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#I’m in way too deep
daddycephalopod · 11 months
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Garazeb “I guess I accidentally recruited my future husband when we were trapped on a moon that one time” Orrelios
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lildarkchapel · 9 months
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just saw an ad for a jewellery collection with beige diamonds and all I could think of was Crowley buying a ring with a stone like that for Aziraphale 🥲💍
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messrmoonyy · 25 days
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Molly correcting Arthur when he calls her Miss O’Shea to call her Molly. And is then brushed off/ ignored when she was trying to confide in him.
Molly correcting Dutch when he calls her Miss O’Shea to call her Molly. And this literally being one of the final things she says before she’s killed.
The way she just wants people to use her name and treat her like an actual human being rather than an object to sit and look pretty next to Dutch. To look at her and see her and listen to her.
In this essay I will-
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stagefoureddiediaz · 25 days
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Thing about just clicking with someone and not having to put in the work is finding not making and those relationships - whatever form they take rarely last or manage to develop past a surface level.
Buck is such an all in or nothing kind of person that has had to fight for pretty much everything (when it comes to relationships of any form) he just cant comprehend that other people experience various levels of friendships or relationships more widely.
We see it in his training of Ravi, it comes out in his father son reltionship with Bobby, it’s part of the underlying reason the lawsuit happened and stems from his childhood abandonment issues. We even saw it in the other sneak peek where he’s with Tommy - he’s trying so so hard to make a friend that he comes across as slightly intense and focused. And while the worthwhile people will stay (the fire fam, his sister, Eddie) those who can’t take that level of focus will pretty quickly drop away, Abby and Ali are prime examples of this and even Taylor to a certain extent - she just didn’t care enough to be bothered by it.
It’s one of the reasons he’s oblivious to the fact his relationship with Eddie is different on multiple levels and it’s part of what makes Buck so interesting and why so many of us think he’s neurodivergent.
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wasjustred · 1 year
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ahhh iloveyourworkssomuch!! 💖 i'd like to request something along the lines of sugar mommy!larissa (maybe with smut, who knows *wink*) 'cause she's all i can think about these days... anyways, happy early new years!!!
Easy Does It - NSFW Larissa Weems x f!Reader
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Summary: Larissa spoils you beyond comprehension. Pairing(s): Larissa Weems x f!Reader Warnings: Smut. A lot of it. (Cunnilingus, fingering, strap-on — all Reader receiving) Word Count: ~4.7k
Author’s Note: I hope this meets your expectations, anon! I originally intended to make Larissa way more domineering, but once I began writing it just didn’t feel like her——I tried to stay true to her character where I could. As always, feedback is welcome ﹠. appreciated! ♡ (un-beta-ed as per usual!) ╱ AO3
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The arrangement you and Larissa have has been smoothly gliding along for about six months now: you meet for dinner every weekend, in a town about half an hour outside of Jericho. You wear an outfit she’s picked out for you, she pulls your seat out, you share conversation and good - expensive - food and drinks, and you end on the stoop of your apartment, leaning into the kiss she places on your cheek, with a weekly allowance in cash in your purse. It’s the perfect set-up, nothing you’d dare protest, but sometimes you honest to god wish she’d just break her own rules and rail you ‘till the bed breaks.
Tonight you meet her at The Aviary, draped in a black satin dress with a deep slit up the leg––one of her favorites. Larissa helps you into your seat as she usually does, but before she takes her own, she places a long velvet box on your empty appetizer plate.
“Ooh, what’s this?”
“Open it and see.” A small, proud smirk turns her lips, eyes sparkling. You run your fingers over the velvet and lift at the seam, features going slack with surprise when you realize what’s hidden inside: a collar necklace, glittering diamond-cut, softening into a single falling arc of gems which ebbs, finally, into a small, shining teardrop. Light from the restaurant’s fixtures seem drawn to it, gleaming to and fro in a scattered stream of reflection. Your gaze snaps back to hers almost immediately, heart pounding.
“Larissa, I–”
“Do you like it?”
“I– Of course I do, it’s– it’s so beautiful..” Your voice softens and tapers off as you return your attention to the box before you. It’s probably the most beautiful thing anyone’s ever given to you, but you stop short of admitting this. “Help me put it on?” 
Larissa’s smile grows as she gathers the box in her hands, lifting the necklace from its cushion. She moves to stand behind you and tenderly brushes your hair aside; her hands are as soft as anything, so gentle in the way they handle you, securing the piece around your neck. Your own hand raises to rest atop the new weight at your clavicle, and when she sets her palms along your shoulders and squeezes, you shift your hand up to capture hers.
“What’s the occasion?”
“Do I need one?” Larissa presses her lips to your cheek from behind before she retakes her seat, arching a brow in challenge. The answer is no, of course; this is how you work, special occasion or not. She always manages to keep you on your toes, though, far more thoughtful and intimate than any other ‘financeur��� you’ve ever humored in the past: Tennis bracelets set with gemstones which perfectly match your eyes, a new coffee bar set-up when you mentioned off-hand that Starbucks had discontinued your favorite drink, a signed first edition copy of your favorite book she ‘just so happened to come across’ while out of state. Much more than the simple, routine bank deposits and luxury brand pieces that were never quite you which you received from others. Larissa’s gifts have always been astoundingly personal.
You’ve never told her this, but you stopped dating altogether once your little dynamic began. How could anyone else compare? She makes you feel important without ever having to work for it ––– like you’re lovable, worthy, because you exist, and nothing more. You’re breaking  your own rules, being so enamored with her, but you refuse to dwell on it.
“No, you don’t…” You trail off as your food arrives, ducking your head in thanks as the waiter sets everything out before you. Any discussion of her gift to you ends there on Larissa’s own accord, swiftly and advantageously moving on to a new topic as soon as the waiter has left you. The rest of the night is spent sipping expensive wine and musing instead on all of the high-culture goings-on you never get to discuss with anyone else: Art, ballet, classical music. Larissa’s a delicious trove of knowledge and opinions and she impresses you with each turn of a new topic. You often find yourself wondering - not just tonight, but many nights whilst basking in her presence - why she’s chosen you. You can hold good conversation, of course, and have an appreciation for the finer things in life usually reserved for those older and/or wealthier than you, but what’s always been curious, what’s always given you pause, is that she never asks for anything else in return. You have no choice but to ask yourself what it is you possibly have to offer to a woman like her––but you almost always fall short of a satisfying answer.
She’s talking you both through an analysis of the most recent play she brought you to when you take one of her hands in your own, tracing the lines of her palm as you listen. Larissa stumbles over her words at first contact, a rare occurrence for her, and blushes pink at the sensation. When you glance up at her in question she quickly averts her gaze and carries on, moving to smooth her thumb over yours as you continue. You love her fingers: they’re long, delicate, awfully reminiscent of the Greek statues she enjoys waxing poetic about. It’s an instance in which you’re reminded art, very often, echoes us in a continuous cycle of give and take.
You don’t say a word when you notice her face darken another shade as you press a kiss to the inside of her wrist before moving on to dote upon her other hand.
She’s not once explicitly told you, but Larissa’s never expected you to take a physical liking to her. She set the rules she did early on for a reason, knowing she could live with looking and not touching, taking care of you and watching your face turn alight with each gift or special night out without ever ending the evening by your side. No sex necessary, no physical affection expected. But here you are, fawning over her, and she’s never been more conflicted.
To assuage the feeling, she convinces herself it’s the wine that’s made you this way––a good bottle will go a long way, thus your touch must be the product of inebriation, not genuine affection. You’ve both long since finished off your meals when Larissa pays the bill and drives you home as she normally does, to an apartment she partly finances (not fully, at your own insistence that there are some things you should take care of yourself) and walks you to your door, stooping to kiss your cheek. Routine. 
She is right about one thing, however, and that’s the potency of the house wine tonight. Not on your reasoning, but your self-control. You spent the car ride home admiring her profile in the passing streetlamps and traffic lights, studying the way each red light cast itself across her, how the passing headlights of opposing traffic bathed her in a cinematic glow you associated only, appropriately, with Vivien Leigh in A Streetcar Named Desire. Ghostlike, almost. Ethereal. And at that same wine’s behest, you lean further now into her goodnight kiss than you’d normally allow yourself.
It’s as she prepares to leave that you decide - anchored by the weight of the diamonds around your neck - that this is the night you’ll throw caution to the wind, fervently hoping it won’t backfire and end with her rejection and a ruined arrangement that you’d both worked to preserve over the past six months.
“Do you want to join me for a nightcap? I know we don’t usually, but.. I’d like you to. If you’d like to, of course. If you don’t that’s–––”
“Y/N,” she interrupts. You can hardly tell but her heart’s just about burst out of her chest. There’s an inner battle waging right on the precipice of her ribcage and your bright, hopeful eyes staring up at her aren’t making it any easier to parse out. Do you feel obligated somehow to pay her back for the necklace? She knows you know she’d never ask that of you, that your arrangement is not a traditional one, but has she unknowingly pushed the bounds all the same? Did you simply imbibe too much and don’t really have a clue what it is you’re saying?
Or, perhaps.. Most dangerously: Do you mean it?
“I don’t want you to feel as though you have to… ‘pay me back’ for tonight. That was never my intention.”
She volleys her own inner turmoil dead straight in your direction and stares down at you with what might be, if you squint hard enough, a nervous expression.
You lean sideways against the door and cross your arms over yourself, appraising her. Does she really not want you? What the hell does she get out of this if she doesn’t? You just can’t wrap your head around it, and while you insisted to yourself you’d never outwardly question the bounds of your relationship and why they’ve settled where they are, you’ve put yourself at a crossroads.
“Do you think I’m pretty?”
She balks.
“What? Of course I do. What does that have to do with anything?” Larissa’s expression is a mixture of incredulity and apprehension. You decide to bite the bullet then as she lingers uncertainly beneath the moonlight.
“I don’t understand what you get out of this. Am I not–– you think I’m pretty but you don’t want to touch me? You pay for my livelihood but you don’t want anything tangible in return?” You both purse your lips simultaneously and you’d laugh if the situation weren’t so dire all of a sudden. “You confuse me, Larissa.”
She shifts her weight from one foot to the other, a small cloud bursting forth as she sighs.
You fucked it, didn’t you? Fucked it right to hell, and now she’s never going to speak to you again.
“You’re an idiot, do you know that?” The air goes still.
It’s news to you. 
Larissa suddenly pushes forward and traps you against the front of your door, hands leveled at your waist. “I’ve always wanted you,” she grits out, her arms tensing at your sides. “I just didn’t want you to feel as though you had to. Return the sentiment, that is. You’re too precious for that.” Her voice is low and rough in your ear, strangled. You grab hold of her forearms to keep yourself upright when her tone shoots right through you, breathing heavily. You gradually lift your gaze, poring over every curve of hers as you do, and meet her eyes. They’ve nearly gone black with lust, and a subtle quiver in her lip tells you everything you need to know.
“Kiss me.”
Larissa groans, which is admittedly not the reaction you’d expected, and presses further into you, her nose brushing against your cheek.  You can feel the heat of her grow, ensnaring you in perfect contrast to the cool night air.
“You have to tell me you want it, darling. I need you to say it.” … Oh. A new wave of arousal surges through you as you turn your head ever so slightly, her lips hovering just out of reach. The shared breath between you has become fraught with possibility, with the overwhelming, unspent energy that’s been collecting over the last six months without either of you quite noticing. Of course this is what she needs: confirmation, not that you’re hers but that she’s yours, by choice and choice alone.
“I want you, Larissa. Please,” you whisper, squeezing her arms in an attempt to ground yourself. She says nothing in return, instead immediately closing the distance and engulfing you in a desperate, searing kiss. Your cheeks burn and it’s all you can do not to melt into her fully, sucking in a sharp breath as her tongue slides against your bottom lip. This, this, you realize, is exactly what you’d imagined: Feeling her against you, wrapped up tightly in her arms, being drawn in and freed all at once, struggling to contain the desire you feel pulsing within yourself. It’s like Larissa’s split open your mind and picked through every thought there, coming away with only the most indecent imaginings and putting them to use as her hips pitch forward and her hands grasp achingly at the roundness of your thighs.
“Open the door,” she husks, suddenly ripping herself away and turning you at the waist to face the door. You fumble for your keys as she scores your neck and shoulders with hot, open-mouth kisses, running the tip of her tongue along the muscle that pulls taut there.
“F-fuck.” The chuckle she gives in response to your whimpering, shaking when you can’t fit the key into its slot, only weakens you further. Larissa must know her effect well as she wraps an arm around you to hold you upright, the other grabbing the key from you and swiftly unlocking the door in one go.
“Trust me, I’m trying.”
Laughter follows you both as you take the stairs one at a time, pausing every few to take her tongue in your mouth and run your hands along her front. You bypass the living room once you reach the landing - a feat in itself - and lead Larissa straight to your bedroom, kicking one heel off in the hall and the other at the threshold of your room. 
She stops you just before you reach the bed and holds you steady for a moment: “Hold on, I want to look at you..” You hair is mussed, curls losing their hold in the heat of your entanglement, chest heaving and red. Larissa steps forward to brush her thumb over your lips, searching your face for any sign of hesitation or doubt.
She doesn’t find any.
“Christ, you’re a pretty thing,” she hums. The pad of her thumb pulls at your bottom lip and you acquiesce, tilting your chin up before taking her finger into your mouth, rolling your tongue against its tip, watching her with wide eyes that imply an innocence you don’t possess. A hiss escapes her when your teeth come down around her knuckle and she scowls, gripping your jaw with an intensity that rivets the surrounding atmosphere as she rips her hand away, smashing your lips together once more.
In the next second the backs of your knees are buckling against the edge of the mattress and you squeak; Larissa had slipped a hand over your sternum and shoved, launching you down hard into the bed. Wet heat urges your hips forward as she crawls over you, but her hands swiftly come down to force them back into the mattress, trapping you there.
“Patience, darling.” You scoff as she begins the journey down your body, placing lazy kisses to your lips, cheek, jaw, chest while her fingers deftly work to pull your dress from you. You lift your back so she can snake a hand around and drag the zipper down to its end at the top of your hips, wriggling free and moving to pull at her own dress–––but she grabs your wrists, pinning them above you with a devious smirk. 
“Ah, ah. Let me spoil you,” she murmurs into the crook of your neck, one hand traveling to cup the dampness between your legs. Electricity cracks against your spine at her touch; you’re sweltering and freezing all at once, watching her eyes rake over you with a hunger you’ve never seen on her before. Her fingers draw idle circles around your clit as she works her way down your body, leaving a trail of wetness in her wake where tongue meets flesh, nipping at the precipice of your hip bones, glancing up at you before she licks you through your panties. There’s no helping the whine you turn free when she all but purrs at the taste she gets of you from the soaked fabric.
“Larissa, please,” you huff, lifting your hips up to meet her mouth. She takes three steps then in quick succession: chuckles into the skin of your inner thigh; pulls your panties down and off of you; and presses a series of messy, teasing kisses to your bare sex. Your fingers clutch at the top of your duvet as she finally begins to devour you, breath hitching as her tongue circles your entrance and delves into you. In a moment of white hot desperation, you hook your legs around her, calves flexing against her back as you shudder into her touch. She’s ravenous, consuming you with long, uninterrupted strokes that ride on the flat of her tongue, lapping your slickness up and winding into you all at once. The coil is tight within you already, pulsing with every movement of her mouth. You’re almost worried it’ll be over before it scarcely has had the chance to start, but a quiet, bemused voice in the back of your mind ridicules you: Larissa is nothing if not generous.
“You taste divine,” she breathes, before returning her ministrations to your clit, sucking and popping with the filthiest fucking moan you’ve ever heard. The feeling of her tongue against that tight bundle of nerves prompts your eyes to roll back, eyelids fluttering, and imbues your hands with a mind of their own, working them swiftly into her hair and pulling her as close to your cunt as you can get her, hips lurching in an unsteady rhythm. You can feel her amusement at your desperation as distinctly as you feel her mouth, but it’s quickly forgotten when she slides two fingers into you with an ease that makes you lightheaded. The sound of your wetness is sinful, and you have to admit it only spurs you on.
“Fuck me, fuck me, pleasefuckme––” Larissa’s grinning against you as she pumps her fingers, curling into you with a startling accuracy that leaves you breathless and aching. You press your cheek to your shoulder in a feeble attempt to keep yourself above the threshold dividing pleasure and bliss, useless as she slips another finger into you and flicks her tongue against you, quickening her pace as she follows the mounting tone of your pleas. Every touch spreads a warmth through you impossible to ignore, stirring a frantic need beneath the surface of your skin.
“Cum for me, darling, cum for me, that’s right.” Larissa presses the heel of her hand into the space just below the swell of your stomach and the coil snaps suddenly, sharply, sucking all of the air out of you at the same time that you yelp and tense with equal force, clamping around her face as your orgasm tears through you. She continues to lap at you even as your hands push at her, holding fast to your thighs to keep her place. Your legs shake as she builds you up in the same breath that you’re coming down, a second orgasm already rearing its head.
“I can’t,” you keen, but Larissa shakes her head and unlatches briefly to disagree.
“Yes you can, Y/N––be a good girl for me.” It washes over you when she lowers her face again and wraps her lips around your clit, sucking with an unfazed firmness that shocks you to your center. You’re tingling over every limb, pacing your breaths to ride you through this second crest. “That’s it..” Larissa coos, running her hand over your leg comfortingly. You can hardly breathe as the shockwaves roll through you one after the other, and the darkness of the ceiling above you seems to double in size as you stare in a daze.
Your muscles melt into the mattress one by one, sinking deep as Larissa finally pulls her head away and crawls forward to kiss you; you can taste your slickness on her tongue, familiar and tangy. When you part, gasping for air, you wrap a hand around the back of her neck and press your foreheads together, gazing up into her eyes with the softest look you can muster after so thoroughly falling apart in her hands.
“My turn?” She laughs loud and heartily at your doe-eyed demeanor. You’re itching to touch her, to taste her, and she knows it.
“Mmm, maybe.” Larissa shrugs and rises up from her position over you, sliding off to the side of the bed where you can’t reach her––and not for lack of trying. A whine catches in your throat when she shoots a withering look over her shoulder, patting the space beside her. “Help me with my dress, darling.”
You waste no time in flipping over onto your knees, shuffling over to her and grappling with the zipper of her dress. You flush when she laughs both at your inability to get it down in one swift motion and the frustrated little growl that bubbles up from your chest.
“Not funny,” you complain, gritting your teeth as she shifts and the zipper gives, revealing the smooth, snowy expanse of her back. Instilled with a renewed sense of hunger, you push the fabric away from both of her shoulders and continue the journey down and around to her breasts, thrilled she’s forgone a bra tonight as you palm the supple flesh there and roll her nipples between your fingers. The sigh she expels is a ragged one, her hands dwarfing yours whilst her head falls back against your shoulder. You revel in the sight of her lip caught between her teeth.
“I want to fuck you.” You just barely catch it in between her labored breaths and your own thunderous heartbeat, but you do, and you turn to glance at her curiously before her meaning hits you square in the face.
“But––”
She cuts you off. “I want to destroy you, Y/N. You can taste me later,” Larissa mutters, pivoting without another warning and capturing your lips again. You wouldn’t complain if it weren’t for the utter distress you felt to get your hands on her. She doesn’t give you a chance to rebut, however, as she slips out of her dress and climbs over you, guiding your hands to grip her ass. “Later, I promise.” She pulls back to appraise you, taking a rigorous inventory that she’ll commit to memory if it’s the last thing she does: Your flushed skin, the way you can’t keep still under her touch, the unmistakable shine of desire in your eyes.
“In th-the nightstand,” you stammer. Suddenly the realization that Larissa is here, in your bed, and you, at her mercy, is too much at once. You’re trembling with need and anticipation. She tilts her head at you, one second, two passing before she follows your guidance and pulls the drawer open, grinning wickedly at what she finds there.
“Harness?”
You nod vigorously, propping yourself up on your elbows and directing her through another drawer of your dresser. The slow, methodical way in which she fastens the leather around herself surely burns itself into your brain, and you can’t help the shameless moan that seeps out when she smooths an indulgent layer of lubricant along the silicone from base to tip, a delicious sight between her legs.
Larissa approaches with an emphasized swing to her hips, bending at the waist to press a chaste kiss to your lips before she nudges you to scoot back into the middle of the bed, positioning herself above you with a hand on either side of your head. She dips her face down into the hollow of your throat. 
Her voice vibrates against you despite her hushed tone. “Are you ready for me, darling?”
Your brain short-circuits at her words, imperfect timing. God, she’s fucking hot.
She lifts her head again to catch your gaze and smirks, nibbling on the tip of your chin. “Use your words.”
“Yes, yes, I’m ready,” you rasp, drawing your nails down the broad expanse of her back in anticipation.
The moment she slides into you is pure ecstasy: your toes curl and you haphazardly clamber for purchase upon her skin as she buries herself deep within you, stalling for a few moments to give you time to adjust. The way Larissa groans into the motion draws out an amusing - filthy - rumination about her being able to feel every stroke as with her own body, delighting in your wetness. She fills you seamlessly, snapping her hips against you before slowly drawing herself back, only to repeat the pattern and plunge into you as deeply as she’s able. It’s bruising and pleasurable all at once, how she brushes up against your walls and the ridges of the toy hit what your mind insists is every nerve-ending within you.
You rock together desperately, bodies moving as one as if you’d been doing this for centuries, mapping each other out and bringing each other to your peak. You savor the novel, tangled scent of sweat and arousal, a newly formed association with the sound of Larissa’s broken whimpers now frozen in your psyche.
A startled breath leaves you as Larissa abruptly anchors her weight to one side and pulls you on top of her, flipping your positions. Her arms wrap tight around you, looped at your back and around your shoulder as she fucks up into you at a crushing pace. You whine into the crook of her neck and realize you’re on the verge of tears, an overwhelming wave of pleasure and desperation wracking your body. Quiet grunts accompany her each thrust, slowing just so until it’s a steady pattern you can count to like clockwork, brutal and sharp at every buck of her hips. Your knees are aching, folded as they are, but the tight, coiling sensation within you overrides any and all discomfort, merely a quiet nagging in your brain; your focus is settled precisely on the angle of her cock and how her nails dig into your skin as you grind against each other. She’s close, too. You can feel it. It’s there in the shallowness of her breaths, in the urgency of her pelvis against yours, in the subtle arch of her back. You try to meet her where she’s at in your muddled state, pitching your hips backwards and down when she thrusts upwards––and you know it’s worked when she gasps and her hands scramble to lock together at the small of your back.
“Yes, that’s it darling. Just like that,” Larissa pants, using the leverage of her hold on you to help you fuck yourself. The only sounds permeating the room are that of your mingled breaths and her cock driving into you with a consistent, almost unforgiving rhythm. 
“Pleasepleaseplease, ohfuck––” 
“Y/N–––”
She tenses with you and cries out as your orgasms hit you both at once, ravaging you beyond reason. You’re hyper-aware of the way her breasts feel pressed against you, the way one of her hands flies up to bury itself in your hair as you ride her through your climax. Larissa’s hips stutter as she whines into your shoulder, sinking her teeth into you, and you marvel at the feeling of her muscles clenching around you, from the sinewy stretch of her arms to her thighs rested between your own.
Everything you’d hoped for. Fantasized about. Greedily deliberated again and again whilst watching her across the table in another fancy restaurant in another unfamiliar town.
Larissa is careful as she pulls out of you, slow and deliberate so as not to disturb the tenderness there. You remain curled on top of her but she doesn’t complain, rather rubbing your back in long, languid movements and whispering affirmations in you ear, a sweet mixture of ‘breathe darling, I’ve got you’ and more headily, ‘you did so well for me, you’re so good, you took me so well’. When you allow yourself to fall to the side of her, she shimmies out of the harness and tosses it somewhere off the edge of the bed, ignoring its clatter as she wraps you up in her arms. You burrow yourself further into her warmth and sigh at the feeling, content.
“Now is it my turn?” you ask, voice low and raked over with exhaustion. The belly laugh she gives is worth all the weariness in the world. “You’re incorrigible!”
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imperatorrrrr · 9 months
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Nico Hischier at the IHVW Development Camp Meet and Greet
(there’s also a video)
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cozy-the-overlord · 10 months
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Seeing people complain about the Speak Now vault tracks being too teenagery …. gee, you’d almost think a teenager wrote them /s
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foxgloveinspace · 4 months
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People jumping ship cause of the new masks is very ahhhh. Telling. Tbh.
#very much so#tell me you where only here cause of the looks without telling me your only here cause of the looks#listen. I miss the old masks already too. that’s not the point.#you can mourn for something without that taking away your joy for it.#‘it’s all moving so fast’ iii has been turning red since July.#‘they’re evolving too fast’ or we just got here later then others.#‘I can’t even listen anymore’ sucks to be you. the music that has been put out hasn’t changed so I don’t understand this one#‘they’re gonna get cancelled over this’ ok. I guess this is just thinning out the people who were real fans and who where fake fans#I’m gonna be a sleep token fan til the end. if this is the way they want their image to go? I’ll follow. if we get heavier music next?#sounds fucking amazing to me. (I listen to heavier stuff anyway).#idk I just think it’s so so so fucking telling. that if your jumping ship cause their Live Performance Aesthetic has changed… you didn’t#mean it when you said sleep token was important to you.#like I’m 100% MOURNING the old masks. I am BMO with Finn’s old hair sobbing about the old masks.#but I know this too shall pass#this is how I fucking felt about Vessel’s mask change#and to everyone going ‘what about Vessel and the Chior!’#1). VESSEL HAD A MASK CHANGE EARLIER THIS YEAR!!! he isn’t gonna change masks again so fast those fuckers r expensive!#2). the choir did have a change?? they wherent wearing robes at all and where in body chains they looked amazing#I get we are all neurodiverse and hate change but take a deep breath before you renounce all your sleep token love#I’m guessing Vessel will get a new mask in April again. for the kick off show.#tonight was a closing show. and he didn’t FEEL GOOD. I wouldn’t be surprised that if he was gonna do something with a new mask#if he pushed it back because he didn’t feel good.#he performed a whole show while we could TELL his throat was hurting. fuck.#I want to wrap him up in a warm hug and give him hot water with honey in it.#idk I’m rambling. it’s just telling.
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formerlyz · 11 months
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I decided to make a little comic based on one of my Buddy Daddies Oneshots ❤️💙
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tmcsartstuff · 11 days
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Long af rant about Velvette's old design and character as I share my art of her :D
Pilot Velvette/ Og Velvette gives extreme babydoll harley quinn vibes, which is a stark contrast from how she ended up being in the show. I like to imagine that something extreme happened to her, like a horrible breakup or betrayal, and she went all crazy. This is the version of her we see in the pilot. The Voxtagram stories seemed to lean into this, depicting her as more immature, bratty, and murderous. She also depended more on Vox and Val like she saw them more as father figures than co-workers. (Just a thought.) However, as she adapted more to the landscape of hell she became the Velvette in the show; A fashion icon girlboss who is much more independent and while not serious, much more mature than her pilot counterpart, and even the other Vees. They ditched her psycho vibe to replace it with something that made more sense to her character.
Something that I personally wonder is: Why was Velvette like this in the beginning if she was meant to focus on fashion? A puffy Lolita dress goes against the Vees whole idea of being up to date, so what was the original vision for her? People have complained about Velvette already having too much going on for her, being both the overlord of fashion, master of social media, backbone of the vees, selling a love potion, etc. If those ideas were already there, did they just think a crazy serial killer girl would be even more extra clutter to her personality? 
A concept many fans I've talked with is if the Vees personalities in the pilot stayed. Val would be pretty much the same, but the other two were almost different characters. In the Voxtagram stories, Vox let Val beat him around, had a goofy pet, and seemed to care less about his public image to remain more villainous. Velvette I already discussed was extremely different, the only thing connecting her to our Velvette is her connection with the Vees and fashion.  In this universe, would Velvette see Vox and Val as toxic dads who kept breaking up and getting back together again, instead of seeing them as equals and KEEPING THEM TOGETHER? it's a wild shift. 
Essentially, Pilot Velvette acted more like a bratty little girl, while her show version acts more like a annoyed but controlling teen. We see her pilot look as her profile picture, so this 'phase' of hers is still canon. I know she already died as an adult, which is why I'm so curious as to why she originally acted this way. Did Viv think she would be a better contrast to Vox and Val like this? To be fair, a spoiled brat AND annoyed girlboss are both contrasts of their personalities, just two different approaches. Was their originally going to be a backstory for her as to why she was this way? or was she just crazy to BE manipulative? or you know, just liked murder while looking cute like Niffty. speaking of Niffty…
I think Niffty is the most likely reason why they changed Velvette's design and personality. we already have a little crazy girl who admires 2 men she sees as older figures and enjoys murder for mysterious reasons. It mightv'e seemed a little counter-intuitive if there was 2 versions of the same character stereotype. Another reason they could've changed her is that she stands out more. If we're supposed to take Velvette as an overlord seriously, how are we supposed to do that when she leans back on the other two guys and looks like she's from a horror movie? Sure, I'm positive pilot Velvette could've been intimidating at times when she got legitimately frightening. however, this didn't seem like her vibe 95% of the time. It might've made her blend more into the background of the Vees than she practically already does. (Which is just a problem for female Vivzie characters but that's a whole separate rant.)
A headcanon of mine is that this was just her psycho little girl brat phase, and she is hella embarrassed over it. like a teen being embarrassed over their phases of when they were a kid. and Vox and Val would constantly piss her off by reminding her of it. That could lead to some fun banter in the future I would love to see as a reference to the pilot. 
Anyways, sorry for the literal Essay I wrote here again, just a ton of over-analyzing which I'm best at. Personally, I do vibe with Velvette's new design and character for the show, I just cant help but think of why she used to be so different and arguably had the BIGGEST character shift from pilot to show In Hazbin Hotel.
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ct-multifandom · 9 months
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I don’t usually make posts like this, but I’ve been seeing a lot of anti-intellectual junk lately, and I really think we need to put the word “pretentious” up on a shelf until people learn what it actually means.
It doesn’t describe someone who likes artsy-fartsy deep meaning media. People who are pretentious are fake. They’re posers trying to be sophisticated and unique, not like other girls. They pretend to only like stuff they think will make them sound cool when they talk about it. They want to act like they know something you don’t, and they want attention for it.
By definition, if you genuinely enjoy something, you can’t be pretentious. If it resonates with you, and you analyze it, and you don’t care what people think, that’s the polar opposite, actually. If you love obscure experimental prog music, if you watch underground high concept indie films through English teacher eyes, if you spend hours in a modern art museum reading each piece as a vessel for storytelling, if your backpack’s full of poetry books that inspire you, if you play underrated games that were someone’s passion project, if you have an interest in studying the classics or the masters, you are not pretentious.
Of course, some people just don’t like some stuff, and that’s fine, but that’s not what this is about. Don’t let anti-intellectuals shame you for enjoying things just because your interests are inaccessible to them, because they refuse to be brave and put effort into critical thinking. You’re not stuck up for refusing to overlook the craft of artists.
#anti intellectualism#media#movies#books#music#critical thinking#my friend who primarily listens to one very popular band once said that people who listen to obscure music are annoying and pretentious#which rubbed me the wrong way because 1 she knows that I listen to obscure music and 2 it’s such a cowardly consumerist take. anyone can#make music and hey a lot of the people who do make GOOD music. and this goes for all *obscure* media#this post was mostly inspired by people talking about Barbie and those anti pick me girls like the pick nobody girls who insist thinking is#for boys and having fun with an empty brain is for girls. Greta gerwig is an artist. I haven’t seen the movie yet but I know it has a deeper#message than haha cute pink! I’ve seen the summaries about the true meaning. the pinkness and popularity doesn’t negate the narritive.#though in the notes I saw a lot of tumblristas comunistas shitting on the film for being one big ad that people *fell for* which tbh is#tbh almost as anti-intellectual. don’t get me wrong they milked this film to sell hella shit but I don’t believe kids who play with dolls#are the target audience as these people claim. Barbie is a culturally iconic symbol almost archetypical of societal expectations for women#you say barbie people think unblinking perfect plastic pink girly. reminds me of the poem The Last Mojave Indian Barbie. yeah yeah you all#hate brands but this one carries undeniable significance and makes for a powerful literary device. it’s been used many times before#sorry for writing a tag essay about a film I haven’t even seen but I’m tired of internet people focusing so much on proving others wrong#that they end up oversimplifying everything just as much as the other person. god I saw people doing this to Nimona saying transphobes were#looking too deep into her character and they’re reactionary clowns for making that jump. like for once the transphobes are right. she is#trans. it’s a queer story. and irl the first people who notice queerness are the bigots who can tell you’re different. sick owns telling#them the story’s not that deep is harmful and it’s like they’re ignoring the real message on purpose. okay enough rambling hehe! thanks#barbie#nimona
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shallowseeker · 7 months
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Honestly, Dean is a quiet/private griever, so I’m incredibly grateful that we got to see him grieve onscreen for Cas in such deep ways. (There was no way to get Cas back—a paralyzing loss of hope.)
On the whole, Cas’s grief is even more understated than Dean’s. I think of Cas saying somewhat pleasantly, “I miss him.” It’s a stark, functional contrast to Dean’s grief in season 8, for example.
Then, in season 11, Cas is sad but not visibly coming apart the way Dean tends to. “Sam, I’m so sorry. If there’s anything you need…” It reminds me of the pulled-together Dean we saw in 15x19, saying, “Jack, I’m so sorry…”
Cas is often able to pull himself together to be there for Sam. The exception is season 12 after LOTUS, where he loses them both at the same time and nearly loses Mary that same night. Losing multiple family members is harder for Cas. (That’s why Azazel took out all of Mary’s support in her past to get her vulnerable enough to deal for John.)
This greatly informs Cas’s speech in Stuck in the Middle (with You). His worst nightmare was happening: watching their deaths play out in front of him because they were unwilling to leave him. It’s one of the most emotional moments we ever got to see from him.
I guess my point is, if Dean’s grieving had been like Cas’s more reserved style, it’d have been likely swept aside. As raw as Dean is, people still want to undercut it. I’m so grateful the writers allowed some of it to be shown onscreen.
(In my experience, grief is weird.)
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gar-trek · 2 years
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Or the Magnificent Ferengi
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crazy-fangirl2524 · 9 months
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No you guys don’t understand. Neil was playing as a way to try to live and how he wants to try actually living instead of surviving. Winning against the ravens doesn’t matter to Neil, winning against his father does. But the books don’t end with Baltimore. It ends with the raven game. But this game means more to Kevin than it can ever to any other characters. All for the game. Neil can survive without exy. He can run away and start a new life. But kevin day does not have anything else. This entire series is for kevin day
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itspileofgoodthings · 4 months
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ended up telling my mom “she’s a billionaire pop star … she’s also a songwriter I’ve loved for a long time. both of those things are true.”
#not a conversation I can have for a long time as it’s too uncomfortable#but it was good to push through and say it#it’s interesting. I will always have a deep emotional connection to Taylor and also always love her as a person and an artist#and she IS a billionaire pop star with all of the attendant choices that go with that#and as i’ve gotten older there’s just been way more distance#in terms of my need to defend her choices or agree with them or even understand them#I have grown less defensive of her (in a good way)#and I think am more able to just See What Is To Be Seen#without. again. feeling the need to take it all on as something I have to defend on behalf of someone I am Holding Up as an Example#I’m not holding her up? like.#idk if this makes sense#But I remember reaching this point where I was just like ‘gosh I hope she never writes a song that contradicts any of the songs’#‘upon which I have built this artistic vision’#‘of her and what she stands for’#and it was so funny because it was this TERRIFIED desire on my part to freeze time#and freeze Taylor#so that my reading would be true forever#just wanted to put her in a cottage on the top of a hill and keep her safe there forever#metaphorically but also literally!#and then I’ve just had to let that go#best believe she’s still bejeweled lol#that was for me TOO#and anyway her sheer prolificness made it clear I was never going to be able to keep this watchful eye on it all#it was just going to have to pour in and I was going to have to let it#and also on some level emotionally personally I was going to have to step back#and be less invested in a certain way#in a very real daily life kind of way#anyway after the eras tour was so funny because i had this strong sense that we were being SWEPT out of the stadium#with Taylor’s trademark Efficiency. and it was hilarious. Like yes yes the love and connection and talent is real#and Billionaire Pop Star has places to be and a crowd of peasants to manage!!! (I say this with love and a sense of humor) anyway
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some-random-ghost · 1 year
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How to freak yourself best out as a bendy theorist:
Read the latest jds archives entry and see people discuss basically oil and steel tycoon Nathan arch with friends.
Have this random visual association in your head between ink and oil.
Do a bit of research. Stumble eventually upon „oil based ink“.
Do some further research cause you‘re hungry for further context there.
Turns out that before the 1970s petroleum has been very commonly used for oil based inks and has during the 70s been replaced with vegetable oils due to the oil crisis and the oil prices just skyrocketing afterwards there.
Oil based ink is thicker and has a different consistency than water based ink. According to dctl the special ink from the ink machine is thicker than the regular inks.
Oil and steel tycoon Nathan arch longtime „friend“ of the late Joey drew doesn’t financially help out Joey but is more than willing to buy the studio and the bendy IP from Joey.
Nathan arch has supplied Joey Drew with oil! The ink is made out of oil Nathan’s oil or at the very least something very similar to oil and petroleum in thickness and consistency because remember, we‘ve got to deal here with supernaturally moving and living ink there!
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