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#Philosophying my way here lol
lonelysucker7 · 6 months
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Strangers on a Train
⚠️ Chapter 2 ⚠️
Pairing: Kaine Parker x gn!Reader
Summary: You’re just an average person making their daily living, surviving adulthood as it is. You live in Houston, Texas where even the hero the Scarlet Spider lives. And then there’s a guy, who looks like he’s gone through hell, on a train you’re crushing on.
Word count: 3.9 k
Warnings: mentions of violence (but very brief), criticism towards art, parental issues (also brief), profanity once again!!
Not proofread!! But enjoy!!! ☺️
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The doors didn’t open until 11.
It was a Wednesday, and lucky for you it was a promised short day. Your work didn’t require much as a tour guide. Walk, talk, and answer questions for the art enthusiasts or students from schools that booked their tickets for days like these. And people talked. Often, even with your short time, this went on for hours without a stop.
Every art was displayed for the eye with the likes of van Gogh and Matisse, but obviously van Gogh was for the win. You’ve lost count how much you explained the importance of his life work so you didn’t really need to rehearse any mental notes and directions you were going to use. With much ease, you walked through the halls of the museum, pointing and gesturing with your hands around his paintings, remarking about the paint strokes delicately put into the work and adding backstory to them.
Occasionally there were the usual interruptions with “experts” who bragged about their knowledge regarding the tragic painter. Patiently you kept hearing them go on and on, until letting them finish when they took the hint from the crowd they wanted to move on. You didn’t bat an eye, thanking them for their contribution but silently remarking in sarcasm
“Well fuck, have my job and live my life!”
As you passed by van Gogh's Self-Portrait, you heard the crowd behind you murmuring amongst themselves in admiration. You stopped with them in front of a dark room with the exception of the interior displaying hanging LED lights, falling down from the ceiling in the style of vines colored in violets and pinks. The background offered the effect of neon lights sprawling across the walls in a manner of adding that mystic effect. It was a small forest of wonder after all.
“This is ‘Pipilotti Rist’s: Pixel Forest and Worry Will Vanish’. The artist hailing from Switzerland is always testing art in technology, intending them to be very engaging with her themes of naturalism and wonder. Composed with LED lights in the form of hanging vines and a new art form expressing human regeneration as visual imagery. There are even couches in there to relax in and dream alongside the projections shown on the walls. Maybe losing yourselves in a fantasy wouldn’t be such a bad idea. I recommend it,” you suggested with a slight smile. You stood near the doorway, scooting aside to let others take a small peak at the show.
Behind you, you hear a soft snort coming from behind the walls. Looking over your shoulder, you immediately frown with a roll of your eyes as you notice the familiar someone. Your co-worker/ friend, Bethany grinned to herself as she mimicked your speech, mouthing the words while puppeting it on her hand. Holding the urge not to call her out in the middle of the crowd, you made a small quick clap and urged your crowd to continue with you to finish the tour.
“Tickets will be available once the date is posted on the website. There will be rules regarding the exhibition so make sure to look over those if you intend on bringing children or other!”
………………………………………………………………………….
“You had me in the first half, I won’t lie. I mean, I thought your whimsy quips didn't manage to weave itself in your talk like it does out of nowhere. Because if it didn’t, I wouldn't believe you’d talk that professional.”
“Mmm, well, when you spend so much time talking about works on illusions and dreams coming to a reality, I guess you get sucked in it too. Just happens.”
The first group of touring was done for the first hour and a half, and now you found yourself having a scrutinizing conversation with Bethany about your style of work. You both were in the average noise breakroom, taking your lunch break while still keeping the time.
Getting the job was hard but you managed that getting yourself out there to effectively communicate with people required you to get yourself out of your comfort zone first.
Easy said, easy done.
One sacrifice to offer to the devil of the work was all you needed. Pretty soon your boss became impressed with your way of words, even when it seemed you lacked effort in them at first.
When you told your parents about your job, you expected them to be a little less than happy about it. That expectation was quickly dismissed as they were thrilled you had finally achieved a job (even more when they heard insurance was graciously offered to you.) Your dad joked with you about sending money their way, but you’d always cut it off with the excuse of your break coming to an end. Same case with your mom, though it was more about your college degree even being used at all.
“So what was all that money for?”
You didn’t know how to respond without becoming upset.
And you met Bethany, the security guard, meandering in the locker room. A rough start as she searched through your duffle bag for a pack of cigarettes, and to her disappointment, you didn’t have any. But you offered her gum instead and she took it without hesitation. And throughout the months that came, you got to know her better and became friends. She was in her late 30’s, single, not so much of a hopeless romantic instead preferring to stay on the side of logic and reason.
A bit “evil” you wanted to say, maybe a little too noisy but nevertheless you tolerated her presence and grew to appreciate her. Not once did she leave you out of any hot topic that roamed in the museum or her life, so you felt somewhat special being let in her inner circle.
“Ever watched that old Spanish film called ‘Open Your Eyes?’ You asked Bethany with an expectant stare from across the room. A perplexed expression crossed her features as she pulled out her casserole lunch from the microwave and made her way back to your table. She saw your sad looking ham sandwich in your hands and said
“No, why?” She tilted the veggie casserole towards you to offer in the stead of your meal and you kindly refused. You responded casually
“Because the exhibition that I talked about kinda reminds me of that movie. A dreamlike fantasy you end up losing yourself in because your reality sucks. That movie is all about that.”
Your friend made a small tsk and wagged her finger as she picked on her casserole.
“Don’t think it was the artist's literal intention to have you forget reality. Much less your worries actually vanish. All that is just for show.” Bethany mused as she picked her food, pushing away a piece of broccoli on the side of her plate. You frowned, staring at your ham sandwich with little interest. You replied assertively.
“Yeah but it's in the name. How can it not be?”
“I don’t know, I ain’t an expert in that okay? Answer it yourself.”
“Okay, fine.” A silence lingered over you both, until Bethany asked between mid-chew
“Why exactly did you ask?”
You mulled over the question of why. Maybe it was those people from the tour who interrupted so much. Maybe it was looking back on your old home life. Or the memories of what happened in the morning which flooded through your mind and you got goosebumps because of it. Suddenly you felt embarrassed to even tell. You wanted to hide under a rock from your reality. You confessed with a grim reply
“Cause I’m always wondering if my reality is a dream or my hell right now. Van Gogh was in a limbo, so where am I?”
Bethany being Bethany; cringed at the statement, making a disgusted face as she settled her fork down.
“Okay, okay enough with the philosophy and comparing yourself with dead artists. Look, I'll pinch you if you want to see if you're here with me, weirdo.”
At that you laughed breezily a bit and shook your head, responding smoothly
“No thanks, I’m good as it is. Anyways, I want to finish my lunch before I start touring again. That last group sure had its professionals. I was starting to wonder if I needed to call our boss and quit right on the spot just so they could do the job for me.” You took a bite of your sandwich with a slight grumble and chewed on it with a sigh. Bethany side glanced at you from her food and shrugged.
“Oh come on, you know Boss-man would cry if you left. You’re one of our best. You’re just overthinking it. Like you usually do with that guy on the train. Speaking of which….” Bethany leaned closer to you, you leaning back as a response from the grinchy like smile growing on her face as she rubbed her hands together.
“...You saw him again, didn’t ya?”
You stopped chewing midway of your food. No doubt you did tell her about the stranger. Fifty fifty you regret coming down to this, but she was your friend and you were dying to tell someone. In fact she was the only one you’ve told.
Bethany had remained invested in this topic for as long as you can remember, especially since you maintained your personal life private from many around you. Bethany knew some things. But glimpses of your romantic (if you wanted to coin it like that) life was like striking gold for dear Bethany.
Your eyes glanced away from her creepy smile and your mouth scrunched to the side as you mumbled
“Yes. And?”
Suddenly, she slams her palms on the table that shook with a rattle, causing you and others in the breakroom to jump. Looking back at her you almost yell with a slight strained voice, pieces of your sandwich falling abruptly on your lap.
“Was that necessary?!”
Bethany ignored you, and continued, “Did you finally ask if he was single?!”
You rolled your eyes as you shook your head, incling down at the floor from your seat as you picked up your mess from the floor.
“Of course I didn’t! You know I wouldn’t even think of asking him that. Would you have done the same?” You argued with your voice wavering a bit from the intensity, even breathing a little slowly to calm your nerves. Wrong question, you knew your answer already. Bethany crossed her arms and haughtily replied.
“Yeah, I would’ve done it if I was really that interested. Are you not? How long are ya gonna keep stalling yourself my dear co-worker? Can’t stand the idea of being rejected?”
Your brain couldn’t even process all that, leaving you gripping your thighs anxiously and your mouth gaping without a single word being uttered out. Once the calmness settled, you managed to hush out
“I’m trying… of sorts. Yeah, I’m scared shitless if I get rejected, who wouldn't? And good god Bethany, I already told you he doesn’t seem to be the type you straight up ask on those things…”
Bethany huffed a laugh, and shook her head as if she wasn’t taking that as an answer.
“Yeah but, how long have we been talking about this guy? It’s the same shit! ‘Oh I wanna talk with him this’ and ‘I wanna talk with him that—’ Please just do it, you’re killing meeeee…” Bethany whined, grabbing your shoulders from behind and shook you.
You flick your fingers on the hands on your shoulders and manage to get them off of you. As Bethany peers close to your face, you look back at her as a dark look crosses your eyes.
It finally came to your mind that you were still on your break and the whole staff room was staring at your commotion from the corner of the room. The sound of the water dripping from the sink could be heard in the background.
Pushing your chair back, you stood to let the blood flow through your legs again and moved to toss the pieces of sandwich near the garbage disposal. As you sat back down with a melancholic feeling, you mumbled,
“Everything at its time. Don’t rush me, okay?”
You buried your face in your hands continuing to mumble incoherent complaints in them. Bethany surrendered her hands in the air as she slumped in her seat and started to absentmindedly pick her casserole again.
“You're too respectful. You shouldn’t.”
You snapped your head up, glaring slightly.
“We’re strangers. I don’t know him and he doesn’t know me. Some random creep asking if you're single out of nowhere? That raises so many red flags if you hadn't noticed. You know what… think I might need that pinch now.”
Bethany reached to pat your back with mild consolation, still with that smug smile and a borderline joy of taking in your pain. Now you just felt tired and yearned to go home. Sadly it was only 2 in the afternoon so you’d need to wait 3 more hours. You then hear Bethany say in a tranquilizing tone
“Take it easy. Listen I know you’re a dreamer, and you keep dreaming okay? I don’t want to burst your bubble. But while that train keeps on moving and he keeps riding it, you should shoot your shot. Never know if he’s gonna be gone the next day. Uncanny events always force someone to move out of here.”
Hearing her make that statement, raises a the hairs in the back of your head. Maybe a part of you refused to accept that fact, but you knew it was the truth. It was either take it or leave it. How long you’ve spent pondering on the thought of talking to him… oh a very long time, that you already made yourself clear on the train. You clenched your jaw, gulping quietly as you spoke with hesitancy.
“I’ll try… but I’m sure things will end up falling short of my expectations.”
“No no, I’m certain you’re gonna do fine. You have a way with words. Your personality is pretty good. And you are…” Bethany leaned back to take your form from head to toe and back over again with an easy smile “...You’re pretty hot enough to catch someone's eye. Although I’m not saying looks are everything. Say, if he saw you today, did he make any sign that he looked even the slightest interested in you?”
You scratched your cheek for a minute or two in thought, then you finally shake your head and simply responded
“No.”
“No?” Bethany repeated bluntly. You shook your head again. You made a slight tilt as you added,
“Although we did hold a stare for about 15 seconds. Does that count?”
“Hmm, it's something. What else did he do?”
“Er, well he did this funny thing with his lip. It went back a bit. Like…like he tried to…” Bethany watched you intently as you reenacted the funny lip jump. She only thinned her lips as a teasing smile started to form, until she burst, pointing a finger at you gushing.
“Oh my god, did he try to smile at you?!” Bethany's smile must have reached its limit as it was already way too wide and way too disturbing to hold eye contact. You chuckled nervously with a half-shrug.
“I guess…? It would be a first actually.” An attempted smile from him… it made your chest feel fuzzy from that thought. Still though it could’ve meant anything. Bethany giggles, wrapping an arm around you and bringing you close to her. You winced a little, smelling the breath of onion from her casserole as she whispered.
“Just go talk to him. You know you’re brave. Wake up and make it a reality. Got one life, so don’t waste it.” She gave you a small shake in her arm, before the weight was lifted off of you. You fixed the collar of your uniform and looked at the time again. Your break was over. Her words of encouragement suddenly pushed you to actually want to do it.
Like previous times of course.
“I suppose so huh? Tomorrow we’ll see then. Thanks Bethany.”
She gave you a small thumbs up as you both stood up from your seats. Both of you then stepped outside of the breakroom, departing with a side hug and left to finish the day. You waved at your crowd from the end of the hallway on your left and approached them with a professional welcoming smile.
Maybe I should do it tomorrow. Nothing can go wrong from here… right?
…………………………………..……………………………………
Now your day is over. And your pained feet were dying to get home.
But as expected you were held back for a couple reasons. First was to finish answering some questions from the guests, and then your boss whose news reached to his ears about you and Bethany “fighting” in the breakroom. To which you denied sincerely without trying to smile. You two could never.
In consequence, those actions from both parties have left you to forget the sun set earlier in the month of July. Crap.
5:45 P.M, and you also missed your train. You sent Bethany a text asking for a ride, but you deleted the message as you recalled her mentioning in the morning about a dentist appointment after her break. Meaning you were going to need to walk home.
Fuck.
Adjusting your duffel bag on your shoulder, you climbed down the stairs while keeping a taser you borrowed from Bethany close by in your pocket. You quickly took a left from the station and started jogging slightly as you wanted to avoid any possible encounter with people. Not at this hour, no siree.
It wasn’t the first time you’ve done this. But not regularly either.
The approximation from your work to your apartment was about 30-45 minutes depending how fast you got there on foot, but you knew you weren’t gonna get there anytime soon. The uncomfortable feeling of being watched as you jogged without a stop for breath became awkward as hell.
You passed by the town shops that still had their lights on, staying close by them as you needed to see the cemented path ahead of you. For a summer night the air felt a mix of cool air and warm heat, making you start sweating anyway. Man you felt that adrenaline and motivation push your limits already.
The night sky wasn’t all dark as it was being illuminated by a full moon and the stars sparkled brightly. You huffed a breath as you turned a dark corner.
Only a couple more blocks, I can do this.
You began to feel a little dizzy from your excessive jogging and weariness of your feet starting to catch up with you that you immediately slowed down. A sharp pain from the side of your ribs irked you to recoil and grab on to the wall to lean on. Ragged breathing started to fill your ears as you took a breather and your eyes scanned your surroundings.
You had entered an alleyway with no exit. Dark and murky.
A sudden crash from a nearby garbage dump from the exit of the alleyway, caused you to stagger back with alert. Your hand fumbled in your pocket as you pulled out your taser and kept it to your side as you looked over your shoulder, just to make sure nothing from the darkness or exit came out.
You were so wrong.
From the pit of your chest you felt your heart drop to your stomach as you saw something moving towards the entrance of the alleyway. Dark shadows plastered on the wall from the light reflected off the moon and a growling noise seemed to rumble out. It resembled that of the creature and you almost had a feeling what it was. It started to become closer and closer.
You bite your tongue trying not to make a noise, stepping back into the shadows but without realizing it; your heel accidentally stepped on a piece of glass breaking it loudly.
Shit—-
You let out a scream as the creature rages in the alley about to grab you with their sharp claws.
I’M DEAD, I’M SO DEAD—-!
Your panicked thoughts were cut off aggressively as you were pulled upwards by something that grabbed your back shirt. You felt it snap off of you as your body was being rag dolled around by something keeping you close.
And very tightly; your back was being dug with their immense grip on you. More growls and yells were heard by your ear and your eyes couldn’t focus on it. Everything was a blur of colors red, black—-
Red and black? Hold up—-
Instinctively you wrapped your arms around the neck of this something you realized… it was none other than the Scarlet Spider himself.
You stared in awe at his red lenses, seeing your own face back at them. And oh man… his breathing sounded hotter up close. Of all places you finally met the hero. Yet that didn’t stop you from feeling scared as the webbed hero was swinging swiftly in the air with the web in one hand from a great height. The feeling was just like when you were a kid, being pushed on the swing and feeling the air pressure wacking your face. So you gradually held on tightly.
Yeah—you wanted to throw up right then in there.
Below you a grassy patch of land was coming into view. A playground from the nearby school you knew close to your home. With a loud thump you both landed on the ground safely, the noises of growls faded away in the distance.
“Hey… you can let go now,” You heard a low rough voice speak from the mask. You didn’t realize you closed your eyes and you opened them, raising your head away from his shoulder. Dumbly, you shakily let go of the hero and a soft thud from the padding of your feet was audibly heard as it touched the grass.
As your arms slid from his shoulders, you only noticed that the hero was just leaning down for you when he suddenly straightened up from his inclined posture.
He was much…taller.
“Are you okay?” He asked with a gruff tone. A soft gruff tone if you heard carefully.
You shook your head just to quickly revert it to a nod as you silently answered his question. He answered it with a nod of his own as he craned his neck to look at you up and down for potential injuries.
“Good. Don’t be wandering out at night—it’s dangerous you hear? See what almost happened to you back there? Almost became a snack.”
If you had enough energy you would have laughed at the warning. You didn’t answer, just stared. An impatient snap to your face woke you from your trance.
“Did you hear what I said?”
“U-uh, y-yeah… t-thanks…” You stuttered softly.
A beat.
The hero stared at you in silence and for a moment it felt like he wanted to say something. From the looks of his hands on his sides flexing their fingers, he seemed to hesitate doing something. He didn’t do anything. Finally, he said in a rather plain tone,
“Go home now. Take a pill for the nerves and a day off. You’re shaken up, I can tell.”
“U-uh h-huh…” you managed, as the jelly legs found themselves on your legs when you turned around to walk. You were numbly questioning the creature that almost killed you and the urge to ask him came to you. You wanted to say something else to him as you turned around to face him once again—-but he was gone.
Damn. You wanted him to stay a little longer.
Home it is then. You pulled your duffel bag—-correction, nothing.
You scan all over your body for anything and you let out a frustrated groan as you realize your duffel bag was lost back at that alley. Worst of all, you didn’t even know which one.
Well… at least you had a spare key under your mat.
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11/27/23
Hello there!!
So yes I was working on this really really hard. And you have a friend yay! Maybe you’ll expect another chapter in two weeks (I know, I’m bummed out too.)
Alright so… here’s the thing.
I was drafting where this story will head and here’s what I have in mind: Kaine technically left Houston right? Because of… stuff. But what if… what if he came back?
I have hopes for that. So this fic is where that intends to go. Where Kaine technically comes back to Houston. He has his friends back (minus one if you have an idea who), and he’s basically trying to start all over again. That’s all I can say for now.
And yes of course he still has The Other (not all fanfiction is canon remember!)
This journey is likely gonna be long folks. With super long paragraphs. And a hella amount of plot.
So… enjoy every moment and thank you for your support. You guys keep me going 🤗
—LonelySucker7
Next: Chapter 3
Previously: Chapter 1
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I’d love to hear your thoughts on what Eldritch peredhel entail
-@@outofangband
Sorry this took so long @outofangband and thank you for asking this I am! Delighted! And am preemptively putting a read more down because I cannot shut up about they <3
alright I'm just gonna put stuff and headcanons down as they occur to me so expect low-moderate levels of coherency
shapeshifting is an obvious one (gets weaker down the generations) but because my brain is Like This I have caveats!
thanks to my whole peredhil things=gender allegory that my brain spit out without my permission I've long struggled against my inherent feeling that while they can shapeshift they don't like it
but because I'm now aware of my brain's reasoning I can say it's because of ✨fantasy dysphoria✨
that's oversimplifying, obviously, but peredhil already have so much issues with working through who and what they are and compromising between body and mind and spirit that actively choosing to change into/present as something/someone who They Are Not is. Not usually their cup of tea.
As a whole they tend to have specific forms that they prefer as being closer to themselves, and distinct enough that it doesn't feel like they're faking something they're not
(changing to look like a different person, or a edited version of themself is Very Very not fun unless either explicitly for disguise or shenanigans)
(the exception to this is that Luthien can make herself look almost perfectly human without any real issue. she doesn't do it often but especially as she ages she likes to catch glimpses of her reflection and get both excited and sappy. this is in contrast to making herself look almost perfectly like an elf which makes her feel like her skin is on fire.)
(Also I'm pretty sure all of them can flip their agab presentation while only feeling varying degrees of off, and even then it's a different feeling than the shapeshifting dysphoria. Dior and Elwing are the two who I think mind it the most)
They all have the (agonizing to write) trait of feeling very distinct relationships to their species in their body vs soul/mind vs spirit/fea and they all feel it very differently! This isn't exclusive to Luthien's line but the maia blood does make it worse.
Oh! This is a new headcanon of mine actually but!
They all have faces that are very very hard to capture in image. They are the bane of portrait artists (and, to a degree, sculptors) everywhere because the art never looks accurate to life
It's not blatantly off it's just. missing something? Or something was added? maybe it's a little too wide, or narrow, or long, or short, in one place or another
It's not unrecognizable but if you've ever seen the subject in real life you can just tell
It's especially bad with Luthien (and Daeron) and Dior (to a lesser extent) because everyone literally sees them differently, as in their features will be slightly different depending on what each person finds attractive/aesthetically appealing and beautiful
(not a lot, again, it's not unrecognizable, but there has never and will never be any accurate depiction of Luthien as she was as a person)
(as a concept, though, as the most beautiful creature to have ever existed in Arda, a little of her image exists in every portrait lovingly made of a beloved spouse, every child's drawing of their family, in biological sketches of songbirds and field mice, in a sculpture of a stranger's face. Daeron remembers his sister perfectly, but he collects these regardless)
(Arwen, Luthien come again, isn't described as such by her grandparents. Galadriel and Celeborn both knew Luthien, and while Arwen and her father both look as closely to her as genetically possible, to those who actually know them both it's nothing more than uncanny family resemblance. Luthien was to most a concept personified, Arwen is a person with concepts imposed on her.)
The list of people who have seen Luthien how she actually, physically, defaultly is, essentially consists of Melian, Daeron, Beren, and Dior
Beren doesn't see her as she is right away because he doesn't know her right away, but they learn about each other and she shows herself and he sees her and by the time she rescues him from Tol-im-Gaurhoth there are no echoes on her face
(He's always a little bit haunted that he nearly died without realizing he'd never quite seen the truth of her before)
Neither Thingol or Beren can quite see their own features on their children's faces. They clearly take after their mothers, after all!
(This leads to much affectionate eye-rolling on Melian and Luthien's part)
Hair stuff!
It's alive! kinda! it's definitely not normal hair!
It moves a lot on its own. Sometimes like a breeze is blowing where there isn't one. Sometimes more like tentacles. It depends on its mood.
They've got some very pretty traditional cosmic horror vibes swirling around on their heads. It's very sparkly and colorful but in a Forbidden Shrimp Colors that your brain is unable to comprehend way so it reads as iridescent black mostly, or holographic white, where applicable
Luthien's hair actually is a glimpse into space, Daeron's is a glance at a star
(Luthien's magic hair cloak survives, I think, into the 4th age and beyond, though if anyone/anything has found it they certainly don't know the origins of the beautifully intricate living star map. It has seen the reign of countless north stars, yet the lines always point to the same coordinates- where the ancient, sunken, ruined remains of what once was Tol-im-Gaurhoth lay)
Speed round!
Fangs and talons and horns oh my! Are they tooth and keratin and bone, or are they petrified wood and gem and stone? Yes!
They all smell a little like ozone and a lot like petrichor, flowers, and Green. If you've smelled green you know what I'm talking about. Also, unfortunately, like bird. Birds don't smell great, especially wet bird.
Weird Foresight Powers++
(Most of them don't have actual foresight, but all of them are more in-tune with the Song than is natural for an incarnate)
Their eyes glow, most notably in the dark, unless the irises turn black as they sometimes do. They are also all unnaturally bright versions of the less-spooky parent's- Dior's are gold, Elwing's are blue-green like a tropical sea (Elured and Elurin split the color between them- ultramarine and emerald), Elrond and Elros have pale star-gold, Elladan, Elrohir, and Arwen all have silver.
(Daeron and Luthien being the exception again, because I decided they have Melian's eyes before I decided this, and I don't know what color eyes Thingol has. Watsonianly: Melian's spooky genes overwrite a lot. Luthien's genotype is probably much closer to his than her magically overwritten phenotype)
Their sclerae turn black and their pupils white, on occasion, usually when using powers
They don't bleed right. It's a little too red for an elf, a little too light for a human, and it shines strange as it beads like quicksilver on the skin
They have very shiny, cool skin. Luthien looked like her's was silver plate under a stretched stocking, the rest toned it down from there but it's still noticeable.
The Song is. Attached to them. They are all very much Main Characters. Their lives have a clear story arc with symbolism and narrative parallels. They are all subconsciously aware that their lives are a fairytale, whether tragic or no, and yes this has many Implications and affects. They are not the only ones like this, but they are the only ones who, to some level, know they are in a story.
This is the fundamental separation between them and everyone else.
The difference in how they perceive themselves between heart soul and spirit is very difficult to explain and understand, but not impossible to someone who knows them and is willing to put in the work.
The life-long knowledge that they are Important to the Song and their every choice and event they experience and their mere existence serves a greater purpose in a way that most other people simply do not- that's very, very isolating.
No one else can understand how they see the world. Very very few people are willing to try, and even fewer in a way that's not frustrating. There is a reason most of them find only one person to latch on to outside of their family, and a reason they hold on through hell and high water.
(This is about being neurodivergent)
#asks#outofangband#eldritch peredhil#gonna go into more detail about preferred shape forms here bc it's important to me but not relevant lol#luthien: nightingale/s (obviously) but also a starling and to a lesser extent various other birds- preference toward passerine and raptors#wolf and deer are both fine- wolf especially for snuggles- she can go bat and enjoy it but only after thuringwethil#(which is a whole thing for her to unpack)#dior: cat (male calico specifically) wolf and bat#and then a kingfisher starling nightingale red-crowned crane and a bird of prey (currently thinking maybe a swallow-tailed kite?)#e^2 1.0 don't actually have the same feeling towards shapeshifting bc of the whole consumed by doriath to become Entities thing#so they're closer to maiar vibes-wise than even luthien entirely was#elwing: starling beach mouse and then pretty much most seabirds#but on the whole Song's Specialist Little Guys thing#obviously its up to individual philosophy on if free will can exist in the face of Destiny#my opinion is yes but i think all of them have a different take#luthien thinks no but is happy/fine with this and thinks its very romantic. daeron also thinks no but is resigned and ultimately content.#neither of them understand the average person being deeply uncomfortable at the idea of the lack of free will#their mom is a maia this is just normal to them#dior thinks yes at first but flips around a lot through his life#its a pretty hard no post-death but when he gets reembodied he becomes deeply aware that he is No Longer Important but nothing changes so??#elwing thinks absolutely not and uses this to cope. she feels like she has so little agency already#at least if it's cosmic there's nothing she could've done#at least if it's cosmic her mistakes are worth something#(she needs so much therapy)#earendil is the only spouse who comes to fully understand this. he cant decide what he thinks. every option seems horrifying in its own way#elrond and elros both think yes and use this to cope. they can be better. they can make things better.#there may be a story but they can make it a happy one.#they're people and that has to count for something.
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nomsfaultau · 5 months
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Bro I just started reading your fic like three days ago and I’m already on chapter 14 BUT BRO THIS SHITS CRAZY ITS SO FUCKING GOOD YOUR TECHNO CHARACTERIZATION IS MAGNIFICENT
I love how everyone is trauma trauma mental health disaster angst and then Techno “voices in he head” Blade is out chilling with his inner demons. The Foundation tried to get to him and he was like ‘bruh thanks for the offer but I’m good’
He’s so wonderfully comfortable with himself and his flaws. Well I mean he’s an awkward dork, but still. Of course he’s downplaying his own trauma since that’s how he rolls, but overall he’s having an alright time while causing huge problems for everyone else lol
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Shows up 150k words late to the fic in the middle of a disaster with a potato smoothie:
“Hullo did I miss anything?”
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no1ryomafan · 4 months
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My brain has gone back and forth on between which anime if arma or new is my favorite. Cause even with all its issues Arma means a lot to me, it’s the reason I got into getter and helped me through one of the worst times of my life- But then new is objectively better written and it drives me nuts compared to arma it’s not talked about ENOUGH despite all the stuff you can poke at from it’s plot and I’m trying to pinpoint that reason since the general consensus is “no one hates new and it gets a lot of fanart in the Japanese community yet it’s never deeply acknowledged so it feels unpopular”
So my standpoint is “do I keep investing into the popular iteration despite its issues or do I invested into the less flawed unpopular iteration when it comes to introducing getter to new people?” cause man as much as I’m a critical person of media I still can forgive some messy writing if I have a good time with it and can clearly tell the staff had fun making it, which is definitely armas case. (Though they absolutely had fun with new too)
#meg text#getter robo#this general philosophy I have is why im not harshly critical on SVN next to “I think it fulfills it’s purpose”#and a few other mechas I’ve seen but not gonna tag because I don’t wanna put them in their tag when this is just getter#I was tempted to make a post asking about what people don’t find appealing about new but it be on twit and blegh#I’d ask it here and if anyone has input feel FREE to put but my following is way to small to generate the feedback I want#but on Twitter people are dumb and I’m not taking the “new has bad animation” take any longer bc it’s cherry picked#next to “we all know this is better animation then arc LOL” even if that whole debate as stupid#but past that point I’m trying to understand what people don’t like to find new unappealing when it’s flaws aren’t turn offs#like Musashibo not having a proper character arc and the villains not being consistent is a big one but doesn’t make the show bad#especially because there’s still good from those issues being Musashibo still a fun character and the villains don’t ruin the pacing#you could maybe make the argument new starts off slow but also all of the introduction episodes are engaging??#there’s not a single thing about new-let alone getter when it’s paced right-that feels sluggish#Also for a 13 ep show picking up in the middle makes the MOST sense in comparison to a longer ep series#the middle is when shit hits the fan tbh#im gonna be at war until I hear someone’s in depth opinion but I just WANNA figure out what turns off people from new#cause when I also watched it in a group I had irls drop out of it midway through but I could chalk it up to they weren’t huge on mecha#Even if I argue new is the PERFECT mecha show to recommend to someone who’s skeptical of the genre but I digress
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it’s also like Well Fine if the only plan for winston has always been & will continue to be [he’s a funny little guy] like yeah, he is, & that Is kind of fun in its own right sure, & obviously if they never do anything else with him then that’s what you have to take lol, and one can fill in blanks & interpret & hc things however, this that & the other thing is happening just out of frame, there’s so much that sure isn’t outright contradicted by canon b/c canon material for him is so fleeting & limited lol....but really it’s like. i mean just reflecting on how rian unlike winston was planned as a more Serious character to have more Prominence & it’s like good lord lmfao, i think winston is getting the better deal in this case even by having no character material or subplots. and of course even with better executed characters & threads, there’s a tradeoff with increased focus / material that affects or is affected by bigger plotlines more directly, since this is the show of having problems & eternal conflicts & clocking in at the sunk cost factory, any given character would be better off if they weren’t on it, so vibing tertiarily has it’s upsides lol, he's mostly hanging out, & if anyone was gonna defend him from the general insulting & rian being specifically dedicated to giving him shit, it’d presumably come at some additional cost since nobody’s been moved to try to improve such things for him just b/c they felt like it. also, really, society if there was actual material of rian & winston being friends normally, it was so promising lol & needlessly limiting that they Aren’t, as if like if rian did think he was fun & wasn’t out for his blood every day any moment, that nobody else would be pwning & insulting him, though ig nobody else is around him that much and taylor just doesn’t talk to him save for one scene one ep per season, & Someone’s got to do it....instead rian can have one connection and it’s a whatevership with taylor for the moment, are they friends? who can say. taylor could have a second employee, or personal something, or friend, but they have less potential material too for its being forbidden w/winston as this non character, or one too unserious and unsexy for the privilege of such material lol. yet for some reason they sure did posit in s6 that winston and rian are some kind of duo, except it’s so dominated by this bully/target dynamic lol and so little is glimpsed of friendlier moments b/w them that then are overridden by a return to the bullying that it’s like, i know friendship in billions is off the shits but if they’re supposed to be amicable beyond unilateral amicability from winston, i don’t know what you’re trying to show me here. however the fact that they have, maybe probably inadvertently as usual, shown us this incredibly An Autistic Character of all time, good god. and he is a funny little guy and i’ve carried him around since the fateful [all season three appearances] discovery day. and we’re kind of back to that zone in terms of limited expectations for his further material that we nevertheless know will exist lol after kind of gearing up like well i’m sure with all this recurring and the way other recurring tertiary funny little guys can be handled on this show and that now the actor isn’t busy w/a broadway show & look you introduced a friend and they immediately grab on to each other, it’s Winston Character Time i’m sure....and they were like haha what? and anyways. as a series of complaints, this has in actuality been like shaking Professional Appreciator thoughts out & stringing disjointed comments together into this post like pearls. tl;dr winston is a gem, who else is just like this. if nothing else, the particular Environment that is billions the series & the way it operates sure makes for an enriching execution of [woops, unknowingly writing an autistic person] lol, he can’t actually be too zany b/c the show isn’t overly solemn but has its limits and there’s already some other guys filling this niche of like being kinda more out there cartoony and weird, and he can’t be like, the ah. archetypical “this guy is so Impersonable but gosh darn it he’s a genius so you just gotta put up with him very much being an asshole on purpose” which is more serious (and prominent)........anyways: when you’re a quantnoisseur. literally me
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ifwebefriends · 2 months
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My thoughts during “The Sign” [SPOILERS!!!!!]
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ID in ALT
More thoughts under the cut
So I think most of us can agree that this is the best episode of Bluey so far. It was so emotional and satisfying in ways that are kinda new for Bluey. It answered so many questions while giving us a few new ones. I’ve been waiting for this episode for months and it did not disappoint in any way.
This is just a Chekov’s firing squad of an episode. As in a lot of stuff that was set up in earlier episodes all pay off in this episode. I kinda understand why people love soap operas now lol. I will say that this episode was a tad overwhelming for me in the best way possible. As in I had to pause and rewind every 30 seconds or so so I could emotionally process what was happening before moving forward (but that’s a me thing). There was just so much going on and I’m happy about that.
Now onto individual thoughts about specific things:
The callback to Baby Race (“you took your first steps in that house!”) really got to me because Baby Race was the first episode of Bluey that I watched and it immediately made me fall in love with it so it just got to me.
When Chilli said “Frisky and I came up here as teenagers to…um…think,” my mind started racing immediately with “what the FUCK happened at the Lookout?” “Who hurt Frisky and/or Chilli?” And I’m just so curious about what made Chilli say that line like that but we’ll probably never know what happened.
So yeah that scene at the end when the music was playing and Bandit ripped the sign out of the ground and Chilli tackled him to the ground ABSOLUTELY CHANGED my brain chemistry y’all. I can’t articulate my feelings any more than that.
I know some people were upset that Brandy ended up getting pregnant but I thought it was great for her! I’m happy for her! And I think that even though she got what she wanted in the end doesn’t negate the feelings she had about her infertility earlier. But I think we’re all wondering who the father is and I don’t know if the show really needs to answer that.
The whole message of “we’ll see” in terms of if something is good or bad is such a mature message that I never really thought of like that so I will be taking that philosophy forward in life. Congratulations Bluey, you managed to teach a 22-year-old childless person something new and insightful about life that I don’t think I’ve learned from another show.
I want to know more about what Bob was going through and feeling and why he went to India, but again, we’ll probably never know.
I just love how the wedding photos were beautiful but imperfect. Like of course we’re not perfect and nothing will ever be perfect but it’s beautiful and worth remembering anyway.
So many little jokes and moments were so funny in a mature way (I.e. “are we allowed to do that?” And Nana thinking there was about to be a baby announcement) were just so funny and memorable.
I think some people would say it’s a cop-out to end up not selling the house after building it up for 2 episodes but I don’t know, I think it works. I think Bluey and Bingo learned a valuable lesson and Bandit (and Chilli kinda) learned it’s not always about making their kids lives “perfect” in their eyes. Also I’m just personally glad they didn’t end up selling the house and I also kinda like that it wasn’t entirely their choice to keep it.
On a more serious note I think this episode has some interesting commentary on like gender roles and gender relations in straight relationships. In this episode Chilli and Frisky (both women) have to deal with their male significant others pressuring them to move with them far away from what they know and love. In the end they don’t end up moving and the men didn’t seem to have like malicious or selfish intent with it, they were just kinda basing their choices off their jobs instead of what’s best emotionally for their loved ones. But I think it’s interesting to have this conflict where gender is kinda brought up in a way (“because your husband is making you”). It kinda plays into the traditional idea of like men are the breadwinners and the family has to move with them regardless of what they actually want. And this episode kinda like deconstructs that and says “no, it’s not always about the job or money, it’s also sometimes about connections and emotional attachment.” And I’m not saying that you should never move or whatever, but really weigh your options. I just thought that it was interesting that this episode kinda touched on that.
So yeah that’s kinda the main thoughts I had on this episode if you made it this far thank you for reading my rambles and have a good one!
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lunas-side-anime-blog · 5 months
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Modern College Student/BF Eren Yeager Headcanons
Armin version: HERE
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Changed his major so. many. times.
Tried premed bc of his dad but then realized he had to take a lot of math and was like “lol no”
Was a business major for a bit but he didn’t have enough tact or strategy so dropped that pretty quick
Philosophy was next but he has such black and white way of thinking, he always got into arguments with the professors
Ethics was ruled out after like a week bc of…well, obvious reasons
Joined Armin’s major for like a month but it took so much studying and memory that he quit
Tried psych with Mikasa but yeah every teacher kept telling him to go to therapy??? And he was like “no thank you.”
Eventually i think he will land in something like sport communication or management, bc the competition really gets him fired up and he’s only good at something if he’s passionate about it
also feel like he’d be a college athlete with some scholarships so yeah, it makes sense
Not a great student tbh
Type of bitch to say “c’s get degrees.”
Really its only his public speaking skills that are keeping his grade afloat bc his presentations are sooo hype and get the class all inspired n shit
His essays and quizzes tho? Yeah, not so good
Bad at attending classes too, for sure will be like “srry my grandma died.”
And the teacher is just like “you’ve used that excuse already?twice??"
And hes just like “ugh fine you got me, I was tired and hungover”
Def tried to join a frat but Armin and Mikasa threatened to not be friends with him 
Still hangs with the frat boys a lot and is always partying with them
Pregames wayyy too hard tho, wasted before the party even starts
Unironically dances to lmfao and pitbull at college parties like “party rockers” is his fucking jam
Casual pothead, has a bong he def like nicknamed the “titan” cuz it’s so fucking huge
Will share his stash with you but like next time you got alc or bud just know he’s hitting that shit
High Eren is just really philosophical about freedom but with the munchies
Diet consists of instant ramen, mcdonalds and box mac n cheese, probably alot of redulls too
Thank god he’s athletic w a high metabolism 
Is fucking rocking the man bun and will fight you if you say otherwise
Games often with Jean, Conny and Sasha
Rage quits all the time and yes, Jean has recorded most of them for blackmail
Still uses snapchat streaks and will be so salty if one of his friends broke it
“You know nothing of loyalty. It’s one snap a day! How fucking hard was that?”  
Smells like irish spring body wash, old spice deodorant and weed
Also mint? I feel like he’s always chewing gum
One of those smokers who think he can just splash cold water on his face and chew on some gum and it wouldn’t be obvious that he’s high af
Carmex lip balm is the only slightly self care item he owns
Really into anime, loves the boss fights
I feel like he’d really like Naruto, Demon Slayer, Bnha or jojo’s bizarre adventure
You know anything with a lot of fights or training 
Ppl say he’d like Deathnote bc light but honestly I think he would get lost with all the twists and be like “why tf aren’t ppl just punching each other???”
Loves rap if he’s feeling good or screamo if he’s angry, like there's no in between lmao 
For sure listens to his music way too loud even with air pods
“Max volume isn’t enough, I wanna fuck the song” type of dude
I feel like him and Conny at one point prob tried to make a youtube channel where they like react to stuff 
Jean is the top commenter…..too bad it’s hate comments lol
Is one of those guys who has such a high body temp that even if it’s like december and snowing out, he’s still in basketball shorts and a short sleeve shirt 
Progressive bc Armin taught him how sex doesn’t equal gender, and pronouns are to be respected
Still a dick tho
“He’s such a fucking- wait hold up what are your pronouns?  They? K cool was just gonna talk shit about you but wanted to be respectful about it, thanks.”  goes back to his other conversation like, “They are such a fucking worthless cunt.”
As your bf
Probably met off tinder or something bc he is just a fuckboy looking to get his dick wet
But after fucking he just keeps hanging out with you? Or like if u get ur period or don't feel like sex he’s like, “it’s okay we can just watch a movie or something😀”
So ur not quite sure if you guys are fuckbuddies or not?
It becomes kinda obvious tho if he like ever sees you with another guy and gets all up in his face like “wtf are u doing with my girl/boy?”
U guys don’t have a clear anniversary bc he never asked u to be his, it was just kinda silently agreed upon?
Clingy lil bitch after sex like will follow u to the bathroom if u let him
Needs to shower with you, otherwise you both aint showering cuz he will turn off the water 
“Now we both stinky, bitch.”
Gives me the vibe of a guy who learned sex stuff thru porn
He goes really hard, fast and will put you in crazy positions
If u have a vagina you prob will have to like teach him about clit stimulation and literally take his hand and lead it there, he’s a fast learner though 
Will pull your hair but if you dare pull his?
He'll flip you over and spank you 
Wants sooo bad to be called daddy, up to you though if u wanna call him that but you can tell he tries to lead you to say it sometimes
Not really controlling or anything, actually loves an independent partner who has their own goals 
Is insanely jealous though, the only time he’s all up on you is if he thinks another guy is trying to get on you
If you fight tbh I think Eren can be a lil brat but I think he always has a time limit 
Like..he’s the type of guy that has about three days in him of being an asshole or being in silent treatment mode before he just breaks and knocks on your door begging for forgiveness
A little toxic but again, more so about others than actually controlling you
The type to start a fight in your insta comments if anyone other than him or your besties call you hot
Will try to be cool and say “wear whatever you want, I can fight”
And he will but like will he also cry later? Yes. 
Dates with him aren’t really dates? I think his love language is quality time so he’s the type to just try to hang out and make everything a lil “date”
Lots of late night car rides where you guys just talk and share songs (also car sex if ur up to it), lazy days where you two watch movies and cuddle in bed, also I think he’s the type of bf to try to tag along with you everywhere you go and offer to get you food afterwards
Only for like birthdays or anniversaires will he try to take you out for a fancy dinner, even then you might have to drop hints that you want a nice date bc honestly he’s totally okay getting mdconalds with you and pigging out
Overall he’s kinda a scary dog privellage as a boyfriend
Whose mainly all bark and no bite
(mostly)
Fav nicknames: Babe, babygir/babyboy, sexy, shortie 
Songs that fit the vibe: 505 by Arctic Monkeys, Cherry Waves by Deftones, Daddy Issues by the Neighbourhood
“I’d probably still adore you wth your hands around my neck”
“I’ll swim down with you, is that what you want?” 
“I tell you that I’m thinking about, whatever you’re thinking about”
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nanamis-baker · 6 days
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The Bold Stroke
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Chapter 2 | Whisper of the Petals
Pairing: philosophy student Geto x art student f!reader (College AU)
Summary: A mystery blooms on your doorstep. A breathtaking bouquet of white flowers, a silent whisper of apology… but it's not for you. Delivered under the name of a man so handsome he takes your breath away, the mix-up sets your heart racing.
Fate seems determined to keep throwing you together, and soon you're caught in a whirlwind of chance encounters and undeniable chemistry. It was almost as if it was trying to bring you together.
Content: Fluff | slow burn | Light angst (I am not sure) | Mention of scars and accident | Mention of family issues | Reader falling for Geto | Geto being a gentleman but also a big big idiot.
Status: Ongoing
Word Count: 10.2k
a/n: okayy it's here!! This chapter took me a while to write because writing conflicting emotions is something new for me lol.
But a big big bigg thank you to my girl @whereflowerswenttodie for reading and rereading it and helping me out with it!! 💙
← Prev. Chapter | Series mlist | Next Chapter →
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“So, are you meeting up with someone?” you asked Inumaki as you fixed your hair a little, the elevator mirror being perfect for it. The two of you were going to the library. Well, you were going to the library, and Inumaki had some work on the same floor, so he accompanied you.
Inumaki nodded, a small smile gracing his lips as the lift opened with a ding. The two of you went separate ways, waving each other goodbye as you went into the library. But as soon as you entered, your legs halted. What you saw was… unexpected, to say at least.
The library had transformed into a bustling marketplace of stressed students. Every table, including yours and Suguru's usual spot, was now occupied by unfamiliar faces. The studious quiet you'd craved was replaced by murmured arguments, frantic typing, and the occasional frustrated groan. This wasn't exactly how you'd envisioned making the presentation format with Suguru.
You had texted him earlier about the presentation format, but there was no way you could get any work done in this chaos. What could you do now? And what other option did you have? You could go to the cafe but-
Just then, a warm hand settled gently on your shoulder. You whirled around, heart leaping into your throat, only to find Suguru standing there, a soft smile playing on his lips.
"Sorry, didn't mean to startle you," he chuckled, his voice soothing amidst the library's chaos. You shook your head, the disappointment momentarily forgotten.
"No worries," you managed, forcing a smile. "But seriously, what do we do now?" You gestured towards the library, the silent question hanging heavy in the air.
Suguru's smile faltered, replaced by a knowing frown that mirrored your frustration. "I kind of expected this," he sighed, pinching the bridge of his nose. "Apparently, a bunch of students submitted the same assignment, thinking they could fool their teacher."
A flicker of surprise shot through you. "The same assignment? How did you…"
"Long story," Suguru interrupted with a wry smile. "Let's just say the rumour mill at this school is efficient." He paused, his gaze flickering around the library before landing back on you. "The good news is, I might have a backup plan."
You raised an eyebrow, curiosity flickering in your eyes. "A backup plan, huh?" The unexpected turn of events had certainly piqued your interest.
Suguru chuckled, a hint of mischief dancing in his dark eyes. "It is a Top secret," he declared, smiling to himself. "But trust me, it's worth it." He reached for your bag, gently relieving you of the weight. "Just promise me you won't breathe a word of it to anyone."
"Can't guarantee anything until I know where we're going," you teased, the disappointment at the ruined library session fading with each passing moment.
Suguru grinned, a playful glint in his eyes. He reached out and gently grasped your arm, the warmth of his touch sending shivers down your spine. Suddenly, the crowded library seemed miles away as Suguru led you on a detour.
The corridors twisted and turned, a confusing maze that would make recalling the route later impossible. You found yourself relying on Suguru's confident strides, a comfortable silence settling between you broken only by the rhythmic click of your shoes against the polished floor.
Finally, you arrived at a seemingly nondescript wall, the only hint of something unusual was a small, silver panel nestled discreetly within the plaster. Suguru pressed a button, and with a soft whirring sound, the elevator door slid open.
Your eyes widened in surprise. You had no idea this elevator even existed!
Suguru stepped inside, beckoning you to follow. It was a maintenance elevator, you realised. The cramped space barely accommodated the two of you comfortably, and the close proximity did little to deter you. He punched in a series of numbers on the keypad, and with a slight jerk, the elevator began its ascent.
"This elevator," you began, looking up at him, unable to contain your curiosity any longer. "How did you find it?"
Suguru chuckled, a sheepish grin spreading across his face as he looked down to meet your eyes. "Let's just say Satoru and I stumbled upon it during an… 'unforeseen circumstance'?" He rubbed the back of his neck, a blush creeping up his cheeks at the memory. "Someone was rather displeased with us - him, actually - at the time. Finding this secret elevator was a happy accident." His gaze lingered on the keypad, “And figuring out the pin wasn’t difficult, especially when Satoru is with you,” He finished, smiling fondly at the memory. You found yourself smiling too.
The elevator came to a halt, the familiar ding echoing in your ear. With a sense of anticipation, you watched as the doors slid open, revealing a sight that took your breath away. No longer confined by the walls of the library, you found yourself standing on a rooftop terrace bathed in the warm glow of the late afternoon sun.
The sky stretched out before you like a canvas splashed with luminous hues of apricot and peach, with a hint of purple, the sun beginning its descent towards the horizon. Below, the sprawling campus unfolded like a miniature world, with buildings and pathways etched in the golden light. A gentle breeze ruffled your hair and caressed your skin, carrying with it the scent of drying leaves, with a hint of muskiness.
For a moment, you were speechless, captivated by the unexpected beauty that lay before you. Turning to Suguru, you found a wide grin plastered across your face.
"So this is what you meant by 'Top Secret'?" you exclaimed, your voice brimming with excitement.
Suguru chuckled, a hint of pride in his eyes. "Yeah," he admitted, nodding confirmation. "This place is a bit of a hidden gem."
His gaze swept over your face, searching for your reaction. "Do you like it?" he asked, his voice soft.
"Like it, Geto?" you repeated, the question almost comical. "I absolutely love it!"
This secret terrace, bathed in the warm glow of the setting sun, felt worlds away from the unexpected chaos of the library. It was a private sanctuary, a place just for the two of you.
A satisfied smile spread across Suguru's face. "Good to know," he murmured, his voice barely a whisper. He gestured towards a nearby bench, its weathered wood and faded brown paint promising a comfortable perch. "We should have plenty of light for some time now - enough to complete that presentation, at least."
Grateful for his thoughtfulness, you readily took a seat on the bench. Suguru settled himself beside you, the air crackling with newfound energy. "Perfect!" you declared, clapping your hands together. "Then let's get started."
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The sun, it seemed, had a favourite today. You sat beside Geto, bathed in the warm glow of the late afternoon light, as it casted a golden halo around you. He found himself mesmerised, his gaze drawn to the way the light danced on your skin, turning it a canvas of shimmering bronze. Each flicker in your eyes held a spark more captivating than any gemstone, a tiny fire that seemed to ignite a warmth deep within him.
A golden aura surrounded you, and in Geto's eyes, you became the most exquisite treasure the world had to offer.
He struggled to focus. Every few moments, his gaze would snag on the way the sunlight danced in your eyes, igniting a flicker that stole his attention. Geto found himself mumbling a request for you to repeat yourself. Surprisingly, you didn't seem annoyed, simply repeating your point with a gentle smile.
You intrigued him – a captivating puzzle he couldn't seem to solve. Your thoughts, a fascinating mix of unexpected angles and surprising echoes of his own, kept him constantly engaged. During discussions, you'd throw out a witty remark that had him stifling a laugh, a sharp observation that made him see the topic from a whole new perspective. He'd marvel at the way your mind effortlessly weaved humour and insightful analysis, a combination that felt refreshingly unique.
There was a depth to your intelligence that went beyond mere academic prowess. You possessed a genuine curiosity about the world, a thirst for knowledge that mirrored his own. He found himself drawn to your passion, the way your eyes would light up as you delved into a subject that truly interested you. It was as if you held a mirror to his soul, reflecting things he hadn't even realised were there.
The more he interacted with you, the more he realised how much he craved your presence. It wasn't just the conversations; there was a spark between you, an undeniable chemistry that left him both exhilarated and strangely vulnerable. He found himself wanting to impress you, to share his thoughts and ideas in the hopes of eliciting another one of those dazzling smiles.
"Okay!" you said, a triumphant smile lighting your face. The last rays of the setting sun cast a warm glow on the terrace, painting the cityscape in hues of lavender and gold. "We are done now," you declared, gathering your things. You turned to him, and your smile was even brighter, “Suguru, I can’t thank you enough for your help with this - I couldn’t have done this without you” Gratitude and sincerity shone brightly in your eyes, but that wasn't what held his attention.
Suguru. You had called him by his first name. It was a simple gesture - you probably didn't even realise it - yet it resonated within him like a physical touch. The sound echoed in the twilight, a melody far sweeter than the chirping crickets. He craved to hear it more and more.
"You don't have to thank me again and again, you know?" he managed, his voice a touch rougher than usual. He cleared his throat, hoping to dispel the unexpected feelings that bloomed within him. "I enjoyed working on this project too," he added, hoping to convey his sincerity. It was true – it had all been stimulating for him. But a deeper truth lurked beneath. He enjoyed simply being near you - in your presence.
A pang of sadness, sharp and sudden, twisted in his gut. Here he was, enjoying the afterglow of a shared experience, yet a looming shadow threatened to engulf it. The project, the reason you were here with him, was done. When would be the next time the two of you see each other? Would you, like the last rays of the sun dipping below the horizon, simply slip away too?
The weight of his unspoken thoughts pressed down on Suguru as you walked towards the elevator. The last embers of the sun had faded, leaving the sky a canvas of deepening indigo. As he reached to press the button, blinding darkness swallowed the world whole, leaving him momentarily disoriented.
"What happened...?" He heard you murmur, a whisper lost in the sudden quiet. Suguru turned towards your voice, his eyes straining to adjust to the absence of light. He found you, a faint silhouette framed by the faint glow of the rising moon.
Concern flickered across him. He couldn't see you clearly, but he didn’t miss the slight tremor in your voice. He gently grabbed your hand, his fingers interlacing with yours, hoping to calm you.
Needing to confirm his suspicions, he took a tentative step towards the railing and peered over. Darkness. Not just the terrace, but the entire university grounds were shrouded in an inky blackness. The distant hum of activity that usually filled the evening air had been replaced by an unsettling silence.
"There seems to be a power cut in the area," he replied gently, his voice sounding hollow in the darkness. "But don't worry, we should have power back soon." He said, but for some reason, he had a hard time believing his own words.
"Can we use the stairs or something?" you asked, the slight tremor he had heard in your voice earlier was still there.
"Unfortunately, no," he sighed. "Satoru and I found it earlier, but they are blocked - inaccessible."
You didn't say anything, but Suguru heard a small, defeated 'Oh' escape your lips.
"But don’t worry, we can go and sit on the bench?" he offered, trying to shake away your worries. He could see the outline of the bench as his eyes had started to adjust to the darkness.
"Yeah, let's go," you agreed. As he guided you towards the familiar wooden seat, he felt your hand tighten around his, drawing his attention towards you.
Suddenly, you stopped, your voice tinged with awe. "Suguru, look up!"
He followed your gaze, tilting his head back. And then he saw it. The unexpected darkness had stripped away the veil of artificial light, revealing a breathtaking spectacle he hadn't even realised he'd been missing. A vast expanse of midnight blue stretched above them, a canvas sprinkled with a million shimmering diamonds. The stars. So many stars, each one a tiny beacon in the infinite darkness.
The darkness, once unsettling, now felt strangely beautiful. He stole a glance at you, your face bathed in the ethereal glow of the starlight, a look of wonder mirrored in your eyes. Maybe this wasn’t a bad thing.
Not at all.
An unexpected idea sparked in Geto's mind. He gently released his hold on your hand and reached for his jacket. He knelt, spreading the garment on the cool ground, making sure it was properly spread out.
"Here," he said, a soft smile tugging at the corner of his lips as he looked up at you. He could see you better now, bathed in the faint moonlight, and a flicker of curiosity played across your features.
"What are you doing?" you asked, And Geto could hear the amusement in your voice.
"Come on," he said, extending out his hand, offering it to you in the dimness. "This way we can see the stars better, without straining your neck."
Understanding dawned on you, and a delighted smile spread on your lips, mirroring his own. Taking his hand, you allowed him to gently guide you down onto the makeshift blanket his jacket provided. A warmth spread through him as the two of you settled on the jacket, laying down side by side. Geto could feel the heat radiate from your body against his arm.
A comfortable silence descended, punctuated only by the occasional chirp of a cricket, a sound that seemed louder than usual in the quiet. Geto kept his hand intertwined with yours, the warmth of your skin a surprising comfort against his. His thumb, as if possessed by a will of its own, began tracing lazy circles on your palm.
Stealing glances at your face, bathed in the ethereal glow of the moon, Geto searched for any sign of unease, a flicker of disapproval that might suggest he had crossed a line. Thankfully, he found none.
"Suguru?" He heard you say, your voice, soft as the night breeze. He turned his head slightly, meeting your gaze in the dim moonlight.
"You know," you began, a playful glint dancing in your eyes, "you never really told me why you were nose-deep in all those business books in the library that day."
A surprised chuckle escaped Geto's lips, despite the topic you were referring to. "Yeah? And you never told me why you chose to drown yourself in the world of arts," he countered, his voice betraying a hint of the unease he felt.
You let out a laugh, the gentle sound echoing in the dark. "Well, you never really asked!"
"But I am asking now," he countered, amusement dancing in his voice.
"Okay, okay," you said with a grin. "Fair enough. First, you answer my question, and then I'll answer yours. Deal?"
Geto hesitated for a beat, the darkness both a shield and a prompt. So Geto had to offer a part of himself to get to know you better - sounds interesting "Deal," he finally agreed.
You looked up at him expectantly and taking a deep breath, he decided to be honest. "The thing is," he began, trying to hide the disgust he felt about this topic, "those business books weren't exactly what I wanted to be reading. You see, my family owns a pharmaceutical company, one of the biggest in the country."
"Oh wow," you said, a hint of surprise in your voice, “I didn’t know that.”
"Yeah," he said, a humourless scoff escaping his lips. "They expect me to join the business after graduation. Here's the real thing though," he continued, feeling his voice drop low, "They see me as a puppet, someone to inherit their greed and continue their ruthless practices."
"What kind of practices?" he heard you ask, concern flickering in your voice.
He felt his jaw clench slightly, the darkness a welcome shroud for the anger simmering within him. "They price their life-saving drugs at exorbitant rates," he spat, the venom of his words sour on his tongue. "People who desperately need them can't afford them, all because of my family's insatiable thirst for profit. It goes against everything I believe in."
A heavy silence descended. He stole a glance at you, unsure how you'd react. But your expression was open, devoid of judgement, and held a flicker of understanding. It was an unspoken invitation to continue, a safe harbour for the storm of emotions brewing within him.
"They wouldn't listen to reason," he continued, his voice low and defeated. "I've tried, believe me. But logic and compassion seem to be foreign concepts in their world." But still, Geto had to do something right? "Maybe, just maybe, by learning their game, I can break this system and change it from within. But honestly," he admitted with a bitter laugh, "I don't even know if that's possible. Their control is absolute."
The darkness seemed to press in on him, a reflection of the despair that threatened to consume him. He yearned for a way out, a way to break free from the gilded cage his family had built for him.
Your hands squeezed his, bringing him back to the present. "That's a lot to carry," you finally said, your voice soft but firm. "The anger, the frustration, the feeling of helplessness." You paused, letting your words sink in. "But Suguru," you continued, your voice gaining strength, "don't let them steal your compassion, your beliefs. As long as you hold onto them, you’ll find a way. I know you will”
Geto smiled. You were so sweet, so kind, trying to comfort him. It was a small, tired smile, the kind that held the weight of the world but acknowledged a sliver of sunshine breaking through the clouds. Your words, laced with a quiet strength, resonated deep within him. It was true. He couldn't let their greed and corruption taint the core of who he was. But, at the same time, he knew it wasn't wise to hope for much when it came to his parents. Still, he wouldn't burden you anymore with his issue. Maybe a lighter topic would chase away the shadows that had crept into the conversation.
"You're right," he said, his voice regaining a touch of its earlier playfulness. "Now, answer my question from earlier." He raised an eyebrow in mock seriousness, hoping to lighten the mood.
He saw you smile, but it wasn't your usual, happy smile. A faint shadow flickered across your features, a subtle shift in your demeanour that sent a wave of unease through him. "I was in a car accident a few years ago - both my mom and I," you said, your voice softer than usual, your fingers twisting a loose thread on your shirt.
The playfulness drained from his face. An accident? The image of mangled metal and shattered glass flashed unbidden in his mind. "Oh," he stammered, unsure of what to say.
"Another car crashed into ours," you continued, your voice barely above a whisper. "The driver was drunk. Thankfully, the major impact was on my side, so my mom wasn't hurt too bad."
This wasn't what Geto was expecting to hear. He watched as you reached for your phone, a hollow feeling blooming in his chest. With slightly trembling fingers, you lifted the hem of your jeans, the phone's cool flashlight revealing a constellation of scars that snaked across your calves. Geto's mouth went dry.
You turned towards him, a flicker of vulnerability in your eyes. Hesitantly, you reached up and brushed a stray strand of hair away from your face, revealing a faint scar that traced a jagged line along your hairline and the back of your neck. The moonlight glinted off the raised, pale flesh, a contrast to the smooth skin surrounding it.
Geto thought he had memorised the expanse of your face, every little detail like the map of a cherished land. But god, was he wrong. He had missed such a big part of you.
Shame washed over him in a sickening wave. He'd been so caught up in his own problems, that he hadn't noticed the silent stories etched across your body. His fingers moved to trace the scar, to feel it under his fingertips, but retracted his hand before it could reach you.
You continued, your voice quiet, "I was bedridden for months, Suguru. I couldn't even speak because a shard of glass had damaged my vocal cords. Hell, I wasn't even supposed to survive, but I did." You let out a humourless chuckle. "I could barely move, I couldn't speak at all, and the frustration – I can't even begin to tell you." You shook your head slightly, a ghost of the ordeal lingering in your eyes.
"My parents were worried, you know, and that's when I started painting," you continued. A small, bittersweet smile touched your lips. "It was horrible at first, of course," you added with a self-deprecating laugh, "but with time, I got better. It became my voice, a way to express the things I couldn't say. Even after I healed, I kept up with it. I wanted to know more – about other people's work, their thought processes, and why they painted what they painted. And so, I chose art as my major." You finished with a shrug as if it wasn’t a big deal or anything.
Geto didn't really know what to say. Words felt hollow compared to the weight of your story. "Does it still hurt?" he asked, the question tumbling out before he could stop it. He mentally face-palmed himself. Really? That was the best he could offer? It sounded insensitive, trivial even, in the face of what you'd been through.
You offered a small, understanding smile. "Sometimes," you admitted. "Not the scars themselves, thankfully. But half of my body is metal now, thanks to the accident. That gets achy sometimes, especially when the weather gets cold." As if on cue, a cool wind rustled through the leaves, and Geto saw the way you flinched so slightly, a shiver running down your body.
Geto's heart lurched. He cursed himself for his obliviousness. Here he was complaining about his family, while you carried the physical and emotional weight of a traumatic experience. Without thinking, he shifted closer, offering you the meagre comfort of his body heat. "Here, let me shield you from the wind a bit."
A warm smile graced your lips as you leaned into him slightly, accepting his support - accepting him. The gesture ignited a spark within Geto, a warmth blossoming in his chest that rivalled the one he offered.
Geto's fingers, which had hovered awkwardly in his lap, found themselves drawn to you again. This time though, they didn't hesitate. With tenderness, they brushed against the cool expanse of the scar on your temple, then trailed down to the faint jagged line along your neck. Your skin felt cold under his warm touch.
You inhaled sharply, your breath catching against his chest. Geto's touch was light, almost reverent, as if he were tracing a sacred map. He met your gaze, the moonlight and stars reflecting in your eyes like a million scattered diamonds. At that moment, it felt like he was peering into a whole new universe, one filled with unspoken stories and hidden depths. A universe he desperately wanted to explore, to get lost in, and maybe, just maybe, find a way back to, together.
His thumb grazed the soft skin of your jaw, a gentle nudge that tilted your face up a fraction. He wanted to see everything, to re-learn every detail etched on your face, the scars, the way the moonlight glinted off the moisture gathering in your eyes. He wanted to learn all your secrets, or at least the ones you were willing to share.
You responded instinctively, leaning in further until the space between you evaporated. Your warm breath mingled with his, a silent question hanging in the air. The stars seemed to wink in approval as the distance between your faces continued to shrink. Anticipation flickered in your darkened eyes, which then fluttered shut as Geto leaned in even closer. Slowly, the space between his lips and yours became nonexistent, a mere breath away.
Just as your lips were about to meet in a brush, The world erupted in a harsh burst of fluorescent light. Both of you jolted back, blinking away the temporary blindness.
It took Geto a moment to realise what had happened. He cleared his throat, the sound rough in the sudden quiet. "We got the power back," he mumbled, his voice thick with the unspoken desire that hung heavy in the air moments ago. His gaze darted away from you for a moment, then returned, searching your eyes for any indication of how you felt about the interrupted moment.
He took in your flushed cheek and your dilated, glossy eyes. That was all the indication he needed. A small, frustrated sigh escaped your lips. "Yeah," you replied, your voice barely above a whisper. The moment, the intimacy between the two of you, was shattered like a dropped glass, leaving behind a thousand shimmering shards of unspoken desire.
The silence stretched, heavy with what could have been. Geto watched as you began gathering your things, a subtle shift in your demeanour that spoke volumes. You turned to face him, a hint of a smile tugging at the corner of your lips despite the lingering frustration in your eyes. "We should go now, it's getting colder."
He nodded in agreement, his voice thick when he finally spoke. "Yeah, definitely." He grabbed his jacket and dusted it off, the simple action taking longer than necessary. He watched as you reached for your bag, then blurted out, "Here, let me get that," as he grabbed the bag, relieving you of the weight. It was the least he could do, anyway.
Geto had spent hours with you today, yet it felt like mere moments. "Let me walk you home, please," the words tumbled out before he could stop them, fueled by a desire to prolong this stolen time, this unexpected intimacy.
He held his breath, bracing himself for a polite refusal. But then, a bright smile bloomed on your face, a smile that lit up the terrace brighter than the harsh fluorescent lights that had shattered their moment. "Thank you, Suguru," you said, your voice soft but filled with a warmth that sent a thrill through him. "I'd like that."
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“Okay, so what happened next? Did you invite him up?” Maki leaned forward, her eyes eager. She glanced at Yuta, who was also listening intently.
Your friends—minus Inumaki—were gathered at the campus café for a small celebration. You’d just received an A+ on your presentation, and of course, you had to share how Suguru's help had played a crucial role. The moment you mentioned his name, their ears visibly perked up.
It had been two weeks since that night on the rooftop, two agonisingly silent weeks. You and Suguru had barely exchanged any texts, and you hadn’t even seen him around campus.
A blush crept up your cheeks as you shook your head. “Of course not! It was just something we felt in the moment. I don’t think inviting him up would have been a wise decision.” You took a sip of your iced tea, the coolness soothing the flutter in your stomach. Every time you replayed the scene in your head, your heart skipped a little. But the silence that followed since then was deafening.
“It doesn’t sound like ‘something in the moment,’ especially with the way you described everything.” Yuta pointed out. One might think he wouldn’t be interested in such stuff, but when it came to his friends, Yuta was always supportive.
"Maybe," you admitted, the word tumbling out before you could stop it. The truth was, the interrupted kiss felt less like a missed opportunity and more like a promise waiting to be fulfilled. But what if you were reading too much into it? The thought sent a pang of disappointment through you, a feeling you quickly brushed aside.
Maki scoffed playfully. "Girl, you were practically glowing when you talked about him! And no one does what he did just to be friendly, you know."
Your cheeks burned even hotter. Maybe Maki was right. Maybe there was something between you and Suguru. A tiny flicker of hope ignited within you, but it was quickly washed away by a wave of uncertainty. Here you were, falling for him, yet his silence indicated that he probably regretted things—didn’t want it. But then the gentle look in his eyes, his silent support, and the way he held you oh so tenderly, shielding you from the cold...
Ugh, it was all so confusing. "But what if—"
Yuta cut you off with a gentle laugh. "Hey, you never know until you try, right? And besides, even if things don’t work out romantically, you made a great new friend. Win-win, I'd say."
You couldn’t help but smile at your friend’s statement. Yuta always knew how to see the bright side. Taking a deep breath, you decided to focus on the positive. Suguru was interesting, kind, and surprisingly easy to talk to. You could confide in him as a friend. But the way his touch comforted you, ignited you...well, that was definitely more than friendly.
"Yeah, you're right," you agreed, a newfound determination settling in your voice despite the nervousness you felt. "Maybe I'll just...see where things go."
Admitting it out loud felt a lot easier. "I like him, you know," you said, looking at your friends with a small smile. "He’s someone who seems to be interested in something that’s not superficial—like he wants to know me, understand me. And it just seems so rare for someone to be genuinely interested in you, right?"
Your friends looked at you with knowing smiles, a silent encouragement hanging in the air. It was probably more than just liking him, you knew. But admitting it out loud, even with just a hint of the deeper feelings swirling within you, felt like a huge step.
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The art exhibition buzzed with a quiet energy. The gentle notes of classical music filled your ears, punctuated by the soft murmur of conversation and the clinking of glasses from the nearby champagne bar. 
You stood mesmerised in front of a large, abstract piece. It was a puzzle, quiet literally. Fractured squares of vibrant colours and captivating strokes hung on the stark white wall, making an incomplete puzzle, while its other pieces were scattered chaotically on the floor below. The missing pieces created a gaping emptiness in the artwork, a void that tugged at your emotions.
Was it a metaphor for loss  - longing? a commentary on the incompleteness of experiences? You longed to discuss it with Yuta. He'd always loved puzzles; his apartment was filled with framed pieces of puzzles he had solved so far. His mind was a kaleidoscope of unconventional interpretations, making you look at things with a different perspective.
A pang of guilt lanced through you. You were supposed to visit this exhibition with your friends, but Maki wasn't feeling well. Yet, here you were, lost in the beauty of the artwork displayed. Although Yuta had assured you he was taking care of her, telling you to not miss this exhibition, a part of you still yearned to be by your friend's side.
“Intriguing, is it?” A voice interrupted your thought. You didn’t have to turn around to know who it was. The voice, once a source of comfort and playful teasing, now startled you. It was him, the man who had vanished after nearly kissing you under the twinkling stars, leaving you with nothing but lingering confusion and a heart full of unanswered questions.
And now, after almost two months, he was here, asking you this bloody question.
Suguru Geto.
Well, if he wants to play it this way, you can entertain him. After all, two can play this game. "It is," you began, your eyes finally meeting his. "But I'm trying to figure out what the artist is trying to show here."
Geto hummed thoughtfully. "You know what I think?" He paused. Was he expecting a response from you? Well, he wasn’t getting any. You remained silent, your gaze fixed on the artwork.
Undeterred, he continued, his voice taking on a philosophical tone. "This artwork seems to be a metaphor for life. Life throws pieces at you, like the ones scattered on the floor. It's all you need to make your life meaningful and beautiful. Opportunities, people, love..." he trailed off, the last word hanging in the air unspoken.
His gaze shifted back to the painting, his voice softer now. "But it's up to you how you make use of those pieces, to put in the effort to fit them together. If you're not careful, if you wait too long..." He paused again, his eyes meeting yours for a fleeting moment, a flicker of something akin to regret and longing passing through them. "The pieces might be lost to you forever."
You sucked in a breath. No, he couldn’t mean what you were thinking. After all, the only conversation the two of you had after hanging out on the terrace was when you told him about your assignment and the grade you scored.
Yes, you had texted him a couple of times after that, but the reply seemed…dry. So, you stopped, hoping Geto would reach out to you when he was ready, but the man beside you never bothered to do anything about it.
But your mind replayed the memory of how he held you that night, a tender embrace that spoke volumes without words. It was a gesture that made you feel cherished, as if you were his most prized possession, far above any material wealth the world could offer. And when you shared the news of your accident, his reaction was unexpected - a mixture of regret and concern, as though he wished he had been there for you, even though he didn't even know you at the time.
No.
You couldn’t allow yourself to go there again.
Not if he wouldn’t follow you, keeping up with you.
Your mind buzzed with Geto’s words, his interpretation of the art piece lingering in your thoughts like an unshakable presence. Was he a piece that life had flung your way, meant to enhance the beauty of your existence? Or did he hold some other significance, perhaps serving as a lesson - a piece that doesn’t enhance the beauty of the puzzle, but serves as a guiding force for other pieces? Was he a fleeting moment of joy, destined to fade into memory like the strokes of paint on a canvas? Or was he a constant, a steady presence meant to shape your journey, to teach you lessons you had yet to grasp?
Stop.
You wouldn’t allow yourself to go there. Not again and again.
This man almost kissed you after you told him one of the deepest truths about yourself, and then disappeared, leaving you alone to deal with the darkness so similar to the inky blackness of that night. But this time, even the stars weren’t there to keep you company.
Leaving the painting behind, you moved towards a different section of the exhibition. Here, the air shimmered with vibrant light. Holographic projections of the paintings danced around you, painting your surroundings with the artist's colourful strokes. These ethereal brushstrokes, magnified and swirling, seemed to come alive, transforming the space into a kaleidoscope of the artist's imagination. 
However, the original artworks remained untouched. Hung on the wall next to their holographic counterparts, they offered a more tangible connection to the artist's hand, allowing you to study the physical texture of the canvas, the subtle nuances of the brushstrokes, and the deliberate choices of colour.
The projections painted your off-white dress in different colours, the fabric a soft caress against the skin of your calves as you walked from one painting to another.
Geto followed you closely behind as you navigated through the section, his silence a palpable presence behind your back. You felt his gaze track your movements, but you paid it no mind, completely enthralled by the painting before you.
It was a complete mess. It was a riot of colour, a whirlwind of strokes, a storm of emotions, yet it held you captive. The longer you stared, the more it seemed to transform, the chaos morphing and shifting before your very eyes. What initially appeared as a meaningless jumble began to hold meaning, revealing a hidden order within the frenzy. The chaos formed a structure - The structure within the chaos.
It was almost as if the holograms mirrored your feelings - Confusing, chaotic, shifting.
Lost in the painting's mesmerising chaos, you barely registered Geto's approach. He stood so close behind you that the warmth of his body radiated through your clothes, his upper arm brushing against your shoulder. His voice, soft and low, shattered the silence.
"What are you doing at this exhibition?" he asked, his voice gentle.
Turning around to face him, you finally took him in. Dressed in a brown turtleneck that mirrored the depths of his eyes, his attire accentuated their warm, inviting hue. He wore a casual blazer on top of it, the colour slightly lighter than the colour of his turtleneck. His raven hair, noticeably longer, was tied back in a simple half-bun, the remaining strands cascading down his shoulders. The change, subtle yet noticeable, added a touch of softness to his features.
But what stood out the most were the circles under his eyes and the hollowness of his face. Even as the holograms danced all over his face, they did nothing to conceal his worn-out state; they almost amplified it.
A pang of concern flickered in your chest, a fleeting thought about his well-being. However, you quickly pushed it aside. Geto was the one who decided not to keep in touch anymore, so now it wasn’t your job to be concerned.
But of course, it wasn’t easy to just get rid of your feelings for someone like they never existed, was it?
"This is an art exhibition, open to all," you finally answered, as if it was the most obvious thing in the world, "and in case you forgot, I am an art student, Geto." Your voice was filled with sarcasm, and Geto chuckled. You smiled sweetly at him as you asked, "What about you?"
"Well," he began, his voice laced with a playful drawl, "as someone just said, this is an art exhibition, open to all." He shrugged, smirking. You gave him one final, unamused look before your eyes turned back to the painting.
For a few minutes, neither of you said anything. The silence stretched, thick with unspoken questions and the lingering warmth of Geto's presence. Finally, he spoke, "What do you find so captivating about this painting?"
His voice, a soft melody laced with genuine wonder, resonated with a yearning that transcended mere curiosity. It was as if you held the key to answering the storm of questions swirling within him, your insights holding a weight far greater than anything else. A hunger to delve deeper, to peel back the layers of your being until he could see the very essence of you, consumed him.
A ghost of a smile danced on your lips. How could you deny the man who held such profound significance in your heart, the man who yearned to truly know you, to unravel your soul until there was nothing left to be discovered?
No, of course you couldn’t keep away, no matter how hard you tried.
Finally, you answered him. If he wanted a piece of your mind, you would gladly offer it to him. "For me, it’s those golden strokes," you began, "It was definitely a risky move for the painter. Those strokes could have ruined the painting, but it didn't. Instead, it made this painting what we see."
Geto hummed, "So, you feel like that stroke was a bold move for the painter?"
You nodded your head in response. Geto continued, "But what if that stroke ruined the painting?"
A slight smile played on your lips. "Well, then the painter would have learned something important. They'd know they could create the painting again if they wanted to, and that's a power in itself. They'd know they have the skill and the confidence to reach that level of greatness again." You looked him in the eye, your gaze pinning him, "Even if the stroke ended up ruining the painting, the artist could always put in the effort of making it again, and that in itself is a form of victory. They wouldn't be afraid to take that bold step again and again, till the painter gets what they want from the painting."
Geto's gaze drifted away for a moment, his brow furrowed slightly as he processed your words. It was as if he was engaged in an internal debate, weighing the implications of your statement against his own judgement.
“I wish I could look into your mind.” He finally said, his eyes slightly wide in wonder.
But oh Suguru, little did he know, he has been settled there since the two of you met in the cafe.
A soft buzz from Geto’s phone brought you out of your thoughts, making you realise how quiet it was around you. He pulled out his phone, his fingers flying across the screen as he typed a message. As you watched him, the silence stretched between you, thick with unspoken words.
He slipped the phone back into his pocket and met your gaze. "It was good seeing you again," he said. Were you overthinking, or was his voice a touch more formal than before? "I have to go now. Enjoy the exhibition."
With that, he turned and walked away, his steps hurried, leaving you standing there with a lingering feeling of unease. You hadn't had a chance to say goodbye, and the abruptness of his departure left you wondering about your interaction with Geto.
Soon, you were done with the exhibition, the vibrant colours of the holograms still dancing behind your eyelids. Your mind buzzed with inspiration, the beauty of the paintings displayed sparking a flurry of ideas in your head.
The puzzle painting seemed to mock you as you passed it one last time, the question echoing in your mind: where did Geto fit in your life? What piece of the puzzle was he?
Exiting the building, you descended the stairs, the chill in the winter air making you shiver despite your sweater. As you reached the bottom, your steps slowed, coming to a halt. There was Geto, standing by the entrance. But he wasn't alone. He held a woman close, his arms wrapped tightly around her like he never wanted to let go. Her head rested against his chest, and his eyes were closed, almost nestled against her shoulder. The intimacy of their embrace was undeniable, a silent language of comfort and connection that spoke volumes.
Despite the prickling suspicion in your chest, you knew better than to jump to conclusions. This wasn't your place to pry. Yet, the image of their closeness branded itself into your brain, a searing feeling that left your heart burning.
"Well, don't you two look cute," a voice boomed. You looked up to see a man with white hair and sunglasses approaching them, a wide grin plastered on his face.
Gojo Satoru - the name echoed in your mind - Geto's best friend.
You watched as Geto and the woman pulled away, the woman playfully swatting Gojo's arm. But it wasn't the playful interaction that held your attention. Even from a distance, you could see the lingering longing in Geto's eyes as he looked at her.
It hit you like a punch to the gut. This was what he'd been preoccupied with. This is why he had kept you in the dark. This all felt like a cruel joke, life playing a twisted game on you. Of course he had a girlfriend - a guy like him probably had women lining up around the block.
You shook your head, a humourless chuckle escaping your lips as you made your way down the remaining stairs. Yeah, it was pretty obvious what kind of piece Geto was. A missing piece, a piece that belonged to someone else's puzzle, not yours.
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You stood outside maki’s wooden front door, finger hovering over the buzzer.  But, before you could ring, the door swung open, its hinges creaking slightly as familiar black, tousled hair came into the view.
Yuta lifted his head, momentarily startled to see someone standing right outside the door, before his eyes met yours. A small smile graced his lips. You took note of the black duffle bag hanging on his shoulder.
You returned his smile, “Leaving now?” you asked him, watching as a small blush crept up his cheek. “Yeah, Maki is feeling better now, so I figured I should go home.” He answered, relief clouding in his eyes before his expression turned curious, “Oh, how was the exhibition yesterday? Again, I am so sorry we couldn’t make it.”
You shook your head, dismissing his apology. “No need to apologise, Yuta.” Despite the events of last night, you found yourself smiling. After all, you saw some works by your favourite artists. You cannot let a man - no matter how much he meant to you - ruin something that you have been looking forward to so eagerly.
“The exhibition was great, Yuta,” You said, as you told him about the puzzle artwork. “I really missed you guys there, you would have loved it too.” You finished, hoping to convey your sincerity with your words. 
Yuta’s eyes lit up and his smile widened, “That sounds amazing! I hope next time all of us can go” He said, before gesturing towards his bag, “Anyways, I gotta go now - Maki’s in her room, by the way.” With a final wave, he moved towards the front door, the door shutting behind him as he left Maki’s apartment.
You made your way towards her room, the minty smell of ointment filling your nose. You found Maki sitting on her bed with a small crochet blanket draped over her legs. The vibrant colours of the blanket reminded you of summer. 
Maki looked up when you approached, a small chuckle leaving her lips as she rolled her eyes, inviting you to sit on the bed. “I knew I would see your face today.” she said, causing you to smile. Her voice today was a far cry from the shaky, tired voice she had yesterday.
Yeah, Yuta was right, Maki was definitely feeling better.
You also noticed that some colour has returned to her face, and Maki looked better now than she did at college, and this observation somehow soothed and comforted you. You enquired about her well-being and got to know that Maki had a cold and fever, but thanks to Yuta’s support, she was feeling far better. 
Oh, Speaking of Yuta…
“So Yuta stayed the night, huh?” You finally asked, an eyebrow raised and a smirk gracing your lips. 
Maki rolled her eyes again but she didn’t shy away from the topic. You watched as the top of her cheeks turned slightly pink. It was a rare sight, something you found so cute. Both Yuta and Maki had a similar reaction to a similar situation.
“Yeah, he was just making sure the fever doesn't get worse or anything,” she said, a small smile on her lips as if she was recalling last night. “He was really sweet about it, actually.” She said it as if she just realised it too.
You smiled for your friends, “So, do you want something with him?” you asked, genuinely curious.
Maki’s expression turned thoughtful, though a hint of playfulness remained, “I do like him,” She admitted. There was no hesitancy in her voice. “But I don’t want to force things with him or anything. Just go with the flow, you know?” She met your eyes as she said, “Besides, he is a great friend - that matters above everything else.” 
You admired Maki’s clarity. She knew what she wanted. 
Nodding your head in response, you reached out to squeeze Maki's hand. But just then Maki let out a small cough. You quickly reached for the glass of water on her bedside table and handed it to her, "Here, take a sip of this."
After a few sips, a sigh of relief escaped her lips. "Alright," she said, her voice slightly raspy, "enough about me. Tell me what’s going on between you and that Geto guy?" Her gaze, even dimmed by illness, held its usual unwavering intensity. It burrowed into yours, leaving no room for secrets. “And don’t lie, I can tell something is bothering you.”
Your heart sank at the mention of Geto's name, the emotions from last night bubbling back to the surface. You avoided them, though. "I think he's seeing someone else," you admitted with a bitter chuckle.
Maki's frown mirrored your own confusion. "But from what you told me…?"
"Yeah, I know," you sighed, your voice heavy with resignation. "But then again, we didn’t speak for two months. I don’t really blame him for pursuing someone else."
But the ache in your chest refused to dissipate, stubbornly clinging to the remnants of hope you had tried to bury.
You recounted the events of the exhibition, the cryptic nature of Suguru's words, and the sight of him with another woman. Maki listened attentively, her unwavering gaze conveying understanding as you poured your heart out to her.
Maki sighed, her disappointment evident in the furrow of her brow. “The woman you are talking about,” she began, her tone tinged with frustration, “I think I saw her and Geto at a cafe - the description sounds the same. But I didn’t think much of it because I just assumed they were friends or something.” Another sigh escaped her lips, laden with exasperation. “But from what you're saying… man, that guy is so clueless!”
"Now, there’s no point in that anyway," you murmured, your shoulders slumping as you shook your head. "I’m just disappointed because I thought we had something, but I guess I just misunderstood things."
Maki's eyes flashed with indignation. “I saw the way he looked at you in the cafeteria - like a teenage boy looking at his first crush. It was so sweet it was almost disgusting,” she said, her nose scrunching up slightly. “So no, you did not misunderstand things. That guy turned out to be an asshole.”
Maki reached out and squeezed your hand, a gesture so unexpected from her that it caught you off guard. “You deserve better than someone who doesn’t know what he wants.” Her gaze was intense, taking in your slumped shoulders and tired eyes. “You know what?” she began, determination clear in her voice. “Give me your phone.”
“You are not texting him,” you said sternly, though you unlocked your phone and handed it to her anyway.
“Of course not,” she replied with a humourless chuckle. “He isn’t worth my time.” You rolled your eyes at her statement, but the corners of your lips twitched upwards, feeling a bit of the weight lifting off your shoulders.
You peeked over your phone, curiosity getting the better of you. Maki was busy downloading - “A dating app?” you asked, eyebrows shooting up in surprise.
Maki nodded in response, her fingers flying over the screen as she added a description and prompts to your profile. “But Maki, I don’t want to date someone just like that,” you protested.
“You deserve to meet someone new and exciting. It doesn’t have to be serious,” Maki replied, her voice firm but caring.
You had never used dating apps before, so you felt hesitant to try it out. The idea of swiping left and right felt strange, almost impersonal. But another part of you was curious to see how things would turn out. After all, college was ending soon, you had barely dated anyone until now, and then the thing with Geto...
Maki looked up from the phone, her expression softening slightly. “I know it feels weird, but sometimes you need to step out of your comfort zone. Just give it a try. If you don’t like it, you can always delete it.” She angled the phone towards you, the dating app now downloaded and ready to go. “Think of it as an adventure. You never know what might happen.”
Maki began swiping for you, her eyes occasionally flicking up to check your reaction. One particular profile caught your eye. “Wait!” you stopped her just as she was about to remove the profile.
“What? Him? Really?” Maki asked, her nose scrunching up in mild disgust.
“Hey, he looks good, okay? But that’s not the point,” you said, leaning in to get a better look. The picture of a familiar white-haired man stared back at you. “That’s Geto’s best friend, Gojo.” You told her, swiping down on the profile to see more.
You came across a picture of him and Geto, seemingly from a beach trip. Both of them were wearing floral shirts and sporting big grins. The sight of them together stirred a mix of emotions within you. The carefree happiness on Geto's face contrasted sharply with the confusion and heartache you felt.
The text with the picture read:
Yeah, that’s my best friend, but you won’t find him here. His heart is already taken, but mine isn’t ;)
You shook your head, ignoring the icy feeling that crawled up your veins; a feeling that didn’t have anything to do with the cold, biting wind outside. After a few more swipes, you got some matches. Maki took over, texting them on your behalf.
“‘Are you free tomorrow?’” Maki read the text from one of your matches out loud. Yeah, you were free, but was it wise to go out with someone you barely knew? As if sensing your hesitation, Maki said, “You don’t have to go if you don’t want to, but I think you should.” Then, she added, “It might help you deal with your feelings for Geto.” You noticed a hint of bitterness when she said his name, as if it left a sour taste in her mouth.
You bit your lip, considering her words. Maki has always been your rock, her advice helping you through the toughest situations. Finally making up your mind, you said, “Yeah, I guess I’ll go out with him - see how it is.” Then, with a teasing tone you said, your voice light, “But I am going only for you.”
Maki smiled at you, her expression lightening. “Great! I’ll text him then.” Her tone turned serious. “But keep texting me, okay? He seems okay, but that doesn’t mean I won’t be worried about you.”
You smiled at your friend’s protectiveness. “Yeah, I will Maki, don’t worry about it.”
A small part of you felt like this was wrong, especially since there was no communication between you and Geto to clear things up. But he had started dating someone else, hadn’t he? His heart was already taken, wasn’t it? So did it matter what you felt for him? Clearly, it didn’t mean anything to him, so the sooner you got over it, the better it would be for you.
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The sudden crack of lightning jolted you, sending a streak of black liquid across your eyelid just as you were applying your eyeliner. A muted curse escaped your lips as you grabbed a makeup wipe, determined to fix the line. But the damage was done – a dark smudge now decorated your under-eye. With a sigh, you opted for a clean look, wiping away the eyeliner completely.
Another flash of lightning illuminated the room, followed by a low rumble of thunder. Your brow furrowed as you pulled on your clothes for the date. Winter rain was a rarity, but the damp air and earthy scent were unmistakable signs of a downpour.
You had to hurry now. Getting caught in a winter rain shower was the last thing you wanted, especially with your already achy legs. A quick glance in the mirror confirmed that you were looking presentable. Despite the eyeliner disaster, you felt satisfied with your hair and makeup.
You made your way towards the restaurant, taking the subway. As you emerged from the station, the warm, stale air was replaced by a blast of icy wind that stole your breath. It was raining now, but thankfully it was misty; the droplets of water barely felt like anything. The rain clung around your face, blurring the city lights into shimmering halos. The rhythmic rumble of the train faded behind you, replaced by the traffic honks and the murmur of people walking around.
Your legs felt like lead as you trudged towards the restaurant. You'd chosen a cosy Italian place that was a little far from your apartment. Your date had insisted on a ‘middle point’ since he lived far away from your place, and you couldn’t protest.
Doubt gnawed at you. Was this the right way to get over Geto? The memory of his supportive glances and gentle laugh sent a pang through your chest. This date with someone you barely knew, suddenly felt like a flimsy shield against a tidal wave of longing. Yes, you and your date had exchanged some text, but could you really judge a person just through texts? But cancelling now felt like a betrayal – you couldn’t bring yourself to leave someone hanging like that while they waited for you.
With that in mind, you pushed open the glass doors of the restaurant. The smell of molten cheese and basil greeting you, followed by the gentle clink of glasses and happy murmurs. The whole place was bathed in the warm glow of fairy lights. 
Once inside, you navigated through the crowded space until you spotted a familiar-looking face. Your date's blond hair was combed neatly, but there was something different about his hair compared to the pictures you saw. Still, you paid it no mind as you made your way to the table.
As you reached the table, you noticed an almost empty lowball glass that sat in front of him. It had a single ice cube clinging to the bottom of what appeared to be bourbon, given by its amber colour. Before you could dwell on the obvious red flag, dark hazel eyes met yours.
You forced out a smile. “Hey, you must be –”
The words died on your lips as he cut you off, his voice clipped. "You're late."
Huh?
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Anyway, I hope you enjoyed this chapter! Looking forward to your feedback 🌷
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I know things take a turn here, and even I wasn't expecting this to happen but it just happened, to the point I had to change the storyline lol
@whereflowerswenttodie @celestie0 @lostfracturess @nakariabnrb @yungbloode
@peppertoastuniverse @hopefulpeachcolor
Stained glass and heart dividers by @/saradika
Line divider by @benkeibear
Galaxy divider by @/cafekitsune
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transmutationisms · 9 months
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hello! im just finishing up my read of structures of scientific revolutions, which has genuinely been very useful and shifted my understanding of science in a way being around people doing scientific research all day really didn't! i don't have a liberal arts education so i would love to get a sense of (a) what else of the philosophy / history of science canon is worth reading in the original (b) standard review papers or introductory textbooks and (c) critiques of the canon. i understand this is a big ask ofc, so feel free to point me to good depts / syllabi from good courses. thanks :)
yessss such a fun question >:) so, the thing that was so great about 'the structure of scientific revolutions', which i'm sure you've picked up on, is that kuhn pushed historians and philosophers of science to challenge the positivist model of science as a linearly progressive search to 'accumulate knowledge'. the idea of a 'paradigm shift' was itself a paradigm shift at the time; it was an early example of a language for talking about radical change in science without giving into the assumption that change necessarily = 'progress' (defined by national interests, mathematisation, and so forth). this is still an approach that's foundational to history and philosophy of science; it's now taken as so axiomatic that few academics even bother to gloss or defend it in monographs (which raises its own issue with public communication, lol).
where kuhn falls apart more (and this was typical for a philosopher of his era, training, and academic milieu) is in the fact that he never developed any kind of rigorous sociological analysis of science (despite alluding to such a thing being necessary) and you probably also noticed that he makes a few major leaps that indicate he's not fully committed to thinking through the relationship between science and politics. so for example, we might ask, can a paradigm shift ever occur for a reason other than a discovered 'anomaly' that the previous paradigm can't account for? for instance, how do political investments in science and scientific theories affect what's accepted as 'normal science' in a kuhnian sense? are there historical or present cases where a paradigm didn't change even though it persistently failed to explain certain empirical observations or data? what about the opposite, where a paradigm did change, but it wasn't necessarily or exclusively because the new paradigm was a 'better' explanation scientifically? how do we determine what makes an explanation 'better', anyway, especially given that kuhn himself was very much invested in moving beyond the naïve realist position? and on the more sociological side, we can raise issues like: say you're a scientist and you legitimately have discovered an 'anomaly'. how do you communicate that to other scientists? what mechanisms of knowledge production and publication enable you to circulate that information and to be taken seriously? what modes of communication must you use and what credentials or interpersonal connections must you have? what factors cause theories and discoveries to be taken more or less seriously, or adopted more or less quickly, besides just their 'scientific utility' (again, assuming we can even define such a thing)?
again, this is not to shit on kuhn, but to point out that both history and philosophy of science have had a lot of avenues to explore since his work. note that there are a few major disciplinary distinctions here, each with many sub-schools of thought. a 'science and technology studies' or STS program tends to be a mix of sociological and philosophical analysis of science, often with an emphasis on 'technoscience' and much less on historical analysis. a philosophy of science department will be anchored more firmly in the philosophical approach, so you'll find a lot of methodological critique, and a lot of scholarship that seeks to tackle current aporias in science using various philosophical frameworks. a history of science program is fundamentally just a sub-discipline of history, and scholarship in this area asks about the development of science over time, how various forms of thinking came into and out of favour, and so forth. often a department will do both history and philosophy of science (HPS). historians of medicine, technology, and mathematics will sometimes (for arcane scholastic reasons varying by field, training, and country) be anchored in departments of medicine / technology / mathematics, rather than with other faculty of histsci / HPS. but, increasingly in the anglosphere you'll see departments that cover history of science, technology, and mathematics (HSTM) together. obviously, all of these distinctions say more about professional qualifications and university bureaucracy than they do about the actual subject matter; in actuality, a good history of science should virtually always include attention to some philosophical and sociological dimensions, and vice versa.
anyway—reading recs:
there are two general reference texts i would recommend here if you just want to get some compilations of major / 'canonical' works in this field. both are edited volumes, so you can skip around in them as much as you want. both are also very limited in focus to, again, a very particular 'western canon' defined largely by trends in anglo academia over the past half-century or so.
philosophy of science: the central issues (1998 [2013], ed. martin curd & j. a. cover). this is an anthology of older readings in philsci. it's a good introduction to many of the methodological questions and problems that the field has grown around; most of these readings have little to no historical grounding and aren't pretending otherwise.
the cambridge history of science (8 vols., 2008–2020, gen. eds. david c. lindberg & ron numbers). no one reads this entire set because it's long as shit. however, each volume has its own temporal / topical focus, and the essays function as a crash-course in historical methodology in addition to whatever value you derive from the case studies in their own right. i like these vols much more than the curd & cover, but if you really want to dig into the philosophical issues and not the histories, curd & cover might be more fun.
besides those, here are some readings in histsci / philsci that i'd recommend if you're interested. for consistency i ordered these by publication date, but bolded a few i would recommend as actual starting points lol. again some of these focus on specific historical cases, but are also useful imo methodologically, regardless of how much you care about the specific topic being discussed.
Robert M. Young. 1969. "Malthus and the Evolutionists: The Common Context of Biological and Social Theory." Past & Present 43: 109–145.
David Bloor. 1976 [1991]. Knowledge and Social Imagery. Chicago: University of Chicago Press (here is a really useful extract that covers the main points of this text).
Ian Hacking. 1983. Representing and Intervening: Introductory Topics in the Philosophy of Natural Science. Cambridge: Cambridge University Press.
Steven Shapin. 1988. “Understanding the Merton Thesis.” Isis 79 (4): 594–605.
Steven Shapin and Simon Schaffer. 1989. Leviathan and the Air-Pump: Hobbes, Boyle, and the Experimental Life. Princeton, NJ: Princeton University Press.
Mario Biagioli. 1993. Galileo, Courtier: The Practice of Science in the Culture of Absolutism. Chicago: University of Chicago Press.
Bruno Latour. 1993. The Pasteurization of France. Translated by Alan Sheridan and John Law. Cambridge, MA: Harvard University Press.
Margaret W. Rossiter. 1993. “The Matthew Matilda Effect in Science.” Social Studies of Science 23 (2): 325–41.
Andrew Pickering. 1995. The Mangle of Practice. Chicago: University of Chicago Press.
Porter, Theodore M. Trust in Numbers: The Pursuit of Objectivity in Science and Public Life. Princeton University Press, 1996.
Peter Galison. 1997. “Trading Zone: Coordinating Action and Belief.” In The Science Studies Reader, edited by Mario Biagioli, 137–60. New York: Routledge.
Crosbie Smith. 1998. The Science of Energy: A Cultural History of Energy Physics in Victorian Britain. Chicago: University of Chicago Press.
Chambers, David Wade, and Richard Gillespie. “Locality in the History of Science: Colonial Science, Technoscience, and Indigenous Knowledge.” Osiris 15 (2000): 221–40.
Kuriyama, Shigehisa. The Expressiveness of the Body and the Divergence of Greek and Chinese Medicine. Zone Books, 2002.
Timothy Mitchell. 2002. Rule of Experts: Egypt, Techno-Politics, Modernity. Berkeley: University of California Press.
James A. Secord. 2003. Victorian Sensation: The Extraordinary Publication, Reception, and Secret Authorship of Vestiges of the Natural History of Creation. Chicago: University Of Chicago Press.
Sheila Jasanoff. 2006. “Biotechnology and Empire: The Global Power of Seeds and Science.” Osiris 21 (1): 273–92.
Murphy, Michelle. Sick Building Syndrome and the Problem of Uncertainty: Environmental Politics, Technoscience, and Women Workers. Duke University Press, 2006.
Kapil Raj. 2007. Relocating Modern Science: Circulation and the Construction of Knowledge in South Asia and Europe, 1650–1900. New York: Palgrave Macmillan.
Schiebinger, Londa L. Plants and Empire: Colonial Bioprospecting in the Atlantic World. Harvard University Press, 2007.
Galison, Peter. “Ten Problems in History and Philosophy of Science.” Isis 99, no. 1 (2008): 111–24.
Daston, Lorraine, and Peter Galison. Objectivity. Zone Books, 2010.
Dipesh Chakrabarty. 2011. “The Muddle of Modernity.” American Historical Review 116 (3): 663–75.
Forman, Paul. “On the Historical Forms of Knowledge Production and Curation: Modernity Entailed Disciplinarity, Postmodernity Entails Antidisciplinarity.” Osiris 27, no. 1 (2012): 56–97.
Ashworth, William J. 2014. "The British Industrial Revolution and the the Ideological Revolution: Science, Neoliberalism, and History." History of Science 52 (2): 178–199.
Mavhunga, Clapperton. 2014. Transient Workspaces: Technologies of Everyday Innovation in Zimbabwe. Cambridge, MA: MIT Press.
Lynn Nyhart. 2016. “Historiography of the History of Science.” In A Companion to the History of Science, edited by Bernard Lightman, 7–22. Chichester, UK: Wiley Blackwell.
Rana Hogarth. 2017. Medicalizing Blackness: Making Racial Difference in the Atlantic World, 1780–1840. Chapel Hill: University of North Carolina Press.
Suman Seth. 2018. Difference and Disease: Medicine, Race, and the Eighteenth-Century British Empire. Cambridge, UK: Cambridge University Press.
Aro Velmet. 2020. Pasteur's Empire: Bacteriology and Politics in France, its Colonies, and the World. Oxford: Oxford University Press.
i would also say, as a general rule, these books are generally all so well-known that there are very good book reviews and review essays on them, which you can find through jstor / your library's database. these can be invaluable both because your reading list would otherwise just mushroom out forever, and because a good review can help you decide whether you even need / want to sit down with the book itself in the first place. literally zero shame in reading an academic text secondhand via reviews.
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imsobadatnicknames2 · 4 months
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What's OSR? I've seen you mention it several times in your RPG posts. Is it like a genre of rpg or...?
Hey, sorry I took so long to reply to this lol you probably already just googled it by now.
But like. Anyway.
OSR (Old-School Revival, Old-School Renaissance, and more uncommonly Old-School Rules or Old-School Revolution, no one can really agree on what the R means) is less like a genre and more like a movement or a loosely connected community that seeks to capture the tone, feel and/or playstyle of 70's and 80's fantasy roleplaying games (with a particular emphasis on old-school editions of Dungeons and Dragons, particularly the Basic D&D line but pretty much anything before 3e falls under this umbrella), or at least an idealized version of what people remember those games felt like to play.
There isn't exactly a consensus on what makes a game OSR but here's my personal list of things that I find to be common motifs in OSR game design and GM philosophy. Not every game in the movement features all of these things, but must certainly feature a few of them.
Rulings over rules: most OSR games lack mechanically codified rules for a lot of the actions that in modern D&D (and games influenced by it) would be covered by a skill system. Rather that try to have rules applicable for every situation, these games often have somewhat barebones rules, with the expectation that when a player tries to do something not covered by them the GM will have to make a ruling about it or negotiate a dice roll that feels fair (a common resolution system for this type of situation is d20 roll-under vs a stat that feels relevant, a d6 roll with x-in-6 chance to succeed, or just adjudicating the outcome based on how the player describes their actions)
"The solution is not on your character sheet": Related to the point above, the lack of character skills means that very few problems can be solved by saying "I roll [skill]". E.g. Looking for traps in an OSR game will look less like "I rolled 18 on my perception check" and more like "I poke the flagstones ahead with a stick to check if they're pressure plates" with maybe the GM asking for a roll or a saving throw if you do end up triggering a trap.
High lethality: Characters are squishy, and generally die much more easily. But conversely, character creation is often very quick, so if your character dies you can usually be playing again in minutes as long as there's a decent chance to integrate your new PC into the game.
Lack of emphasis on encounter balance: It's not uncommon for the PCs to find themselves way out of their depth, with encounters where they're almost guaranteed to lose unless they run away or find a creative way to stack the deck in their favor.
Combat as a failure state: Due to the two points above, not every encounter is meant to be fought, as doing so is generally not worth the risk and likely to end up badly. Players a generally better off finding ways to circumvent encounters through sneaking around them, outsmarting them, or out-maneauvering them, fighting only when there's no other option or when they've taken steps to make sure the battle is fought on their terms (e.g. luring enemies into traps or environmental hazards, stuff like that)
Emphasis on inventory and items: As skills, class features and character builds are less significant than in modern D&D (or sometimes outright nonexistent), a large part of the way the players engage with the world instead revolves around what they carry and how they use it. A lot of these games have you randomly roll your starting inventory, and often this will become as much a significant part of your character as your class is, even with seemingly useless clutter items. E.g. a hand mirror can become an invaluable tool for peeping around corners and doorways. This kind of gameplay techncially possible on modern D&D but in OSR games it's often vital.
Gold for XP: somewhat related to the above, in many of these games your XP will be determined by how much treasure you gather, casting players in the role and mindset of trasure hutners, grave robbers, etc.
Situations, not plots: This is more of a GM culture thing than an intrinsic feature of the games, but OSR campaigns will often eschew the long-form GM-authored Epic narrative that has become the norm since the late AD&D 2e era, in favor of a more sandbox-y "here's an initial situation, it's up to you what you do with it" style. This means that you probably won't be getting elaborate scenes plotted out sessions in advance to tie into your backstory and character arc, but it also means increased player agency, casting the GM in the role of less of a plot writer or narrator and more of a referee.
Like I said, these are not universal, and a lot of games that fall under the OSR umbrella will eschew some or most of these (it's very common for a lot of games to drop the gold-for-xp thing in favor of a different reawrd structure), but IMO they're a good baseline for understanding common features of the movement as a whole.
Of course, the OSR movement covers A LOT of different games, which I'd classify in the following categories by how much they deviate from their source of inspiration:
Retroclones are basically recreations of the ruleset of older D&D editions but without the D&D trademark, sometimes with a new coat of paint. E.g. OSRIC and For Gold and Glory are clones of AD&D (1e and 2e respectively); Whitebox and Fantastic Medieval Campaigns are recreations of the original 1974 white box D&D release; Old School Essentials, Basic Fantasy and Labyrinth Lord are clones of the 1981 B/X D&D set. Some of these recreate the original rules as-is, editing the text or reorganizing the information to be clearer but otherwise leaving the meachnics unchanged, while others will make slight rules changes to remove quirks that have come to be considered annoying in hindsight, some of them might mix and match features from different editions, but otherwise they're mostly straight up recreations of old-school D&D releases.
There are games that I would call "old-school compatible", that feature significant enough mechanical changes from old-school D&D to be considered a different game, but try to maintain mechanical compatibility with materials made for it. Games like The Black Hack, Knave, Macchiato Monsters, Dungeon Reavers, Whitehack, etc. play very differently from old-school D&D, and from each other, but you generally can grab any module made for any pre-3e D&D edition and run it with any of them with very little to no effort needed in conversion.
There's a third category that I wouldn't know how to call. Some people call then Nu-OSR or NSR (short for New School revolution) while a small minority of people argue that they aren't really part of the OSR movement but instead their own thing. I've personally taken to calling them "Old School Baroque". These are games that try to replicate different aspects of the tone and feel of old-school fantasy roleplaying games while borrowing few to none mechanics from them and not making any particular attempts to be mechanically compatible. Games like Into the Odd, Mörk Borg, Troika!, a dungeon game, FLEE, DURF, Songbirds, Mausritter, bastards, Cairn, Sledgehammer, and too many more to name. In my opinion this subsection of the OSR space is where it gets interesting, as there's so many different ways people try to recreate that old-school flavor with different mechanics.
(Of course, not everything fits neatly into these, e.g. I would consider stuff like Dungeon Crawl Classics to be somewhere inbetween category 1 and 2, and stuff like GloG or RELIC to be somewhere imbetween categories 2 and 3)
The OSR movement does have its ugly side, as it's to be expected by the fact that a huge part of the driving force behind it is nostalgia. Some people might be in it because it harkens back to a spirit of DIY and player agency that has been lost in traditional fantasy roleplaying games, but it's udneniable that some people are also in it because for them it harkens back to a time before "D&D went woke" when tabletop roleplaying was considered a hobby primarily for and by white men. That being said... generally those types of guys keep to themselves in their own little circlejerk, and it's pretty easy to find OSR spaces that are progressive and have a sinificant number of queer, POC, and marginalized creators.
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starrysharks · 1 year
Text
OK heres zeno coloring tutorial 2.0 !!!! i'm gonna do it kind of in chapters i guess?
chapter 1: choosing base colors
when i'm choosing base colors i always pick everything based on a specific off-white! my 'default' off-white is this kind of very light cyan color but i change it regularly based on character designs/environment/lighting whatever,, examples here!
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for callie in this piece, i based everything off of this pinkish color! her skin tone, tentacles, outfit etc are all chosen to harmonise/contrast with the pink color
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and with this piece, i used a slightly darker blueish color as they're in space but there's still a lot of light... and the lighter colors in the background (the explosion) make a sense of depth i guess? i used that blue color and chose similar cool colors to harmonise with it!
so i more or less base the tone of the colors in the piece off the off-white! warm off-white = warmer colors (like the nova valentine's day art) and cold off white = cooler colors (like the explosion nova and paro art). but i switch up this formula often !!
chapter 2: coloring specific things
here i'll go over some specific textures and stuff like skin and hair ... skin first !!
for skin, i like to use a variety of tones! there are different ways to draw cooler and warmer skintones that other people have gone over way better than i have but basically for skin i use this part of the color wheel and pick the darker tones of oranges/reds/pinks etc. (for darker skintones, i go to the middle of the color square thingy, and for lighter tones, i usually slide down the upper-right side)
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when it comes to shading skintones, it's pretty straightforward, just a darkish-purple and a pinkish color on 100% multiply, and i always add a little shadow on the nose and blush becuz i think it's cute
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(also i like to add reflective spots on darker skin tones sometimes because 1. darker skin tones reflect in real life and 2. it's fun)
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next up is hair... this is very specific to my artstyle but i like to add 3-6 long oval line thingies to the hair to mimic reflection ! it looks cool, it's a good way to show off different colors in the design and i like to switch it up sometimes based on a character's personality!! (like how the frye pic above has a lighting bolt shaped hair thing, or how my teto design has a wing shaped hair thing to mimic her wings in her chimera form!) (note: it doesn't always need to be lighter than the actually hair color and it usually isn't)
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for other materials like metal, screens, etc etc... i just add random X marks lol... and reflections!!!
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(also, just a general thing, but adding little saturated lines to shading really adds depth and color imo!!)
i would put more tips with refs but tumbles only allows 10 images per post ;w; so i will simply close off by saying don't be afraid to add overlays and filters to your art!! overlays can really help harmonise colors and filters like brightness and contrast can help colors pop... try not to completely rely on them for color choice tho!!
and that's basically it !!! this is not a definitive 'how to draw/color' post... i am not a color theorist... i just wanted to show people how i choose colors cuz a lot of people say they like my color choices! honestly i don't know much myself but i hope that this and the philosophy of 'do what looks good' will help you all o_ob thank you and goodbye
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thesirencult · 7 months
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PAC READING: YOUR DIVINE FEMININE'S AURA
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Discussing your feminine's general aura and characteristics. Friendly for both men and girls/theys who like girls. You can also pick it to see how your aura is as a feminine ❤️
Book your reading by sending me a private message xoxo S.
Pile 1
7 of pentacles, 8 of pentacles, 10 of swords
Your DF has the aura of a sweet herbal witch. She lives in her little cabin in the woods and like a fairy she works on perfecting her craft. Greens and purples look great on her.
This is a slow and steady energy. This is someone who loves taking their time. She loves learning and implementing her skills. Making coffee becomes a daily ritual and same goes as washing the dishes.
Her attention to detail is immaculate and that can drive you crazy sometimes but you know that with all that good comes some bad. Very well presented, you can take her anywhere and all eyes will be on her. Very earthy, stable and focused on building a foundation for all things practical before she jumps onto commitment.
Her steady "working on myself" attitude stems from getting backstabbed one too many times. She knows that she has to build herself up and after that all her dreams will manifest. She is into self development and may love going through that tag on Tumblr. She may even be a blogger herself.
She is investing in herself and doesn't shy away from learning about accounting or law. Nothing will stand on her way to that cute fairy cottage *aggressive cute walk* 😉.
Pile 2
9 of pentacles, queen of swords, the magician
Whoever has this DF as a counterpart or has that aura, WOW. Miss Independent. A handful. We love seeing that *sprinkle, sprinkle* here. CEO. That's C-Suite energy!
This woman is someone powerful and dominant. Like a race horse you will always bet on because you KNOW, it will always come first 😉 (pun intended). She works very very hard for what she wants and similar to pile 1 she can be in accounting, finance and law. Good with numbers and her hands. I bet she has a dirty sense of humour.
From the first moment you see her you will know she is the real deal. Others blend in the background while she power walks in the room. Penetrating stare and red bottom high heels, her allure is different. She doesn't have to show dominance, others feel that she is the boss. Mami energy. Ferocious when someone comes for her loved ones. She could even be in law enforcement.
Red and brown. Symbolising high energy that's still grounded and serious. Do not cross her.
Pile 3
King Of Swords, Knight Of Wands, Ace Of Swords
Now, this one? A handful ! Try to tie her down. You just can't. A brat.
This person is very fluid. They don't care about terms and conditions. They are highly intelligent and her mind walks a thin line between spirituality and logic. The most unconventional, they will find a solution no one sees yet it's right in front of them. Highly intellectual and well versed in philosophy and math.
This reminds of a movie with James Franco where he played a start up founder who was into spirituality. A crazy genius. A party is a party and they will be there.
Partying in Ibiza? They've done that. Phuket for a Muay Thai Camp? That did that last year! Eiffel tower to try a croissant with pistachio filling? They just got back yesterday and guess what? They hate pistachios.
This person is the type to run a start up company focused on clean energy and when shit hits the fun they will call an astrologer and ask for recommendations. They respect everyone. They will listen to your mom and dad when they talk about their days and take mental notes of great ideas. They know great ideas come from the most unconventional places and fields.
Pile 4
Page Of Cups, Page Of Swords, The Fool (5 Of Swords + 8 Of Swords + 5 Of Pentacles flew out)
This can be my age difference pile. They will run you to the ground lol.
This is someone with lots of mental capacity. You ask them about World War II and they will tell you how Nazis and Churchill used astrology and why the war happened and after 5 hours you will be listening to them about Ancient Mesopotamia. "How did we get here?" You will think.
Well, it doesn't matter cause you love listening to their voice and their warm heartfelt laugh. They look innocent and pure and even if they try to intimidate you you will let them think they can but in reality they look like a cinnamon roll and they are a cinnamon roll. Their life was not the best and they have lots of trust issues. They may look innocent but their eyes hide a painful past. Like a kitten thrown out and left out in the cold they feel lost and unappreciated.
You listening to them means the world and you will be shocked at how appreciative they are and how loving with you. They are very romantic and they may have great expectations and daydreams about their love life.
I get that you might start off as friends and meet in a very random way on a daily run or while getting groceries or a tire changed. You will immediately fall in love with them and they will seem like they don't suspect a thing. Let me tell you, they know, they are just too scared to show their feelings and until you grab them and kiss em you won't know how much passion is brewing underneath this innocent and clever facade. They might turn into pile number 2 in a few years lol.
Ready for everything, you will always be a warm embrace and their home when they come back from exploration. You will love how they yawn while reading a book and how they stretch when they wake up showing revealing their tummy. They are cute to you, even if everyone else sees them differently, that's how you view them. They might be a black mysterious cat but you think of them as a tired little kitten waiting for a safe home that will accept them as they are.
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desifleabag · 2 months
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Hello beautiful people out here!
I am Deepali. I am from Pune, Maharashtra. I am 21 years old (shaadi ki umar)
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Desi fleabag? Because I relate the most with that specific character. Horny, messy, vulnerable, and crazy all the time but also considerate, expressive, and kind. I am a desi version of her.
🎀What I like? I like to dance, sing, journal, write poems and stories, and doom scroll all the time
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📍Professional side of me
I did my bachelor's in philosophy. I have been working in an organization for quite a long time. I am a content writer. I am a writer/poet. I am an open mic performer. I have performed at esteemed platforms like tapeatale, poemsindia, kommune, and many more. I am a psychology and sociology student too. I am a co-facilitator and youth lead in different schools through my organization. I have worked on poetry anthology books.
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The most important part of my life is being a poet or a writer. It's been a decade since I started writing, and professionally, it's been two years. My poetry and stories revolve around different and unique topics like mental health, family dynamics, feminism, societal norms and culture, romance, life intricacies, friendship, etc. I love being a poet and telling people stories about me and the world because I believe poetry is everywhere. I have a blog called Sip and Sofa Stories where I share the most wholesome blogs and fun-to-read stories.
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Not much of a reader, but I like reading poetry by Sylvia Plath and more female writers.
💌 Movies and songs? I am a die-hard fan of Bollywood. I listen to 2000s Bollywood and retro songs. No one can challenge me the way I vibe on these songs and dance. My childhood is memorable because of Sunidhi Chauhan, Lata Mangeshkar, Kishore Kumar, RD Burman, Asha Bhosle, Sonu Nigam, Shaan, Arijit Singh, and many more artists. I also listen to Kpop, pop, indie type of music on days when I am dissociating at the fullest. Hold my clutcher, I am a Swiftie and Lana Del Rey fan too, bitch.
I love Bollywood movies, and I am yet to discover more Western movies. I have a bunch of comfort movies like Ye Jawani Hai Dewaani, Piku, Om Shaanti Om, etc.
🪕 My aesthetic type? A combination of Geet and Piku and a little bit of Poo vibe sometimes. But I love desi clothes. Kurti, jhumkas, bindi, bangles, oh god I love being a woman.
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Interesting facts about me :
🌸I have three tattoos on my body (Crescent moon, "you're on your own kid" title, "grateful"). I love getting tattoos!!
🥃Loneliness who? I go to bars, cafes, and parks alone because why not. I fear no god.
💛I never was in a relationship, just some hardcore crushes who crushed my soul.
❤️‍🩹I have been in therapy for almost three years and on and off on meds. GAD (generalized anxiety disorder) gang assemble!
😶‍🌫️I love and hate spending time on LinkedIn. Girl boss era.
💬I write poetry about my crushes and defame my ex-friends. They know it very well! Lol.
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I am a hopeless romantic and a professional delusional person. I will cook the best scenarios in my head and write about them. I romanticize life on another level though there are 156 rupees in my bank account by going to aesthetic cafes.
:¨ ·.· ¨:
`· . ୨୧⭒๋࣭ ⭑ 𝛢𝑛𝑑 𝑤ℎ𝘰'𝑠 𝑔𝘰𝑛𝑛𝑎 𝑘𝑖𝑠𝑠 𝘵ℎ𝑒 𝑏𝑟𝘰𝑤𝑛 ℎ𝑎𝑖𝑟𝑒𝑑 𝑔𝑖𝑟𝑙𝑠,𝑊ℎ𝘰'𝑠 𝑔𝘰𝑛𝑛𝑎 𝑤𝑖𝑝𝑒 𝑎𝑤𝑎𝑦 𝘵ℎ𝑒𝑖𝑟 𝘵𝑒𝑎𝑟𝑠? ⊹ ‧₊˚
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🖇To connect with me
𖹭 kavitavali.deepali to read my poems and stories on instagram
𖹭 sip and sofa stories blog. I write monthly blogs
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Thankyou for reading my long ass introduction! Flying kiss tumhai💋
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sissylittlefeather · 6 months
Text
How the Web Was Woven: Chapter 1
A/N: New series alert! This is a time travel/soulmate AU with Elvis and a reader insert. I've had this one in my head for a while, so I hope you enjoy it! It'll get spicy soon, but this chapter is mostly setup. Hang in there! I think this'll be good! Special thanks to my beta reader, @ccab for helping me with this one, as always.
Warnings: none really. This is mostly fluffy setup! Oh yeah, there's an erection lol
Word count: ~2.7k
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You've been an Elvis fan for your entire life. Your grandmother was a big fan and it's something the two of you shared while she was alive. Since she passed, you've become even more obsessed, traveling to Graceland and anywhere Elvis performed whenever you have a chance. It's weird, but you have this strange feeling like there's something that ties you to him, despite the fact that he died 10 years before you were born. You don't really tell people this, but everyone who knows you knows how much you love him. Your roommate is consistently amazed at the lengths you'll go to in order to experience something related to him.
"You're really going to miss class for half a week to go to Tupelo?"
"Yes. I don't know why, but I need to be there at the same time he was."
"Y/n, it's 2007. He's not going to be there."
"I know that, Katie. I can't explain it. Just mark me present in algebra, please." She shakes her head with her eyebrows raised.
"If you insist."
******
It's 1957 and Elvis has had a small break since his last show, so he spent it at his new home in Memphis. The house is everything he's ever dreamed of for his family, so he's almost reluctant to go back on the road. Still, he's promised to do another show in his hometown after the one last year was so successful. Going back to Tupelo is always a strange experience for him, especially now that his financial situation has changed so much. His memories there are difficult, at best, so it's strange to go back as a famous performer.
He shakes his head to refocus on the conversation he's in about getting things ready to leave. The Colonel is there and he'll need to get in a car with him soon. No time to ponder the philosophy of how much things can change in a few short years.
"My boy, are you ready to leave? We need to make sure we have plenty of time to get there before the show."
"Yeah, I'm ready. Let me grab my suitcase." He picks up the piece of luggage and wraps his mother in a hug. She whispers in his ear.
"Love you, booby. We'll see you soon." He nods and kisses her cheek. Then, he makes his way to the car and slides into the back seat. Next stop: Tupelo.
******
When you get to Tupelo, you head straight to the fairgrounds where Elvis played his show in '57. There's something magical about being there exactly 50 years later. You wander around the site, closing your eyes to imagine what it must have been like to be there to see him. There's a strange pang in your heart like you miss him, even though you've never met him.
******
Elvis is putting on his best show for all the screaming girls in the audience. He's dressed in a gold jacket and black pants and he's not holding back at all in his performance. He sings, he dances, he wiggles, and the girls go wild.
Something about the energy of the crowd and the feeling of being on stage has him excited. He does his best to hide it during the performance and is pretty sure he manages to keep anyone from noticing. But as soon as the show is over, he knows he's going to need to find somewhere private to either take care of himself or at least adjust his pants so that it's less obvious. He runs down the steps of the stage and heads behind it to try to find some kind of place to do what he needs to do.
As he's walking around quickly, he gets the strangest feeling in his stomach and then runs smack into a girl.
******
You're wandering around where the stage would've been when you run into him. The shock of meeting another person here at the fairgrounds after dark is nothing compared to what you feel when you look up at him as he grabs your upper arms to steady you.
"Honey, be careful. I'm on a mission here."
"Holy shit. You're..."
"Yes. Now I have to..." He looks you up and down and realizes the strange outfit you're wearing. Then he looks up and realizes the stage has disappeared. He looks around frantically, forgetting that he needs to posture himself to hide his erection.
"You're... how? Oh God." You can't believe what's happening. You're pretty sure you must have fallen asleep somewhere. You pinch your arm, just to be sure. But no, this is Elvis Presley. And he has a massive erection.
"What the hell is going on here, honey?" He looks into your eyes fearfully.
"I don't know. Are you really... you?"
"I'm Elvis Presley, if that's what you're asking. Where are we?"
"We're in Tupelo. At the fairgrounds."
"No, that's where I just was." He looks around again and you look down, blushing.
"Are you... are you okay?" You ask sheepishly. He gasps and turns away from you to rearrange himself. When he turns back around, he grabs you by your upper arms and looks into your eyes again.
"What is happening?" Just then, the security guard calls to you from across the grounds.
"Hey! You can't be here!"
"Oh, shit, we need to go. Come with me." You grab his hand and pull him toward the exit. He follows along reluctantly.
"I'm sorry; I know this is weird, but we need to go." You break into a jog and he jogs along with you, still holding your hand. When you finally make it back out to your car in the parking lot, you stop and catch your breath.
"Okay, honey, what the hell is going on?"
"I need you to not freak out when I tell you this." He shrugs.
"I can't make any promises."
"You, well, you travelled through... through time."
"I don't understand."
"Elvis, it's 2007. You've travelled 50 years into the future."
His face goes white and you're afraid he's about to pass out, so you quickly open the car door and let him fall into your front seat.
"The future?"
"Yes."
"2007?!"
"Yes."
"That's why you're dressed so strangely. And why this car is... different..." He looks around your car incredulously. You nod.
"Is this a thing people do in the future? Travel through time?!"
"Oh absolutely not. I don't know how this happened. Also my outfit is not strange. Your outfit is strange." He smiles a little and then leans back against the seat, wiping his forehead with his hand. You walk around the car and slide into the driver's seat. He turns and looks at you.
"Well, I guess I'm stuck here. Where are we going?"
"You're really Elvis Presley?"
"I'm pretty sure." You shake your head, trying not to cry, but the tears start to stream down your face. "Aw, honey, don't cry. Why are you crying?"
"I can't believe it's you. I've loved you forever."
"How do you know who I am?" You open your mouth to answer and then close it quickly. You'll have to be careful with what you say, so you don't tell him too much about his future. Assuming you'll be able to get him back where he came from.
"My grandma was a big fan of your music in the '50s."
"Oh. Your grandma?! I'm sorry. I keep forgetting what year you said it is."
"It's 2007. Exactly 50 years from where you were."
"50 years. Wow. So I'm 72?! Wherever I am." You swallow hard. You can't tell him. You decide to change the subject.
"I need to go home. I guess you'll have to come with me. Unless you object?"
"Where else am I going to go?"
"That's a good point. Back to campus we go."
"Campus?"
"Yeah, I'm in college. You're gonna have to stay at my dorm. I hope that's not too weird." He looks at you with an incredulous smile.
"Everything about this is weird."
"That's valid." You both laugh as you start the car and drive away.
******
When you pull into a parking space on campus, it's close to 1am. He yawns. You forget how tired he must be. You've actually been able to talk quite a bit on the drive and you're surprised at how easy he is to talk to.
"Are we going to have to sneak?" He looks at you curiously.
"Well, no. This is a coed dorm. No one cares."
"A coed dorm?! What has the future come to?"
"Oh, honey, you have no idea." You make your way to the elevator and ride up to your floor. When you get to your door, you realize you're going to have to come up with a story for your roommate.
"Okay. You're an ETA. Follow my lead."
"I'm sorry. A what?"
"Elvis tribute artist. Impersonator. Basically you're a guy that likes to dress up as you." He laughs.
"That exists?"
"Ha. Yeah. Try not to ask too many questions." You put your key in the door and open it carefully. Hopefully, Katie is already in bed and you won't have to have this conversation.
But she's not.
"And just what kind of hour do you call- oh. Hello." She stops her sarcastic greeting when she realizes you're not alone.
"Katie, this is... John. John, this is Katie, my roommate."
"Nice to meet you, Katie." He extends his hand and she takes it slowly. She turns to you.
"I didn't expect you to pick up a stray in Tupelo."
"Yeah, well, look at him. How could I say no?" Her eyes wander back to Elvis and she shrugs.
"I can't say that I blame you. Okay, well, you two don't have too much fun. I'm going to bed now that I know you're home safely." She turns and heads into her bedroom. Thankfully, you live in a suite style dorm, so you each have your own room. You gesture for him to follow you and head into your room.
"You're going to have to stay in here with me. If you sleep on the couch, it'll be too weird. I'm sorry."
"Does she think...? Is this something you do a lot?" He looks at you with a glint in his eye.
"I mean, not a lot. No. Honestly, like never." You feel yourself blush and you look at your feet. He puts his hand under your chin and tips your face up to look at him.
"It's okay. I'm learning quickly that the future is different. I don't mind staying in here with you." Your stomach flip flops when he touches you and you're overwhelmed with a need for him to kiss you. He seems to feel something too because he turns from you and clears his throat.
You go to your drawers and dig for something he can wear. Luckily, you wear a lot of men's sweatpants and oversized t-shirts to sleep, so you get an outfit together for him and show him the bathroom to change. When he comes back out, you laugh. He seems so out of place dressed so casually. You change into pajamas and wash your face, coming back out to find him settled into half of your double bed. You crawl into the bed next to him and he turns over on his side facing you.
"Thank you for taking care of me. You didn't have to do that. You don't know me from Adam."
"Well, I somehow feel like this is my fault. I'm not sure how, but I feel responsible. And I do know you, kind of. Thank you for trusting me to take care of you." He smiles.
"I didn't have much choice. But it's strange. I feel like I know you, somehow. Like we met once and forgot about it. But I know that's not possible. Either way. I'm glad to be here with you." The feeling that you want him to kiss you is back. But he doesn't. Instead, he closes his eyes and is asleep pretty quickly. You roll over and try to go to sleep too, ignoring the racing thoughts in your head.
You really have Elvis Presley in your bed.
******
When you wake up, you're tucked up under his chin with his arm around you. You're not sure how you got this snuggled up, but it feels nice and for a second you forget who he is. He stirs about the same time you do and stretches, wrapping his arms around you tighter. When you realize the situation, you sit up.
"Oh, God, I'm sorry."
"Don't be, honey, it was nice." He yawns and pulls you back down to him. You relax against his chest and he kisses the top of your head.
"You don't even know me." You whisper.
"Yes, I do. And I like you. Is that okay?" You nod and wrap your arms around him.
"What are we doing today?" He seems to be taking being stuck in 2007 in stride. What you don't know is that he's actually really grateful for the break from his performance schedule. And he can't explain it, but he knows you somehow. Or at least, that's how it feels.
"Oh, well, I already missed my 9am class, so I guess we will hang out around town. We need to go to the mall and get you some clothes. You can't be wandering around in that ridiculous gold jacket." He laughs.
"What do guys wear these days?" You think about the skinny jeans and band tees and you're not sure what to tell him. This might be harder than you thought.
******
At the mall, you take him to a store that sells guy's clothes and watch him as he marvels at the modern styles. He's immediately drawn to the studded belts and you laugh, thinking of the studded jumpsuits he'll wear in the '70s. You find some jeans that aren't too skinny and he stands looking at the wall of band t-shirts.
"All of these are rock'n'roll groups?!"
"Well, we don't call it that anymore, but pretty much."
"Which ones do you like?" You point to a few of them and tell him about the music you listen to that isn't his.
"Can we listen to them?"
"Of course! But clothes first." You take him to the fitting rooms and he picks out a few pairs of pants and some button down shirts. You also let him pick out a studded belt and he goes with a pink one with silver studs. When you get to the checkout counter, he's absolutely shocked at how much it costs. You assure him that this is normal and pay for his things. As you walk out, he leans over and whispers.
"If I ever get back to '57, I'll never complain about the cost of things ever again." You laugh and take the hand he offers as you walk through the mall. He's amazed at how many stores there are and all the noise and technology that's around you. He keeps stopping and looking at things, so it takes you a while to make it through. He stops at a calendar kiosk and finds a calendar with photos of himself. You quickly yank it away from him and put it back.
"You can't see that."
"Aw, honey, why not?"
"I can't let you learn anything about your future." He looks at you with concern.
"Is it that bad?"
"Well, not exactly. I just don't want to ruin anything for you. You have to live it."
"If I ever get back."
"You must, or this calendar wouldn't exist. We'll figure something out." He puts his arm around your shoulders as you move on through the mall.
When you get back to the car, you pull a cd from the holder on your car visor and put it in for him to listen to. His eyes widen as the fast-paced drums and guitar chords start.
"Wow."
"This is what you started. You made this happen."
"It's so... it's a lot. But I like it. A lot." He starts moving to the music and you laugh.
"I'd love to see these guys live."
"I have. It's pretty great." He looks at you with envy as you start to sing along to the music. Somewhere inside him, he kind of hopes you won't be able to find a way for him to get back. Everything in this time intrigues him and the thought of leaving you is certainly not appealing, especially once he hears you sing.
Maybe he'll just stay with you forever.
******
Until Chapter 2!
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
Taglist:
@ccab @elvisfatass @elvisalltheway101 @aliypop @18lkpeters @dkayfixates @ashtag6887 @your-nanas-house @deniseinmn @joshuntildawn13 @lookingforrainbows @60svintage
Want to be added to the taglist? Let me know!
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sunnys-out · 7 months
Text
Your damn cherry chapstick | Alex Morgan
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a/n: from this prompt list. Let's pretend that voicemails can actually be this long lol.
Prompt Request: 10. I still remember how you taste...
Warnings: Implied Smut, MDNI, cursing, alcohol
Word Count: 573
Part 2 here
You have one new message
“God, I shouldn't even be doing this, fuck, how long since we talked talked?... I shouldn’t have had that stupid fucking wine... Fuck, like it matters, you probably are going to delete this once you see it’s from me…I’m not here to say congrats on marrying Servando…nah you know that’s not very me.”
Pause
“I regret introducing you to Servando, I really do…I would’ve been the one dancing with you at that Gala. I was just sitting there drinking away at that cheap ass, champagne they gave us and overlooking the campus while you were having the time of your life.”
Pause
“Funny, he looked so happy having you in his arms that day when not even hours before I was in between your legs, Morgan. I thought I had you back completely but you broke up whatever we had and went running to him once we got to the end of the year Gala for Cal Soccer”
Pause
“Do you remember that last time? You showed up at my apartment after skipping your Philosophy lecture wanting to “see me again” after ignoring me for weeks because you were with Servando. Hell, talking lasted 6 minutes before you pushed me against the wall begging me to kiss you…”
“I still remember how you taste, Alex…even the taste of your damn, cherry, chapstick. The sounds you made for me then are ingrained in my head...God, I’ll never forget. The way that it was all because of me and I was the only one who could make you feel that way… you said it yourself. Fuck, I wouldn’t have let you go that morning if I had known it was the last time; maybe things would have been different.”
Pause
“Nah, you knew what you were doing. It was just a fucking goodbye, wasn’t it? Got my hopes up and just broke it the moment you saw Servando?!? Fuck, Alex, you know what, I’m glad I had that career-ending injury in  Portland, I saved myself all that time pining over you, wishing to have your back…”
Pause
“That sounded pathetic of me…’I still remember how you taste, Alex’ like that isn't the sound of pining over someone. Hell, you wouldn’t have said the same for me maybe because I didn’t let you…I was just happy tasting you and having you all to myself.”
Pause
“You know Servando actually texted me asking me if I wanted to be invited to the wedding. Said that I slipped through the cracks in planning…Funny, wonder if that was intentional on your part, babe. Afraid that you’ll leave Servando immediately if you see me. I mean you did that but to me back all those years ago…why wouldn’t you do it again?”...Anyways, Sev, pushed the idea that I give a speech of how I introduced you two…I declined of course…said I was busy.  
Pause 
“Is it cocky for me to assume I was the best you ever have? Probably… Anyways good luck on this marriage thing. Tell Servando that his ass should be happy that I introduced him to “the love of his life”. I hope you remember me the way that I remember you, I love you Alex Morgan, I’ve always had…it’d be ironic if I said don’t be a stranger because you do that all on your own…”
“Don’t you dare text me…I swear to God, Alex Morgan”
End of Message
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soupthatistohot · 9 months
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BSD 110: An Absurdist Analysis
The fate of Aya Kōda
Since my post analyzing BSD 109 in accordance with Asagiri's absurdist storytelling got so much love, I've decided to continue analyzing the chapters thru an absurdist lens when I deem it relevant, and making predictions accordingly. I think that not only is it an effective way of reading BSD, it gives us readers a bit more hope that things will turn out okay when the plot is... like it is right now (lol).
I recommend checking out my BSD 109 post if you haven't already this since I explain the philosophy of the absurd in depth there :)
BSD 110 spoilers below!! Obviously! Also TW for discussion of suicide.
So. I really don't think the ten year-old girl is going to die.
On top of Aya being "the last hope" (more on that later), suicide is one of those things that absurdists really frown upon.
Aya's plan as I understand it right now is to add her weight to the table in order to pull the sword from Bram's body, this is why she jumps. If this works, the sword will be dislodged and she, the sword and the table would fall to the ground, which is very far below -- she would likely die upon impact.
Absurdists really don't like suicide as a solution to hopeless situations, most absurdist storytellers have their characters commit suicide because they have "given up". It's submission, giving into the meaninglessness of our reality rather than rebelling against and embracing the absurd.
We see this with Oda in Dark Era, his suicide mission is framed as him giving up on life because the orphans were killed. Of course, it also served as catalyst for Dazai's character development, compelling him to escape a situation that would have likely ended up in his own eventual suicide. All this to say that even though Asagiri chose to make Oda go on a suicide mission, the overall narrative purpose still lent itself to absurdism through Dazai's decision to defect. It needed to happen for the story to move forward as it has (and as we know from BEAST, there literally cannot be a universe in which both Oda and Dazai are alive).
So, if Aya dies now, what message does this send? It's almost certain that the world will literally end if she does, meaning that everyone's efforts up until this point have all been for naught, which, as I explained in my BSD 109 post, is the opposite of the entire point of BSD as an absurdist text. Aya is really the "last hope" right now, with all our other main characters pretty much screwed or just not present.
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"Nothing is impossible for a warrior of justice. We beat the bad guys and save the world, no matter what happens."
What Aya says right here is something I'd liken to the Dazai quote I brought up with my BSD 109 analysis: "The ones who actually make the world turn are those who scream within the storm of uncertainty and run with flowing blood." Both communicate the idea that there's never an acceptable point in time to give up (suicide), that there's always something more that you can do, even when things seem bleak. Those who "make the world turn" are one in the same with Aya's concept of "warriors of justice."
Aya may not succeed exactly the way we expect her to, but she absolutely is not dying like this. On top of the absurdist storytelling reasons, she's just a child. Of course, we know Asagiri isn't above killing kids, but Aya is a bit different than the other children we've met in BSD. Her character has been built up and developed, she has a fleshed-out backstory, and we've spent a lot of time with her. To kill off a little girl we've come to care about a lot would just be cruel, plus her death wouldn't really serve a narrative purpose right now.
So, what could happen?
One prediction is that Aya adding her weight to the table does dislodge the sword and she falls, but she is saved by another character. We know Kenji and Tecchou are out there right now, we haven't seen Yosano or Kyouka in ages, etc. etc.. Basically, there are definitely people out there that could come to her rescue.
But there's an option I like a lot better: Aya's ability manifests.
Aya Kōda was a 20th century Japanese novelist and essayist, and the namesake for the Aya we know in BSD. As far as we know, all the characters who are named after real-life authors possess an ability inspired by the life/work of said author. Aya doesn't have an ability yet, so logic follows that she will develop one by the end of the series.
I'm not sure where I read this, so take it with a grain of salt, but I believe that in BSD the character's abilities manifest because of trauma. Not only does Aya live in a somewhat emotionally abusive household, but she's literally been thrust into the middle of a conflict in which the world could literally end and has decided to jump off of a tall building to try to save the world -- I'd say that's pretty traumatizing!
I'm not familiar with the irl Aya Kōda's works enough to speculate about what her ability would actually do, but there's a decent chance that because of the current situation, her special ability will manifest in order to prevent her from dying and/or dislodge the sword from Bram. This would also fit absurdist storytelling very well, she's literally doing jumping off a building as a complete last ditch effort, it's a crazy plan that probably won't work -- but her other option is to just accept death, and that's not acceptable. If she were to manifest her ability in this moment, it would reinforce the idea that rebelling against the absurd has value, that even when things seem at their worst there's always something you can do.
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Anyway, these are just my thoughts! Please feel free to add anything you find relevant, especially if you're familiar with Aya's irl counterpart! See you next month ;)
Here's the BSD 110 translation I pulled the panels from.
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