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#I usually have perspective
mochasucculent · 7 months
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Gilf on gilf psychological warfare
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seagreenstardust · 2 months
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“When toxic behavior is portrayed as romantic, it’s problematic. When problematic behavior is portrayed as a character flaw for a character to work through, it’s good storytelling.”
Katsuki Bakugou, my friends.
His behavior was problematic but never once portrayed as romantic at the same time. Katsuki said and did awful abusive things, and he also chose to be better when he was given the chance. If you’re still hung up on chapter 1 Katsuki now then I don’t think you’ve been reading the same story I have.
I can’t speak for everyone, but I’m not shipping Izuku with an irredeemable abuser. I’m shipping him with his most important person. His narrative foil. His childhood friend who made awful mistakes and then made it right when he saw he was wrong. The person Izuku looks up to and strives to emulate, despite their past struggles.
Bakudeku is so good because of how flawed these boys are, and how hard they’ve worked to get over it, and how much they matter to each other after it all
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royalarchivist · 6 months
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Cellbit: Yeah, [Bobby is] our son.
Roier: What?
Cellbit: He's our son, no? Or not? Am I not?
Roier: I mean… he's already dead. [...] By the time we got married, he was no longer around. So in theory, in theory-
Cellbit: But in my heart, he is my son.
Roier: Oh, that's fine, in your heart, yes. In your heart, yes. But actually-
Cellbit: He could have been my son, he could have been.
Roier: But actually, he is my son and Jaiden’s.
Cellbit: Yes yes, definitely, of course.
Roier: [Smacks him] Exactly. Well, you're the step-father, you know?
[ Full Transcript ↓ ]
Cellbit: Hey Tina, have you met Bobby? I don't think you did, right?
Tina: I met him a little bit earlier, he's so cute!
Roier: Aww
Tina: I told him I like StarBobby.
Cellbit: Yeah, it's our son.
Roier: What? But-
Cellbit: He's our son, no? Or not? Am I not?
Roier: I mean... he's already dead.
Cellbit: That's true, that's true.
Roier: By the time we got married, he was no longer around.
Cellbit: That's true, true.
Roier: So in theory, in theory-
Cellbit: But in my heart, he is my son.
Roier: Oh, that's fine, in your heart, yes. In your heart, yes. But actually-
Bagi: Am I the auntie?
Cellbit: He could have been my son, he could have been.
Roier: But actually, he is my son and Jaiden’s.
Cellbit: Yes yes, definitely, of course.
Roier: [Smacks him] Exactly. Well, you're the step-father, you know?
Bagi: So I don't think I'm your auntie, sorry. Unless you want to!
Cellbit: Yes, fake dad, fake dad. Fake father.
Roier: But it's ok. It's ok.
Cellbit: It's ok, it's ok.
Roier: It's this dumbass' fault he died anyways.
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marzipanandminutiae · 9 months
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I miss people using non-medicalized terms for other people's passions
like. well and good to talk about "hyperfixations," "special interests [in the context of an autistic person's favorite subject]," or "infodumping" if you have ADD/ADHD or autism, or are talking about someone who is, but...that's not everyone who feels strongly about something, obsesses, or loves talking about their interests. those words mean specific things, associated with specific forms of neurodivergence
don't assume everyone is comfortable with that language
"rambling" is a word; so is "ranting." "obsession" is a word. "passion" is a word. learn them and use them
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letswonderspirit · 4 months
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Thank you for tagging me for Wip Wednesday @cookietastic! I am practically made out of wips and sketches.
Mostly I have unfinished drawings of mini comics, they take a lot of time to do lol. Tagging @maya-must-art @keylime-bat-art @necrocoleum @ectospacecadet if you wanna join, but it’s no pressure! 🕺
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utilitycaster · 1 year
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I understand not being a big fan of the appearance of past PCs, and I shared that earlier on, and even shared the argument that I wanted Bells Hells' story to be about them...but I feel like the time for that argument has passed. As we've gone on, that is in fact the story - that they're a bunch of level 8 adventurers who have fallen into an endgame scenario because of little peripheral threads and because of who one of their companions is. The story is, on some level, about not being about them. They've had so little time to drive their own destiny; it's been fetch quests and pursuit from the start, with little in the way of the odd jobs and proper stumblings one would usually expect.
And I hope that after the solstice they'll get to do that! But I think having Keyleth and the Ashari, Beau, and Caleb there hammer the above home: this is so much bigger than Bells Hells is prepared for, and they're here because a few weird things that happened in Jrusar (which is all that Eshteross ever wanted to look into, and all Treshi ever wanted to do) were unbeknownst to them part of a plot Ludinus Da'leth has likely been working on for several centuries; and because Imogen and Fearne are involved through accidents of birth. In many ways, it echoes Laudna's entire story. It's just people who were minding their own business in a town, and someone powerful and ruthless did things beneath it that affected the population at large because of a plan with cosmic ramifications, and they became involved out of an accident of location.
I'll admit - I do prefer a story where people are actively seeking something, or running from something, rather than caught up in bigger and bigger webs of conspiracy, but that's not the one being told right now, and the version in which far more powerful allies don't appear is a tragic and cynical one, whereas one with Keyleth, Beau, and Caleb says "yeah, this is fucked up, and it's not fair that you're here on your own to deal with this rip current of an event."
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dandelion-roots · 4 months
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[ID: a digital drawing of chuuya and dazai from bungou stray dogs. in the main image, dazai is sitting on a metal counter in a nurse's office, his arms behind him to support him and knees spread so that chuuya can clean his wounds. he has bandages and scars on his arms and bare torso and is wearing white pants and white shoes. with a bored expression he says, hurry up. chuuya, who's opening a green bottle and is standing in front of the counter, shouts, wait a fucking minute, asshole, i'm not your damn nurse! in a smaller follow-up panel dazai shouts, you shot me! and chuuya is looking away while sweating and shouting back, you were being a shit. end ID]
the price of engaging in homoeroticism via shooting you 'old friend' THREE FUCKING TIMES more than necessary is, um... *checks notes* having to patch him up five minutes later whilst staring at his bare chest and then having to set his leg, thus literally putting him back on his feet to do his dramatic victory reveal??? this can't be right who wrote this
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vitrificvitriol · 1 month
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Late night sketch
Bonus Astrotrain, who is waiting very patiently outside for them to stop fucking around:
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yellowocaballero · 7 months
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So fucking glad to see someone talk about SSS Class revival hunter 😭 I lived it so much and I feel like no one ever mentions it against more popular titles like ORV or even The Lout of the counts family, so I'm so glad to come here and see your amazing takes :>
Thank you for the ask which lets me talk about SSSCRH (the version I read was titled 'Suicide Hunter', which tbh I like more - no beating around the bush).
It's hard to draw an accurate comparison since I'm going off just the webtoon for SSSCRH, while I'm going off both the webtoon and the webnovel for ORV. And I love ORV, ORV is my media blorbo right now, it hydraulic presses my brain, I am writing ORV fanfic - it's, like, funner to enjoy. But SSSRH is just better. In the vast majority of ways it is is better. It's better than the holy trinity by a wide margin. TW talk of suicide obviously.
I can't believe I'm saying this but you need a basic understanding of Buddhism in order to understand SSSCRH. It's not about Gongja's suicides - he doesn't suicide from depression or lack of self-esteem. SSSCRH is about suffering in the Buddhist sense - dukkha. I don't want to make this an essay, so I might reblog this with more information, but extremely shortly:
The Four Noble Truths of Buddhism is the truth of suffering, the truth of the cause of suffering, the truth of the end of suffering, and the truth of the path that leads to the end of suffering. You've heard that Buddhists say 'life is suffering'. To put it one way that doesn't require defining a lot of words: the cause of suffering is experiencing the world as we percieve it instead of how it truly is. Suffering isn't just being miserable and in pain, and life isn't suffering because life sucks and global warming exists and people voted for Trump. Life is suffering because we can experience beautiful and joyful moments in this world, but we do not exist in the moment of that happiness or place our ego/'self' between us and that happiness. Living in that moment, accepting the moment as it is unconditionally, is freedom from suffering. The Buddha tries to free people from suffering through teaching Buddhism.
"What does this have to do with the webnovel and manwha about a guy murdering himself thousands of times" it has everything to do with it. Because SSSCRH is about suffering, and it is about using suffering as a tool in order to experience a world unfiltered by ego and break down the artificial boundaries between human beings. Suffering in SSSCRH is not a bad thing. Gongja has the unique capability to (reincarnate.) experience a person's suffering in unity with them, which dissolves the delusion of separation between people and puts us in touch with the reality of oneness.
The Murim arc was fucking insane because Gongja pulls a Big Bodhisattva Move and walks through the suffering of the world in order to achieve full understanding of the human experience. He takes all of the suffering of the world into himself and is liberated. You can tell it's Buddhist because death was not presented as a bad thing - death was an aspect of a happy ending for the Heavenly Demon lady, because she was finishing her life according to her own joy, and because her teachings were passed on she did not truly die.
But the purpose of embracing suffering is to discover the ability to fully embrace life, and that's where Heavenly Demon's teachings were incomplete - as the ghost dude said, Gongja hasn't even experienced his own full life and the infinite capability for his own happiness. You can only feel the depths of sadness when you've felt the depths of happiness. Sadness deserves its place in the world and it can strengthen you, but so does happiness.
Gongja is attention-seeking, envious, and unbelievably petty. When he drills down into his own desires and why he wants the things he wants, you see that he has a very strong sense of justice and right and wrong - he realizes he doesn't want to be famous, he wants to be acknowledged, but on an even deeper level he is desperate for love and to be loved. Everything he does is to experience love, and as such he learns to love others. His love for the Flamey Asshole was purely parasocial and ego-filled, with no concern for who he was as a human. Throughout the manwha, he grows to care for people as they truly are and pierce through any delusions or misleading outward appearances. He has released all attachment to life and death, and as such does not fear death, and as such has taken a step on the road towards becoming a Boddhisatva who frees others from the cycle of samsara, and as a result has learned sick sword techniques and is sooo good at beating people up.
I think the only other thing I want to mention here because otherwise this is an essay: in almost every time loop/regression story, only the final regression matters. In stories with dungeon monsters and NPCs, only the humans matter. The regressor exists in a space where there are no consequences for their actions, so they act terribly and do whatever because none of it matters. In Groundhog Day Bill Murray acts like an asshole because he can. That's not the case here. Everything Gongja does matters. The NPCs are fake, but Gongja never treats them as anything less than real people who deserve life. Once he understands a person's life he never treats them as unimportant. No loop is thrown away and no person or life is disregarded. His choices matter, the way he treats others matters, and Gongja never treats anybody as if they don't matter except for himself.
That was not short. There is a lot more. The female characters are so good and so rich. From a craft perspective it is excellently paced and has a wonderful sense of set-up/payoff and balances tone and maintains a lot of momentum, which is really hard in a time loop story. You have to do a few very specific things to write OP characters well and SSSCRH does it very well. There's more to say from a craft perspective and it's hard to judge accurately from a webtoon but it's good. I was so strangely struck the entire time about how sincere and genuine it was, how it said what it said with no trace of irony of confusion, and I think that's what stuck with me the most.
TL;DR: SSS Class Revival Hunter is good for a lot of very normal reasons, such as excellent pacing and set-up/pay off and characters, but it's also so sincerely and genuinely Buddhist that it blew my tits clean off.
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harryzroze · 3 months
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✨🌟 SUPERSTAR MK CLONE 🌟✨
PLEASE PRESS ON IMAGE TO LOAD BETTER QUALITY :,)
This was for a DTIYS by @ / kamiyouo on TWT/X for hitting 2K+ !!!
DTIYS details under cut! super star MK is their design :D
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this was super fun and challenging omg idk why i decided drawing a crowd surfing scene was a good idea but i figured it out ?! sorta?
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lovegrowsart · 1 day
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no matter whether ppl are trying to make zk's canon relationship out to be sibling coded or associative friends or whatever else ppl make up i feel it all comes from this place of people that don't ship it being unable to handle zuko and katara's canonically deep and intimate friendship at the end of show without (whether subconsciously or not) perceiving it as some kind of threat to whatever katara or zuko ship they DO ship (usually either k/a or z/s or m/z)
they don't know how to acknowledge/write zk (and i don't think them being a m/f ship is divorced from this) having their canonically close friendship alongside whatever they ship because that closeness, no matter how platonic, can't supersede the romance of their own ship. so they just lazily write it off as "siblings" or convince themselves they weren't ever that close in the first place or that katara still secretly hates zuko or something in order to get out of the bind of allowing them to be close friends even if you ship them with other people 🤷‍♀️
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quietwingsinthesky · 2 months
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see my brain just doesn’t register the idea of anyone having a ‘one true love’ which is why the common fandom tropes of making canonical love interests terrible in order to justify why your ship is better always bugs the shit out of me. it feels like the only reason you would do that is if the idea of the characters in your ship having any other sort of romantic relationship that was important to them, even in the past, is a threat to their current one, therefore all their past relationships need to be demonized in order to make them ‘not real love’ so that they remain pure and chaste and ready for the True Love of the endgame ship.
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non-plutonian-druid · 2 months
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[ID: a pixel art gif of Five and Delores sitting on rotting lounge chairs by a pool in the apocalypse. Delores, made human by FIve's perspective, is swinging her legs, and Five is reading a book. There are four colors; yellow, hot pink, lime green, and blue. Music notes emerge from a radio. The sky is completely obscured by yellow, shifting clouds. End ID]
sometimes a guy has gotta have a vacation, even in the middle of the apocalypse.
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i have never felt this uniquely insane about a character <3 i cant get a read on him
#what is his DEAL#im usually really good at pegging a character's intentions / general vibe#BUT IM GETTING SO MANY MIXED SIGNALS THAT I JUST DONT KNOW#his off the charts rizz is fucking up my geiger counter#is he evil? is he a victim? a pawn/minion? does he have good intentions? neutral ones? bad ones?#I CANT TELL#welcome home#wally darling#i mean im team 'wally is a victim just trying to help / protect his friends (maybe the 'viewer')'#and home is maybe the main villian but also not bc the villain is the abstract force of cosmic horror manifesting as the chasm under home#and it has simply infected home or possessed it#and welcome home's whole deal is cosmic horror from a puppet's perspective#and they all need to stick together like glue to get through the Ordeals and Situations#and wally's just trying to keep his friends safe and the neighborhood together and fix home#BUT if it turns out wally is straight up evil then. yknow. i support his wrongs <3#he could do literally anything and id be twirling my hair cheering and clapping#i love his big hair and gay little outfit#ever since i watched night minds video he hasnt left my brain. i think he's eating it#like i want him dead. i want him to be happy. i want to beat his little body against a wall until his stuffing comes out. i want to hug him#he is everything to me. he activates my maiming instincts but also my cherish instincts#i want him to get all the hugs from his friends#god i cant wait for this whole enchilada to kick off its gonna be a DOOZY#i trust clown's brilliant mind no matter which way they take this#absolutely fascinating stuff. i already know im in this for the long haul
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queen0fm0nsterz · 5 months
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thinking about the Lady again and she actually is the Character Ever.
Starting off with her design. How ridiculously simple it is, right? Her yukata is plain brown and has a single layer, her wig (and yes, I am positive what she wears is not her hair but a wig soley because of how easily it comes undone... that kind of hairstyle is meant to STICK when done with actual hair) has no decorations befitting a woman of her powerful status and her mask is nothing but... empty. You could mistake her for a mannequin and you wouldn't even be wrong. It's by design, after all: she is as insanely important, as a figure, as she is anonymous as a person.
But then, it's with amusement that you note that that boring, unexpressive mask is called the "Rascal's mask" when unlocked. It's such an oddly affectionate nickname stemming from a person so utterly despicable. And then you notice her hair. Her long, black hair that should be hidden under her wig, as the hairstyle goes, but are instead hanging out freely. Not very traditional at all, right? You could almost read it as a small act of defiance of... something. Now, what that thing is, I doubt even she knows. Maybe it's just her way to seek individuality without having to step into zones she does not want to touch.
And then, of course, the lack of shoes. It's not uncommon for people to wear slippers in the house - especially for the Japanese - but she just... doesn't. In that small, small way, she is similar to Six - and every other child in the Maw running around barefoot. Except she's above running, of course. She's got the privilege of floating like a ghost so that she may never touch the ground.
(The only time when this rule is broken is when she fights Six, poetically enough. You can see her visibly step back.)
These strange little things are the first things that push you to wonder about her as a person. Not the title, not the Lady of the Maw: the individual behind the mask. Who is that person? What is she like? Is there a way to answer these questions? I think yes, if you know where to look - but is it worth to ask these questions considering what she does?
That depends on you. Me personally, I think there is narrative worth to be found in what she has to hide. Her foil, Six, finds value in the aspects of herself she does not hide: she is very unapologetic in her selfhood. The Lady isn't, for the most part.
(I wonder if that would make her envious of her younger counterpart in a different context?)
Frankly, looking back on her choice of attire, the fact that her personal bedroom is barely decorated is not surprising. She only has the essentials: a bed, the vase with the key, a few pictures of importance (of people long forgotten, herself included no doubt) and... an ungodly amount of misplaced clothes all over her quarters. All the same yukata, repeated over and over, maniacally folded and arranged in towers, but never where they're supposed to be.
A bedroom is the reflection of yourself. Of your inner world. The fact hers looks so barebones is quite telling about who she is. Or isn't. She herself may have some trouble trying to figure that one out.
I think that, in a vacuum, it's easy to assume that the reason she's so displeased by her reflection is soley out of vanity. That is definitely part of it, but I don't think that's all there is. Because after seeing the mannequins that all look just like her, the four women in the picture who also wear her same exact clothes... and that hidden quote.
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This quote, which is from Alice in Wonderland. Specifically from a conversation in which Alice expresses how she doesn't recognise herself anymore because of how many times she grew big and small during the course of the day. She is not the same person she was before entering Wonderland.
I find the way she clings to the dolls and the music box to be much more... sombre when keeping this in mind. In a way, that scene is reminiscent of Monster Six clinging to her music box in the chaos of the Tower; an attempt to attach to something safe. For the Lady, it's even more personal. Those are her toys. Her song. No one can take them from her and claim them as theirs. These materialistic tomes are physical proof of her identity. She likes dolls, and she likes to sing that song from her music box. Surely, that much is something.
But a ceramic toy and an old music box are not really enough to placate the inner turmoil. Hence the broken mirrors, the hidden statues... the hung down portraits with their eyes scratched out - from times of the past. There is a person looking back in the mirror which she does not recognise. That can't be her, right?
It isn't. The reflection is but a faux image of her outward appearence. The inside, however... much like this concept art shows, she is melting away. Rapidly decaying no matter how much she tries to stick to her youth.
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Because at the end of the day, that's what she's doing, no? The toys, the music box, her appearence... all of it, just to cling a bit more to the person she used to be. Point being that I doubt even she remembers what she used to be.
You'd think a person like this would be inclined to feel at least some sympathy for all the lost children wandering the Nowhere. A sense of kinship, perhaps, or even just... basic human compassion. She has proved to have very human emotions, after all. This is where she proves you wrong. Whenever you think she's stepped the lowest, she always goes lower.
In her humanity, she is brutal. Relentless, ruthless. She offers no sympathy to anyone and has no empathy to spare either. She is very much aware of what's going on under her roof: she not only allows the Maw to continue being the way it is in spite of having the power to change things, but she actively engages in its despicable practices. She has petrified children in her quarters, as well as their ashes - of which the use is unclear - and then she is responsible for the Nome population and exploitation being so large and so eerily heavy. She's twisted necks, broken bones, murdered innocents.
The Shadow Children are, to me, one her greatest offenses. I don't think they serve any particular purpose other than... being there because she wanted to make them. Children ripped away from their life because of her whims. Not even in death can they rest because she can get her hands on their souls. They're nameless, forgotten shadows with blank masks: they're just like their creator, in that way. Ripped of all individuality and devoid of everything.
Everything she sees, the Lady devours. Not a creature is safe from her shadows and her wrath, especially if they come and actively intrude in her activities. She's twice as aggressive if the Maw is at stake.
The Lady's personal bedroom has another motif piece which I did not previously mention: the Maw wallpaper. While Roger and the Chefs have wallpapers that portray them with her, the Lady... does not. She only has the Maw. She's not part of that picture.
The Lady can't let the Maw change its ways. She is the Maw. The Maw must survive: so must she. To change the Maw would mean challenging herself enough to bring about a change; to her, who does nothing but lament what she lost, that would be too much effort. Too outside of the comfortable zone where she can survive in peace. Miserable, but unbothered.
... For the most part. Until Six comes around.
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splatoon-edits · 4 months
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hi i changed the frostyfest art to give big man more spotlight. the edit isnt perfect but i thought the big man fans would enjoy :]
Very Clean! I really like having him closer to the viewer like Frye and Shiver are!
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