffers the most… that Garak also realizes how much he’s hurting Julian by not being able to let him in…

Most of all the fact that Bashir in this scene is like ‘Listen Garak I get emotional repression. I’m literally British.’ is one of the funniest things that happen in the whole book. To me. (I’m Norwegian, culturally this has. Some overlap with my experience, let’s say lol)

- Six had long since gone home. He wanted to succeed so badly, but his body couldn’t withstand the constant assault of the training. I’m sure he found an academic situation.

Oh thank GOD. Genuinely so relieved to hear this. This is how many times a nerd boy must pass out before he rests in the sand and gets to go to normal university instead of murderschool, the question is finally answered.

- Tain has shown up again and I want to throw rocks at him until he goes away. And I know he won’t.

- My shed has become somewhat more bearable, but the clutter and confinement of the interior space requires that I leave the door open. To keep myself busy when I’m not working with the med unit, Doctor, I am engaged in a project I must tell you about. It baffles me. Perhaps you can tell me if I’m losing my mind altogether.

. . .

[Parmak] turned to me with the strangest expression on his face—and looked me directly in the eyes for the first time.

AUGH. (Plus, the fact that Parmak consistently calls him ‘Elim’.)

But what baffles me, Doctor, is that I attach no meaning to what I’m doing here. I’m just doing it because I need to. And to be truthful, I don’t see this as a memorial at all. On the contrary—if I could, I’d singlehandedly rebuild this city myself, piece by piece. I stood here watching Parmak’s blood dry on this pile of rubble, engulfed by a feeling of loss and utter mystification as to what these piles mean.

Just assure me that I’m not going mad, Doctor.

This whole section is the biggest mood and I’ve rarely felt closer to a fictional character haha. His quietly dissociated tired bemusement both with himself and what he’s doing and Parmak’s reaction is… yeah that’s exactly what that feels like. And ‘Just assure me that I’m not going mad, Doctor’ has done irreparable damage to my psyche, I’m going to be thinking about this forever

- Palandine gestured that she would deal with me and sent the mate on her way.

“So what did you use me for?” I asked.

“What do we ever use each other for?” she replied without hesitation.

“Answering a question with a question is an old trick, Palandine.”

“No trick. I needed a friend.”

“And you don’t need a friend now” I hated the tone that was creeping into my voice.

“It’s complicated, Elim.”

I was afraid to ask why.

“What did you use me for?” she asked.

The question truly baffled me. I only wanted her love. Was that using her? I would gladly have given mine in return.

Still gnawing on concrete over Garak partially reenacting Palandine’s way of approaching him with Bashir in the beginning. At that point he also needed a friend (and he needed someone to run to Sisko like ‘THE SPY TALKED TO ME :D’ to deliver intel through so he was also using him lol.) The way Garak picks up traits from the people he loves like he’s doing the soul version of Odo’s shapeshifting-as-closeness thing because it’s the only way he knows.

- “So it’s Eight,” he said, dismissing me from his world.

“I don’t think you understand, Barkan….” Palandine began to say.

“It’s not necessary that he understand,” I dismissed him from my world.

Barkan… you did not understand what you were doing, getting into an emotionally and sexually charged petty-off with this man. RIP your stupid ass I guess lmao

“I wanted to tell you. But when I realized … I didn’t want to hurt you,” she said with a gentleness that rankled me.

“I’m not hurt. Neither one of you can hurt me. I wish you a successful… partnership.”

Palandine is so interesting!!!! And like here’s one of the things that I think make a big difference in Garak’s relationship with Palandine vs. his relationship with Julian — who tells him exactly the same thing in ‘The Wire’, after all! (I don’t want to hurt you) Because Palandine doesn’t really mean it, does she? She doesn’t mean ‘I don’t want you to be hurting, I want to protect you from being harmed’, she means ‘I didn’t want to be the thing that hurt you; I didn’t want to be faced with your hurt’, while she is doing things that will inevitably hurt him. I think there is genuine affection and care on her side, but they’re in such a fucked up, brutal world and they’re so young.

‘I’m not hurt. Who’s hurt’ says teen crying quiet tears of blood as his world falls to pieces

“I love him, Elim. And I’m also ambitious. I want what he wants. You’ll understand this when you find someone to share your….”

Not me wondering how much of this has echoes to Mila’s relationship to Tain and how that’s part of what Garak reacts to — that survival mechanism of ‘I want what he wants’, subsuming and submitting yourself completely. Which of course is what a Cardassian is supposed to do to the state, and that Garak also does with Tain for the vast majority of both of their lives. The worst part is that Palandine really had some reason to hope for more — she and Barkan start out in a more equal position than it’s implied Mila and Tain ever did, that’s always framed as an inter-class thing, and while Palandine’s family situation is not as grand as Barkan’s it doesn’t seem like it crosses the service class/ruling class barrier. But the structure of the state imposed on every level of society right down to the most intimate and personal areas of life is going to crush the life out of that hope real fast. I’m sorry girl. Wanting to have a fighting chance in this world isn’t the worst sin anyone’s committed and tbf you are like a teen by all accounts

- “My name is Elim Garak. I don’t know where I’m being sent, but I hope you’ll remember me as your friend.”

“When I was told today that I was One Lubak, I was honored… and afraid that I’d lose you as a friend. Thank you. My name is Pythas Lok.”

Neither one of us ever took our eyes off Mila, who was still trying to blend into his surroundings.

Crying gently into my cereal

Garak ‘I wasn’t sure I could ever call him a friend’ vs. Pythas ‘Afraid that I’d lose you as a friend’

Something powerful was stirring deep inside me, and I began to shake. Mila snapped his head to the side, the way he does when he senses light or heat change. Convulsive waves pushed up from my center and tears filled my eyes, blinding me. I had absolutely no control over what was happening to me. By the time the convulsions subsided and my eyes cleared, Mila had disappeared into the rock-and-sand home he came from.

Absolutely sobbing my eyes out into my cereal

Spoiler warning: Garak having to go somewhere to be alone after something calamitous happens in his life because that’s the only way he can cry is a theme that will reemerge later and do unspeakable emotional damage to me personally haha

As I hiked back to the Institute, I had the thought that maybe somebody was doing the same thing for me and bringing me back home.

No baby you see someone is doing the exact opposite of this to you right now because you have a basic goodness and capacity for real honest love that Tain doesn’t and he’ll never in a million years set you free just because he loves you and it’s the right thing for you

- And Jadzia is gone. The station is a sadder and grayer place without her. I’m surprised at how keenly I feel her absence. Even though I know that her symbiont has been “joined” with another person … well, it’s not the same, is it? Indeed, knowing that Jadzia’s personality is somehow contained along with several others within this other person, I wonder how I would react if we were ever to meet.

The doctor has reminded me that these are personal choices, and it’s not for us to judge how one chooses to mourn. Quite so. Who can even begin to understand another’s grief? “Do you judge people by the clothes they ask you to make?” the doctor asked once. I bit back my response, but the point was well taken.

:’) little soul-healing brush of Julian kindness time

- “What does Tir Remara want with you?” Colonel Kira demanded, ignoring my offer of tea. Immediately an entire picture formed in my head of the scenario her abrupt question suggested: Tir Remara—a spy, perhaps even a changeling, preying upon a lonely Cardassian who was working for the Federation and engaged in top-secret work.

“She wants to have my children,” I replied with a serious look.

“You can’t be serious,” she managed.

“I’m not. Now do you want this tea or not?”

Kira should just have strangled you all those times she wanted to you snarky asshole fhdskja

#a stitch in time #asit #garashir #star trek #star trek ds9 #ds9 #elim garak #The great ASIT first read adventure #<- making that the tag for the rest of the posts!#ds9 meta #well nominally I do SOME analysis between all the keysmashing and nonsense haha #forgive me if I've gotten something wrong in this I've been uh. overexcited! I'm sure I'll be able to think clearly again soon (lying)#julian bashir #I'm not going to tag every char I talk about in this because I do love myself a bit but the good doctor hangs over everything in this book #so he gets his own tag #maybe I'll come back and get them all for book keeping purposes eventually but nOT tonight

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olivescales3 · 11 months

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Incorrect quotes tag game

This was very fun to do! Tagging these writes! (No pressure) @stanrendipity @frostedlemonwriter @rbbess110 @neapaulatan

This was actually so much fun, that I made an extremely long post about this.

*out grocery shopping*

Eris: *takes a free sample twice*

Eris: Robbery and Fraud. I am a Rebel.

Cragger: *Takes a sip of milk and gags*

Cragger: Oh my god, is this expired?

Cragger: *Takes another sip of milk*

Laval: I'm yet to properly begin my history notes BUT!!!! I got 100% on a quiz about european countries so who's the REAL winner here.

Dom de La Woosh: Are you laughing at that video of Razar and Cragger fighting?

Furty: No.

Furty: I'm laughing at the comments.

Fluminox: You're alive.

Sir Fangar: There's no need to sound so disappointed.

Crominus: It’s just you.

Worriz: Is it just me or is instant ramen even better uncooked?

Razar: Cragger... How do I begin to explain Cragger?

Crominus: Cragger is flawless.

Lavertus: I hear his hair's insured for $10,000.

Furty: I hear he does car commercials... in Japan.

Laval: One time he punched me in the face... it was awesome.

Fluminox: So we're gonna read what we wrote down so we can tell everyone in the class something about ourselves.

Sir Fangar: Okay, my name is Sir Fangar but you can refer to me as Lord Farquad.

Fluminox: Okay that's not happening- how about you!

Lavertus: I'm Lavertus and I like the movie White Chicks!

Fluminox: ...Okay... whatever, I respect that.

Crominus: My name is Crominus and I hate this place, it actually sucks here...

Fluminox: Okay... and you...

Laval: *nervous* Uhhh my name is Laval and my favorite color is... math.

Lagravis: I bet you’re wondering why I gathered you here today. It’s because we need to have a discussion about how some people in this room aren’t getting along with other people in this room.

Cragger: Why did you say that so vaguely? Crominus and I are literally the only people you called in here.

Razar: Eris, you risked your life to save me!

Eris: And I’d do it again! And perhaps a third time! But that would be it.

Dom de La Woosh: Don't go to the kitchen.

Laval: Why?

Dom de La Woosh: I saw a spider.

Laval: Well, did you kill it?

Dom de La Woosh: It has 8 arms and I only have 2, it's not fair...

Sir Fangar: Oooh, a train!

Laval: We’re in a train station, Sir Fangar.

The Squad: *walking at the mall*

Worriz: Hey, have any of you guys seen Furty? They’ve been gone for a while..

Eris: Eh, nope.

Laval: No, I haven’t...

Cragger: Probably ran off to McDonald’s or something.

Furty: Hey.

Worriz: Ooh, there you are-

Eris: What the fu-

Cragger: I- where were you?!

Furty: Walking right behind you guys.

Fluminox: What’s the dumbest thing you believed as a child?

Tormak: That naptime was a punishment.

Razar: Watcha doin?

Crominus: Stealing my neighbour’s cat.

Razar: Scandalous.

Razar: Can I help?

Laval: Thought I was meowing back at my cat for the past hour, but it was just me and Cragger meowing at each other from different rooms in the house.

Cragger: If I punch myself and it hurts, am I weak or strong?

Crunket: Strong.

Worriz: Weak.

Eris: An idiot, is what your are.

Cragger: Go ahead, Scorm. Let it out, cry. If you don't, your tear ducts will get blocked up, and then when you get old, you won't be able to cry.

Worriz: Just when we thought it was safe to let you back into the conversation.

Somebody PLEASE STOP ME. I would spend an entire day on this lmao

#writeblr #tfloc #the forgotten legends of chima #incorrect quotes #incorrect quotations #tag games #writers of tumblr #legends of chima #lego legends of chima #lego chima

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hccn-overseer · 1 year

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Issue 5, 5/17/2023 - The Overseer

Issue Masterpost About the Overseer

This week has shown the Hermitcitizen Hub settling into a rhythm, with an art compilation being created for the lovely ZombieCleo's birthday! Citizens are also encouraged to apply for mod, as more are welcomed! Please check announcements for more details. On to the news!

The Employment Guide to Season 9 and What to Put on Your Resume to Get The Job

By Winter

You may be wondering like I did a few months ago, “How do I get paid? Will I have anything to retire on?” The answer to all your financial questions will be answered by someone who did a little bit of digging to find the answer to the eternal question. So here is a step by step guide on what businesses will pay you.

At Number One we have Az’s bakery. You help her bake, and just generally help out. The one caveat is that you cannot eat the batter. Under no circumstances.

Coming in at Number Two we have Grian. Grian will pay you to work at any one of his many Un-Grianproof areas. You do have to be able to not be afraid of the dark, possibly perishing, and overall weirdness. You will be paid in life insurance and grian orbs.

Coming in at Number Three we have SUS. Scar Unsafe Services will pay you to mess with SSS, SUS pays you in whatever you can find in SSS’s chests. A quote from one of the members reads “We do not claim responsibility for anything that may happen if you choose this payment option”. They also pay in free mob farms.

Coming in at Number Four on the opposite end of the spectrum you have SSS who will pay you handsomely. Yes I repeat, HANDSOMELY to light up very dangerous things. The pay rate will go up depending on the difficulty.

Coming in at Number Five we have The Hermitcraft Recap. As a member of the recap filming team, the recap definitely pays you. You have the ability to live on sight and you are given 3 meals per day. If you are like me and don’t live in the recap housing units, then you get compensated in what you may ask, Health Insurance, and a diamond a month.

Coming in at Number Six we have Beef’s TCG shop. You get paid in TCG cards and learn the skills necessary. That’s pretty much it.

Coming in at Number Seven we have Impulse’s Mega Base. You will not be paid at IBuy. At the mega base you will be paid in the diamonds you dig up. You may also get some cool ores.

Coming in at Number Eight we have Mumbo K(illsalot) Jumbo. As he is the richest hermit you will get paid, in what who knows. You get paid in diamonds, and A LOT of work holidays. Last this writer heard the Mumbo Affiliates went on a BIG biking holiday.

And finally The Overseer. This writer can confirm….

…

THAT YOU DON’T GET PAID.

In all honesty, I have been paid in the experience of a lifetime, and we also get baked goods so pretty nice. You also do get paid in fun times.

Now onto other news below the cut!

Weekly Weather Report

By Virtual

Note: If any of our readers are rich and generous, we ask for assistance in paying Rainy’s ransom. The kidnappers' identity is still unknown, but leaving a pile of diamonds on the doorstep of the Overseer offices may be enough to reach them.

Thursday - STORMS, hail expected between 3 PM and 5 PM (GMT). Helmets are suggested for all those working outdoors.

Friday - PARTLY CLOUDY, 75% chance of Doc messing with Grian and Scar. Citizens near Scarland and Grian’s rocks advised to watch for anvils and charged creepers.

Saturday - CLOUDY, fog expected around Zedaph’s base between 1 AM and 10 AM (GMT). Reduced visibility may obscure ledges, increasing risk of death by fall damage.

Sunday - RAINY, hordes of Drowned expected around Spawn Town. Watch for tridents from every direction.

Monday - SUNNY, high temperatures expected to reach 36 Celsius by 11 AM (GMT). Dry areas at risk of wildfires.

Tuesday - SUNNY, high heat continues. Citizens advised to carry water and watch for signs of heatstroke.

Wednesday - WINDY, elytra flight may become unsustainable at high altitudes.

Additional Notes: Increasingly strange copper structures expected to appear around Grian and Mumbo’s bases throughout the week. Citizens are to continue working around them as normal. Do not attempt to wax the copper.

Astrology Corner

[The Horrorscope Theme - Intro]

WINTER The Overseer Presents The Horrorscope Edition 5 [The Magnus Archives Theme – Intro - Continues]

WINTER Test… Test… Test… 1, 2, 3... Right. (Sounds of Winter clearing her throat) My name is Winter. I work for the Horrorscope, Astral Library, an organizsation dedicated to academic research into the esoteric and the Paranormal.

I work for the Horrorscope and have been asked by my superiors to record my thoughts on the coming week. I have been working at the Horrorscope for a few weeks and have not got to voice my thoughts so far. As of current we have ten cases still ongoing.

Statement begins.

(Pause)

Our first case is of the star sign Gemini… While searching through the previous weeks records I noticed that star sign was advised to invest in (disgust) Etho Heads. While this may seem merely harmless, it seems foolhardy to invest in something that multiple people already have invested in. While Etho Heads may make great gifts for family members off server, this reporter suggests ridding yourself of these interesting collectables, if anything give a few to the Hermit known by ZombieCleo.

(Pause)

(Sound of Winter taking a breath)

Our second case is of the star sign Cancer. Cancer was suggested previously to fight GeminiTay. The same week an obituary was released of one of the Cancers. A suggestion for the Hermit Citizens under the star sign of cancer is to invest in life insurance.

(Pause)

Our third case is of the star sign Leo. Leo is often associated with the symbolism of a lion and the colour red. According to one record, Leo was described as “Lucky” for this year. I doubt the likelihood of that occurring. To improve the chances of this happening, it is suggested to obtain a lion, and then set it free in a friend's house.

(Pause)

Our fourth case is of the star sign Virgo… Virgo was advised previously to follow a Joe Hills certified beauty tutorial. While this was previously suggested, it is now suggested to spend time away from the entity, and other paranormal beings.

(Pause)

(Sounds of the newsroom, brown noise if you will)

The crew seem up in arms about something, however that is not my business, my business is delivering this to the listener.

(Pause)

Let’s get back to business.

(Sounds of Winter taking a breath in and out)

In the case of Libra it has been written down that they should bring an umbrella with them and open the umbrella up in inconvenient moments. The rest of the suggestion is scribbled out, with some words, which are indistinguishable.

(Sounds of Winter flipping through pages)

(Beat)

For Scorpio it seems as if they are suggested to start pooling diamonds?? together. So sorry for the confusion but I cannot understand for the life of me what is written here.

(Sounds of Winter flipping through even more pages)

For Sagittarius it is suggested that they have-

(sounds of a wet being squelching up beside the recording device)

(Sounds of a thud before the sound of Winter slumping onto the ground)

(Static)

Editor's Note: This transcription was not written by the editor. Due to its disturbing nature, the editor would like to exclude it but it is above her pay grade (the pay grade being nothing at all). Sincerest apologies.

The Birdhouse

By Azure

Citizens may have taken notice of many avian and bird-adjacent persons flocking to a treehouse in the forest near the shopping district. One of our interviewers, Azure, has spoke with some of the avians who often use the birdhouse for more information on this new gathering area.

1. What is your favorite part of the bird house? Z: I'd say its how inviting everyone I've met here so far have been! Budgie: Similarly, I like the closeness of it. It doesn’t matter who you are or where you’re from, an avian is an avian Raven: Definitely [the living room], it so comfy and I may or may not have not left it in weeks except to necessities due to that

2. Who built it? Z: I don't actually know that one, do you know who built it? Budgie: Well, when I got here, nobody really knew, either. It just kind of… existed. A lot of the accommodations and decorations you see were brought in after we settled. We’ve built crash-landing pads around the entrances, we’ve put ladders for those who can’t fly… I believe we changed some of the glass to stained glass so nobody would run into it. While it doesn’t change how I view the Birdhouse, I would certainly like to know who to thank for this building, it’s provided such a welcoming community Raven: No, not really. It's just kind of always been here.*

3. How did you find the bird house? Z: I just got here recently, and after getting a home set up i just- went looking for some community, and heard there was one for avians. I’m glad i looked into it Budgie: I was on my way home from working when I flew past it, I saw what looked like an avian-based build, so I got curious. I wanted to explore, but I didn’t know others were inside until I stumbled upon them. I believe it was Pen and Nerd I found… Raven: Oh, I was out flying a while back and it caught my eye. I went it to check it out and I haven't really left since than

4. Roughly how many citizens are living there and how big is the Birdhouse? Pen: None of us live here per se, at least I don't think so! We all just come around to hang with each other, this is a space to meet other Avians after all. The birdhouse is quite big, that's for sure, quite accommodating too. Can't tell you the exact amount of avians that come by, the amount varies everyday and I'm personally sure I haven't met them all yet Budgie: I’ve so far met… maybe 10 other avians? I’m not sure how many of us actually live here, but many of us will stay the night on occasion! We have a designated ‘comfort’ area for nests and other sleeping arrangements. Z: I’ve only met about 4 so far, 6 counting these two (referring to Pen and Eagle)

6. Is there anything else you'd like to mention about the Birdhouse? Eagle: Well it’s a very nice community space and we’ve kind of formed a flock here. I won’t name names, but some of us can be very bad at remembering to preen or have never learned how, so a lot of times another avian will offer them help. And the avians here are always welcoming, even if I haven’t quite met all of them yet. Budgie: The Birdhouse is always open— I don’t think there will be a time where anyone would be turned away, We’re a welcoming community. As I’ve said before, an avian is an avian. It doesn’t matter if they’ve got full wings or lost or damaged ‘em, they’ll always be welcome to settle in. Pen: I'd say that the Birdhouse is a great place for everyone, especially the birds, it's... I'd have to admit, it's very nice to have a place filled with others that can understand you, ya know? Still working things out and hopefully more things could be added for the others, like how the stairs are a recent addition for those that are grounded. Can't wait to see how this place grows honestly. Z: I've only really been here a very short while, but from what i've seen and heard from the others here, the birdhouse seems like a sort of safe space, and i'm just really glad i joined here

*Editor's Note: The Birdhouse was designed by Morph and built by Redfeather. Canonically, whoever built the basis of the Birdhouse is not definitively known but many other avians helped make the Birdhouse what it is today. You can find a tour of the Birdhouse here.

Lost and Found

By Virtual

The following items were brought in from across the server this week. As nobody knows who they belong to, they have been categorized as lost. If you recognize any of the following, or would like to report a lost item, do reach out to us at [email protected]*

*not a real email address

Item 1: An iron sword that has rusted up to the hilt, found buried in the desert. The sword was excavated by a citizen collecting sand for a mega project. Despite its poor condition, the sword appeared to have full durability and whistled when swung, as though it was extremely sharp. Tests have shown that the sword is exactly as sharp as it sounds, and it is now being kept safe in a leather scabbard in the Lost and Found office, where it has temporarily become a coat rack. If the sword belongs to you, we hope you are up to date on your tetanus shot before you come collect it.

Item 2: A book with a yellow cover, found in Welsknight’s base. Nearly imperceptible patterns weave their way through the fabric cover of this book. The pattern seems to have no beginning or end, and when we attempted to find one, we found the shapes repeated infinitely, like fractals. This cover appears to have been layered over an older leather binding, which peeked out when the book was opened. The inside cover did contain a bookplate, but the name of the library it came from was too smudged to make out. The book itself contained no words, only a series of impossible mazes that bled over onto each consecutive page, creating a hundred page long infinite spiraling puzzle. If this book belongs to you, perhaps you can show us the solution.

Item 3: An amulet in the shape of a stylized eye, found in the Overseer Offices. The sound of running tape spills from the amulet at a steady volume. When a citizen listened closely, they could hear a voice layered beneath the static. They reported an unmistakable feeling that, whoever this is, they are talking directly to the listener. Their words are faint and unintelligible, but their tone and repetition strikes a sense of urgency. They are trying to tell you something. Can you hear the whisper? Come to the Overseer offices, and listen closely. Maybe you can pass on the message.

Spectating Science: Ravagers and Environmental Behavior in Decked Out

Recorded by Cirrus, the Shoebill

Scientific studies of the Hermit Citizen Hub have been steadily developing over the course of the past month, allowing insight into subjects that have drawn both applied researchers and their fellow citizens towards a dedicated journey of curiosity. These growing developments include but are not limited to observing mob behavior, the radiation of The Perimeter, the transformative effects of The Rift, the fungal nature of the Sculk and its symptoms of infection, the possible existence of The Watchers and their relation to their citizens, and experiments related to the enigmatic Zedvancements.

This edition of Spectating Science focuses on the behavior and care of Ravagers, several of which are heavily integrated into the up-and-coming dungeon crawler game, Decked Out, and features an interview with its highly experienced laboratory technician and beast keeper, Redfeather.

Redfeather, a researcher who specializes in the fields of mob biology, health, and behavior, also keeps watch over a variety of experiments focused specifically on animals and has been working as an applied scientist for two seasons. After several months of assisting other prominent figures with their experiments, Redfeather conducts his own calculated routines of Ravager observation, care, and experimental study.

Ravagers play a vital role in Decked Out, as they are used to increase the game’s difficulty and instill a fearful sense of urgency in its participants. Originally herded by the creator of the dungeon, Tango Tek, these creatures are known to be aggressive towards players and notoriously bloodthirsty, making them a perfect addition to the intended pulse-pumping chases of Decked Out. Despite their brash demeanor, those who are persistent enough to study their instinctual reactions to an ever-changing internal environment have brought an intriguing perspective.

The following interview with Redfeather was recorded on May 12th, at approximately 8:45 AM in The Birdhouse by Cirrus, the Shoebill.

“Good morning, Feather! Have a seat and tell us where your work hails from. How long have you been an applied scientist?”

“Well, I’m just a lab tech, I work odd jobs here and there, mostly taking care of experiments and other captive mobs, feeding them, recording any growth, monitoring health issues, and recording their behavior in studies! I’ve been working as a scientist for two seasons.”

“Please, elaborate on what makes you passionate about your work. Our listeners [and readers] and I are enamored with any enthusiasm.”

“I’m especially passionate about studying mob behavior. For example, the way Ravagers react in a controlled environment is fascinating!”

“Ravagers, such rambunctious creatures. Have you made any particularly notable discoveries about their behavioral changes, perhaps related to their environment, in this case, or their keepers?”

“Well, for example, their varied reactions can depend a lot on different variables! Depending on the keeper, their past experiences, how hungry they are, the space they’re in, temperature, the presence of other Ravagers, they can be wildly different in their levels of aggression! Sometimes they can seem downright cuddly! Of course, you must always still exercise caution with an unpredictable animal. Illagers may ride them, but they are far from tame.”

“Bulls of their own unruly destiny, they’re not to be tamed by those who dismiss their spirited minds. You say they can be quite affectionate, yes? What are the ideal conditions that could bring them into such a state?”

“I’ve yet to arrive at a precise conclusion, however, I can draw a pretty confident line between docility and whether you have food. Also, if they have recently quenched their bloodthirst, they seem to enjoy a bit of ‘celebration’ so to speak. Other Ravagers treat them with more respect for having won the hunt. Also, while not great for their general mood, a Ravager in a smaller space is less likely to attack right away, granting you the opportunity to distract it with food. Thus, why letting them out of the stable right at feeding time is the perfect time to sneak in pets. They also love a good brushing, providing you can get close enough.”

“Bloodlust for Ravagers, it can’t be removed any more easily than a decaying body seven feet into a bog, after all. A sociological development of a hierarchy among these creatures must be more intricate than those of mere slow cows and sheep if respect for victors is considered imperative to their moods. You have an observant instinct about you to notice such previously undiscovered details. Now, you’re also affectionate towards them from a domestic pet standpoint, just a smidge, from what you mention about brushing them. What is it about them that draws you in with such a sensitive approach?”

"Yes, well, I am one of the keepers as well and have taken on the job of making sure their health is well as they live in Decked Out. I have grown fond of them, though they, I think, feel less towards me and are fonder of the food I bring. Nevertheless, they enjoy their pets and brushes at least as much as a picky cat enjoys being pampered. And that prickliness is what draws me in, I suppose. It's lovable in a way to see them go after their prey so enthusiastically!"

“Cats, what an intriguing comparison. Chasing and devouring their prey gives them a common ground with many, I suppose Ravagers included. Being in such a controlled environment as this ‘Decked Out,’ I suspect, requires Ravagers to relearn their instinctual routines to freely roam. Did you and the keepers work to build a Pavlovian response to their controlled living quarters?”

“For right now, I can say that the Pavlovian response is clearly observed when bringing food, however, for their bloodlust, no additional training is needed! They will go after the keepers or testers or developers alike.”

“Listeners [and readers], take note. Feather, have you recorded any developing changes in the behavior of any other mobs?”

“The only other mobs in the dungeon are the Vex, and they are very instinctual, familiar with Ravagers, and are only let out on occasion when the runner is out of time.”

“Decked Out runners, your time is fleeting from the moment you enter, in that case. Now, if you were to attempt to socialize these controlled Ravagers with other mobs, do you think that they could co-exist in that same environment in Decked Out?”

“I believe other mobs would adapt quickly, given they don't have any natural hostilities aside from Villagers and Iron Golems.”

“Excellent for them! How about if they were to live among each other in the wild? Are they too far changed in this environment to readjust to living in the wild, say, if Decked Out does not last forever?”

“I'm unaware of any extant wild Ravagers aside from their cousins, the cows, but given their natural herding instinct, they would likely do just fine on the plains. The future of Decked Out after the game is currently quite uncertain, but I'm certain we could free the Ravagers at the end for some fun."

“The release of these capricious Ravagers will certainly receive quite the fanfare! […] Each and every second of your time in this interview is one I am grateful to have shared with you. Those are all of the questions I have for you at this time, though I have no doubt that another interview will come along your way in the future.”

“Pleasure to have you! Yes, I can't help but invite you back when you please, not for work, but as a fellow avian! This place is both for the community as well as for avians to be themselves. Have a good day!”

Spectating Science would like to thank Redfeather for providing such a detailed perspective on the idiosyncrasies of these bull-like creatures! We invite any applied researchers to bring forth any growing developments that they would like to share in this segment and look for Cirrus, the Shoebill, for an interview about themselves and their work. In addition, tangents and rambles are more than welcome. No discovery is too small, and it is never too late to teach your fellow citizens something new!

[If you would like to be interviewed for Spectating Science, please look for Cirrus’s Citizen I.D. Card in the Discord server and leave a note for them.]