I have read Fellowship of the Ring more times than I have cared to keep count and every time I read Boromir’s, well, possession for lack of a better word, I have read it in fear, in discomfort, in horror, indifferently.
This was, I think, the first time I read it in pity. I looked at all the plans Boromir was making, how he would save his beloved city, how obstinate he was in his belief that the men of Minas Tirith would not be corrupted when wielding the Ring against Sauron —and I felt sad. He’s waving his hands and hollering and part of him is desperate just for the Ring, of course he is, he’s been traveling beside it with no hope for months, but he’s also desperate for hope. He’s desperate for a chance to save his people, save his brother, save his city.
Moreover, every time he calls out the Elves or the Wizards, you have to remember that he doesn’t know them. All he knows is that he traveled almost a full year to get their advice and they send him on, in his eyes, a hopeless venture. The one hope they give him is Aragorn, who promises to return and help save Minas Tirith with him, but even that all changes once Gandalf dies. They come to Lothlorien and of course it’s a welcome break, but they cannot, or maybe in Boromir’s eyes will not, help his people. And once they leave, Aragorn assumes his role as leader of the Fellowship in Gandalf’s stead more permanently and suddenly even that one, brief, uncertain hope of his is gone. Aragorn will follow Frodo. And it’s almost certain that Frodo will not go to Minas Tirith.
So is it any wonder, really, that tired, desperate, hopeless Boromir, out of his realm, out of his depth, already hanging by a thread when he joins the Fellowship and having been gnawed on by the Ring for months upon months afterwards, finally snaps once it’s clear that he will have to return home empty-handed and almost certain that somewhere far away Sauron is capturing the Ring and killing the companions that he had bonded with? Of course part of the Ring is making him lust for power, but it’s also his only “reliable” (in his mind) source of hope left to save his city.
And so I read Boromir’s (intelligent and thought out, mind you) raving and I don’t feel scared for Frodo, not after reading it so many times and knowing what ultimately happens, but sorrow for Boromir.
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so guess what they released more interviews and i think given what a writing shitshow totk was and what they have been saying in all these interviews is actually painting a really bad picture; i dont have the time, nor the energy to go over every detail
but they were commenting on people wanting the more linear format back and aonuma himself basically said that he thinks people who feel like that do so only bc of nostalgia and "Why do you want to go back to a type of game where you're more limited or more restricted in the types of things or ways you can play?"
what .. the fuck, more freedom DOESNT automatically mean better??? like ... restriction can be a GOOD thing just as tooo much freedom can be BAD?? like in totk??? are you fukcing shitting me- what the hell are games even for then, has he had an awakening to the fact that he actually just loves sandbox games without realizing it???? im not playing fucking zelda for a sandbox, especially not when its advertised as a somethign else
its pretty clear that they want to keep this format going with everything they say there, ... maybe it really is over huh
also i hate how they kept talking around answering anything about story/lore; they go asked how ganondorf even connects to ganon since theres nothign about it in game, and all they got out was welllll we dont wanna say anything bc its up to the player; about every question you got the answer of "make somethign up yourself" which is just ... its really clear they dont actually care but dont want to say everything is meaningless actually, so they try to be vague about it and with doing that really just confirm they didnt think about it and they dont care- so no lore actually matters, nothing thats been said or established has any meaning bc they will get rid of it the second it crosses paths with their new -more freedom equals better- philosophy, they say its bc they want you to be "free" to think up anything but apparently dont realize that when there are no rules, no consistent lore or anything that it ROBS it, it stops having meaning, its fun to connect dots only when there are rules you need to work with and dots to connect in the first place, when you have an established world with its restrictions it drives you to think more creatively about things- but when there are no rules?? its fucking boring!! thats what it is!!
when you discard all rules i wont care to get invested into anything bc i know it will not be considered again, be done away with without any reason and wont have influence on coming or previous games ... bc there are no rules, anything is possible and everything can be changed any second, so nothing matters
(they also talked about the many viral videos of those very few dedicated people that make godzilla mechs in totk and how happy they are about that- i get that to some extent, but the way they kept talkign about it really just felt like it confirmed my suspicion that that whole mechanic was mainly implemented to let people do that since that gets shared around en masse making it seem like that is why people enjoy it while neither the game nor the narrative are build around it in any way ..)
it just makes all the time i spend thinking, feeling and theorizing about zelda like a true waste of time, bc nothing matters and there are no rules-
i am someone who greatly enjoys working with and around established lore/rules, its fun to me to recontextulize things by being smart or creative with it all without breaking anything or as little as possible of the established things!
if i wanted to do just do anything i want I COULD HAVE ALREADY DONE THAT bc theres nothing actually stopping anyone to just make up what they want! i DONT need canon to lose all rules for that??!!
maybe ill have to make myself believe the franchise ended with botw on a good note ... ono
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Let's talk about the clock keepers in the new chapter!!
It's not a surprise to see that they had more in their sleeves, putting up an act to get all the information they wanted. Kako said it after all, he is the one observing. And he will gather what he needs before making a move, showing he deserves his title as the oldest supernatural. Hanako being the leader doesn’t seem to matter a lot to him in the end. He clearly has had his plan for a long time. It's not a shock to see he recognizes what came back with Tsukasa from the red house, probably knowing the entity from before.
Even if it was an act and all of them knew what the end result would be. The reactions Akane and Mirai had for each other in the last chapter were real. Akane was never shield in the manga, being the one doing it most of the time. So his reaction towards Mirai taking the blow for him is absolutely genuine, especially when he tried so hard to make her run away. And we can see it again when we see how slowly he takes her out of the water to give her back to Kako. Akane even reprimands the old man about being slow and Mirai having to go through this at first.
This chapter highlights the clock keepers relationship too. Akane has been before in the innermost reach, he clearly knows what he is doing here, entering the house like nothing and actually setting things up for tea knowing Kako would like it. Being considered as a whole clock keeper, Kako and Mirai trust him not to do anything bad even in their most vulnerable state.
Kako watches over Mirai like a worried father, being happy when she is back and is still pushing Akane to find the answers himself, always in a teaching position. Akane is quick to scold Mirai about her actions, clearly seeing her more as a kid than a real supernatural being. He is seen worried for her and tells her right away not to do something like this ever again. On her side, Mirai is overjoyed to see Akane, the first question coming out of her mouth asking if he is hurt, and she seems rather shocked to see him being so worried about her, jumping on his head right away to praise him for being a nice boy.
They are way more genuine in their physical contact and actions. Akane is not refusing Kako’s headpat even though he has an angry/solemn expression when accepting it, the old man is smiling at Mirai and Akane the whole chapter while Mirai is being her usual clingy self.
Kako clearly has been observing things and waited until the right moment to take actions. They are coming back in time to fix things up, and will sleep until the new present is stable. And for this they trust the clock keeper of the present to take care of the duty that was placed upon him.
Akane is a wonderful pick for the present. His personality and way of life has always shown he was the only character who would be able to handle this role. He is a duty centered and really proactive boy, and most of all, sees how life is worth living. Even if he never feared the idea of getting hurt, we can clearly see how much he takes his role at heart. He now knows he has to live if the idea of a better present can exist.
Kako knows Akane is able to handle all of it which is why they can leave without being worried about the new present, they absolutely believe Akane will be able to fulfill his duty. In the end, it’s Akane who keeps the yorishiro with him. They trust him to make sure everything is in order and not die until he can use the key to get them out of the clock once they awaken. Kako’s last word to Akane is once again one with a teaching tone, praising him for a job he will do, showing he thinks he will handle it.
One of Kako’s strongest traits is observation too. And Akane is really good at that, he is one of the most observant and perceptive characters of the whole cast. His mission will be all about seeing if the events really changed, acting like a memory of a present which doesn’t exist anymore. Having a human among the clock keepers to have eyes in the human world seems also like a logical choice. To know the whole situation Kako needs eyes in the human realm too, and Akane shares his informations with him when he think it's important.
Akane has known his role for a long time. Once he heard that he had his duty to do, his expression is hard to see because he KNOWS what the implications are. He is aware of what it means, he isn’t happy with this, he clenches the yorishiro once he has it, he says he doesn’t have a choice to Teru. Because even if Akane complains, he does things he is asked to do.
Akane’s sense of justice has always been a big part of his character, and it’s also a big part of the clock keepers. Of course he wants the present to be better and goes with the clock keepers’ idea, erasing a problem at its root to help the majority of people and protect the persons he cares for is something Akane would never refuse.
He has no problem doing it even if he doesn’t want to be on the clock keepers’ side, because he knows he can do something ‘right’. He still trusts Kako on this one, embracing his role as the guardian of the present fully. The old man did say it would be good for humans after all.
How long has Akane been thinking about changing the present? Even if it means erasing the severance I don’t know how he would react seeing that Aoi never lived it. Having a world where she never got to know supernaturals, never was left dead all alone on the far shore and never got her hand hurt. It can’t be so bad right?
But the more I think about it the more I go ‘was this present really THAT bad?’ Aoi has to go through her horrible everyday life once again, thinking that no one will ever love her for who she is and Akane definitely doesn't want that.
His talk to Teru also implies that Teru and Nene may remember since they were stopped by his time power. He trusts Teru to understand what is happening and help him with this new reality or hoping not everything will have changed.
If we focus quickly on Amane and Tsuchigomori. They seem to have go back in 1968 so Amane was a middle schooler. Tsuchigomori and him had the talk about the moon in 1969 (after the 20th of July) so Tsuchi may not have the same yorishiro either. Would Amane live this time? Not sure, the reason he was trying to destroy the big clock may be related to the clock keepers going back in Time. I wonder what the clock Amane was working on really represents.
We can see this clock indicating the hour exactly like when Akane is stopping time, suggesting that it is really the one controlling the whole school time. It’s the first clock we see when the clock keepers are introduced too.
If Kako and Mirai really go back in time and erase everything they are visualizing on this. It would indeed mean a better control over the mysteries situations and the protection of the Land.
It means everything the mysteries went through won't happen. So the second Mitsuba won't exist, n°3 would still be here, Yako would still be waiting for Misaki to come back and won't go berserk, Shijima-san would still be in her boundary thinking she has no reason to exist expect hurting Mei-chan's memory, Hakubo would still be doing his duty without feeling anything and Sumire would still be living her death over and over again, not having anyone go see her in more than a century.
It means erasing all of the mysteries’ struggles and acceptance of what they are, not being bound by grief and regrets to do a job most of them didn't want to do. Would this present really be a good one? For the humans mostly it would be, it's the mysteries duties after all, and n°1 is ready to undo all the things each mystery went through to make sure humans have a good Present. They always have been more about humans than supernaturals. And this may also be the reason why Akane is okay with everything going on too. Kako sees this as his ultimate duty in the end, forcing all mysteries to embrace it even if they don't want to. Taking the matter at end without warning anyone since after all, no one will remember.
Another thing that has always been interesting to me, was the fact that the clock keepers look nothing like something out of Japanese Myths/folklore. It has always been strange to me to see they were labeled as the oldest supernaturals, when clocks weren’t that common in Japan before a long time. The way they dress look way different compared to anyone else from the cast too. The closest look you could find was from the Meiji Era, which was mostly about Japan importing a lot of Western culture into their Land. I always thought that the clock keepers just couldn’t be from a Japanese folktale and this was confirmed in the last chapter. I had my supposition about where they were from, but having an actual image of their old town helped me to focus more on it.
If we look at Clock making history we can easily focus on some countries, The Netherlands, Germany and England being the main ones. Now if we look at the architecture we get in this chapter, we can delete England from the list easily. This type of house is called Timbered framed houses. It can be found in Europe in different countries.
It’s important to note that the roofs on those houses are really really sharp on the illustration AidaIro gave us. Which means they were built for snow, so it can slide off the roofs more easily. The trees in the background are too blurry to see but it looks like forest of pines and the kids shown are holding one.
Now if I combine the two ideas of clock making and architecture I found here, my thoughts came to one city. Nuremberg in Germany. It’s a city known for its clock making history, there are mountains nearby and there is snow in this region during Winter. And more importantly The Nuremberg Egg.
It’s known as the ancestor of the pocket watch, created in the XVIth century.
I don’t think AidaIro was inspired by a precise place but I think somewhere in this region of Europe could be a good pick for the inspiration of the city the clock keepers are from! Same can be said about the clothes the kids are wearing and the toy's shop which have vibes from this region too.
I’ve been thinking a bit more about what Kako and Mirai are really and it’s hard to say. With how Akane introduced them it could imply they were humans before.
Why did they move to Japan and how did they become supernatural? Were they created or were they humans before? The idea of Kako creating a body to survive and creating Mirai is not out of the way since he is clearly the oldest and more experienced supernatural there is. A lot of questions with no answers for now but I am happy we get some glimpse of their old life.
I am also interested in the clock keeper of the present status too. Are they used to create different presents or if the present is fixed their role is finished? Did Kako and Mirai go back in time to change stuff before?
I don't think it happened recently. Nothing special has been happening at Kamome even with the whole Yugi suicide/murder history. The real problems started really once Nene met Hanako and Tsukasa woke up. Kako may have been observing things since a really long time, maybe putting some students as clock keepers of the present but never ‘activating’ their real role. Which may also be why Akane never was shown that stressed out about his role as a clock keeper, why would he be if all the previous clock keepers of the present never had to do this? What is supposed to happen to them once they have fulfilled their duty? Are they erased from the timeline to represent completely this new Present? Do they get to continue their life like nothing happens, being the only person having the memories of a world which doesn't exist anymore? How long do they stay alone until the other two wake up? Why insist so much on the idea he has to stay alive? So many questions I hope we will have answers on soon.
The story of the clock keepers is still really blurry but we are slowly getting more on them . AidaIro really showed us that they were mysteries the other characters shouldn't mess with and I am all for it.
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