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#So one layer of line art and one layer for colour on it that was it
onehundredfallenpetals · 11 months
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Sleepy Akira clings so hard he drags Goro into bed with him too, forced to cuddle in jeans - how tragic
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omaano · 10 months
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Sleepy boys after a night of hard work for @overlyenthusiastic-personalblog
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jaggedpeak · 2 years
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i guess the last time you had any fun was way back when you weren’t anyone
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artystary · 10 months
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Snork mimimimimi
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bytebun · 2 years
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found an old sketchbook from ~15yrs old — i was convinced i was just absolutely awful with watercolours but actually these… aren’t bad! i can tell baby me was struggling hard with the medium but im quite delighted by some of these studies now.
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thinemoonshine · 10 days
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⋆ ˚。𝒽𝑒𝒶𝓇𝓉𝓈 𝒶𝓃𝒹 𝒽𝒶𝒷𝒾𝓉𝓈 ୨♡୧⋆ ˚。⋆
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enhypen 8th fem!member x hyung line genre: fluff type: oneshot word count: 723
˚ ༘ ೀ⋆。˚ synopsis: in which (y/n), enhypen's 8th member, has certain tendencies that give their boyish dorm teeny touches of femininity... or just plain messes. and eventually, these habits lead to the boys developing their own as well ˚ ༘ ೀ⋆。˚
bringing her scrunchies everywhere (l.hs & p.js)
"Use this," Jay says upon noticing (y/n)'s struggle and helps tie her long hair up into a loose ponytail as she eats her breakfast.
(y/n)'s brows raise and she emits a closed-lip gasp of surprise, occupied with chewing her rice before smiling gratefully at him when he takes the seat in front of her. "Thanks! Where'd you find it?"
"On the couch," the older replies with his lips pulled into that casual, charming half smile of his.
"I think I saw one on the coffee table too," Heeseung chimes in and (y/n) makes a mental note to check on it. Later on, she does in fact find her scrunchie— and not just one of them but two.
After leaving her scrunchies and hairties practically everywhere, Heeseung and Jay tend to be the ones picking them up or the ones to find them— leading them to unintentionally be her very own scrunchie lockers.
Award shows? Heeseung will probably have a pink hairtie around his wrist, hiding under his sleeve. Jay will probably have some stuffed into the pocket of his pants.
En-O' Clock? Jay has some new scrunchies he randomly bought for her still in his bag while Heeseung picked her hairtie up from the makeup room when she got dolled up.
Basically anytime in the dorm? Oh, the scrunchies are layered on their arms like warmers. They might even be using one for their own hair— just walking around the dorm with a palm-tree on their crown held together by soft, fluffy rubber ties.
using flowery coasters (s.jy)
"Look at these new ones I made! Aren't they cute?" (y/n) asks excitedly while showcasing Jake her freshly made pieces of crochet coasters on their coffee table.
He gasps dramatically with a hand flying to his mouth, eyes widening and brows raising to express surprise before he grins brightly at the girl. "Wow~~ These are beautiful, (y/n)! I still can't believe how fast you made these! They're perfect!"
"Thank youuuuu!!" She elongates her word, emphasizing her gratitude towards him for complimenting her works before she looks up at him curiously. "Which one do you like most?"
Jake gazes down affectionately into her expectant eyes, chuckling at how purely ebullient she is and hums thoughtfully with narrowed eyes shifted towards the choices of handiwork. "I like that one."
He points to one in beige with dark green-stemmed yellow tulips adorning its circular shape and (y/n) gives him the piece before choosing another with the same design but different coloured tulips to match with his.
"We have matching ones!" She chirps, holding hers next to his before she goes to find the other members to gift the remaining coasters.
Jake smiles warmly at her furthering back before at the soft material in his hand. Ever since then, he's left the coaster on the table and uses it whenever he has a beverage. A hot drink, cold drink, bottled, canned or boba— uses it for every type.
If he finds another member using it, he won't hesitate to just snatch it before putting it under his drink aka. 'its rightful place,' as Jake calls it. As the collection grows, so does his greed. He is not sharing.
giving his arm/hand (p.sh)
(y/n) crochets, paints, does diamond art, basically all that artsy d.i.y stuff. And sometimes, she needs extra hands to keep things steady— and somehow, Sunghoon's always there.
"Can you hold this for me?" She asks Sunghoon to hold her crochet hook while she tries to untangle the knot in her thread. He holds it, and very stably too.
She's doing some diamond painting and accidentally knocks her small tray of colourful jewels— Sunghoon already has his hand out, palm facing upright and (y/n) naturally puts her sticky canvas on it like it's a dish, not wanting to accidentally knock it away while picking up a few fallen beads.
They're having a photoshoot and (y/n)'s called onto the set but has a mini fan in her hold— Sunghoon magically appears to take it from her then proceeding to stand obediently at his post, watching her and waiting patiently until she finishes to give her back her stuff.
She's out shopping for clothes and groceries— Sunghoon's there with a shopping basket hanging on one arm and her clothes on the other.
Some even say that Sunghoon's her personal assistant.
ᡣ𐭩ྀི₊ ⊹ masterlist ᝰ.ᐟ✮⋆˙
copyright © 2024 thinemoonshine all rights reserved
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tgcg · 8 months
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ms paint. you know her. u used her age 8 to make loads of rainbow ovals all over the canvas and then scramble it with selection tool. now u will know her true powers with my handyrandy tips under the readmore. some will be pretty basic and others are very special.
this post has 8 cool trix to learn for you. enjoy and i may do another in the future if i remember/learn more stuff
some of it might be common knowledge. but its got some deep cuts. all tips have gifs to show process easily.
🙂 enjoy and i hope this encourages you to fuck around in mspaint more
soundtrack for this post (loop it while you learn for advanced learning experience)
TIP 1) the right click trick
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left and right mouse click correspond to col1 and col2 respectively, which u can see in the top bar. this applies to all brushes and the fill tool like above. when using shapes col2 will be the fill colour (if you have solid fill selected). right clicking with shape maker will reverse the colours use on the shape.
TIP 2) right click eraser
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this one is extremely helpful for lineart or add shading. the eraser always uses col2. so your eraser can technically be any colour. but here's where you get powers: right clicking with eraser will only erase onto col1, with col2.
TIP 3) transparent selection change a guy destination
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the beloved transparent selection tool works based on what is selected as col2. so long as you have the correct colour as col2 you can make any image transparent and put it on top of anything else. and yes this works with photo bg as you can see.
TIP 4) the gradience
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this one is a little more complex. you want to start off with any canvas size, and make as many diagonal coloured bands as you want. (protip: holding down shift makes a perfectly diagonal line with line tool)
then you need to resize the canvas to a width of 1px (make sure you resize by pixels, and do not maintain aspect ratio). then resize again back to its original width (or a different width i cant stop you). you will have your lovely gradience.
TIP 5) superimposter
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so. you got a cool gradient and wanna put a guy on it. heres what i do:
i open a 2nd mspaint with same canvas size and draw whatever i want on there. i then pick a completely unrelated colour to my entire piece, and set that as the bg. you could use white, pink, geen, whatever you want as long as it doesnt appear somewhere else in ur drawing. copy the guy.
go back to your gradient tab. ensure that col2 is set as that bg colour you picked (lilac for me). have "transparent selection" enabled. paste your guy in. cue fanfare
TIP 6) advanced superimposter
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the great thing about this method is u can put multiple gradients in multiple areas of the image. this is where it gets all japanese printmaking type of shit. ukiyo-esque
all you need to do is make another canvas with a new gradient, ensure col2 is set as the colour you want to replace, then paste your original piece onto the new gradient. now my guy has a soft fade. you can do this as much as you want. (you could even make a canvas with a texture or photo and paste your drawing onto there)
TIP 7) "sketch layer"
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so as you now know, col2 is what is removed when you click "transparent selection". which means you can also remove any instance of a colour from ur drawing. which means you can have a unique colour for sketch layer and remove it from the drawing later. i admittedly dont do this but it is a great trick to have.
now combine this with lowering your dpi for smoother lines. may seem obvious but it helps. its like a free stabiliser whenever u want.
TIP 8) rainbow art
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now this is where you can get dizzee rascal "bonkers". check out my small and shitty rainbow trick. you can select anything and hold down shift, then drag with left mouse, to turn that selection into its own brush. i even did it with a guy. and you can of course do this with a photo as well.
🙂well that it for now. hope you liked it thanks for reading now back to your regularly scheduled tgcg programming
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dustytufts · 8 months
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Leafkit and Squirrelkit make "travelling herbs" for Sandstorm before she goes for a walk. They're delicious, she assures the kits, through tears in her eyes. They run away proudly, she rushes out of camp for the nearest creek to wash her mouth in. Nasty, she mouths, but she'll eat whatever they make. The kits' smiles make it worth a wet face.
~~~
Had a ton of fun with this one but don't wanna bog down the main post. A lot of unrelated-to-wc process talk below the cut!
So this was a bit of experimentation with a new brush which turned into exploration into gradient maps.
The original idea was simply to modify csp's mechanical pencil brush into something that felt a bit more natural. It started with simply turning on a bit of tilt-controlled thickness and setting my colour to about 80% grey, rather than black. It didn't quite feel right, but setting the brush to blend with the subcolour on each tip, setting the subcolour to the 80% grey and the main colour to the canvas' colour, then setting the brush's blend mode to darken gave me a brush that felt like it had FAR finer line control.
The lines themselves look like this (on a more saturated bg to show how the values layer/fade in and out with pressure and tilt):
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(edit to pic: completely unnoticeable when on the intended base colour*)
This is where the gradient maps come in. The way I usually change my linearts' colours is to make a new layer, mask over it, and manually paint. It gives a lot of control to your end result, but it's time consuming and often takes many adjustments to make it feel like it has enough contrast to make the drawing actually *readable.* If I wanted to add a gradient map to the lineart, it would be unable to read the transparency and would pick from the single value that the lineart is (usually black), then the transparency would take over. This gives me a dull result.
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With the "transparency" being an actual colour, that gives it an actual value for the gradient map to read. So instead of having your lines fade from black to the colour behind it (often desaturating as it goes), it'll go from something like dark blue -> reddish-grey -> orange -> yellow. It adds a little something i think, and while I absolutely don't have this down pat, it could be something interesting to explore!
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I also wanted to go further with this piece, namely painting it rather than a shading layer set on overlay with the aforementioned gradient maps all over it but ... it wasnt happening. The art skills clocked out for the day. That said, I definitely want to explore how this would look if I coloured everything for realsies rather than doing the fallback method. Could be where they really shine!
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may12324 · 5 months
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what are your go-to brushes and what drawing program do you use? I love your line-art and overall art style!
My friend, my pal, my guy.
My secret is, it's pencil.
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My lines are pencil. It's all pencil.
Well.... Kind of. The Borders on this piece are digital, but also, you can tell.
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So like, the rose and hand reaching for the sword, and the very straight lines for the borders. That's all digital. But it is also just a plain circle brush.
I draw most of the piece in pencil, scan it in, edit it a little (like making the head smaller, I always draw it weirdly big). Then I colour it all digitally on Photoshop with a circle brush.
And for those wondering, I have the lineart layers set to multiply and they sit above the colour layers
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Back in the day my very old laptop and tablet didn't have pen pressure, so I had to find a work around for that, and it has stuck ever since. I have pen pressure now, but I also like how pencil lines look.
One day I'll find a nice brush that mimics pencil textures, but today is not that day.
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seiishindraws · 8 months
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I noticed when looking super close at your line art that the there's slight red green and blue on the sides of the lines like an old 80s anime and i think that's super cool! How do you do it?
oh, that's chromatic aberration! i guess you could say its a kind of colour/visual distortion.
it's pretty simple to do, but i usually just use a csp auto action to do it for me to make things go quicker, but i can teach you how to do it manually in most programs.
i'm going to use this silly doodle of me as pompompurin as an example lol
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youre gonna wanna merge everything onto a single separate layer first and then we're gonna work with that merged layer. make two copies of that merged layer so you have three of them in total.
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the top merged layer will be our red layer, so youre going to want to got to EDIT > Tonal Correction > Level Correction
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the level correction graph will pop up. since the top layer will be our red one, select the green level and drag the rightmost arrow on the Output scale all the way to the leftmost side. do the same for the blue level.
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the image should be red like this afterwards.
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the middle layer is going to be our blue layer so do the same thing we did for the top layer except youre going to reduce the green and red levels instead, and the middle layer should be all blue like this.
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for the bottom layer, it will be our green layer. same process as before, reduce the red and blue levels so its all green.
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your layers should be looking like this now
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from here, you want to set the layer modes of the red and blue layers to Screen, DON'T do the same for the bottom green layer though. you'll notice once you've done that, the image will look normal again!
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from here, all you need to do is shift the red layer in one direction, and the blue layer in another, to as much of an extent you want. the further they are from each other, the more drastic the effect will be
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and that's how you do it! my other personal tip would be to add a layer of noise set to Overlay or Soft Light at a lowered opacity over the drawing bc it goes well with the aberration, or even sharpen the image.
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if you dont want to do all that hard work though and you happen to have clip studio paint, just use an auto action, like this one!:
https://assets.clip-studio.com/en-us/detail?id=1713222
anyway i hope that helps? ^^;;;
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mayskalih · 5 months
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hey, i see you have been answering!! so i just wanted to say i LOVE your art, i just love how effortlessly swift your lines look + i enjoy the colors you use.
i was wondering if you had a specific process when rendering the artwork cuz i would be interested&honored to see/know!!!
much love and have a nice day!
Hi anon and thank you!
Here's the general workflow of how I colour in CSP. I usually spend most of my time on lineart, as I enjoy it most, so I keep my rendering simple. Sometimes I skip some of the steps below :)
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Step 1: flats. I add a 'Multiply' layer on top at 10-20% opacity and fill with single colour, usually peach-y one since I like my colours to be warm.
Step 2: gradients. Here I add some variation to the flat colours. I use airbrush for this, or sometimes low-opacity brush that allows colour mixing (Magda). I add blush and gradients to hair and clothing using similar but darker colours.
Step 3: shadows. I use solid round brush (G-pen) and just block in shadow areas on a separate layer set at 'Multiply'. Sometimes I use different colour for skin/clothing/hair.
Step 4: smooth parts of shadow where needed. Not all shadows are sharp and I use Blend tool to soften some areas.
Step 5: adding colour variety. Essentially, I improvise and play with adding different colours until I like it (or hate it and delete everything). I use 'Soft light' and 'Hard lights-out add different colours, usually with airbrush. And add accents (reflections) on 'Overlay' layer.
Hope it helps! Here's the time-lapse:
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uneeorchidee · 2 months
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personal style inspired by Lucy Westenra
Bram Stoker’s classic brought many iconic characters that continue to inspire fashion and art to this day, one of them being Lucy Westenra. Set in 1890’s, her look was based on late Victorian fashion. Described as soft and sweet, her style is very feminine and modest at first, but as her character changes into a deadly vampire, so does her style evolve into a more dark romantic look. To translate that into a personal style, it’s a perfect inspiration to bring both contrasting sides into one single creative and ethereal aesthetic.
I would keep the classic and feminine pieces and softness of colours as base, and mix it with modern, more relaxed cuts and details, as well as accessories and jewelry that add a little bit of edge and pop of colour for that gothic and vampiric element. Waist is usually emphasised/cinched while silhouette is rich on top or bottom. It can be achieved by combining pieces such as long ruffled skirts of sleeves, or lace and lightweight sheer fabrics like organza/chiffon, with lined and harsher pieces like corsets and bodices. Layering over with items that resemble lingerie, slip dresses and nigh gowns also incorporates well into this style. Some of the go-to pieces – lace turtlenecks, corsets, ruffled skirts/dresses, drop jewelry, laced boots, puff sleeve blouses, off shoulder dresses and tops, stockings, floral details, choker necklaces
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colours – off white, silver, peach, muted shades of orange and pink, red
hairstyle – romantic waves or relaxed bun, any type of feminine head piece/accessory
makeup – minimalistic makeup with blurred/stained red lips
Lucy Westenra outfit inspiration
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ethereal, dark romantic, lace pieces, muted colours, ruffles, stained lips, red details, feminine
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moncuries · 3 months
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Hi Monty!! I love your art, and was wondering if you had any tips on rendering?
hi rain! i can give a kind of tutorial if u want! start from here, where i previously showed how i get my bases. I ended up with something like this:
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this already has a lot of interesting colours! Some, however, make no sense with the lighting. to fix this, i take colours already there, and do big, broad strokes:
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from here ill blend out a bit on any shadows that can be softened. i sometimes overdo this! im working on leaving more brushstrokes--i like it better. I also will kind of "carve out" some of these areas to make the shapes interesting (see: sleeve) i also make sure ive "stayed in the lines" (see: belt)
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all of this is on one layer! this is usually when i set my lines to mulitply and mess around with them. i usually colour them purples and reds, depending on what part of the body (redder on face)
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omg what a difference! (jk?) anyways then i go in and use an eraser and a small brush (on a new layer on top of everything) to correct anything that i dont like, or add small details. I zoom out OFTEN because spending too much time zoomed in will make things look janky.
and then i sign it!
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i have other tutorials on colours, how i draw poses/reference, so check out my art tutorial tag for that!
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time-woods · 6 months
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Your art is absolutely gorgeous!! I love your style to pieces! Do you do shading all on the colouring layer in like a painterly style or do you do the multiply layer thing a lot of artists do?
Also! What brush have you been using for the lines on your cosmic guys comic? I want to eat the art it’s so pretty… can’t wait to see more! 💖
thank you ! for non comic pieces i usually do most of my coloring and shading on one layer but for certain comics i use a overlay and a hard light layer for more intense lighting !
but for the majority of my stuff i usually just do it in more of a painterly fashion
and for my liner on my comics i use soft liner/ concept sketch which is apart of the Illustrat0r CG painter brush pack !
its ID is 1895031 on clipstudio paints assets store
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velnna · 7 months
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How do you post so much beautiful art so fast! I’m amazed!
Is it pretty streamline for you now or like do you have tricks up your sleeve to speed the process?
For me it take a few days to make one of those pieces even the memes! So I am in awe
It's a mix of things tbh. Part of it is I worked on my webtoon without missing deadlines for 2+ years (I'm missing them all now but it's for a good cause lol). Which involved making 60-70 panels every week heh. It both made me really quick and less perfectionist, which ultimately cut down the time I used to spend second-guessing things like composition or cleanliness.
Part of it is I streamlined my process in a way that means as long as I have a background reference (or, for instance, screenshots/royalty-free images I can blur out) I colour things in like 10min. I always use the same ish layer combination, automatic actions, etc
I also work at sizes so small that they force me to not even think about detailing or clean lines, and use pencil brushes that make that still kinda work ✏️
Plus I ALWAYS sketch ideas when they come to my head then close the canvas, so at any given point I'm sitting on a pile of WIPs ready to speedrun haha
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foxufortunes · 2 months
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From: unknown number you’ve been invited to a monsters ball lucky you rabbit
Finally, the fic is out, A Monsters' Ball the pro-exy team MSBY Black Jackals (ft Andreil and some rabbits). Details like team line up and positions, alt jerseys, layers and some backstories beneath the cut.
So, our team line up and some details (and yes, I do have a colour coded spreadsheet to keep track of all this, which Neil and Sakusa constantly mess up by being the wrong year for their age bc they're babies, but ages are rough because no everyone has a declared birthday/age) with some art breaks between:
#4 Captain Meian Shuugo - 29, backliner, 5yrs MSBY, 5yrs college, from one of the country's best high school teams, 1 season as captain, trying really hard to be mature and not find everyone's antics funny, eternal rival to Hirugami Fukurou, captain of the champions, the Alders.
#20 V.Captain Hirugami Shouko - 26, backliner, 2yrs MSBY, 5yrs college, from another top high school, middle child of 2 pro-exy players (two of the earliest adopters before it got big, probably ppl who went to uni with Tetsuji and Kayleigh), younger sister of Alders captain Fukurou, joined the Jackals out of desire to say fuck you to her older brother.
#2 Amani Kanoka - 23, striker, rookie MSBY, 5yrs college, from a private all girls high school that became the best in the country, known as the Queens of Exy, very shy, has a lot of confidence issues, that she handles by being the best on court.
#5 Nathaniel Wesninski - 24, striker, MSBY rookie, 1yr Baltimore Wildcats, 4.5 yrs EAU Ravens, 0.5yrs PSU Foxes, joined the Foxes after only a year playing in a nowhere team but was quickly poached by the Ravens at Christmas that year and was a regular member the team the next year under his real name, very flighty, big fan of secrets, no idea how to handle the Jackals' chaos (they're like the Foxes but without the trauma).
#12 Bokuto Koutarou - 24, striker, 1yr MSBY, 5yrs college, one of the top 5 strikers in Japan in high school, another top high school team, ultimate himbo, might have committed tax fraud, has a word of the day calendar he's trying really hard to use properly, known for super sharp angle shots and for just bodying people and the ball.
#15 Sakusa Kiyoomi - 22, striker, rookie MSBY, 5yrs college, championship highschool team several yrs running, one of the top 3 strikers in Japan in high school, collegiate MVP, Team Japan 2016 squad, Team Japan U19 rep, grumpy baby, very into properly folded handkerchiefs, do not touch, preferably do not interact outside of court, speak to him via his adorable cousin or not at all unless saving him from bugs.
Halfway through the team stats, time for some art. The Away Colours! Maybe the racquets change to white too, idk I couldn't be bothered to recolour them though.
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Ok, back to the second half of the team:
#3 Andrew Minyard - 25, goalkeeper, 2yrs MSBY, 3yrs USC Trojans, 2yrs PSU Foxes, best goalkeeper and rookie awards during his rookie season, didn't really tell anyone his plans after university just kind of vanished, only told a handful of people he'd signed for a team, Neil thought he was dead, he has a motorcycle now because city traffic is awful on his sports cars and the stadium is walking distance, sometimes plays defensive dealer.
#6 Inunaki Shion - 26, goalkeeper, 4yrs MSBY, 3yrs college (dropped out to go pro), middling high school only competed nationally once, the vodka aunt of the team, here to get people drunk, instigate drama with the monsters and then sit back and laugh, actually very soft on the youngsters, tolerates stupid nicknames like Inu-san and Wan-san (never get tired of that being translated Mr Dog and Mr Woof).
#9 Adriah Tomas - 27, backliner, 1yr MSBY, a transfer from European leagues, surprisingly fast for his size, just happy to be here, comes across as a bit of an airhead, but is usually right next to Inunaki instigating chaos and then pretending he doesn't understand the language enough to know what happened.
#10 Oliver Barnes - 30, backliner, 2yr MSBY, Team USA 2016/2012 Olympic squads, transfer from America, big friendly softie, dad of the team, actual dad of a 5yo girl, starting to consider retirement into coaching so is happy to spend the end of his elite career with these idiots.
#13 Miya Atsumu - 23, offensive dealer, 5yrs MSBY, Team Japan 2016 Olypmic squad, Team Japan U19 rep, from a top high school, considered the best dealer in Japan in high school, signed straight from high school, a particularly offensive dealer, easily doubles as striker, all rounder (all Jackals are all rounders but the dealers in particular), demanding and thoughtless jerk but not trying to be nasty, can come across as arrogant but is the first to accept his own mistakes.
#21 Hinata Shouyou - 22, defensive dealer, MSBY rookie, 2yrs playing street exy in Brazil, middling high school team on the rise, player backliner in high school despite wanting to be a striker, but learned to play all positions in Brazil, sometimes move position based on what team they're facing, general ray of sunshine, obsessed with exy, does meditation and yoga in the sunrise preferably on a beach.
Ok, team done, have some more art because yes, I did layer these team pics up slowly from the base dri-fit layers to the armour/padding to the jerseys.
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The Jackals provide uniform everything from base layers to padding to anything like compression sleeves, knee/arm pads and everything else. Armour is provided by them to ensure it's up to regulation and team standards, the Jackals require some kind of shoulder padding (most of the team has detachable shoulder pads, while Bokuto and Sakusa who prefer more shoulder rotation and just more coverage respectively, where seperate bicep/shoulder pads). I've talked more about armour on older wip posts, but they're based on lacrosse chest pads. Brief version: strikers were shorter, around the vitals, backliners generally are longer on the sides to protect the ribs, goalies have more coverage because duh, and dealers wear whatever they like. Every single one has either hollow rigid or extra padded piece over the centre of the chest because, especially in younger players, a ball to the chest can stop your heart.
And there we go!
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